During these years he
constantly showed himself possessed of a modern progressive spirit,
and impatient of dead tradition.
constantly showed himself possessed of a modern progressive spirit,
and impatient of dead tradition.
Warner - World's Best Literature - v19 - Oli to Phi
Yours, is it?
"
Sotileza told him it was not; and out of politeness, asked him
to sit down.
-
Cleto took a seat a good distance away from her; then,
looking and looking at her a long while, as if he were trying
to intoxicate himself through the medium of his eyesight to a
sufficient extent to break the trammels that held his tongue, he
at length succeeded in saying:-
« Sotileza, once you sewed on a button for me. Do you recol-
lect about it? "
## p. 11317 (#537) ##########################################
JOSÉ MARIA DE PEREDA
11317
"I'm afraid too many other things have happened since," she
returned smilingly, without looking up from her work.
"Well, for me, it's just the same thing as if it took place
yesterday. "
"Well, what of it, supposing it was so? "
"Whyer why, you see, after that button- It was like
a jewel to me; and I've got it yet, right here on the waistband
of these breeches. Look at it; do you see it? After that button,
I kept coming back and coming back to this house, for there's
no staying in mine; and by gracious! well, you know that, Soti-
leza, that isn't what you might call a habitation at all, nor are
those female kin of mine women like other women, nor is that
man there a man. Well, then, I had never known anything
better than that kind of folks, and for want of knowing better,
I gave you a slap in the face one day; you remember about that.
Holy jinks! if you only knew how sorry I've been for that slap,
ever since. "
-
―
Sotileza began to be overcome with astonishment at the dis-
course she was listening to; for never had anything even remotely
like to this proceeded from Cleto's lips. She fixed her eyes with
interest upon his; but the effect of this was, that she cut short
not only the poor fellow's words but the very breath of his
body.
"But why are you saying these things to me now? " she
demanded.
((
"Because I've got to, Sotileza," Cleto plucked up heart to
respond; that's the reason:- and because nobody else would
be willing to come to you and say them for me. I hope it's no
offense. Now, see here, Sotileza, just see what's happening to
me. I did not know till lately, myself, what was the matter with
me; and I let them go on,- that kind of griping feeling in my
insides and that dizzy feeling in my head, that got hold of me
when I came in here. And you kept on growing up and getting
prettier every day: heavens, what new rail you kept whipping
on nearly every time I saw you! No offense in looking on at
it, was there? at least I hope not; and no more was there,
either, in warming up my heart with a glimpse of this shop now
and then. Over there in our tenement there was nothing of the
kind, by a long chalk: filth and brutishness, the good name of
every person they spoke of pitched head first out of the balcony,
not a scrap of decency about anything they did. By thunder!
it's enough to give a fellow a bad temper, even if he was born
## p. 11318 (#538) ##########################################
11318
JOSÉ MARIA DE PEREDA
with one like sugar. That's the way I came to give you that
slap, Sotileza; if it wasn't, I would tell you so, honestly. Why,
if any one was to say to me, right here and how, 'Cleto, you
go and jump off the ramparts for Sotileza,' I would do it. Soti-
leza, if it could be of the slightest service to you, even if I got
nothing out of it but my broken neck. I never had any of this
kind of feeling before. Here you have a full account of it with-
out asking for it- and without offense, I hope. You see how it
was; it wasn't my fault. I liked those feelings too, in spite of
the pain, I liked them immensely; they made my disposition
of the purest honey, as if I had never had any other. I was
filled up, filled full with them, till it seemed as if my body
wouldn't hold any more. Then afterwards a tumble here and a
stumble there-a heavy surf, as it were, rolling round inside of
me; little sleep of nights, and a lump in my throat all the time.
Look you, Sotileza, I used to think there were no more troubles
than those I had at home; but now I can see that I slept better,
twice over, than since all this trouble began about you. I—I—
don't offend anybody, do I, in talking this way, Sotileza? And
thener, while all that was going on that I was telling you
just now, I got to getting fonder and fonder of you every day,
and I got to having more and more respect for you; and I tried
harder every day to see if I couldn't read your wishes in your
eyes, so that I could go and serve you somehow without your
having to tell me.
"And so all that was going on month in and month out, and
year after year; I was slowly foundering, and there was no
way of getting afloat again. For you see, Sotileza, it's one
thing for a man to be chock full of feelings like this, and
another thing for him to speak up and tell his girl about them,
if he's tongue-tied like me and can't put two words together. It
knocks me all out when I think what you are, and then what
I am,- the very mud of the gutter, in comparison. Well, I just
couldn't hold it all in any longer, and I went to some folks that
understand how to talk about this kind of thing, to get them
to come and see you for me. But what do you think? they
wouldn't do it. There's a nice charitable lot of parties, isn't it,
to lend a hand when a man was in such sore straits as I was?
You are attending, aren't you, Sotileza, to all this I'm telling you?
Well, the upshot of it was, that since nobody would come and
speak to you for me, I had to come and speak to you myself,
and — and — now I'm doing it. "
## p. 11319 (#539) ##########################################
JOSÉ MARIA DE PEREDA
11319
It was no news to Sotileza that Cleto was in love with
her; for she had read it clearly in all his looks and actions for
some time past. She was not surprised, therefore, at his avowal;
but she was surprised, and not a little, that he should have mus-
tered the courage to make it. Looking at him with her serene
gaze, she said to him:
"Of course there's no offense in what you say to me, Cleto;
but in the name of all the saints, what possesses you to make
you say it to me just now? »
"My stars! what always possesses people to tell such things?
So they can be known. "
"Well, I know them, Cleto, I know them: now are you
satisfied? "
"Hum-er-why, no, not altogether. That is not enough,
Sotileza. "
"And what do you wish more? "
"What do I wish more? Gracious goodness! I wish to be a
man like another; I want to live a different kind of life from
what I've been living: you yourself have been the light that has
shown me what another kind of life could be. I want to live
the way life goes on in this little shop of yours; I am dying to
work for you, and to be neat and clean and decent-spoken, like
you. I would kiss the ground you walk on, and try and get you
the very mermaids from the sea, whom no one has ever set eyes
on, if you wanted them. Is it too little that I offer? »
He was veritably transfigured at this moment; and Sotileza
could not but marvel at the change.
"I have never seen you so lively and so talkative as to-day,"
was her answer.
"The mounting wave has burst," he rejoined, getting bolder
still; "and I myself believe I am not what I was before. I've
set myself down sometimes for a regular idiot; but by the living
gracious! I swear I am so no longer, with this that is going
on inside of me, and that makes me talk in spite of myself.
If you can work such a miracle as this without even knowing
it, what miracles could you not work with me when you really
put your mind on it? Now just look at me, Sotileza: I've got no
vices; I never was afraid of work; I haven't a grudge against
a person in the world; I am accustomed to do with little; and
picking out the very best I've had in my life, it has never been
anything but pain and trouble. Seeing here, about you, some-
## p. 11320 (#540) ##########################################
11320
JOSÉ MARIA DE PEREDA
thing so entirely different, you know what a value I set on it-
and whose fault it is that I do. There's a man needed in this
house. Are you taking in what I am telling you, Sotileza? "
For that very
Sotileza was giving heed to it only too well.
reason she replied with a certain curtness:
"Yes, I am; but what of it? "
"Again? Confound it! you make me that answer again,"
cried Cleto angrily. "Or is this your way of saying no, without
saying it directly? "
"Come, Cleto," said Sotileza coldly, "I am not under obliga
tions to answer all the questions you choose to put me on such
particulars, or any others. I live quietly here in my house with-
out speaking ill of anybody. I have none but the kindest wishes
towards you, and I know your value full well; nevertheless I
have my own way of thinking and feeling, and I wish to make
no change in my life at present. "
"What have you said, Sotileza? " exclaimed Cleto in dismay.
"Oh, this is boring a big auger-hole into the hull. I am wrecked,
I am lost. "
"Don't put it in that way; it is not so bad as that.
But sup-
pose, for the sake of argument, that if, instead of the no, Cleto,
which you dread to hear, I should say the yes you ask of me,
how would you be the gainer by that? You have to steal into
this house, carefully hiding your movements from your family
over in yours, even if you come here but for an instant, just to
pass the time of day. If such is the case now, what would it be
if — if the plan you are so anxious for came to pass? "
"You've hit it, Sotileza: that's just what the other folks told
me. But is there any sense and right in such a state of things?
I didn't choose the family that I belong to. "
"Who are the other folks that told you the same thing that I
have? " now inquired Sotileza quickly, ignoring the woe-begone
lamentations of the poor young fellow.
"Father Polinar, in the first place" [the parish schoolmaster].
"Father Polinar? And who next? "
"Don Andres " [a young man of the upper class, in love with
Sotileza himself].
"And you went to-to that person, with this pretty tale?
What did he say to you, pray? "
"He abused me like a pickpocket. He left me for dead, as
you might say, when he got through with me. "
>>>
## p. 11321 (#541) ##########################################
JOSÉ MARIA DE PEREDA
11321
"Well, you see then. When was this? "
"Yesterday afternoon. "
"You deserved all you got. Why do you go to any one with
that nonsense? >>
"Great heavens! don't I keep telling you? My liking for you
choked me; I lacked courage to tell you, and I looked around
for some one else to do it for me. I shall not look any further,
now that I have got the trick of speaking up for myself. But
this is not to the point, Sotileza. "
"What is the point? "
་ Why, that because my folks across the way are a bad lot, I
should have to get the mitten from the only girl I ever loved. "
"I haven't given you the mitten, have I? ”
"Of course it amounts to that, if you shut your door against
me on account of my family over there. "
"I did not even say I was going to do that; I merely put
you the case as a supposition: now do you understand? »
"I'm afraid I do,- born to bad luck that I am.
clearly, for that is what I came to-day to find out.
afraid to speak up and say the worst. "
.
"I beg of you not to make me speak. "
"No, it will be better to speak than keep silent. See here,
Sotileza,- for this is the kind of a person I am: come now, do
you think me of too little account? Then tell me how you
would like me to be, and I shall be only too glad to become that,
cost what it may. Is there some one else who has got the
inside track with you? is that the reason? I tell you I would
be a dozen times as good a man as he, no matter who he is, if
you would take an interest in me. "
"There's a nice piece of conceit, I must say. "
"My very life is bound up in this matter, Sotileza: would
I dare to talk so, otherwise? Oh, I beseech you. The whole
thing is to have a little kindness for me in your heart, and all
the rest will follow as if upon wheels. You will only have to
say to me, 'You've got to do this or do that, or go here or go
there,' and I will jump and do it on the instant. I shall not
disturb you the least bit; a mere corner of the house will do for
me, and the farthest corner at that, even if it be worse than the
one I have now. I will eat the scraps you leave over, of what I
gain for you with my hardest daily toil, so that you may live at
leisure like a lady. I can live on just nothing at all, Sotileza; for
-
But tell me
Don't be
## p. 11322 (#542) ##########################################
11322
JOSÉ MARIA DE PEREDA
as sure as God is in heaven, what makes me fatter than anything
is to have a little order, a grain of human kindness, a scrap or
two of jolly good-nature, in the house. By the powers, how I
should enjoy that kind of thing! So now you see what I beg
of you, what I beseech of you. And you won't be offended, will
you? And you will say yes, Sotileza? I know you will; for one
cannot be allowed to beg in this way for what is impossible. "
The desperate energy of the poor youth only caused Sotileza
to smile. He persisted, but in vain, in trying to draw out a defi-
nite answer from her. His obstinacy in the end annoyed her;
and she showed it. Then Cleto, scowling with his disappointment
and wretchedness, said:-
―___
་
"Will you even admit to me that what I have said to you
does not merely go in at one ear and out at the other? "
"And you, animal, what difference does it make to you? "
snapped out Sotileza, in a nettled, offensive manner that froze
the very blood in his veins. "Who and what are you, anyway,
to bring me to book in this way? "
"Nothing, nothing; the very dust under your feet," he an-
swered with abject humility, conscious too late of the rudeness
and lack of tact he had been guilty of. "The trouble I am in
blinded me, and I spoke without thinking. Don't be put out
with me: it was only that; I swear to you by all—”
"Leave me in peace. "
"Yes, but promise not to lay up a dislike against me,"
pleaded Cleto.
"Get out of here, get away from here, for I can hardly endure
the sight of you. "
"Oh, what an unlucky wretch am I," he groaned. "And will
you never pardon me? »
"No, unless you leave here instantly. "
"Don't be too hard with me: I'm going; I'm gone. "
And with this, Cleto, heavy and woe-begone, sallied forth
from the little shop, whence he had more than half believed in
advance he should sally forth triumphant and joyful.
[Cleto makes various long voyages, returns a much more accomplished
and presentable person, without losing his kindly and upright nature; and
in course of time, Sotileza, having the good sense to feel that this is a much
better match for her than one with Andres in the higher station, marries
him. ]
Translated from the original Spanish by William Henry Bishop.
## p. 11323 (#543) ##########################################
11323
CHARLES PERRAULT
(1628-1703)
W
HERE was Red Riding-Hood born? Over what realm ruled
the parents of. Sleeping Beauty? How long since the Fairy
Godmother saved Cinderella from her hard lot? No one
knows; or whether these charming maidens and others, and clever
Little Thumb, Puss-in-Boots, "Figaro of the Nursery," and their
brothers, are French, German, Persian, Indian, or Egyptian, or from
the Northland. They have wandered over
the world winning friends. Always young
and fascinating, they live through the cen-
turies. They came into existence when
the races of men were young and simple-
minded, and they have become the delight
of unjaded child minds forever. No one
knows when they were first heard of in
France, but their stories were familiar to
the peasants long before finding literary
expression. The charcoal burners around
their forest fires, the fathers and mothers
gathered with the children beside the
hearths in wretched cabins, thrilled with
awe and delight at the myths inherited
from their ancestors; and doubtless modified by their own imagina-
tions. These were the stories first written out, and published toward
the end of the seventeenth century, by Charles Perrault.
Before considering them further, it will be interesting to know
something of the man who, after an arduous public life, turned to
fairy lore when he was over sixty, and in it won lasting fame and
child love.
CHARLES PERRAULT
Charles Perrault, the youngest of four brothers, all of whom be-
came distinguished, was born in Paris, January 12th, 1628. His father,
a barrister, taught him at home; and then sent him to the Collège
de Beauvais. He was a boy of noteworthy intelligence, and with the
most ardent desire for accurate and absolute information. He argued
and philosophized with his masters until ordered to be quiet. Then
he boldly left school, accompanied by a young disciple named Beau-
rain, and wandering in the Luxembourg Garden, the truants laid out
a plan of home education for themselves. This, strangely enough. -
## p. 11324 (#544) ##########################################
11324
CHARLES PERRAULT
for French boys usually were then as they are now, in strict sub-
servience to their elders, - they were allowed to follow. Perrault's
impatience of routine and surrender to the guidance of his own indi-
viduality lasted always, and led him to employ his versatile talents
in a great variety of ways. He studied law; then wearied of its.
minutiæ after a few years' practice, and resigned his profession. In
1657 he aided his brother Claude, the famous architect, in building a
house; and that so skillfully that in 1663 Colbert chose him to assist
Claude in superintending the royal building operations. One of his
achievements in this capacity was the design for the peristyle of
the Louvre. Witty, genial, popular, versed in art and literature, he
made himself very useful to Colbert; and at the minister's desire was
elected to the Academy in 1671. Upon that authoritative body the
practical Perrault exercised a lasting influence. He ordered all its
business affairs. He brought about election by ballot, and himself
invented and introduced a balloting machine. More than all, he sug-
gested the public receptions to new members, which have given the
Academy so strong a hold upon the nation.
During these years he
constantly showed himself possessed of a modern progressive spirit,
and impatient of dead tradition. When Colbert would have reserved
the palace gardens for royal use, Perrault protested: "I am persuaded
that the gardens of kings are made so great and spacious in order
that all their children may walk in them;" at which Colbert smiled
and left them open to little Parisians.
Perrault was a true royalist, sincerely revering the court and its
customs. His practical work and his panegyrics brought royal favor
and reward. One of these panegyrics - 'Le Siècle de Louis XIV. ’-
caused the famous Battle of the Books, for his share in which Per-
rault was best known in his own day. He read this poem to the
Academy, and its extolling of the present over the past aroused the
wrath of Boileau, who attacked him furiously in behalf of the classics.
A war of epigram ensued; and in his own defense Perrault published
a long poem, tedious reading now,-'Le Parallèle des Anciens et
des Modernes. ' Here again he showed his belief that the new and
the future promised more than the past. Each side had supporters;
neither side won: but the battle raged hotly for years, and was long
continued in England.
Colbert was a crabbed, difficult master, and grew more so. And
Perrault married the lady of his own choice, not Colbert's for him,
which made trouble. So his position became irksome; and in 1683
he resigned. After 1686 he devoted himself to authorship; and wrote
a versified history, short poems, and religious works.
He was glad to exchange public intrigue for simple home life;
"glad to train his children and turn from what was artificial to what
## p. 11325 (#545) ##########################################
CHARLES PERRAULT
11325
was vital and genuine. " In 1691 he published anonymously the first
of his famous tales. This was 'La Marquise de Salusses, ou La Pa-
tience de Grisilidis,'—our Patient Griselda. The plot, borrowed from
Boccaccio, he treated in verse less able than his prose, and suggestive
of an imitation of La Fontaine. Les Souhaits Ridicules' (The Fool-
ish Wishes), and 'Peau d'Âne' (The Donkey's Skin), were also written
first in verse.
Perrault may have heard his children telling the old stories that
he himself had heard in childhood; and his mind, wearied of subtlety,
may have found them freshly interesting and beautiful. His 'Contes
de ma Mère l'Oye,' the tales of genial Mother Goose, were first pub-
lished as a collection in 1697. They had already appeared singly,
and in 1694 three of them had been included in the 'Miscellany of
Mostjen, a bookseller of The Hague.
The Contes de ma Mère l'Oye' were published in the name of
Perrault's young son, Perrault d'Armancour, as though written by the
child; and this has greatly confused the critics. The charm of the
stories is their vivid style. The straightforward telling, the choice
of detail, the graphic coloring, the general simplicity of tone, suggest
a child's rendering. But interspersed are witty phrases, often paren-
thetical, mature reflections, and touches of amiable irony, for which
Perrault himself is surely responsible. Each story terminates with an
odd little moral in rhyme, usually omitted from the English versions.
The French mind has always been in sympathy with fairies; not
boisterous tricksy elves like those of Briton and Germany, but deft
little ladies who love to aid unfortunate human protégés. They are
rarely malevolent like the slighted eighth fairy of Sleeping Beauty's
christening. The element of the grotesque and fascinatingly horri-
ble is usually supplied by ogres and ogresses, direct descendants of
the cannibals told about by early voyagers. Like all folk-lore, these
early French tales abound in clever beasts, such as Puss-in-Boots.
To primitive receptivity of heart and mind, it is no more wonderful
that a cat should talk than that it should purr. Inexperience believes
in fairies as readily as in men; hence the delightful matter-of-course
tone in Perrault's enchanted world. The humor is usually a simple
burlesque, as in The Foolish Wishes,' when the black pudding sticks
to the man's nose.
Perrault's stories made refreshing appeal to the courtiers and fine
ladies at magnificent Louis's court. They welcomed them in the spirit
which led them to throw aside silks and velvets, and masquerade as
shepherds and shepherdesses.
Since then many generations of scholars have studied Perrault's
text, finding their successive clues back to shadowy antiquity. For
most of the tales they have discovered fanciful interpretations, based
## p. 11326 (#546) ##########################################
11326
CHARLES PERRAULT
upon recollections of mythology. These may or may not be legiti
mate. Sleeping Beauty may have been winter, and the Prince re-
awakening spring; but children love the story for itself, not for the
metaphor.
'Bluebeard' probably has a more recent origin than the others.
He may have been suggested by mediæval Gilles de Retz, notorious
for cruel murders of children, which he expiated by being publicly
burned. Or he may have been Cormorus, a Breton prince, reputed a
wife-murderer. At any rate, he is firmly established as the fiercest
of nursery bogies.
Perrault's stories have grown in popularity for two hundred years.
England, Germany, and other nations soon took possession of them.
They have been endlessly retold; changed, colored to suit the taste
of the nations which adopted them. But Perrault's brilliant touch is
discernible under all the modifications; and to him directly, we owe
much of our best-loved fairy literature.
-
LITTLE RED RIDING-HOOD
ON
NCE upon a time there lived in a certain village a little
country girl, the prettiest creature was ever seen. Her
mother was excessively fond of her; and her grandmother
doted on her still more. This good woman got made for her a
little red riding-hood; which became the girl so extremely well
that everybody called her Little Red Riding-Hood.
One day her mother, having made some custards, said to
her:
"Go, my dear, and see how thy grandmamma does, for I hear
she has been very ill; carry her a custard, and this little pot of
butter. "
Little Red Riding-Hood set out immediately to go to her
grandmother, who lived in another village.
As she was going through the wood, she met with Gaffer
Wolf, who had a very great mind to eat her up, but he durst
not, because of some fagot-makers hard by in the forest. He
asked her whither she was going. The poor child, who did not
know that it was dangerous to stay and hear a wolf talk, said to
him:-
"I am going to see my grandmamma, and carry her a custard
and a little pot of butter from my mamma. "
"Does she live far off? " said the Wolf.
## p. 11327 (#547) ##########################################
CHARLES PERRAULT
11327
I'll go
"Oh! ay," answered Little Red Riding-Hood: "it is beyond
that mill you see there, at the first house in the village. "
«< Well," said the Wolf, "and I'll go and see her too.
this way and go you that, and we shall see who will be there
soonest. "
The Wolf began to run as fast as he could, taking the near-
est way; and the little girl went by that farthest about, diverting
herself in gathering nuts, running after butterflies, and making
nosegays of such little flowers as she met with. The Wolf was
not long before he got to the old woman's house. He knocked
at the door- tap, tap.
"Who's there? "
"Your grandchild, Little Red Riding-Hood,” replied the Wolf,
counterfeiting her voice; "who has brought you a custard and a
little pot of butter sent you by mamma. "
The good grandmother, who was in bed, because she was
somewhat ill, cried out:
-
"Pull the bobbin, and the latch will go up. "
The Wolf pulled the bobbin, and the door opened; and then
presently he fell upon the good woman and ate her up in a
moment, for it was above three days that he had not touched a
bit. He then shut the door and went into the grandmother's bed,
expecting Little Red Riding-Hood, who came some time after-
wards and knocked at the door-tap, tap.
"Who's there? >>
Little Red Riding-Hood, hearing the big voice of the Wolf,
was at first afraid; but believing her grandmother had got a cold
and was hoarse, answered:
"Tis your grandchild, Little Red Riding-Hood, who has
brought you a custard and a little pot of butter mamma sends
you. "
――――
-
The Wolf cried out to her, softening his voice as much as he
could:
"Pull the bobbin, and the latch will go up. "
་
Little Red Riding-Hood pulled the bobbin, and the door
opened.
The Wolf, seeing her come in, said to her, hiding himself
under the bed-clothes:-
"Put the custard and the little pot of butter upon the stool,
and come and lie down with me. "
## p. 11328 (#548) ##########################################
11328
CHARLES PERRAULT
Little Red Riding-Hood undressed herself and went into bed,
where, being greatly amazed to see how her grandmother looked
in her night-clothes, she said to her:-
"Grandmamma, what great arms you have got! "
"That is the better to hug thee, my dear. "
"Grandmamma, what great legs you have got! "
"That is to run the better, my child. "
"Grandmamma, what great ears you have got! "
"That is to hear the better, my child. "
"Grandmamma, what great eyes you have got! "
"It is to see the better, my child. "
"Grandmamma, what great teeth you have got! "
"That is to eat thee up. "
And saying these words, this wicked wolf fell upon Little
Red Riding-Hood, and ate her all up.
THE SLEEPING BEAUTY IN THE WOOD
HERE were formerly a King and a Queen, who were sorry
TH that they had no children; so sorry that it cannot be ex-
pressed. They went to all the waters in the world; vows,
pilgrimages, all ways were tried, and all to no purpose.
At last, however, the Queen had a daughter. There was a
very fine christening; and the Princess had for her godmothers
all the fairies they could find in the whole kingdom (they found
seven), that every one of them might give her a gift, as was the
custom of fairies in those days. By this means the Princess had
all the perfections imaginable.
After the ceremonies of the christening were over, all the
company returned to the King's palace, where was prepared a
great feast for the fairies. There was placed before every one of
them a magnificent cover, with a case of massive gold, wherein
were a spoon, knife, and fork,-all of pure gold set with dia-
monds and rubies. But as they were all sitting down at table
they saw come into the hall a very old fairy, whom they had not
invited, because it was above fifty years since she had been out
of a certain tower, and she was believed to be either dead or
enchanted.
## p. 11329 (#549) ##########################################
CHARLES PERRAULT
11329
The King ordered her a cover, but could not furnish her with
a case of gold as the others, because they had only seven, made
for the seven fairies. The old Fairy fancied she was slighted,
and muttered some threats between her teeth. One of the young
fairies who sat by her overheard how she grumbled; and judging
that she might give the little Princess some unlucky gift, went
as soon as they rose from the table, and hid herself behind the
hangings, that she might speak last, and repair as much as she
could the evil which the old Fairy might intend.
In the mean while all the fairies began to give their gifts to
the Princess. The youngest gave her for gift that she should be
the most beautiful person in the world; the next, that she should
have the wit of an angel; the third, that she should have a won-
derful grace in everything she did; the fourth, that she should
dance perfectly well; the fifth, that she should sing like a night-
ingale; and the sixth, that she should play all kinds of music to
the utmost perfection.
The old Fairy's turn coming next, with a head shaking more
with spite than age, she said that the Princess should have her
hand pierced with a spindle and die of the wound. This ter-
rible gift made the whole company tremble, and everybody fell
a-crying.
At this very instant the young Fairy came out from behind
the hangings, and spake these words aloud:-
――――
"Assure yourselves, O King and Queen, that your daughter
shall not die of this disaster. It is true, I have no power to
undo entirely what my elder has done. The Princess shall in-
deed pierce her hand with a spindle; but instead of dying, she
shall only fall into a profound sleep, which shall last a hundred
years, at the expiration of which a king's son shall come and
awake her. "
The King, to avoid the misfortune foretold by the old Fairy,
caused immediately the proclamation to be made, whereby every-
body was forbidden, on pain of death, to spin with a distaff
and spindle, or to have so much as any spindle in their houses.
About fifteen or sixteen years after, the King and Queen being
gone to one of their houses of pleasure, the young Princess hap-
pened one day to divert herself in running up and down the
palace; when going up from one apartment to another, she came
into a little room on the top of a tower, where a good old woman,
XIX-709
## p. 11330 (#550) ##########################################
11330
CHARLES PERRAULT
alone, was spinning with her spindle. This good woman had
never heard of the King's proclamation against spindles.
"What are you doing there, goody? " said the Princess.
"I am spinning, my pretty child," said the old woman, who
did not know who she was.
"Ha! " said the Princess, "this is very pretty; how do you
do it? Give it to me, that I may see if I can do so. ”
She had no sooner taken it into her hand than, whether being
very hasty at it, somewhat unhandy, or that the decree of the
Fairy had so ordained it, it ran into her hand, and she fell down
in a swoon.
The good old woman, not knowing very well what to do in
this affair, cried out for help. People came in from every quar-
ter in great numbers; they threw water upon the Princess's face,
unlaced her, struck her on the palms of her hands, and rubbed
her temples with Hungary-water; but nothing would bring her
to herself.
And now the King, who came up at the noise, bethought
himself of the prediction of the fairies; and judging very well
that this must necessarily come to pass, since the fairies had said
it, caused the Princess to be carried into the finest apartment in
his palace, and to be laid upon a bed all embroidered with gold
and silver.
One would have taken her for a little angel, she was so very
beautiful; for her swooning away had not diminished one bit of
her complexion,- her cheeks were carnation, and her lips were
coral: her eyes were indeed shut, but she was heard to breathe
softly, which satisfied those about her that she was not dead.
The King commanded that they should not disturb her, but let
her sleep quietly till her hour of awaking was come.
The good Fairy who had saved her life by condemning her
to sleep a hundred years was in the kingdom of Matakin, twelve
thousand leagues off, when this accident befell the Princess: but
she was instantly informed of it by a little dwarf, who had boots
of seven leagues; that is, boots with which he could tread over
seven leagues of ground in one stride. The Fairy came away
immediately, and she arrived, about an hour after, in a fiery
chariot drawn by dragons.
The King handed her out of the chariot, and she approved
everything he had done; but as she had very great foresight, she
## p. 11331 (#551) ##########################################
CHARLES PERRAULT
11331
thought when the Princess should awake she might not know
what to do with herself, being all alone in this old palace; and
this was what she did: she touched with her wand everything in
the palace (except the King and the Queen) — governesses, maids
of honor, ladies of the bed-chamber, gentlemen, officers, stewards,
cooks, undercooks, scullions, guards, with their beefeaters, pages,
footmen; she likewise touched all the horses which were in the
stables, as well pads as others, the great dogs in the outward
court, and pretty little Mopsey too, the Princess's little spaniel,
which lay by her on the bed.
Immediately upon her touching them they all fell asleep, that
they might not awake before their mistress, and that they might
be ready to wait upon her when she wanted them.
The very
spits at the fire, as full as they could hold of partridges and
pheasants, did fall asleep also. All this was done in a moment.
Fairies are not long in doing their business.
And now the King and Queen, having kissed their dear child
without waking her, went out of the palace and put forth a
proclamation that nobody should dare to come near it.
This, however, was not necessary: for in a quarter of an hour's
time there grew up all round about the park such a vast number
of trees, great and small, bushes and brambles, twining one
within another, that neither man nor beast could pass through;
so that nothing could be seen but the very top of the towers of
the palace, and that too not unless it was a good way off. No-
body doubted but the Fairy gave herein a very extraordinary
sample of her art, that the Princess, while she continued sleep-
ing, might have nothing to fear from any curious people.
When a hundred years were gone and passed, the son of the
King then reigning, and who was of another family from that of
the sleeping Princess, being gone a-hunting on that side of the
country, asked:-
What those towers were which he saw in the middle of a great
thick wood?
Every one answered according as they had heard. Some said:
That it was a ruinous old castle, haunted by spirits.
Others, that all the sorcerers and witches of the country kept
there their sabbath or night's meeting.
The common opinion was that an ogre lived there; and that
he carried thither all the little children he could catch, that he
might eat them up at his leisure, without anybody being able to
## p. 11332 (#552) ##########################################
11332
CHARLES PERRAULT
follow him, as having himself alone the power to pass through
the wood.
The Prince was at a stand, not knowing what to believe, when
a very aged countryman spake to him thus:
"May it please your Royal Highness, it is now about fifty
years since I heard from my father, who heard my grandfather
say, that there was then in this castle a princess, the most
beautiful was ever seen; that she must sleep there a hundred
years, and should be waked by a king's son, for whom she was
reserved. »
-:
The young Prince was all on fire at these words, believing,
without weighing the matter, that he could put an end to this
rare adventure; and, pushed on by love and honor, resolved that
moment to look into it.
Scarce had he advanced towards the wood when all the great
trees, the bushes, and the brambles gave way of themselves to
let him pass through; he walked up to the castle which he saw
at the end of a large avenue which he went into; and what a
little surprised him was that he saw none of his people could
follow him, because the trees closed again as soon as he had
passed through them. However, he did not cease from continu-
ing his way: a young and amorous prince is always valiant.
He came into a spacious outward court, where everything he
saw might have frozen up the most fearless person with horror.
There reigned over all a most frightful silence; the image of
death everywhere showed itself, and there was nothing to be
seen but stretched-out bodies of men and animals, all seeming to
be dead. He however very well knew, by the ruby faces and
pimpled noses of the beefeaters, that they were only asleep; and
their goblets, wherein still remained some drops of wine, showed
plainly that they fell asleep in their cups.
He then crossed a court paved with marble, went up the
stairs, and came into the guard chamber, where guards were
standing in their ranks, with their muskets upon their shoulders,
and snoring as loud as they could. After that he went through
several rooms full of gentlemen and ladies all asleep, some stand-
ing, others sitting. At last he came into a chamber all gilded
with gold, where he saw upon a bed, the curtains of which were
all open, the finest sight that was ever beheld,- a princess, who
appeared to be about fifteen or sixteen years of age, and whose
bright, and in a manner resplendent, beauty had somewhat in it
## p. 11333 (#553) ##########################################
CHARLES PERRAULT
11333
divine. He approached with trembling and admiration, and fell
down before her upon his knees.
And now, as the enchantment was at an end, the Princess
awaked; and looking on him with eyes more tender than the
first view might seem to admit of,—
"Is it you, my Prince? " said she to him. "You have waited
a long while. "
The Prince, charmed with these words, and much more with
the manner in which they were spoken, knew not how to show
his joy and gratitude; he assured her that he loved her better.
than he did himself; their discourse was not well connected,
they did weep more than talk,- little eloquence, a great deal of
love. He was more at a loss than she, and we need not wonder
at it: she had time to think on what to say to him; for it is
very probable (though history mentions nothing of it) that the
good Fairy, during so long a sleep, had given her very agreeable
dreams. In short, they talked four hours together, and yet they
said not half what they had to say.
In the mean while all the palace awaked; every one thought
upon their particular business, and as all of them were not in
love they were ready to die for hunger. The chief lady of honor,
being as sharp set as other folks, grew very impatient, and told
the Princess aloud that supper was served up. The Prince helped
the Princess to rise: she was entirely dressed, and very magnifi-
cently, but his Royal Highness took care not to tell her that she
was dressed like his great-grandmother, and had a point band.
peeping over a high collar; she looked not a bit the less charm-
ing and beautiful for all that.
They went into the great hall of looking-glasses, where they
supped, and were served by the Princess's officers; the violins
and hautboys played old tunes, but very excellent, though it was
now above a hundred years since they had played; and after sup-
per, without losing any time, the lord almoner married them in
the chapel of the castle, and the chief lady of honor drew the
curtains. They had but very little sleep-the Princess had no
occasion; and the Prince left her next morning to return into the
city, where his father must needs have been in pain for him.
The Prince told him:-
――――
That he had lost his way in the forest as he was hunting, and
that he had lain in the cottage of a charcoal-burner, who gave
him cheese and brown bread.
## p. 11334 (#554) ##########################################
11334
CHARLES PERRAULT
The King, his father, who was a good man, believed him:
but his mother could not be persuaded it was true, and seeing
that he went almost every day a-hunting, and that he always had
some excuse ready for so doing, though he had lain out three or
four nights together, she began to suspect that he was married;
for he lived with the Princess above two whole years, and had
by her two children, the eldest of which, who was a daughter,
was named Morning, and the youngest, who was a son, they
called Day, because he was a great deal handsomer and more
beautiful than his sister.
The Queen spoke several times to her son, to inform herself
after what manner he did pass his time, and that in this he
ought in duty to satisfy her. But he never dared to trust her
with his secret: he feared her, though he loved her, for she was
of the race of the Ogres, and the King would never have mar-
ried her had it not been for her vast riches; it was even whis-
pered about the court that she had Ogreish inclinations, and
that whenever she saw little children passing by, she had all the
difficulty in the world to avoid falling upon them. And so the
Prince would never tell her one word.
But when the King was dead, which happened about two years
afterwards, and he saw himself lord and master, he openly de-
clared his marriage; and he went in great ceremony to conduct
his Queen to the palace. They made a magnificent entry into
the capital city, she riding between her two children.
Soon after, the King went to make war with the Emperor
Contalabutte, his neighbor. He left the government of the king-
dom to the Queen his mother, and earnestly recommended to
her care his wife and children. He was obliged to continue his
expedition all the summer; and as soon as he departed the Queen-
mother sent her daughter-in-law to a country house among the
woods, that she might with the more ease gratify her horrible
longing.
Some few days afterward she went thither herself, and said
to her clerk of the kitchen:
"I have a mind to eat little Morning for my dinner to-
morrow. "
"Ah, madam! " cried the clerk of the kitchen.
"I will have it so," replied the Queen (and this she spoke in
the tone of an Ogress who had a strong desire to eat fresh meat),
"and will eat her with a sauce, Robert. "
## p. 11335 (#555) ##########################################
CHARLES PERRAULT
11335
The poor man, knowing very well that he must not play
tricks with Ogresses, took his great knife and went up into little
Morning's chamber. She was then four years old; and came
up to him jumping and laughing, to take him about the neck.
and ask him for some sugar-candy. Upon which he began to
weep, the great knife fell out of his hand, and he went into the
back yard and killed a little lamb, and dressed it with such good
sauce that his mistress assured him she had never eaten anything
so good in her life. He had at the same time taken up little
Morning and carried her to his wife, to conceal her in the lodg-
ing he had at the bottom of the court-yard.
About eight days afterward the wicked Queen said to the
clerk of the kitchen, "I will sup upon little Day. "
He answered not a word, being resolved to cheat her as he
had done before. He went to find out little Day, and saw him
with a little foil in his hand, with which he was fencing with a
great monkey, the child being then only three years of age. He
took him up in his arms and carried him to his wife, that she
might conceal him in her chamber along with his sister; and
in the room of little Day cooked up a young kid, very tender,
which the Ogress found to be wonderfully good.
This was hitherto all mighty well; but one evening this
wicked Queen said to her clerk of the kitchen:
"I will eat the Queen with the same sauce I had with her
children. "
It was now that the poor clerk of the kitchen despaired of
being able to deceive her. The young Queen was turned of
twenty, not reckoning the hundred years she had been asleep;
and how to find in the yard a beast so firm was what puzzled
him. He took then a resolution, that he might save his own
life, to cut the Queen's throat; and going up into her chamber,
with intent to do it at once, he put himself into as great fury
as he could possibly, and came into the young Queen's room
with his dagger in his hand. He would not, however, surprise
her; but told her, with a great deal of respect, the orders he had
received from the Queen-mother.
"Do it; do it" (said she, stretching out her neck).
"Execute
your orders; and then I shall go and see my children, my poor
children, whom I so much and so tenderly loved. "
For she thought them dead ever since they had been taken
away without her knowledge.
## p.
Sotileza told him it was not; and out of politeness, asked him
to sit down.
-
Cleto took a seat a good distance away from her; then,
looking and looking at her a long while, as if he were trying
to intoxicate himself through the medium of his eyesight to a
sufficient extent to break the trammels that held his tongue, he
at length succeeded in saying:-
« Sotileza, once you sewed on a button for me. Do you recol-
lect about it? "
## p. 11317 (#537) ##########################################
JOSÉ MARIA DE PEREDA
11317
"I'm afraid too many other things have happened since," she
returned smilingly, without looking up from her work.
"Well, for me, it's just the same thing as if it took place
yesterday. "
"Well, what of it, supposing it was so? "
"Whyer why, you see, after that button- It was like
a jewel to me; and I've got it yet, right here on the waistband
of these breeches. Look at it; do you see it? After that button,
I kept coming back and coming back to this house, for there's
no staying in mine; and by gracious! well, you know that, Soti-
leza, that isn't what you might call a habitation at all, nor are
those female kin of mine women like other women, nor is that
man there a man. Well, then, I had never known anything
better than that kind of folks, and for want of knowing better,
I gave you a slap in the face one day; you remember about that.
Holy jinks! if you only knew how sorry I've been for that slap,
ever since. "
-
―
Sotileza began to be overcome with astonishment at the dis-
course she was listening to; for never had anything even remotely
like to this proceeded from Cleto's lips. She fixed her eyes with
interest upon his; but the effect of this was, that she cut short
not only the poor fellow's words but the very breath of his
body.
"But why are you saying these things to me now? " she
demanded.
((
"Because I've got to, Sotileza," Cleto plucked up heart to
respond; that's the reason:- and because nobody else would
be willing to come to you and say them for me. I hope it's no
offense. Now, see here, Sotileza, just see what's happening to
me. I did not know till lately, myself, what was the matter with
me; and I let them go on,- that kind of griping feeling in my
insides and that dizzy feeling in my head, that got hold of me
when I came in here. And you kept on growing up and getting
prettier every day: heavens, what new rail you kept whipping
on nearly every time I saw you! No offense in looking on at
it, was there? at least I hope not; and no more was there,
either, in warming up my heart with a glimpse of this shop now
and then. Over there in our tenement there was nothing of the
kind, by a long chalk: filth and brutishness, the good name of
every person they spoke of pitched head first out of the balcony,
not a scrap of decency about anything they did. By thunder!
it's enough to give a fellow a bad temper, even if he was born
## p. 11318 (#538) ##########################################
11318
JOSÉ MARIA DE PEREDA
with one like sugar. That's the way I came to give you that
slap, Sotileza; if it wasn't, I would tell you so, honestly. Why,
if any one was to say to me, right here and how, 'Cleto, you
go and jump off the ramparts for Sotileza,' I would do it. Soti-
leza, if it could be of the slightest service to you, even if I got
nothing out of it but my broken neck. I never had any of this
kind of feeling before. Here you have a full account of it with-
out asking for it- and without offense, I hope. You see how it
was; it wasn't my fault. I liked those feelings too, in spite of
the pain, I liked them immensely; they made my disposition
of the purest honey, as if I had never had any other. I was
filled up, filled full with them, till it seemed as if my body
wouldn't hold any more. Then afterwards a tumble here and a
stumble there-a heavy surf, as it were, rolling round inside of
me; little sleep of nights, and a lump in my throat all the time.
Look you, Sotileza, I used to think there were no more troubles
than those I had at home; but now I can see that I slept better,
twice over, than since all this trouble began about you. I—I—
don't offend anybody, do I, in talking this way, Sotileza? And
thener, while all that was going on that I was telling you
just now, I got to getting fonder and fonder of you every day,
and I got to having more and more respect for you; and I tried
harder every day to see if I couldn't read your wishes in your
eyes, so that I could go and serve you somehow without your
having to tell me.
"And so all that was going on month in and month out, and
year after year; I was slowly foundering, and there was no
way of getting afloat again. For you see, Sotileza, it's one
thing for a man to be chock full of feelings like this, and
another thing for him to speak up and tell his girl about them,
if he's tongue-tied like me and can't put two words together. It
knocks me all out when I think what you are, and then what
I am,- the very mud of the gutter, in comparison. Well, I just
couldn't hold it all in any longer, and I went to some folks that
understand how to talk about this kind of thing, to get them
to come and see you for me. But what do you think? they
wouldn't do it. There's a nice charitable lot of parties, isn't it,
to lend a hand when a man was in such sore straits as I was?
You are attending, aren't you, Sotileza, to all this I'm telling you?
Well, the upshot of it was, that since nobody would come and
speak to you for me, I had to come and speak to you myself,
and — and — now I'm doing it. "
## p. 11319 (#539) ##########################################
JOSÉ MARIA DE PEREDA
11319
It was no news to Sotileza that Cleto was in love with
her; for she had read it clearly in all his looks and actions for
some time past. She was not surprised, therefore, at his avowal;
but she was surprised, and not a little, that he should have mus-
tered the courage to make it. Looking at him with her serene
gaze, she said to him:
"Of course there's no offense in what you say to me, Cleto;
but in the name of all the saints, what possesses you to make
you say it to me just now? »
"My stars! what always possesses people to tell such things?
So they can be known. "
"Well, I know them, Cleto, I know them: now are you
satisfied? "
"Hum-er-why, no, not altogether. That is not enough,
Sotileza. "
"And what do you wish more? "
"What do I wish more? Gracious goodness! I wish to be a
man like another; I want to live a different kind of life from
what I've been living: you yourself have been the light that has
shown me what another kind of life could be. I want to live
the way life goes on in this little shop of yours; I am dying to
work for you, and to be neat and clean and decent-spoken, like
you. I would kiss the ground you walk on, and try and get you
the very mermaids from the sea, whom no one has ever set eyes
on, if you wanted them. Is it too little that I offer? »
He was veritably transfigured at this moment; and Sotileza
could not but marvel at the change.
"I have never seen you so lively and so talkative as to-day,"
was her answer.
"The mounting wave has burst," he rejoined, getting bolder
still; "and I myself believe I am not what I was before. I've
set myself down sometimes for a regular idiot; but by the living
gracious! I swear I am so no longer, with this that is going
on inside of me, and that makes me talk in spite of myself.
If you can work such a miracle as this without even knowing
it, what miracles could you not work with me when you really
put your mind on it? Now just look at me, Sotileza: I've got no
vices; I never was afraid of work; I haven't a grudge against
a person in the world; I am accustomed to do with little; and
picking out the very best I've had in my life, it has never been
anything but pain and trouble. Seeing here, about you, some-
## p. 11320 (#540) ##########################################
11320
JOSÉ MARIA DE PEREDA
thing so entirely different, you know what a value I set on it-
and whose fault it is that I do. There's a man needed in this
house. Are you taking in what I am telling you, Sotileza? "
For that very
Sotileza was giving heed to it only too well.
reason she replied with a certain curtness:
"Yes, I am; but what of it? "
"Again? Confound it! you make me that answer again,"
cried Cleto angrily. "Or is this your way of saying no, without
saying it directly? "
"Come, Cleto," said Sotileza coldly, "I am not under obliga
tions to answer all the questions you choose to put me on such
particulars, or any others. I live quietly here in my house with-
out speaking ill of anybody. I have none but the kindest wishes
towards you, and I know your value full well; nevertheless I
have my own way of thinking and feeling, and I wish to make
no change in my life at present. "
"What have you said, Sotileza? " exclaimed Cleto in dismay.
"Oh, this is boring a big auger-hole into the hull. I am wrecked,
I am lost. "
"Don't put it in that way; it is not so bad as that.
But sup-
pose, for the sake of argument, that if, instead of the no, Cleto,
which you dread to hear, I should say the yes you ask of me,
how would you be the gainer by that? You have to steal into
this house, carefully hiding your movements from your family
over in yours, even if you come here but for an instant, just to
pass the time of day. If such is the case now, what would it be
if — if the plan you are so anxious for came to pass? "
"You've hit it, Sotileza: that's just what the other folks told
me. But is there any sense and right in such a state of things?
I didn't choose the family that I belong to. "
"Who are the other folks that told you the same thing that I
have? " now inquired Sotileza quickly, ignoring the woe-begone
lamentations of the poor young fellow.
"Father Polinar, in the first place" [the parish schoolmaster].
"Father Polinar? And who next? "
"Don Andres " [a young man of the upper class, in love with
Sotileza himself].
"And you went to-to that person, with this pretty tale?
What did he say to you, pray? "
"He abused me like a pickpocket. He left me for dead, as
you might say, when he got through with me. "
>>>
## p. 11321 (#541) ##########################################
JOSÉ MARIA DE PEREDA
11321
"Well, you see then. When was this? "
"Yesterday afternoon. "
"You deserved all you got. Why do you go to any one with
that nonsense? >>
"Great heavens! don't I keep telling you? My liking for you
choked me; I lacked courage to tell you, and I looked around
for some one else to do it for me. I shall not look any further,
now that I have got the trick of speaking up for myself. But
this is not to the point, Sotileza. "
"What is the point? "
་ Why, that because my folks across the way are a bad lot, I
should have to get the mitten from the only girl I ever loved. "
"I haven't given you the mitten, have I? ”
"Of course it amounts to that, if you shut your door against
me on account of my family over there. "
"I did not even say I was going to do that; I merely put
you the case as a supposition: now do you understand? »
"I'm afraid I do,- born to bad luck that I am.
clearly, for that is what I came to-day to find out.
afraid to speak up and say the worst. "
.
"I beg of you not to make me speak. "
"No, it will be better to speak than keep silent. See here,
Sotileza,- for this is the kind of a person I am: come now, do
you think me of too little account? Then tell me how you
would like me to be, and I shall be only too glad to become that,
cost what it may. Is there some one else who has got the
inside track with you? is that the reason? I tell you I would
be a dozen times as good a man as he, no matter who he is, if
you would take an interest in me. "
"There's a nice piece of conceit, I must say. "
"My very life is bound up in this matter, Sotileza: would
I dare to talk so, otherwise? Oh, I beseech you. The whole
thing is to have a little kindness for me in your heart, and all
the rest will follow as if upon wheels. You will only have to
say to me, 'You've got to do this or do that, or go here or go
there,' and I will jump and do it on the instant. I shall not
disturb you the least bit; a mere corner of the house will do for
me, and the farthest corner at that, even if it be worse than the
one I have now. I will eat the scraps you leave over, of what I
gain for you with my hardest daily toil, so that you may live at
leisure like a lady. I can live on just nothing at all, Sotileza; for
-
But tell me
Don't be
## p. 11322 (#542) ##########################################
11322
JOSÉ MARIA DE PEREDA
as sure as God is in heaven, what makes me fatter than anything
is to have a little order, a grain of human kindness, a scrap or
two of jolly good-nature, in the house. By the powers, how I
should enjoy that kind of thing! So now you see what I beg
of you, what I beseech of you. And you won't be offended, will
you? And you will say yes, Sotileza? I know you will; for one
cannot be allowed to beg in this way for what is impossible. "
The desperate energy of the poor youth only caused Sotileza
to smile. He persisted, but in vain, in trying to draw out a defi-
nite answer from her. His obstinacy in the end annoyed her;
and she showed it. Then Cleto, scowling with his disappointment
and wretchedness, said:-
―___
་
"Will you even admit to me that what I have said to you
does not merely go in at one ear and out at the other? "
"And you, animal, what difference does it make to you? "
snapped out Sotileza, in a nettled, offensive manner that froze
the very blood in his veins. "Who and what are you, anyway,
to bring me to book in this way? "
"Nothing, nothing; the very dust under your feet," he an-
swered with abject humility, conscious too late of the rudeness
and lack of tact he had been guilty of. "The trouble I am in
blinded me, and I spoke without thinking. Don't be put out
with me: it was only that; I swear to you by all—”
"Leave me in peace. "
"Yes, but promise not to lay up a dislike against me,"
pleaded Cleto.
"Get out of here, get away from here, for I can hardly endure
the sight of you. "
"Oh, what an unlucky wretch am I," he groaned. "And will
you never pardon me? »
"No, unless you leave here instantly. "
"Don't be too hard with me: I'm going; I'm gone. "
And with this, Cleto, heavy and woe-begone, sallied forth
from the little shop, whence he had more than half believed in
advance he should sally forth triumphant and joyful.
[Cleto makes various long voyages, returns a much more accomplished
and presentable person, without losing his kindly and upright nature; and
in course of time, Sotileza, having the good sense to feel that this is a much
better match for her than one with Andres in the higher station, marries
him. ]
Translated from the original Spanish by William Henry Bishop.
## p. 11323 (#543) ##########################################
11323
CHARLES PERRAULT
(1628-1703)
W
HERE was Red Riding-Hood born? Over what realm ruled
the parents of. Sleeping Beauty? How long since the Fairy
Godmother saved Cinderella from her hard lot? No one
knows; or whether these charming maidens and others, and clever
Little Thumb, Puss-in-Boots, "Figaro of the Nursery," and their
brothers, are French, German, Persian, Indian, or Egyptian, or from
the Northland. They have wandered over
the world winning friends. Always young
and fascinating, they live through the cen-
turies. They came into existence when
the races of men were young and simple-
minded, and they have become the delight
of unjaded child minds forever. No one
knows when they were first heard of in
France, but their stories were familiar to
the peasants long before finding literary
expression. The charcoal burners around
their forest fires, the fathers and mothers
gathered with the children beside the
hearths in wretched cabins, thrilled with
awe and delight at the myths inherited
from their ancestors; and doubtless modified by their own imagina-
tions. These were the stories first written out, and published toward
the end of the seventeenth century, by Charles Perrault.
Before considering them further, it will be interesting to know
something of the man who, after an arduous public life, turned to
fairy lore when he was over sixty, and in it won lasting fame and
child love.
CHARLES PERRAULT
Charles Perrault, the youngest of four brothers, all of whom be-
came distinguished, was born in Paris, January 12th, 1628. His father,
a barrister, taught him at home; and then sent him to the Collège
de Beauvais. He was a boy of noteworthy intelligence, and with the
most ardent desire for accurate and absolute information. He argued
and philosophized with his masters until ordered to be quiet. Then
he boldly left school, accompanied by a young disciple named Beau-
rain, and wandering in the Luxembourg Garden, the truants laid out
a plan of home education for themselves. This, strangely enough. -
## p. 11324 (#544) ##########################################
11324
CHARLES PERRAULT
for French boys usually were then as they are now, in strict sub-
servience to their elders, - they were allowed to follow. Perrault's
impatience of routine and surrender to the guidance of his own indi-
viduality lasted always, and led him to employ his versatile talents
in a great variety of ways. He studied law; then wearied of its.
minutiæ after a few years' practice, and resigned his profession. In
1657 he aided his brother Claude, the famous architect, in building a
house; and that so skillfully that in 1663 Colbert chose him to assist
Claude in superintending the royal building operations. One of his
achievements in this capacity was the design for the peristyle of
the Louvre. Witty, genial, popular, versed in art and literature, he
made himself very useful to Colbert; and at the minister's desire was
elected to the Academy in 1671. Upon that authoritative body the
practical Perrault exercised a lasting influence. He ordered all its
business affairs. He brought about election by ballot, and himself
invented and introduced a balloting machine. More than all, he sug-
gested the public receptions to new members, which have given the
Academy so strong a hold upon the nation.
During these years he
constantly showed himself possessed of a modern progressive spirit,
and impatient of dead tradition. When Colbert would have reserved
the palace gardens for royal use, Perrault protested: "I am persuaded
that the gardens of kings are made so great and spacious in order
that all their children may walk in them;" at which Colbert smiled
and left them open to little Parisians.
Perrault was a true royalist, sincerely revering the court and its
customs. His practical work and his panegyrics brought royal favor
and reward. One of these panegyrics - 'Le Siècle de Louis XIV. ’-
caused the famous Battle of the Books, for his share in which Per-
rault was best known in his own day. He read this poem to the
Academy, and its extolling of the present over the past aroused the
wrath of Boileau, who attacked him furiously in behalf of the classics.
A war of epigram ensued; and in his own defense Perrault published
a long poem, tedious reading now,-'Le Parallèle des Anciens et
des Modernes. ' Here again he showed his belief that the new and
the future promised more than the past. Each side had supporters;
neither side won: but the battle raged hotly for years, and was long
continued in England.
Colbert was a crabbed, difficult master, and grew more so. And
Perrault married the lady of his own choice, not Colbert's for him,
which made trouble. So his position became irksome; and in 1683
he resigned. After 1686 he devoted himself to authorship; and wrote
a versified history, short poems, and religious works.
He was glad to exchange public intrigue for simple home life;
"glad to train his children and turn from what was artificial to what
## p. 11325 (#545) ##########################################
CHARLES PERRAULT
11325
was vital and genuine. " In 1691 he published anonymously the first
of his famous tales. This was 'La Marquise de Salusses, ou La Pa-
tience de Grisilidis,'—our Patient Griselda. The plot, borrowed from
Boccaccio, he treated in verse less able than his prose, and suggestive
of an imitation of La Fontaine. Les Souhaits Ridicules' (The Fool-
ish Wishes), and 'Peau d'Âne' (The Donkey's Skin), were also written
first in verse.
Perrault may have heard his children telling the old stories that
he himself had heard in childhood; and his mind, wearied of subtlety,
may have found them freshly interesting and beautiful. His 'Contes
de ma Mère l'Oye,' the tales of genial Mother Goose, were first pub-
lished as a collection in 1697. They had already appeared singly,
and in 1694 three of them had been included in the 'Miscellany of
Mostjen, a bookseller of The Hague.
The Contes de ma Mère l'Oye' were published in the name of
Perrault's young son, Perrault d'Armancour, as though written by the
child; and this has greatly confused the critics. The charm of the
stories is their vivid style. The straightforward telling, the choice
of detail, the graphic coloring, the general simplicity of tone, suggest
a child's rendering. But interspersed are witty phrases, often paren-
thetical, mature reflections, and touches of amiable irony, for which
Perrault himself is surely responsible. Each story terminates with an
odd little moral in rhyme, usually omitted from the English versions.
The French mind has always been in sympathy with fairies; not
boisterous tricksy elves like those of Briton and Germany, but deft
little ladies who love to aid unfortunate human protégés. They are
rarely malevolent like the slighted eighth fairy of Sleeping Beauty's
christening. The element of the grotesque and fascinatingly horri-
ble is usually supplied by ogres and ogresses, direct descendants of
the cannibals told about by early voyagers. Like all folk-lore, these
early French tales abound in clever beasts, such as Puss-in-Boots.
To primitive receptivity of heart and mind, it is no more wonderful
that a cat should talk than that it should purr. Inexperience believes
in fairies as readily as in men; hence the delightful matter-of-course
tone in Perrault's enchanted world. The humor is usually a simple
burlesque, as in The Foolish Wishes,' when the black pudding sticks
to the man's nose.
Perrault's stories made refreshing appeal to the courtiers and fine
ladies at magnificent Louis's court. They welcomed them in the spirit
which led them to throw aside silks and velvets, and masquerade as
shepherds and shepherdesses.
Since then many generations of scholars have studied Perrault's
text, finding their successive clues back to shadowy antiquity. For
most of the tales they have discovered fanciful interpretations, based
## p. 11326 (#546) ##########################################
11326
CHARLES PERRAULT
upon recollections of mythology. These may or may not be legiti
mate. Sleeping Beauty may have been winter, and the Prince re-
awakening spring; but children love the story for itself, not for the
metaphor.
'Bluebeard' probably has a more recent origin than the others.
He may have been suggested by mediæval Gilles de Retz, notorious
for cruel murders of children, which he expiated by being publicly
burned. Or he may have been Cormorus, a Breton prince, reputed a
wife-murderer. At any rate, he is firmly established as the fiercest
of nursery bogies.
Perrault's stories have grown in popularity for two hundred years.
England, Germany, and other nations soon took possession of them.
They have been endlessly retold; changed, colored to suit the taste
of the nations which adopted them. But Perrault's brilliant touch is
discernible under all the modifications; and to him directly, we owe
much of our best-loved fairy literature.
-
LITTLE RED RIDING-HOOD
ON
NCE upon a time there lived in a certain village a little
country girl, the prettiest creature was ever seen. Her
mother was excessively fond of her; and her grandmother
doted on her still more. This good woman got made for her a
little red riding-hood; which became the girl so extremely well
that everybody called her Little Red Riding-Hood.
One day her mother, having made some custards, said to
her:
"Go, my dear, and see how thy grandmamma does, for I hear
she has been very ill; carry her a custard, and this little pot of
butter. "
Little Red Riding-Hood set out immediately to go to her
grandmother, who lived in another village.
As she was going through the wood, she met with Gaffer
Wolf, who had a very great mind to eat her up, but he durst
not, because of some fagot-makers hard by in the forest. He
asked her whither she was going. The poor child, who did not
know that it was dangerous to stay and hear a wolf talk, said to
him:-
"I am going to see my grandmamma, and carry her a custard
and a little pot of butter from my mamma. "
"Does she live far off? " said the Wolf.
## p. 11327 (#547) ##########################################
CHARLES PERRAULT
11327
I'll go
"Oh! ay," answered Little Red Riding-Hood: "it is beyond
that mill you see there, at the first house in the village. "
«< Well," said the Wolf, "and I'll go and see her too.
this way and go you that, and we shall see who will be there
soonest. "
The Wolf began to run as fast as he could, taking the near-
est way; and the little girl went by that farthest about, diverting
herself in gathering nuts, running after butterflies, and making
nosegays of such little flowers as she met with. The Wolf was
not long before he got to the old woman's house. He knocked
at the door- tap, tap.
"Who's there? "
"Your grandchild, Little Red Riding-Hood,” replied the Wolf,
counterfeiting her voice; "who has brought you a custard and a
little pot of butter sent you by mamma. "
The good grandmother, who was in bed, because she was
somewhat ill, cried out:
-
"Pull the bobbin, and the latch will go up. "
The Wolf pulled the bobbin, and the door opened; and then
presently he fell upon the good woman and ate her up in a
moment, for it was above three days that he had not touched a
bit. He then shut the door and went into the grandmother's bed,
expecting Little Red Riding-Hood, who came some time after-
wards and knocked at the door-tap, tap.
"Who's there? >>
Little Red Riding-Hood, hearing the big voice of the Wolf,
was at first afraid; but believing her grandmother had got a cold
and was hoarse, answered:
"Tis your grandchild, Little Red Riding-Hood, who has
brought you a custard and a little pot of butter mamma sends
you. "
――――
-
The Wolf cried out to her, softening his voice as much as he
could:
"Pull the bobbin, and the latch will go up. "
་
Little Red Riding-Hood pulled the bobbin, and the door
opened.
The Wolf, seeing her come in, said to her, hiding himself
under the bed-clothes:-
"Put the custard and the little pot of butter upon the stool,
and come and lie down with me. "
## p. 11328 (#548) ##########################################
11328
CHARLES PERRAULT
Little Red Riding-Hood undressed herself and went into bed,
where, being greatly amazed to see how her grandmother looked
in her night-clothes, she said to her:-
"Grandmamma, what great arms you have got! "
"That is the better to hug thee, my dear. "
"Grandmamma, what great legs you have got! "
"That is to run the better, my child. "
"Grandmamma, what great ears you have got! "
"That is to hear the better, my child. "
"Grandmamma, what great eyes you have got! "
"It is to see the better, my child. "
"Grandmamma, what great teeth you have got! "
"That is to eat thee up. "
And saying these words, this wicked wolf fell upon Little
Red Riding-Hood, and ate her all up.
THE SLEEPING BEAUTY IN THE WOOD
HERE were formerly a King and a Queen, who were sorry
TH that they had no children; so sorry that it cannot be ex-
pressed. They went to all the waters in the world; vows,
pilgrimages, all ways were tried, and all to no purpose.
At last, however, the Queen had a daughter. There was a
very fine christening; and the Princess had for her godmothers
all the fairies they could find in the whole kingdom (they found
seven), that every one of them might give her a gift, as was the
custom of fairies in those days. By this means the Princess had
all the perfections imaginable.
After the ceremonies of the christening were over, all the
company returned to the King's palace, where was prepared a
great feast for the fairies. There was placed before every one of
them a magnificent cover, with a case of massive gold, wherein
were a spoon, knife, and fork,-all of pure gold set with dia-
monds and rubies. But as they were all sitting down at table
they saw come into the hall a very old fairy, whom they had not
invited, because it was above fifty years since she had been out
of a certain tower, and she was believed to be either dead or
enchanted.
## p. 11329 (#549) ##########################################
CHARLES PERRAULT
11329
The King ordered her a cover, but could not furnish her with
a case of gold as the others, because they had only seven, made
for the seven fairies. The old Fairy fancied she was slighted,
and muttered some threats between her teeth. One of the young
fairies who sat by her overheard how she grumbled; and judging
that she might give the little Princess some unlucky gift, went
as soon as they rose from the table, and hid herself behind the
hangings, that she might speak last, and repair as much as she
could the evil which the old Fairy might intend.
In the mean while all the fairies began to give their gifts to
the Princess. The youngest gave her for gift that she should be
the most beautiful person in the world; the next, that she should
have the wit of an angel; the third, that she should have a won-
derful grace in everything she did; the fourth, that she should
dance perfectly well; the fifth, that she should sing like a night-
ingale; and the sixth, that she should play all kinds of music to
the utmost perfection.
The old Fairy's turn coming next, with a head shaking more
with spite than age, she said that the Princess should have her
hand pierced with a spindle and die of the wound. This ter-
rible gift made the whole company tremble, and everybody fell
a-crying.
At this very instant the young Fairy came out from behind
the hangings, and spake these words aloud:-
――――
"Assure yourselves, O King and Queen, that your daughter
shall not die of this disaster. It is true, I have no power to
undo entirely what my elder has done. The Princess shall in-
deed pierce her hand with a spindle; but instead of dying, she
shall only fall into a profound sleep, which shall last a hundred
years, at the expiration of which a king's son shall come and
awake her. "
The King, to avoid the misfortune foretold by the old Fairy,
caused immediately the proclamation to be made, whereby every-
body was forbidden, on pain of death, to spin with a distaff
and spindle, or to have so much as any spindle in their houses.
About fifteen or sixteen years after, the King and Queen being
gone to one of their houses of pleasure, the young Princess hap-
pened one day to divert herself in running up and down the
palace; when going up from one apartment to another, she came
into a little room on the top of a tower, where a good old woman,
XIX-709
## p. 11330 (#550) ##########################################
11330
CHARLES PERRAULT
alone, was spinning with her spindle. This good woman had
never heard of the King's proclamation against spindles.
"What are you doing there, goody? " said the Princess.
"I am spinning, my pretty child," said the old woman, who
did not know who she was.
"Ha! " said the Princess, "this is very pretty; how do you
do it? Give it to me, that I may see if I can do so. ”
She had no sooner taken it into her hand than, whether being
very hasty at it, somewhat unhandy, or that the decree of the
Fairy had so ordained it, it ran into her hand, and she fell down
in a swoon.
The good old woman, not knowing very well what to do in
this affair, cried out for help. People came in from every quar-
ter in great numbers; they threw water upon the Princess's face,
unlaced her, struck her on the palms of her hands, and rubbed
her temples with Hungary-water; but nothing would bring her
to herself.
And now the King, who came up at the noise, bethought
himself of the prediction of the fairies; and judging very well
that this must necessarily come to pass, since the fairies had said
it, caused the Princess to be carried into the finest apartment in
his palace, and to be laid upon a bed all embroidered with gold
and silver.
One would have taken her for a little angel, she was so very
beautiful; for her swooning away had not diminished one bit of
her complexion,- her cheeks were carnation, and her lips were
coral: her eyes were indeed shut, but she was heard to breathe
softly, which satisfied those about her that she was not dead.
The King commanded that they should not disturb her, but let
her sleep quietly till her hour of awaking was come.
The good Fairy who had saved her life by condemning her
to sleep a hundred years was in the kingdom of Matakin, twelve
thousand leagues off, when this accident befell the Princess: but
she was instantly informed of it by a little dwarf, who had boots
of seven leagues; that is, boots with which he could tread over
seven leagues of ground in one stride. The Fairy came away
immediately, and she arrived, about an hour after, in a fiery
chariot drawn by dragons.
The King handed her out of the chariot, and she approved
everything he had done; but as she had very great foresight, she
## p. 11331 (#551) ##########################################
CHARLES PERRAULT
11331
thought when the Princess should awake she might not know
what to do with herself, being all alone in this old palace; and
this was what she did: she touched with her wand everything in
the palace (except the King and the Queen) — governesses, maids
of honor, ladies of the bed-chamber, gentlemen, officers, stewards,
cooks, undercooks, scullions, guards, with their beefeaters, pages,
footmen; she likewise touched all the horses which were in the
stables, as well pads as others, the great dogs in the outward
court, and pretty little Mopsey too, the Princess's little spaniel,
which lay by her on the bed.
Immediately upon her touching them they all fell asleep, that
they might not awake before their mistress, and that they might
be ready to wait upon her when she wanted them.
The very
spits at the fire, as full as they could hold of partridges and
pheasants, did fall asleep also. All this was done in a moment.
Fairies are not long in doing their business.
And now the King and Queen, having kissed their dear child
without waking her, went out of the palace and put forth a
proclamation that nobody should dare to come near it.
This, however, was not necessary: for in a quarter of an hour's
time there grew up all round about the park such a vast number
of trees, great and small, bushes and brambles, twining one
within another, that neither man nor beast could pass through;
so that nothing could be seen but the very top of the towers of
the palace, and that too not unless it was a good way off. No-
body doubted but the Fairy gave herein a very extraordinary
sample of her art, that the Princess, while she continued sleep-
ing, might have nothing to fear from any curious people.
When a hundred years were gone and passed, the son of the
King then reigning, and who was of another family from that of
the sleeping Princess, being gone a-hunting on that side of the
country, asked:-
What those towers were which he saw in the middle of a great
thick wood?
Every one answered according as they had heard. Some said:
That it was a ruinous old castle, haunted by spirits.
Others, that all the sorcerers and witches of the country kept
there their sabbath or night's meeting.
The common opinion was that an ogre lived there; and that
he carried thither all the little children he could catch, that he
might eat them up at his leisure, without anybody being able to
## p. 11332 (#552) ##########################################
11332
CHARLES PERRAULT
follow him, as having himself alone the power to pass through
the wood.
The Prince was at a stand, not knowing what to believe, when
a very aged countryman spake to him thus:
"May it please your Royal Highness, it is now about fifty
years since I heard from my father, who heard my grandfather
say, that there was then in this castle a princess, the most
beautiful was ever seen; that she must sleep there a hundred
years, and should be waked by a king's son, for whom she was
reserved. »
-:
The young Prince was all on fire at these words, believing,
without weighing the matter, that he could put an end to this
rare adventure; and, pushed on by love and honor, resolved that
moment to look into it.
Scarce had he advanced towards the wood when all the great
trees, the bushes, and the brambles gave way of themselves to
let him pass through; he walked up to the castle which he saw
at the end of a large avenue which he went into; and what a
little surprised him was that he saw none of his people could
follow him, because the trees closed again as soon as he had
passed through them. However, he did not cease from continu-
ing his way: a young and amorous prince is always valiant.
He came into a spacious outward court, where everything he
saw might have frozen up the most fearless person with horror.
There reigned over all a most frightful silence; the image of
death everywhere showed itself, and there was nothing to be
seen but stretched-out bodies of men and animals, all seeming to
be dead. He however very well knew, by the ruby faces and
pimpled noses of the beefeaters, that they were only asleep; and
their goblets, wherein still remained some drops of wine, showed
plainly that they fell asleep in their cups.
He then crossed a court paved with marble, went up the
stairs, and came into the guard chamber, where guards were
standing in their ranks, with their muskets upon their shoulders,
and snoring as loud as they could. After that he went through
several rooms full of gentlemen and ladies all asleep, some stand-
ing, others sitting. At last he came into a chamber all gilded
with gold, where he saw upon a bed, the curtains of which were
all open, the finest sight that was ever beheld,- a princess, who
appeared to be about fifteen or sixteen years of age, and whose
bright, and in a manner resplendent, beauty had somewhat in it
## p. 11333 (#553) ##########################################
CHARLES PERRAULT
11333
divine. He approached with trembling and admiration, and fell
down before her upon his knees.
And now, as the enchantment was at an end, the Princess
awaked; and looking on him with eyes more tender than the
first view might seem to admit of,—
"Is it you, my Prince? " said she to him. "You have waited
a long while. "
The Prince, charmed with these words, and much more with
the manner in which they were spoken, knew not how to show
his joy and gratitude; he assured her that he loved her better.
than he did himself; their discourse was not well connected,
they did weep more than talk,- little eloquence, a great deal of
love. He was more at a loss than she, and we need not wonder
at it: she had time to think on what to say to him; for it is
very probable (though history mentions nothing of it) that the
good Fairy, during so long a sleep, had given her very agreeable
dreams. In short, they talked four hours together, and yet they
said not half what they had to say.
In the mean while all the palace awaked; every one thought
upon their particular business, and as all of them were not in
love they were ready to die for hunger. The chief lady of honor,
being as sharp set as other folks, grew very impatient, and told
the Princess aloud that supper was served up. The Prince helped
the Princess to rise: she was entirely dressed, and very magnifi-
cently, but his Royal Highness took care not to tell her that she
was dressed like his great-grandmother, and had a point band.
peeping over a high collar; she looked not a bit the less charm-
ing and beautiful for all that.
They went into the great hall of looking-glasses, where they
supped, and were served by the Princess's officers; the violins
and hautboys played old tunes, but very excellent, though it was
now above a hundred years since they had played; and after sup-
per, without losing any time, the lord almoner married them in
the chapel of the castle, and the chief lady of honor drew the
curtains. They had but very little sleep-the Princess had no
occasion; and the Prince left her next morning to return into the
city, where his father must needs have been in pain for him.
The Prince told him:-
――――
That he had lost his way in the forest as he was hunting, and
that he had lain in the cottage of a charcoal-burner, who gave
him cheese and brown bread.
## p. 11334 (#554) ##########################################
11334
CHARLES PERRAULT
The King, his father, who was a good man, believed him:
but his mother could not be persuaded it was true, and seeing
that he went almost every day a-hunting, and that he always had
some excuse ready for so doing, though he had lain out three or
four nights together, she began to suspect that he was married;
for he lived with the Princess above two whole years, and had
by her two children, the eldest of which, who was a daughter,
was named Morning, and the youngest, who was a son, they
called Day, because he was a great deal handsomer and more
beautiful than his sister.
The Queen spoke several times to her son, to inform herself
after what manner he did pass his time, and that in this he
ought in duty to satisfy her. But he never dared to trust her
with his secret: he feared her, though he loved her, for she was
of the race of the Ogres, and the King would never have mar-
ried her had it not been for her vast riches; it was even whis-
pered about the court that she had Ogreish inclinations, and
that whenever she saw little children passing by, she had all the
difficulty in the world to avoid falling upon them. And so the
Prince would never tell her one word.
But when the King was dead, which happened about two years
afterwards, and he saw himself lord and master, he openly de-
clared his marriage; and he went in great ceremony to conduct
his Queen to the palace. They made a magnificent entry into
the capital city, she riding between her two children.
Soon after, the King went to make war with the Emperor
Contalabutte, his neighbor. He left the government of the king-
dom to the Queen his mother, and earnestly recommended to
her care his wife and children. He was obliged to continue his
expedition all the summer; and as soon as he departed the Queen-
mother sent her daughter-in-law to a country house among the
woods, that she might with the more ease gratify her horrible
longing.
Some few days afterward she went thither herself, and said
to her clerk of the kitchen:
"I have a mind to eat little Morning for my dinner to-
morrow. "
"Ah, madam! " cried the clerk of the kitchen.
"I will have it so," replied the Queen (and this she spoke in
the tone of an Ogress who had a strong desire to eat fresh meat),
"and will eat her with a sauce, Robert. "
## p. 11335 (#555) ##########################################
CHARLES PERRAULT
11335
The poor man, knowing very well that he must not play
tricks with Ogresses, took his great knife and went up into little
Morning's chamber. She was then four years old; and came
up to him jumping and laughing, to take him about the neck.
and ask him for some sugar-candy. Upon which he began to
weep, the great knife fell out of his hand, and he went into the
back yard and killed a little lamb, and dressed it with such good
sauce that his mistress assured him she had never eaten anything
so good in her life. He had at the same time taken up little
Morning and carried her to his wife, to conceal her in the lodg-
ing he had at the bottom of the court-yard.
About eight days afterward the wicked Queen said to the
clerk of the kitchen, "I will sup upon little Day. "
He answered not a word, being resolved to cheat her as he
had done before. He went to find out little Day, and saw him
with a little foil in his hand, with which he was fencing with a
great monkey, the child being then only three years of age. He
took him up in his arms and carried him to his wife, that she
might conceal him in her chamber along with his sister; and
in the room of little Day cooked up a young kid, very tender,
which the Ogress found to be wonderfully good.
This was hitherto all mighty well; but one evening this
wicked Queen said to her clerk of the kitchen:
"I will eat the Queen with the same sauce I had with her
children. "
It was now that the poor clerk of the kitchen despaired of
being able to deceive her. The young Queen was turned of
twenty, not reckoning the hundred years she had been asleep;
and how to find in the yard a beast so firm was what puzzled
him. He took then a resolution, that he might save his own
life, to cut the Queen's throat; and going up into her chamber,
with intent to do it at once, he put himself into as great fury
as he could possibly, and came into the young Queen's room
with his dagger in his hand. He would not, however, surprise
her; but told her, with a great deal of respect, the orders he had
received from the Queen-mother.
"Do it; do it" (said she, stretching out her neck).
"Execute
your orders; and then I shall go and see my children, my poor
children, whom I so much and so tenderly loved. "
For she thought them dead ever since they had been taken
away without her knowledge.
## p.
