No More Learning

That way no more! and ill beseems it me, 90
Who came a Welcomer, in Herald's Guise,
Singing of Glory and Futurity,
To wander back on such unhealthful road
Plucking the Poisons of Self-harm! And ill
Such intertwine beseems triumphal wreaths 95
Strew'd before thy advancing! Thou too, Friend!
Impair thou not the memory of that hour
Of thy Communion with my nobler mind
By pity or grief, already felt too long!
Nor let my words import more blame than needs. 100
The tumult rose and ceas'd: for Peace is nigh
Where Wisdom's voice has found a list'ning Heart.
Amid the howl of more than wintry storms
The Halcyon hears the Voice of vernal Hours,
Already on the wing!

Eve following Eve 105
Dear tranquil Time, when the sweet sense of Home
Is sweetest! Moments, for their own sake hail'd,
And more desired, more precious for thy Song!
In silence listening, like a devout child,
My soul lay passive, by the various strain 110
Driven as in surges now, beneath the stars
With momentary [B] stars of her [C] own birth,
Fair constellated Foam, still darting off
Into the Darkness; now a tranquil Sea,
Outspread and bright, yet swelling to the Moon. 115

And when--O Friend! my Comforter! my [D] Guide!
Strong in thyself and powerful to give strength! --
Thy long sustained Song finally clos'd,
And thy deep voice had ceas'd--yet thou thyself
Wert still before mine eyes, and round us both 120
That happy Vision of beloved Faces--
(All whom, I deepliest love--in one room all! )
Scarce conscious and yet conscious of its close
I sate, my Being blended in one Thought,
(Thought was it? or aspiration? or resolve? ) 125
Absorb'd; yet hanging still upon the Sound--
And when I rose, I found myself in Prayer.


S. T. COLERIDGE.

'Jany'. 1807.


* * * * *

FOOTNOTES ON THE TEXT

[Footnote A: Different reading on same MS. :

'To one cast forth, whose Hope had seem'd to die. '

Ed. ]


[Footnote B: Compare, as an illustrative note, the descriptive passage
in Satyrane's first Letter in 'Biographia Literaria', beginning, "A
beautiful white cloud of foam," etc. --S. T. C. ]


[Footnote C: Different reading on same MS. , "'my'. "--Ed. ]


[Footnote D: Different reading on same MS. , "'and'. "--Ed. ]



In a MS. copy of 'Dejection, An Ode', transcribed for Sir George
Beaumont on the 4th of April 1802--and sent to him, when living with
Lord Lowther at Lowther Hall--there is evidence that the poem was
originally addressed to Wordsworth.

The following lines in this copy can be compared with those finally
adopted:

'O dearest William! in this heartless mood,
To other thoughts by yonder throstle woo'd
All this long eve so balmy and serene
Have I been gazing on the western sky,'

. . .

'O William, we _receive_ but what we _give_:
And in our life alone does Nature live. '

. . .

'Yes, dearest William! Yes!
There was a time when though my Path was rough
This Joy within me dallied with distress. '


The MS. copy is described by Coleridge as "imperfect"; and it breaks off
abruptly at the lines:

'Suspends what Nature gave me at my birth
My shaping spirit of Imagination. '

And he continues:

'I am so weary of this doleful poem, that I must leave off. . . . '

Another MS. copy of this poem, amongst the Coleorton papers, is signed
"S. T. Coleridge to William Wordsworth. " Ed.





* * * * *





NOTE VII. --GENERAL BEAUPUY


(See pp. 297 and 302, 'The Prelude', book ix. )


Professor Emile Legouis of Lyons--a thorough student, and a very
competent expounder, of our modern English Literature--supplied me, some
years ago, with numerous facts in reference to Wordsworth's friend
General Beaupuy, and his family, from which I extract the following:

'The Prelude' gives us very little precise information about the
republican officer with whom Wordsworth became acquainted in France,
and on whom he bestowed more praise than on almost any other of his
contemporaries. We only gather the following facts:--That his name was
'Beaupuy', that he was quartered at Orleans, with royalist officers,
sometime between November 1791 and the spring of 1792, and that

'He perished fighting, _in supreme command_,
Upon the borders of the unhappy Loire,
For liberty, against deluded men,
His fellow-countrymen. . . . '

Though it seems very easy to identify a general even with such scanty
data, the task is rendered more difficult by two inaccuracies in
Wordsworth's statement, which, however, can be explained and redressed
without much difficulty.

The first inaccuracy is in the spelling of the name, which is
'Beaupuy' and not 'Beaupuis'--a slight mistake considering that
Wordsworth was a foreigner, and, besides, wrote down his friend's name
ten years and perhaps more after losing sight of him. Moreover, the
name of the general who, I think, was meant by Wordsworth, I have
found spelt 'Beaupuy' in one instance, viz. the signature of a letter
of his, as printed in 'Vie et Correspondance de Merlin de Thionville',
publiee par Jean Reynaud, Paris, 1860 (2'e partie p. 241).

The spelling of proper names was not so fixed then as it is nowadays,
and this irregularity is not to be wondered at.

The second inaccuracy consists in stating that General Beaupuy died on
the banks of the Loire during the Vendean war. Indeed, he was
grievously wounded at the Battle of Chateau-Gonthier, on the 26th of
October 1793, and reported as dead. His soldiers thought he had been
killed, and the rumour must have spread abroad, as it was recorded by
A. Thiers himself in his 'Histoire de la Revolution', and by A.
Challemel in his 'Histoire Musee de la Republique Francaise'.

It is no wonder that Wordsworth, who was then in England, and could
only read imperfect accounts of what took place in France, should have
been mistaken too.

No other General Beaupuy is recorded in the history of the Revolution,
so far as I have been able to ascertain. The moral character of the
officer, whose life I shall relate, answers to Wordsworth's
description, and is worthy of his high estimate.

Armand Michel de Bachelier, Chevalier de Beaupuy, was born at
Mussidan, in Perigord, on the 15th of July 1757. He belonged to a
noble family, less proud of its antiquity than of the blood it had
shed for France on many battlefields. On his mother's side (Mlle. de
Villars), he reckoned Montaigne, the celebrated essayist, among his
ancestors. His parents having imbibed the philanthropic ideas of the
time, educated him according to their principles.

He had four brothers, who were all destined to turn republicans and do
good service to the new cause, though their interest certainly lay in
the opposite direction.

. . .

He was made sub-lieutenant in the regiment of Bassigny (33rd division
of foot) on the 2nd of March 1773, and lieutenant of grenadiers on the
1st of October of the same year.

In 1791 he was first lieutenant in the same regiment. Having sided
with the Revolution, he was appointed commander of a battalion of
national volunteers in the department of Dordogne. I have not found
the exact date of this appointment, but it must have taken place
immediately after his stay at Orleans with Wordsworth.

I have found no further mention of his name till September 1792, when
he is known to have served in the "Armee du Rhin," under General
Custine, and contributed to the taking of Spire.

He took an important part in the taking of Worms, 4th October; of
Mayence (Maenz) 21st October. He was among the garrison of Mayence
when this place was besieged by the Prussians, and obliged to
capitulate after a long and famous siege (from 6th April 1793 to 22nd
July 1793). [A]

During the siege he wrote a journal of all the operations.
Unfortunately, this journal is very short, and purely military. It has
been handed down to us, and is found in the Bibliotheque Nationale of
Paris in the 'Papiers de Merlin de Thionville', n. acq. fr. Nos.
244-252, 8 vol. in-8? . Beaupuy's journal is in the 3rd volume, fol.
213-228.

. . .

In the Vendean war, the "Mayencais," or soldiers returned from
Mayence, made themselves conspicuous, and bore almost all the brunt of
the campaign. But none of them distinguished himself more than
Beaupuy, then a General of Brigade.

The Mayencais arrived in Vendee at the end of August or beginning of
September 1793. To Beaupuy's skill the victory of Chollet (Oct. 17,
1793) is attributed by Jomini. In this battle he fought hand to hand
with and overcame a Vendean cavalier. He himself had three horses
killed, and had a very narrow escape. On the battlefield he was made
'general of division' by the "Representants du peuple. " It was after
Chollet that the Vendeans made the memorable crossing of the Loire at
St. Florent.

At Laval and Chateau-Gonthier (Oct. 26) a terrible defeat was
inflicted on the Republicans, owing to the incapacity of their
commander-in-chief, Lechelle. The whole corps commanded by General
Beaupuy was crushed by a terrible fire, He himself, after withstanding
for two or three hours with 2000 or 3000 men all the attacks of the
royalists, was disabled by a shot, and fell, crying out, "'Laissez-moi
la, et portez a mes grenadiers ma chemise sanglante'. " His soldiers
thought he was dead, and then the error was spread, which was repeated
by Wordsworth, Thiers, and Challamel. Wordsworth's mistake is so far
interesting, as it seems to prove that very little or no
correspondence passed between the two friends after they had parted.
Beaupuy, moreover, had too much work upon his hands to give much of
his time to letter-writing.

Though severely wounded, Beaupuy lived on, and less than six weeks
after the battle of Chateau-Gonthier, he was seen on the ramparts of
Angers, where he required himself to be carried to animate his
soldiers and head the defenders of the place, from which the Vendeans
were driven after a severe contest (Dec. 5 and 6).

On the 22nd of December 1793 he shared in the victory of Savenay with
his celebrated friends, Marceau, Kleber, and Westermann. After this
battle, which put an end to the great Vendean war, he wrote the
following letter to his friend Merlin de Thionville, the celebrated
"representant du peuple. "

"SAVENAY, le 4 Nivose au 2'e (25 Dec. 73).

"Enfin, enfin, mon cher Merlin, elle n'est plus cette armee royale
ou catholique, comme tu voudras! J'en ai vu, avec tes braves
collegues Prieur et Eurreau, les debris, consistant en 150 cavaliers
battant l'eau dans le marais de Montaire; et comme tu connais ma
veracite tu peux dire avec assurance que les deux combats de Savenay
ont mis fin a la guerre de la nouvelle Vendee et aux chimeriques
esperances des royalists.

L'histoire ne vous presente point de combat dont le suites aient ete
plus decisives. Ah! mon brave, comme tu aurais joui! quelle attaque!
mais quelle deroute aussi! Il fallait les voir ces soldats de Jesus
et de Louis XVII, se jetant dans les marais ou obliges de se rendre
par 5 ou 600 a la fois; et Langreniere pris et les autres generaux
disperses et aux abois!

Cette armee, dont tu avais vu les restes de la terrasse de St.
Florent, etait redevenue formidable par son recrutement dans les
departements envahis. Je les ai bien vus, bien examines, j'ai
reconnu meme de mes figures de Chollet et de Laval, et a leur
contenance et a leur mine, je l'assure qu'il ne leur manquait du
soldat que l'habit. Des troupes qui ont battu de tels Francais
peuvent se flatter ainsi de vainere des peuples assez laaches pour
se reunir centre un seul et encore pour la cause des rois! Enfin, je
ne sais si je me trompe, mais cette guerre de brigands, de paysans,
sur laquelle on a jete tant de ridicule, que l'on dedaignait, que
l'on affectait de regarder comme meprisable, m'a toujours paru, pour
la republique, la grande partie, et il me semble a present qu'avec
nos autres ennemis, nous ne ferrons plus que peloter.

Adieu, brave montagnard, adieu! Actuellement que cette execrable
guerre est terminee, que les manes de nos freres sont satisfaits, je
vais guerir. J'ai obtenu de tes confreres un conge qui finira au
moment ou la guerre recommencera.

LE GENERAL DE BRIGADE BEAUPUY.


I think I can recognize in this letter some traits of Beaupuy's
character as pointed out by Wordsworth, not excepting the
half-suppressed criticism:

'. . . somewhat vain he was,
Or seemed so, yet it was not vanity,
But fondness, and a kind of radiant joy
Diffused around him . . . '

Passing over numerous military incidents, on the 26th of June 1796
Beaupuy received seven or eight sabre-cuts at Jorich-Wildstadt. But on
the 8th of July he was already back at his post.

He again greatly distinguished himself on the 1st of September 1796 at
Greisenfeld and Langenbruck, where the victory of the French was owing
to a timely attack made by Desaix and himself.

He was one of the generals under Moreau when the latter achieved his
well-known retreat through the Black Forest, begun on the 15th of
September 1796, and during which many battles were fought. In one of
the actions on the banks of the Elz, Beaupuy was killed by a
cannon-ball, while opposing General Latour on the heights of
Malterdingen. His soldiers, who loved him passionately, fought
desperately to avenge his death (Oct. 19, 1796).

One of Beaupuy's colleagues, General Duhem, in his account of the
battle to the Government, thus expressed himself on General Beaupuy:

"Ecrivains patriotes, orateurs chaleureux, je vous propose un noble
sujet, l'eloge du General Beaupuy, de Beaupuy, le Nestor et
l'Achille de notre armee. Vous n'avez pas de recherches a faire;
interrogez le premier soldat de l'armee du Rhin-et-Moselle, ses
larmes exciteront les votres. Ecrivez alors ce que est vous en dira,
et vous peindrez le Bayard de la Republique Francaise. "

Such bombastic style was then common, but what we have seen of Beaupuy
in this sketch shows that he had through his career united Nestor's
prudence [B] with Achilles' bodily courage and Bayard's chivalric
spirit,--to use the language of the time.

General Moreau had Beaupuy's remains transported to Brisach, where a
monument was erected to his memory in 1802, after the peace of
Luneville.

In short, Beaupuy seems to have always remained worthy of the high
praise bestowed on him by Wordsworth. His name is to be remembered
along with those of the unspotted generals of the first years of the
Revolution--Hoche, Marceau, etc. --before the craving for conquest had
developed, and the love of liberty yielded to a fond admiration of
Bonaparte as it did in the case of Kleber, Desaix, and so many others.
[C]

N. B. --The great influence which Beaupuy exercised at that time on
Wordsworth will be easily understood, if we take into account not only
his real qualities, but also his age. When they met, Wordsworth was
only twenty-one, Beaupuy nearly thirty-five. The grown-up man could
impart much of his knowledge of life, and of the favourite authors of
the time, to a youth fresh from the University--though that youth was
Wordsworth.

EMILE LEGOUIS.


* * * * *

FOOTNOTES ON THE TEXT


[Footnote A: His bravery shone forth at Coethen, where he was left alone
in a group of Prussians. He fought with their chief and disarmed him. A
few days after he was named General of Brigade. --8th March 1793. ]


[Footnote B: The pacification of Vendee was for a great part owing to
his valour and prudence. ]

[Footnote C: Beaupuy is said to have united civic virtues with military
talents. A good son and a good brother, he showed in many a circumstance
that true valour does not exclude humanity, and that the soul can be
both strong and full of feeling. ]


These notes (B and C) are taken from 'Biographic Nouvelle de
Contemporains'.









End of the Project Gutenberg EBook of The Poetical Works of William
Wordsworth, Vol. III, by William Wordsworth

*** END OF THIS PROJECT GUTENBERG EBOOK WILLIAM WORDSWORTH POETRY, III ***

***** This file should be named 12383-8. txt or 12383-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. net/1/2/3/8/12383/

Produced by Jonathan Ingram, Clytie Siddall and the Online Distributed
Proofreading Team!


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.
You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).


Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.

1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.

1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1. E. Unless you have removed all references to Project Gutenberg:

1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net

1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.

1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.

1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.

1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.

1. F.

1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www. pglaf. org.


Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf. org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U. S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712. , but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf. org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf. org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf. org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf. org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U. S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf. org/donate


Section 5. General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U. S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.