Historical
Illustrations
of Lord Byron's Works in a series of etchings
by Reveil, from original paintings by A.
by Reveil, from original paintings by A.
Byron
-- 570
Tires the sad gallery, lulls the listless Pit. 571
563 _Let Comedy resume her throne again_.
Let Comedy assume her throne again. 581
569 _Where_ GARRICK _trod, and_ KEMBLE _lives to tread_.
Where GARRICK trod, and SIDDONS lives to tread 587
614 _Raise not your scythe, Suppressors of our Vice_.
Whet not your scythe, Suppressors of our Vice. 632
625 _The Arbiter of pleasure and of play_.
Our arbiter of pleasure and of play. 643
661 _And, kinder still, a_ PAGET _for your wife_.
And, kinder still, two PAGETS for your wife. 679
728 _Want your defence, let Pity be your screen_.
Want is your plea, let Pity be your screen. 746
742 _Some stragglers skirmish round their columns still_.
Some stragglers skirmish round the columns still. 760
815 _The spoiler came; and all thy promise fair_
816 _Has sought the grave, to sleep for ever there_.
The Spoiler swept that soaring Lyre away, 834
Which else had sounded an immortal lay. 835
891 _The native genius with their feeling given_.
The native genius with their being given. 909
903 _Let MOORE be lewd; let STRANGFORD steal from Moore_.
Let MOORE still sigh; let STRANGFORD steal from MOORE. 921
922 _For outlawed SHERWOOD'S tales of ROBIN HOOD_.
For SHERWOOD'S outlaw tales of ROBIN HOOD. 940
946 _And even spurns the great Seatonian prize_.
Even from the tempting ore of Seaton's prize. 964
965 _So sunk in dullness and so lost in shame_,
966 _That SMYTHE and HODGSON scarce redeem thy fame_.
So lost to Phoebus, that nor Hodgson's verse 983
Can make thee better, nor poor Hewson's worse. 984
969 _On her green banks a greener wreath is wove_.
On her green banks a greener wreath she wove. 987
972 _And modern Britons justly praise their Sires_.
And modern Britons glory in their Sires. 990
984 _Earth's chief Dictatress, Ocean's mighty Queen_.
Earth's chief Dictatress, Ocean's lovely Queen. 1002
1005 _But should I back return, no lettered rage_
1006 _Shall drag my common-place book on the stage_:
1007 _Let vain VALENTIA rival luckless CARR_,
1008 _And equal him whose work he sought to mar_.
But should I back return, no tempting press 1023
Shall drag my Journal from the desk's recess; 1024
Let coxcombs, printing as they come from far, 1025
Snatch his own wreath of Ridicule from Carr. 1026
1016 _I leave topography to classic GELL. _
I leave topography to rapid GELL. 1034
1018 _To stun mankind with Poesy or Prose_.
To stun the public ear--at least with Prose. 1036
1049 _Thus much I've dared to do; how far my lay_.
Thus much I've dared: if my incondite lay. 1067
_Note_ (3). --THE ANNOTATED COPIES OF THE FOURTH EDITION OF 1811.
Two annotated copies of the genuine Fourth Edition of _English Bards,
etc. _ [1811], with MS. corrections in Byron's handwriting, are
extant--one in Mr. Murray's possession, and a second in the Forster
Library at the South Kensington Museum. The former, which contains the
marginal comments marked "B. 1816," has been assumed to have been
prepared as a press copy for the Fifth Edition; but, as the following
collation reveals, the latter, which belonged to Leigh Hunt, represents
a fuller and later, though not a final revision. The half-title bears
the inscription, "Byron, Dec. 31^st^, 1811. N--d. A^y [_i. e. _ Newstead
Abbey] B.
"_Dum relego--scripsisse pudet--quia plurima cerno--
Me quoque--qui feci--judice digna lini_--B. J^y 20, 1812. "
and the verso the words, "Given me by the author on my birthday, Oct.
19, 1815. Leigh Hunt. "
u
P. 5. ingen(-i-)ous. [The misprint is a note of a genuine copy. ]
Lines 173, 174.
(-Low may they sink to merited contempt-)
(-And scorn remunerate the mean attempt. -)
Still for stern Mammon may they toil in vain,
And sadly gaze on Gold they cannot gain.
[This emendation is not given in the Murray copy. ]
Lines 257, 258.
So
(-How-) well the subject suits his noble mind!
(-"A fellow feeling makes us wond'rous kind,"-)
He brays the Laureat of the long-eared kind!
[The Murray copy, which amends line 258 as above, leaves the "How"
unerased, but the Fifth Edition prints "So. "]
Lines 323-328.
And shows, (-dissolved in thine own tears-).
still whimpering through threescore years.
(-Whether in sighing-winds thou seek'st relief,-)
(-Or consolation in a yellow leaf. -)
Whether in equal strains thou vent'st thy grief
O'er falling Empires or a yellow leaf.
[The Murray copy gives no emendation. The Fifth Edition adopts the first
correction, but, for the variant in lines 327, 328, reads--
Whether thou sing'st with equal ease and grief
The fall of Empires or a yellow leaf. ]
Line 336. All love thy (-strain-)
rhyme
Line 385. Fresh fish from (-Helicon-)
Hippocrene
[The Murray copy adds a note: "The Fifth Edition reads Hippocrene. "]
Lines 387, 388.
(-Too much in turtle Bristol's sons delight,-)
(-Too much o'er bowls of Rack prolong the night. -)
Your turtle-feeder's verse must needs be flat,
Though Bristol bloat him with the verdant fat.
[The Murray copy does not contain this emendation, which was adopted in
the Fifth Edition.
P. 36 _n. _ The Hunt copy gives in MS. the note concerning Moore--"I am
informed," etc. --which is printed in the Fifth Edition. There is no
similar annotation in the Murray copy.
Line 502. For (-"ranks illustrious"-) both annotated copies read
"oat-fed phalanx. "]
Lines 532, 533.
And grateful (-to the founder of the feast,-)
Declare his landlord (-can translate, at least. -)
And grateful for the dainties on his plate,
Declare his landlord can at least translate.
[The amended lines, which appeared in the Fifth Edition, are not in the
Murray copy. ]
Lines 552, 553.
While Kenny's World (-just suffered to proceed,-)
(-Proclaims the audience very kind indeed. -)
While Kenny's World--ah where is Kenny's wit?
listless
Tires the sad Gallery--lulls the (-listening-) pit.
[The emendation is given in both annotated copies; but the substitution
of "listless" for "listening," which is adopted in the Fifth Edition,
does not appear in the Murray copy,]
Line 563. Let Comedy (-re-)sume
ass
[The correction is not given in the Murray copy. ]
Line 569. and (-Kemble-) lives to tread.
Siddons
[The substitution of "Siddons" for "Kemble," which dates from the Fifth
Edition, is not given in the Murray copy. ]
Line 728.
Want your (-defence-), let Pity be your screen
plea
Want is your plea, let Pity be your screen.
Lines 815, 816.
The spoiler (-came; and all thy promise fair-)
(-Has sought the grave, to sleep for ever there. -)
The Spoiler swept that soaring Lyre away,
Which she had sounded an immortal lay.
[The emendation appears in both the annotated copies. ]
L. 903. Let Moore (-be lewd-)
still sigh
[This emendation does not appear in the Murray copy, but the words ["be
lewd"] have been underscored with a pencil, and a X placed against
them. ]
Line 946.
(-And even spurns the great Scatonian prize. -)
Even from the tempting ore of Seaton's prize.
[This emendation is given in both the annotated copies. ]
Lines 965, 966.
So sunk in dullness (-and so lost in shame-)
(-That SMYTHE and HODGSON scarce redeem thy fame. -)
So sunk in dullness that nor Hodgson's verse
Can make thee better--nor poor Hewson's worse.
[This emendation is not in the Murray copy. The Fifth Edition adopts the
further correction, "So lost to Phoebus" for "So sunk in dullness. "]
Line 969. (-"is-) wove,
she wove.
[This correction is not in the Murray copy. ]
Line 972. ----(-justly praise-) their sires.
----glory in their sires.
[This emendation is not given in the Murray copy.
The Leigh Hunt copy gives twenty MS. emendations (besides "Death" for
"death," in line 820, and the alteration of "rapid" to "rabid" in the
note on Hewson Clarke, line 962) including the note on Moore. The Murray
copy gives nine MS. emendations, of which six are identical with those
in the Hunt copy. Three emendations are peculiar to the Murray copy--]
(1) Lines 303-306.
Behold! --ye tarts! etc. (_vide ante_, p. 309).
(2) Line 614. (-Raise-) not your scythe.
Whet not your scythe.
(3) Line 661. ----"(-a Paget-) for your wife.
----two Pagets for your wife.
APPENDIX TO BIBLIOGRAPHY.
ILLUSTRATIONS OF LORD BYRON'S _POETICAL WORKS_.
_Note_. --The following catalogue of "illustrations of Lord Byron" has
been extracted from pp. 88, 89, 94-96 of "_The Prisoner of Chillon,
etc. _ Herausgegeben von Eugen Kolbing, Weimar. 1896. "
I.
Compositions in outline from Lord Byron's "Manfred" and "Prisoner of
Chillon," by Frederick Thrupp, sculptor. London, Pub^d by Ackermann and
Co. , Strand.
II.
The Pocket Magazine of classic and polite literature. With engravings,
illustrative of Lord Byron's Works. Vols. I. , II. London: Printed and
published by John Arliss. 1818.
III.
Forty illustrations of Lord Byron; by George Cruikshank. Published by J.
Robins and Co. , Ivy Lane, Paternoster Row. [June 12, 1824. ]
IV.
Six vignettes pour les Oeuvres de lord Byron, d'apres les tableaux de
MM. Alfred et Tony Johannot, gravees par MM. Koenig, Markl, Maulet,
Pourvoyeur, Mauduit. Paris. Furne, libraire-editeur. 1832.
V.
The Byron Gallery; a series of historical embellishments to illustrate
the poetical works of Lord Byron. London: published by Smith, Elder and
Co. 65 Cornhill. 1833.
VI.
Finden's Illustrations of the Life and Works of Lord Byron. With
original and selected information on the subjects of the engravings, by
W. Brockedon. Vols. I. -III. London: John Murray, Albemarle Street: sold
also by Charles Tilt, Fleet Street. 1833-1834.
VII.
Oeuvres de Lord Byron, gravures a l'eau-forte, par Reveil, d'apres les
dessins de A. Colin. Paris. Audot, editeur du Musee de peinture. 1833.
VIII.
Historical Illustrations of Lord Byron's Works in a series of etchings
by Reveil, from original paintings by A. Colin. London, Charles Tilt,
86, Fleet Street. 1834.
IX.
Galerie des dames de Byron. Trente-neuf planches. Paris:
Charpentier-editeur. 1836.
X.
Illustrations of the Works of Lord Byron, consisting of a portrait after
Saunders, a vignette title-page after Stothard, engraved by Blanchard,
two facsimiles of handwriting of Byron, and twenty etchings on steel by
Reveil, from original drawings by A. Colin; to which are added the
select passages in English and French, which form the subject of the
engravings. Adapted to all editions. Paris, Baudry, European Library,
etc. 1837.
XI.
Les dames de Byron; or portraits of the principal female characters in
Lord Byron's poems. Engraved from original paintings by eminent artists.
Under the superintendence of W. and L. Finden. London: Charles Tilt, 86,
Fleet Street. 1837.
XII.
Finden's Beauties of Byron; or, portraits of the principal female
characters in Lord Byron's poems. Engraved from original paintings by
eminent artists. With extracts illustrating each subject. London:
Charles Tilt, Fleet-street, and Thomas Wardle, Philadelphia.
XIII.
Cabinet of Poetry and Romance. Female portraits from the writings of
Byron and Scott. With poetical illustrations by Charles Swain. London:
David Bogue, 86, Fleet Street. 1845.
XIV.
Illustrations to the Works of Lord Byron. The drawings by Chalon,
Leslie, Harding, Herbert, Meadows, Stephanoff, E. Corbould, Fanny
Corbaux, Jenkins, and Westall. Engraved under the superintendence of Mr.
Charles Heath. A. Fullarton & Co. , 106, Newgate Street, London, etc.
XV.
The Byron Gallery of highly finished engravings, illustrating Lord
Byron's Works, with selected beauties from his poems. Elucidated by
historical and critical notices, together with a sketch of his life,
containing important and unpublished matter. By Robert B. McGregor, Esq.
New York: published by R. Martin, 46, Anne-street.
CONTENTS OF BIBLIOGRAPHY
COLLECTIONS OF POEMS.
Collected Editions, pp. 89-136.
Collections of Dramas, pp. 168, 169.
Fugitive Pieces and Minor Poems, pp. 246-254.
_The Liberal_, p. 303.
Miscellaneous Poems, pp. 152-159.
Poems, pp. 254, 255.
Poems on His Domestic Circumstances, pp. 255-259.
Selections, pp. 144-149.
SEPARATE POEMS AND DRAMAS.
Age of Bronze, p. 170.
Beppo, pp. 170, 171.
Bride of Abydos, pp. 172, 173.
Cain, pp. 176-178.
Childe Harold's Pilgrimage, pp. 180-194.
Corsair, pp. 201-204.
Curse of Minerva, pp. 207, 208.
Deformed Transformed, p. 208.
Don Juan, pp. 209-220.
English Bards, etc. , pp. 225-232.
Fare Thee Well! and A Sketch, etc. , pp. 232-234.
Giaour, pp. 234-238.
Heaven and Earth, p. 241.
Hebrew Melodies, pp. 242-244.
Hints from Horace, pp. 259, 260.
Irish Avatar, p. 260.
Island, pp. 260, 261.
Lament of Tasso, pp. 262, 263.
Lara, pp. 263-265.
Manfred, pp. 266-268.
Marino Faliero, pp. 275, 276.
Mazeppa, pp. 276-278.
Monody on the Death of Sheridan, pp. 280, 281.
An Ode to the Trainers of the Frame Bill, pp. 281.
Ode to Napoleon Buonaparte, pp. 282, 283.
Prisoner of Chillon, pp. 285-289.
Prophecy of Dante, pp. 291, 292.
Sardanapalus, pp. 293, 294.
Siege of Corinth, pp. 296-298.
Two Foscari, pp. 299, 300.
Vision of Judgment, p. 300.
Waltz, p. 301.
Werner, pp. 301, 302.
TRANSLATIONS.
_Collections of Poems_.
Collected Editions, pp. 136-144.
Collections of Dramas, p. 169.
Miscellaneous Poems, pp. 159-168.
Selections, pp. 149-152.
_Separate Poems and Dramas_.
Beppo, pp. 171, 172.
Bride of Abydos, pp. 174-176.
Cain, pp. 178-180.
Childe Harold's Pilgrimage, pp. 194-201.
Corsair, pp. 204-206.
Deformed Transformed, p, 208.
Don Juan, pp. 220-225.
Giaour, pp. 238-240.
Heaven and Earth, pp. 241, 242.
Hebrew Melodies, pp. 244-246.
Island, pp. 261, 262.
Lament of Tasso, p. 263.
Lara, pp. 265, 266.
Manfred, pp. 268-274.
Marino Faliero, p. 276.
Mazeppa, pp. 278-280.
Ode from the French, p. 281.
Ode to Napoleon Buonaparte, p. 283.
Parisina, pp. 283-285.
Prisoner of Chillon, pp. 289-291.
Prophecy of Dante, pp. 292, 293.
Sardanapalus, pp. 294-296.
Siege of Corinth, pp. 298, 299.
Two Foscari, p. 300.
Werner, p. 303.
SUMMARY OF BIBLIOGRAPHY.
I. Poetical Works. 2 v.
Tires the sad gallery, lulls the listless Pit. 571
563 _Let Comedy resume her throne again_.
Let Comedy assume her throne again. 581
569 _Where_ GARRICK _trod, and_ KEMBLE _lives to tread_.
Where GARRICK trod, and SIDDONS lives to tread 587
614 _Raise not your scythe, Suppressors of our Vice_.
Whet not your scythe, Suppressors of our Vice. 632
625 _The Arbiter of pleasure and of play_.
Our arbiter of pleasure and of play. 643
661 _And, kinder still, a_ PAGET _for your wife_.
And, kinder still, two PAGETS for your wife. 679
728 _Want your defence, let Pity be your screen_.
Want is your plea, let Pity be your screen. 746
742 _Some stragglers skirmish round their columns still_.
Some stragglers skirmish round the columns still. 760
815 _The spoiler came; and all thy promise fair_
816 _Has sought the grave, to sleep for ever there_.
The Spoiler swept that soaring Lyre away, 834
Which else had sounded an immortal lay. 835
891 _The native genius with their feeling given_.
The native genius with their being given. 909
903 _Let MOORE be lewd; let STRANGFORD steal from Moore_.
Let MOORE still sigh; let STRANGFORD steal from MOORE. 921
922 _For outlawed SHERWOOD'S tales of ROBIN HOOD_.
For SHERWOOD'S outlaw tales of ROBIN HOOD. 940
946 _And even spurns the great Seatonian prize_.
Even from the tempting ore of Seaton's prize. 964
965 _So sunk in dullness and so lost in shame_,
966 _That SMYTHE and HODGSON scarce redeem thy fame_.
So lost to Phoebus, that nor Hodgson's verse 983
Can make thee better, nor poor Hewson's worse. 984
969 _On her green banks a greener wreath is wove_.
On her green banks a greener wreath she wove. 987
972 _And modern Britons justly praise their Sires_.
And modern Britons glory in their Sires. 990
984 _Earth's chief Dictatress, Ocean's mighty Queen_.
Earth's chief Dictatress, Ocean's lovely Queen. 1002
1005 _But should I back return, no lettered rage_
1006 _Shall drag my common-place book on the stage_:
1007 _Let vain VALENTIA rival luckless CARR_,
1008 _And equal him whose work he sought to mar_.
But should I back return, no tempting press 1023
Shall drag my Journal from the desk's recess; 1024
Let coxcombs, printing as they come from far, 1025
Snatch his own wreath of Ridicule from Carr. 1026
1016 _I leave topography to classic GELL. _
I leave topography to rapid GELL. 1034
1018 _To stun mankind with Poesy or Prose_.
To stun the public ear--at least with Prose. 1036
1049 _Thus much I've dared to do; how far my lay_.
Thus much I've dared: if my incondite lay. 1067
_Note_ (3). --THE ANNOTATED COPIES OF THE FOURTH EDITION OF 1811.
Two annotated copies of the genuine Fourth Edition of _English Bards,
etc. _ [1811], with MS. corrections in Byron's handwriting, are
extant--one in Mr. Murray's possession, and a second in the Forster
Library at the South Kensington Museum. The former, which contains the
marginal comments marked "B. 1816," has been assumed to have been
prepared as a press copy for the Fifth Edition; but, as the following
collation reveals, the latter, which belonged to Leigh Hunt, represents
a fuller and later, though not a final revision. The half-title bears
the inscription, "Byron, Dec. 31^st^, 1811. N--d. A^y [_i. e. _ Newstead
Abbey] B.
"_Dum relego--scripsisse pudet--quia plurima cerno--
Me quoque--qui feci--judice digna lini_--B. J^y 20, 1812. "
and the verso the words, "Given me by the author on my birthday, Oct.
19, 1815. Leigh Hunt. "
u
P. 5. ingen(-i-)ous. [The misprint is a note of a genuine copy. ]
Lines 173, 174.
(-Low may they sink to merited contempt-)
(-And scorn remunerate the mean attempt. -)
Still for stern Mammon may they toil in vain,
And sadly gaze on Gold they cannot gain.
[This emendation is not given in the Murray copy. ]
Lines 257, 258.
So
(-How-) well the subject suits his noble mind!
(-"A fellow feeling makes us wond'rous kind,"-)
He brays the Laureat of the long-eared kind!
[The Murray copy, which amends line 258 as above, leaves the "How"
unerased, but the Fifth Edition prints "So. "]
Lines 323-328.
And shows, (-dissolved in thine own tears-).
still whimpering through threescore years.
(-Whether in sighing-winds thou seek'st relief,-)
(-Or consolation in a yellow leaf. -)
Whether in equal strains thou vent'st thy grief
O'er falling Empires or a yellow leaf.
[The Murray copy gives no emendation. The Fifth Edition adopts the first
correction, but, for the variant in lines 327, 328, reads--
Whether thou sing'st with equal ease and grief
The fall of Empires or a yellow leaf. ]
Line 336. All love thy (-strain-)
rhyme
Line 385. Fresh fish from (-Helicon-)
Hippocrene
[The Murray copy adds a note: "The Fifth Edition reads Hippocrene. "]
Lines 387, 388.
(-Too much in turtle Bristol's sons delight,-)
(-Too much o'er bowls of Rack prolong the night. -)
Your turtle-feeder's verse must needs be flat,
Though Bristol bloat him with the verdant fat.
[The Murray copy does not contain this emendation, which was adopted in
the Fifth Edition.
P. 36 _n. _ The Hunt copy gives in MS. the note concerning Moore--"I am
informed," etc. --which is printed in the Fifth Edition. There is no
similar annotation in the Murray copy.
Line 502. For (-"ranks illustrious"-) both annotated copies read
"oat-fed phalanx. "]
Lines 532, 533.
And grateful (-to the founder of the feast,-)
Declare his landlord (-can translate, at least. -)
And grateful for the dainties on his plate,
Declare his landlord can at least translate.
[The amended lines, which appeared in the Fifth Edition, are not in the
Murray copy. ]
Lines 552, 553.
While Kenny's World (-just suffered to proceed,-)
(-Proclaims the audience very kind indeed. -)
While Kenny's World--ah where is Kenny's wit?
listless
Tires the sad Gallery--lulls the (-listening-) pit.
[The emendation is given in both annotated copies; but the substitution
of "listless" for "listening," which is adopted in the Fifth Edition,
does not appear in the Murray copy,]
Line 563. Let Comedy (-re-)sume
ass
[The correction is not given in the Murray copy. ]
Line 569. and (-Kemble-) lives to tread.
Siddons
[The substitution of "Siddons" for "Kemble," which dates from the Fifth
Edition, is not given in the Murray copy. ]
Line 728.
Want your (-defence-), let Pity be your screen
plea
Want is your plea, let Pity be your screen.
Lines 815, 816.
The spoiler (-came; and all thy promise fair-)
(-Has sought the grave, to sleep for ever there. -)
The Spoiler swept that soaring Lyre away,
Which she had sounded an immortal lay.
[The emendation appears in both the annotated copies. ]
L. 903. Let Moore (-be lewd-)
still sigh
[This emendation does not appear in the Murray copy, but the words ["be
lewd"] have been underscored with a pencil, and a X placed against
them. ]
Line 946.
(-And even spurns the great Scatonian prize. -)
Even from the tempting ore of Seaton's prize.
[This emendation is given in both the annotated copies. ]
Lines 965, 966.
So sunk in dullness (-and so lost in shame-)
(-That SMYTHE and HODGSON scarce redeem thy fame. -)
So sunk in dullness that nor Hodgson's verse
Can make thee better--nor poor Hewson's worse.
[This emendation is not in the Murray copy. The Fifth Edition adopts the
further correction, "So lost to Phoebus" for "So sunk in dullness. "]
Line 969. (-"is-) wove,
she wove.
[This correction is not in the Murray copy. ]
Line 972. ----(-justly praise-) their sires.
----glory in their sires.
[This emendation is not given in the Murray copy.
The Leigh Hunt copy gives twenty MS. emendations (besides "Death" for
"death," in line 820, and the alteration of "rapid" to "rabid" in the
note on Hewson Clarke, line 962) including the note on Moore. The Murray
copy gives nine MS. emendations, of which six are identical with those
in the Hunt copy. Three emendations are peculiar to the Murray copy--]
(1) Lines 303-306.
Behold! --ye tarts! etc. (_vide ante_, p. 309).
(2) Line 614. (-Raise-) not your scythe.
Whet not your scythe.
(3) Line 661. ----"(-a Paget-) for your wife.
----two Pagets for your wife.
APPENDIX TO BIBLIOGRAPHY.
ILLUSTRATIONS OF LORD BYRON'S _POETICAL WORKS_.
_Note_. --The following catalogue of "illustrations of Lord Byron" has
been extracted from pp. 88, 89, 94-96 of "_The Prisoner of Chillon,
etc. _ Herausgegeben von Eugen Kolbing, Weimar. 1896. "
I.
Compositions in outline from Lord Byron's "Manfred" and "Prisoner of
Chillon," by Frederick Thrupp, sculptor. London, Pub^d by Ackermann and
Co. , Strand.
II.
The Pocket Magazine of classic and polite literature. With engravings,
illustrative of Lord Byron's Works. Vols. I. , II. London: Printed and
published by John Arliss. 1818.
III.
Forty illustrations of Lord Byron; by George Cruikshank. Published by J.
Robins and Co. , Ivy Lane, Paternoster Row. [June 12, 1824. ]
IV.
Six vignettes pour les Oeuvres de lord Byron, d'apres les tableaux de
MM. Alfred et Tony Johannot, gravees par MM. Koenig, Markl, Maulet,
Pourvoyeur, Mauduit. Paris. Furne, libraire-editeur. 1832.
V.
The Byron Gallery; a series of historical embellishments to illustrate
the poetical works of Lord Byron. London: published by Smith, Elder and
Co. 65 Cornhill. 1833.
VI.
Finden's Illustrations of the Life and Works of Lord Byron. With
original and selected information on the subjects of the engravings, by
W. Brockedon. Vols. I. -III. London: John Murray, Albemarle Street: sold
also by Charles Tilt, Fleet Street. 1833-1834.
VII.
Oeuvres de Lord Byron, gravures a l'eau-forte, par Reveil, d'apres les
dessins de A. Colin. Paris. Audot, editeur du Musee de peinture. 1833.
VIII.
Historical Illustrations of Lord Byron's Works in a series of etchings
by Reveil, from original paintings by A. Colin. London, Charles Tilt,
86, Fleet Street. 1834.
IX.
Galerie des dames de Byron. Trente-neuf planches. Paris:
Charpentier-editeur. 1836.
X.
Illustrations of the Works of Lord Byron, consisting of a portrait after
Saunders, a vignette title-page after Stothard, engraved by Blanchard,
two facsimiles of handwriting of Byron, and twenty etchings on steel by
Reveil, from original drawings by A. Colin; to which are added the
select passages in English and French, which form the subject of the
engravings. Adapted to all editions. Paris, Baudry, European Library,
etc. 1837.
XI.
Les dames de Byron; or portraits of the principal female characters in
Lord Byron's poems. Engraved from original paintings by eminent artists.
Under the superintendence of W. and L. Finden. London: Charles Tilt, 86,
Fleet Street. 1837.
XII.
Finden's Beauties of Byron; or, portraits of the principal female
characters in Lord Byron's poems. Engraved from original paintings by
eminent artists. With extracts illustrating each subject. London:
Charles Tilt, Fleet-street, and Thomas Wardle, Philadelphia.
XIII.
Cabinet of Poetry and Romance. Female portraits from the writings of
Byron and Scott. With poetical illustrations by Charles Swain. London:
David Bogue, 86, Fleet Street. 1845.
XIV.
Illustrations to the Works of Lord Byron. The drawings by Chalon,
Leslie, Harding, Herbert, Meadows, Stephanoff, E. Corbould, Fanny
Corbaux, Jenkins, and Westall. Engraved under the superintendence of Mr.
Charles Heath. A. Fullarton & Co. , 106, Newgate Street, London, etc.
XV.
The Byron Gallery of highly finished engravings, illustrating Lord
Byron's Works, with selected beauties from his poems. Elucidated by
historical and critical notices, together with a sketch of his life,
containing important and unpublished matter. By Robert B. McGregor, Esq.
New York: published by R. Martin, 46, Anne-street.
CONTENTS OF BIBLIOGRAPHY
COLLECTIONS OF POEMS.
Collected Editions, pp. 89-136.
Collections of Dramas, pp. 168, 169.
Fugitive Pieces and Minor Poems, pp. 246-254.
_The Liberal_, p. 303.
Miscellaneous Poems, pp. 152-159.
Poems, pp. 254, 255.
Poems on His Domestic Circumstances, pp. 255-259.
Selections, pp. 144-149.
SEPARATE POEMS AND DRAMAS.
Age of Bronze, p. 170.
Beppo, pp. 170, 171.
Bride of Abydos, pp. 172, 173.
Cain, pp. 176-178.
Childe Harold's Pilgrimage, pp. 180-194.
Corsair, pp. 201-204.
Curse of Minerva, pp. 207, 208.
Deformed Transformed, p. 208.
Don Juan, pp. 209-220.
English Bards, etc. , pp. 225-232.
Fare Thee Well! and A Sketch, etc. , pp. 232-234.
Giaour, pp. 234-238.
Heaven and Earth, p. 241.
Hebrew Melodies, pp. 242-244.
Hints from Horace, pp. 259, 260.
Irish Avatar, p. 260.
Island, pp. 260, 261.
Lament of Tasso, pp. 262, 263.
Lara, pp. 263-265.
Manfred, pp. 266-268.
Marino Faliero, pp. 275, 276.
Mazeppa, pp. 276-278.
Monody on the Death of Sheridan, pp. 280, 281.
An Ode to the Trainers of the Frame Bill, pp. 281.
Ode to Napoleon Buonaparte, pp. 282, 283.
Prisoner of Chillon, pp. 285-289.
Prophecy of Dante, pp. 291, 292.
Sardanapalus, pp. 293, 294.
Siege of Corinth, pp. 296-298.
Two Foscari, pp. 299, 300.
Vision of Judgment, p. 300.
Waltz, p. 301.
Werner, pp. 301, 302.
TRANSLATIONS.
_Collections of Poems_.
Collected Editions, pp. 136-144.
Collections of Dramas, p. 169.
Miscellaneous Poems, pp. 159-168.
Selections, pp. 149-152.
_Separate Poems and Dramas_.
Beppo, pp. 171, 172.
Bride of Abydos, pp. 174-176.
Cain, pp. 178-180.
Childe Harold's Pilgrimage, pp. 194-201.
Corsair, pp. 204-206.
Deformed Transformed, p, 208.
Don Juan, pp. 220-225.
Giaour, pp. 238-240.
Heaven and Earth, pp. 241, 242.
Hebrew Melodies, pp. 244-246.
Island, pp. 261, 262.
Lament of Tasso, p. 263.
Lara, pp. 265, 266.
Manfred, pp. 268-274.
Marino Faliero, p. 276.
Mazeppa, pp. 278-280.
Ode from the French, p. 281.
Ode to Napoleon Buonaparte, p. 283.
Parisina, pp. 283-285.
Prisoner of Chillon, pp. 289-291.
Prophecy of Dante, pp. 292, 293.
Sardanapalus, pp. 294-296.
Siege of Corinth, pp. 298, 299.
Two Foscari, p. 300.
Werner, p. 303.
SUMMARY OF BIBLIOGRAPHY.
I. Poetical Works. 2 v.
