No More Learning

As for the lecturer and those four
Communists in the audience, yes, it’ll make plenty of difference to them. They’ll be
smashing faces, or having their own smashed, according to who’s winning. But the
ordinary middling chaps like me will be carrying on just as usual. And yet it frightens



me — I tell you it frightens me. I’d just started to wonder why when the lecturer stopped
and sat down.

There was the usual hollow little sound of clapping that you get when there are only
about fifteen people in the audience, and then old Witchett said his piece, and before you
could say Jack Robinson the four Communists were on their feet together. They had a
good dog-fight that went on for about ten minutes, full of a lot of stuff that nobody else
understood, such as dialectical materialism and the destiny of the proletariat and what
Lenin said in 1918. Then the lecturer, who’d had a drink of water, stood up and gave a
summing-up that made the Trotskyist wriggle about on his chair but pleased the other
three, and the dog-fight went on unofficially for a bit longer. Nobody else did any talking.
Hilda and the others had cleared off the moment the lecture ended. Probably they were
afraid there was going to be a collection to pay for the hire of the hall. The little woman
with red hair was staying to finish her row. You could hear her counting her stitches in a
whisper while the others argued. And Witchett sat and beamed at whoever happened to
be speaking, and you could see him thinking how interesting it all was and making
mental notes, and the girl with black hair looked from one to the other with her mouth a
little open, and the old Labour man, looking rather like a seal with his droopy moustache
and his overcoat up to his ears, sat looking up at them, wondering what the hell it was all
about. And finally I got up and began to put on my overcoat.

The dog-fight had turned into a private row between the little Trotskyist and the boy with
fair hair. They were arguing about whether you ought to join the Anny if war broke out.
As I edged my way along the row of chairs to get out, the fair-haired one appealed to me.

‘Mr Bowling! Look here. If war broke out and we had the chance to smash Fascism once
and for all, wouldn’t you fight? If you were young, I mean. ’

I suppose he thinks I’m about sixty.

‘You bet I wouldn’t,’ I said. ‘I had enough to go on with last time. ’

‘But to smash Fascism! ’


‘Oh, b — Fascism! There’s been enough smashing done already, if you ask me. ’



The little Trotskyist chips in with social-patriotism and betrayal of the workers, but the
others cut him short:


‘But you’re thinking of 1914. That was just an ordinary imperialist war. This time it’s
different. Look here. When you hear about what’s going on in Germany, and the
concentration camps and the Nazis beating people up with rubber truncheons and making
the Jews spit in each other’s faces — doesn’t it make your blood boil? ’

They’re always going on about your blood boiling. Just the same phrase during the war, I
remember.

‘I went off the boil in 1916,’ I told him. ‘And so ’ll you when you know what a trench
smells like. ’

And then all of a sudden I seemed to see him. It was as if I hadn’t properly seen him till
that moment.

A very young eager face, might have belonged to a good-looking schoolboy, with blue
eyes and tow-coloured hair, gazing into mine, and for a moment actually he’d got tears in
his eyes! Felt as strongly as all that about the Gennan Jews! But as a matter of fact I
knew just what he felt. He’s a hefty lad, probably plays rugger for the bank. Got brains,
too. And here he is, a bank clerk in a godless suburb, sitting behind the frosted window,
entering figures in a ledger, counting piles of notes, bumsucking to the manager. Feels his
life rotting away. And all the while, over in Europe, the big stuffs happening. Shells
bursting over the trenches and waves of infantry charging through the drifts of smoke.
Probably some of his pals are fighting in Spain. Of course he’s spoiling for a war. How
can you blame him? For a moment I had a peculiar feeling that he was my son, which in
point of years he might have been. And I thought of that sweltering hot day in August
when the newsboy stuck up the poster ENGLAND DECLARES WAR ON GERMANY,
and we all rushed out on to the pavement in our white aprons and cheered.

‘Listen son,’ I said, ‘you’ve got it all wrong. In 1914 WE thought it was going to be a
glorious business. Well, it wasn’t. It was just a bloody mess. If it comes again, you keep
out of it. Why should you get your body plugged full of lead? Keep it for some girl. You
think war’s all heroism and V. C. charges, but I tell you it isn’t like that. You don’t have



bayonet-charges nowadays, and when you do it isn’t like you imagine. You don’t feel
like a hero. All you know is that you’ve had no sleep for three days, and stink like a
polecat, you’re pissing your bags with fright, and your hands are so cold you can’t hold
your rifle. But that doesn’t matter a damn, either. It’s the things that happen afterwards. ’

Makes no impression of course. They just think you’re out of date. Might as well stand at
the door of a knocking-shop handing out tracts.

The people were beginning to clear off. Witchett was taking the lecturer home. The three
Communists and the little Jew went up the road together, and they were going at it again
with proletarian solidarity and dialectic of the dialectic and what Trotsky said in 1917.
They’re all the same, really. It was a damp, still, very black night. The lamps seemed to
hang in the darkness like stars and didn’t light the road. In the distance you could hear the
trains booming along the High Street. I wanted a drink, but it was nearly ten and the
nearest pub was half a mile away. Besides, I wanted somebody to talk to, the way you
can’t talk in a pub. It was funny how my brain had been on the go all day. Partly the
result of not working, of course, and partly of the new false teeth, which had kind of
freshened me up. All day I’d been brooding on the future and the past. I wanted to talk
about the bad time that’s either coming or isn’t coming, the slogans and the coloured
shirts and the streamlined men from eastern Europe who are going to knock old England
cock-eyed. Hopeless trying to talk to Hilda. Suddenly it occurred to me to go and look up
old Porteous, who’s a pal of mine and keeps late hours.

Porteous is a retired public-school master. He lives in rooms, which luckily are in the
lower half of the house, in the old part of the town, near the church. He’s a bachelor, of
course. You can’t imagine that kind married. Lives all alone with his books and his pipe
and has a woman in to do for him. He’s a learned kind of chap, with his Greek and Latin
and poetry and all that. I suppose that if the local Left Book Club branch represents
Progress, old Porteous stands for Culture. Neither of them cuts much ice in West
Bletchley.

The light was burning in the little room where old Porteous sits reading till all hours of
the night. As I tapped on the front door he came strolling out as usual, with his pipe
between his teeth and his lingers in a book to keep the place. He’s rather a striking



looking chap, very tall, with curly grey hair and a thin, dreamy kind of face that’s a bit
discoloured but might almost belong to a boy, though he must be nearly sixty. It’s funny
how some of these public-school and university chaps manage to look like boys till their
dying day. It’s something in their movements. Old Porteous has got a way of strolling up
and down, with that handsome head of his, with the grey curls, held a little back that
makes you feel that all the while he’s dreaming about some poem or other and isn’t
conscious of what’s going on round him. You can’t look at him without seeing the way
he’s lived written all over him. Public School, Oxford, and then back to his old school as
a master. Whole life lived in an atmosphere of Latin, Greek, and cricket. He’s got all the
mannerisms. Always wears an old Harris tweed jacket and old grey flannel bags which he
likes you to call ‘disgraceful’, smokes a pipe and looks down on cigarettes, and though he
sits up half the night I bet he has a cold bath every morning. I suppose from his point of
view I’m a bit of a bounder. I haven’t been to a public school, I don’t know any Latin and
don’t even want to. He tells me sometimes that it’s a pity I’m ‘insensible to beauty’,
which I suppose is a polite way of saying that I’ve got no education. All the same I like
him. He’s very hospitable in the right kind of way, always ready to have you in and talk
at all hours, and always got drinks handy. When you live in a house like ours, more or
less infested by women and kids, it does you good to get out of it sometimes into a
bachelor atmosphere, a kind of book- pipe-fire atmosphere. And the classy Oxford
feeling of nothing mattering except books and poetry and Greek statues, and nothing
worth mentioning having happened since the Goths sacked Rome — sometimes that’s a
comfort too.

He shoved me into the old leather armchair by the fire and dished out whisky and soda.
I’ve never seen his sitting-room when it wasn’t dim with pipe-smoke. The ceiling is
almost black. It’s a smallish room and, except for the door and the window and the space
over the fireplace, the walls are covered with books from the floor right up to the ceiling.
On the mantelpiece there are all the things you’d expect. A row of old briar pipes, all
filthy, a few Greek silver coins, a tobacco jar with the arms of old Porteous’s college on
it, and a little earthenware lamp which he told me he dug up on some mountain in Sicily.
Over the mantelpiece there are photos of Greek statues. There’s a big one in the middle,
of a woman with wings and no head who looks as if she was stepping out to catch a bus. I
remember how shocked old Porteous was when the first time I saw it, not knowing any
better, I asked him why they didn’t stick a head on it.



Porteous started refilling his pipe from the jar on the mantelpiece.


‘That intolerable woman upstairs has purchased a wireless set,’ he said. ‘I had been
hoping to live the rest of my life out of the sound of those things. I suppose there is
nothing one can do? Do you happen to know the legal position? ’

I told him there was nothing one could do. I rather like the Oxfordy way he says
‘intolerable’, and it tickles me, in 1938, to find someone objecting to having a radio in the
house. Porteous was strolling up and down in his usual dreamy way, with his hands in his
coat pockets and his pipe between his teeth, and almost instantly he’d begun talking
about some law against musical instruments that was passed in Athens in the time of
Pericles. It’s always that way with old Porteous. All his talk is about things that happened
centuries ago. Whatever you start off with it always comes back to statues and poetry and
the Greeks and Romans. If you mention the Queen Mary he’d start telling you about
Phoenician triremes. He never reads a modern book, refuses to know their names, never
looks at any newspaper except The Times, and takes a pride in telling you that he’s never
been to the pictures. Except for a few poets like Keats and Wordsworth he thinks the
modem world — and from his point of view the modern world is the last two thousand
years — just oughtn’t to have happened.

I’m part of the modern world myself, but I like to hear him talk. He’ll stroll round the
shelves and haul out first one book and then another, and now and again he’ll read you a
piece between little puffs of smoke, generally having to translate it from the Latin or
something as he goes. It’s all kind of peaceful, kind of mellow. All a little like a school-
master, and yet it soothes you, somehow. While you listen you aren’t in the same world
as trains and gas bills and insurance companies. It’s all temples and olive trees, and
peacocks and elephants, and chaps in the arena with their nets and tridents, and winged
lions and eunuchs and galleys and catapults, and generals in brass armour galloping their
horses over the soldiers’ shields. It’s funny that he ever cottoned on to a chap like me.
But it’s one of the advantages of being fat that you can fit into almost any society.
Besides we meet on common ground when it comes to dirty stories. They’re the one
modem thing he cares about, though, as he’s always reminding me, they aren’t modern.
He’s rather old-maidish about it, always tells a story in a veiled kind of way. Sometimes
he’ll pick out some Latin poet and translate a smutty rhyme, leaving a lot to your



imagination, or he’ll drop hints about the private lives of the Roman emperors and the
things that went on in the temples of Ashtaroth. They seem to have been a bad lot, those
Greeks and Romans. Old Porteous has got photographs of wall-paintings somewhere in
Italy that would make your hair curl.

When I’m fed up with business and home life it’s often done me a lot of good to go and
have a talk with Porteous. But tonight it didn’t seem to. My mind was still running on the
same lines as it had been all day. Just as I’d done with the Left Book Club lecturer, I
didn’t exactly listen to what Porreous was saying, only to the sound of his voice. But
whereas the lecturer’s voice had got under my skin, old Porteous’s didn’t. It was too
peaceful, too Oxfordy. Finally, when he was in the middle of saying something, I chipped
in and said:

‘Tell me, Porteous, what do you think of Hitler? ’

Old Porteous was leaning in his lanky, graceful kind of way with his elbows on the
mantelpiece and a foot on the fender. He was so surprised that he almost took his pipe out
of his mouth.

‘Hitler? This Gennan person? My dear fellow! I DON’T think of him. ’

‘But the trouble is he’s going to bloody well make us think about him before he’s
finished. ’

Old Porteous shies a bit at the world ‘bloody’, which he doesn’t like, though of course
it’s part of his pose never to be shocked. He begins walking up and down again, puffing
out smoke.

‘I see no reason for paying any attention to him. A mere adventurer. These people come
and go. Ephemeral, purely ephemeral. ’

I’m not certain what the word ‘ephemeral’ means, but I stick to my point:


‘I think you’ve got it wrong. Old Hitler’s something different. So’s Joe Stalin. They
aren’t like these chaps in the old days who crucified people and chopped their heads off



and so forth, just for the fun of it. They’re after something quite new — something that’s
never been heard of before. ’


‘My dear fellow! There is nothing new under the sun. ’

Of course that’s a favourite saying of old Porteous’s. He won’t hear of the existence of
anything new. As soon as you tell him about anything that’s happening nowadays he says
that exactly the same thing happened in the reign of King So-and-so. Even if you bring
up things like aeroplanes he tells you that they probably had them in Crete, or Mycenae,
or wherever it was. I tried to explain to him what I’d felt while the little bloke was
lecturing and the kind of vision I’d had of the bad time that’s coming, but he wouldn’t
listen. Merely repeated that there’s nothing new under the sun. Finally he hauls a book
out of the shelves and reads me a passage about some Greek tyrant back in the B. C. s who
certainly might have been Hitler’s twin brother.

The argument went on for a bit. All day I’d been wanting to talk to somebody about this
business. It’s funny. I’m not a fool, but I’m not a highbrow either, and God knows at
nonnal times I don’t have many interests that you wouldn’t expect a middle-aged seven-
pound-a-weeker with two kids to have. And yet I’ve enough sense to see that the old life
we’re used to is being sawn off at the roots. I can feel it happening. I can see the war
that’s coming and I can see the after-war, the food-queues and the secret police and the
loudspeakers telling you what to think. And I’m not even exceptional in this. There are
millions of others like me. Ordinary chaps that I meet everywhere, chaps I run across in
pubs, bus drivers, and travelling salesmen for hardware firms, have got a feeling that the
world’s gone wrong. They can feel things cracking and collapsing under their feet. And
yet here’s this learned chap, who’s lived all his life with books and soaked himself in
history till it’s running out of his pores, and he can’t even see that things are changing.
Doesn’t think Hitler matters. Refuses to believe there’s another war coming. In any case,
as he didn’t fight in the last war, it doesn’t enter much into his thoughts — he thinks it was
a poor show compared with the siege of Troy.
Doesn’t see why one should bother about
the slogans and the loudspeakers and the coloured shirts. What intelligent person would
pay any attention to such things? he always says. Hitler and Stalin will pass away, but
something which old Porteous calls ‘the eternal verities’ won’t pass away. This, of
course, is simply another way of saying that things will always go on exactly as he’s



known them. For ever and ever, cultivated Oxford blokes will stroll up and down studies
full of books, quoting Latin tags and smoking good tobacco out of jars with coats of arms
on them. Really it was no use talking to him. I’d have got more change out of the lad with
tow- coloured hair. By degrees the conversation twisted off, as it always does, to things
that happened B. C. Then it worked round to poetry. Finally old Porteous drags another
book out of the shelves and begins reading Keat’s ‘Ode to a Nightingale’ (or maybe it
was a skylark — I forget).

So far as I’m concerned a little poetry goes a long way. But it’s a curious fact that I rather
like hearing old Porteous reading it aloud. There’s no question that he reads well. He’s
got the habit, of course — used to reading to classes of boys. He’ll lean up against
something in his lounging way, with his pipe between his teeth and little jets of smoke
coming out, and his voice goes kind of solemn and rises and falls with the line. You can
see that it moves him in some way. I don’t know what poetry is or what it’s supposed to
do. I imagine it has a kind of nervous effect on some people like music has on others.
When he’s reading I don’t actually listen, that’s to say I don’t take in the words, but
sometimes the sound of it brings a kind of peaceful feeling into my mind. On the whole I
like it. But somehow tonight it didn’t work. It was as if a cold draught had blown into the
room. I just felt that this was all hu nk . Poetry! What is it? Just a voice, a bit of an eddy in
the air. And Gosh! what use would that be against machine-guns?

I watched him leaning up against the bookshelf. Funny, these public-school chaps.
Schoolboys all their days. Whole life revolving round the old school and their bits of
Latin and Greek and poetry. And suddenly I remembered that almost the first time I was
here with Porteous he’d read me the very same poem. Read it in just the same way, and
his voice quivered when he got to the same bit — the bit about magic casements, or
something. And a curious thought struck me. HE’S DEAD. He’s a ghost. All people like
that are dead.

It struck me that perhaps a lot of the people you see walking about are dead. We say that
a man’s dead when his heart stops and not before. It seems a bit arbitrary. After all, parts
of your body don’t stop working — hair goes on growing for years, for instance. Perhaps a
man really dies when his brain stops, when he loses the power to take in a new idea. Old
Porteous is like that. Wonderfully learned, wonderfully good taste — but he’s not capable



of change. Just says the same things and thinks the same thoughts over and over again.
There are a lot of people like that. Dead minds, stopped inside. Just keep moving
backwards and forwards on the same little track, getting fainter all the time, like ghosts.

Old Porteous’s mind, I thought, probably stopped working at about the time of the Russo-
Japanese War. And it’s a ghastly thing that nearly all the decent people, the people who
DON’T want to go round smashing faces in with spanners, are like that. They’re decent,
but their minds have stopped. They can’t defend themselves against what’s coming to
them, because they can’t see it, even when it’s under their noses. They think that England
will never change and that England’s the whole world. Can’t grasp that it’s just a left-
over, a tiny corner that the bombs happen to have missed. But what about the new kind of
men from eastern Europe, the streamlined men who think in slogans and talk in bullets?
They’re on our track. Not long before they catch up with us. No Marquess of Queensbury
rules for those boys. And all the decent people are paralysed. Dead men and live gorillas.
Doesn’t seem to be anything between.

I cleared out about half an hour later, having completely failed to convince old Porteous
that Hitler matters. I was still thinking the same thoughts as I walked home through the
shivery streets. The trains had stopped running. The house was all dark and Hilda was
asleep. I dropped my false teeth into the glass of water in the bathroom, got into my
pyjamas, and prised Hilda over to the other side of the bed. She rolled over without
waking, and the kind of hump between her shoulders was towards me. It’s funny, the
tremendous gloom that sometimes gets hold of you late at night. At that moment the
destiny of Europe seemed to me more important than the rent and the kids’ school-bills
and the work I’d have to do tomorrow. For anyone who has to earn his living such
thoughts are just plain foolishness. But they didn’t move out of my mind. Still the vision
of the coloured shirts and the machine-guns rattling. The last thing I remember
wondering before I fell asleep was why the hell a chap like me should care.


2



The primroses had started. I suppose it was some time in March.


I’d driven through Westerham and was making for Pudley. I’d got to do an assessment of
an ironmonger’s shop, and then, if I could get hold of him, to interview a life-insurance
case who was wavering in the balance. His name had been sent in by our local agent, but
at the last moment he’d taken fright and begun to doubt whether he could afford it. I’m
pretty good at talking people round. It’s being fat that does it. It puts people in a cheery
kind of mood, makes ‘em feel that signing a cheque is almost a pleasure. Of course there
are different ways of tackling different people. With some it’s better to lay all the stress
on the bonuses, others you can scare in a subtle way with hints about what’ll happen to
their wives if they die uninsured.

The old car switchbacked up and down the curly little hills. And by God, what a day!
You kn ow the kind of day that generally comes some time in March when winter
suddenly seems to give up fighting. For days past we’d been having the kind of beastly
weather that people call ‘bright’ weather, when the sky’s a cold hard blue and the wind
scrapes you like a blunt razor-blade. Then suddenly the wind had dropped and the sun got
a chance. You know the kind of day. Pale yellow sunshine, not a leaf stirring, a touch of
mist in the far distance where you could see the sheep scattered over the hillsides like
lumps of chalk. And down in the valleys fires were burning, and the smoke twisted
slowly upwards and melted into the mist. I’d got the road to myself. It was so wann you
could almost have taken your clothes off.

I got to a spot where the grass beside the road was smothered in primroses. A patch of
clayey soil, perhaps. Twenty yards farther on I slowed down and stopped. The weather
was too good to miss. I felt I’d got to get out and have a smell at the spring air, and
perhaps even pick a few primroses if there was nobody coming. I even had some vague
notion of picking a bunch of them to take home to Hilda.

I switched the engine off and got out. I never like leaving the old car running in neutral,
I’m always half afraid she’ll shake her mudguards off or something. She’s a 1927 model,
and she’s done a biggish mileage. When you lift the bonnet and look at the engine it
reminds you of the old Austrian Empire, all tied together with bits of string but somehow
keeps plugging along. You wouldn’t believe any machine could vibrate in so many



directions at once. It’s like the motion of the earth, which has twenty-two different kinds
of wobble, or so I remember reading. If you look at her from behind when she’s running
in neutral it’s for all the world like watching one of those Hawaiian girls dancing the
hula-hula.

There was a five-barred gate beside the road. I strolled over and leaned across it. Not a
soul in sight. I hitched my hat back a bit to get the kind of balmy feeling of the air against
my forehead. The grass under the hedge was full of primroses. Just inside the gate a
tramp or somebody had left the remains of a fire. A little pile of white embers and a wisp
of smoke still oozing out of them. Farther along there was a little bit of a pool, covered
over with duck-weed. The field was winter wheat. It sloped up sharply, and then there
was a fall of chalk and a little beech spinney. A kind of mist of young leaves on the trees.
And utter stillness everywhere. Not even enough wind to stir the ashes of the fire. A lark
singing somewhere, otherwise not a sound, not even an aeroplane.

I stayed there for a bit, leaning over the gate. I was alone, quite alone. I was looking at
the field, and the field was looking at me. I felt — I wonder whether you’ll understand.

What I felt was something that’s so unusual nowadays that to say it sounds like
foolishness. I felt HAPPY. I felt that though I shan’t live for ever, I’d be quite ready to. If
you like you can say that that was merely because it was the first day of spring. Seasonal
effect on the sex-glands, or something. But there was more to it than that. Curiously
enough, the thing that had suddenly convinced me that life was worth living, more than
the primroses or the young buds on the hedge, was that bit of fire near the gate. You
know the look of a wood fire on a still day. The sticks that have gone all to white ash and
still keep the shape of sticks, and under the ash the kind of vivid red that you can see into.
It’s curious that a red ember looks more alive, gives you more of a feeling of life than any
living thing. There’s something about it, a kind of intensity, a vibration — I can’t think of
the exact words. But it lets you know that you’re alive yourself. It’s the spot on the
picture that makes you notice everything else.

I bent down to pick a primrose. Couldn’t reach it — too much belly. I squatted down on
my haunches and picked a little bunch of them. Lucky there was no one to see me. The
leaves were kind of crinkly and shaped like rabbits’ ears. I stood up and put my bunch of



primroses on the gatepost. Then on an impulse I slid my false teeth out of my mouth and
had a look at them.


If I’d had a mirror I’d have looked at the whole of myself, though, as a matter of fact, I
knew what I looked like already. A fat man of forty-five, in a grey herring-bone suit a bit
the worse for wear and a bowler hat. Wife, two kids, and a house in the suburbs written
all over me. Red face and boiled blue eyes. I know, you don’t have to tell me. But the
thing that struck me, as I gave my dental plate the once-over before slipping it back into
my mouth, was that IT DOESN’T MATTER. Even false teeth don’t matter. I’m fat — yes.
I look like a bookie’s unsuccessful brother — yes. No woman will ever go to bed with me
again unless she’s paid to. I know all that. But I tell you I don’t care. I don’t want the
women, I don’t even want to be young again. I only want to be alive. And I was alive that
moment when I stood looking at the primroses and the red embers under the hedge. It’s a
feeling inside you, a kind of peaceful feeling, and yet it’s like a flame.

Farther down the hedge the pool was covered with duck-weed, so like a carpet that if you
didn’t know what duck-weed was you might think it was solid and step on it. I wondered
why it is that we’re all such bloody fools. Why don’t people, instead of the idiocies they
do spend their time on, just walk round LOOKING at things? That pool, for instance — all
the stuff that’s in it. Newts, water- snails, water-beetles, caddis-flies, leeches, and God
knows how many other things that you can only see with a microscope. The mystery of
their lives, down there under water. You could spend a lifetime watching them, ten
lifetimes, and still you wouldn’t have got to the end even of that one pool. And all the
while the sort of feeling of wonder, the peculiar flame inside you. It’s the only thing
worth having, and we don’t want it.

But I do want it. At least I thought so at that moment. And don’t mistake what I’m
saying. To begin with, unlike most Cockneys, I’m not soppy about ‘the country’. I was
brought up a damn sight too near to it for that. I don’t want to stop people living in towns,
or in suburbs for that matter. Let ‘em live where they like. And I’m not suggesting that
the whole of humanity could spend the whole of their lives wandering round picking
primroses and so forth. I know perfectly well that we’ve got to work. It’s only because
chaps are coughing their lungs out in mines and girls are hammering at typewriters that
anyone ever has time to pick a flower. Besides, if you hadn’t a full belly and a warm



house you wouldn’t want to pick flowers. But that’s not the point. Here’s this feeling that
I get inside me — not often, I admit, but now and again. I know it’s a good feeling to have.
What’s more, so does everybody else, or nearly everybody. It’s just round the corner all
the time, and we all know it’s there. Stop firing that machine-gun! Stop chasing whatever
you’re chasing! Calm down, get your breath back, let a bit of peace seep into your bones.
No use. We don’t do it. Just keep on with the same bloody fooleries.

And the next war coming over the horizon, 1941, they say. Three more circles of the sun,
and then we whizz straight into it. The bombs diving down on you like black cigars, and
the streamlined bullets streaming from the Bren machine-guns. Not that that worries me
particularly. I’m too old to fight. There’ll be air- raids, of course, but they won’t hit
everybody. Besides, even if that kind of danger exists, it doesn’t really enter into one’s
thoughts beforehand.