This jeopardizes the role of the "beyond" as limit and, as a result, the possibility of constituting the
differences
as truly intrasystemic differences.
Paul-de-Man-Material-Events
I am thinking of Richard Posner's Law and Literature (Cambridge: Harvard University Press, 1988), Richard Weisberg's The Failure of the Word (New Haven: Yale University Press, 1984), and Peter Brooks, Troubling Confessions (Chicago: University of Chicago Press, 2000).
But for a legal approach that does address poetry, see the interesting discussion of Wallace Stevens by Thomas Grey and Margaret Jane Radin in the Yale Journal of Law & The Humanities 2:2 (summer 1990), as well as the more extended treatment of Wallace Stevens in Thomas Grey, The Wallace Stevens Case: Law and the Practice of Poetry (Cambridge: Harvard University Press, 1991).
2. William Wordsworth's sonnet, "Nuns Fret Not at Their Convent's Narrow Room," contains the lines, "In truth the prison, into which we doom / Ourselves, no prison is: and hence for me, / In sundry moods, 'twas pastime to be bound / Within the Sonnet's scanty plot of ground" (Selected Poetry and Prose of Words- worth [New York: Signet, 1970], 169).
3. John Keats's sonnet on the sonnet begins, "If by dull rhymes our English must be chained, / And, like Andromeda, the sonnet sweet / Fettered . . . " (The Selected Poetry of Keats [New York: Signet, 1966], 264).
4. One of several poems by Baudelaire titled Spleen describes a mood pro- duced by or analogized to a rainy day: "Quand la pluie e? talant ses immenses traine? es / D'une vaste prison imite les barreaux . . . " (Baudelaire, OEuvres com- ple`tes, vol. 1 [Paris: Ple? iade, 1975], 75).
5. For a suggestive discussion of what it means for a text to obey the law of genre, see Jacques Derrida, "The Law of Genre," in Acts of Literature, ed. Derek Attridge (New York: Routledge, 1992).
6. Paul de Man, "Anthropomorphism and Trope in the Lyric," in The Rhetoric of Romanticism (New York: Columbia University Press, 1984). Page numbers in parentheses refer to this essay.
7. United States Law Week 61:25 (January 12, 1993). Page numbers in paren- theses refer to this text.
8. This allusion to Keats's "Ode on a Grecian Urn" stands in for the premise of the compatibility of literary aesthetics with linguistic structures, and of linguistic structures with perceptual or intuitive knowledge, that de Man is often at pains to contest. See his remarks on the pedagogical model of the trivium in the titular essay of The Resistance to Theory (Minneapolis: University of Minnesota Press, 1986).
9. Friedrich Nietzsche, "Truth and Falsity in an Ultramoral Sense," in Critical Theory Since Plato, ed. Hazard Adams (Fort Worth: Harcourt Brace Jovanovich, 1992), 634-39. If the Keats poem stands as the claim that aesthetic and epistemo- logical structures are compatible, Nietzsche's text, for de Man, stands as a parody of that claim.
10. The translations are mine, for the purpose of bringing out those aspects of the poems that are relevant to my discussion.
11. "Allegory and Irony in Baudelaire," in Romanticism and Contemporary Criticism (Baltimore: Johns Hopkins University Press, 1993). This essay is part of the Gauss Seminar given by de Man in 1967.
12. Jacques Lacan, "Aggressivity in Psychoanalysis," in E? crits: A Selection, trans. Alan Sheridan (New York: W. W. Norton, 1977), 17: "What I have called paranoic
knowledge is shown, therefore, to correspond in its more or less archaic forms to certain critical moments that mark the history of man's mental genesis, each repre- senting a stage in objectifying identification. "
13. Ibid. , 9.
14. Jacques Derrida, "Freud's Legacy," in The Postcard, trans. Alan Bass (Chicago: University of Chicago Press, 1987).
15. De Man, "The Resistance to Theory," 10.
16. United States Code (1994 edition), vol. 15, 438.
17. In a response to the present paper given at the Yale Law School, Shoshana
Felman made the brilliant suggestion that Souter would have wanted to rewrite Baudelaire's "Correspondances" as: "Le Congre`s est un temple ou` de vivants pil- liers laissent parfois sortir de confuses paroles . . . " The neoclassical, Parnassian ar- chitecture of official Washington, D. C. , and the common metaphorical expression "pillars of the community," add piquancy to this suggestion.
18. Michael D. Rivard, "Toward a General Theory of Constitutional Person- hood: A Theory of Constitutional Personhood for Transgenic Humanoid Species," UCLA Law Review 39: 5 (June 1992): 1428-29.
19. See A. Leon Higginbotham Jr. and Barbara Kopytoff, "Property First, Humanity Second: The Recognition of the Slave's Human Nature in Virginia Civil Law," Ohio State Law Journal 50:3 (June 1989): "The humanity of the slave, re- quiring that he be treated with the care due other humans and not like other forms of property, became part of the owner's property rights" (520).
20. Douglas E. Fehrenbacher, Slavery, Law, and Politics: The Dred Scott Case in Historical Perspective (Oxford: Oxford University Press, 1981), 15.
21. Kim Mueller, "Inmates' Civil Rights Cases and the Federal Courts: Insights Derived from a Field Research Project in the Eastern District of California," Creighton Law Review 1228 (June 1995): 1258-59. In the Eastern District of Cali- fornia, inmates' civil rights actions constituted nearly 30 percent of the case filings. (California Men's Colony is not in the Eastern District; it is in San Luis Obispo. )
22. Ibid. , 1276 and 1281.
23. Max Black, Perplexities (Ithaca, N. Y. : Cornell University Press, 1990). See also Robert Axelrod, The Evolution of Cooperation (New York: Basic Books, 1984).
24. Richard Klein, Cigarettes Are Sublime (Durham, N. C. : Duke University Press, 1993). Klein notes, incidentally, that Baudelaire is one of the first French writers to use the word cigarette in print (in his "Salons de 1848," 8).
25. Rivard, "Toward a General Theory of Constitutional Personhood," 1501-2.
26. Steven Knapp, Personification and the Sublime (Cambridge: Harvard University Press, 1985), 2.
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IV. The Mnemopolitical Event
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The Politics of Rhetoric
Ernesto Laclau
Why would a political theorist like me, working mainly on the role of hegemonic logics in the structuration of political spaces, be interested in the work of a prominent literary critic such as Paul de Man? I could suggest at least two main reasons. The first is that one of the leitmotifs of Paul de Man's work has been the subversion of the frontiers separat- ing theoretical from literary disciplines, so that those dimensions that had traditionally been conceived as privative of literary or aesthetic language became, for him, actually defining features of language tout court. Against all attempts to differentiate between "appearance" and "saying," between a primary text whose message would have been me- diated by the materiality of the signs, of the figural, and a language of inquiry governed by reason, de Man had always insisted that any lan- guage, whether aesthetic or theoretical, is governed by the materiality of the signifier, by a rhetorical milieu that ultimately dissolves the illu- sion of any unmediated reference. In this sense a generalized rhetoric-- which necessarily includes within itself the performative dimension-- transcends all regional boundaries and becomes coterminous with the structuration of social life itself. Conceived at such a broad level of generality, the literariness of the literary text breaks the limits of any specialized discipline and its analysis involves something like the study of the distorting effects that representation exercises over any reference--effects that become, thus, constitutive of any experience.
Moreover, de Man himself was perfectly aware of the political and ideological implications of his approach to texts. In a famous interview with Stefano Rosso that discusses the increasing recurrence in his works of the terms political and ideological, he answered as follows:
229
230 Ernesto Laclau
I don't think I ever was away from these problems, they were always uppermost in my mind. I have always maintained that one could ap- proach the problems of ideology and by extension the problems of poli- tics only on the basis of critical-linguistic analysis, which had to be done on its own terms, in the medium of language, and I felt that I could ap- proach those problems only after having achieved a certain control over those questions. It seems pretentious to say so, but it is not the case. I have the feeling I have achieved a certain control over technical prob- lems of language, specifically problems of rhetoric, of the relation be- tween tropes and performatives, of saturation of tropology as a field that in certain forms of language goes beyond that field. . . . I feel now some control of a vocabulary and of a conceptual apparatus that can handle that. 1
As for the second reason for a political theorist to be interested in de Man's work, it has to do with something related to the political field itself. Gone are the times in which the transparency of social actors, of processes of representation, even of the presumed underlying logics of the social fabric could be accepted unproblematically. On the contrary, each political institution, each category of political analysis shows itself today as the locus of undecidable language games. The over- determined nature of all political difference or identity opens the space for a generalized tropological movement and thus reveals the fruitful- ness of de Man's intellectual project for ideological and political analy- sis. In my work, this generalized politico-tropological movement has been called "hegemony. " I intend in this essay to stress some decisive points in the work of de Man, especially in his late work, where the di- rection of his thought could be helpful in developing a hegemonic ap- proach to politics.
I
The requirements of "hegemony" as a central category of political analysis are essentially three. First, that something constitutively het- erogeneous to the social system or structure has to be present in the lat- ter from the very beginning, preventing it from constituting itself as a closed or representable totality. If such a closure were achievable, no hegemonic event could be possible and the political, far from being an ontological dimension of the social--an "existential" of the social-- would just be an ontic dimension of the latter. Second, however, the hegemonic suture has to produce a retotalizing effect, without which
no hegemonic articulation would be possible either. But, third, this re- totalization cannot have the character of a dialectical reintegration. It has, on the contrary, to maintain alive and visible the original and con- stitutive heterogeneity from which the hegemonic articulation started. How is a logic that can maintain these two contradictory requirements at the same time possible? Let us approach this question through the exploration of its possible presence in de Man's texts. We will start from the analysis of Pascal's Re? flexions sur la ge? ome? trie en ge? ne? ral; De l'esprit ge? ome? trique et de l'Art de persuader that de Man carries out in "Pascal's Allegory of Persuasion. "2
Pascal starts his study of the esprit ge? ome? trique from the distinction between nominal and real definitions--the first resulting from con- vention and being thus exempt from contradiction, the second being axioms or propositions to be proved--and asserts that the confusion between the two is the main cause of philosophical difficulties. Main- taining the separation between the two--as the geometrician does--is the first rule of philosophical clarity. However, the argument runs quickly into difficulties, as geometrical discourse includes not only nominal definitions but also "primitive terms"--such as motion, num- ber, and extension--which are undefinable but, nonetheless, fully intel- ligible. According to Pascal, these undefinable words find a universal reference not in the (impossible) fact that all men have the same idea concerning their essence, but instead, in the fact that there is a relation of reference between name and thing, "so that on hearing the expres- sion time, all turn (or direct) the mind to the same entity" (56). But, as de Man shows, this brings back the real definition into the geometrical camp itself, for
the word does not function as a sign or a name, as was the case in the nominal definition, but as a vector, as a directional motion that is mani- fest only as a turn, since the target toward which it turns remains un- known. In other words, the sign has become a trope, a substitutive rela- tionship that has to posit a meaning whose existence cannot be verified, but that confers upon the sign an unavoidable signifying function. (56)
As the semantic function of the primitive terms has the structure of a trope, "it acquires a signifying function that it controls neither in its ex- istence nor in its direction. " Ergo, "[s]ince definition is now itself a primitive term, it follows that the definition of the nominal definition is itself a real, and not a nominal, definition" (57).
This contamination of the nominal by the real definition is still
The Politics of Rhetoric 231
232 Ernesto Laclau
more visible when we move to the question of double infinitude, which is decisive in establishing the coherence and intelligibility of the rela- tionship between mind and cosmos. Here, Pascal deals with the objec- tions put to him by the Chevalier de Me? re? , according to whom--given the Pascalian principle of homogeneity between space and number--it is possible to conceive an extension formed by parts that are not them- selves extended, since it is possible to have numbers made up of units that are devoid of number. With this, the principle of infinite smallness would be put into question. Pascal's answer has two steps. He asserts, in the first place, that which applies to the order of number does not apply to the order of space. One is not a number, there is no plurality in it; but at the same time it belongs to the order of number for, given the Euclidean principle of homogeneity ("magnitudes are said to be of the same kind or species when one magnitude can be made to exceed another by reiterated multiplication"), it is part of the infinity postu- lated by that principle. On that basis, Pascal can distinguish between number and extension, but only at the price of grounding the distinc- tion in real and not nominal definitions. As de Man asserts:
The synecdochal totalization of infinitude is possible because the unit of number, the one, functions as a nominal definition. But, for the argument to be valid, the nominally indivisible number must be distinguished from the really indivisible space, a demonstration that Pascal can ac- complish easily, but only because the key words of the demonstration-- indivisible, spatial extension (e? tendue), species (genre), and definition-- function as real, and not as nominal, definitions. (58-59)
But--second step--if the order of number and the order of extension had to be separated to answer Me? re? 's objection, the rift between the two had also to be healed if the principle of homogeneity between both was to be maintained. This homology is restored by appealing, as far as number is concerned, to the zero--which, on the difference with one is radically heterogeneous with the order of number--and by finding equivalences in the order of time and motion, such as "instant" and "stasis. " This appeal to the zero, however, has dramatic consequences for the coherence of the system, which de Man describes in a passage worth quoting in full:
the coherence of the system is now seen to be entirely dependent on the introduction of an element--the zero and its equivalences in time and motion--that is itself entirely heterogeneous with regard to the system
and is nowhere part of it. . . . Moreover, this rupture of the infinitesimal and the homogeneous does not occur on the transcendental level, but on the level of language, in the inability of a theory of language as sign or as name (nominal definition) to ground this homogeneity without hav- ing recourse to the signifying function, the real definition, that makes the zero of signification the necessary condition for grounded knowl- edge. . . . It is as sign that language is capable of engendering the prin- ciples of infinity, of genus, species, and homogeneity, which allow for synecdochal totalizations, but none of these tropes could come about without the systematic effacement of the zero and its reconversion into a name. There can be no one without zero, but the zero always appears in the guise of a one, of a (some)thing. The name is the trope of the zero. The zero is always called a one, when the zero is actually nameless, "in- nommable. " In the French language, as used by Pascal and his inter- preters, this happens concretely in the confusedly alternate use of the two terms ze? ro and ne? ant. The verbal, predicative form ne? ant, with its gerundive ending, indicates not the zero, but rather the one, as the limit of the infinitely small, the almost zero that is the one. (59)
It is important to give serious consideration to this remarkable passage-- remarkable, among other things, because de Man does not pursue later in his essay all the implications of his own de? marche--for it contains, in nuce, all the relevant dimensions of the problem we are exploring. Everything turns around the role of the zero. The zero is, we are told, something radically heterogeneous with the order of number. The order of number, however, cannot constitute itself without reference to the zero. It is, in this sense, a supplement to the system that, none- theless, is necessary for constituting the latter. Vis-a`-vis the system, the zero is in an undecidable tension between internality and externality-- but an internality that does not exclude heterogeneity. The zero, in the second place is "innommable," nameless, but at the same time it pro- duces effects, it closes the system, even at the price of making it hope- lessly heterogeneous. It retotalizes the system, incurring, however, an inconsistency that cannot be overcome. The zero is nothing, but it is the nothing of the system itself, the impossibility of its consistent clo- sure, which is signified by the zero and in that sense, paradoxically, the zero as empty place becomes the signifier of fullness, of systematicity as such, as that which is lacking. The semantic oscillation between ze? ro and ne? ant that de Man observes is the result of this dual condition of the moment of closure: being an impossible object, but also a necessary
The Politics of Rhetoric 233
234 Ernesto Laclau
one. Finally, if the zero as moment of closure is impossible as an object but also necessary, it will have to have access to the field of represen- tation. But the means of representation will be constitutively inade- quate. It will give to the "innommable" a body, a name, but this can be done only at the price of betraying its true "nonbeing"; thus the tropological movement that prolongs sine die the non-resolvable dia- lectics between the zero and the one. In the words of de Man just quoted: "There can be no one without zero, but the zero always ap- pears in the guise of a one, of a (some)thing. The name is the trope of the zero. The zero is always called a one, when the zero is actually nameless, 'innommable. '"
Now, this succession of structural moments coincides, almost step by step, with the logic of hegemony that I have tried to describe in my work and which I see operating in the texts of Gramsci--to whom I will return later on. To start with, the condition of any hegemonic su- ture is the constitutive nonclosure of a system of political signification. The systemacity of a system, its closure--which is the condition of sig- nification in a system, such as Saussure's, whose identities are merely differential--coincides with the determination of its limits. These lim- its, however, can only be dictated by something that is beyond them. But, as the system is a system of differences, of all actual differences, that "beyond"--which should be heterogeneous with the system in order to fulfill its function of truly closing it--lacks the condition of a true heterogeneity if it consists in one more difference. The latter would be, in some way, undecided, suspended between being internal and external to the system.
This jeopardizes the role of the "beyond" as limit and, as a result, the possibility of constituting the differences as truly intrasystemic differences. It is only if the beyond the limit has the character of an exclusion that its role as limit is restored and with it the possibility of emergence of a full system of differences. 3
However, this fullness of the system (obtained, it is true, at the price of a dialectical retrieval of its negation) has a shortcoming. For, vis-a`- vis the excluded element, all differences within the system establish relations of equivalence between themselves. And equivalence is pre- cisely that which subverts difference. So the "beyond" which is the condition of possibility of the system is also its condition of impossi- bility. All identity is constituted within the unsolvable tension between equivalence and difference.
So, as with the Pascalian zero, we arrive at an object that is at the same time impossible and necessary. As impossible, it is an empty place
within the structure. But, as necessary, it is a "nothing" that will pro- duce structural effects, and this requires that it has access to the field of representation. And, as in the dialectics between the zero and the one, this double condition of necessity and impossibility will be constitu- tively inadequate. The fullness of the system, its point of imaginary satu- ration, will be, as in the example of de Man, a nothing that becomes a something. What are the possible means of this distorted representa- tion? Only the particular differences internal to the system. Now, this relationship by which a particular difference takes up the representa- tion of an impossible totality entirely incommensurable with it is what I call a hegemonic relation.
There are only two differences between the hegemonic logic and the Pascalian dialectics between the zero and the one as described by de Man. The first is that--given the numerical nature of Pascal's case-- the zero can only be embodied by the one, while in the case of the hegemonic logic any element within the system can be a bearer of a hegemonic function. 4 The second difference is that, given de Man's in- terests, the determination of the heterogeneous character of the tropo- logical displacement from the zero to the one is the point of arrival of his analysis, whereas for a student of hegemonic logics the analysis of the exact nature of this tropological movement becomes imperative. In de Man's detotalizing discourse, what matters is to show the hetero- geneity out of which the tropological movement operates. This is also a vital part of a hegemonic analysis. But what is decisive for the latter is the determination of the partial retotalizations that the tropological movement makes possible. 5 This is the dimension that we now have to take into account. I will do it through a reference to the opposition metaphor/metonymy as presented in de Man's essay on Proust in Allegories of Reading. 6
II
The text on Proust deals, as is well known, with the discourse of young Marcel on the pleasure of reading and with the way in which such pleasure is constructed through a set of metaphoric substitutions that are, however, persuasive only through the operation of a series of con- tingent metonymic movements. De Man asserts:
The crossing of sensory attributes in synaesthesia is only a special case of a more general pattern of substitution that all tropes have in com- mon. It is the result of an exchange of properties made possible by a
The Politics of Rhetoric 235
236 Ernesto Laclau
proximity or an analogy so close and intimate that it allows the one to substitute for the other without revealing the difference necessarily in- troduced by the substitution. The relational link between the two enti- ties involved in the exchange then becomes so strong that it can be called necessary: there could be no summer without flies; no flies with- out summer. . . . The synecdoche that substitutes part for whole and whole for part is in fact a metaphor, powerful enough to transform a temporal contiguity into an infinite duration. . . . Compared to this compelling coherence, the contingency of a metonymy based only on a casual encounter of two entities that could very well exist in each other's absence would be entirely devoid of poetic power. . . . If metonymy is distinguished from metaphor in terms of necessity and contingency . . . then metonymy is per definition unable to create genuine links, whereas no one can doubt, thanks to the butterflies, the resonance of the crates, and especially the "chamber music" of the flies, of the presence of light and of warmth in the room. On the level of sensation, metaphor can reconcile night and day in a chiaroscuro that is entirely convincing. (62-63)
We see that this passage establishes the distinction between metaphor and metonymy on the basis of the two oppositions contiguity/analogy-- the dominant opposition in classical rhetoric--and contingency/necessity. As far as the first opposition is concerned, the difficulty is that the dis- tinction between analogy and contiguity is rather slippery. Contiguity, in rhetorical terms, cannot be equivalent to mere physical contiguity, for the latter can be the basis of a metaphoric relation. And analogy can depend on such a variety of criteria that we are actually faced with a continuum in which analogy fades into mere contiguity. De Man himself points out, for instance, that "Synecdoche is one of the border- line figures that creates an ambivalent zone between metaphor and metonymy and that, by its spatial nature, creates the illusion of a syn- thesis by totalization" (63). And in one of the essays included in Blindness and Insight, he asserts that it is notoriously difficult, logically as well as historically, to keep the various tropes and figures rigorously apart, to establish precisely when catachresis becomes metaphor and when metaphor turns into metonymy; to quote an apt water-metaphor to which an expert of the field (Lansberg) has to resort precisely in his discussion of metaphor: "the transition (of one figure to another, in this case, from metaphor to metonymy) is fluid. "7
We could say that the frontiers between figures and tropes in classi-
cal rhetoric are ancillary to the main objective distinctions of ancient ontology. This is evident from Aristotle to Cicero and Quintilian. It is precisely the close character of this system of distinctions that is put into question by the deconstructive turn. Both de Man and Ge? rard Genette, for example, have shown how Proust, great defender of the creative role of metaphor, had to ground his own metaphors in a gen- eralized system of metonymic transitions. 8
The distinction between necessity and contingency is more promis- ing. In this case, without being entirely able to avoid the continuum by which one figure fades into the other, we have at least a less ambiguous criterion of classification: a discourse will be more or less metaphoric depending on the degree of fixation that it establishes between its con- stitutive components. De Man attempts to show how all metaphorical totalization is based on a metonymic textual infrastructure that resists this totalizing movement. In Hegemony and Socialist Strategy we have asserted that hegemony is always metonymic. 9 In the light of our previ- ous analysis we see why this has to be the case. What is constitutive of a hegemonic relation is that its component elements and dimensions are articulated by contingent links. A trade union or a peasant organi- zation, for instance, can take up political tasks that are not related by necessary links to their own corporative specificity. The hegemonic links by which those political tasks become workers' or peasants' tasks are metonymic displacements based on relations of contiguity (on the simple availability of those forces in a certain context in which no other social force could take up those tasks--which involves no rela- tion of analogic necessity existing between task and agent). In that sense, if there is going to be hegemony, the traces of the contingency of the articulation cannot be entirely effaced.
The type of relationship involved in a hegemonic link can be further clarified if we return for a moment to the Pascalian zero. As in the case of the hegemonic relation, the heterogeneous character of the element that brings about whatever totalization can exist--the zero--is a con- tingent remainder that cannot be eradicated. But there is a crucial dif- ference between the latter and that inhabiting the tropological move- ment which is at the root of hegemony. Where in hegemony there is free variation as far as the element that occupies the hegemonic posi- tion is concerned, in the case of the zero we do not have such a latitude of maneuver: the zero can only be a one. In that case we are not deal- ing, properly speaking, with a metonymy but with a catachresis. 10 Now, in the field of rhetoric, catachresis occupies a very special position. At
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the time of the last codification of classical rhetoric in the early nine- teenth century, it was even denied the status of a figure. Thus, Fontanier defined it in the following way:
La Catachre`se, en ge? ne? ral, consiste en ce qu'un signe de? ja` affecte? a` une premie`re ide? e, la soit aussi a` une ide? e nouvelle qui elle-me^me n'en avait point ou n'en a plus d'autre en propre dans la langue. Elle est, par con- se? quent, tout Trope d'un usage force? et ne? cessaire, tout Trope d'ou` re? - sulte un sens purement extensif; ce sens propre de second origine, inter- me? diaire entre le sens propre primitif et le sens figure? , mais qui par sa propre nature se rapproche plus du premier qui du second, bien qu'il ait pu e^tre lui me^me figure? dans le principe. 11
For instance, if I speak of the "wings of an airplane" or the "wings of the building," the expression was metaphoric at the beginning, but the difference with a proper metaphor that fully operates as a figure is that there is no proper designation of the referent. I am not free to call the "wing" in any other way.
So if the only defining feature of a catachresis is its being based in a figural name that has no counterpart in a proper one, it is clear that there is no specificity in the kind of figuration introduced by catachre- sis, and that it will repeat the figures of language sensu stricto with the only differentia specifica of there being no tropological movement from the proper to the figural. Thus Fontanier can speak of a cata- chresis of metonymy, of synecdoche and of metaphor. The difficulty is that the distinction between a catachresis of metonymy and a proper metonymy depends on the possibility of establishing an uncontaminat- ed frontier between the proper and the figural. As soon as some sou- plesse is introduced, the exchanges between these polar extremes be- come more complicated: the proper becomes the extreme, the reductio ad absurdum of a continuum that is figural through and through. With this, the possibility of a radical heterogeneity on which the sharp dis- tinction between catachresis and metonymy is grounded is consider- ably eroded. The only thing we can say is that the very possibility of a hegemonic relationship depends on this erosion, on keeping an unstable equilibrium between heterogeneity and contiguity, between catachresis and metonymy--an equilibrium whose conditions of ex- tinction would be either a heterogeneity without common measure be- tween the elements, or a contiguity that becomes total and, thus, ab- sorbs within an implicitly assumed space the contiguous positions as internal differences. 12 (These two conditions of extinction of the hege-
monic link are, in fact, only one and the same: in order to be radically heterogeneous, two elements require a common ground out of which their heterogeneity can be thought. )
On the other hand, however, all hegemony tries to retotalize and to make as necessary as possible the contingent links on which its articulating power is based. In this sense, it tends to metaphorical to- talization. This is what gives it its dimension of power. It is a power, however, that maintains the traces of its contingency, and is, in that sense, essentially metonymic. Hegemony is always suspended be- tween two impossible poles: the first, that there would be no dis- placement, that contiguity becomes mere contiguity, and that all tropological movement ceases--this would be the case of what Gramsci called the "corporative class"; the second, that the meta- phorical totalization becomes complete and that purely analogical re- lations fully saturate the social space--in which case we would have the "universal class" of the classical emancipatory discourse. Both poles are excluded by the hegemonic relation. It is only on the traces of (contingent) contiguity contaminating all analogy that a hegemon- ic relation can emerge.
III
I will now attempt to illustrate these propositions with a historical example showing an extreme attempt at metaphorical totalization, whose very failure shows the space in which the undecidable logic of hegemony operates. I am referring to the work of Georges Sorel.
Sorel's work is a product of that period of socialist thought that has been called, following the characterization of Thomas Masaryk, "the crisis of Marxism. " The increasing gap between the classical Marxist dogma, as codified in the Anti-Du? hring, and the actual turn of events opened a theoretical vacuum that various intellectual projects attempt- ed to fill.
Two themes quite frequent at that time--the impossibility of unify- ing historical events by conceptual means, the grounding of historical action in conviction and will--are certainly present in Sorel, but he is going to give them a new twist and to invest them with a new meaning, as he is going to see them from the viewpoint of a far more radical his- torical possibility. Let us consider the following passage from the Re? flexions sur la violence, which shows the deep gap separating Sorel's socialism from that of most of his contemporaries:
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240 Ernesto Laclau
Dans une socie? te? aussi enfie? vre? e par la passion du succe`s a` obtenir dans la concurrence, tous les acteurs marchent droit devant eux comme de ve? ritables automates, sans se pre? occuper des grandes ide? es des socio- logues; ils sont soumis a` des forces tre`s simples et nul d'entre eux ne songe a` se soustraire aux conditions de son e? tat. C'est alors seulement que le de? veloppement du capitalisme se poursuit avec cette rigueur qui avait tant frappe? Marx et qui lui semblait comparable a` celle d'une loi naturelle. Si, au contraire, les bourgeois, e? gare? s par les blagues des pre? di- cateurs de morale ou de sociologie, reviennent a` un ide? al de me? diocrite? conservatrice, cherchent a` corriger les abus de l'e? conomie et veulent rompre avec la barbarie de leurs anciens, alors une partie des forces qui devaient produire la tendance du capitalisme est employe? e a` l'enrayer, du hasard s'introduit et l'avenir du monde est comple`tement inde? termine? .
Cette inde? termination augmente encore si le prole? tariat se convertit a` la paix sociale en me^me temps que ses mai^tres;--ou me^me simplement s'il conside`re toutes choses sous un aspect corporatif;--tandis que le socialisme donne a` toutes les contestations e? conomiques une couleur ge? ne? rale et re? volutionnaire. 13
Let us follow this argument closely. If the objective logic of historical change that Marx had presented depends for its full development on the bourgeoisie not being dominated by the ideal of a "me? diocrite? conservatrice"--because in the latter case "du hasard s'introduit et l'avenir du monde est comple`tement inde? termine? "--everything turns on whether that ideal will prevail or not. That prevalence, however, cannot be the result of identifiable objective economic processes, given that the very possibility of those processes taking place depends, for Sorel, on the absence of the "me? diocrite? conservatrice. " Here we find the cornerstone of Sorel's thought in its mature stage: social processes do not involve only displacements in the relationship of forces between classes, because a more radical and constitutive possibility is always haunting society: the dissolution of the social fabric and the implosion of society as a totality. So, society is not only suffering domination and exploitation: it is also threatened with decadence, with the only too real possibility of its radical not being. Let us see how in Sorel this dis- tinctive possibility opens the way to a new and peculiar logic in the re- lation between groups. There are two capital moments in this logic.
The first, is that the opposition that dominates Sorel's vision of the social is not primarily the one between bourgeoisie and proletariat but, rather, that between decadence and full realization of society. If the
proletariat as a social force receives historical priority, it is because it is seen as the main instrument in confronting decadence. But--and this is a crucial point--it is not the actual victory of the proletariat against the bourgeoisie that will bring about "grandeur" and will arrest deca- dence, but the very fact of the open confrontation between the two groups. Without confrontation there is no identity; social identities re- quire conflict for their constitution. This explains Sorel's critique of democracy. If social identities require open conflict for their full consti- tution, any attempt to dilute, reduce, or even regulate that conflict can only be an instrument of decadence and corruption of those identities. Democratic participation in public institutions is the sure road leading to such corruption. So, Sorel had to see in Marxism not a scientific doctrine explaining the objective laws of capitalism, but a finalistic ide- ology of the proletariat, grounded in class struggle. Social relations, left to themselves, are just "me? lange. " Only the will of determined so- cial forces gives a consistent shape to social relations, and the determi- nation of that will depends on the violent confrontation with other wills.
But, second, if the historical justification of the action of the prole- tariat is given by its being the only force capable of opposing the deca- dence of civilization, that justification is indifferent to the contents of the proletarian program and depends entirely on the contingent ability of those contents to bring about an effect that is external to them- selves. There is no ethical justification that is intrinsic to socialism. This has two capital consequences. The first, that all social identity or social demand is constitutively split. It is, on the one hand, a concrete demand; but, on the other hand, it can also be the bearer, the incarna- tion of social "grandeur" as opposed to decadence. "Grandeur" and "decadence" do not have intrinsic contents of their own, but are the empty signifiers of a fullness of society (or its opposite, its corruption or nonbeing) that can be actualized by the most different social forces. So--and this is the second consequence--it is enough that the working class shows itself as a limited historical actor, closed in its corporative demands and incapable of incarnating the will to fullness of society, for its claims to lose all legitimacy. And the political trajectory of Sorel is a living example of the contingency of this relation between working- class demands and "grandeur": he passed from being a theoretician of revolutionary syndicalism to ally himself with a fraction of the mon- archist movement, and ended his career by being close to the Third International. The diffusion of Sorelian themes in antagonistic social
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movements, from bolshevism to fascism, is an even more telling ex- ample of the ambiguous possibilities that his de? marche was opening. For Sorel, the action (violence) is increasingly separated from its own contents and exclusively judged by the effect the latter have on the identity of the actors.
Let us now translate these reflections on Sorel into our tropological argument. Any attempt by the proletariat to constitute its subjectivity through a variety of loosely related subject positions can only lead, ac- cording to Sorel, to corporative integration and to decadence; so all metonymic variation had to be eliminated. In that case, how to aggre- gate working-class struggles in such a way that the proletarian identity is maintained and reinforced? Through an education of the will ground- ed in the myth of the general strike. Each action of the workers-- whether a strike, a demonstration, or a factory occupation--should be seen, not in its own specificity and particular objectives, but as one more event in the formation of the revolutionary will. That is, these ac- tions are all analogous from the point of view of their ultimate deep aims and are, as a result, in a relation of metaphorical substitution with each other. Their mutual relations--as that between flies and summer in Proust's text--are necessary. The drawback of this vision is that, in that case, the myth that unifies the struggles beyond all speci- ficity cannot be specific either. The reduction of all specificity to the repetition of something analogous can only be the metaphor of meta- phoricity as such. We know what this involves: the interruption of any hegemonic operation. The metaphor of metaphoricity can only be a zero that is in no tropological relation with a one, or--at most--a zero that is in a catechretical relation with only one position. Only at that price can revolutionary closure be achieved. And this is precisely what Sorel attempts to achieve by making the general strike totally heteroge- neous with the empirical world of limited and partial struggles. The general strike is presented as a myth and not a utopia--it has lost all the detailed descriptive features of the latter; it has no particular objec- tives; it is merely an empty image that galvanizes the consciousness of the masses; it is exhausted in this last function without possibly cor- responding to any actual historical event. It is a radical nonevent that is, paradoxically, the condition of all events if there is going to be a "grandeur" in society.
In that case, why revolutionary general strike rather than anything else? Is there any ground to think that the general strike is the (necessary) catachresis of that radical nonevent which brings about "grandeur"?
Sorel cannot answer this question, and the oscillations of his political career are a clear indication that the question is unanswerable. The relationship between "grandeur" and general strike is a hegemonic in- carnation, which involves all metaphoric aggregation being ultimately grounded in (reversible) metonymic displacements. The attempt to ground the revolutionary will in a metaphoric totalization that would avoid the particularism of hegemonic variations ends in failure. As Plato knew, perhaps better than Sorel--only protracted metonymic displace- ments between Athens and Siracusa can give some hope that the king agrees to become a philosopher.
Perhaps we could still make this point in a slightly different way: it is only through the pure, irreducible event that consists in a contingent displacement not retrievable by any metaphoric reaggregation that we can have a history, in the sense of both Geschichte and Historie. It is because there is hegemony (and metonymy) that there is history. Couldn't some deconstructive strategies, such as iteration, be seen as attempts at introducing metonymy at the heart of metaphor, displace- ment at the heart of analogy? Genette (following Blanchot) tries to show, in his analysis of Proust, how the latter moved from a structure of his novel conceived as a succession of poetic instants, of punctual moments, to a conception of his whole narrative in which anamnesis is inseparable from--it is actually governed by--the whole process of narration. As he points out:
Sans me? taphore, dit (a` peu pre`s) Proust, pas de ve? ritables souvenirs; nous ajoutons pour lui (et pour tous): Sans me?
2. William Wordsworth's sonnet, "Nuns Fret Not at Their Convent's Narrow Room," contains the lines, "In truth the prison, into which we doom / Ourselves, no prison is: and hence for me, / In sundry moods, 'twas pastime to be bound / Within the Sonnet's scanty plot of ground" (Selected Poetry and Prose of Words- worth [New York: Signet, 1970], 169).
3. John Keats's sonnet on the sonnet begins, "If by dull rhymes our English must be chained, / And, like Andromeda, the sonnet sweet / Fettered . . . " (The Selected Poetry of Keats [New York: Signet, 1966], 264).
4. One of several poems by Baudelaire titled Spleen describes a mood pro- duced by or analogized to a rainy day: "Quand la pluie e? talant ses immenses traine? es / D'une vaste prison imite les barreaux . . . " (Baudelaire, OEuvres com- ple`tes, vol. 1 [Paris: Ple? iade, 1975], 75).
5. For a suggestive discussion of what it means for a text to obey the law of genre, see Jacques Derrida, "The Law of Genre," in Acts of Literature, ed. Derek Attridge (New York: Routledge, 1992).
6. Paul de Man, "Anthropomorphism and Trope in the Lyric," in The Rhetoric of Romanticism (New York: Columbia University Press, 1984). Page numbers in parentheses refer to this essay.
7. United States Law Week 61:25 (January 12, 1993). Page numbers in paren- theses refer to this text.
8. This allusion to Keats's "Ode on a Grecian Urn" stands in for the premise of the compatibility of literary aesthetics with linguistic structures, and of linguistic structures with perceptual or intuitive knowledge, that de Man is often at pains to contest. See his remarks on the pedagogical model of the trivium in the titular essay of The Resistance to Theory (Minneapolis: University of Minnesota Press, 1986).
9. Friedrich Nietzsche, "Truth and Falsity in an Ultramoral Sense," in Critical Theory Since Plato, ed. Hazard Adams (Fort Worth: Harcourt Brace Jovanovich, 1992), 634-39. If the Keats poem stands as the claim that aesthetic and epistemo- logical structures are compatible, Nietzsche's text, for de Man, stands as a parody of that claim.
10. The translations are mine, for the purpose of bringing out those aspects of the poems that are relevant to my discussion.
11. "Allegory and Irony in Baudelaire," in Romanticism and Contemporary Criticism (Baltimore: Johns Hopkins University Press, 1993). This essay is part of the Gauss Seminar given by de Man in 1967.
12. Jacques Lacan, "Aggressivity in Psychoanalysis," in E? crits: A Selection, trans. Alan Sheridan (New York: W. W. Norton, 1977), 17: "What I have called paranoic
knowledge is shown, therefore, to correspond in its more or less archaic forms to certain critical moments that mark the history of man's mental genesis, each repre- senting a stage in objectifying identification. "
13. Ibid. , 9.
14. Jacques Derrida, "Freud's Legacy," in The Postcard, trans. Alan Bass (Chicago: University of Chicago Press, 1987).
15. De Man, "The Resistance to Theory," 10.
16. United States Code (1994 edition), vol. 15, 438.
17. In a response to the present paper given at the Yale Law School, Shoshana
Felman made the brilliant suggestion that Souter would have wanted to rewrite Baudelaire's "Correspondances" as: "Le Congre`s est un temple ou` de vivants pil- liers laissent parfois sortir de confuses paroles . . . " The neoclassical, Parnassian ar- chitecture of official Washington, D. C. , and the common metaphorical expression "pillars of the community," add piquancy to this suggestion.
18. Michael D. Rivard, "Toward a General Theory of Constitutional Person- hood: A Theory of Constitutional Personhood for Transgenic Humanoid Species," UCLA Law Review 39: 5 (June 1992): 1428-29.
19. See A. Leon Higginbotham Jr. and Barbara Kopytoff, "Property First, Humanity Second: The Recognition of the Slave's Human Nature in Virginia Civil Law," Ohio State Law Journal 50:3 (June 1989): "The humanity of the slave, re- quiring that he be treated with the care due other humans and not like other forms of property, became part of the owner's property rights" (520).
20. Douglas E. Fehrenbacher, Slavery, Law, and Politics: The Dred Scott Case in Historical Perspective (Oxford: Oxford University Press, 1981), 15.
21. Kim Mueller, "Inmates' Civil Rights Cases and the Federal Courts: Insights Derived from a Field Research Project in the Eastern District of California," Creighton Law Review 1228 (June 1995): 1258-59. In the Eastern District of Cali- fornia, inmates' civil rights actions constituted nearly 30 percent of the case filings. (California Men's Colony is not in the Eastern District; it is in San Luis Obispo. )
22. Ibid. , 1276 and 1281.
23. Max Black, Perplexities (Ithaca, N. Y. : Cornell University Press, 1990). See also Robert Axelrod, The Evolution of Cooperation (New York: Basic Books, 1984).
24. Richard Klein, Cigarettes Are Sublime (Durham, N. C. : Duke University Press, 1993). Klein notes, incidentally, that Baudelaire is one of the first French writers to use the word cigarette in print (in his "Salons de 1848," 8).
25. Rivard, "Toward a General Theory of Constitutional Personhood," 1501-2.
26. Steven Knapp, Personification and the Sublime (Cambridge: Harvard University Press, 1985), 2.
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IV. The Mnemopolitical Event
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The Politics of Rhetoric
Ernesto Laclau
Why would a political theorist like me, working mainly on the role of hegemonic logics in the structuration of political spaces, be interested in the work of a prominent literary critic such as Paul de Man? I could suggest at least two main reasons. The first is that one of the leitmotifs of Paul de Man's work has been the subversion of the frontiers separat- ing theoretical from literary disciplines, so that those dimensions that had traditionally been conceived as privative of literary or aesthetic language became, for him, actually defining features of language tout court. Against all attempts to differentiate between "appearance" and "saying," between a primary text whose message would have been me- diated by the materiality of the signs, of the figural, and a language of inquiry governed by reason, de Man had always insisted that any lan- guage, whether aesthetic or theoretical, is governed by the materiality of the signifier, by a rhetorical milieu that ultimately dissolves the illu- sion of any unmediated reference. In this sense a generalized rhetoric-- which necessarily includes within itself the performative dimension-- transcends all regional boundaries and becomes coterminous with the structuration of social life itself. Conceived at such a broad level of generality, the literariness of the literary text breaks the limits of any specialized discipline and its analysis involves something like the study of the distorting effects that representation exercises over any reference--effects that become, thus, constitutive of any experience.
Moreover, de Man himself was perfectly aware of the political and ideological implications of his approach to texts. In a famous interview with Stefano Rosso that discusses the increasing recurrence in his works of the terms political and ideological, he answered as follows:
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I don't think I ever was away from these problems, they were always uppermost in my mind. I have always maintained that one could ap- proach the problems of ideology and by extension the problems of poli- tics only on the basis of critical-linguistic analysis, which had to be done on its own terms, in the medium of language, and I felt that I could ap- proach those problems only after having achieved a certain control over those questions. It seems pretentious to say so, but it is not the case. I have the feeling I have achieved a certain control over technical prob- lems of language, specifically problems of rhetoric, of the relation be- tween tropes and performatives, of saturation of tropology as a field that in certain forms of language goes beyond that field. . . . I feel now some control of a vocabulary and of a conceptual apparatus that can handle that. 1
As for the second reason for a political theorist to be interested in de Man's work, it has to do with something related to the political field itself. Gone are the times in which the transparency of social actors, of processes of representation, even of the presumed underlying logics of the social fabric could be accepted unproblematically. On the contrary, each political institution, each category of political analysis shows itself today as the locus of undecidable language games. The over- determined nature of all political difference or identity opens the space for a generalized tropological movement and thus reveals the fruitful- ness of de Man's intellectual project for ideological and political analy- sis. In my work, this generalized politico-tropological movement has been called "hegemony. " I intend in this essay to stress some decisive points in the work of de Man, especially in his late work, where the di- rection of his thought could be helpful in developing a hegemonic ap- proach to politics.
I
The requirements of "hegemony" as a central category of political analysis are essentially three. First, that something constitutively het- erogeneous to the social system or structure has to be present in the lat- ter from the very beginning, preventing it from constituting itself as a closed or representable totality. If such a closure were achievable, no hegemonic event could be possible and the political, far from being an ontological dimension of the social--an "existential" of the social-- would just be an ontic dimension of the latter. Second, however, the hegemonic suture has to produce a retotalizing effect, without which
no hegemonic articulation would be possible either. But, third, this re- totalization cannot have the character of a dialectical reintegration. It has, on the contrary, to maintain alive and visible the original and con- stitutive heterogeneity from which the hegemonic articulation started. How is a logic that can maintain these two contradictory requirements at the same time possible? Let us approach this question through the exploration of its possible presence in de Man's texts. We will start from the analysis of Pascal's Re? flexions sur la ge? ome? trie en ge? ne? ral; De l'esprit ge? ome? trique et de l'Art de persuader that de Man carries out in "Pascal's Allegory of Persuasion. "2
Pascal starts his study of the esprit ge? ome? trique from the distinction between nominal and real definitions--the first resulting from con- vention and being thus exempt from contradiction, the second being axioms or propositions to be proved--and asserts that the confusion between the two is the main cause of philosophical difficulties. Main- taining the separation between the two--as the geometrician does--is the first rule of philosophical clarity. However, the argument runs quickly into difficulties, as geometrical discourse includes not only nominal definitions but also "primitive terms"--such as motion, num- ber, and extension--which are undefinable but, nonetheless, fully intel- ligible. According to Pascal, these undefinable words find a universal reference not in the (impossible) fact that all men have the same idea concerning their essence, but instead, in the fact that there is a relation of reference between name and thing, "so that on hearing the expres- sion time, all turn (or direct) the mind to the same entity" (56). But, as de Man shows, this brings back the real definition into the geometrical camp itself, for
the word does not function as a sign or a name, as was the case in the nominal definition, but as a vector, as a directional motion that is mani- fest only as a turn, since the target toward which it turns remains un- known. In other words, the sign has become a trope, a substitutive rela- tionship that has to posit a meaning whose existence cannot be verified, but that confers upon the sign an unavoidable signifying function. (56)
As the semantic function of the primitive terms has the structure of a trope, "it acquires a signifying function that it controls neither in its ex- istence nor in its direction. " Ergo, "[s]ince definition is now itself a primitive term, it follows that the definition of the nominal definition is itself a real, and not a nominal, definition" (57).
This contamination of the nominal by the real definition is still
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more visible when we move to the question of double infinitude, which is decisive in establishing the coherence and intelligibility of the rela- tionship between mind and cosmos. Here, Pascal deals with the objec- tions put to him by the Chevalier de Me? re? , according to whom--given the Pascalian principle of homogeneity between space and number--it is possible to conceive an extension formed by parts that are not them- selves extended, since it is possible to have numbers made up of units that are devoid of number. With this, the principle of infinite smallness would be put into question. Pascal's answer has two steps. He asserts, in the first place, that which applies to the order of number does not apply to the order of space. One is not a number, there is no plurality in it; but at the same time it belongs to the order of number for, given the Euclidean principle of homogeneity ("magnitudes are said to be of the same kind or species when one magnitude can be made to exceed another by reiterated multiplication"), it is part of the infinity postu- lated by that principle. On that basis, Pascal can distinguish between number and extension, but only at the price of grounding the distinc- tion in real and not nominal definitions. As de Man asserts:
The synecdochal totalization of infinitude is possible because the unit of number, the one, functions as a nominal definition. But, for the argument to be valid, the nominally indivisible number must be distinguished from the really indivisible space, a demonstration that Pascal can ac- complish easily, but only because the key words of the demonstration-- indivisible, spatial extension (e? tendue), species (genre), and definition-- function as real, and not as nominal, definitions. (58-59)
But--second step--if the order of number and the order of extension had to be separated to answer Me? re? 's objection, the rift between the two had also to be healed if the principle of homogeneity between both was to be maintained. This homology is restored by appealing, as far as number is concerned, to the zero--which, on the difference with one is radically heterogeneous with the order of number--and by finding equivalences in the order of time and motion, such as "instant" and "stasis. " This appeal to the zero, however, has dramatic consequences for the coherence of the system, which de Man describes in a passage worth quoting in full:
the coherence of the system is now seen to be entirely dependent on the introduction of an element--the zero and its equivalences in time and motion--that is itself entirely heterogeneous with regard to the system
and is nowhere part of it. . . . Moreover, this rupture of the infinitesimal and the homogeneous does not occur on the transcendental level, but on the level of language, in the inability of a theory of language as sign or as name (nominal definition) to ground this homogeneity without hav- ing recourse to the signifying function, the real definition, that makes the zero of signification the necessary condition for grounded knowl- edge. . . . It is as sign that language is capable of engendering the prin- ciples of infinity, of genus, species, and homogeneity, which allow for synecdochal totalizations, but none of these tropes could come about without the systematic effacement of the zero and its reconversion into a name. There can be no one without zero, but the zero always appears in the guise of a one, of a (some)thing. The name is the trope of the zero. The zero is always called a one, when the zero is actually nameless, "in- nommable. " In the French language, as used by Pascal and his inter- preters, this happens concretely in the confusedly alternate use of the two terms ze? ro and ne? ant. The verbal, predicative form ne? ant, with its gerundive ending, indicates not the zero, but rather the one, as the limit of the infinitely small, the almost zero that is the one. (59)
It is important to give serious consideration to this remarkable passage-- remarkable, among other things, because de Man does not pursue later in his essay all the implications of his own de? marche--for it contains, in nuce, all the relevant dimensions of the problem we are exploring. Everything turns around the role of the zero. The zero is, we are told, something radically heterogeneous with the order of number. The order of number, however, cannot constitute itself without reference to the zero. It is, in this sense, a supplement to the system that, none- theless, is necessary for constituting the latter. Vis-a`-vis the system, the zero is in an undecidable tension between internality and externality-- but an internality that does not exclude heterogeneity. The zero, in the second place is "innommable," nameless, but at the same time it pro- duces effects, it closes the system, even at the price of making it hope- lessly heterogeneous. It retotalizes the system, incurring, however, an inconsistency that cannot be overcome. The zero is nothing, but it is the nothing of the system itself, the impossibility of its consistent clo- sure, which is signified by the zero and in that sense, paradoxically, the zero as empty place becomes the signifier of fullness, of systematicity as such, as that which is lacking. The semantic oscillation between ze? ro and ne? ant that de Man observes is the result of this dual condition of the moment of closure: being an impossible object, but also a necessary
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one. Finally, if the zero as moment of closure is impossible as an object but also necessary, it will have to have access to the field of represen- tation. But the means of representation will be constitutively inade- quate. It will give to the "innommable" a body, a name, but this can be done only at the price of betraying its true "nonbeing"; thus the tropological movement that prolongs sine die the non-resolvable dia- lectics between the zero and the one. In the words of de Man just quoted: "There can be no one without zero, but the zero always ap- pears in the guise of a one, of a (some)thing. The name is the trope of the zero. The zero is always called a one, when the zero is actually nameless, 'innommable. '"
Now, this succession of structural moments coincides, almost step by step, with the logic of hegemony that I have tried to describe in my work and which I see operating in the texts of Gramsci--to whom I will return later on. To start with, the condition of any hegemonic su- ture is the constitutive nonclosure of a system of political signification. The systemacity of a system, its closure--which is the condition of sig- nification in a system, such as Saussure's, whose identities are merely differential--coincides with the determination of its limits. These lim- its, however, can only be dictated by something that is beyond them. But, as the system is a system of differences, of all actual differences, that "beyond"--which should be heterogeneous with the system in order to fulfill its function of truly closing it--lacks the condition of a true heterogeneity if it consists in one more difference. The latter would be, in some way, undecided, suspended between being internal and external to the system.
This jeopardizes the role of the "beyond" as limit and, as a result, the possibility of constituting the differences as truly intrasystemic differences. It is only if the beyond the limit has the character of an exclusion that its role as limit is restored and with it the possibility of emergence of a full system of differences. 3
However, this fullness of the system (obtained, it is true, at the price of a dialectical retrieval of its negation) has a shortcoming. For, vis-a`- vis the excluded element, all differences within the system establish relations of equivalence between themselves. And equivalence is pre- cisely that which subverts difference. So the "beyond" which is the condition of possibility of the system is also its condition of impossi- bility. All identity is constituted within the unsolvable tension between equivalence and difference.
So, as with the Pascalian zero, we arrive at an object that is at the same time impossible and necessary. As impossible, it is an empty place
within the structure. But, as necessary, it is a "nothing" that will pro- duce structural effects, and this requires that it has access to the field of representation. And, as in the dialectics between the zero and the one, this double condition of necessity and impossibility will be constitu- tively inadequate. The fullness of the system, its point of imaginary satu- ration, will be, as in the example of de Man, a nothing that becomes a something. What are the possible means of this distorted representa- tion? Only the particular differences internal to the system. Now, this relationship by which a particular difference takes up the representa- tion of an impossible totality entirely incommensurable with it is what I call a hegemonic relation.
There are only two differences between the hegemonic logic and the Pascalian dialectics between the zero and the one as described by de Man. The first is that--given the numerical nature of Pascal's case-- the zero can only be embodied by the one, while in the case of the hegemonic logic any element within the system can be a bearer of a hegemonic function. 4 The second difference is that, given de Man's in- terests, the determination of the heterogeneous character of the tropo- logical displacement from the zero to the one is the point of arrival of his analysis, whereas for a student of hegemonic logics the analysis of the exact nature of this tropological movement becomes imperative. In de Man's detotalizing discourse, what matters is to show the hetero- geneity out of which the tropological movement operates. This is also a vital part of a hegemonic analysis. But what is decisive for the latter is the determination of the partial retotalizations that the tropological movement makes possible. 5 This is the dimension that we now have to take into account. I will do it through a reference to the opposition metaphor/metonymy as presented in de Man's essay on Proust in Allegories of Reading. 6
II
The text on Proust deals, as is well known, with the discourse of young Marcel on the pleasure of reading and with the way in which such pleasure is constructed through a set of metaphoric substitutions that are, however, persuasive only through the operation of a series of con- tingent metonymic movements. De Man asserts:
The crossing of sensory attributes in synaesthesia is only a special case of a more general pattern of substitution that all tropes have in com- mon. It is the result of an exchange of properties made possible by a
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proximity or an analogy so close and intimate that it allows the one to substitute for the other without revealing the difference necessarily in- troduced by the substitution. The relational link between the two enti- ties involved in the exchange then becomes so strong that it can be called necessary: there could be no summer without flies; no flies with- out summer. . . . The synecdoche that substitutes part for whole and whole for part is in fact a metaphor, powerful enough to transform a temporal contiguity into an infinite duration. . . . Compared to this compelling coherence, the contingency of a metonymy based only on a casual encounter of two entities that could very well exist in each other's absence would be entirely devoid of poetic power. . . . If metonymy is distinguished from metaphor in terms of necessity and contingency . . . then metonymy is per definition unable to create genuine links, whereas no one can doubt, thanks to the butterflies, the resonance of the crates, and especially the "chamber music" of the flies, of the presence of light and of warmth in the room. On the level of sensation, metaphor can reconcile night and day in a chiaroscuro that is entirely convincing. (62-63)
We see that this passage establishes the distinction between metaphor and metonymy on the basis of the two oppositions contiguity/analogy-- the dominant opposition in classical rhetoric--and contingency/necessity. As far as the first opposition is concerned, the difficulty is that the dis- tinction between analogy and contiguity is rather slippery. Contiguity, in rhetorical terms, cannot be equivalent to mere physical contiguity, for the latter can be the basis of a metaphoric relation. And analogy can depend on such a variety of criteria that we are actually faced with a continuum in which analogy fades into mere contiguity. De Man himself points out, for instance, that "Synecdoche is one of the border- line figures that creates an ambivalent zone between metaphor and metonymy and that, by its spatial nature, creates the illusion of a syn- thesis by totalization" (63). And in one of the essays included in Blindness and Insight, he asserts that it is notoriously difficult, logically as well as historically, to keep the various tropes and figures rigorously apart, to establish precisely when catachresis becomes metaphor and when metaphor turns into metonymy; to quote an apt water-metaphor to which an expert of the field (Lansberg) has to resort precisely in his discussion of metaphor: "the transition (of one figure to another, in this case, from metaphor to metonymy) is fluid. "7
We could say that the frontiers between figures and tropes in classi-
cal rhetoric are ancillary to the main objective distinctions of ancient ontology. This is evident from Aristotle to Cicero and Quintilian. It is precisely the close character of this system of distinctions that is put into question by the deconstructive turn. Both de Man and Ge? rard Genette, for example, have shown how Proust, great defender of the creative role of metaphor, had to ground his own metaphors in a gen- eralized system of metonymic transitions. 8
The distinction between necessity and contingency is more promis- ing. In this case, without being entirely able to avoid the continuum by which one figure fades into the other, we have at least a less ambiguous criterion of classification: a discourse will be more or less metaphoric depending on the degree of fixation that it establishes between its con- stitutive components. De Man attempts to show how all metaphorical totalization is based on a metonymic textual infrastructure that resists this totalizing movement. In Hegemony and Socialist Strategy we have asserted that hegemony is always metonymic. 9 In the light of our previ- ous analysis we see why this has to be the case. What is constitutive of a hegemonic relation is that its component elements and dimensions are articulated by contingent links. A trade union or a peasant organi- zation, for instance, can take up political tasks that are not related by necessary links to their own corporative specificity. The hegemonic links by which those political tasks become workers' or peasants' tasks are metonymic displacements based on relations of contiguity (on the simple availability of those forces in a certain context in which no other social force could take up those tasks--which involves no rela- tion of analogic necessity existing between task and agent). In that sense, if there is going to be hegemony, the traces of the contingency of the articulation cannot be entirely effaced.
The type of relationship involved in a hegemonic link can be further clarified if we return for a moment to the Pascalian zero. As in the case of the hegemonic relation, the heterogeneous character of the element that brings about whatever totalization can exist--the zero--is a con- tingent remainder that cannot be eradicated. But there is a crucial dif- ference between the latter and that inhabiting the tropological move- ment which is at the root of hegemony. Where in hegemony there is free variation as far as the element that occupies the hegemonic posi- tion is concerned, in the case of the zero we do not have such a latitude of maneuver: the zero can only be a one. In that case we are not deal- ing, properly speaking, with a metonymy but with a catachresis. 10 Now, in the field of rhetoric, catachresis occupies a very special position. At
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the time of the last codification of classical rhetoric in the early nine- teenth century, it was even denied the status of a figure. Thus, Fontanier defined it in the following way:
La Catachre`se, en ge? ne? ral, consiste en ce qu'un signe de? ja` affecte? a` une premie`re ide? e, la soit aussi a` une ide? e nouvelle qui elle-me^me n'en avait point ou n'en a plus d'autre en propre dans la langue. Elle est, par con- se? quent, tout Trope d'un usage force? et ne? cessaire, tout Trope d'ou` re? - sulte un sens purement extensif; ce sens propre de second origine, inter- me? diaire entre le sens propre primitif et le sens figure? , mais qui par sa propre nature se rapproche plus du premier qui du second, bien qu'il ait pu e^tre lui me^me figure? dans le principe. 11
For instance, if I speak of the "wings of an airplane" or the "wings of the building," the expression was metaphoric at the beginning, but the difference with a proper metaphor that fully operates as a figure is that there is no proper designation of the referent. I am not free to call the "wing" in any other way.
So if the only defining feature of a catachresis is its being based in a figural name that has no counterpart in a proper one, it is clear that there is no specificity in the kind of figuration introduced by catachre- sis, and that it will repeat the figures of language sensu stricto with the only differentia specifica of there being no tropological movement from the proper to the figural. Thus Fontanier can speak of a cata- chresis of metonymy, of synecdoche and of metaphor. The difficulty is that the distinction between a catachresis of metonymy and a proper metonymy depends on the possibility of establishing an uncontaminat- ed frontier between the proper and the figural. As soon as some sou- plesse is introduced, the exchanges between these polar extremes be- come more complicated: the proper becomes the extreme, the reductio ad absurdum of a continuum that is figural through and through. With this, the possibility of a radical heterogeneity on which the sharp dis- tinction between catachresis and metonymy is grounded is consider- ably eroded. The only thing we can say is that the very possibility of a hegemonic relationship depends on this erosion, on keeping an unstable equilibrium between heterogeneity and contiguity, between catachresis and metonymy--an equilibrium whose conditions of ex- tinction would be either a heterogeneity without common measure be- tween the elements, or a contiguity that becomes total and, thus, ab- sorbs within an implicitly assumed space the contiguous positions as internal differences. 12 (These two conditions of extinction of the hege-
monic link are, in fact, only one and the same: in order to be radically heterogeneous, two elements require a common ground out of which their heterogeneity can be thought. )
On the other hand, however, all hegemony tries to retotalize and to make as necessary as possible the contingent links on which its articulating power is based. In this sense, it tends to metaphorical to- talization. This is what gives it its dimension of power. It is a power, however, that maintains the traces of its contingency, and is, in that sense, essentially metonymic. Hegemony is always suspended be- tween two impossible poles: the first, that there would be no dis- placement, that contiguity becomes mere contiguity, and that all tropological movement ceases--this would be the case of what Gramsci called the "corporative class"; the second, that the meta- phorical totalization becomes complete and that purely analogical re- lations fully saturate the social space--in which case we would have the "universal class" of the classical emancipatory discourse. Both poles are excluded by the hegemonic relation. It is only on the traces of (contingent) contiguity contaminating all analogy that a hegemon- ic relation can emerge.
III
I will now attempt to illustrate these propositions with a historical example showing an extreme attempt at metaphorical totalization, whose very failure shows the space in which the undecidable logic of hegemony operates. I am referring to the work of Georges Sorel.
Sorel's work is a product of that period of socialist thought that has been called, following the characterization of Thomas Masaryk, "the crisis of Marxism. " The increasing gap between the classical Marxist dogma, as codified in the Anti-Du? hring, and the actual turn of events opened a theoretical vacuum that various intellectual projects attempt- ed to fill.
Two themes quite frequent at that time--the impossibility of unify- ing historical events by conceptual means, the grounding of historical action in conviction and will--are certainly present in Sorel, but he is going to give them a new twist and to invest them with a new meaning, as he is going to see them from the viewpoint of a far more radical his- torical possibility. Let us consider the following passage from the Re? flexions sur la violence, which shows the deep gap separating Sorel's socialism from that of most of his contemporaries:
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Dans une socie? te? aussi enfie? vre? e par la passion du succe`s a` obtenir dans la concurrence, tous les acteurs marchent droit devant eux comme de ve? ritables automates, sans se pre? occuper des grandes ide? es des socio- logues; ils sont soumis a` des forces tre`s simples et nul d'entre eux ne songe a` se soustraire aux conditions de son e? tat. C'est alors seulement que le de? veloppement du capitalisme se poursuit avec cette rigueur qui avait tant frappe? Marx et qui lui semblait comparable a` celle d'une loi naturelle. Si, au contraire, les bourgeois, e? gare? s par les blagues des pre? di- cateurs de morale ou de sociologie, reviennent a` un ide? al de me? diocrite? conservatrice, cherchent a` corriger les abus de l'e? conomie et veulent rompre avec la barbarie de leurs anciens, alors une partie des forces qui devaient produire la tendance du capitalisme est employe? e a` l'enrayer, du hasard s'introduit et l'avenir du monde est comple`tement inde? termine? .
Cette inde? termination augmente encore si le prole? tariat se convertit a` la paix sociale en me^me temps que ses mai^tres;--ou me^me simplement s'il conside`re toutes choses sous un aspect corporatif;--tandis que le socialisme donne a` toutes les contestations e? conomiques une couleur ge? ne? rale et re? volutionnaire. 13
Let us follow this argument closely. If the objective logic of historical change that Marx had presented depends for its full development on the bourgeoisie not being dominated by the ideal of a "me? diocrite? conservatrice"--because in the latter case "du hasard s'introduit et l'avenir du monde est comple`tement inde? termine? "--everything turns on whether that ideal will prevail or not. That prevalence, however, cannot be the result of identifiable objective economic processes, given that the very possibility of those processes taking place depends, for Sorel, on the absence of the "me? diocrite? conservatrice. " Here we find the cornerstone of Sorel's thought in its mature stage: social processes do not involve only displacements in the relationship of forces between classes, because a more radical and constitutive possibility is always haunting society: the dissolution of the social fabric and the implosion of society as a totality. So, society is not only suffering domination and exploitation: it is also threatened with decadence, with the only too real possibility of its radical not being. Let us see how in Sorel this dis- tinctive possibility opens the way to a new and peculiar logic in the re- lation between groups. There are two capital moments in this logic.
The first, is that the opposition that dominates Sorel's vision of the social is not primarily the one between bourgeoisie and proletariat but, rather, that between decadence and full realization of society. If the
proletariat as a social force receives historical priority, it is because it is seen as the main instrument in confronting decadence. But--and this is a crucial point--it is not the actual victory of the proletariat against the bourgeoisie that will bring about "grandeur" and will arrest deca- dence, but the very fact of the open confrontation between the two groups. Without confrontation there is no identity; social identities re- quire conflict for their constitution. This explains Sorel's critique of democracy. If social identities require open conflict for their full consti- tution, any attempt to dilute, reduce, or even regulate that conflict can only be an instrument of decadence and corruption of those identities. Democratic participation in public institutions is the sure road leading to such corruption. So, Sorel had to see in Marxism not a scientific doctrine explaining the objective laws of capitalism, but a finalistic ide- ology of the proletariat, grounded in class struggle. Social relations, left to themselves, are just "me? lange. " Only the will of determined so- cial forces gives a consistent shape to social relations, and the determi- nation of that will depends on the violent confrontation with other wills.
But, second, if the historical justification of the action of the prole- tariat is given by its being the only force capable of opposing the deca- dence of civilization, that justification is indifferent to the contents of the proletarian program and depends entirely on the contingent ability of those contents to bring about an effect that is external to them- selves. There is no ethical justification that is intrinsic to socialism. This has two capital consequences. The first, that all social identity or social demand is constitutively split. It is, on the one hand, a concrete demand; but, on the other hand, it can also be the bearer, the incarna- tion of social "grandeur" as opposed to decadence. "Grandeur" and "decadence" do not have intrinsic contents of their own, but are the empty signifiers of a fullness of society (or its opposite, its corruption or nonbeing) that can be actualized by the most different social forces. So--and this is the second consequence--it is enough that the working class shows itself as a limited historical actor, closed in its corporative demands and incapable of incarnating the will to fullness of society, for its claims to lose all legitimacy. And the political trajectory of Sorel is a living example of the contingency of this relation between working- class demands and "grandeur": he passed from being a theoretician of revolutionary syndicalism to ally himself with a fraction of the mon- archist movement, and ended his career by being close to the Third International. The diffusion of Sorelian themes in antagonistic social
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movements, from bolshevism to fascism, is an even more telling ex- ample of the ambiguous possibilities that his de? marche was opening. For Sorel, the action (violence) is increasingly separated from its own contents and exclusively judged by the effect the latter have on the identity of the actors.
Let us now translate these reflections on Sorel into our tropological argument. Any attempt by the proletariat to constitute its subjectivity through a variety of loosely related subject positions can only lead, ac- cording to Sorel, to corporative integration and to decadence; so all metonymic variation had to be eliminated. In that case, how to aggre- gate working-class struggles in such a way that the proletarian identity is maintained and reinforced? Through an education of the will ground- ed in the myth of the general strike. Each action of the workers-- whether a strike, a demonstration, or a factory occupation--should be seen, not in its own specificity and particular objectives, but as one more event in the formation of the revolutionary will. That is, these ac- tions are all analogous from the point of view of their ultimate deep aims and are, as a result, in a relation of metaphorical substitution with each other. Their mutual relations--as that between flies and summer in Proust's text--are necessary. The drawback of this vision is that, in that case, the myth that unifies the struggles beyond all speci- ficity cannot be specific either. The reduction of all specificity to the repetition of something analogous can only be the metaphor of meta- phoricity as such. We know what this involves: the interruption of any hegemonic operation. The metaphor of metaphoricity can only be a zero that is in no tropological relation with a one, or--at most--a zero that is in a catechretical relation with only one position. Only at that price can revolutionary closure be achieved. And this is precisely what Sorel attempts to achieve by making the general strike totally heteroge- neous with the empirical world of limited and partial struggles. The general strike is presented as a myth and not a utopia--it has lost all the detailed descriptive features of the latter; it has no particular objec- tives; it is merely an empty image that galvanizes the consciousness of the masses; it is exhausted in this last function without possibly cor- responding to any actual historical event. It is a radical nonevent that is, paradoxically, the condition of all events if there is going to be a "grandeur" in society.
In that case, why revolutionary general strike rather than anything else? Is there any ground to think that the general strike is the (necessary) catachresis of that radical nonevent which brings about "grandeur"?
Sorel cannot answer this question, and the oscillations of his political career are a clear indication that the question is unanswerable. The relationship between "grandeur" and general strike is a hegemonic in- carnation, which involves all metaphoric aggregation being ultimately grounded in (reversible) metonymic displacements. The attempt to ground the revolutionary will in a metaphoric totalization that would avoid the particularism of hegemonic variations ends in failure. As Plato knew, perhaps better than Sorel--only protracted metonymic displace- ments between Athens and Siracusa can give some hope that the king agrees to become a philosopher.
Perhaps we could still make this point in a slightly different way: it is only through the pure, irreducible event that consists in a contingent displacement not retrievable by any metaphoric reaggregation that we can have a history, in the sense of both Geschichte and Historie. It is because there is hegemony (and metonymy) that there is history. Couldn't some deconstructive strategies, such as iteration, be seen as attempts at introducing metonymy at the heart of metaphor, displace- ment at the heart of analogy? Genette (following Blanchot) tries to show, in his analysis of Proust, how the latter moved from a structure of his novel conceived as a succession of poetic instants, of punctual moments, to a conception of his whole narrative in which anamnesis is inseparable from--it is actually governed by--the whole process of narration. As he points out:
Sans me? taphore, dit (a` peu pre`s) Proust, pas de ve? ritables souvenirs; nous ajoutons pour lui (et pour tous): Sans me?
