No More Learning

Much too of music was his thought;
The melodies and measures fraught
With sunshine and the open air,
Of vineyards and the singing sea
Of his beloved Sicily;
And much it pleased him to peruse
The songs of the Sicilian muse,--
Bucolic songs by Meli sung
In the familiar peasant tongue,
That made men say, "Behold! once more
The pitying gods to earth restore
Theocritus of Syracuse! "

A Spanish Jew from Alicant
With aspect grand and grave was there;
Vender of silks and fabrics rare,
And attar of rose from the Levant.
Like an old Patriarch he appeared,
Abraham or Isaac, or at least
Some later Prophet or High-Priest;
With lustrous eyes, and olive skin,
And, wildly tossed from cheeks and chin,
The tumbling cataract of his beard.
His garments breathed a spicy scent
Of cinnamon and sandal blent,
Like the soft aromatic gales
That meet the mariner, who sails
Through the Moluccas, and the seas
That wash the shores of Celebes.
All stories that recorded are
By Pierre Alphonse he knew by heart,
And it was rumored he could say
The Parables of Sandabar,
And all the Fables of Pilpay,
Or if not all, the greater part!
Well versed was he in Hebrew books,
Talmud and Targum, and the lore
Of Kabala; and evermore
There was a mystery in his looks;
His eyes seemed gazing far away,
As if in vision or in trance
He heard the solemn sackbut play,
And saw the Jewish maidens dance.

A Theologian, from the school
Of Cambridge on the Charles, was there;
Skilful alike with tongue and pen,
He preached to all men everywhere
The Gospel of the Golden Rule,
The New Commandment given to men,
Thinking the deed, and not the creed,
Would help us in our utmost need.
With reverent feet the earth he trod,
Nor banished nature from his plan,
But studied still with deep research
To build the Universal Church,
Lofty as in the love of God,
And ample as the wants of man.

A Poet, too, was there, whose verse
Was tender, musical, and terse;
The inspiration, the delight,
The gleam, the glory, the swift flight,
Of thoughts so sudden, that they seem
The revelations of a dream,
All these were his; but with them came
No envy of another's fame;
He did not find his sleep less sweet
For music in some neighboring street,
Nor rustling hear in every breeze
The laurels of Miltiades.
Honor and blessings on his head
While living, good report when dead,
Who, not too eager for renown,
Accepts, but does not clutch, the crown!

Last the Musician, as he stood
Illumined by that fire of wood;
Fair-haired, blue-eyed, his aspect blithe.
His figure tall and straight and lithe,
And every feature of his face
Revealing his Norwegian race;
A radiance, streaming from within,
Around his eyes and forehead beamed,
The Angel with the violin,
Painted by Raphael, he seemed.
He lived in that ideal world
Whose language is not speech, but song;
Around him evermore the throng
Of elves and sprites their dances whirled;
The Stromkarl sang, the cataract hurled
Its headlong waters from the height;
And mingled in the wild delight
The scream of sea-birds in their flight,
The rumor of the forest trees,
The plunge of the implacable seas,
The tumult of the wind at night,
Voices of eld, like trumpets blowing,
Old ballads, and wild melodies
Through mist and darkness pouring forth,
Like Elivagar's river flowing
Out of the glaciers of the North.

The instrument on which he played
Was in Cremona's workshops made,
By a great master of the past,
Ere yet was lost the art divine;
Fashioned of maple and of pine,
That in Tyrolian forests vast
Had rocked and wrestled with the blast;
Exquisite was it in design,
Perfect in each minutest part.
A marvel of the lutist's art;
And in its hollow chamber, thus,
The maker from whose hands it came
Had written his unrivalled name,--
"Antonius Stradivarius. "

And when he played, the atmosphere
Was filled with magic, and the ear
Caught echoes of that Harp of Gold,
Whose music had so weird a sound,
The hunted stag forgot to bound,
The leaping rivulet backward rolled,
The birds came down from bush and tree,
The dead came from beneath the sea,
The maiden to the harper's knee!

The music ceased; the applause was loud,
The pleased musician smiled and bowed;
The wood-fire clapped its hands of flame,
The shadows on the wainscot stirred,
And from the harpsichord there came
A ghostly murmur of acclaim,
A sound like that sent down at night
By birds of passage in their flight,
From the remotest distance heard.

Then silence followed; then began
A clamor for the Landlord's tale,--
The story promised them of old,
They said, but always left untold;
And he, although a bashful man,
And all his courage seemed to fail,
Finding excuse of no avail,
Yielded; and thus the story ran.



THE LANDLORD'S TALE.

PAUL REVERE'S RIDE.

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,--
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm
For the country folk to be up and to arm,"

Then he said, "Good night! " and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend, through alley and street,
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,--
By the trembling ladder, steep and tall
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent
And seeming to whisper, "All is well! "
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,--
A line of black that bends and floats
On the rising tide, like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders, that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.

You know the rest. In the books you have read,
How the British Regulars fired and fled,--
How the farmers gave them ball for ball,
From behind each fence and farm-yard wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,--
A cry of defiance and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.



INTERLUDE.

The Landlord ended thus his tale,
Then rising took down from its nail
The sword that hung there, dim with dust
And cleaving to its sheath with rust,
And said, "This sword was in the fight. "
The Poet seized it, and exclaimed,
"It is the sword of a good knight,
Though homespun was his coat-of-mail;
What matter if it be not named
Joyeuse, Colada, Durindale,
Excalibar, or Aroundight,
Or other name the books record?
Your ancestor, who bore this sword
As Colonel of the Volunteers,
Mounted upon his old gray mare,
Seen here and there and everywhere,
To me a grander shape appears
Than old Sir William, or what not,
Clinking about in foreign lands
With iron gauntlets on his hands,
And on his head an iron pot! "

All laughed; the Landlord's face grew red
As his escutcheon on the wall;
He could not comprehend at all
The drift of what the Poet said;
For those who had been longest dead
Were always greatest in his eyes;
And be was speechless with surprise
To see Sir William's plumed head
Brought to a level with the rest,
And made the subject of a jest.
And this perceiving, to appease
The Landlord's wrath, the others' fears,
The Student said, with careless ease,
"The ladies and the cavaliers,
The arms, the loves, the courtesies,
The deeds of high emprise, I sing!
Thus Ariosto says, in words
That have the stately stride and ring
Of armed knights and clashing swords.
Now listen to the tale I bring
Listen! though not to me belong
The flowing draperies of his song,
The words that rouse, the voice that charms.
The Landlord's tale was one of arms,
Only a tale of love is mine,
Blending the human and divine,
A tale of the Decameron, told
In Palmieri's garden old,
By Fiametta, laurel-crowned,
While her companions lay around,
And heard the intermingled sound
Of airs that on their errands sped,
And wild birds gossiping overhead,
And lisp of leaves, and fountain's fall,
And her own voice more sweet than all,
Telling the tale, which, wanting these,
Perchance may lose its power to please. "



THE STUDENT'S TALE

THE FALCON OF SER FEDERIGO

One summer morning, when the sun was hot,
Weary with labor in his garden-plot,
On a rude bench beneath his cottage eaves,
Ser Federigo sat among the leaves
Of a huge vine, that, with its arms outspread,
Hung its delicious clusters overhead.
Below him, through the lovely valley flowed
The river Arno, like a winding road,
And from its banks were lifted high in air
The spires and roofs of Florence called the Fair;
To him a marble tomb, that rose above
His wasted fortunes and his buried love.
For there, in banquet and in tournament,
His wealth had lavished been, his substance spent,
To woo and lose, since ill his wooing sped,
Monna Giovanna, who his rival wed,
Yet ever in his fancy reigned supreme,
The ideal woman of a young man's dream.

Then he withdrew, in poverty and pain,
To this small farm, the last of his domain,
His only comfort and his only care
To prune his vines, and plant the fig and pear;
His only forester and only guest
His falcon, faithful to him, when the rest,
Whose willing hands had found so light of yore
The brazen knocker of his palace door,
Had now no strength to lift the wooden latch,
That entrance gave beneath a roof of thatch.
Companion of his solitary ways,
Purveyor of his feasts on holidays,
On him this melancholy man bestowed
The love with which his nature overflowed.

And so the empty-handed years went round,
Vacant, though voiceful with prophetic sound,
And so, that summer morn, he sat and mused
With folded, patient hands, as he was used,
And dreamily before his half-closed sight
Floated the vision of his lost delight.
Beside him, motionless, the drowsy bird
Dreamed of the chase, and in his slumber heard
The sudden, scythe-like sweep of wings, that dare
The headlong plunge thro' eddying gulfs of air,
Then, starting broad awake upon his perch,
Tinkled his bells, like mass-bells in a church,
And, looking at his master, seemed to say,
"Ser Federigo, shall we hunt to-day? "

Ser Federigo thought not of the chase;
The tender vision of her lovely face,
I will not say he seems to see, he sees
In the leaf-shadows of the trellises,
Herself, yet not herself; a lovely child
With flowing tresses, and eyes wide and wild,
Coming undaunted up the garden walk,
And looking not at him, but at the hawk.
"Beautiful falcon! " said he, "would that I
Might hold thee on my wrist, or see thee fly! "
The voice was hers, and made strange echoes start
Through all the haunted chambers of his heart,
As an aeolian harp through gusty doors
Of some old ruin its wild music pours.

"Who is thy mother, my fair boy? " he said,
His hand laid softly on that shining head.
"Monna Giovanna. Will you let me stay
A little while, and with your falcon play?
We live there, just beyond your garden wall,
In the great house behind the poplars tall. "

So he spake on; and Federigo heard
As from afar each softly uttered word,
And drifted onward through the golden gleams
And shadows of the misty sea of dreams,
As mariners becalmed through vapors drift,
And feel the sea beneath them sink and lift,
And hear far off the mournful breakers roar,
And voices calling faintly from the shore!
Then, waking from his pleasant reveries
He took the little boy upon his knees,
And told him stories of his gallant bird,
Till in their friendship he became a third.

Monna Giovanna, widowed in her prime,
Had come with friends to pass the summer time
In her grand villa, half-way up the hill,
O'erlooking Florence, but retired and still;
With iron gates, that opened through long lines
Of sacred ilex and centennial pines,
And terraced gardens, and broad steps of stone,
And sylvan deities, with moss o'ergrown,
And fountains palpitating in the heat,
And all Val d'Arno stretched beneath its feet.
Here in seclusion, as a widow may,
The lovely lady whiled the hours away,
Pacing in sable robes the statued hall,
Herself the stateliest statue among all,
And seeing more and more, with secret joy,
Her husband risen and living in her boy,
Till the lost sense of life returned again,
Not as delight, but as relief from pain.
Meanwhile the boy, rejoicing in his strength,
Stormed down the terraces from length to length;
The screaming peacock chased in hot pursuit,
And climbed the garden trellises for fruit.
But his chief pastime was to watch the flight
Of a gerfalcon, soaring into sight,
Beyond the trees that fringed the garden wall,
Then downward stooping at some distant call;
And as he gazed full often wondered he
Who might the master of the falcon be,
Until that happy morning, when he found
Master and falcon in the cottage ground.

And now a shadow and a terror fell
On the great house, as if a passing-bell
Tolled from the tower, and filled each spacious room
With secret awe, and preternatural gloom;
The petted boy grew ill, and day by day
Pined with mysterious malady away.
The mother's heart would not be comforted;
Her darling seemed to her already dead,
And often, sitting by the sufferer's side,
"What can I do to comfort thee? " she cried.
At first the silent lips made no reply,
But moved at length by her importunate cry,
"Give me," he answered, with imploring tone,
"Ser Federigo's falcon for my own! "
No answer could the astonished mother make;
How could she ask, e'en for her darling's sake,
Such favor at a luckless lover's hand,
Well knowing that to ask was to command?
Well knowing, what all falconers confessed,
In all the land that falcon was the best,
The master's pride and passion and delight,
And the sole pursuivant of this poor knight.
But yet, for her child's sake, she could no less
Than give assent to soothe his restlessness,
So promised, and then promising to keep
Her promise sacred, saw him fall asleep.

The morrow was a bright September morn;
The earth was beautiful as if new-born;
There was that nameless splendor everywhere,
That wild exhilaration in the air,
Which makes the passers in the city street
Congratulate each other as they meet.
Two lovely ladies, clothed in cloak and hood,
Passed through the garden gate into the wood,
Under the lustrous leaves, and through the sheen
Of dewy sunshine showering down between.

The one, close-hooded, had the attractive grace
Which sorrow sometimes lends a woman's face;
Her dark eyes moistened with the mists that roll
From the gulf-stream of passion in the soul;
The other with her hood thrown back, her hair
Making a golden glory in the air,
Her cheeks suffused with an auroral blush,
Her young heart singing louder than the thrush.
So walked, that morn, through mingled light and shade,
Each by the other's presence lovelier made,
Monna Giovanna and her bosom friend,
Intent upon their errand and its end.

They found Ser Federigo at his toil,
Like banished Adam, delving in the soil;
And when he looked and these fair women spied,
The garden suddenly was glorified;
His long-lost Eden was restored again,
And the strange river winding through the plain
No longer was the Arno to his eyes,
But the Euphrates watering Paradise!

Monna Giovanna raised her stately head,
And with fair words of salutation said:
"Ser Federigo, we come here as friends,
Hoping in this to make some poor amends
For past unkindness. I who ne'er before
Would even cross the threshold of your door,
I who in happier days such pride maintained,
Refused your banquets, and your gifts disdained,
This morning come, a self-invited guest,
To put your generous nature to the test,
And breakfast with you under your own vine. "
To which he answered: "Poor desert of mine,
Not your unkindness call it, for if aught
Is good in me of feeling or of thought,
From you it comes, and this last grace outweighs
All sorrows, all regrets of other days. "

And after further compliment and talk,
Among the asters in the garden walk
He left his guests; and to his cottage turned,
And as he entered for a moment yearned
For the lost splendors of the days of old,
The ruby glass, the silver and the gold,
And felt how piercing is the sting of pride,
By want embittered and intensified.
He looked about him for some means or way
To keep this unexpected holiday;
Searched every cupboard, and then searched again,
Summoned the maid, who came, but came in vain;
"The Signor did not hunt to-day," she said,
"There's nothing in the house but wine and bread. "

Then suddenly the drowsy falcon shook
His little bells, with that sagacious look,
Which said, as plain as language to the ear,
"If anything is wanting, I am here! "
Yes, everything is wanting, gallant bird!
The master seized thee without further word.
Like thine own lure, he whirled thee round; ah me!
The pomp and flutter of brave falconry,
The bells, the jesses, the bright scarlet hood,
The flight and the pursuit o'er field and wood,
All these forevermore are ended now;
No longer victor, but the victim thou!

Then on the board a snow-white cloth he spread,
Laid on its wooden dish the loaf of bread,
Brought purple grapes with autumn sunshine hot,
The fragrant peach, the juicy bergamot;
Then in the midst a flask of wine he placed,
And with autumnal flowers the banquet graced.
Ser Federigo, would not these suffice
Without thy falcon stuffed with cloves and spice?

When all was ready, and the courtly dame
With her companion to the cottage came,
Upon Ser Federigo's brain there fell
The wild enchantment of a magic spell!
The room they entered, mean and low and small,
Was changed into a sumptuous banquet-hall,
With fanfares by aerial trumpets blown;
The rustic chair she sat on was a throne;
He ate celestial food, and a divine
Flavor was given to his country wine,
And the poor falcon, fragrant with his spice,
A peacock was, or bird of paradise!

When the repast was ended, they arose
And passed again into the garden-close.
Then said the lady, "Far too well I know
Remembering still the days of long ago,
Though you betray it not with what surprise
You see me here in this familiar wise.
You have no children, and you cannot guess
What anguish, what unspeakable distress
A mother feels, whose child is lying ill,
Nor how her heart anticipates his will.
And yet for this, you see me lay aside
All womanly reserve and check of pride,
And ask the thing most precious in your sight,
Your falcon, your sole comfort and delight,
Which if you find it in your heart to give,
My poor, unhappy boy perchance may live. "

Ser Federigo listens, and replies,
With tears of love and pity in his eyes:
"Alas, dear lady! there can be no task
So sweet to me, as giving when you ask.
One little hour ago, if I had known
This wish of yours, it would have been my own.
But thinking in what manner I could best
Do honor to the presence of my guest,
I deemed that nothing worthier could be
Than what most dear and precious was to me,
And so my gallant falcon breathed his last
To furnish forth this morning our repast. "

In mute contrition, mingled with dismay,
The gentle lady tuned her eyes away,
Grieving that he such sacrifice should make,
And kill his falcon for a woman's sake,
Yet feeling in her heart a woman's pride,
That nothing she could ask for was denied;
Then took her leave, and passed out at the gate
With footstep slow and soul disconsolate.

Three days went by, and lo! a passing-bell
Tolled from the little chapel in the dell;
Ten strokes Ser Federigo heard, and said,
Breathing a prayer, "Alas! her child is dead! "
Three months went by; and lo! a merrier chime
Rang from the chapel bells at Christmas time;
The cottage was deserted, and no more
Ser Federigo sat beside its door,
But now, with servitors to do his will,
In the grand villa, half-way up the hill,
Sat at the Christmas feast, and at his side
Monna Giovanna, his beloved bride,
Never so beautiful, so kind, so fair,
Enthroned once more in the old rustic chair,
High-perched upon the back of which there stood
The image of a falcon carved in wood,
And underneath the inscription, with date,
"All things come round to him who will but wait. "



INTERLUDE

Soon as the story reached its end,
One, over eager to commend,
Crowned it with injudicious praise;
And then the voice of blame found vent,
And fanned the embers of dissent
Into a somewhat lively blaze.

The Theologian shook his head;
"These old Italian tales," he said,
"From the much-praised Decameron down
Through all the rabble of the rest,
Are either trifling, dull, or lewd;
The gossip of a neighborhood
In some remote provincial town,
A scandalous chronicle at best!
They seem to me a stagnant fen,
Grown rank with rushes and with reeds,
Where a white lily, now and then,
Blooms in the midst of noxious weeds
And deadly nightshade on its banks. "

To this the Student straight replied,
"For the white lily, many thanks!
One should not say, with too much pride,
Fountain, I will not drink of thee!
Nor were it grateful to forget,
That from these reservoirs and tanks
Even imperial Shakespeare drew
His Moor of Venice, and the Jew,
And Romeo and Juliet,
And many a famous comedy. "

Then a long pause; till some one said,
"An Angel is flying overhead! "
At these words spake the Spanish Jew,
And murmured with an inward breath:
"God grant, if what you say be true,
It may not be the Angel of Death! "
And then another pause; and then,
Stroking his beard, he said again:
"This brings back to my memory
A story in the Talmud told,
That book of gems, that book of gold,
Of wonders many and manifold,
A tale that often comes to me,
And fills my heart, and haunts my brain,
And never wearies nor grows old. "



THE SPANISH JEW'S TALE

THE LEGEND OF RABBI BEN LEVI

Rabbi Ben Levi, on the Sabbath, read
A volume of the Law, in which it said,
"No man shall look upon my face and live. "
And as he read, he prayed that God would give
His faithful servant grace with mortal eye
To look upon His face and yet not die.

Then fell a sudden shadow on the page,
And, lifting up his eyes, grown dim with age
He saw the Angel of Death before him stand,
Holding a naked sword in his right hand.
Rabbi Ben Levi was a righteous man,
Yet through his veins a chill of terror ran.
With trembling voice he said, "What wilt thou here? "
The angel answered, "Lo! the time draws near
When thou must die; yet first, by God's decree,
Whate'er thou askest shall be granted thee. "
Replied the Rabbi, "Let these living eyes
First look upon my place in Paradise. "

Then said the Angel, "Come with me and look. "
Rabbi Ben Levi closed the sacred book,
And rising, and uplifting his gray head,
"Give me thy sword," he to the Angel said,
"Lest thou shouldst fall upon me by the way. "
The angel smiled and hastened to obey,
Then led him forth to the Celestial Town,
And set him on the wall, whence, gazing down,
Rabbi Ben Levi, with his living eyes,
Might look upon his place in Paradise.

Then straight into the city of the Lord
The Rabbi leaped with the Death-Angel's sword,
And through the streets there swept a sudden breath
Of something there unknown, which men call death.
Meanwhile the Angel stayed without and cried,
"Come back! " To which the Rabbi's voice replied,
"No! in the name of God, whom I adore,
I swear that hence I will depart no more! "

Then all the Angels cried, "O Holy One,
See what the son of Levi here hath done!
The kingdom of Heaven he takes by violence,
And in Thy name refuses to go hence! "
The Lord replied, "My Angels, be not wroth;
Did e'er the son of Levi break his oath?
Let him remain; for he with mortal eye
Shall look upon my face and yet not die. "

Beyond the outer wall the Angel of Death
Heard the great voice, and said, with panting breath,
"Give back the sword, and let me go my way. "
Whereat the Rabbi paused, and answered, "Nay!
Anguish enough already hath it caused
Among the sons of men. " And while he paused
He heard the awful mandate of the Lord
Resounding through the air, "Give back the sword! "

The Rabbi bowed his head in silent prayer;
Then said he to the dreadful Angel, "Swear,
No human eye shall look on it again;
But when thou takest away the souls of men,
Thyself unseen, and with an unseen sword,
Thou wilt perform the bidding of the Lord. "
The Angel took the sword again, and swore,
And walks on earth unseen forevermore.



INTERLUDE

He ended: and a kind of spell
Upon the silent listeners fell.
His solemn manner and his words
Had touched the deep, mysterious chords,
That vibrate in each human breast
Alike, but not alike confessed.
The spiritual world seemed near;
And close above them, full of fear,
Its awful adumbration passed,
A luminous shadow, vague and vast.
They almost feared to look, lest there,
Embodied from the impalpable air,
They might behold the Angel stand,
Holding the sword in his right hand.

At last, but in a voice subdued,
Not to disturb their dreamy mood,
Said the Sicilian: "While you spoke,
Telling your legend marvellous,
Suddenly in my memory woke
The thought of one, now gone from us,--
An old Abate, meek and mild,
My friend and teacher, when a child,
Who sometimes in those days of old
The legend of an Angel told,
Which ran, as I remember, thus? '



THE SICILIAN'S TALE

KING ROBERT OF SICILY

Robert of Sicily, brother of Pope Urbane
And Valmond, Emperor of Allemaine,
Apparelled in magnificent attire,
With retinue of many a knight and squire,
On St. John's eve, at vespers, proudly sat
And heard the priests chant the Magnificat,
And as he listened, o'er and o'er again
Repeated, like a burden or refrain,
He caught the words, "Deposuit potentes
De sede, et exaltavit humiles";
And slowly lifting up his kingly head
He to a learned clerk beside him said,
"What mean these words? " The clerk made answer meet,
"He has put down the mighty from their seat,
And has exalted them of low degree. "
Thereat King Robert muttered scornfully,
"'T is well that such seditious words are sung
Only by priests and in the Latin tongue;
For unto priests and people be it known,
There is no power can push me from my throne! "
And leaning back, he yawned and fell asleep,
Lulled by the chant monotonous and deep.

When he awoke, it was already night;
The church was empty, and there was no light,
Save where the lamps, that glimmered few and faint,
Lighted a little space before some saint.
He started from his seat and gazed around,
But saw no living thing and heard no sound.
He groped towards the door, but it was locked;
He cried aloud, and listened, and then knocked,
And uttered awful threatenings and complaints,
And imprecations upon men and saints.
The sounds re-echoed from the roof and walls
As if dead priests were laughing in their stalls.

At length the sexton, hearing from without
The tumult of the knocking and the shout,
And thinking thieves were in the house of prayer,
Came with his lantern, asking, "Who is there? "
Half choked with rage, King Robert fiercely said,
"Open: 'tis I, the King! Art thou afraid? "
The frightened sexton, muttering, with a curse,
"This is some drunken vagabond, or worse! "
Turned the great key and flung the portal wide;
A man rushed by him at a single stride,
Haggard, half naked, without hat or cloak,
Who neither turned, nor looked at him, nor spoke,
But leaped into the blackness of the night,
And vanished like a spectre from his sight.

Robert of Sicily, brother of Pope Urbane
And Valmond, Emperor of Allemaine,
Despoiled of his magnificent attire,
Bareheaded, breathless, and besprent with mire,
With sense of wrong and outrage desperate,
Strode on and thundered at the palace gate;
Rushed through the courtyard, thrusting in his rage
To right and left each seneschal and page,
And hurried up the broad and sounding stair,
His white face ghastly in the torches' glare.
From hall to hall he passed with breathless speed;
Voices and cries he heard, but did not heed,
Until at last he reached the banquet-room,
Blazing with light and breathing with perfume.

There on the dais sat another king,
Wearing his robes, his crown, his signet-ring,
King Robert's self in features, form, and height,
But all transfigured with angelic light!
It was an Angel; and his presence there
With a divine effulgence filled the air,
An exaltation, piercing the disguise,
Though none the hidden Angel recognize.

A moment speechless, motionless, amazed,
The throneless monarch on the Angel gazed,
Who met his look of anger and surprise
With the divine compassion of his eyes;
Then said, "Who art thou? and why com'st thou here? "
To which King Robert answered, with a sneer,
"I am the King, and come to claim my own
From an impostor, who usurps my throne! "
And suddenly, at these audacious words,
Up sprang the angry guests, and drew their swords;
The Angel answered, with unruffled brow,
"Nay, not the King, but the King's Jester, thou
Henceforth shall wear the bells and scalloped cape,
And for thy counsellor shalt lead an ape;
Thou shalt obey my servants when they call,
And wait upon my henchmen in the hall! "

Deaf to King Robert's threats and cries and prayers,
They thrust him from the hall and down the stairs;
A group of tittering pages ran before,
And as they opened wide the folding door,
His heart failed, for he heard, with strange alarms,
The boisterous laughter of the men-at-arms,
And all the vaulted chamber roar and ring
With the mock plaudits of "Long live the King! "

Next morning, waking with the day's first beam,
He said within himself, "It was a dream! "
But the straw rustled as he turned his head,
There were the cap and bells beside his bed,
Around him rose the bare, discolored walls,
Close by, the steeds were champing in their stalls,
And in the corner, a revolting shape,
Shivering and chattering sat the wretched ape.
It was no dream; the world he loved so much
Had turned to dust and ashes at his touch!

Days came and went; and now returned again
To Sicily the old Saturnian reign;
Under the Angel's governance benign
The happy island danced with corn and wine,
And deep within the mountain's burning breast
Enceladus, the giant, was at rest.

Meanwhile King Robert yielded to his fate,
Sullen and silent and disconsolate.
Dressed in the motley garb that Jesters wear,
With look bewildered and a vacant stare,
Close shaven above the ears, as monks are shorn,
By courtiers mocked, by pages laughed to scorn,
His only friend the ape, his only food
What others left,--he still was unsubdued.
And when the Angel met him on his way,
And half in earnest, half in jest, would say
Sternly, though tenderly, that he might feel
The velvet scabbard held a sword of steel,
"Art thou the King? " the passion of his woe
Burst from him in resistless overflow,
And, lifting high his forehead, he would fling
The haughty answer back, "I am, I am the King! "

Almost three years were ended; when there came
Ambassadors of great repute and name
From Valmond, Emperor of Allemaine,
Unto King Robert, saying that Pope Urbane
By letter summoned them forthwith to come
On Holy Thursday to his city of Rome.
The Angel with great joy received his guests,
And gave them presents of embroidered vests,
And velvet mantles with rich ermine lined,
And rings and jewels of the rarest kind.
Then he departed with them o'er the sea
Into the lovely land of Italy,
Whose loveliness was more resplendent made
By the mere passing of that cavalcade,
With plumes, and cloaks, and housings, and the stir
Of jewelled bridle and of golden spur.
And lo! among the menials, in mock state,
Upon a piebald steed, with shambling gait,
His cloak of fox-tails flapping in the wind,
The solemn ape demurely perched behind,
King Robert rode, making huge merriment
In all the country towns through which they went.

The Pope received them with great pomp and blare
Of bannered trumpets, on Saint Peter's square,
Giving his benediction and embrace,
Fervent, and full of apostolic grace.
While with congratulations and with prayers
He entertained the Angel unawares,
Robert, the Jester, bursting through the crowd,
Into their presence rushed, and cried aloud,
"I am the King! Look, and behold in me
Robert, your brother, King of Sicily!
This man, who wears my semblance to your eyes,
Is an impostor in a king's disguise.
Do you not know me? does no voice within
Answer my cry, and say we are akin?
"
The Pope in silence, but with troubled mien,
Gazed at the Angel's countenance serene;
The Emperor, laughing, said, "It is strange sport
To keep a mad man for thy Fool at court! "
And the poor, baffled Jester in disgrace
Was hustled back among the populace.

In solemn state the Holy Week went by,
And Easter Sunday gleamed upon the sky;
The presence of the Angel, with its light,
Before the sun rose, made the city bright,
And with new fervor filled the hearts of men,
Who felt that Christ indeed had risen again.
Even the Jester, on his bed of straw,
With haggard eyes the unwonted splendor saw,
He felt within a power unfelt before,
And, kneeling humbly on his chamber floor,
He heard the rushing garments of the Lord
Sweep through the silent air, ascending heavenward.

And now the visit ending, and once more
Valmond returning to the Danube's shore,
Homeward the Angel journeyed, and again
The land was made resplendent with his train,
Flashing along the towns of Italy
Unto Salerno, and from thence by sea.
And when once more within Palermo's wall,
And, seated on the throne in his great hall,
He heard the Angelus from convent towers,
As if the better world conversed with ours,
He beckoned to King Robert to draw nigher,
And with a gesture bade the rest retire;
And when they were alone, the Angel said,
"Art thou the King? " Then, bowing down his head,
King Robert crossed both hands upon his breast,
And meekly answered him: "Thou knowest best!
My sins as scarlet are; let me go hence,
And in some cloister's school of penitence,
Across those stones, that pave the way to heaven,
Walk barefoot, till my guilty soul be shriven! "

The Angel smiled, and from his radiant face
A holy light illumined all the place,
And through the open window, loud and clear,
They heard the monks chant in the chapel near,
Above the stir and tumult of the street:
"He has put down the mighty from their seat,
And has exalted them of low degree! "
And through the chant a second melody
Rose like the throbbing of a single string:
"I am an Angel, and thou art the King! "

King Robert, who was standing near the throne,
Lifted his eyes, and lo! he was alone!
But all apparelled as in days of old,
With ermined mantle and with cloth of gold;
And when his courtiers came, they found him there
Kneeling upon the floor, absorbed in, silent prayer.



INTERLUDE

And then the blue-eyed Norseman told
A Saga of the days of old.
"There is," said he, "a wondrous book
Of Legends in the old Norse tongue,
Of the dead kings of Norroway,--
Legends that once were told or sung
In many a smoky fireside nook
Of Iceland, in the ancient day,
By wandering Saga-man or Scald;
Heimskringla is the volume called;
And he who looks may find therein
The story that I now begin. "

And in each pause the story made
Upon his violin he played,
As an appropriate interlude,
Fragments of old Norwegian tunes
That bound in one the separate runes,
And held the mind in perfect mood,
Entwining and encircling all
The strange and antiquated rhymes
with melodies of olden times;
As over some half-ruined wall,
Disjointed and about to fall,
Fresh woodbines climb and interlace,
And keep the loosened stones in place.



THE MUSICIAN'S TALE

THE SAGA OF KING OLAF

I

THE CHALLENGE OF THOR

I am the God Thor,
I am the War God,
I am the Thunderer!
Here in my Northland,
My fastness and fortress,
Reign I forever!

Here amid icebergs
Rule I the nations;
This is my hammer,
Miolner the mighty;
Giants and sorcerers
Cannot withstand it!

These are the gauntlets
Wherewith I wield it,
And hurl it afar off;
This is my girdle;
Whenever I brace it,
Strength is redoubled!

The light thou beholdest
Stream through the heavens,
In flashes of crimson,
Is but my red beard
Blown by the night-wind,
Affrighting the nations!

Jove is my brother;
Mine eyes are the lightning;
The wheels of my chariot
Roll in the thunder,
The blows of my hammer
Ring in the earthquake!

Force rules the world still,
Has ruled it, shall rule it;
Meekness is weakness,
Strength is triumphant,
Over the whole earth
Still is it Thor's-Day!

Thou art a God too,
O Galilean!
And thus single-handed
Unto the combat,
Gauntlet or Gospel,
Here I defy thee!



II

KING OLAF'S RETURN

And King Olaf heard the cry,
Saw the red light in the sky,
Laid his hand upon his sword,
As he leaned upon the railing,
And his ships went sailing, sailing
Northward into Drontheim fiord.

There he stood as one who dreamed;
And the red light glanced and gleamed
On the armor that he wore;
And he shouted, as the rifled
Streamers o'er him shook and shifted,
"I accept thy challenge, Thor! "

To avenge his father slain,
And reconquer realm and reign,
Came the youthful Olaf home,
Through the midnight sailing, sailing,
Listening to the wild wind's wailing,
And the dashing of the foam.

To his thoughts the sacred name
Of his mother Astrid came,
And the tale she oft had told
Of her flight by secret passes
Through the mountains and morasses,
To the home of Hakon old.

Then strange memories crowded back
Of Queen Gunhild's wrath and wrack,
And a hurried flight by sea;
Of grim Vikings, and the rapture
Of the sea-fight, and the capture,
And the life of slavery.

How a stranger watched his face
In the Esthonian market-place,
Scanned his features one by one,
Saying, "We should know each other;
I am Sigurd, Astrid's brother,
Thou art Olaf, Astrid's son! "

Then as Queen Allogia's page,
Old in honors, young in age,
Chief of all her men-at-arms;
Till vague whispers, and mysterious,
Reached King Valdemar, the imperious,
Filling him with strange alarms.

Then his cruisings o'er the seas,
Westward to the Hebrides,
And to Scilly's rocky shore;
And the hermit's cavern dismal,
Christ's great name and rites baptismal
in the ocean's rush and roar.

All these thoughts of love and strife
Glimmered through his lurid life,
As the stars' intenser light
Through the red flames o'er him trailing,
As his ships went sailing, sailing,
Northward in the summer night.

Trained for either camp or court,
Skilful in each manly sport,
Young and beautiful and tall;
Art of warfare, craft of chases,
Swimming, skating, snow-shoe races
Excellent alike in all.

When at sea, with all his rowers,
He along the bending oars
Outside of his ship could run.
He the Smalsor Horn ascended,
And his shining shield suspended,
On its summit, like a sun.

On the ship-rails he could stand,
Wield his sword with either hand,
And at once two javelins throw;
At all feasts where ale was strongest
Sat the merry monarch longest,
First to come and last to go.

Norway never yet had seen
One so beautiful of mien,
One so royal in attire,
When in arms completely furnished,
Harness gold-inlaid and burnished,
Mantle like a flame of fire.

Thus came Olaf to his own,
When upon the night-wind blown
Passed that cry along the shore;
And he answered, while the rifted
Streamers o'er him shook and shifted,
"I accept thy challenge, Thor! "



III

THORA OF RIMOL

"Thora of Rimol! hide me! hide me!
Danger and shame and death betide me!
For Olaf the King is hunting me down
Through field and forest, through thorp and town! "
Thus cried Jarl Hakon
To Thora, the fairest of women.

Hakon Jarl! for the love I bear thee
Neither shall shame nor death come near thee!
But the hiding-place wherein thou must lie
Is the cave underneath the swine in the sty. "
Thus to Jarl Hakon
Said Thora, the fairest of women.

So Hakon Jarl and his base thrall Karker
Crouched in the cave, than a dungeon darker,
As Olaf came riding, with men in mail,
Through the forest roads into Orkadale,
Demanding Jarl Hakon
Of Thora, the fairest of women.

"Rich and honored shall be whoever
The head of Hakon Jarl shall dissever! "
Hakon heard him, and Karker the slave,
Through the breathing-holes of the darksome cave.
Alone in her chamber
Wept Thora, the fairest of women.

Said Karker, the crafty, "I will not slay thee!
For all the king's gold I will never betray thee! "
"Then why dost thou turn so pale, O churl,
And then again black as the earth? " said the Earl.
More pale and more faithful
Was Thora, the fairest of women.

From a dream in the night the thrall started, saying,
"Round my neck a gold ring King Olaf was laying! "
And Hakon answered, "Beware of the king!
He will lay round thy neck a blood-red ring. "
At the ring on her finger
Gazed Thora, the fairest of women.

At daybreak slept Hakon, with sorrows encumbered,
But screamed and drew up his feet as he slumbered;
The thrall in the darkness plunged with his knife,
And the Earl awakened no more in this life.
But wakeful and weeping
Sat Thora, the fairest of women.

At Nidarholm the priests are all singing,
Two ghastly heads on the gibbet are swinging;
One is Jarl Hakon's and one is his thrall's,
And the people are shouting from windows and walls;
While alone in her chamber
Swoons Thora, the fairest of women.



IV

QUEEN SIGRID THE HAUGHTY

Queen Sigrid the Haughty sat proud and aloft
In her chamber, that looked over meadow and croft.
Heart's dearest,
Why dost thou sorrow so?

The floor with tassels of fir was besprent,
Filling the room with their fragrant scent.

She heard the birds sing, she saw the sun shine,
The air of summer was sweeter than wine.

Like a sword without scabbard the bright river lay
Between her own kingdom and Norroway.

But Olaf the King had sued for her hand,
The sword would be sheathed, the river be spanned.

Her maidens were seated around her knee,
Working bright figures in tapestry.

And one was singing the ancient rune
Of Brynhilda's love and the wrath of Gudrun.

And through it, and round it, and over it all
Sounded incessant the waterfall.

The Queen in her hand held a ring of gold,
From the door of Lade's Temple old.

King Olaf had sent her this wedding gift,
But her thoughts as arrows were keen and swift.

She had given the ring to her goldsmiths twain,
Who smiled, as they handed it back again.

And Sigrid the Queen, in her haughty way,
Said, "Why do you smile, my goldsmiths, say? "

And they answered: "O Queen! if the truth must be told,
The ring is of copper, and not of gold! "

The lightning flashed o'er her forehead and cheek,
She only murmured, she did not speak:

"If in his gifts he can faithless be,
There will be no gold in his love to me. "

A footstep was heard on the outer stair,
And in strode King Olaf with royal air.

He kissed the Queen's hand, and he whispered of love,
And swore to be true as the stars are above.

But she smiled with contempt as she answered: "O King,
Will you swear it, as Odin once swore, on the ring? "

And the King: "O speak not of Odin to me,
The wife of King Olaf a Christian must be. "

Looking straight at the King, with her level brows,
She said, "I keep true to my faith and my vows. "

Then the face of King Olaf was darkened with gloom,
He rose in his anger and strode through the room.

"Why, then, should I care to have thee? " he said,--
"A faded old woman, a heathenish jade! "

His zeal was stronger than fear or love,
And he struck the Queen in the face with his glove.

Then forth from the chamber in anger he fled,
And the wooden stairway shook with his tread.

Queen Sigrid the Haughty said under her breath,
"This insult, King Olaf, shall be thy death! "
Heart's dearest,
Why dost thou sorrow so?



V

THE SKERRY OF SHRIEKS

Now from all King Olaf's farms
His men-at-arms
Gathered on the Eve of Easter;
To his house at Angvalds-ness
Fast they press,
Drinking with the royal feaster.

Loudly through the wide-flung door
Came the roar
Of the sea upon the Skerry;
And its thunder loud and near
Reached the ear,
Mingling with their voices merry.

"Hark! " said Olaf to his Scald,
Halfred the Bald,
"Listen to that song, and learn it!
Half my kingdom would I give,
As I live,
If by such songs you would earn it!

"For of all the runes and rhymes
Of all times,
Best I like the ocean's dirges,
When the old harper heaves and rocks,
His hoary locks
Flowing and flashing in the surges! "

Halfred answered: "I am called
The Unappalled!
Nothing hinders me or daunts me.
Hearken to me, then, O King,
While I sing
The great Ocean Song that haunts me. "

"I will hear your song sublime
Some other time,"
Says the drowsy monarch, yawning,
And retires; each laughing guest
Applauds the jest;
Then they sleep till day is dawning.

Facing up and down the yard,
King Olaf's guard
Saw the sea-mist slowly creeping
O'er the sands, and up the hill,
Gathering still
Round the house where they were sleeping.

It was not the fog he saw,
Nor misty flaw,
That above the landscape brooded;
It was Eyvind Kallda's crew
Of warlocks blue
With their caps of darkness hooded!

Round and round the house they go,
Weaving slow
Magic circles to encumber
And imprison in their ring
Olaf the King,
As he helpless lies in slumber.

Then athwart the vapors dun
The Easter sun
Streamed with one broad track of splendor!
in their real forms appeared
The warlocks weird,
Awful as the Witch of Endor.

Blinded by the light that glared,
They groped and stared
Round about with steps unsteady;
From his window Olaf gazed,
And, amazed,
"Who are these strange people? " said he.

"Eyvind Kallda and his men! "
Answered then
From the yard a sturdy farmer;
While the men-at-arms apace
Filled the place,
Busily buckling on their armor.

From the gates they sallied forth,
South and north,
Scoured the island coast around them,
Seizing all the warlock band,
Foot and hand
On the Skerry's rocks they bound them.

And at eve the king again
Called his train,
And, with all the candles burning,
Silent sat and heard once more
The sullen roar
Of the ocean tides returning.

Shrieks and cries of wild despair
Filled the air,
Growing fainter as they listened;
Then the bursting surge alone
Sounded on;--
Thus the sorcerers were christened!

"Sing, O Scald, your song sublime,
Your ocean-rhyme,"
Cried King Olaf: "it will cheer me! "
Said the Scald, with pallid cheeks,
"The Skerry of Shrieks
Sings too loud for you to hear me! "



VI

THE WRAITH OF ODIN

The guests were loud, the ale was strong,
King Olaf feasted late and long;
The hoary Scalds together sang;
O'erhead the smoky rafters rang.
Dead rides Sir Morten of Fogelsang.

The door swung wide, with creak and din;
A blast of cold night-air came in,
And on the threshold shivering stood
A one-eyed guest, with cloak and hood.
Dead rides Sir Morten of Fogelsang.

The King exclaimed, "O graybeard pale!
Come warm thee with this cup of ale. "
The foaming draught the old man quaffed,
The noisy guests looked on and laughed.
Dead rides Sir Morten of Fogelsang.

Then spake the King: "Be not afraid;
Sit here by me. " The guest obeyed,
And, seated at the table, told
Tales of the sea, and Sagas old.
Dead rides Sir Morten of Fogelsang.

And ever, when the tale was o'er,
The King demanded yet one more;
Till Sigurd the Bishop smiling said,
"'T is late, O King, and time for bed. "
Dead rides Sir Morten of Fogelsang.

The King retired; the stranger guest
Followed and entered with the rest;
The lights were out, the pages gone,
But still the garrulous guest spake on.
Dead rides Sir Morten of Fogelsang.

As one who from a volume reads,
He spake of heroes and their deeds,
Of lands and cities he had seen,
And stormy gulfs that tossed between.
Dead rides Sir Morten of Fogelsang.

Then from his lips in music rolled
The Havamal of Odin old,
With sounds mysterious as the roar
Of billows on a distant shore.
Dead rides Sir Morten of Fogelsang.

"Do we not learn from runes and rhymes
Made by the gods in elder times,
And do not still the great Scalds teach
That silence better is than speech? "
Dead rides Sir Morten of Fogelsang.

Smiling at this, the King replied,
"Thy lore is by thy tongue belied;
For never was I so enthralled
Either by Saga-man or Scald,"
Dead rides Sir Morten of Fogelsang.

The Bishop said, "Late hours we keep!
Night wanes, O King! 't is time for sleep! "
Then slept the King, and when he woke
The guest was gone, the morning broke.
Dead rides Sir Morten of Fogelsang.

They found the doors securely barred,
They found the watch-dog in the yard,
There was no footprint in the grass,
And none had seen the stranger pass.
Dead rides Sir Morten of Fogelsang.

King Olaf crossed himself and said:
"I know that Odin the Great is dead;
Sure is the triumph of our Faith,
The one-eyed stranger was his wraith. "
Dead rides Sir Morten of Fogelsang.



VII

IRON-BEARD

Olaf the King, one summer morn,
Blew a blast on his bugle-horn,
Sending his signal through the land of Drontheim.

And to the Hus-Ting held at Mere
Gathered the farmers far and near,
With their war weapons ready to confront him.

Ploughing under the morning star,
Old Iron-Beard in Yriar
Heard the summons, chuckling with a low laugh.

He wiped the sweat-drops from his brow,
Unharnessed his horses from the plough,
And clattering came on horseback to King Olaf.

He was the churliest of the churls;
Little he cared for king or earls;
Bitter as home-brewed ale were his foaming passions.

Hodden-gray was the garb he wore,
And by the Hammer of Thor he swore;
He hated the narrow town, and all its fashions.

But he loved the freedom of his farm,
His ale at night, by the fireside warm,
Gudrun his daughter, with her flaxen tresses.

He loved his horses and his herds,
The smell of the earth, and the song of birds,
His well-filled barns, his brook with its water-cresses.

Huge and cumbersome was his frame;
His beard, from which he took his name,
Frosty and fierce, like that of Hymer the Giant.

So at the Hus-Ting he appeared,
The farmer of Yriar, Iron-Beard,
On horseback, in an attitude defiant.

And to King Olaf he cried aloud,
Out of the middle of the crowd,
That tossed about him like a stormy ocean:

"Such sacrifices shalt thou bring;
To Odin and to Thor, O King,
As other kings have done in their devotion! "

King Olaf answered: "I command
This land to be a Christian land;
Here is my Bishop who the folk baptizes!

"But if you ask me to restore
Your sacrifices, stained with gore,
Then will I offer human sacrifices!

"Not slaves and peasants shall they be,
But men of note and high degree,
Such men as Orm of Lyra and Kar of Gryting! "

Then to their Temple strode he in,
And loud behind him heard the din
Of his men-at-arms and the peasants fiercely fighting.

There in the Temple, carved in wood,
The image of great Odin stood,
And other gods, with Thor supreme among them.

King Olaf smote them with the blade
Of his huge war-axe, gold inlaid,
And downward shattered to the pavement flung them.

At the same moment rose without,
From the contending crowd, a shout,
A mingled sound of triumph and of wailing.

And there upon the trampled plain
The farmer iron-Beard lay slain,
Midway between the assailed and the assailing.

King Olaf from the doorway spoke.
"Choose ye between two things, my folk,
To be baptized or given up to slaughter! "

And seeing their leader stark and dead,
The people with a murmur said,
"O King, baptize us with thy holy water";

So all the Drontheim land became
A Christian land in name and fame,
In the old gods no more believing and trusting.

And as a blood-atonement, soon
King Olaf wed the fair Gudrun;
And thus in peace ended the Drontheim Hus-Ting!



VIII

GUDRUN

On King Olaf's bridal night
Shines the moon with tender light,
And across the chamber streams
Its tide of dreams.

At the fatal midnight hour,
When all evil things have power,
In the glimmer of the moon
Stands Gudrun.

Close against her heaving breast
Something in her hand is pressed
Like an icicle, its sheen
Is cold and keen.

On the cairn are fixed her eyes
Where her murdered father lies,
And a voice remote and drear
She seems to hear.

What a bridal night is this!
Cold will be the dagger's kiss;
Laden with the chill of death
Is its breath.

Like the drifting snow she sweeps
To the couch where Olaf sleeps;
Suddenly he wakes and stirs,
His eyes meet hers.

"What is that," King Olaf said,
"Gleams so bright above thy head?
Wherefore standest thou so white
In pale moonlight? "

"'T is the bodkin that I wear
When at night I bind my hair;
It woke me falling on the floor;
'T is nothing more. "

"Forests have ears, and fields have eyes;
Often treachery lurking lies
Underneath the fairest hair!
Gudrun beware! "

Ere the earliest peep of morn
Blew King Olaf's bugle-horn;
And forever sundered ride
Bridegroom and bride!



IX

THANGBRAND THE PRIEST

Short of stature, large of limb,
Burly face and russet beard,
All the women stared at him,
When in Iceland he appeared.
"Look! " they said,
With nodding head,
"There goes Thangbrand, Olaf's Priest. "

All the prayers he knew by rote,
He could preach like Chrysostome,
From the Fathers he could quote,
He had even been at Rome,
A learned clerk,
A man of mark,
Was this Thangbrand, Olaf's Priest,

He was quarrelsome and loud,
And impatient of control,
Boisterous in the market crowd,
Boisterous at the wassail-bowl,
Everywhere
Would drink and swear,
Swaggering Thangbrand, Olaf's Priest

In his house this malcontent
Could the King no longer bear,
So to Iceland he was sent
To convert the heathen there,
And away
One summer day
Sailed this Thangbrand, Olaf's Priest.

There in Iceland, o'er their books
Pored the people day and night,
But he did not like their looks,
Nor the songs they used to write.
"All this rhyme
Is waste of time! "
Grumbled Thangbrand, Olaf's Priest.

To the alehouse, where he sat
Came the Scalds and Saga-men;
Is it to be wondered at,
That they quarrelled now and then,
When o'er his beer
Began to leer
Drunken Thangbrand, Olaf's Priest?

All the folk in Altafiord
Boasted of their island grand;
Saying in a single word,
"Iceland is the finest land
That the sun
Doth shine upon! "
Loud laughed Thangbrand, Olaf's Priest.

And he answered: "What's the use
Of this bragging up and down,
When three women and one goose
Make a market in your town! "
Every Scald
Satires scrawled
On poor Thangbrand, Olaf's Priest.

Something worse they did than that;
And what vexed him most of all
Was a figure in shovel hat,
Drawn in charcoal on the wall;
With words that go
Sprawling below,
"This is Thangbrand, Olaf's Priest. "

Hardly knowing what he did,
Then he smote them might and main,
Thorvald Veile and Veterlid
Lay there in the alehouse slain.
"To-day we are gold,
To-morrow mould! "
Muttered Thangbrand, Olaf's Priest.