No More Learning

QUINCE'S house

Enter QUINCE, SNUG, BOTTOM FLUTE, SNOUT, and STARVELING

QUINCE. Is all our company here?
BOTTOM. You were best to call them generally, man by man, according
to the scrip.
QUINCE. Here is the scroll of every man's name which is thought
fit, through all Athens, to play in our interlude before the Duke
and the Duchess on his wedding-day at night.
BOTTOM. First, good Peter Quince, say what the play treats on; then
read the names of the actors; and so grow to a point.
QUINCE. Marry, our play is 'The most Lamentable Comedy and most
Cruel Death of Pyramus and Thisby. '
BOTTOM. A very good piece of work, I assure you, and a merry. Now,
good Peter Quince, call forth your actors by the scroll. Masters,
spread yourselves.
QUINCE. Answer, as I call you. Nick Bottom, the weaver.
BOTTOM. Ready. Name what part I am for, and proceed.
QUINCE. You, Nick Bottom, are set down for Pyramus.
BOTTOM. What is Pyramus? A lover, or a tyrant?
QUINCE. A lover, that kills himself most gallant for love.
BOTTOM. That will ask some tears in the true performing of it. If I
do it, let the audience look to their eyes; I will move storms; I
will condole in some measure. To the rest- yet my chief humour is
for a tyrant. I could play Ercles rarely, or a part to tear a cat
in, to make all split.

'The raging rocks
And shivering shocks
Shall break the locks
Of prison gates;

And Phibbus' car
Shall shine from far,
And make and mar
The foolish Fates. '

This was lofty. Now name the rest of the players. This is
Ercles' vein, a tyrant's vein: a lover is more condoling.
QUINCE. Francis Flute, the bellows-mender.
FLUTE. Here, Peter Quince.
QUINCE. Flute, you must take Thisby on you.
FLUTE. What is Thisby? A wand'ring knight?
QUINCE. It is the lady that Pyramus must love.
FLUTE. Nay, faith, let not me play a woman; I have a beard coming.
QUINCE. That's all one; you shall play it in a mask, and you may
speak as small as you will.
BOTTOM. An I may hide my face, let me play Thisby too.
I'll speak in a monstrous little voice: 'Thisne, Thisne! '
[Then speaking small] 'Ah Pyramus, my lover dear! Thy
Thisby dear, and lady dear! '
QUINCE. No, no, you must play Pyramus; and, Flute, you Thisby.
BOTTOM. Well, proceed.
QUINCE. Robin Starveling, the tailor.
STARVELING. Here, Peter Quince.
QUINCE. Robin Starveling, you must play Thisby's mother.
Tom Snout, the tinker.
SNOUT. Here, Peter Quince.
QUINCE. You, Pyramus' father; myself, Thisby's father; Snug, the
joiner, you, the lion's part. And, I hope, here is a play fitted.
SNUG. Have you the lion's part written? Pray you, if it be, give it
me, for I am slow of study.
QUINCE. You may do it extempore, for it is nothing but roaring.
BOTTOM. Let me play the lion too. I will roar that I will do any
man's heart good to hear me; I will roar that I will make the
Duke say 'Let him roar again, let him roar again. '
QUINCE. An you should do it too terribly, you would fright the
Duchess and the ladies, that they would shriek; and that were
enough to hang us all.
ALL. That would hang us, every mother's son.
BOTTOM. I grant you, friends, if you should fright the ladies out
of their wits, they would have no more discretion but to hang us;
but I will aggravate my voice so, that I will roar you as gently
as any sucking dove; I will roar you an 'twere any nightingale.
QUINCE. You can play no part but Pyramus; for Pyramus is a
sweet-fac'd man; a proper man, as one shall see in a summer's
day; a most lovely gentleman-like man; therefore you must needs
play Pyramus.
BOTTOM. Well, I will undertake it. What beard were I best to play
it in?
QUINCE. Why, what you will.
BOTTOM. I will discharge it in either your straw-colour beard, your
orange-tawny beard, your purple-in-grain beard, or your
French-crown-colour beard, your perfect yellow.
QUINCE. Some of your French crowns have no hair at all, and then
you will play bare-fac'd. But, masters, here are your parts; and
I am to entreat you, request you, and desire you, to con them by
to-morrow night; and meet me in the palace wood, a mile without
the town, by moonlight; there will we rehearse; for if we meet in
the city, we shall be dogg'd with company, and our devices known.
In the meantime I will draw a bill of properties, such as our
play wants. I pray you, fail me not.
BOTTOM. We will meet; and there we may rehearse most obscenely and
courageously. Take pains; be perfect; adieu.
QUINCE. At the Duke's oak we meet.
BOTTOM. Enough; hold, or cut bow-strings. Exeunt




<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
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ACT II. SCENE I.
A wood near Athens

Enter a FAIRY at One door, and PUCK at another

PUCK. How now, spirit! whither wander you?
FAIRY. Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire,
I do wander every where,
Swifter than the moon's sphere;
And I serve the Fairy Queen,
To dew her orbs upon the green.
The cowslips tall her pensioners be;
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours.

I must go seek some dewdrops here,
And hang a pearl in every cowslip's ear.
Farewell, thou lob of spirits; I'll be gone.
Our Queen and all her elves come here anon.
PUCK. The King doth keep his revels here to-night;
Take heed the Queen come not within his sight;
For Oberon is passing fell and wrath,
Because that she as her attendant hath
A lovely boy, stolen from an Indian king.
She never had so sweet a changeling;
And jealous Oberon would have the child
Knight of his train, to trace the forests wild;
But she perforce withholds the loved boy,
Crowns him with flowers, and makes him all her joy.
And now they never meet in grove or green,
By fountain clear, or spangled starlight sheen,
But they do square, that all their elves for fear
Creep into acorn cups and hide them there.
FAIRY. Either I mistake your shape and making quite,
Or else you are that shrewd and knavish sprite
Call'd Robin Goodfellow. Are not you he
That frights the maidens of the villagery,
Skim milk, and sometimes labour in the quern,
And bootless make the breathless housewife churn,
And sometime make the drink to bear no barm,
Mislead night-wanderers, laughing at their harm?
Those that Hobgoblin call you, and sweet Puck,
You do their work, and they shall have good luck.
Are not you he?
PUCK. Thou speakest aright:
I am that merry wanderer of the night.
I jest to Oberon, and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal;
And sometime lurk I in a gossip's bowl
In very likeness of a roasted crab,
And, when she drinks, against her lips I bob,
And on her withered dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And 'tailor' cries, and falls into a cough;
And then the whole quire hold their hips and laugh,
And waxen in their mirth, and neeze, and swear
A merrier hour was never wasted there.
But room, fairy, here comes Oberon.
FAIRY. And here my mistress. Would that he were gone!

Enter OBERON at one door, with his TRAIN, and TITANIA,
at another, with hers

OBERON. Ill met by moonlight, proud Titania.
TITANIA. What, jealous Oberon! Fairies, skip hence;
I have forsworn his bed and company.
OBERON. Tarry, rash wanton; am not I thy lord?
TITANIA. Then I must be thy lady; but I know
When thou hast stolen away from fairy land,
And in the shape of Corin sat all day,
Playing on pipes of corn, and versing love
To amorous Phillida. Why art thou here,
Come from the farthest steep of India,
But that, forsooth, the bouncing Amazon,
Your buskin'd mistress and your warrior love,
To Theseus must be wedded, and you come
To give their bed joy and prosperity?
OBERON. How canst thou thus, for shame, Titania,
Glance at my credit with Hippolyta,
Knowing I know thy love to Theseus?
Didst not thou lead him through the glimmering night
From Perigouna, whom he ravished?
And make him with fair Aegles break his faith,
With Ariadne and Antiopa?
TITANIA. These are the forgeries of jealousy;
And never, since the middle summer's spring,
Met we on hill, in dale, forest, or mead,
By paved fountain, or by rushy brook,
Or in the beached margent of the sea,
To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb'd our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck'd up from the sea
Contagious fogs; which, falling in the land,
Hath every pelting river made so proud
That they have overborne their continents.
The ox hath therefore stretch'd his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain'd a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men's morris is fill'd up with mud,
And the quaint mazes in the wanton green,
For lack of tread, are undistinguishable.
The human mortals want their winter here;
No night is now with hymn or carol blest;
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound.
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Fall in the fresh lap of the crimson rose;
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set. The spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries; and the mazed world,
By their increase, now knows not which is which.
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.
OBERON. Do you amend it, then; it lies in you.
Why should Titania cross her Oberon?
I do but beg a little changeling boy
To be my henchman.
TITANIA. Set your heart at rest;
The fairy land buys not the child of me.
His mother was a vot'ress of my order;
And, in the spiced Indian air, by night,
Full often hath she gossip'd by my side;
And sat with me on Neptune's yellow sands,
Marking th' embarked traders on the flood;
When we have laugh'd to see the sails conceive,
And grow big-bellied with the wanton wind;
Which she, with pretty and with swimming gait
Following- her womb then rich with my young squire-
Would imitate, and sail upon the land,
To fetch me trifles, and return again,
As from a voyage, rich with merchandise.
But she, being mortal, of that boy did die;
And for her sake do I rear up her boy;
And for her sake I will not part with him.
OBERON. How long within this wood intend you stay?
TITANIA. Perchance till after Theseus' wedding-day.
If you will patiently dance in our round,
And see our moonlight revels, go with us;
If not, shun me, and I will spare your haunts.
OBERON. Give me that boy and I will go with thee.
TITANIA. Not for thy fairy kingdom. Fairies, away.
We shall chide downright if I longer stay.
Exit TITANIA with her train
OBERON. Well, go thy way; thou shalt not from this grove
Till I torment thee for this injury.
My gentle Puck, come hither. Thou rememb'rest
Since once I sat upon a promontory,
And heard a mermaid on a dolphin's back
Uttering such dulcet and harmonious breath
That the rude sea grew civil at her song,
And certain stars shot madly from their spheres
To hear the sea-maid's music.
PUCK. I remember.
OBERON. That very time I saw, but thou couldst not,
Flying between the cold moon and the earth
Cupid, all arm'd; a certain aim he took
At a fair vestal, throned by the west,
And loos'd his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid's fiery shaft
Quench'd in the chaste beams of the wat'ry moon;
And the imperial vot'ress passed on,
In maiden meditation, fancy-free.
Yet mark'd I where the bolt of Cupid fell.
It fell upon a little western flower,
Before milk-white, now purple with love's wound,
And maidens call it Love-in-idleness.
Fetch me that flow'r, the herb I showed thee once.
The juice of it on sleeping eyelids laid
Will make or man or woman madly dote
Upon the next live creature that it sees.
Fetch me this herb, and be thou here again
Ere the leviathan can swim a league.
PUCK. I'll put a girdle round about the earth
In forty minutes. Exit PUCK
OBERON. Having once this juice,
I'll watch Titania when she is asleep,
And drop the liquor of it in her eyes;
The next thing then she waking looks upon,
Be it on lion, bear, or wolf, or bull,
On meddling monkey, or on busy ape,
She shall pursue it with the soul of love.
And ere I take this charm from off her sight,
As I can take it with another herb,
I'll make her render up her page to me.
But who comes here? I am invisible;
And I will overhear their conference.
Enter DEMETRIUS, HELENA following him

DEMETRIUS. I love thee not, therefore pursue me not.
Where is Lysander and fair Hermia?
The one I'll slay, the other slayeth me.
Thou told'st me they were stol'n unto this wood,
And here am I, and wood within this wood,
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.
HELENA. You draw me, you hard-hearted adamant;
But yet you draw not iron, for my heart
Is true as steel. Leave you your power to draw,
And I shall have no power to follow you.
DEMETRIUS. Do I entice you? Do I speak you fair?
Or, rather, do I not in plainest truth
Tell you I do not nor I cannot love you?
HELENA. And even for that do I love you the more.
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you.
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
What worser place can I beg in your love,
And yet a place of high respect with me,
Than to be used as you use your dog?
DEMETRIUS. Tempt not too much the hatred of my spirit;
For I am sick when I do look on thee.
HELENA. And I am sick when I look not on you.
DEMETRIUS. You do impeach your modesty too much
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night,
And the ill counsel of a desert place,
With the rich worth of your virginity.
HELENA. Your virtue is my privilege for that:
It is not night when I do see your face,
Therefore I think I am not in the night;
Nor doth this wood lack worlds of company,
For you, in my respect, are all the world.
Then how can it be said I am alone
When all the world is here to look on me?
DEMETRIUS. I'll run from thee and hide me in the brakes,
And leave thee to the mercy of wild beasts.
HELENA. The wildest hath not such a heart as you.
Run when you will; the story shall be chang'd:
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tiger- bootless speed,
When cowardice pursues and valour flies.
DEMETRIUS. I will not stay thy questions; let me go;
Or, if thou follow me, do not believe
But I shall do thee mischief in the wood.
HELENA. Ay, in the temple, in the town, the field,
You do me mischief. Fie, Demetrius!
Your wrongs do set a scandal on my sex.
We cannot fight for love as men may do;
We should be woo'd, and were not made to woo.
Exit DEMETRIUS
I'll follow thee, and make a heaven of hell,
To die upon the hand I love so well. Exit HELENA
OBERON. Fare thee well, nymph; ere he do leave this grove,
Thou shalt fly him, and he shall seek thy love.

Re-enter PUCK

Hast thou the flower there? Welcome, wanderer.
PUCK. Ay, there it is.
OBERON. I pray thee give it me.
I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses, and with eglantine;
There sleeps Titania sometime of the night,
Lull'd in these flowers with dances and delight;
And there the snake throws her enamell'd skin,
Weed wide enough to wrap a fairy in;
And with the juice of this I'll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove:
A sweet Athenian lady is in love
With a disdainful youth; anoint his eyes;
But do it when the next thing he espies
May be the lady. Thou shalt know the man
By the Athenian garments he hath on.
Effect it with some care, that he may prove
More fond on her than she upon her love.
And look thou meet me ere the first cock crow.
PUCK. Fear not, my lord; your servant shall do so. Exeunt




SCENE II.
Another part of the wood

Enter TITANIA, with her train

TITANIA. Come now, a roundel and a fairy song;
Then, for the third part of a minute, hence:
Some to kill cankers in the musk-rose buds;
Some war with rere-mice for their leathern wings,
To make my small elves coats; and some keep back
The clamorous owl that nightly hoots and wonders
At our quaint spirits. Sing me now asleep;
Then to your offices, and let me rest.

The FAIRIES Sing

FIRST FAIRY. You spotted snakes with double tongue,
Thorny hedgehogs, be not seen;
Newts and blind-worms, do no wrong,
Come not near our fairy Queen.
CHORUS. Philomel with melody
Sing in our sweet lullaby.
Lulla, lulla, lullaby; lulla, lulla, lullaby.
Never harm
Nor spell nor charm
Come our lovely lady nigh.
So good night, with lullaby.
SECOND FAIRY. Weaving spiders, come not here;
Hence, you long-legg'd spinners, hence.
Beetles black, approach not near;
Worm nor snail do no offence.
CHORUS. Philomel with melody, etc. [TITANIA Sleeps]
FIRST FAIRY. Hence away; now all is well.
One aloof stand sentinel. Exeunt FAIRIES

Enter OBERON and squeezes the flower on TITANIA'S eyelids

OBERON. What thou seest when thou dost wake,
Do it for thy true-love take;
Love and languish for his sake.
Be it ounce, or cat, or bear,
Pard, or boar with bristled hair,
In thy eye that shall appear
When thou wak'st, it is thy dear.
Wake when some vile thing is near. Exit

Enter LYSANDER and HERMIA

LYSANDER. Fair love, you faint with wand'ring in the wood;
And, to speak troth, I have forgot our way;
We'll rest us, Hermia, if you think it good,
And tarry for the comfort of the day.
HERMIA. Be it so, Lysander: find you out a bed,
For I upon this bank will rest my head.
LYSANDER. One turf shall serve as pillow for us both;
One heart, one bed, two bosoms, and one troth.
HERMIA. Nay, good Lysander; for my sake, my dear,
Lie further off yet; do not lie so near.
LYSANDER. O, take the sense, sweet, of my innocence!
Love takes the meaning in love's conference.
I mean that my heart unto yours is knit,
So that but one heart we can make of it;
Two bosoms interchained with an oath,
So then two bosoms and a single troth.
Then by your side no bed-room me deny,
For lying so, Hermia, I do not lie.
HERMIA. Lysander riddles very prettily.
Now much beshrew my manners and my pride,
If Hermia meant to say Lysander lied!
But, gentle friend, for love and courtesy
Lie further off, in human modesty;
Such separation as may well be said
Becomes a virtuous bachelor and a maid,
So far be distant; and good night, sweet friend.
Thy love ne'er alter till thy sweet life end!
LYSANDER. Amen, amen, to that fair prayer say I;
And then end life when I end loyalty!
Here is my bed; sleep give thee all his rest!
HERMIA. With half that wish the wisher's eyes be press'd!
[They sleep]

Enter PUCK

PUCK. Through the forest have I gone,
But Athenian found I none
On whose eyes I might approve
This flower's force in stirring love.
Night and silence- Who is here?
Weeds of Athens he doth wear:
This is he, my master said,
Despised the Athenian maid;
And here the maiden, sleeping sound,
On the dank and dirty ground.
Pretty soul! she durst not lie
Near this lack-love, this kill-courtesy.
Churl, upon thy eyes I throw
All the power this charm doth owe:
When thou wak'st let love forbid
Sleep his seat on thy eyelid.
So awake when I am gone;
For I must now to Oberon. Exit

Enter DEMETRIUS and HELENA, running

HELENA. Stay, though thou kill me, sweet Demetrius.
DEMETRIUS. I charge thee, hence, and do not haunt me thus.
HELENA. O, wilt thou darkling leave me? Do not so.
DEMETRIUS. Stay on thy peril; I alone will go. Exit
HELENA. O, I am out of breath in this fond chase!
The more my prayer, the lesser is my grace.
Happy is Hermia, wheresoe'er she lies,
For she hath blessed and attractive eyes.
How came her eyes so bright? Not with salt tears;
If so, my eyes are oft'ner wash'd than hers.
No, no, I am as ugly as a bear,
For beasts that meet me run away for fear;
Therefore no marvel though Demetrius
Do, as a monster, fly my presence thus.
What wicked and dissembling glass of mine
Made me compare with Hermia's sphery eyne?
But who is here? Lysander! on the ground!
Dead, or asleep? I see no blood, no wound.
Lysander, if you live, good sir, awake.
LYSANDER. [Waking] And run through fire I will for thy sweet sake.
Transparent Helena! Nature shows art,
That through thy bosom makes me see thy heart.
Where is Demetrius? O, how fit a word
Is that vile name to perish on my sword!
HELENA. Do not say so, Lysander; say not so.
What though he love your Hermia? Lord, what though?
Yet Hermia still loves you; then be content.
LYSANDER. Content with Hermia! No: I do repent
The tedious minutes I with her have spent.
Not Hermia but Helena I love:
Who will not change a raven for a dove?
The will of man is by his reason sway'd,
And reason says you are the worthier maid.
Things growing are not ripe until their season;
So I, being young, till now ripe not to reason;
And touching now the point of human skill,
Reason becomes the marshal to my will,
And leads me to your eyes, where I o'erlook
Love's stories, written in Love's richest book.
HELENA. Wherefore was I to this keen mockery born?
When at your hands did I deserve this scorn?
Is't not enough, is't not enough, young man,
That I did never, no, nor never can,
Deserve a sweet look from Demetrius' eye,
But you must flout my insufficiency?
Good troth, you do me wrong, good sooth, you do,
In such disdainful manner me to woo.
But fare you well; perforce I must confess
I thought you lord of more true gentleness.
O, that a lady of one man refus'd
Should of another therefore be abus'd! Exit
LYSANDER. She sees not Hermia. Hermia, sleep thou there;
And never mayst thou come Lysander near!
For, as a surfeit of the sweetest things
The deepest loathing to the stomach brings,
Or as the heresies that men do leave
Are hated most of those they did deceive,
So thou, my surfeit and my heresy,
Of all be hated, but the most of me!
And, all my powers, address your love and might
To honour Helen, and to be her knight! Exit
HERMIA. [Starting] Help me, Lysander, help me; do thy best
To pluck this crawling serpent from my breast.
Ay me, for pity! What a dream was here!
Lysander, look how I do quake with fear.
Methought a serpent eat my heart away,
And you sat smiling at his cruel prey.
Lysander! What, remov'd? Lysander! lord!
What, out of hearing gone? No sound, no word?
Alack, where are you? Speak, an if you hear;
Speak, of all loves! I swoon almost with fear.
No? Then I well perceive you are not nigh.
Either death or you I'll find immediately. Exit




<<THIS ELECTRONIC VERSION OF THE COMPLETE WORKS OF WILLIAM
SHAKESPEARE IS COPYRIGHT 1990-1993 BY WORLD LIBRARY, INC. , AND IS
PROVIDED BY PROJECT GUTENBERG ETEXT OF ILLINOIS BENEDICTINE COLLEGE
WITH PERMISSION. ELECTRONIC AND MACHINE READABLE COPIES MAY BE
DISTRIBUTED SO LONG AS SUCH COPIES (1) ARE FOR YOUR OR OTHERS
PERSONAL USE ONLY, AND (2) ARE NOT DISTRIBUTED OR USED
COMMERCIALLY. PROHIBITED COMMERCIAL DISTRIBUTION INCLUDES BY ANY
SERVICE THAT CHARGES FOR DOWNLOAD TIME OR FOR MEMBERSHIP. >>



ACT III. SCENE I.
The wood. TITANIA lying asleep

Enter QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and STARVELING

BOTTOM. Are we all met?
QUINCE. Pat, pat; and here's a marvellous convenient place for our
rehearsal. This green plot shall be our stage, this hawthorn
brake our tiring-house; and we will do it in action, as we will
do it before the Duke.
BOTTOM. Peter Quince!
QUINCE. What sayest thou, bully Bottom?
BOTTOM. There are things in this comedy of Pyramus and Thisby that
will never please. First, Pyramus must draw a sword to kill
himself; which the ladies cannot abide. How answer you that?
SNOUT. By'r lakin, a parlous fear.