No More Learning

The scent should have the effect of
missal painting. _ MARY, a_ woman of forty years or so, is grinding
a quern_.


MARY

What can have made the grey hen flutter so?

(TEIG, _a boy of fourteen, is coming in with turf, which he lays beside
the hearth_. )

TEIG

They say that now the land is famine struck
The graves are walking.

MARY

There is something that the hen hears.

TEIG

And that is not the worst; at Tubber-vanach
A woman met a man with ears spread out,
And they moved up and down like a bat's wing.

MARY

What can have kept your father all this while?

TEIG

Two nights ago, at Carrick-orus churchyard,
A herdsman met a man who had no mouth,
Nor eyes, nor ears; his face a wall of flesh;
He saw him plainly by the light of the moon.

MARY

Look out, and tell me if your father's coming.

(TEIG _goes to door_. )

TEIG

Mother!

MARY

What is it?

TEIG

In the bush beyond,
There are two birds--if you can call them birds--
I could not see them rightly for the leaves.
But they've the shape and colour of horned owls
And I'm half certain they've a human face.

MARY

Mother of God, defend us!

TEIG

They're looking at me.
What is the good of praying? father says.
God and the Mother of God have dropped asleep.
What do they care, he says, though the whole land
Squeal like a rabbit under a weasel's tooth?

MARY

You'll bring misfortune with your blasphemies
Upon your father, or yourself, or me.
I would to God he were home--ah, there he is.

(SHEMUS _comes in_. )

What was it kept you in the wood? You know
I cannot get all sorts of accidents
Out of my mind till you are home again.

SHEMUS

I'm in no mood to listen to your clatter.
Although I tramped the woods for half a day,
I've taken nothing, for the very rats,
Badgers, and hedgehogs seem to have died of drought,
And there was scarce a wind in the parched leaves.

TEIG

Then you have brought no dinner.

SHEMUS

After that
I sat among the beggars at the cross-roads,
And held a hollow hand among the others.

MARY

What, did you beg?

SHEMUS

I had no chance to beg,
For when the beggars saw me they cried out
They would not have another share their alms,
And hunted me away with sticks and stones.

TEIG

You said that you would bring us food or money.

SHEMUS

What's in the house?

TEIG

A bit of mouldy bread.

MARY

There's flour enough to make another loaf.

TEIG

And when that's gone?

MARY

There is the hen in the coop.

SHEMUS

My curse upon the beggars, my curse upon them!

TEIG

And the last penny gone.

SHEMUS

When the hen's gone,
What can we do but live on sorrel and dock,
And dandelion, till our mouths are green?

MARY

God, that to this hour's found bit and sup,
Will cater for us still.

SHEMUS

His kitchen's bare.
There were five doors that I looked through this day
And saw the dead and not a soul to wake them.

MARY

Maybe He'd have us die because He knows,
When the ear is stopped and when the eye is stopped,
That every wicked sight is hid from the eye,
And all fool talk from the ear.

SHEMUS

Who's passing there?
And mocking us with music?

(_A stringed instrument without. _)

TEIG

A young man plays it,
There's an old woman and a lady with him.

SHEMUS

What is the trouble of the poor to her?
Nothing at all or a harsh radishy sauce
For the day's meat.

MARY

God's pity on the rich.
Had we been through as many doors, and seen
The dishes standing on the polished wood
In the wax candle light, we'd be as hard,
And there's the needle's eye at the end of all.

SHEMUS

My curse upon the rich.

TEIG

They're coming here.

SHEMUS

Then down upon that stool, down quick, I say,
And call up a whey face and a whining voice,
And let your head be bowed upon your knees.

MARY

Had I but time to put the place to rights.

(CATHLEEN, OONA, _and_ ALEEL _enter_. )

CATHLEEN

God save all here. There is a certain house,
An old grey castle with a kitchen garden,
A cider orchard and a plot for flowers,
Somewhere among these woods.

MARY

We know it, lady.
A place that's set among impassable walls
As though world's trouble could not find it out.

CATHLEEN

It may be that we are that trouble, for we--
Although we've wandered in the wood this hour--
Have lost it too, yet I should know my way,
For I lived all my childhood in that house.

MARY

Then you are Countess Cathleen?

CATHLEEN

And this woman,
Oona, my nurse, should have remembered it,
For we were happy for a long time there.

OONA

The paths are overgrown with thickets now,
Or else some change has come upon my sight.

CATHLEEN

And this young man, that should have known the woods--
Because we met him on their border but now,
Wandering and singing like a wave of the sea--
Is so wrapped up in dreams of terrors to come
That he can give no help.

MARY

You have still some way,
But I can put you on the trodden path
Your servants take when they are marketing.
But first sit down and rest yourself awhile,
For my old fathers served your fathers, lady,
Longer than books can tell--and it were strange
If you and yours should not be welcome here.

CATHLEEN

And it were stranger still were I ungrateful
For such kind welcome--but I must be gone,
For the night's gathering in.

SHEMUS

It is a long while
Since I've set eyes on bread or on what buys it.

CATHLEEN

So you are starving even in this wood,
Where I had thought I would find nothing changed.
But that's a dream, for the old worm o' the world
Can eat its way into what place it pleases.

(_She gives money. _)

TEIG

Beautiful lady, give me something too;
I fell but now, being weak with hunger and thirst
And lay upon the threshold like a log.

CATHLEEN

I gave for all and that was all I had.
Look, my purse is empty. I have passed
By starving men and women all this day,
And they have had the rest; but take the purse,
The silver clasps on't may be worth a trifle.
But if you'll come to-morrow to my house
You shall have twice the sum.

(ALEEL _begins to play_. )

SHEMUS (_muttering_)

What, music, music!

CATHLEEN

Ah, do not blame the finger on the string;
The doctors bid me fly the unlucky times
And find distraction for my thoughts, or else
Pine to my grave.

SHEMUS

I have said nothing, lady.
Why should the like of us complain?

OONA

Have done.
Sorrows that she's but read of in a book
Weigh on her mind as if they had been her own.

(OONA, MARY, and CATHLEEN _go out_. ALEEL _looks defiantly at_ SHEMUS. )

ALEEL (_singing_)

Were I but crazy for love's sake
I know who'd measure out his length,
I know the heads that I should break,
For crazy men have double strength.
There! all's out now to leave or take,
And who mocks music mocks at love;
And when I'm crazy for love's sake
I'll not go far to choose.

(_Snapping his fingers in_ SHEMUS' _face_. )

Enough!
I know the heads that I shall break.

(_He takes a step towards the door and then turns again. _)

Shut to the door before the night has fallen,
For who can say what walks, or in what shape
Some devilish creature flies in the air, but now
Two grey-horned owls hooted above our heads.

(_He goes out, his singing dies away. _ MARY _comes in_. SHEMUS _has been
counting the money. _)

SHEMUS

So that fool's gone.

TEIG

He's seen the horned owls too.
There's no good luck in owls, but it may be
That the ill luck's to fall upon his head.

MARY

You never thanked her ladyship.

SHEMUS

Thank her,
For seven halfpence and a silver bit?

TEIG

But for this empty purse?

SHEMUS

What's that for thanks,
Or what's the double of it that she promised?
With bread and flesh and every sort of food
Up to a price no man has heard the like of
And rising every day.

MARY

We have all she had;
She emptied out the purse before our eyes.

SHEMUS (_to_ MARY, _who has gone to close the door_)

Leave that door open.

MARY

When those that have read books,
And seen the seven wonders of the world,
Fear what's above or what's below the ground,
It's time that poverty should bolt the door.

SHEMUS

I'll have no bolts, for there is not a thing
That walks above the ground or under it
I had not rather welcome to this house
Than any more of mankind, rich or poor.

TEIG

So that they brought us money.

SHEMUS

I heard say
There's something that appears like a white bird,
A pigeon or a seagull or the like,
But if you hit it with a stone or a stick
It clangs as though it had been made of brass,
And that if you dig down where it was scratching
You'll find a crock of gold.

TEIG

But dream of gold
For three nights running, and there's always gold.

SHEMUS

You might be starved before you've dug it out.

TEIG

But maybe if you called, something would come,
They have been seen of late.

MARY

Is it call devils?
Call devils from the wood, call them in here?

SHEMUS

So you'd stand up against me, and you'd say
Who or what I am to welcome here. (_He hits her. _)
That is to show who's master.

TEIG

Call them in.

MARY

God help us all!

SHEMUS

Pray, if you have a mind to.
It's little that the sleepy ears above
Care for your words; but I'll call what I please.

TEIG

There is many a one, they say, had money from them.

SHEMUS (_at door_)

Whatever you are that walk the woods at night,
So be it that you have not shouldered up
Out of a grave--for I'll have nothing human--
And have free hands, a friendly trick of speech,
I welcome you. Come, sit beside the fire.
What matter if your head's below your arms
Or you've a horse's tail to whip your flank,
Feathers instead of hair, that's but a straw,
Come, share what bread and meat is in the house,
And stretch your heels and warm them in the ashes.
And after that, let's share and share alike
And curse all men and women. Come in, come in.
What, is there no one there? (_Turning from door_)
And yet they say
They are as common as the grass, and ride
Even upon the book in the priest's hand.

(TEIG _lifts one arm slowly and points toward the door and begins
moving backwards_. SHEMUS _turns, he also sees something and begins
moving backward_. MARY _does the same. A man dressed as an Eastern
merchant comes in carrying a small carpet. He unrolls it and sits
cross-legged at one end of it. Another man dressed in the same way
follows, and sits at the other end. This is done slowly and
deliberately. When they are seated they take money out of
embroidered purses at their girdles and begin arranging it on the
carpet_. )

TEIG

You speak to them.

SHEMUS

No, you.

TEIG

'Twas you that called them.

SHEMUS (_coming nearer_)

I'd make so bold, if you would pardon it,
To ask if there's a thing you'd have of us.
Although we are but poor people, if there is,
Why, if there is----

FIRST MERCHANT

We've travelled a long road,
For we are merchants that must tramp the world,
And now we look for supper and a fire
And a safe corner to count money in.

SHEMUS

I thought you were . . . but that's no matter now--
There had been words between my wife and me
Because I said I would be master here,
And ask in what I pleased or who I pleased
And so. . . . but that is nothing to the point,
Because it's certain that you are but merchants.

FIRST MERCHANT

We travel for the Master of all merchants.

SHEMUS

Yet if you were that I had thought but now
I'd welcome you no less. Be what you please
And you'll have supper at the market rate,
That means that what was sold for but a penny
Is now worth fifty.

(MERCHANTS _begin putting money on carpet_. )

FIRST MERCHANT

Our Master bids us pay
So good a price, that all who deal with us
Shall eat, drink, and be merry.

SHEMUS (_to_ MARY)

Bestir yourself,
Go kill and draw the fowl, while Teig and I
Lay out the plates and make a better fire.

MARY

I will not cook for you.

SHEMUS

Not cook! not cook!
Do not be angry. She wants to pay me back
Because I struck her in that argument.
But she'll get sense again. Since the dearth came
We rattle one on another as though we were
Knives thrown into a basket to be cleaned.

MARY

I will not cook for you, because I know
In what unlucky shape you sat but now
Outside this door.

TEIG

It's this, your honours:
Because of some wild words my father said
She thinks you are not of those who cast a shadow.

SHEMUS

I said I'd make the devils of the wood
Welcome, if they'd a mind to eat and drink;
But it is certain that you are men like us.

FIRST MERCHANT

It's strange that she should think we cast no shadow,
For there is nothing on the ridge of the world
That's more substantial than the merchants are
That buy and sell you.

MARY

If you are not demons,
And seeing what great wealth is spread out there,
Give food or money to the starving poor.

FIRST MERCHANT

If we knew how to find deserving poor
We'd do our share.

MARY

But seek them patiently.

FIRST MERCHANT

We know the evils of mere charity.

MARY

Those scruples may befit a common time.
I had thought there was a pushing to and fro,
At times like this, that overset the scale
And trampled measure down.

FIRST MERCHANT

But if already
We'd thought of a more prudent way than that?

SECOND MERCHANT

If each one brings a bit of merchandise,
We'll give him such a price he never dreamt of.

MARY

Where shall the starving come at merchandise?

FIRST MERCHANT

We will ask nothing but what all men have.

MARY

Their swine and cattle, fields and implements
Are sold and gone.

FIRST MERCHANT

They have not sold all yet.
For there's a vaporous thing--that may be nothing,
But that's the buyer's risk--a second self,
They call immortal for a story's sake.

SHEMUS

They come to buy our souls?

TEIG

I'll barter mine.
Why should we starve for what may be but nothing?

MARY

Teig and Shemus----

SHEMUS

What can it be but nothing?
What has God poured out of His bag but famine?
Satan gives money.

TEIG

Yet no thunder stirs.

FIRST MERCHANT

There is a heap for each.

(SHEMUS _goes to take money_. )

But no, not yet,
For there's a work I have to set you to.

SHEMUS

So then you're as deceitful as the rest,
And all that talk of buying what's but a vapour
Is fancy bread. I might have known as much,
Because that's how the trick-o'-the-loop man talks.

FIRST MERCHANT

That's for the work, each has its separate price;
But neither price is paid till the work's done.

TEIG

The same for me.

MARY

Oh, God, why are you still?

FIRST MERCHANT

You've but to cry aloud at every cross-road,
At every house door, that we buy men's souls.
And give so good a price that all may live
In mirth and comfort till the famine's done,
Because we are Christian men.

SHEMUS

Come, let's away.

TEIG

I shall keep running till I've earned the price.

SECOND MERCHANT

(_who has risen and gone towards fire_)

Stop; you must have proof behind the words.
So here's your entertainment on the road.

(_He throws a bag of money on the ground. _)

Live as you please; our Master's generous.

(TEIG and SHEMUS _have stopped_. TEIG _takes the money. They go out. _)

MARY

Destroyers of souls, God will destroy you quickly.
You shall at last dry like dry leaves and hang
Nailed like dead vermin to the doors of God.

SECOND MERCHANT

Curse to your fill, for saints will have their dreams.

FIRST MERCHANT

Though we're but vermin that our Master sent
To overrun the world, he at the end
Shall pull apart the pale ribs of the moon
And quench the stars in the ancestral night.

MARY

God is all powerful.

SECOND MERCHANT

Pray, you shall need Him.
You shall eat dock and grass, and dandelion,
Till that low threshold there becomes a wall,
And when your hands can scarcely drag your body
We shall be near you.

(MARY _faints_. )

(_The_ FIRST MERCHANT _takes up the carpet, spreads it before the fire
and stands in front of it warming his hands_. )

FIRST MERCHANT

Our faces go unscratched,
Wring the neck o' that fowl, scatter the flour
And look if there is bread upon the shelves.
We'll turn the fowl upon the spit and roast it,
And eat the supper we were bidden to,
Now that the house is quiet, praise our Master,
And stretch and warm our heels among the ashes.

END OF SCENE I.




SCENE II


FRONT SCENE. --_A wood with perhaps distant view of turreted house
at one side, but all in flat colour, without light and shade and
against a diapered or gold background. _

COUNTESS CATHLEEN _comes in leaning upon_ ALEEL'S _arm_. OONA _follows
them_.

CATHLEEN (_stopping_)

Surely this leafy corner, where one smells
The wild bee's honey, has a story too?

OONA

There is the house at last.

ALEEL

A man, they say,
Loved Maeve the Queen of all the invisible host,
And died of his love nine centuries ago.
And now, when the moon's riding at the full,
She leaves her dancers lonely and lies there
Upon that level place, and for three days
Stretches and sighs and wets her long pale cheeks.

CATHLEEN

So she loves truly.

ALEEL

No, but wets her cheeks,
Lady, because she has forgot his name.

CATHLEEN

She'd sleep that trouble away--though it must be
A heavy trouble to forget his name--
If she had better sense.

OONA

Your own house, lady.

ALEEL

She sleeps high up on wintry Knock-na-rea
In an old cairn of stones; while her poor women
Must lie and jog in the wave if they would sleep--
Being water born--yet if she cry their names
They run up on the land and dance in the moon
Till they are giddy and would love as men do,
And be as patient and as pitiful.
But there is nothing that will stop in their heads
They've such poor memories, though they weep for it.
Oh, yes, they weep; that's when the moon is full.

CATHLEEN

Is it because they have short memories
They live so long?

ALEEL

What's memory but the ash
That chokes our fires that have begun to sink?
And they've a dizzy, everlasting fire.

OONA

There is your own house, lady.

CATHLEEN

Why, that's true,
And we'd have passed it without noticing.

ALEEL

A curse upon it for a meddlesome house!
Had it but stayed away I would have known
What Queen Maeve thinks on when the moon is pinched;
And whether now--as in the old days--the dancers
Set their brief love on men.

OONA

Rest on my arm.
These are no thoughts for any Christian ear.

ALEEL

I am younger, she would be too heavy for you.

(_He begins taking his lute out of the bag_, CATHLEEN, _who has turned
towards_ OONA, _turns back to him_. )

This hollow box remembers every foot
That danced upon the level grass of the world,
And will tell secrets if I whisper to it.

(_Sings. _)

Lift up the white knee;
Hear what they sing,
Those young dancers
That in a ring
Raved but now
Of the hearts that brake
Long, long ago
For their sake.

OONA

New friends are sweet.

ALEEL

"But the dance changes.
Lift up the gown,
All that sorrow
Is trodden down. "

OONA

The empty rattle-pate! Lean on this arm,
That I can tell you is a christened arm,
And not like some, if we are to judge by speech.
But as you please. It is time I was forgot.
Maybe it is not on this arm you slumbered
When you were as helpless as a worm.

ALEEL

Stay with me till we come to your own house.

CATHLEEN (_sitting down_)

When I am rested I will need no help.

ALEEL

I thought to have kept her from remembering
The evil of the times for full ten minutes;
But now when seven are out you come between.

OONA

Talk on; what does it matter what you say,
For you have not been christened?

ALEEL

Old woman, old woman,
You robbed her of three minutes peace of mind,
And though you live unto a hundred years,
And wash the feet of beggars and give alms,
And climb Croaghpatrick, you shall not be pardoned.

OONA

How does a man who never was baptized
Know what Heaven pardons?

ALEEL

You are a sinful woman.

OONA

I care no more than if a pig had grunted.

(_Enter_ CATHLEEN'S _Steward_. )

STEWARD

I am not to blame, for I had locked the gate,
The forester's to blame. The men climbed in
At the east corner where the elm-tree is.

CATHLEEN

I do not understand you, who has climbed?

STEWARD

Then God be thanked, I am the first to tell you.
I was afraid some other of the servants--
Though I've been on the watch--had been the first,
And mixed up truth and lies, your ladyship.

CATHLEEN (_rising_)

Has some misfortune happened?

STEWARD

Yes, indeed.
The forester that let the branches lie
Against the wall's to blame for everything,
For that is how the rogues got into the garden.

CATHLEEN

I thought to have escaped misfortune here.
Has any one been killed?

STEWARD

Oh, no, not killed.
They have stolen half a cart-load of green cabbage.

CATHLEEN

But maybe they were starving.

STEWARD

That is certain.
To rob or starve, that was the choice they had.

CATHLEEN

A learned theologian has laid down
That starving men may take what's necessary,
And yet be sinless.

OONA

Sinless and a thief!
There should be broken bottles on the wall.

CATHLEEN

And if it be a sin, while faith's unbroken
God cannot help but pardon. There is no soul
But it's unlike all others in the world,
Nor one but lifts a strangeness to God's love
Till that's grown infinite, and therefore none
Whose loss were less than irremediable
Although it were the wickedest in the world.

(_Enter_ TEIG _and_ SHEMUS. )

STEWARD

What are you running for? Pull off your cap,
Do you not see who's there?

SHEMUS

I cannot wait.
I am running to the world with the best news
That has been brought it for a thousand years.

STEWARD

Then get your breath and speak.

SHEMUS

If you'd my news
You'd run as fast and be as out of breath.

TEIG

Such news, we shall be carried on men's shoulders.

SHEMUS

There's something every man has carried with him
And thought no more about than if it were
A mouthful of the wind; and now it's grown
A marketable thing!

TEIG

And yet it seemed
As useless as the paring of one's nails.

SHEMUS

What sets me laughing when I think of it,
Is that a rogue who's lain in lousy straw,
If he but sell it, may set up his coach.

TEIG (_laughing_)

There are two gentlemen who buy men's souls.

CATHLEEN

O God!

TEIG

And maybe there's no soul at all.

STEWARD

They're drunk or mad.

TEIG

Look at the price they give.

(_Showing money. _)

SHEMUS (_tossing up money_)

"Go cry it all about the world," they said.
"Money for souls, good money for a soul. "

CATHLEEN

Give twice and thrice and twenty times their money,
And get your souls again. I will pay all.

SHEMUS

Not we! not we! For souls--if there are souls--
But keep the flesh out of its merriment.
I shall be drunk and merry.

TEIG

Come, let's away.

(_He goes. _)

CATHLEEN

But there's a world to come.

SHEMUS

And if there is,
I'd rather trust myself into the hands
That can pay money down than to the hands
That have but shaken famine from the bag.

(_He goes out_ R. )

(_Lilting_)

"There's money for a soul, sweet yellow money.
There's money for men's souls, good money, money. "

CATHLEEN (_to_ ALEEL)

Go call them here again, bring them by force,
Beseech them, bribe, do anything you like;

(ALEEL _goes_. )

And you too follow, add your prayers to his.

(OONA, _who has been praying, goes out_. )

Steward, you know the secrets of my house.
How much have I?

STEWARD

A hundred kegs of gold.

CATHLEEN

How much have I in castles?

STEWARD

As much more.

CATHLEEN

How much have I in pasture?

STEWARD

As much more.

CATHLEEN

How much have I in forests?

STEWARD

As much more.

CATHLEEN

Keeping this house alone, sell all I have,
Go barter where you please, but come again
With herds of cattle and with ships of meal.

STEWARD

God's blessing light upon your ladyship.
You will have saved the land.

CATHLEEN

Make no delay.

(_He goes_ L. )

(ALEEL _and_ OONA _return_)

CATHLEEN

They have not come; speak quickly.

ALEEL

One drew his knife
And said that he would kill the man or woman
That stopped his way; and when I would have stopped him
He made this stroke at me; but it is nothing.

CATHLEEN

You shall be tended. From this day for ever
I'll have no joy or sorrow of my own.

OONA

Their eyes shone like the eyes of birds of prey.

CATHLEEN

Come, follow me, for the earth burns my feet
Till I have changed my house to such a refuge
That the old and ailing, and all weak of heart,
May escape from beak and claw; all, all, shall come
Till the walls burst and the roof fall on us.
From this day out I have nothing of my own.

(_She goes. _)

OONA (_taking_ ALEEL _by the arm and as she speaks bandaging his wound_)

She has found something now to put her hand to,
And you and I are of no more account
Than flies upon a window-pane in the winter.

(_They go out. _)

END OF SCENE II.




SCENE III


SCENE. --_Hall in the house of_ COUNTESS CATHLEEN. _At the Left an
oratory with steps leading up to it. At the Right a tapestried
wall, more or less repeating the form of the oratory, and a great
chair with its back against the wall. In the Centre are two or more
arches through which one can see dimly the trees of the garden. _
CATHLEEN _is kneeling in front of the altar in the oratory; there
is a hanging lighted lamp over the altar_. ALEEL _enters_.

ALEEL

I have come to bid you leave this castle and fly
Out of these woods.

CATHLEEN

What evil is there here
That is not everywhere from this to the sea?

ALEEL

They who have sent me walk invisible.

CATHLEEN

So it is true what I have heard men say,
That you have seen and heard what others cannot.

ALEEL

I was asleep in my bed, and while I slept
My dream became a fire; and in the fire
One walked and he had birds about his head.

CATHLEEN

I have heard that one of the old gods walked so.

ALEEL

It may be that he is angelical;
And, lady, he bids me call you from these woods.
And you must bring but your old foster-mother,
And some few serving men, and live in the hills,
Among the sounds of music and the light
Of waters, till the evil days are done.
For here some terrible death is waiting you,
Some unimagined evil, some great darkness
That fable has not dreamt of, nor sun nor moon
Scattered.

CATHLEEN

No, not angelical.

ALEEL

This house
You are to leave with some old trusty man,
And bid him shelter all that starve or wander
While there is food and house room.

CATHLEEN

He bids me go
Where none of mortal creatures but the swan
Dabbles, and there you would pluck the harp, when the trees
Had made a heavy shadow about our door,
And talk among the rustling of the reeds,
When night hunted the foolish sun away
With stillness and pale tapers. No--no--no!
I cannot. Although I weep, I do not weep
Because that life would be most happy, and here
I find no way, no end. Nor do I weep
Because I had longed to look upon your face,
But that a night of prayer has made me weary.

ALEEL (_prostrating himself before her_)

Let Him that made mankind, the angels and devils
And dearth and plenty, mend what He has made,
For when we labour in vain and eye still sees
Heart breaks in vain.

CATHLEEN

How would that quiet end?

ALEEL

How but in healing?

CATHLEEN

You have seen my tears
And I can see your hand shake on the floor.

ALEEL (_faltering_)

I thought but of healing. He was angelical.

CATHLEEN (_turning away from him_)

No, not angelical, but of the old gods,
Who wander about the world to waken the heart--
The passionate, proud heart--that all the angels,
Leaving nine heavens empty, would rock to sleep.

(_She goes to chapel door;_ ALEEL _holds his clasped hands towards her
for a moment hesitatingly, and then lets them fall beside him_. )

CATHLEEN

Do not hold out to me beseeching hands.
This heart shall never waken on earth. I have sworn,
By her whose heart the seven sorrows have pierced,
To pray before this altar until my heart
Has grown to Heaven like a tree, and there
Rustled its leaves, till Heaven has saved my people.

ALEEL (_who has risen_)

When one so great has spoken of love to one
So little as I, though to deny him love,
What can he but hold out beseeching hands,
Then let them fall beside him, knowing how greatly
They have overdared?

(_He goes towards the door of the hall. _ _The_ COUNTESS CATHLEEN _takes
a few steps towards him_. )

CATHLEEN

If the old tales are true,
Queens have wed shepherds and kings beggar-maids;
God's procreant waters flowing about your mind
Have made you more than kings or queens; and not you
But I am the empty pitcher.

ALEEL

Being silent,
I have said all, yet let me stay beside you.

CATHLEEN

No, no, not while my heart is shaken. No,
But you shall hear wind cry and water cry,
And curlew cry, and have the peace I longed for.

ALEEL

Give me your hand to kiss.

CATHLEEN

I kiss your forehead.
And yet I send you from me. Do not speak;
There have been women that bid men to rob
Crowns from the Country-under-Wave or apples
Upon a dragon-guarded hill, and all
That they might sift men's hearts and wills,
And trembled as they bid it, as I tremble
That lay a hard task on you, that you go,
And silently, and do not turn your head;
Goodbye; but do not turn your head and look;
Above all else, I would not have you look.

(ALEEL _goes_. )

I never spoke to him of his wounded hand,
And now he is gone. (_She looks out. _)
I cannot see him, for all is dark outside.
Would my imagination and my heart
Were as little shaken as this holy flame!

(_She goes slowly into the chapel. The distant sound of an alarm bell. _
_The two_ MERCHANTS _enter hurriedly_.