Truth brings Foes,
Flattery
brings Friends.
Latin - Casserly - Complete System of Latin Prosody
25.
Reduplication.
12*
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? 128 ARS RHETORICA.
Prima velut mediis, mediis ita Epanados ima 26
Consona dat repetens. Exemplo disce figuram.
Ejusdem fit Epizeuxis repetitio vocis. 27
Continua serie est repetita gradatio Climax. 28
Estque Polyptoton vario si dictio casu. 29
Figure Dictionis similis Soni.
Fonte ab eodem derivata Paragmenon aptat. 30
Voce parum mutata, alludit significatum.
Paranomasia : ut " amentis non gestus amantis. " 31
Fine sono similes conjungit Homoioteleuton. 32
Inque Parechesi repetita est Syllaba vocum. 33
EXEMPLA.
26. Crudelis tu quoque mater ; crudelis muter magis,
an puer improbus tile ? Improbus ille puer, crudelis tu
quoque mater. 27. Ah ! Cory don, Corydon* Bella,
horrida bella. 28. Quod libet, id licet, his ; at quod
licet, id satis audent ; quodque audent , faciunt ; faciunt
quodcunque molestum est. 29. Arma armis ; pedi pes;
virovir. 30. Pieridum studio studiose teneris. 31. Amentis
non gestus amantis ; ut supra. 32. Si vis incolumen, si
vis te reddere sanum, curas tolle graves, irasci crede pro-
fanum. 33. O fortunatam natam.
DERIVATIONES.
26. ab inl, & &vodog, ascensus. 27. ab imfrtiyvviH,
conjungo. 28. a xtivut, acclino. 29. a nolvg, varius, &
mwaig, casus. 30. a nnQikyM, derivo. 31. a. naga, juxta,
& bvofioc. nomen. 32. ab 6uolu)c % similiter, & liltviop^
finitum. 33. a n<<^? /^? w, sono similis sum.
* In translating some of these figures, it is extremely difficult-- owiDg to
idiomatic phraseology, dissimilarity of sound, &c, &c, -- to give more than equi-
valent sense ; as in the present example, and many others farther on.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? A. RT OF RHETORIC. 129
By Epanados a sentence shifts its place, 26
Takes first, and last, and also middle space.
An Epizeuxis twice a word repeats, 27
Whate'er the theme or subject be it treats.
A Climax by gradacion still ascends, 28
Until the sense with finished period ends.
A Polyptoton still the same word places, 29
If sense requires it, in two different cases.
Figures of Words of like Sound.
Paragmenon derived from one recites 30
More words; and in one sentence them unites.
Paronomasia to the sense alludes, 31
When words but little vary'd it includes.
Homoioteleuton makes the measure chime 32
With like sounds in the end of fetter'd rhyme.
A Parachesis syllable sets twice ; 33
But this, except to poets, is a vice.
EXAMPLES.
26. Whether the worst ? the Child accurst, or else the
cruel mother? The Mother worst, the Child accurst ;
as bad the one as t'other. 27. Ah ! poor, poor Swain !
Wars, horrid wars. 28. Folly breeds Laughter ; Laugh-
ter, Disdain ; Disdain makes Shame her Daughter. 29.
Foot to foot ; Hand to Hand ; Face to Face. 30. I write
friendly of Friendship to a Friend. 31. Friends are
turned fiends. 32. Chime and Rhyme, as above. 33.
Liberty begets Mischief chiefly.
TERMS ENGLISHED.
26. A Regression. 27. A joining together. 28. A
Ladder, Stair. 29. Variation of Case. 30. Derived
from the same. 31. Likeness of Words. 32. A like
ending. 33. Allusion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 130 ARS RHETORIC A.
Figurje ad Explicationem.
Exprimit atque oculis quasi subjicit Hypotyposis. 34
Res, loca, personas, affectus, tempora, gestus.
Explicat oppositum ad dens Paradiastole recte. 35
Opposita Antimetabole mutat dictaque ssepe. 36
Librat in Antithetis contraria Enantiosis. 37
Synceceiosis duo dat contraria eidem. 38
Oxymoron " iners erit ars ;" " Concordia discors. " 39
Figure ad Probationem.
Propositi reddit causas Mtiologia. 40
Arguit allatam rem contra Inversio pro se>> 41
EX. EMPLA.
34* Videbar videre alios intrantes, alios verd exeuntes ;
quosdam ex vino vacillantes, quasdam hesterna potatione
oscitantes, &c. 35. Fortuna obumbrat virtutem, tamen
non obruit earn. 36. Poema est pictura loquens, pictura
est mutum poema. 37* Alba ligustra cadunt, vaccinia
nigra leguntur. 38. Tarn quod adest desit quam quod
non adsit avaro. 39. Superba hurnilitas. 40. Sperne
voluptates : nocet empta dolore voluptas. 41. Imd equi-
dem : neque enim, si occidissem, sepelissem.
DERIVATIONES.
34. ab bnoivnbw, reprgesento. 35. a nugadiac;&Xloj f dis-
jungo. 36. ab &vtI, contra, & peTafi&X'tex), inverto. 37.
ab ivavriog, oppositus. 38. a ovvotxeiib, concilio. 39.
ab 6? i>, acutum* & /uw^r, stultum. 40. ab aiuoXoyiw,
rationem reddo. 41. ab inverto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 131
Figures for Explanation.
Hypotyposis to the eye contracts 34
Things, places, persons, affections, acts.
Paradiastole explains aright 35
Things in an opposite and diff'rent light.
Antimetabole puts chang'd words again 36
By contraries ; as the example will explain.
Enantiosis poiseth diff'rent things, 37
And words and sense as into balance brings.
Synceceiosis to one subject ties 38
Two contraries ; and fuller sense supplies.
In Oxymoron contradictions meet : 39
And jarring epithets and subjects greet.
Figures for Proof.
JEtiology gives every theme a reason ; 40
For sure that never can be out of season.
Inversion makes the adversary's plea 41
A strong nay best defence that urg'd can be.
EXAMPLES.
34. The Head is sick ; the Heart is faint ; from the
sole of the Foot, even unto the Head, there is no sound-
ness, but Wounds, Bruises, and putrefying sores. 35.
Virtue may be overshadowed, but not overwhelmed. 36.
A poem is a speaking Picture ; a Picture is a mute Poem.
37.
Truth brings Foes, Flattery brings Friends. 38. He
is dead even while he liveth. . 39. Proud humility. This
bitter sweet. 40. Despise Pleasures, for Pleasure bought
with pain hurteth. 41. Had I killed him, (as you report,)
I had not staid to bury him.
TERMS ENGLISHED.
34. A Representation. 35. Discrimination. 36.
Changing by Contraries. 37. A Contrariety. 38. Re-
conciling. 39. A witty foolish saying. 40. Showing a
Reason. 41. Inversion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 132 AES RHETORICAL
Anticipat, quae quis valet objecisse, Prolepsis. 42
Plane aut dissimulans permittit Epitrope factum. 43
Figure ad Amplificationem.
Ad summum ex imo gradibus venit Incrementum. 44
Verba Synonymia addit rem signantia eandem. 45
Res specie varias Synathr&smus congerit una. 46
" Non dico," Apophasis ; " Taceo, mitto," est Parale-
ipsis. 47
EXEMPLA.
42. Hie aliquis mihi dicat : cur ego amicum ofFendam
in nugis ? hse nugse seria ducunt in mala. 43. Credo
equidem : neque te teneo, nee dicta refello. 44. Justum
et tenacem propositi virum non civium ardor prava ju-
bentium, non vultus instantis Tyranni, mente quatit
solida, neque Auster dux inquieti turbidus Adriae, nee
fulminantis magna manus Jovis ; si fractus illabatur or-
bis, impavidum ferient ruinoe. 45. Ensis & gladius.
Vivit & vescitur aetherea aura. 46. Grammaticus, Rhetor,
Pictor, Aliptes, Augur, Schagnobates, Medicus, Magus :
omnia novit. 47. Non referam ignaviam & alia magis
scelesta, quorum pcenitere oportet. 47. Taceo; mitto
homicidia, furta, & alia tua crimina.
DERIVATIONES
42. a TTQoXa/Lip&vco, anticipo. 43. ab Itxitqetiq), permitto.
44. ' ab incresco. 45. a ovv^ con, & b^o/na, nomen. 46.
a ovvixdyoirw, congrego. 47. ab d^o, ab, & <p<iw, dico ; --
a TiaQulelTU}), pr33termitto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 133
Prolepsis your objection doth prevent, 42
With answers suitable and pertinent.
Epitrope gives leave, and facts permits, 43
Whether it speaks sincere, or counterfeits.
Figures for Amplifying.
An Incrementum by degrees doth rise, 44
And from a low t' a lofty pitch it flies.
Synonymy doth divers words prepare, 45
Yet each of them one meaning doth declare,
A SynathrcBsmus sums up various things, 46
And as into one heap together brings.
Apophasis, pretending to conceal 47
The whole it meant to hide, must needs reveal.
A Paraleipsis cries ; " I leave 't behind, 47
I let it pass ;" tho' you the whole may find.
EXAMPLES.
<? 2. What then ? shall we sin, because we are not
under the Law, but Grace ? God forbid. 43. Ga, take
your Course, I will not stop your Rambles. 44. The
Wickedness of a Mob, the cruel Force of a Tyrant,
Storms and Tempests, even Jupiter's Thunder; nay, if
the World should fall, it cannot disturb the just Man, nor
shake his solid Resolution. 45. Freedom and Liberty ;
He is yet alive ; he breathes sethereal Air. 46. Thief,
Tailor, Miller, Weaver, &c. 47. I say nothing of your
Idleness, and other Things, for which you cannot excuse
yourself. 47. I omit the Bribes you received ; i" let pass
your Thefts, your Robberies, and your other crimes.
TERMS ENGLISHED.
42. Prevention. 43. Permission. 44. Increasing.
45. Partaking together of a Name. 46. Gathering to-
gether. 47. Not saying. 47. Leaving.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 134 ARS RHETORICA.
Rem circumloquitur per plura Periphrasis unam. 48
Hendiadys fixum dat mobile, sic duo fixa. 49
Ad Affectuum Concitationem.
Quserit Erotesis, poterat quod dicere recte. 50
Concitat Ecphonesis & Exclamatio mentem. 51
Narratse subit & rei Epiphonema probatse. 52
Est Epanorthosis positi correctio sensus. 53
Aposiopesis sensa imperfecta relinquit. 54
Consultat cum aliis Anacanosis ubique. 55
Consulit addubitans quid agat dicatve Aporia. 56
EXEMPLA.
48. Scriptor Trojani belli, (i. e. Homerus. ) 49. Bibit
ex auro & patens, pro aureis pateris. 50. Creditis avec-
tos hostes ? aut ulla putatis dona carere dolis Danaum ?
51. Heu Pietas ! heu prisca fides ! beu vana voluptas !
52. Tantae molis erat Roma nam condere gentem. 53.
O dementia ! dementia dixi ? potius patientia mira. 54.
Quos ego sed motos prsestat componere fiuctus. 55.
Si ita haberet se tua res quid concilii aut rationis inires ?
56. Quidfaciam? roger, anne rogem ? quiddeinderogabo?
DERIVATIONES.
48. a 7TEQi(pQ6? (a, circumloquor. 49 ab ev, unum, dux,
per, & 8vo, duo. 50. ab t^wrdw, interrogo. 51. ab ? x-
qwv&o), exclamo. 52. ab Lntyinvio), acclamo. 53. ab
innvogOdai, corrigo. 54. ab (knb, post, & atwndw, obticeo.
55. ab tivaxotvdw, communico. 56. ab <xtioq? (o, addubito.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 135
/
Periphrasis of words doth use a train, 48
Intending one thing only to explain.
Hendiadys turns to substantives, you'll see, 49
What adjectives with substantives agree.
TO ROUSE THE FEELINGS.
12*
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 128 ARS RHETORICA.
Prima velut mediis, mediis ita Epanados ima 26
Consona dat repetens. Exemplo disce figuram.
Ejusdem fit Epizeuxis repetitio vocis. 27
Continua serie est repetita gradatio Climax. 28
Estque Polyptoton vario si dictio casu. 29
Figure Dictionis similis Soni.
Fonte ab eodem derivata Paragmenon aptat. 30
Voce parum mutata, alludit significatum.
Paranomasia : ut " amentis non gestus amantis. " 31
Fine sono similes conjungit Homoioteleuton. 32
Inque Parechesi repetita est Syllaba vocum. 33
EXEMPLA.
26. Crudelis tu quoque mater ; crudelis muter magis,
an puer improbus tile ? Improbus ille puer, crudelis tu
quoque mater. 27. Ah ! Cory don, Corydon* Bella,
horrida bella. 28. Quod libet, id licet, his ; at quod
licet, id satis audent ; quodque audent , faciunt ; faciunt
quodcunque molestum est. 29. Arma armis ; pedi pes;
virovir. 30. Pieridum studio studiose teneris. 31. Amentis
non gestus amantis ; ut supra. 32. Si vis incolumen, si
vis te reddere sanum, curas tolle graves, irasci crede pro-
fanum. 33. O fortunatam natam.
DERIVATIONES.
26. ab inl, & &vodog, ascensus. 27. ab imfrtiyvviH,
conjungo. 28. a xtivut, acclino. 29. a nolvg, varius, &
mwaig, casus. 30. a nnQikyM, derivo. 31. a. naga, juxta,
& bvofioc. nomen. 32. ab 6uolu)c % similiter, & liltviop^
finitum. 33. a n<<^? /^? w, sono similis sum.
* In translating some of these figures, it is extremely difficult-- owiDg to
idiomatic phraseology, dissimilarity of sound, &c, &c, -- to give more than equi-
valent sense ; as in the present example, and many others farther on.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? A. RT OF RHETORIC. 129
By Epanados a sentence shifts its place, 26
Takes first, and last, and also middle space.
An Epizeuxis twice a word repeats, 27
Whate'er the theme or subject be it treats.
A Climax by gradacion still ascends, 28
Until the sense with finished period ends.
A Polyptoton still the same word places, 29
If sense requires it, in two different cases.
Figures of Words of like Sound.
Paragmenon derived from one recites 30
More words; and in one sentence them unites.
Paronomasia to the sense alludes, 31
When words but little vary'd it includes.
Homoioteleuton makes the measure chime 32
With like sounds in the end of fetter'd rhyme.
A Parachesis syllable sets twice ; 33
But this, except to poets, is a vice.
EXAMPLES.
26. Whether the worst ? the Child accurst, or else the
cruel mother? The Mother worst, the Child accurst ;
as bad the one as t'other. 27. Ah ! poor, poor Swain !
Wars, horrid wars. 28. Folly breeds Laughter ; Laugh-
ter, Disdain ; Disdain makes Shame her Daughter. 29.
Foot to foot ; Hand to Hand ; Face to Face. 30. I write
friendly of Friendship to a Friend. 31. Friends are
turned fiends. 32. Chime and Rhyme, as above. 33.
Liberty begets Mischief chiefly.
TERMS ENGLISHED.
26. A Regression. 27. A joining together. 28. A
Ladder, Stair. 29. Variation of Case. 30. Derived
from the same. 31. Likeness of Words. 32. A like
ending. 33. Allusion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 130 ARS RHETORIC A.
Figurje ad Explicationem.
Exprimit atque oculis quasi subjicit Hypotyposis. 34
Res, loca, personas, affectus, tempora, gestus.
Explicat oppositum ad dens Paradiastole recte. 35
Opposita Antimetabole mutat dictaque ssepe. 36
Librat in Antithetis contraria Enantiosis. 37
Synceceiosis duo dat contraria eidem. 38
Oxymoron " iners erit ars ;" " Concordia discors. " 39
Figure ad Probationem.
Propositi reddit causas Mtiologia. 40
Arguit allatam rem contra Inversio pro se>> 41
EX. EMPLA.
34* Videbar videre alios intrantes, alios verd exeuntes ;
quosdam ex vino vacillantes, quasdam hesterna potatione
oscitantes, &c. 35. Fortuna obumbrat virtutem, tamen
non obruit earn. 36. Poema est pictura loquens, pictura
est mutum poema. 37* Alba ligustra cadunt, vaccinia
nigra leguntur. 38. Tarn quod adest desit quam quod
non adsit avaro. 39. Superba hurnilitas. 40. Sperne
voluptates : nocet empta dolore voluptas. 41. Imd equi-
dem : neque enim, si occidissem, sepelissem.
DERIVATIONES.
34. ab bnoivnbw, reprgesento. 35. a nugadiac;&Xloj f dis-
jungo. 36. ab &vtI, contra, & peTafi&X'tex), inverto. 37.
ab ivavriog, oppositus. 38. a ovvotxeiib, concilio. 39.
ab 6? i>, acutum* & /uw^r, stultum. 40. ab aiuoXoyiw,
rationem reddo. 41. ab inverto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 131
Figures for Explanation.
Hypotyposis to the eye contracts 34
Things, places, persons, affections, acts.
Paradiastole explains aright 35
Things in an opposite and diff'rent light.
Antimetabole puts chang'd words again 36
By contraries ; as the example will explain.
Enantiosis poiseth diff'rent things, 37
And words and sense as into balance brings.
Synceceiosis to one subject ties 38
Two contraries ; and fuller sense supplies.
In Oxymoron contradictions meet : 39
And jarring epithets and subjects greet.
Figures for Proof.
JEtiology gives every theme a reason ; 40
For sure that never can be out of season.
Inversion makes the adversary's plea 41
A strong nay best defence that urg'd can be.
EXAMPLES.
34. The Head is sick ; the Heart is faint ; from the
sole of the Foot, even unto the Head, there is no sound-
ness, but Wounds, Bruises, and putrefying sores. 35.
Virtue may be overshadowed, but not overwhelmed. 36.
A poem is a speaking Picture ; a Picture is a mute Poem.
37.
Truth brings Foes, Flattery brings Friends. 38. He
is dead even while he liveth. . 39. Proud humility. This
bitter sweet. 40. Despise Pleasures, for Pleasure bought
with pain hurteth. 41. Had I killed him, (as you report,)
I had not staid to bury him.
TERMS ENGLISHED.
34. A Representation. 35. Discrimination. 36.
Changing by Contraries. 37. A Contrariety. 38. Re-
conciling. 39. A witty foolish saying. 40. Showing a
Reason. 41. Inversion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 132 AES RHETORICAL
Anticipat, quae quis valet objecisse, Prolepsis. 42
Plane aut dissimulans permittit Epitrope factum. 43
Figure ad Amplificationem.
Ad summum ex imo gradibus venit Incrementum. 44
Verba Synonymia addit rem signantia eandem. 45
Res specie varias Synathr&smus congerit una. 46
" Non dico," Apophasis ; " Taceo, mitto," est Parale-
ipsis. 47
EXEMPLA.
42. Hie aliquis mihi dicat : cur ego amicum ofFendam
in nugis ? hse nugse seria ducunt in mala. 43. Credo
equidem : neque te teneo, nee dicta refello. 44. Justum
et tenacem propositi virum non civium ardor prava ju-
bentium, non vultus instantis Tyranni, mente quatit
solida, neque Auster dux inquieti turbidus Adriae, nee
fulminantis magna manus Jovis ; si fractus illabatur or-
bis, impavidum ferient ruinoe. 45. Ensis & gladius.
Vivit & vescitur aetherea aura. 46. Grammaticus, Rhetor,
Pictor, Aliptes, Augur, Schagnobates, Medicus, Magus :
omnia novit. 47. Non referam ignaviam & alia magis
scelesta, quorum pcenitere oportet. 47. Taceo; mitto
homicidia, furta, & alia tua crimina.
DERIVATIONES
42. a TTQoXa/Lip&vco, anticipo. 43. ab Itxitqetiq), permitto.
44. ' ab incresco. 45. a ovv^ con, & b^o/na, nomen. 46.
a ovvixdyoirw, congrego. 47. ab d^o, ab, & <p<iw, dico ; --
a TiaQulelTU}), pr33termitto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 133
Prolepsis your objection doth prevent, 42
With answers suitable and pertinent.
Epitrope gives leave, and facts permits, 43
Whether it speaks sincere, or counterfeits.
Figures for Amplifying.
An Incrementum by degrees doth rise, 44
And from a low t' a lofty pitch it flies.
Synonymy doth divers words prepare, 45
Yet each of them one meaning doth declare,
A SynathrcBsmus sums up various things, 46
And as into one heap together brings.
Apophasis, pretending to conceal 47
The whole it meant to hide, must needs reveal.
A Paraleipsis cries ; " I leave 't behind, 47
I let it pass ;" tho' you the whole may find.
EXAMPLES.
<? 2. What then ? shall we sin, because we are not
under the Law, but Grace ? God forbid. 43. Ga, take
your Course, I will not stop your Rambles. 44. The
Wickedness of a Mob, the cruel Force of a Tyrant,
Storms and Tempests, even Jupiter's Thunder; nay, if
the World should fall, it cannot disturb the just Man, nor
shake his solid Resolution. 45. Freedom and Liberty ;
He is yet alive ; he breathes sethereal Air. 46. Thief,
Tailor, Miller, Weaver, &c. 47. I say nothing of your
Idleness, and other Things, for which you cannot excuse
yourself. 47. I omit the Bribes you received ; i" let pass
your Thefts, your Robberies, and your other crimes.
TERMS ENGLISHED.
42. Prevention. 43. Permission. 44. Increasing.
45. Partaking together of a Name. 46. Gathering to-
gether. 47. Not saying. 47. Leaving.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 134 ARS RHETORICA.
Rem circumloquitur per plura Periphrasis unam. 48
Hendiadys fixum dat mobile, sic duo fixa. 49
Ad Affectuum Concitationem.
Quserit Erotesis, poterat quod dicere recte. 50
Concitat Ecphonesis & Exclamatio mentem. 51
Narratse subit & rei Epiphonema probatse. 52
Est Epanorthosis positi correctio sensus. 53
Aposiopesis sensa imperfecta relinquit. 54
Consultat cum aliis Anacanosis ubique. 55
Consulit addubitans quid agat dicatve Aporia. 56
EXEMPLA.
48. Scriptor Trojani belli, (i. e. Homerus. ) 49. Bibit
ex auro & patens, pro aureis pateris. 50. Creditis avec-
tos hostes ? aut ulla putatis dona carere dolis Danaum ?
51. Heu Pietas ! heu prisca fides ! beu vana voluptas !
52. Tantae molis erat Roma nam condere gentem. 53.
O dementia ! dementia dixi ? potius patientia mira. 54.
Quos ego sed motos prsestat componere fiuctus. 55.
Si ita haberet se tua res quid concilii aut rationis inires ?
56. Quidfaciam? roger, anne rogem ? quiddeinderogabo?
DERIVATIONES.
48. a 7TEQi(pQ6? (a, circumloquor. 49 ab ev, unum, dux,
per, & 8vo, duo. 50. ab t^wrdw, interrogo. 51. ab ? x-
qwv&o), exclamo. 52. ab Lntyinvio), acclamo. 53. ab
innvogOdai, corrigo. 54. ab (knb, post, & atwndw, obticeo.
55. ab tivaxotvdw, communico. 56. ab <xtioq? (o, addubito.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 135
/
Periphrasis of words doth use a train, 48
Intending one thing only to explain.
Hendiadys turns to substantives, you'll see, 49
What adjectives with substantives agree.
TO ROUSE THE FEELINGS.
