The snow crackled, the
sparrows
hopped
about in the wheel-ruts, and shivered, crying, "Tweet, tweet; when
will spring come?
about in the wheel-ruts, and shivered, crying, "Tweet, tweet; when
will spring come?
Fairy Tales of Hans Christian Andersen
I blew round the courtyard," said the Wind, "like a
watchman blowing his home, but no watchman was there. I twirled the
weather-cock round on the summit of the tower, and it creaked like the
snoring of a warder, but no warder was there; nothing but mice and
rats. Poverty laid the table-cloth; poverty sat in the wardrobe and in
the larder. The door fell off its hinges, cracks and fissures made
their appearance everywhere; so that I could go in and out at
pleasure, and that is how I know all about it. Amid smoke and ashes,
sorrow, and sleepless nights, the hair and beard of the master of
the house turned gray, and deep furrows showed themselves around his
temples; his skin turned pale and yellow, while his eyes still
looked eagerly for gold, the longed-for gold, and the result of his
labor was debt instead of gain. I blew the smoke and ashes into his
face and beard; I moaned through the broken window-panes, and the
yawning clefts in the walls; I blew into the chests and drawers
belonging to his daughters, wherein lay the clothes that had become
faded and threadbare, from being worn over and over again. Such a song
had not been sung, at the children's cradle as I sung now. The
lordly life had changed to a life of penury. I was the only one who
rejoiced aloud in that castle," said the Wind. "At last I snowed
them up, and they say snow keeps people warm. It was good for them,
for they had no wood, and the forest, from which they might have
obtained it, had been cut down. The frost was very bitter, and I
rushed through loop-holes and passages, over gables and roofs with
keen and cutting swiftness. The three high-born daughters were lying
in bed because of the cold, and their father crouching beneath his
leather coverlet. Nothing to eat, nothing to burn, no fire on the
hearth! Here was a life for high-born people! 'Give it up, give it
up! ' But my Lord Daa would not do that. 'After winter, spring will
come,' he said, 'after want, good times. We must not lose patience, we
must learn to wait. Now my horses and lands are all mortgaged, it is
indeed high time; but gold will come at last--at Easter. '
"I heard him as he thus spoke; he was looking at a spider's web,
and he continued, 'Thou cunning little weaver, thou dost teach me
perseverance. Let any one tear thy web, and thou wilt begin again
and repair it. Let it be entirely destroyed, thou wilt resolutely
begin to make another till it is completed. So ought we to do, if we
wish to succeed at last. '
"It was the morning of Easter-day. The bells sounded from the
neighboring church, and the sun seemed to rejoice in the sky. The
master of the castle had watched through the night, in feverish
excitement, and had been melting and cooling, distilling and mixing. I
heard him sighing like a soul in despair; I heard him praying, and I
noticed how he held his breath. The lamp burnt out, but he did not
observe it. I blew up the fire in the coals on the hearth, and it
threw a red glow on his ghastly white face, lighting it up with a
glare, while his sunken eyes looked out wildly from their cavernous
depths, and appeared to grow larger and more prominent, as if they
would burst from their sockets. 'Look at the alchymic glass,' he
cried; 'something glows in the crucible, pure and heavy. ' He lifted it
with a trembling hand, and exclaimed in a voice of agitation, 'Gold!
gold! ' He was quite giddy, I could have blown him down," said the
Wind; "but I only fanned the glowing coals, and accompanied him
through the door to the room where his daughter sat shivering. His
coat was powdered with ashes, and there were ashes in his beard and in
his tangled hair. He stood erect, and held high in the air the brittle
glass that contained his costly treasure. 'Found! found! Gold!
gold! ' he shouted, again holding the glass aloft, that it might
flash in the sunshine; but his hand trembled, and the alchymic glass
fell from it, clattering to the ground, and brake in a thousand
pieces. The last bubble of his happiness had burst, with a whiz and
a whir, and I rushed away from the gold-maker's house.
"Late in the autumn, when the days were short, and the mist
sprinkled cold drops on the berries and the leafless branches, I
came back in fresh spirits, rushed through the air, swept the sky
clear, and snapped off the dry twigs, which is certainly no great
labor to do, yet it must be done. There was another kind of sweeping
taking place at Waldemar Daa's, in the castle of Borreby. His enemy,
Owe Ramel, of Basnas, was there, with the mortgage of the house and
everything it contained, in his pocket. I rattled the broken
windows, beat against the old rotten doors, and whistled through
cracks and crevices, so that Mr. Owe Ramel did not much like to remain
there. Ida and Anna Dorothea wept bitterly, Joanna stood, pale and
proud, biting her lips till the blood came; but what could that avail?
Owe Ramel offered Waldemar Daa permission to remain in the house
till the end of his life. No one thanked him for the offer, and I
saw the ruined old gentleman lift his head, and throw it back more
proudly than ever. Then I rushed against the house and the old
lime-trees with such force, that one of the thickest branches, a
decayed one, was broken off, and the branch fell at the entrance,
and remained there. It might have been used as a broom, if any one had
wanted to sweep the place out, and a grand sweeping-out there really
was; I thought it would be so. It was hard for any one to preserve
composure on such a day; but these people had strong wills, as
unbending as their hard fortune. There was nothing they could call
their own, excepting the clothes they wore. Yes, there was one thing
more, an alchymist's glass, a new one, which had been lately bought,
and filled with what could be gathered from the ground of the treasure
which had promised so much but failed in keeping its promise. Waldemar
Daa hid the glass in his bosom, and, taking his stick in his hand, the
once rich gentleman passed with his daughters out of the house of
Borreby. I blew coldly upon his flustered cheeks, I stroked his gray
beard and his long white hair, and I sang as well as I was able,
'Whir-r-r, whir-r-r. Gone away! Gone away! ' Ida walked on one side
of the old man, and Anna Dorothea on the other; Joanna turned round,
as they left the entrance. Why? Fortune would not turn because she
turned. She looked at the stone in the walls which had once formed
part of the castle of Marck Stig, and perhaps she thought of his
daughters and of the old song,--
"The eldest and youngest, hand-in-hand,
Went forth alone to a distant land. "
These were only two; here there were three, and their father with them
also. They walked along the high-road, where once they had driven in
their splendid carriage; they went forth with their father as beggars.
They wandered across an open field to a mud hut, which they rented for
a dollar and a half a year, a new home, with bare walls and empty
cupboards. Crows and magpies fluttered about them, and cried, as if in
contempt, 'Caw, caw, turned out of our nest--caw, caw,' as they had
done in the wood at Borreby, when the trees were felled. Daa and his
daughters could not help hearing it, so I blew about their ears to
drown the noise; what use was it that they should listen? So they went
to live in the mud hut in the open field, and I wandered away, over
moor and meadow, through bare bushes and leafless forests, to the open
sea, to the broad shores in other lands, 'Whir-r-r, whir-r-r! Away,
away! ' year after year. "
And what became of Waldemar Daa and his daughters? Listen; the
Wind will tell us:
"The last I saw of them was the pale hyacinth, Anna Dorothea. She
was old and bent then; for fifty years had passed and she had outlived
them all. She could relate the history. Yonder, on the heath, near the
town of Wiborg, in Jutland, stood the fine new house of the canon. It
was built of red brick, with projecting gables. It was inhabited, for
the smoke curled up thickly from the chimneys. The canon's gentle lady
and her beautiful daughters sat in the bay-window, and looked over the
hawthorn hedge of the garden towards the brown heath. What were they
looking at? Their glances fell upon a stork's nest, which was built
upon an old tumbledown hut. The roof, as far as one existed at all,
was covered with moss and lichen. The stork's nest covered the greater
part of it, and that alone was in a good condition; for it was kept in
order by the stork himself. That is a house to be looked at, and not
to be touched," said the Wind. "For the sake of the stork's nest it
had been allowed to remain, although it is a blot on the landscape.
They did not like to drive the stork away; therefore the old shed was
left standing, and the poor woman who dwelt in it allowed to stay. She
had the Egyptian bird to thank for that; or was it perchance her
reward for having once interceded for the preservation of the nest of
its black brother in the forest of Borreby? At that time she, the
poor woman, was a young child, a white hyacinth in a rich garden. She
remembered that time well; for it was Anna Dorothea.
"'O-h, o-h,' she sighed; for people can sigh like the moaning of
the wind among the reeds and rushes. 'O-h, o-h,' she would say, 'no
bell sounded at thy burial, Waldemar Daa. The poor school-boys did not
even sing a psalm when the former lord of Borreby was laid in the
earth to rest. O-h, everything has an end, even misery. Sister Ida
became the wife of a peasant; that was the hardest trial which
befell our father, that the husband of his own daughter should be a
miserable serf, whom his owner could place for punishment on the
wooden horse. I suppose he is under the ground now; and Ida--alas!
alas! it is not ended yet; miserable that I am! Kind Heaven, grant
me that I may die. '
"That was Anna Dorothea's prayer in the wretched hut that was left
standing for the sake of the stork. I took pity on the proudest of the
sisters," said the Wind. "Her courage was like that of a man; and in
man's clothes she served as a sailor on board ship. She was of few
words, and of a dark countenance; but she did not know how to climb,
so I blew her overboard before any one found out that she was a woman;
and, in my opinion, that was well done," said the Wind.
On such another Easter morning as that on which Waldemar Daa
imagined he had discovered the art of making gold, I heard the tones
of a psalm under the stork's nest, and within the crumbling walls.
It was Anna Dorothea's last song. There was no window in the hut, only
a hole in the wall; and the sun rose like a globe of burnished gold,
and looked through. With what splendor he filled that dismal dwelling!
Her eyes were glazing, and her heart breaking; but so it would have
been, even had the sun not shone that morning on Anna Dorothea. The
stork's nest had secured her a home till her death. I sung over her
grave; I sung at her father's grave. I know where it lies, and where
her grave is too, but nobody else knows it.
"New times now; all is changed. The old high-road is lost amid
cultivated fields; the new one now winds along over covered graves;
and soon the railway will come, with its train of carriages, and
rush over graves where lie those whose very names are forgoten. All
passed away, passed away!
"This is the story of Waldemar Daa and his daughters. Tell it
better, any of you, if you know how," said the Wind; and he rushed
away, and was gone.
THE WINDMILL
A windmill stood upon the hill, proud to look at, and it was proud
too.
"I am not proud at all," it said, "but I am very much
enlightened without and within. I have sun and moon for my outward
use, and for inward use too; and into the bargain I have stearine
candles, train oil and lamps, and tallow candles. I may well say
that I'm enlightened. I'm a thinking being, and so well constructed
that it's quite delightful. I have a good windpipe in my chest, and
I have four wings that are placed outside my head, just beneath my
hat. The birds have only two wings, and are obliged to carry them on
their backs. I am a Dutchman by birth, that may be seen by my
figure--a flying Dutchman. They are considered supernatural beings,
I know, and yet I am quite natural. I have a gallery round my chest,
and house-room beneath it; that's where my thoughts dwell. My
strongest thought, who rules and reigns, is called by others 'The
Man in the Mill. ' He knows what he wants, and is lord over the meal
and the bran; but he has his companion, too, and she calls herself
'Mother. ' She is the very heart of me. She does not run about stupidly
and awkwardly, for she knows what she wants, she knows what she can
do, she's as soft as a zephyr and as strong as a storm; she knows
how to begin a thing carefully, and to have her own way. She is my
soft temper, and the father is my hard one. They are two, and yet one;
they each call the other 'My half. ' These two have some little boys,
young thoughts, that can grow. The little ones keep everything in
order. When, lately, in my wisdom, I let the father and the boys
examine my throat and the hole in my chest, to see what was going on
there,--for something in me was out of order, and it's well to examine
one's self,--the little ones made a tremendous noise. The youngest
jumped up into my hat, and shouted so there that it tickled me. The
little thoughts may grow--I know that very well; and out in the
world thoughts come too, and not only of my kind, for as far as I
can see, I cannot discern anything like myself; but the wingless
houses, whose throats make no noise, have thoughts too, and these come
to my thoughts, and make love to them, as it is called. It's wonderful
enough--yes, there are many wonderful things. Something has come
over me, or into me,--something has changed in the mill-work. It seems
as if the one half, the father, had altered, and had received a better
temper and a more affectionate helpmate--so young and good, and yet
the same, only more gentle and good through the course of time. What
was bitter has passed away, and the whole is much more comfortable.
"The days go on, and the days come nearer and nearer to
clearness and to joy; and then a day will come when it will be over
with me; but not over altogether. I must be pulled down that I may
be built up again; I shall cease, but yet shall live on. To become
quite a different being, and yet remain the same! That's difficult for
me to understand, however enlightened I may be with sun, moon,
stearine, train oil, and tallow. My old wood-work and my old
brick-work will rise again from the dust!
"I will hope that I may keep my old thoughts, the father in the
mill, and the mother, great ones and little ones--the family; for I
call them all, great and little, the company of thoughts, because I
must, and cannot refrain from it.
"And I must also remain 'myself,' with my throat in my chest, my
wings on my head, the gallery round my body; else I should not know
myself, nor could the others know me, and say, 'There's the mill on
the hill, proud to look at, and yet not proud at all. '"
That is what the mill said. Indeed, it said much more, but that is
the most important part.
And the days came, and the days went, and yesterday was the last
day.
Then the mill caught fire. The flames rose up high, and beat out
and in, and bit at the beams and planks, and ate them up. The mill
fell, and nothing remained of it but a heap of ashes. The smoke
drove across the scene of the conflagration, and the wind carried it
away.
Whatever had been alive in the mill remained, and what had been
gained by it has nothing to do with this story.
The miller's family--one soul, many thoughts, and yet only one--built
a new, a splendid mill, which answered its purpose. It was quite
like the old one, and people said, "Why, yonder is the mill on the
hill, proud to look at! " But this mill was better arranged, more
according to the time than the last, so that progress might be made.
The old beams had become worm-eaten and spongy--they lay in dust and
ashes. The body of the mill did not rise out of the dust as they had
believed it would do. They had taken it literally, and all things
are not to be taken literally.
THE STORY OF THE YEAR
It was near the end of January, and a terrible fall of snow was
pelting down, and whirling through the streets and lanes; the
windows were plastered with snow on the outside, snow fell in masses
from the roofs. Every one seemed in a great hurry; they ran, they
flew, fell into each other's arms, holding fast for a moment as long
as they could stand safely. Coaches and horses looked as if they had
been frosted with sugar. The footmen stood with their backs against
the carriages, so as to turn their faces from the wind. The foot
passengers kept within the shelter of the carriages, which could
only move slowly on in the deep snow. At last the storm abated, and
a narrow path was swept clean in front of the houses; when two persons
met in this path they stood still, for neither liked to take the first
step on one side into the deep snow to let the other pass him. There
they stood silent and motionless, till at last, as if by tacit
consent, they each sacrificed a leg and buried it in the deep snow.
Towards evening, the weather became calm. The sky, cleared from the
snow, looked more lofty and transparent, while the stars shone with
new brightness and purity. The frozen snow crackled under foot, and
was quite firm enough to bear the sparrows, who hopped upon it in
the morning dawn. They searched for food in the path which had been
swept, but there was very little for them, and they were terribly
cold. "Tweet, tweet," said one to another; "they call this a new
year, but I think it is worse than the last. We might just as well
have kept the old year; I'm quite unhappy, and I have a right to be
so. "
"Yes, you have; and yet the people ran about and fired off guns,
to usher in the new year," said a little shivering sparrow. "They
threw things against the doors, and were quite beside themselves
with joy, because the old year had disappeared. I was glad too, for
I expected we should have some warm days, but my hopes have come to
nothing. It freezes harder than ever; I think mankind have made a
mistake in reckoning time. "
"That they have," said a third, an old sparrow with a white
poll; "they have something they call a calendar; it's an invention
of their own, and everything must be arranged according to it, but
it won't do. When spring comes, then the year begins. It is the
voice of nature, and I reckon by that. "
"But when will spring come? " asked the others.
"It will come when the stork returns, but he is very uncertain,
and here in the town no one knows anything about it. In the country
they have more knowledge; shall we fly away there and wait? we shall
be nearer to spring then, certainly. "
"That may be all very well," said another sparrow, who had been
hopping about for a long time, chirping, but not saying anything of
consequence, "but I have found a few comforts here in town which,
I'm afraid, I should miss out in the country. Here in this
neighborhood, there lives a family of people who have been so sensible
as to place three or four flower-pots against the wall in the
court-yard, so that the openings are all turned inward, and the bottom
of each points outward. In the latter a hole has been cut large enough
for me to fly in and out. I and my husband have built a nest in one of
these pots, and all our young ones, who have now flown away, were
brought up there. The people who live there of course made the whole
arrangement that they might have the pleasure of seeing us, or they
would not have done it. It pleased them also to strew bread-crumbs for
us, and so we have food, and may consider ourselves provided for. So I
think my husband and I will stay where we are; although we are not
very happy, but we shall stay. "
"And we will fly into the country," said the others, "to see if
spring is coming. " And away they flew.
In the country it was really winter, a few degrees colder than
in the town. The sharp winds blew over the snow-covered fields. The
farmer, wrapped in warm clothing, sat in his sleigh, and beat his arms
across his chest to keep off the cold. The whip lay on his lap. The
horses ran till they smoked.
The snow crackled, the sparrows hopped
about in the wheel-ruts, and shivered, crying, "Tweet, tweet; when
will spring come? It is very long in coming. "
"Very long indeed," sounded over the field, from the nearest
snow-covered hill. It might have been the echo which people heard,
or perhaps the words of that wonderful old man, who sat high on a heap
of snow, regardless of wind or weather. He was all in white; he had on
a peasant's coarse white coat of frieze. He had long white hair, a
pale face, and large clear blue eyes. "Who is that old man? " asked the
sparrows.
"I know who he is," said an old raven, who sat on the fence, and
was condescending enough to acknowledge that we are all equal in the
sight of Heaven, even as little birds, and therefore he talked with
the sparrows, and gave them the information they wanted. "I know who
the old man is," he said. "It is Winter, the old man of last year;
he is not dead yet, as the calendar says, but acts as guardian to
little Prince Spring who is coming. Winter rules here still. Ugh!
the cold makes you shiver, little ones, does it not? "
"There! Did I not tell you so? " said the smallest of the sparrows.
"The calendar is only an invention of man, and is not arranged
according to nature. They should leave these things to us; we are
created so much more clever than they are. "
One week passed, and then another. The forest looked dark, the
hard-frozen lake lay like a sheet of lead. The mountains had
disappeared, for over the land hung damp, icy mists. Large black crows
flew about in silence; it was as if nature slept. At length a
sunbeam glided over the lake, and it shone like burnished silver.
But the snow on the fields and the hills did not glitter as before.
The white form of Winter sat there still, with his un-wandering gaze
fixed on the south. He did not perceive that the snowy carpet seemed
to sink as it were into the earth; that here and there a little
green patch of grass appeared, and that these patches were covered
with sparrows.
"Tee-wit, tee-wit; is spring coming at last? "
Spring! How the cry resounded over field and meadow, and through
the dark-brown woods, where the fresh green moss still gleamed on
the trunks of the trees, and from the south came the two first
storks flying through the air, and on the back of each sat a lovely
little child, a boy and a girl. They greeted the earth with a kiss,
and wherever they placed their feet white flowers sprung up from
beneath the snow. Hand in hand they approached the old ice-man,
Winter, embraced him and clung to his breast; and as they did so, in a
moment all three were enveloped in a thick, damp mist, dark and heavy,
that closed over them like a veil. The wind arose with mighty rustling
tone, and cleared away the mist. Then the sun shone out warmly. Winter
had vanished away, and the beautiful children of Spring sat on the
throne of the year.
"This is really a new year," cried all the sparrows, "now we shall
get our rights, and have some return for what we suffered in winter. "
Wherever the two children wandered, green buds burst forth on bush
and tree, the grass grew higher, and the corn-fields became lovely
in delicate green.
The little maiden strewed flowers in her path. She held her
apron before her: it was full of flowers; it was as if they sprung
into life there, for the more she scattered around her, the more
flowers did her apron contain. Eagerly she showered snowy blossoms
over apple and peach-trees, so that they stood in full beauty before
even their green leaves had burst from the bud. Then the boy and the
girl clapped their hands, and troops of birds came flying by, no one
knew from whence, and they all twittered and chirped, singing
"Spring has come! " How beautiful everything was! Many an old dame came
forth from her door into the sunshine, and shuffled about with great
delight, glancing at the golden flowers which glittered everywhere
in the fields, as they used to do in her young days. The world grew
young again to her, as she said, "It is a blessed time out here
to-day. " The forest already wore its dress of dark-green buds. The
thyme blossomed in fresh fragrance. Primroses and anemones sprung
forth, and violets bloomed in the shade, while every blade of grass
was full of strength and sap. Who could resist sitting down on such
a beautiful carpet? and then the young children of Spring seated
themselves, holding each other's hands, and sang, and laughed, and
grew. A gentle rain fell upon them from the sky, but they did not
notice it, for the rain-drops were their own tears of joy. They kissed
each other, and were betrothed; and in the same moment the buds of the
trees unfolded, and when the sun rose, the forest was green. Hand in
hand the two wandered beneath the fresh pendant canopy of foliage,
while the sun's rays gleamed through the opening of the shade, in
changing and varied colors. The delicate young leaves filled the air
with refreshing odor. Merrily rippled the clear brooks and rivulets
between the green, velvety rushes, and over the many-colored pebbles
beneath. All nature spoke of abundance and plenty. The cuckoo sang,
and the lark carolled, for it was now beautiful spring. The careful
willows had, however, covered their blossoms with woolly gloves; and
this carefulness is rather tedious. Days and weeks went by, and the
heat increased. Warm air waved the corn as it grew golden in the
sun. The white northern lily spread its large green leaves over the
glossy mirror of the woodland lake, and the fishes sought the
shadows beneath them. In a sheltered part of the wood, the sun shone
upon the walls of a farm-house, brightening the blooming roses, and
ripening the black juicy berries, which hung on the loaded
cherry-trees, with his hot beams. Here sat the lovely wife of
Summer, the same whom we have seen as a child and a bride; her eyes
were fixed on dark gathering clouds, which in wavy outlines of black
and indigo were piling themselves up like mountains, higher and
higher. They came from every side, always increasing like a rising,
rolling sea. Then they swooped towards the forest, where every sound
had been silenced as if by magic, every breath hushed, every bird
mute. All nature stood still in grave suspense. But in the lanes and
the highways, passengers on foot or in carriages were hurrying to find
a place of shelter. Then came a flash of light, as if the sun had
rushed forth from the sky, flaming, burning, all-devouring, and
darkness returned amid a rolling crash of thunder. The rain poured
down in streams,--now there was darkness, then blinding light,--now
thrilling silence, then deafening din. The young brown reeds on the
moor waved to and fro in feathery billows; the forest boughs were
hidden in a watery mist, and still light and darkness followed each
other, still came the silence after the roar, while the corn and the
blades of grass lay beaten down and swamped, so that it seemed
impossible they could ever raise themselves again. But after a while
the rain began to fall gently, the sun's rays pierced the clouds,
and the water-drops glittered like pearls on leaf and stem. The
birds sang, the fishes leaped up to the surface of the water, the
gnats danced in the sunshine, and yonder, on a rock by the heaving
salt sea, sat Summer himself, a strong man with sturdy limbs and long,
dripping hair. Strengthened by the cool bath, he sat in the warm
sunshine, while all around him renewed nature bloomed strong,
luxuriant, and beautiful: it was summer, warm, lovely summer. Sweet
and pleasant was the fragrance wafted from the clover-field, where the
bees swarmed round the ruined tower, the bramble twined itself over
the old altar, which, washed by the rain, glittered in the sunshine;
and thither flew the queen bee with her swarm, and prepared wax and
honey. But Summer and his bosom-wife saw it with different eyes, to
them the altar-table was covered with the offerings of nature. The
evening sky shone like gold, no church dome could ever gleam so
brightly, and between the golden evening and the blushing morning
there was moonlight. It was indeed summer. And days and weeks
passed, the bright scythes of the reapers glittered in the
corn-fields, the branches of the apple-trees bent low, heavy with
the red and golden fruit. The hop, hanging in clusters, filled the air
with sweet fragrance, and beneath the hazel-bushes, where the nuts
hung in great bunches, rested a man and a woman--Summer and his
grave consort.
"See," she exclaimed, "what wealth, what blessings surround us.
Everything is home-like and good, and yet, I know not why, I long
for rest and peace; I can scarcely express what I feel. They are
already ploughing the fields again; more and more the people wish
for gain. See, the storks are flocking together, and following the
plough at a short distance. They are the birds from Egypt, who carried
us through the air. Do you remember how we came as children to this
land of the north; we brought with us flowers and bright sunshine, and
green to the forests, but the wind has been rough with them, and
they are now become dark and brown, like the trees of the south, but
they do not, like them, bear golden fruit. "
"Do you wish to see golden fruit? " said the man, "then rejoice,"
and he lifted his arm. The leaves of the forest put on colors of red
and gold, and bright tints covered the woodlands. The rose-bushes
gleamed with scarlet hips, and the branches of the elder-trees hung
down with the weight of the full, dark berries. The wild chestnuts
fell ripe from their dark, green shells, and in the forests the
violets bloomed for the second time. But the queen of the year
became more and more silent and pale.
"It blows cold," she said, "and night brings the damp mist; I long
for the land of my childhood. " Then she saw the storks fly away
every one, and she stretched out her hands towards them. She looked at
the empty nests; in one of them grew a long-stalked corn flower, in
another the yellow mustard seed, as if the nest had been placed
there only for its comfort and protection, and the sparrows were
flying round them all.
"Tweet, where has the master of the nest gone? " cried one, "I
suppose he could not bear it when the wind blew, and therefore he
has left this country. I wish him a pleasant journey. "
The forest leaves became more and more yellow, leaf after leaf
fell, and the stormy winds of Autumn howled. The year was now far
advanced, and upon the fallen, yellow leaves, lay the queen of the
year, looking up with mild eyes at a gleaming star, and her husband
stood by her. A gust of wind swept through the foliage, and the leaves
fell in a shower. The summer queen was gone, but a butterfly, the last
of the year, flew through the cold air. Damp fogs came, icy winds
blew, and the long, dark nights of winter approached. The ruler of the
year appeared with hair white as snow, but he knew it not; he
thought snow-flakes falling from the sky covered his head, as they
decked the green fields with a thin, white covering of snow. And
then the church bells rang out for Christmas time.
"The bells are ringing for the new-born year," said the ruler,
"soon will a new ruler and his bride be born, and I shall go to
rest with my wife in yonder light-giving star. "
In the fresh, green fir-wood, where the snow lay all around, stood
the angel of Christmas, and consecrated the young trees that were to
adorn his feast.
"May there be joy in the rooms, and under the green boughs,"
said the old ruler of the year. In a few weeks he had become a very
old man, with hair as white as snow. "My resting-time draws near;
the young pair of the year will soon claim my crown and sceptre. "
"But the night is still thine," said the angel of Christmas,
"for power, but not for rest. Let the snow lie warmly upon the
tender seed. Learn to endure the thought that another is worshipped
whilst thou art still lord. Learn to endure being forgotten while
yet thou livest. The hour of thy freedom will come when Spring
appears. "
"And when will Spring come? " asked Winter.
"It will come when the stork returns. "
And with white locks and snowy beard, cold, bent, and hoary, but
strong as the wintry storm, and firm as the ice, old Winter sat on the
snowdrift-covered hill, looking towards the south, where Winter had
sat before, and gazed. The ice glittered, the snow crackled, the
skaters skimmed over the polished surface of the lakes; ravens and
crows formed a pleasing contrast to the white ground, and not a breath
of wind stirred, and in the still air old Winter clenched his fists,
and the ice lay fathoms deep between the lands. Then came the sparrows
again out of the town, and asked, "Who is that old man? " The raven sat
there still, or it might be his son, which is the same thing, and he
said to them,--
"It is Winter, the old man of the former year; he is not dead,
as the calendar says, but he is guardian to the spring, which is
coming. "
"When will Spring come? " asked the sparrows, "for we shall have
better times then, and a better rule. The old times are worth
nothing. "
And in quiet thought old Winter looked at the leafless forest,
where the graceful form and bends of each tree and branch could be
seen; and while Winter slept, icy mists came from the clouds, and
the ruler dreamt of his youthful days and of his manhood, and in the
morning dawn the whole forest glittered with hoar frost, which the sun
shook from the branches,--and this was the summer dream of Winter.
"When will Spring come? " asked the sparrows. "Spring! " Again the
echo sounded from the hills on which the snow lay. The sunshine became
warmer, the snow melted, and the birds twittered, "Spring is
coming! " And high in the air flew the first stork, and the second
followed; a lovely child sat on the back of each, and they sank down
on the open field, kissed the earth, and kissed the quiet old man;
and, as the mist from the mountain top, he vanished away and
disappeared. And the story of the year was finished.
"This is all very fine, no doubt," said the sparrows, "and it is
very beautiful; but it is not according to the calendar, therefore, it
must be all wrong. "
End of the Project Gutenberg EBook of Fairy Tales of Hans Christian Andersen, by
Hans Christian Andersen
*** END OF THIS PROJECT GUTENBERG EBOOK FAIRY TALES OF HANS ANDERSEN ***
***** This file should be named 27200. txt or 27200. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/2/7/2/0/27200/
Produced by Al Haines
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E.
watchman blowing his home, but no watchman was there. I twirled the
weather-cock round on the summit of the tower, and it creaked like the
snoring of a warder, but no warder was there; nothing but mice and
rats. Poverty laid the table-cloth; poverty sat in the wardrobe and in
the larder. The door fell off its hinges, cracks and fissures made
their appearance everywhere; so that I could go in and out at
pleasure, and that is how I know all about it. Amid smoke and ashes,
sorrow, and sleepless nights, the hair and beard of the master of
the house turned gray, and deep furrows showed themselves around his
temples; his skin turned pale and yellow, while his eyes still
looked eagerly for gold, the longed-for gold, and the result of his
labor was debt instead of gain. I blew the smoke and ashes into his
face and beard; I moaned through the broken window-panes, and the
yawning clefts in the walls; I blew into the chests and drawers
belonging to his daughters, wherein lay the clothes that had become
faded and threadbare, from being worn over and over again. Such a song
had not been sung, at the children's cradle as I sung now. The
lordly life had changed to a life of penury. I was the only one who
rejoiced aloud in that castle," said the Wind. "At last I snowed
them up, and they say snow keeps people warm. It was good for them,
for they had no wood, and the forest, from which they might have
obtained it, had been cut down. The frost was very bitter, and I
rushed through loop-holes and passages, over gables and roofs with
keen and cutting swiftness. The three high-born daughters were lying
in bed because of the cold, and their father crouching beneath his
leather coverlet. Nothing to eat, nothing to burn, no fire on the
hearth! Here was a life for high-born people! 'Give it up, give it
up! ' But my Lord Daa would not do that. 'After winter, spring will
come,' he said, 'after want, good times. We must not lose patience, we
must learn to wait. Now my horses and lands are all mortgaged, it is
indeed high time; but gold will come at last--at Easter. '
"I heard him as he thus spoke; he was looking at a spider's web,
and he continued, 'Thou cunning little weaver, thou dost teach me
perseverance. Let any one tear thy web, and thou wilt begin again
and repair it. Let it be entirely destroyed, thou wilt resolutely
begin to make another till it is completed. So ought we to do, if we
wish to succeed at last. '
"It was the morning of Easter-day. The bells sounded from the
neighboring church, and the sun seemed to rejoice in the sky. The
master of the castle had watched through the night, in feverish
excitement, and had been melting and cooling, distilling and mixing. I
heard him sighing like a soul in despair; I heard him praying, and I
noticed how he held his breath. The lamp burnt out, but he did not
observe it. I blew up the fire in the coals on the hearth, and it
threw a red glow on his ghastly white face, lighting it up with a
glare, while his sunken eyes looked out wildly from their cavernous
depths, and appeared to grow larger and more prominent, as if they
would burst from their sockets. 'Look at the alchymic glass,' he
cried; 'something glows in the crucible, pure and heavy. ' He lifted it
with a trembling hand, and exclaimed in a voice of agitation, 'Gold!
gold! ' He was quite giddy, I could have blown him down," said the
Wind; "but I only fanned the glowing coals, and accompanied him
through the door to the room where his daughter sat shivering. His
coat was powdered with ashes, and there were ashes in his beard and in
his tangled hair. He stood erect, and held high in the air the brittle
glass that contained his costly treasure. 'Found! found! Gold!
gold! ' he shouted, again holding the glass aloft, that it might
flash in the sunshine; but his hand trembled, and the alchymic glass
fell from it, clattering to the ground, and brake in a thousand
pieces. The last bubble of his happiness had burst, with a whiz and
a whir, and I rushed away from the gold-maker's house.
"Late in the autumn, when the days were short, and the mist
sprinkled cold drops on the berries and the leafless branches, I
came back in fresh spirits, rushed through the air, swept the sky
clear, and snapped off the dry twigs, which is certainly no great
labor to do, yet it must be done. There was another kind of sweeping
taking place at Waldemar Daa's, in the castle of Borreby. His enemy,
Owe Ramel, of Basnas, was there, with the mortgage of the house and
everything it contained, in his pocket. I rattled the broken
windows, beat against the old rotten doors, and whistled through
cracks and crevices, so that Mr. Owe Ramel did not much like to remain
there. Ida and Anna Dorothea wept bitterly, Joanna stood, pale and
proud, biting her lips till the blood came; but what could that avail?
Owe Ramel offered Waldemar Daa permission to remain in the house
till the end of his life. No one thanked him for the offer, and I
saw the ruined old gentleman lift his head, and throw it back more
proudly than ever. Then I rushed against the house and the old
lime-trees with such force, that one of the thickest branches, a
decayed one, was broken off, and the branch fell at the entrance,
and remained there. It might have been used as a broom, if any one had
wanted to sweep the place out, and a grand sweeping-out there really
was; I thought it would be so. It was hard for any one to preserve
composure on such a day; but these people had strong wills, as
unbending as their hard fortune. There was nothing they could call
their own, excepting the clothes they wore. Yes, there was one thing
more, an alchymist's glass, a new one, which had been lately bought,
and filled with what could be gathered from the ground of the treasure
which had promised so much but failed in keeping its promise. Waldemar
Daa hid the glass in his bosom, and, taking his stick in his hand, the
once rich gentleman passed with his daughters out of the house of
Borreby. I blew coldly upon his flustered cheeks, I stroked his gray
beard and his long white hair, and I sang as well as I was able,
'Whir-r-r, whir-r-r. Gone away! Gone away! ' Ida walked on one side
of the old man, and Anna Dorothea on the other; Joanna turned round,
as they left the entrance. Why? Fortune would not turn because she
turned. She looked at the stone in the walls which had once formed
part of the castle of Marck Stig, and perhaps she thought of his
daughters and of the old song,--
"The eldest and youngest, hand-in-hand,
Went forth alone to a distant land. "
These were only two; here there were three, and their father with them
also. They walked along the high-road, where once they had driven in
their splendid carriage; they went forth with their father as beggars.
They wandered across an open field to a mud hut, which they rented for
a dollar and a half a year, a new home, with bare walls and empty
cupboards. Crows and magpies fluttered about them, and cried, as if in
contempt, 'Caw, caw, turned out of our nest--caw, caw,' as they had
done in the wood at Borreby, when the trees were felled. Daa and his
daughters could not help hearing it, so I blew about their ears to
drown the noise; what use was it that they should listen? So they went
to live in the mud hut in the open field, and I wandered away, over
moor and meadow, through bare bushes and leafless forests, to the open
sea, to the broad shores in other lands, 'Whir-r-r, whir-r-r! Away,
away! ' year after year. "
And what became of Waldemar Daa and his daughters? Listen; the
Wind will tell us:
"The last I saw of them was the pale hyacinth, Anna Dorothea. She
was old and bent then; for fifty years had passed and she had outlived
them all. She could relate the history. Yonder, on the heath, near the
town of Wiborg, in Jutland, stood the fine new house of the canon. It
was built of red brick, with projecting gables. It was inhabited, for
the smoke curled up thickly from the chimneys. The canon's gentle lady
and her beautiful daughters sat in the bay-window, and looked over the
hawthorn hedge of the garden towards the brown heath. What were they
looking at? Their glances fell upon a stork's nest, which was built
upon an old tumbledown hut. The roof, as far as one existed at all,
was covered with moss and lichen. The stork's nest covered the greater
part of it, and that alone was in a good condition; for it was kept in
order by the stork himself. That is a house to be looked at, and not
to be touched," said the Wind. "For the sake of the stork's nest it
had been allowed to remain, although it is a blot on the landscape.
They did not like to drive the stork away; therefore the old shed was
left standing, and the poor woman who dwelt in it allowed to stay. She
had the Egyptian bird to thank for that; or was it perchance her
reward for having once interceded for the preservation of the nest of
its black brother in the forest of Borreby? At that time she, the
poor woman, was a young child, a white hyacinth in a rich garden. She
remembered that time well; for it was Anna Dorothea.
"'O-h, o-h,' she sighed; for people can sigh like the moaning of
the wind among the reeds and rushes. 'O-h, o-h,' she would say, 'no
bell sounded at thy burial, Waldemar Daa. The poor school-boys did not
even sing a psalm when the former lord of Borreby was laid in the
earth to rest. O-h, everything has an end, even misery. Sister Ida
became the wife of a peasant; that was the hardest trial which
befell our father, that the husband of his own daughter should be a
miserable serf, whom his owner could place for punishment on the
wooden horse. I suppose he is under the ground now; and Ida--alas!
alas! it is not ended yet; miserable that I am! Kind Heaven, grant
me that I may die. '
"That was Anna Dorothea's prayer in the wretched hut that was left
standing for the sake of the stork. I took pity on the proudest of the
sisters," said the Wind. "Her courage was like that of a man; and in
man's clothes she served as a sailor on board ship. She was of few
words, and of a dark countenance; but she did not know how to climb,
so I blew her overboard before any one found out that she was a woman;
and, in my opinion, that was well done," said the Wind.
On such another Easter morning as that on which Waldemar Daa
imagined he had discovered the art of making gold, I heard the tones
of a psalm under the stork's nest, and within the crumbling walls.
It was Anna Dorothea's last song. There was no window in the hut, only
a hole in the wall; and the sun rose like a globe of burnished gold,
and looked through. With what splendor he filled that dismal dwelling!
Her eyes were glazing, and her heart breaking; but so it would have
been, even had the sun not shone that morning on Anna Dorothea. The
stork's nest had secured her a home till her death. I sung over her
grave; I sung at her father's grave. I know where it lies, and where
her grave is too, but nobody else knows it.
"New times now; all is changed. The old high-road is lost amid
cultivated fields; the new one now winds along over covered graves;
and soon the railway will come, with its train of carriages, and
rush over graves where lie those whose very names are forgoten. All
passed away, passed away!
"This is the story of Waldemar Daa and his daughters. Tell it
better, any of you, if you know how," said the Wind; and he rushed
away, and was gone.
THE WINDMILL
A windmill stood upon the hill, proud to look at, and it was proud
too.
"I am not proud at all," it said, "but I am very much
enlightened without and within. I have sun and moon for my outward
use, and for inward use too; and into the bargain I have stearine
candles, train oil and lamps, and tallow candles. I may well say
that I'm enlightened. I'm a thinking being, and so well constructed
that it's quite delightful. I have a good windpipe in my chest, and
I have four wings that are placed outside my head, just beneath my
hat. The birds have only two wings, and are obliged to carry them on
their backs. I am a Dutchman by birth, that may be seen by my
figure--a flying Dutchman. They are considered supernatural beings,
I know, and yet I am quite natural. I have a gallery round my chest,
and house-room beneath it; that's where my thoughts dwell. My
strongest thought, who rules and reigns, is called by others 'The
Man in the Mill. ' He knows what he wants, and is lord over the meal
and the bran; but he has his companion, too, and she calls herself
'Mother. ' She is the very heart of me. She does not run about stupidly
and awkwardly, for she knows what she wants, she knows what she can
do, she's as soft as a zephyr and as strong as a storm; she knows
how to begin a thing carefully, and to have her own way. She is my
soft temper, and the father is my hard one. They are two, and yet one;
they each call the other 'My half. ' These two have some little boys,
young thoughts, that can grow. The little ones keep everything in
order. When, lately, in my wisdom, I let the father and the boys
examine my throat and the hole in my chest, to see what was going on
there,--for something in me was out of order, and it's well to examine
one's self,--the little ones made a tremendous noise. The youngest
jumped up into my hat, and shouted so there that it tickled me. The
little thoughts may grow--I know that very well; and out in the
world thoughts come too, and not only of my kind, for as far as I
can see, I cannot discern anything like myself; but the wingless
houses, whose throats make no noise, have thoughts too, and these come
to my thoughts, and make love to them, as it is called. It's wonderful
enough--yes, there are many wonderful things. Something has come
over me, or into me,--something has changed in the mill-work. It seems
as if the one half, the father, had altered, and had received a better
temper and a more affectionate helpmate--so young and good, and yet
the same, only more gentle and good through the course of time. What
was bitter has passed away, and the whole is much more comfortable.
"The days go on, and the days come nearer and nearer to
clearness and to joy; and then a day will come when it will be over
with me; but not over altogether. I must be pulled down that I may
be built up again; I shall cease, but yet shall live on. To become
quite a different being, and yet remain the same! That's difficult for
me to understand, however enlightened I may be with sun, moon,
stearine, train oil, and tallow. My old wood-work and my old
brick-work will rise again from the dust!
"I will hope that I may keep my old thoughts, the father in the
mill, and the mother, great ones and little ones--the family; for I
call them all, great and little, the company of thoughts, because I
must, and cannot refrain from it.
"And I must also remain 'myself,' with my throat in my chest, my
wings on my head, the gallery round my body; else I should not know
myself, nor could the others know me, and say, 'There's the mill on
the hill, proud to look at, and yet not proud at all. '"
That is what the mill said. Indeed, it said much more, but that is
the most important part.
And the days came, and the days went, and yesterday was the last
day.
Then the mill caught fire. The flames rose up high, and beat out
and in, and bit at the beams and planks, and ate them up. The mill
fell, and nothing remained of it but a heap of ashes. The smoke
drove across the scene of the conflagration, and the wind carried it
away.
Whatever had been alive in the mill remained, and what had been
gained by it has nothing to do with this story.
The miller's family--one soul, many thoughts, and yet only one--built
a new, a splendid mill, which answered its purpose. It was quite
like the old one, and people said, "Why, yonder is the mill on the
hill, proud to look at! " But this mill was better arranged, more
according to the time than the last, so that progress might be made.
The old beams had become worm-eaten and spongy--they lay in dust and
ashes. The body of the mill did not rise out of the dust as they had
believed it would do. They had taken it literally, and all things
are not to be taken literally.
THE STORY OF THE YEAR
It was near the end of January, and a terrible fall of snow was
pelting down, and whirling through the streets and lanes; the
windows were plastered with snow on the outside, snow fell in masses
from the roofs. Every one seemed in a great hurry; they ran, they
flew, fell into each other's arms, holding fast for a moment as long
as they could stand safely. Coaches and horses looked as if they had
been frosted with sugar. The footmen stood with their backs against
the carriages, so as to turn their faces from the wind. The foot
passengers kept within the shelter of the carriages, which could
only move slowly on in the deep snow. At last the storm abated, and
a narrow path was swept clean in front of the houses; when two persons
met in this path they stood still, for neither liked to take the first
step on one side into the deep snow to let the other pass him. There
they stood silent and motionless, till at last, as if by tacit
consent, they each sacrificed a leg and buried it in the deep snow.
Towards evening, the weather became calm. The sky, cleared from the
snow, looked more lofty and transparent, while the stars shone with
new brightness and purity. The frozen snow crackled under foot, and
was quite firm enough to bear the sparrows, who hopped upon it in
the morning dawn. They searched for food in the path which had been
swept, but there was very little for them, and they were terribly
cold. "Tweet, tweet," said one to another; "they call this a new
year, but I think it is worse than the last. We might just as well
have kept the old year; I'm quite unhappy, and I have a right to be
so. "
"Yes, you have; and yet the people ran about and fired off guns,
to usher in the new year," said a little shivering sparrow. "They
threw things against the doors, and were quite beside themselves
with joy, because the old year had disappeared. I was glad too, for
I expected we should have some warm days, but my hopes have come to
nothing. It freezes harder than ever; I think mankind have made a
mistake in reckoning time. "
"That they have," said a third, an old sparrow with a white
poll; "they have something they call a calendar; it's an invention
of their own, and everything must be arranged according to it, but
it won't do. When spring comes, then the year begins. It is the
voice of nature, and I reckon by that. "
"But when will spring come? " asked the others.
"It will come when the stork returns, but he is very uncertain,
and here in the town no one knows anything about it. In the country
they have more knowledge; shall we fly away there and wait? we shall
be nearer to spring then, certainly. "
"That may be all very well," said another sparrow, who had been
hopping about for a long time, chirping, but not saying anything of
consequence, "but I have found a few comforts here in town which,
I'm afraid, I should miss out in the country. Here in this
neighborhood, there lives a family of people who have been so sensible
as to place three or four flower-pots against the wall in the
court-yard, so that the openings are all turned inward, and the bottom
of each points outward. In the latter a hole has been cut large enough
for me to fly in and out. I and my husband have built a nest in one of
these pots, and all our young ones, who have now flown away, were
brought up there. The people who live there of course made the whole
arrangement that they might have the pleasure of seeing us, or they
would not have done it. It pleased them also to strew bread-crumbs for
us, and so we have food, and may consider ourselves provided for. So I
think my husband and I will stay where we are; although we are not
very happy, but we shall stay. "
"And we will fly into the country," said the others, "to see if
spring is coming. " And away they flew.
In the country it was really winter, a few degrees colder than
in the town. The sharp winds blew over the snow-covered fields. The
farmer, wrapped in warm clothing, sat in his sleigh, and beat his arms
across his chest to keep off the cold. The whip lay on his lap. The
horses ran till they smoked.
The snow crackled, the sparrows hopped
about in the wheel-ruts, and shivered, crying, "Tweet, tweet; when
will spring come? It is very long in coming. "
"Very long indeed," sounded over the field, from the nearest
snow-covered hill. It might have been the echo which people heard,
or perhaps the words of that wonderful old man, who sat high on a heap
of snow, regardless of wind or weather. He was all in white; he had on
a peasant's coarse white coat of frieze. He had long white hair, a
pale face, and large clear blue eyes. "Who is that old man? " asked the
sparrows.
"I know who he is," said an old raven, who sat on the fence, and
was condescending enough to acknowledge that we are all equal in the
sight of Heaven, even as little birds, and therefore he talked with
the sparrows, and gave them the information they wanted. "I know who
the old man is," he said. "It is Winter, the old man of last year;
he is not dead yet, as the calendar says, but acts as guardian to
little Prince Spring who is coming. Winter rules here still. Ugh!
the cold makes you shiver, little ones, does it not? "
"There! Did I not tell you so? " said the smallest of the sparrows.
"The calendar is only an invention of man, and is not arranged
according to nature. They should leave these things to us; we are
created so much more clever than they are. "
One week passed, and then another. The forest looked dark, the
hard-frozen lake lay like a sheet of lead. The mountains had
disappeared, for over the land hung damp, icy mists. Large black crows
flew about in silence; it was as if nature slept. At length a
sunbeam glided over the lake, and it shone like burnished silver.
But the snow on the fields and the hills did not glitter as before.
The white form of Winter sat there still, with his un-wandering gaze
fixed on the south. He did not perceive that the snowy carpet seemed
to sink as it were into the earth; that here and there a little
green patch of grass appeared, and that these patches were covered
with sparrows.
"Tee-wit, tee-wit; is spring coming at last? "
Spring! How the cry resounded over field and meadow, and through
the dark-brown woods, where the fresh green moss still gleamed on
the trunks of the trees, and from the south came the two first
storks flying through the air, and on the back of each sat a lovely
little child, a boy and a girl. They greeted the earth with a kiss,
and wherever they placed their feet white flowers sprung up from
beneath the snow. Hand in hand they approached the old ice-man,
Winter, embraced him and clung to his breast; and as they did so, in a
moment all three were enveloped in a thick, damp mist, dark and heavy,
that closed over them like a veil. The wind arose with mighty rustling
tone, and cleared away the mist. Then the sun shone out warmly. Winter
had vanished away, and the beautiful children of Spring sat on the
throne of the year.
"This is really a new year," cried all the sparrows, "now we shall
get our rights, and have some return for what we suffered in winter. "
Wherever the two children wandered, green buds burst forth on bush
and tree, the grass grew higher, and the corn-fields became lovely
in delicate green.
The little maiden strewed flowers in her path. She held her
apron before her: it was full of flowers; it was as if they sprung
into life there, for the more she scattered around her, the more
flowers did her apron contain. Eagerly she showered snowy blossoms
over apple and peach-trees, so that they stood in full beauty before
even their green leaves had burst from the bud. Then the boy and the
girl clapped their hands, and troops of birds came flying by, no one
knew from whence, and they all twittered and chirped, singing
"Spring has come! " How beautiful everything was! Many an old dame came
forth from her door into the sunshine, and shuffled about with great
delight, glancing at the golden flowers which glittered everywhere
in the fields, as they used to do in her young days. The world grew
young again to her, as she said, "It is a blessed time out here
to-day. " The forest already wore its dress of dark-green buds. The
thyme blossomed in fresh fragrance. Primroses and anemones sprung
forth, and violets bloomed in the shade, while every blade of grass
was full of strength and sap. Who could resist sitting down on such
a beautiful carpet? and then the young children of Spring seated
themselves, holding each other's hands, and sang, and laughed, and
grew. A gentle rain fell upon them from the sky, but they did not
notice it, for the rain-drops were their own tears of joy. They kissed
each other, and were betrothed; and in the same moment the buds of the
trees unfolded, and when the sun rose, the forest was green. Hand in
hand the two wandered beneath the fresh pendant canopy of foliage,
while the sun's rays gleamed through the opening of the shade, in
changing and varied colors. The delicate young leaves filled the air
with refreshing odor. Merrily rippled the clear brooks and rivulets
between the green, velvety rushes, and over the many-colored pebbles
beneath. All nature spoke of abundance and plenty. The cuckoo sang,
and the lark carolled, for it was now beautiful spring. The careful
willows had, however, covered their blossoms with woolly gloves; and
this carefulness is rather tedious. Days and weeks went by, and the
heat increased. Warm air waved the corn as it grew golden in the
sun. The white northern lily spread its large green leaves over the
glossy mirror of the woodland lake, and the fishes sought the
shadows beneath them. In a sheltered part of the wood, the sun shone
upon the walls of a farm-house, brightening the blooming roses, and
ripening the black juicy berries, which hung on the loaded
cherry-trees, with his hot beams. Here sat the lovely wife of
Summer, the same whom we have seen as a child and a bride; her eyes
were fixed on dark gathering clouds, which in wavy outlines of black
and indigo were piling themselves up like mountains, higher and
higher. They came from every side, always increasing like a rising,
rolling sea. Then they swooped towards the forest, where every sound
had been silenced as if by magic, every breath hushed, every bird
mute. All nature stood still in grave suspense. But in the lanes and
the highways, passengers on foot or in carriages were hurrying to find
a place of shelter. Then came a flash of light, as if the sun had
rushed forth from the sky, flaming, burning, all-devouring, and
darkness returned amid a rolling crash of thunder. The rain poured
down in streams,--now there was darkness, then blinding light,--now
thrilling silence, then deafening din. The young brown reeds on the
moor waved to and fro in feathery billows; the forest boughs were
hidden in a watery mist, and still light and darkness followed each
other, still came the silence after the roar, while the corn and the
blades of grass lay beaten down and swamped, so that it seemed
impossible they could ever raise themselves again. But after a while
the rain began to fall gently, the sun's rays pierced the clouds,
and the water-drops glittered like pearls on leaf and stem. The
birds sang, the fishes leaped up to the surface of the water, the
gnats danced in the sunshine, and yonder, on a rock by the heaving
salt sea, sat Summer himself, a strong man with sturdy limbs and long,
dripping hair. Strengthened by the cool bath, he sat in the warm
sunshine, while all around him renewed nature bloomed strong,
luxuriant, and beautiful: it was summer, warm, lovely summer. Sweet
and pleasant was the fragrance wafted from the clover-field, where the
bees swarmed round the ruined tower, the bramble twined itself over
the old altar, which, washed by the rain, glittered in the sunshine;
and thither flew the queen bee with her swarm, and prepared wax and
honey. But Summer and his bosom-wife saw it with different eyes, to
them the altar-table was covered with the offerings of nature. The
evening sky shone like gold, no church dome could ever gleam so
brightly, and between the golden evening and the blushing morning
there was moonlight. It was indeed summer. And days and weeks
passed, the bright scythes of the reapers glittered in the
corn-fields, the branches of the apple-trees bent low, heavy with
the red and golden fruit. The hop, hanging in clusters, filled the air
with sweet fragrance, and beneath the hazel-bushes, where the nuts
hung in great bunches, rested a man and a woman--Summer and his
grave consort.
"See," she exclaimed, "what wealth, what blessings surround us.
Everything is home-like and good, and yet, I know not why, I long
for rest and peace; I can scarcely express what I feel. They are
already ploughing the fields again; more and more the people wish
for gain. See, the storks are flocking together, and following the
plough at a short distance. They are the birds from Egypt, who carried
us through the air. Do you remember how we came as children to this
land of the north; we brought with us flowers and bright sunshine, and
green to the forests, but the wind has been rough with them, and
they are now become dark and brown, like the trees of the south, but
they do not, like them, bear golden fruit. "
"Do you wish to see golden fruit? " said the man, "then rejoice,"
and he lifted his arm. The leaves of the forest put on colors of red
and gold, and bright tints covered the woodlands. The rose-bushes
gleamed with scarlet hips, and the branches of the elder-trees hung
down with the weight of the full, dark berries. The wild chestnuts
fell ripe from their dark, green shells, and in the forests the
violets bloomed for the second time. But the queen of the year
became more and more silent and pale.
"It blows cold," she said, "and night brings the damp mist; I long
for the land of my childhood. " Then she saw the storks fly away
every one, and she stretched out her hands towards them. She looked at
the empty nests; in one of them grew a long-stalked corn flower, in
another the yellow mustard seed, as if the nest had been placed
there only for its comfort and protection, and the sparrows were
flying round them all.
"Tweet, where has the master of the nest gone? " cried one, "I
suppose he could not bear it when the wind blew, and therefore he
has left this country. I wish him a pleasant journey. "
The forest leaves became more and more yellow, leaf after leaf
fell, and the stormy winds of Autumn howled. The year was now far
advanced, and upon the fallen, yellow leaves, lay the queen of the
year, looking up with mild eyes at a gleaming star, and her husband
stood by her. A gust of wind swept through the foliage, and the leaves
fell in a shower. The summer queen was gone, but a butterfly, the last
of the year, flew through the cold air. Damp fogs came, icy winds
blew, and the long, dark nights of winter approached. The ruler of the
year appeared with hair white as snow, but he knew it not; he
thought snow-flakes falling from the sky covered his head, as they
decked the green fields with a thin, white covering of snow. And
then the church bells rang out for Christmas time.
"The bells are ringing for the new-born year," said the ruler,
"soon will a new ruler and his bride be born, and I shall go to
rest with my wife in yonder light-giving star. "
In the fresh, green fir-wood, where the snow lay all around, stood
the angel of Christmas, and consecrated the young trees that were to
adorn his feast.
"May there be joy in the rooms, and under the green boughs,"
said the old ruler of the year. In a few weeks he had become a very
old man, with hair as white as snow. "My resting-time draws near;
the young pair of the year will soon claim my crown and sceptre. "
"But the night is still thine," said the angel of Christmas,
"for power, but not for rest. Let the snow lie warmly upon the
tender seed. Learn to endure the thought that another is worshipped
whilst thou art still lord. Learn to endure being forgotten while
yet thou livest. The hour of thy freedom will come when Spring
appears. "
"And when will Spring come? " asked Winter.
"It will come when the stork returns. "
And with white locks and snowy beard, cold, bent, and hoary, but
strong as the wintry storm, and firm as the ice, old Winter sat on the
snowdrift-covered hill, looking towards the south, where Winter had
sat before, and gazed. The ice glittered, the snow crackled, the
skaters skimmed over the polished surface of the lakes; ravens and
crows formed a pleasing contrast to the white ground, and not a breath
of wind stirred, and in the still air old Winter clenched his fists,
and the ice lay fathoms deep between the lands. Then came the sparrows
again out of the town, and asked, "Who is that old man? " The raven sat
there still, or it might be his son, which is the same thing, and he
said to them,--
"It is Winter, the old man of the former year; he is not dead,
as the calendar says, but he is guardian to the spring, which is
coming. "
"When will Spring come? " asked the sparrows, "for we shall have
better times then, and a better rule. The old times are worth
nothing. "
And in quiet thought old Winter looked at the leafless forest,
where the graceful form and bends of each tree and branch could be
seen; and while Winter slept, icy mists came from the clouds, and
the ruler dreamt of his youthful days and of his manhood, and in the
morning dawn the whole forest glittered with hoar frost, which the sun
shook from the branches,--and this was the summer dream of Winter.
"When will Spring come? " asked the sparrows. "Spring! " Again the
echo sounded from the hills on which the snow lay. The sunshine became
warmer, the snow melted, and the birds twittered, "Spring is
coming! " And high in the air flew the first stork, and the second
followed; a lovely child sat on the back of each, and they sank down
on the open field, kissed the earth, and kissed the quiet old man;
and, as the mist from the mountain top, he vanished away and
disappeared. And the story of the year was finished.
"This is all very fine, no doubt," said the sparrows, "and it is
very beautiful; but it is not according to the calendar, therefore, it
must be all wrong. "
End of the Project Gutenberg EBook of Fairy Tales of Hans Christian Andersen, by
Hans Christian Andersen
*** END OF THIS PROJECT GUTENBERG EBOOK FAIRY TALES OF HANS ANDERSEN ***
***** This file should be named 27200. txt or 27200. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/2/7/2/0/27200/
Produced by Al Haines
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. net
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E.
