His
hands were in his side-pockets and his trousers were tucked in at the
knees by elastic bands.
hands were in his side-pockets and his trousers were tucked in at the
knees by elastic bands.
A Portrait of the Artist as a Young Man by James Joyce
He remained standing with his two companions at the end of the shed
listening idly to their talk or to the bursts of applause in the
theatre. She was sitting there among the others perhaps waiting for him
to appear. He tried to recall her appearance but could not. He could
remember only that she had worn a shawl about her head like a cowl and
that her dark eyes had invited and unnerved him. He wondered had he
been in her thoughts as she had been in his. Then in the dark and
unseen by the other two he rested the tips of the fingers of one hand
upon the palm of the other hand, scarcely touching it lightly. But the
pressure of her fingers had been lighter and steadier: and suddenly the
memory of their touch traversed his brain and body like an invisible
wave.
A boy came towards them, running along under the shed. He was excited
and breathless.
--O, Dedalus, he cried, Doyle is in a great bake about you. You're to
go in at once and get dressed for the play. Hurry up, you better.
--He's coming now, said Heron to the messenger with a haughty drawl,
when he wants to.
The boy turned to Heron and repeated:
--But Doyle is in an awful bake.
--Will you tell Doyle with my best compliments that I damned his eyes?
answered Heron.
--Well, I must go now, said Stephen, who cared little for such points
of honour.
--I wouldn't, said Heron, damn me if I would. That's no way to send
for one of the senior boys. In a bake, indeed! I think it's quite
enough that you're taking a part in his bally old play.
This spirit of quarrelsome comradeship which he had observed lately in
his rival had not seduced Stephen from his habits of quiet obedience.
He mistrusted the turbulence and doubted the sincerity of such
comradeship which seemed to him a sorry anticipation of manhood. The
question of honour here raised was, like all such questions, trivial to
him. While his mind had been pursuing its intangible phantoms and
turning in irresolution from such pursuit he had heard about him the
constant voices of his father and of his masters, urging him to be a
gentleman above all things and urging him to be a good catholic above all
things. These voices had now come to be hollow-sounding in his ears. When
the gymnasium had been opened he had heard another voice urging him to be
strong and manly and healthy and when the movement towards national
revival had begun to be felt in the college yet another voice had bidden
him be true to his country and help to raise up her language and
tradition. In the profane world, as he foresaw, a worldly voice would bid
him raise up his father's fallen state by his labours and, meanwhile, the
voice of his school comrades urged him to be a decent fellow, to shield
others from blame or to beg them off and to do his best to get free days
for the school. And it was the din of all these hollow-sounding voices
that made him halt irresolutely in the pursuit of phantoms. He gave them
ear only for a time but he was happy only when he was far from them,
beyond their call, alone or in the company of phantasmal comrades.
In the vestry a plump fresh-faced jesuit and an elderly man, in shabby
blue clothes, were dabbling in a case of paints and chalks. The boys
who had been painted walked about or stood still awkwardly, touching
their faces in a gingerly fashion with their furtive fingertips. In the
middle of the vestry a young jesuit, who was then on a visit to the
college, stood rocking himself rhythmically from the tips of his toes
to his heels and back again, his hands thrust well forward into his
side-pockets. His small head set off with glossy red curls and his
newly shaven face agreed well with the spotless decency of his soutane
and with his spotless shoes.
As he watched this swaying form and tried to read for himself the
legend of the priest's mocking smile there came into Stephen's memory a
saying which he had heard from his father before he had been sent to
Clongowes, that you could always tell a jesuit by the style of his
clothes. At the same moment he thought he saw a likeness between his
father's mind and that of this smiling well-dressed priest: and he was
aware of some desecration of the priest's office or of the vestry
itself whose silence was now routed by loud talk and joking and its air
pungent with the smells of the gas-jets and the grease.
While his forehead was being wrinkled and his jaws painted black and
blue by the elderly man, he listened distractedly to the voice of the
plump young jesuit which bade him speak up and make his points clearly.
He could hear the band playing THE LILY OF KILLARNEY and knew that in a
few moments the curtain would go up. He felt no stage fright but the
thought of the part he had to play humiliated him. A remembrance of
some of his lines made a sudden flush rise to his painted cheeks. He
saw her serious alluring eyes watching him from among the audience and
their image at once swept away his scruples, leaving his will compact.
Another nature seemed to have been lent him: the infection of the
excitement and youth about him entered into and transformed his moody
mistrustfulness. For one rare moment he seemed to be clothed in the
real apparel of boyhood: and, as he stood in the wings among the other
players, he shared the common mirth amid which the drop scene was
hauled upwards by two able-bodied priests with violent jerks and all awry.
A few moments after he found himself on the stage amid the garish gas
and the dim scenery, acting before the innumerable faces of the void.
It surprised him to see that the play which he had known at rehearsals
for a disjointed lifeless thing had suddenly assumed a life of its own.
It seemed now to play itself, he and his fellow actors aiding it with
their parts. When the curtain fell on the last scene he heard the void
filled with applause and, through a rift in a side scene, saw the
simple body before which he had acted magically deformed, the void of
faces breaking at all points and falling asunder into busy groups.
He left the stage quickly and rid himself of his mummery and passed out
through the chapel into the college garden. Now that the play was over
his nerves cried for some further adventure. He hurried onwards as if
to overtake it. The doors of the theatre were all open and the audience
had emptied out. On the lines which he had fancied the moorings of an
ark a few lanterns swung in the night breeze, flickering cheerlessly.
He mounted the steps from the garden in haste, eager that some prey
should not elude him, and forced his way through the crowd in the hall
and past the two jesuits who stood watching the exodus and bowing and
shaking hands with the visitors. He pushed onward nervously, feigning a
still greater haste and faintly conscious of the smiles and stares and
nudges which his powdered head left in its wake.
When he came out on the steps he saw his family waiting for him at the
first lamp. In a glance he noted that every figure of the group was
familiar and ran down the steps angrily.
--I have to leave a message down in George's Street, he said to his
father quickly. I'll be home after you.
Without waiting for his father's questions he ran across the road and
began to walk at breakneck speed down the hill. He hardly knew where he
was walking. Pride and hope and desire like crushed herbs in his heart
sent up vapours of maddening incense before the eyes of his mind. He
strode down the hill amid the tumult of sudden-risen vapours of wounded
pride and fallen hope and baffled desire. They streamed upwards before
his anguished eyes in dense and maddening fumes and passed away above
him till at last the air was clear and cold again.
A film still veiled his eyes but they burned no longer. A power, akin
to that which had often made anger or resentment fall from him, brought
his steps to rest. He stood still and gazed up at the sombre porch of
the morgue and from that to the dark cobbled laneway at its side. He
saw the word LOTTS on the wall of the lane and breathed slowly the rank
heavy air.
That is horse piss and rotted straw, he thought. It is a good odour to
breathe. It will calm my heart. My heart is quite calm now. I will go
back.
* * * * *
Stephen was once again seated beside his father in the corner of a
railway carriage at Kingsbridge. He was travelling with his father by
the night mail to Cork. As the train steamed out of the station he
recalled his childish wonder of years before and every event of his
first day at Clongowes. But he felt no wonder now. He saw the darkening
lands slipping away past him, the silent telegraph-poles passing his
window swiftly every four seconds, the little glimmering stations,
manned by a few silent sentries, flung by the mail behind her and
twinkling for a moment in the darkness like fiery grains flung
backwards by a runner.
He listened without sympathy to his father's evocation of Cork and of
scenes of his youth, a tale broken by sighs or draughts from his pocket
flask whenever the image of some dead friend appeared in it or whenever
the evoker remembered suddenly the purpose of his actual visit. Stephen
heard but could feel no pity. The images of the dead were all strangers
to him save that of uncle Charles, an image which had lately been
fading out of memory. He knew, however, that his father's property was
going to be sold by auction, and in the manner of his own dispossession
he felt the world give the lie rudely to his phantasy.
At Maryborough he fell asleep. When he awoke the train had passed out
of Mallow and his father was stretched asleep on the other seat. The
cold light of the dawn lay over the country, over the unpeopled fields
and the closed cottages. The terror of sleep fascinated his mind as he
watched the silent country or heard from time to time his father's deep
breath or sudden sleepy movement. The neighbourhood of unseen sleepers
filled him with strange dread, as though they could harm him, and he
prayed that the day might come quickly. His prayer, addressed neither
to God nor saint, began with a shiver, as the chilly morning breeze
crept through the chink of the carriage door to his feet, and ended in
a trail of foolish words which he made to fit the insistent rhythm of
the train; and silently, at intervals of four seconds, the
telegraph-poles held the galloping notes of the music between punctual
bars. This furious music allayed his dread and, leaning against the
windowledge, he let his eyelids close again.
They drove in a jingle across Cork while it was still early morning and
Stephen finished his sleep in a bedroom of the Victoria Hotel. The
bright warm sunlight was streaming through the window and he could hear
the din of traffic. His father was standing before the dressing-table,
examining his hair and face and moustache with great care, craning his
neck across the water-jug and drawing it back sideways to see the better.
While he did so he sang softly to himself with quaint accent and phrasing:
'Tis youth and folly
Makes young men marry,
So here, my love, I'll
No longer stay.
What can't be cured, sure,
Must be injured, sure,
So I'll go to
Amerikay.
My love she's handsome,
My love she's bony:
She's like good whisky
When it is new;
But when 'tis old
And growing cold
It fades and dies like
The mountain dew.
The consciousness of the warm sunny city outside his window and the
tender tremors with which his father's voice festooned the strange sad
happy air, drove off all the mists of the night's ill humour from
Stephen's brain. He got up quickly to dress and, when the song had
ended, said:
--That's much prettier than any of your other COME-ALL-YOUS.
--Do you think so? asked Mr Dedalus.
--I like it, said Stephen.
--It's a pretty old air, said Mr Dedalus, twirling the points of his
moustache. Ah, but you should have heard Mick Lacy sing it! Poor Mick
Lacy! He had little turns for it, grace notes that he used to put in
that I haven't got. That was the boy who could sing a COME-ALL-YOU, if
you like.
Mr Dedalus had ordered drisheens for breakfast and during the meal he
cross-examined the waiter for local news. For the most part they spoke
at cross purposes when a name was mentioned, the waiter having in mind
the present holder and Mr Dedalus his father or perhaps his
grandfather.
--Well, I hope they haven't moved the Queen's College anyhow, said Mr
Dedalus, for I want to show it to this youngster of mine.
Along the Mardyke the trees were in bloom. They entered the grounds of
the college and were led by the garrulous porter across the quadrangle.
But their progress across the gravel was brought to a halt after every
dozen or so paces by some reply of the porter's.
--Ah, do you tell me so? And is poor Pottlebelly dead?
--Yes, sir. Dead, sir.
During these halts Stephen stood awkwardly behind the two men, weary of
the subject and waiting restlessly for the slow march to begin again.
By the time they had crossed the quadrangle his restlessness had risen
to fever. He wondered how his father, whom he knew for a shrewd
suspicious man, could be duped by the servile manners of the porter;
and the lively southern speech which had entertained him all the
morning now irritated his ears.
They passed into the anatomy theatre where Mr Dedalus, the porter
aiding him, searched the desks for his initials. Stephen remained in
the background, depressed more than ever by the darkness and silence of
the theatre and by the air it wore of jaded and formal study. On the
desk he read the word FOETUS cut several times in the dark stained
wood. The sudden legend startled his blood: he seemed to feel the
absent students of the college about him and to shrink from their
company. A vision of their life, which his father's words had been
powerless to evoke, sprang up before him out of the word cut in the
desk. A broad-shouldered student with a moustache was cutting in the
letters with a jack-knife, seriously. Other students stood or sat near
him laughing at his handiwork. One jogged his elbow. The big student
turned on him, frowning. He was dressed in loose grey clothes and had
tan boots.
Stephen's name was called. He hurried down the steps of the theatre so
as to be as far away from the vision as he could be and, peering
closely at his father's initials, hid his flushed face.
But the word and the vision capered before his eyes as he walked back
across the quadrangle and towards the college gate. It shocked him to
find in the outer world a trace of what he had deemed till then a
brutish and individual malady of his own mind. His monstrous reveries
came thronging into his memory. They too had sprung up before him,
suddenly and furiously, out of mere words. He had soon given in to them
and allowed them to sweep across and abase his intellect, wondering
always where they came from, from what den of monstrous images, and
always weak and humble towards others, restless and sickened of himself
when they had swept over him.
--Ay, bedad! And there's the Groceries sure enough! cried Mr Dedalus.
You often heard me speak of the Groceries, didn't you, Stephen. Many's
the time we went down there when our names had been marked, a crowd of
us, Harry Peard and little Jack Mountain and Bob Dyas and Maurice
Moriarty, the Frenchman, and Tom O'Grady and Mick Lacy that I told you
of this morning and Joey Corbet and poor little good-hearted Johnny
Keevers of the Tantiles.
The leaves of the trees along the Mardyke were astir and whispering in
the sunlight. A team of cricketers passed, agile young men in flannels
and blazers, one of them carrying the long green wicket-bag. In a quiet
bystreet a German band of five players in faded uniforms and with
battered brass instruments was playing to an audience of street arabs
and leisurely messenger boys. A maid in a white cap and apron was
watering a box of plants on a sill which shone like a slab of limestone
in the warm glare. From another window open to the air came the sound
of a piano, scale after scale rising into the treble.
Stephen walked on at his father's side, listening to stories he had
heard before, hearing again the names of the scattered and dead
revellers who had been the companions of his father's youth. And a
faint sickness sighed in his heart.
He recalled his own equivocal position in Belvedere, a free boy, a
leader afraid of his own authority, proud and sensitive and suspicious,
battling against the squalor of his life and against the riot of his
mind. The letters cut in the stained wood of the desk stared upon him,
mocking his bodily weakness and futile enthusiasms and making him
loathe himself for his own mad and filthy orgies. The spittle in his
throat grew bitter and foul to swallow and the faint sickness climbed
to his brain so that for a moment he closed his eyes and walked on in
darkness.
He could still hear his father's voice--
--When you kick out for yourself, Stephen--as I daresay you will one
of these days--remember, whatever you do, to mix with gentlemen. When
I was a young fellow I tell you I enjoyed myself. I mixed with fine
decent fellows. Everyone of us could do something. One fellow had a
good voice, another fellow was a good actor, another could sing a good
comic song, another was a good oarsman or a good racket player, another
could tell a good story and so on. We kept the ball rolling anyhow and
enjoyed ourselves and saw a bit of life and we were none the worse of
it either. But we were all gentlemen, Stephen--at least I hope we were--and
bloody good honest Irishmen too. That's the kind of fellows I want
you to associate with, fellows of the right kidney. I'm talking to
you as a friend, Stephen. I don't believe a son should be afraid of his
father. No, I treat you as your grandfather treated me when I was a
young chap. We were more like brothers than father and son. I'll never
forget the first day he caught me smoking. I was standing at the end of
the South Terrace one day with some maneens like myself and sure we
thought we were grand fellows because we had pipes stuck in the corners
of our mouths. Suddenly the governor passed. He didn't say a word, or
stop even. But the next day, Sunday, we were out for a walk together
and when we were coming home he took out his cigar case and said:--By
the by, Simon, I didn't know you smoked, or something like that. --Of
course I tried to carry it off as best I could. --If you want a good
smoke, he said, try one of these cigars. An American captain made me a
present of them last night in Queenstown.
Stephen heard his father's voice break into a laugh which was almost a
sob.
--He was the handsomest man in Cork at that time, by God he was! The
women used to stand to look after him in the street.
He heard the sob passing loudly down his father's throat and opened his
eyes with a nervous impulse. The sunlight breaking suddenly on his
sight turned the sky and clouds into a fantastic world of sombre masses
with lakelike spaces of dark rosy light. His very brain was sick and
powerless. He could scarcely interpret the letters of the signboards of
the shops. By his monstrous way of life he seemed to have put himself
beyond the limits of reality. Nothing moved him or spoke to him from
the real world unless he heard in it an echo of the infuriated cries
within him. He could respond to no earthly or human appeal, dumb and
insensible to the call of summer and gladness and companionship,
wearied and dejected by his father's voice. He could scarcely recognize
as his own thoughts, and repeated slowly to himself:
--I am Stephen Dedalus. I am walking beside my father whose name is
Simon Dedalus. We are in Cork, in Ireland. Cork is a city. Our room is
in the Victoria Hotel. Victoria and Stephen and Simon. Simon and
Stephen and Victoria. Names.
The memory of his childhood suddenly grew dim. He tried to call forth
some of its vivid moments but could not. He recalled only names. Dante,
Parnell, Clane, Clongowes. A little boy had been taught geography by an
old woman who kept two brushes in her wardrobe. Then he had been sent
away from home to a college, he had made his first communion and eaten
slim jim out of his cricket cap and watched the firelight leaping and
dancing on the wall of a little bedroom in the infirmary and dreamed of
being dead, of mass being said for him by the rector in a black and
gold cope, of being buried then in the little graveyard of the
community off the main avenue of limes. But he had not died then.
Parnell had died. There had been no mass for the dead in the chapel and
no procession. He had not died but he had faded out like a film in the
sun. He had been lost or had wandered out of existence for he no longer
existed. How strange to think of him passing out of existence in such a
way, not by death but by fading out in the sun or by being lost and
forgotten somewhere in the universe! It was strange to see his small
body appear again for a moment: a little boy in a grey belted suit.
His
hands were in his side-pockets and his trousers were tucked in at the
knees by elastic bands.
On the evening of the day on which the property was sold Stephen
followed his father meekly about the city from bar to bar. To the
sellers in the market, to the barmen and barmaids, to the beggars who
importuned him for a lob Mr Dedalus told the same tale--that he was an
old Corkonian, that he had been trying for thirty years to get rid of
his Cork accent up in Dublin and that Peter Pickackafax beside him was
his eldest son but that he was only a Dublin jackeen.
They had set out early in the morning from Newcombe's coffee-house,
where Mr Dedalus's cup had rattled noisily against its saucer, and
Stephen had tried to cover that shameful sign of his father's drinking
bout of the night before by moving his chair and coughing. One
humiliation had succeeded another--the false smiles of the market
sellers, the curvetings and oglings of the barmaids with whom his
father flirted, the compliments and encouraging words of his father's
friends. They had told him that he had a great look of his grandfather
and Mr Dedalus had agreed that he was an ugly likeness. They had
unearthed traces of a Cork accent in his speech and made him admit that
the Lee was a much finer river than the Liffey. One of them, in order
to put his Latin to the proof, had made him translate short passages
from Dilectus and asked him whether it was correct to say: TEMPORA
MUTANTUR NOS ET MUTAMUR IN ILLIS or TEMPORA MUTANTUR ET NOS MUTAMUR IN
ILLIS. Another, a brisk old man, whom Mr Dedalus called Johnny Cashman,
had covered him with confusion by asking him to say which were
prettier, the Dublin girls or the Cork girls.
--He's not that way built, said Mr Dedalus. Leave him alone. He's a
level-headed thinking boy who doesn't bother his head about that kind
of nonsense.
--Then he's not his father's son, said the little old man.
--I don't know, I'm sure, said Mr Dedalus, smiling complacently.
--Your father, said the little old man to Stephen, was the boldest flirt
in the City of Cork in his day. Do you know that?
Stephen looked down and studied the tiled floor of the bar into which
they had drifted.
--Now don't be putting ideas into his head, said Mr Dedalus. Leave him
to his Maker.
--Yerra, sure I wouldn't put any ideas into his head. I'm old enough
to be his grandfather. And I am a grandfather, said the little old man
to Stephen. Do you know that?
--Are you? asked Stephen.
--Bedad I am, said the little old man. I have two bouncing
grandchildren out at Sunday's Well. Now, then! What age do you think I
am? And I remember seeing your grandfather in his red coat riding out
to hounds. That was before you were born.
--Ay, or thought of, said Mr Dedalus.
--Bedad I did, repeated the little old man. And, more than that, I can
remember even your great-grandfather, old John Stephen Dedalus, and a
fierce old fire-eater he was. Now, then! There's a memory for you!
--That's three generations--four generations, said another of the
company. Why, Johnny Cashman, you must be nearing the century.
--Well, I'll tell you the truth, said the little old man. I'm just
twenty-seven years of age.
--We're as old as we feel, Johnny, said Mr Dedalus. And just finish
what you have there and we'll have another. Here, Tim or Tom or
whatever your name is, give us the same again here. By God, I don't
feel more than eighteen myself. There's that son of mine there not half
my age and I'm a better man than he is any day of the week.
--Draw it mild now, Dedalus. I think it's time for you to take a back
seat, said the gentleman who had spoken before.
--No, by God! asserted Mr Dedalus. I'll sing a tenor song against him
or I'll vault a five-barred gate against him or I'll run with him after
the hounds across the country as I did thirty years ago along with the
Kerry Boy and the best man for it.
--But he'll beat you here, said the little old man, tapping his
forehead and raising his glass to drain it.
--Well, I hope he'll be as good a man as his father. That's all I can
say, said Mr Dedalus.
--If he is, he'll do, said the little old man.
--And thanks be to God, Johnny, said Mr Dedalus, that we lived so long
and did so little harm.
--But did so much good, Simon, said the little old man gravely. Thanks
be to God we lived so long and did so much good.
Stephen watched the three glasses being raised from the counter as his
father and his two cronies drank to the memory of their past. An abyss
of fortune or of temperament sundered him from them. His mind seemed
older than theirs: it shone coldly on their strifes and happiness and
regrets like a moon upon a younger earth. No life or youth stirred in
him as it had stirred in them. He had known neither the pleasure of
companionship with others nor the vigour of rude male health nor filial
piety. Nothing stirred within his soul but a cold and cruel and
loveless lust. His childhood was dead or lost and with it his soul
capable of simple joys and he was drifting amid life like the barren
shell of the moon.
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless. . . ?
He repeated to himself the lines of Shelley's fragment. Its alternation
of sad human ineffectiveness with vast inhuman cycles of activity
chilled him and he forgot his own human and ineffectual grieving.
* * * * *
Stephen's mother and his brother and one of his cousins waited at the
corner of quiet Foster Place while he and his father went up the steps
and along the colonnade where the Highland sentry was parading. When
they had passed into the great hall and stood at the counter Stephen
drew forth his orders on the governor of the bank of Ireland for thirty
and three pounds; and these sums, the moneys of his exhibition and
essay prize, were paid over to him rapidly by the teller in notes and
in coin respectively. He bestowed them in his pockets with feigned
composure and suffered the friendly teller, to whom his father chatted,
to take his hand across the broad counter and wish him a brilliant
career in after life. He was impatient of their voices and could not
keep his feet at rest. But the teller still deferred the serving of
others to say he was living in changed times and that there was nothing
like giving a boy the best education that money could buy. Mr Dedalus
lingered in the hall gazing about him and up at the roof and telling
Stephen, who urged him to come out, that they were standing in the
house of commons of the old Irish parliament.
--God help us! he said piously, to think of the men of those times,
Stephen, Hely Hutchinson and Flood and Henry Grattan and Charles Kendal
Bushe, and the noblemen we have now, leaders of the Irish people at
home and abroad. Why, by God, they wouldn't be seen dead in a ten-acre
field with them. No, Stephen, old chap, I'm sorry to say that they are
only as I roved out one fine May morning in the merry month of sweet
July.
A keen October wind was blowing round the bank. The three figures
standing at the edge of the muddy path had pinched cheeks and watery
eyes. Stephen looked at his thinly clad mother and remembered that a
few days before he had seen a mantle priced at twenty guineas in the
windows of Barnardo's.
--Well that's done, said Mr Dedalus.
--We had better go to dinner, said Stephen. Where?
--Dinner? said Mr Dedalus. Well, I suppose we had better, what?
--Some place that's not too dear, said Mrs Dedalus.
--Underdone's?
--Yes. Some quiet place.
--Come along, said Stephen quickly. It doesn't matter about the
dearness.
He walked on before them with short nervous steps, smiling. They tried
to keep up with him, smiling also at his eagerness.
--Take it easy like a good young fellow, said his father. We're not
out for the half mile, are we?
For a swift season of merrymaking the money of his prizes ran through
Stephen's fingers. Great parcels of groceries and delicacies and dried
fruits arrived from the city. Every day he drew up a bill of fare for
the family and every night led a party of three or four to the theatre
to see INGOMAR or THE LADY OF LYONS. In his coat pockets he carried
squares of Vienna chocolate for his guests while his trousers' pocket
bulged with masses of silver and copper coins. He bought presents for
everyone, overhauled his room, wrote out resolutions, marshalled his
books up and down their shelves, pored upon all kinds of price lists,
drew up a form of commonwealth for the household by which every member
of it held some office, opened a loan bank for his family and pressed
loans on willing borrowers so that he might have the pleasure of making
out receipts and reckoning the interests on the sums lent. When he
could do no more he drove up and down the city in trams. Then the
season of pleasure came to an end. The pot of pink enamel paint gave out
and the wainscot of his bedroom remained with its unfinished and
ill-plastered coat.
His household returned to its usual way of life. His mother had no
further occasion to upbraid him for squandering his money. He too
returned to his old life at school and all his novel enterprises fell
to pieces. The commonwealth fell, the loan bank closed its coffers and
its books on a sensible loss, the rules of life which he had drawn
about himself fell into desuetude.
How foolish his aim had been! He had tried to build a break-water of
order and elegance against the sordid tide of life without him and to
dam up, by rules of conduct and active interest and new filial
relations, the powerful recurrence of the tides within him. Useless.
From without as from within the waters had flowed over his barriers:
their tides began once more to jostle fiercely above the crumbled mole.
He saw clearly too his own futile isolation. He had not gone one step
nearer the lives he had sought to approach nor bridged the restless
shame and rancour that had divided him from mother and brother and
sister. He felt that he was hardly of the one blood with them but stood
to them rather in the mystical kinship of fosterage, fosterchild and
fosterbrother.
He turned to appease the fierce longings of his heart before which
everything else was idle and alien. He cared little that he was in
mortal sin, that his life had grown to be a tissue of subterfuge and
falsehood. Beside the savage desire within him to realize the
enormities which he brooded on nothing was sacred. He bore cynically
with the shameful details of his secret riots in which he exulted to
defile with patience whatever image had attracted his eyes. By day and
by night he moved among distorted images of the outer world. A figure
that had seemed to him by day demure and innocent came towards him by
night through the winding darkness of sleep, her face transfigured by a
lecherous cunning, her eyes bright with brutish joy. Only the morning
pained him with its dim memory of dark orgiastic riot, its keen and
humiliating sense of transgression.
He returned to his wanderings. The veiled autumnal evenings led him
from street to street as they had led him years before along the quiet
avenues of Blackrock. But no vision of trim front gardens or of kindly
lights in the windows poured a tender influence upon him now. Only at
times, in the pauses of his desire, when the luxury that was wasting
him gave room to a softer languor, the image of Mercedes traversed the
background of his memory. He saw again the small white house and the
garden of rose-bushes on the road that led to the mountains and he
remembered the sadly proud gesture of refusal which he was to make
there, standing with her in the moonlit garden after years of
estrangement and adventure. At those moments the soft speeches of
Claude Melnotte rose to his lips and eased his unrest. A tender
premonition touched him of the tryst he had then looked forward to and,
in spite of the horrible reality which lay between his hope of then and
now, of the holy encounter he had then imagined at which weakness and
timidity and inexperience were to fall from him.
Such moments passed and the wasting fires of lust sprang up again. The
verses passed from his lips and the inarticulate cries and the unspoken
brutal words rushed forth from his brain to force a passage. His blood
was in revolt. He wandered up and down the dark slimy streets peering
into the gloom of lanes and doorways, listening eagerly for any sound.
He moaned to himself like some baffled prowling beast. He wanted to sin
with another of his kind, to force another being to sin with him and to
exult with her in sin. He felt some dark presence moving irresistibly
upon him from the darkness, a presence subtle and murmurous as a flood
filling him wholly with itself. Its murmur besieged his ears like the
murmur of some multitude in sleep; its subtle streams penetrated his
being. His hands clenched convulsively and his teeth set together as he
suffered the agony of its penetration. He stretched out his arms in the
street to hold fast the frail swooning form that eluded him and incited
him: and the cry that he had strangled for so long in his throat issued
from his lips. It broke from him like a wail of despair from a hell of
sufferers and died in a wail of furious entreaty, a cry for an
iniquitous abandonment, a cry which was but the echo of an obscene
scrawl which he had read on the oozing wall of a urinal.
He had wandered into a maze of narrow and dirty streets. From the foul
laneways he heard bursts of hoarse riot and wrangling and the drawling
of drunken singers. He walked onward, dismayed, wondering whether he
had strayed into the quarter of the Jews. Women and girls dressed in
long vivid gowns traversed the street from house to house. They were
leisurely and perfumed. A trembling seized him and his eyes grew dim.
The yellow gas-flames arose before his troubled vision against the
vapoury sky, burning as if before an altar. Before the doors and in the
lighted halls groups were gathered arrayed as for some rite. He was in
another world: he had awakened from a slumber of centuries.
He stood still in the middle of the roadway, his heart clamouring
against his bosom in a tumult. A young woman dressed in a long pink
gown laid her hand on his arm to detain him and gazed into his face.
She said gaily:
--Good night, Willie dear!
Her room was warm and lightsome. A huge doll sat with her legs apart in
the copious easy-chair beside the bed. He tried to bid his tongue speak
that he might seem at ease, watching her as she undid her gown, noting
the proud conscious movements of her perfumed head.
As he stood silent in the middle of the room she came over to him and
embraced him gaily and gravely. Her round arms held him firmly to her
and he, seeing her face lifted to him in serious calm and feeling the
warm calm rise and fall of her breast, all but burst into hysterical
weeping. Tears of joy and relief shone in his delighted eyes and his
lips parted though they would not speak.
She passed her tinkling hand through his hair, calling him a little
rascal.
--Give me a kiss, she said.
His lips would not bend to kiss her. He wanted to be held firmly in her
arms, to be caressed slowly, slowly, slowly. In her arms he felt that
he had suddenly become strong and fearless and sure of himself. But his
lips would not bend to kiss her.
With a sudden movement she bowed his head and joined her lips to his
and he read the meaning of her movements in her frank uplifted eyes. It
was too much for him. He closed his eyes, surrendering himself to her,
body and mind, conscious of nothing in the world but the dark pressure
of her softly parting lips. They pressed upon his brain as upon his
lips as though they were the vehicle of a vague speech; and between
them he felt an unknown and timid pressure, darker than the swoon of
sin, softer than sound or odour.
Chapter 3
The swift December dusk had come tumbling clownishly after its dull day
and, as he stared through the dull square of the window of the
schoolroom, he felt his belly crave for its food. He hoped there would
be stew for dinner, turnips and carrots and bruised potatoes and fat
mutton pieces to be ladled out in thick peppered flour-fattened sauce.
Stuff it into you, his belly counselled him.
It would be a gloomy secret night. After early nightfall the yellow
lamps would light up, here and there, the squalid quarter of the
brothels. He would follow a devious course up and down the streets,
circling always nearer and nearer in a tremor of fear and joy, until
his feet led him suddenly round a dark corner. The whores would be just
coming out of their houses making ready for the night, yawning lazily
after their sleep and settling the hairpins in their clusters of hair.
He would pass by them calmly waiting for a sudden movement of his own
will or a sudden call to his sin-loving soul from their soft perfumed
flesh. Yet as he prowled in quest of that call, his senses, stultified
only by his desire, would note keenly all that wounded or shamed them;
his eyes, a ring of porter froth on a clothless table or a photograph
of two soldiers standing to attention or a gaudy playbill; his ears,
the drawling jargon of greeting:
--Hello, Bertie, any good in your mind?
--Is that you, pigeon?
--Number ten. Fresh Nelly is waiting on you.
--Good night, husband! Coming in to have a short time?
The equation on the page of his scribbler began to spread out a
widening tail, eyed and starred like a peacock's; and, when the eyes
and stars of its indices had been eliminated, began slowly to fold
itself together again. The indices appearing and disappearing were eyes
opening and closing; the eyes opening and closing were stars being born
and being quenched. The vast cycle of starry life bore his weary mind
outward to its verge and inward to its centre, a distant music
accompanying him outward and inward. What music? The music came nearer
and he recalled the words, the words of Shelley's fragment upon the
moon wandering companionless, pale for weariness. The stars began to
crumble and a cloud of fine stardust fell through space.
The dull light fell more faintly upon the page whereon another equation
began to unfold itself slowly and to spread abroad its widening tail.
It was his own soul going forth to experience, unfolding itself sin by
sin, spreading abroad the bale-fire of its burning stars and folding
back upon itself, fading slowly, quenching its own lights and fires.
They were quenched: and the cold darkness filled chaos.
A cold lucid indifference reigned in his soul. At his first violent sin
he had felt a wave of vitality pass out of him and had feared to find
his body or his soul maimed by the excess. Instead the vital wave had
carried him on its bosom out of himself and back again when it receded:
and no part of body or soul had been maimed but a dark peace had been
established between them. The chaos in which his ardour extinguished
itself was a cold indifferent knowledge of himself. He had sinned
mortally not once but many times and he knew that, while he stood in
danger of eternal damnation for the first sin alone, by every
succeeding sin he multiplied his guilt and his punishment. His days and
works and thoughts could make no atonement for him, the fountains of
sanctifying grace having ceased to refresh his soul. At most, by an
alms given to a beggar whose blessing he fled from, he might hope
wearily to win for himself some measure of actual grace.
