There is near the empurpled hills of
blooming
Hymettus a sacred spring,
and the ground is soft with the verdant turf.
and the ground is soft with the verdant turf.
Ovid - Art of Love
And now let her throw the
three numbers; now let her consider, at which number she can cleverly
enter most conveniently, and which one she must call for. [1073] And,
with her skill, let her play not amiss at the hostilities of the pieces;
[1074] when the single man perishes between his two enemies. How the
warrior, too, [1075] wages the war when caught without his companion;
and how the enemy full oft retreats on the path on which he has begun.
Let the smooth balls, [1076] too, be poured into the open net; and not a
ball must be moved but the one which you shall be lifting up. There is a
kind of game, [1077] distributed into as many lines on a small scale, as
the fleeting year contains months. A little table receives [1078] three
pebbles on each side, on which to bring one's own into a straight line,
is to gain the victory.
Devise a thousand amusements. 'Tis shocking for the fair one not to
know how to play; many a time, while playing, is love commenced. But
the least matter is how to use the throws to advantage; 'tis a task of
greater consequence to lay a restraint on one's manners. While we are
not thinking, and are revealed by our very intentness, and, through the
game, our feelings, laid bare, are exposed; anger arises, a disgraceful
failing, and the greed for gain; quarrels, too, and strife, and, then,
bitter regrets. Recriminations are uttered; the air resounds with the
brawl, and every one for himself invokes the angry Divinities. There
is no trusting [1079] the tables, and, amid vows, new tables are called
for; full oft, too, have I seen cheeks wet with tears. May Jupiter
avert from you indiscretions so unbecoming, you, who have a care to be
pleasing to any lover.
To the fair, has nature, in softer mood, assigned these amusements; with
materials more abundant do the men disport. They have both the flying
ball, [1080] and the javelin, and the hoop, and arms, and the horse
trained to go round the ring. No plain of Mars receives you, nor
does the spring of the Virgin, [1081] so intensely cold; nor does the
Etrurian [1082] river carry you along with its smooth stream. But you
are allowed, and it is to your advantage, to go in the shade of Pompey's
Portico, at the time when the head is heated by the steeds of the
Constellation of the Virgin. [1083] Frequent the Palatium, consecrated
to the laurel-bearing Phoebus;'twas he that overwhelmed in the deep the
ships of Parsetonium. [1084] The memorials, also, which the Bister and
the wife [1085] of our Ruler have erected; his son-in-law [1086]
too, his head encircled with naval honors. Frequent the altars of the
Memphian heifer, [1087] that smoke with frankincense; frequent the three
Theatres, [1088] in conspicuous positions. Let the sand, stained with
the warm blood, have you for spectators; the goal, also, to be passed
with the glowing wheels. [1089]
That which lies hid is unknown; for what is not known there is no
desire. All advantage is lost, when a pretty face is without one to see
it. Were you to excel even Thamyras [1090] and Amcebeus in your singing,
there would be no great regard for your lyre, while unknown. If Apelles
of Cos [1091] had never painted Venus, she would have lain concealed
beneath the ocean waves. What but fame alone is sought by the hallowed
Poets? The sum of all my labours has that crowning object. In former
days, Poets were [1092] the care of rulers and of kings; and the choirs
of old received great rewards. Hallowed was the dignity, and venerable
the name of the Poets; and upon them great riches were often bestowed.
Ennius, born in the mountains of Calabria, was deemed worthy, great
Scipio, to be placed near to thee. [1093] At the present day, the ivy
lies abandoned, without any honor; and the laborious anxiety that toils
for the learned Muses, receives the appellation of idleness.
But be it our study to lie on the watch for fame; who would have known
of Homer, if the Iliad, a never-dying work, had lain concealed? Who
would have known of Danae, if she had been for ever shut up, and if,
till an old woman, she had continued concealed in her tower? The throng,
ye beauteous fair, is advantageous to you; turn your wandering steps
full oft beyond your thresholds. The she-wolf goes on her way to the
many sheep, that she may carry off but one; and the bird of Jove pounces
down upon the many birds. Let the handsome woman, too, present herself
to be seen by the public; out of so many, perhaps there will be one for
her to attract. In all places, let her ever be desirous to please;
and, with all attention, let her have a care for her charms. Chance is
powerful everywhere; let your hook be always hanging ready. In waters
where you least think it, there will be a fish. Many a time do the
hounds wander in vain over the woody mountains; and sometimes the
stag falls in the toils, with no one to pursue him. What was there
for Andromeda, when bound, less to hope for, than that her tears could
possibly charm any one? Many a time, at the funeral of a husband, is
another husband found. To go with the tresses dishevelled, and not to
withhold your lamentations, is becoming.
But avoid those men who make dress and good looks their study; and who
arrange their locks, each in its own position. What they say to you,
they have repeated to a thousand damsels. Their love is roving, and
remains firm in no one spot. What is the woman to do, when the man,
himself, is still more effeminate, and himself perchance may have still
more male admirers?
You will hardly believe me, but still, do believe me; Troy would have
been still remaining, if it had followed the advice of its own Priam.
[1094] There are some men who range about, under a fictitious appearance
of love, and, by means of such introductions, seek disgraceful lucre.
And do not let the locks deceive you, shining much with the liquid nard;
[1095] nor yet the narrow belt, [1096] pressed upon the folds of their
dress. Nor let the robe of finest texture beguile you; nor yet if there
shall be many and many a ring [1097] on their fingers. Perhaps the best
dressed of the number of these may be some thief, [1098] and may be
attracted by a desire for your clothes. "Give me back my property! "
full oft do the plundered fair ones cry; "Give me back my property! " the
whole Forum resounding with their cries. Thou, Venus, [1099] unmoved,
and you, ye Goddesses, [1101] Hear the Appian way, from your temples
blazing with plenteous gold, behold these disputes. There are even
certain names notorious by a reputation that admits of no doubt; those
females who have been deceived by many, share the criminality of
their favorites. Learn, then, from the complaints of others, to have
apprehensions for yourselves; and do not let your door be open to the
knavish man.
Refrain, Cecropian fair, from believing Theseus, [1102] when he swears;
the Gods whom he will make his witnesses, he has made so before. And
no trust is there left for thee, Demophoon, heir to the criminality of
Theseus, since Phyllis has been deceived. If they are lavish of their
promises, in just as many words do you promise them; if they give, do
you, too, give the promised favours. That woman could extinguish the
watchful flames of Vesta, and could bear off the sacred things, daughter
of Inachus, [1103] from thy temples, and could administer to her husband
the aconite, mixed with the pounded hemlock, if on receiving a present
she could deny a favour.
My feelings are prompting me to go too close; check the rein, my Muse:
and be not hurled headlong by the wheels in their full career. Should
lines, written on the tablets made of fir, try the soundings; let a maid
suited for the duty take in the billets that are sent. Examine them; and
collect from the words themselves, whether he only pretends what you are
reading, or whether he entreats anxiously, and with sincerity. And after
a short delay, write an answer: delay ever stimulates those in love, if
it lasts only for a short time.
But neither do you make yourself too cheap to the youth who entreats,
nor yet refuse, with disdainful lips, what he is pressing for. Cause him
both to fear and to hope at the same moment; and oft as you refuse him,
let hopes more assured, and diminished apprehensions arise.
Write your words, ye fair, in a legible hand, but of common parlance,
and such as are usual; the recognized forms of language are most
pleasing. --Ah! how oft has the wavering lover been inflamed by a letter,
and how oft has uncouth language proved detrimental to, a graceful
form! But since, although you are without the honors of the fillet of
chastity, it is still your care to deceive your husbands; [1104] let
the skilled hand of a maid, or of a boy, carry the tablets, and don't
entrust your pledges to some unknown youth. I myself have seen the fair
pale with terror on that account, enduring, in their misery, servitude
to all future time. Perfidious, indeed, is he who retains such pledges:
but still in them he has power equal to the lightnings of AEtna.
In my opinion deceit is allowable, for the purpose of repelling deceit;
and the laws permit us to take up arms against the armed. One hand
should be accustomed to write in numerous styles. Perdition to those,
through whom this advice must be given by me! Nor is it safe to write,
except when the wax is quite smoothed over; so that the same tablet may
not contain two hands. [1105] Let your lover be always styled a female
when you write; in your billets let that be "she," which really is "he. "
But I wish to turn my attention from trifles to things of more
consequence, and with swelling canvass to expand my filling sails. It
conduces to good looks to restrain habits of anger. Fair peace becomes
human beings, savage fury wild beasts. With fury the features swell;
with blood the veins grow black; the eyes flash more wildly than the
Gorgonian fires. "Pipe, hence avaunt, [1106] thou art not of so much
worth to me," said Pallas, when she saw her features in the stream.
You, too, if you were to look at your mirror in the midst of your anger,
hardly could any one distinctly recognize her own countenance. And, in
no less degree, let not a repulsive haughtiness sit upon your features;
by alluring eyes love must be enticed. Believe me, ye fair who know it
by experience, I hate immoderate conceit. Full oft do the features in
silence contain the germs of hatred. Look at him who looks on you; smile
sweetly in return to him who smiles. Does he nod at you; do you, too,
return the sign well understood. When the Boy Cupid has made these
preludes, laying aside his foils, he takes his sharp arrows from
his quiver.
I hate the melancholy damsels too. Let Ajax be charmed with Tecmessa;
[1107] us, a joyous throng, the cheerful woman captivates. Never should
I have asked thee, Andromache, nor thee, Tecmessa, that one of you
would be my mistress. I seem hardly ably to believe it, though by your
fruitfulness I am obliged to believe it, that you could have granted
your favours to your husbands. And could, forsooth, that most melancholy
woman say to Ajax, "My life! " and words which are wont to please the
men?
What forbids me to apply illustrations from great matters to small ones,
and not to be standing in awe of the name of a general? To this person
the skilful general has entrusted a hundred to be ruled with the twig of
vine; [1108] to this one so many cavalry; to that one he has given the
standard to defend. Do you, too, consider, to what use each of us is
suited, and class each one in his assigned position. Let the rich man
give his presents; let him that professes the law, defend; the eloquent
man may often plead the cause of his client. We who compose verse,
verses alone let us contribute. This throng, before all others, is
susceptible of love. Far and wide do we herald the praises of the beauty
that pleases us. Nemesis [1109] has fame; Cynthia, too, has fame.
The West and the lands of the East know of Lycoris: and many a one
is enquiring who my Corinna is. Besides, all deceit is wanting in the
hallowed. Poets, and even our art contributes to forming our manners. No
ambition influences us, no love of gain; despising the Courts, the couch
and the shade are the objects of our commendation. But we are easily
attracted, and are consumed by a lasting heat; and we know how to love
with a constancy most enduring. Indeed, we have our feelngs softened by
the gentle art; and our manners are in conformity with our pursuits.
Be kind, ye fair, to the Aonian bards. In them there is inspiration, and
the Pierian maids show favour unto them. In us a Divinity exists: and
we have intercourse with the heavens. From the realms of the skies does
that inspiration proceed. 'Tis a crime to look for a present from the
learned Poets. Ah wretched me! of this crime no fair one stands in
dread. Still, do act the dissemblers, and at the very first sight, do
not be ravenous. On seeing your nets, a new lover will stop short. But
neither can the rider manage with the same reins the horse which has but
lately felt the bridle, and that which is well-trained; nor yet must
the same path be trod by you in order to captivate the feelings that are
steadied by years, and inexperienced youth.
The latter is raw, and now for the first time known in the camp of
Love, who, a tender prey, has reached your chamber; with you alone is he
acquainted; to you alone would he ever prove constant. Shun a rival;
so long as you alone shall possess him, you will be the conqueror. Both
sovereignties and love do not last long with one to share in them.
The other, the veteran soldier, will love you gradually, and with
moderation; and he will put up with much that will not be endured by the
novice. He will neither break down your door-posts, nor burn them with
raging flames; nor will he fly at the tender cheek of his mistress with
his nails. He will neither tear his own clothes, nor yet the clothes of
the fair; nor will her torn locks be a cause for grieving. These things
befit boys, who are heated with youthful years and with passion: the
other, with tranquil feelings, will put up with cruel wounds. With
slowly consuming fires will he smoulder, just like a damp torch; or like
the wood that has been cut down upon the mountain ridge. This passion
is more sure; the former is short-lived and more bounteous. With speedy
hand do you pluck the fruit that passes away.
Let all points be surrendered; the gates we have opened to the enemy,
and let confidence be placed in this perfidious betrayal. That which is
easily conceded, but badly supports a lasting passion. A repulse must
now and then be mingled with your joyous dalliance. Let him lie down
before your doors: "Cruel door! " let him exclaim; and let him do many a
thing in humble, many in threatening mood. The sweet we cannot endure;
with bitter potions we may be refreshed. Full oft does the bark perish,
overwhelmed by favouring gales. This it is that does not permit wives to
be loved; husbands have access to them, whenever they please. Shut your
door, [1110] and let your porter say to you with surly lips, "You cannot
come in, desire will seize you as well, thus shut out. "
Now lay aside the blunted swords; let the battle be fought with
sharpened ones. And I doubt not but that I myself shall be aimed at with
weapons of my own furnishing. While the lover that has been captured
only of late is falling into your toils, let him hope that he alone has
admission to your chamber. But soon let him be aware of a rival, and a
division of the privileges of your favours. Remove these contrivances;
and his passion will grow effete. Then does the high-mettled courser run
well, the starting-place being opened, when he has both competitors to
pass by, and those for him to follow. Harshness rekindles the flame,
even if gone out. Myself to wit, I confess it, I do not love unless I am
ill-used.
Still, the cause for grief should not be too manifest: and in his
anxiety he ought to suspect that there is more than what he actually
knows. The harsh supervision, too, of some feigned servant should excite
him, and the irksome watchfulness of a husband too severe. The pleasure
that is enjoyed in safety, is the least valued of all. Though you are
more at liberty than even Thais, [1111] still feign apprehensions.
Whereas you could do it far better by the door, admit him through the
window; and on your countenance show the signs of fear. Let the cunning
maid rush in, and exclaim, "We are undone! " and then do you hide the
youth in his fright in any spot. Still, an enjoyment without anxiety
must be interspersed with his alarms; lest he should not think your
favours to be worth so much trouble.
But I was about to omit by what methods the cunning husband may be
eluded, and how the watchful keeper. Let the wife stand in awe of her
husband; let the safe keeping of a wife be allowed. That is proper; that
the laws, and justice, and decency ordain. But for you as well to be
watched, whom the Lictor's rod [1112] has but just set at liberty,
who can endure it? Come to my sacred rites, that you may learn how to
deceive. Even if as many eyes shall be watching you, as Argus had, if
there is only a fixed determination, you will deceive them all. And
shall a keeper, forsooth, hinder you from being able to write, when an
opportunity is given you for taking the bath? When a female confidant
can carry the note you have penned, which her broad girth [1113] can
conceal in her warm bosom? When she can conceal the paper fastened to
her calf, and carry the tender note beneath her sandalled foot.
Should the keeper be proof against these _contrivances_; in place of
paper, let your confidant afford her shoulders; and upon her own person
let her carry your words. Letters, too, written in new milk, are safe
and escape the eye; touch them with powdered coals, and you will read
them. The writing, too, which is made with the stalk of wetted flax,
[1114] will deceive, and the clean surface will bear the secret marks.
The care of watching a fair one fell to Acrisius; still, through his own
fault, did she make him a grandsire. What can a keeper do, when there
are so many Theatres in the City? When, eagerly she is a spectator of
the harnessed steeds? When she is sitting in attendance upon the sistra
of the Pharian heifer, and at the place where her male friends are
forbidden to go? While, too, the Good Goddess [1115] expels the gaze of
males from her temples, except any that, perchance, she bids to come:
while, as the keeper watches outside the clothes of the fair, the baths
may in safety conceal the lovers who are hiding there; while, so often
as is requisite, some pretended she-friend may be sick, and, ill as she
is, may give place for her in her couch. While the false key, too, tells
[1116] by its name what we are to do, and it is not the door alone that
gives the access you require.
The watchfulness of the keeper is eluded by plenty of wine; even though
[1117] the grapes be gathered on the hills of Spain. There are drugs,
too, which create deep sleep; and let them close the eyes overpowered by
Lethaean night. And not amiss does the confidant occupy the troublesome
fellow with dalliance to create delay, and in his company spins out the
time.
What need is there to be teaching stratagems and trifling precepts,
when the keeper may be purchased by the smallest present? Believe me,
presents influence both men and Gods: on gifts being presented, Jupiter
himself is appeased. What is the wise man to do, when even the fool is
gratified with a present? The husband himself, on receiving a present,
will be silent. But once only throughout the long year must the
keeper be bought; full oft will he hold out the hand which he has once
extended.
I complained, I recollect, that new-made friends are to be dreaded; that
complaint does not extend to men alone. If you are too trusting, other
women will interrupt your pleasures; and this hare of yours will be
destined to be hunted down by other persons. Even she, [1118] who so
obligingly lends her couch and her room, believe me, has not once only
been in my company. And do not let too pretty a maid wait upon you; many
a time has she filled [1119] her mistress's place for me. Whither, in my
folly, am I led on? Why with bared breast do I strive against the foe,
and why, myself, am I betrayed through information that is my own? The
bird does not instruct the fowler in which direction he may be taken:
the hind does not teach the hostile hounds how to run. Still, let
interest see to itself; my precepts, with fidelity will I give. To the
Lemnian dames, [1120] for my own destruction, will I present the sword.
Give reason (and 'tis easy to do so) for us to believe ourselves to be
loved. Belief arises readily in those who are anxious for the fulfilment
of their desires. Let the fair one eye the youth in a kindly manner; let
her heave sighs from her very heart, and let her enquire, why it is he
comes so late? Let tears be added, too, and feigned apprehensions about
a rival, and with her fingers let her tear her face. Soon will he be
thoroughly persuaded, one? he will pity you of his own accord; and will
say to himself "This woman is consumed by affection for me. "
Especially, if he shall be well drest, and shall please himself at the
looking-glass, he will believe that the Goddesses might be touched with
love for him. But, whoever you are, let an injury disturb you only in a
moderate degree; and don't, on hearing of a rival, go out of your mind.
And don't at once believe it; how injurious it is at once to believe
things, Procris will be no slight proof to you.
There is near the empurpled hills of blooming Hymettus a sacred spring,
and the ground is soft with the verdant turf. The wood, of no great
height, there forms a grove; the strawberry tree overshadows the grass;
rosemary, and laurels, and swarthy myrtles give their perfume. Neither
the box-trees with their thick foliage and the slender tamarisks, nor
yet the tiny trefoil and the garden pine, are wanting there. Moved by
the gentle Zephyrs and the balmy air, the leaves of these many kinds,
and the tops of the grass quiver. Pleasant was this retreat to Cephalus;
[1121] his servants and his hounds left behind, the youth, when weary,
often sat down in this spot. And here he was in the habit of repeating,
"Come, gentle Aura [breeze], to be received in my bosom, that thou mayst
moderate my heat. "
Some person, maliciously officious, with retentive lips carried the
words he had heard to the timid ears of his wife. Procris, when she
heard the name of Aura [breeze], as though of a rival, fainted away, and
with this sudden apprehension she was mute. She turned pale, just as the
late leaves become wan, which the coming winter has nipped, the clusters
now gathered from the vine; and as the quinces [1122] which in their
ripeness are bending their boughs; and as the cornels not yet quite
fit for food for man. When her senses had returned, she tore her thin
garments from off her body with her nails, and wounded her guiltless
cheeks. And no delay was there; raving, with dishevelled locks, she flew
amid the tracks, like a Bacchanal aroused by the thyrsus. When she had
come near the spot, she left her attendants in the valley; and with
silent footsteps, in her boldness, she herself stealthily entered the
grove. What, Procris, were thy feelings, when thus, in thy frenzy, thou
didst he concealed? What the impulse of thy disquieted breast? Each
moment, forsooth, wast thou expecting that she would come, whoever Aura
might be, and that their criminality would be witnessed with thine eyes.
Now dost thou repent of having come, for indeed thou wouldst not wish to
detect him; and now thou art glad; fluctuating affection is tormenting
thy breast. There is the spot, and the name, and the informant to bid
thee give credence; and the fact that the lover always apprehends that
to exist which he dreads. When she beheld the grass beaten down,
the impress of his body, her trembling bosom was throbbing with her
palpitating heart. And now midday had made the unsubstantial shadows
small, and at an equal distance were the evening and the morn. Behold!
Cephalus, the offspring of the Cyilenian God, [1123] returns from the
woods, and sprinkles his glowing face with water of the fountain. In thy
anxiety, Procris, art thou lying concealed. Along the grass he lies
as wont, and says, "Ye gentle Zephyrs, and thou Aura [breeze], come
hither. " When the welcome mistake of the name was thus revealed to
the sorrowing fair, both her senses and the real colour of her face
returned.
She arose; and the wife, about to rush into the embrace of her husband,
by the moving of her body, shook the leaves that were in her way. He,
thinking that a wild beast had made the noise, with alacrity snatched up
his bow; his arrows were in his right hand. What, wretched man, art thou
about? 'Tis no wild beast; keep still thy weapons. Ah wretched me! by
thy dart has the fair been pierced. "Ah me! " she cries aloud, "a loving
heart hast thou pierced. That spot has ever retained the wound inflicted
by Cephalus. Before my time I die, but injured by no rival; this,
O Earth, will make thee light when I am entombed. Now is my breath
departing in the breeze that I had thus suspected; I sink, alas! close
my eyes with those dear hands. "
In his sorrowing bosom he supports the dying body of his spouse, and
with his tears he bathes her cruel wounds. Her breath departs; and
gradually fleeting from her senseless breast, her breath [1124] is
received into the mouth of her wretched husband.
But let us return to our path; I must deal with my subject undisguised,
that my wearied bark may reach its port. You may be waiting, in fact,
for me to escort you to the banquet, and may be requesting my advice in
this respect as well. Come late, and enter when the lights are brought
in; delay is a friend to passion; a very great stimulant is delay. Even
should you be ugly, to the tipsy you will appear charming: and night
itself will afford a concealment for your imperfections. Take up your
food with your fingers; [1125] the method of eating is something; and do
not besmear all your face with your dirty hand. And do not first [1126]
take food at home; but cease to eat a little sooner than you could
wish, and could have eaten. Had the son of Priam seen Helen greedily
devouring, he would have detested her; and he would have said, "That
prize of mine is an oaf. "
It is more proper and is more becoming for the fair to drink to excess.
Thou dost not, Bacchus, consort amiss with the son of Venus. This too,
only so far as the head will bear it, and the senses and the feet will
be able to perform their duty; [1127] and do not see each object that
is single, as double. A woman sprawling along, and drenched in plenteous
wine, is a disgusting object; she is worthy to endure the embraces of
any kind of fellows. And it is no safe thing when the tables are removed
to fall asleep; in sleep many a shocking thing is wont to happen. I feel
ashamed to instruct you any further, but genial Dione says, "That which
shames you is especially my own province. " Let each particular then be
known unto you:
`````----modos a corpore certos
````Sumite; non omnes una figura decet.
```Quse facie prsesignis eris, resupina jaceto:
````Spectentur tergo, quis sua terga placent.
```Milanion humeris Atalantes crura ferebat:
````Si bona sunt, hoc sunt accipienda modo.
```Parva vehatur equo: quod erat longissima, nunquarc
````Thebais Hectoreo nupta resedit equo.
```Strata premat genibus, paulum cervice reflexa,
````Foemina, per longum conspicienda latus.
```Cui femur est juvenile, carent cui pectora menda,
````Stet vir, in obliquo fusa sit ipsa toro.
```Nec tibi turpe puta crinem, ut Phylleia mater,
````Solvere: et effusis colla reflecte comis.
```Tu quoque, cui rugis uterum Lucina notavit,
````Ut celer aversis utere Parthus equis.
```Mille modi Veneris. Simplex minimique laboris,
````Cum jacet in dextrum semisupina latus,
```Sed neque Phoebei tripodes, nec comiger Ammon,
````Vera raagis vobis, quam mea Musa, canent.
```Si qua fides arti, "quam longo fecimus usu,
````Credite: praestabunt carmiua nostra fidem.
```Sentiat ex imis Yenerem resoluta medullis
````Foemina: et ex aequo res juvet ilia duos.
```Nec blandae voces, jucundaque murmura cessent;
````Nec taceant medus improba verba jocis.
```Tu quoque, cui Yeneris sensum natura negavit,
````Dulcia mendaci gaudia finge sono.
```Infelix, cui torpet hebes locus ille, puella es;
````Quo pariter debent foemina virque frui.
```Tantum, cum linges, ne sis manifesta caveto:
````Effice per motum luminaque ipsa fidem.
```Quod juvet: et voces et anhelitus arguat oris.
````Ah pudet! arcanas pars habet ista notas.
```Gaudia post Yeneris quae poscet munus amantem,
````Ipsa suas nolet pondus habere preces.
And admit not the light in your chamber with the windows wide open; many
blemishes of your person more becomingly lie concealed.
My pastime draws to a close; 'tis time to descend from the swans, [1128]
that have borne my yoke upon their necks. As once the youths did, so now
the fair, as my audience, may inscribe, "Naso was our preceptor," upon
their spoils.
FOOTNOTES BOOK ONE
[Footnote 701: For stripes. --Ver. 16. Statius, in the Thebaid, mentions
the strictness of the discipline of Chiron. See the Amores, i. El. xiii.
1. 18. ]
[Footnote 702: Be ye afar. --Ver. 31. He quotes this and the following
line in the Tristia, Book ii. 1. 248, to show that it was not his
intention, by his precepts, to inculcate breaches of chastity among the
Roman matrons. See the Note to the passage, and to the Fasti, Book
ii. 1. 30. The 'vitta,' or 'fillet,' was worn solely by women of pure
character. ]
[Footnote 703: The tawny Indians. --Ver. 53. Herodotus considers the
AEthiopians to be Indians. According to some, the father of Andromeda was
king of Ethiopia; but she is more frequently represented as a native of
Joppa, on the coast of Syria. ]
[Footnote 704: As many stars as. --Ver. 59. Heinsius considers this and
the next line to be spurious. ]
[Footnote 705: Wish a riper fair. --Ver. 63. 'Juvenis,' applied to a
female, would mean something more than a mere girl. 'Juventus' was
that age in which a person was in his best years, from about twenty to
forty. ]
[Footnote 706: Pompey's Portico. --Ver. 67. He alludes to the Portico
which had been erected by Pompey at Rome, and was shaded by plane trees
and refreshed by fountains. The Porticos were walks covered with roofs,
supported by columns. They were sometimes attached to other buildings,
and sometimes were independent of any other edifice. They were much
resorted to by those who wished to take exercise without exposure to the
heat of the sun. The Porticos of the temples were originally intended
for the resort of persons who took part in the rites performed there.
Lawsuits were sometimes conducted in the Porticos of Rome, and goods
were sold there. ]
[Footnote 707: The lion of Hercules. il--Ver. 68. The Nemean lion; which
formed the Constellation Leo in the Zodiac. ]
[Footnote 708: Where the mother. --Ver. 69. He alludes to the Theatre and
Portico which Augustus built; the former of which received the name of
his nephew Marcellus, the latter of his sister Octavia, the mother of
Marcellus. After the death of Marcellus, Octavia added a public library
to this Portico at her own expense. Here there were valuable paintings
of Minerva, Philip and Alexander, and Hercules on Mount Aeta. Some
suppose that the temple of Concord, built by Livia, and mentioned in the
Fasti, is here referred to. ]
[Footnote 709: The Portico of Livia. --Ver. 72. The Portico of Livia was
near the street called Suburra. This Portico is also mentioned in the
Fasti. We learn from Strabo that it was near the Via Sacra, or Sacred
Street. ]
[Footnote 710: Granddaughters of Belus. --Ver. 73. This was the Portico
of the Danaides, in the temple of Apollo. It is referred to in the
Second Elegy of the Second Book of the Amores. ]
[Footnote 711: Bewailed by Venus. --Ver. 75. He alludes to the temple of
Venus, at Rome, which, according to Juvenal, was notorious as the scene
of intrigues and disgraceful irregularities. It was a custom of the
Romans, borrowed from the Assyrians, to lament Adonis in the temple
of Venus. See the Tenth Book of the Metamorphoses. This worship of the
Assyrians is mentioned by the Prophet Ezekiel, chap. viii. ver. 13,
'women weeping for Thatnmuz. ']
[Footnote 712: The Jew of Syria. --Ver. 76. He alludes to the rites
performed in the Synagogues of the Jews of Rome, on the Sabbath, to
which numbers or females were attracted, probably by the music. There
were great numbers of Jews at Rome in the reign of Augustus, who were
allowed to follow their own worship, according to the law of Moses.
The Roman females visiting the Synagogues, assignations and gross
irregularities became the consequence. Tiberius withdrew this privilege
from the Jews, and ordered the priests' vestments and ornaments to be
burnt. This line is thus rendered in Dryden's version:]
'Nor shun the Jewish walk, where the foul drove,]
On Sabbaths rest from everything but love. ']
This wretched paraphrase is excused by the following very illiberal
note,]
'If this version seems to bear a little hard on the ancient Jews, it
does not at all wrong the modern. ']
[Footnote 713: Many a woman. --Ver. 78. Io, or Isis, was debauched by
Jupiter. Martial and Juvenal speak of the irregularities practised on
these occasions. ]
[Footnote 714: Where the erection. --Ver. 81. He refers to the Forum of
Caesar and the temple of Venus, which was built by Julius Caesar after the
battle of Pharsalia. ]
[Footnote 715: Of Appius. --Ver. 82. He alludes to the aqueduct which
had been constructed by the Censor Appius. This passed into the City,
through the Latin gate, and discharged itself near the spot where the
temple of Venus was built. ]
[Footnote 716: Shooting stream. --Ver. 82; He alludes to the violence
with which the water was discharged by the pipes of the aqueduct into
the reservoir. ]
[Footnote 717: Which is adjoining. --Ver. 87. The temple of Venus was
near the Forum. ]
[Footnote 718: Ravished Sabine fair. --Ver. 102. See the Fasti, Book iii.
1. 199. ]
[Footnote 719: Neither did curtains. --Ver. 103. The 'vela,' here
referred to, may mean either the 'siparia,' or curtains of the theatres,
or the awnings which were hung over them. See the Note on the 'siparia'
of the theatres, referred to in the Third Book of the Metamorphoses, L
111. The 'velaria,' or 'awnings,' were stretched over the whole space of
the theatres, to protect the spectators from the sun and rain. ]
[Footnote 720: Marble theatre. --Ver. 103. The Theatres of Pompey and
Scaurus were of marble. ]
[Footnote 721: Nor was the stage. --Ver. 104. The 'pulpita' was that part
of the stage where the actors stood who spoke. It was elevated above the
orchestra, where the Chorus, and dancers and musicians were placed. ]
[Footnote 722: Upon the maidens. --Ver.
three numbers; now let her consider, at which number she can cleverly
enter most conveniently, and which one she must call for. [1073] And,
with her skill, let her play not amiss at the hostilities of the pieces;
[1074] when the single man perishes between his two enemies. How the
warrior, too, [1075] wages the war when caught without his companion;
and how the enemy full oft retreats on the path on which he has begun.
Let the smooth balls, [1076] too, be poured into the open net; and not a
ball must be moved but the one which you shall be lifting up. There is a
kind of game, [1077] distributed into as many lines on a small scale, as
the fleeting year contains months. A little table receives [1078] three
pebbles on each side, on which to bring one's own into a straight line,
is to gain the victory.
Devise a thousand amusements. 'Tis shocking for the fair one not to
know how to play; many a time, while playing, is love commenced. But
the least matter is how to use the throws to advantage; 'tis a task of
greater consequence to lay a restraint on one's manners. While we are
not thinking, and are revealed by our very intentness, and, through the
game, our feelings, laid bare, are exposed; anger arises, a disgraceful
failing, and the greed for gain; quarrels, too, and strife, and, then,
bitter regrets. Recriminations are uttered; the air resounds with the
brawl, and every one for himself invokes the angry Divinities. There
is no trusting [1079] the tables, and, amid vows, new tables are called
for; full oft, too, have I seen cheeks wet with tears. May Jupiter
avert from you indiscretions so unbecoming, you, who have a care to be
pleasing to any lover.
To the fair, has nature, in softer mood, assigned these amusements; with
materials more abundant do the men disport. They have both the flying
ball, [1080] and the javelin, and the hoop, and arms, and the horse
trained to go round the ring. No plain of Mars receives you, nor
does the spring of the Virgin, [1081] so intensely cold; nor does the
Etrurian [1082] river carry you along with its smooth stream. But you
are allowed, and it is to your advantage, to go in the shade of Pompey's
Portico, at the time when the head is heated by the steeds of the
Constellation of the Virgin. [1083] Frequent the Palatium, consecrated
to the laurel-bearing Phoebus;'twas he that overwhelmed in the deep the
ships of Parsetonium. [1084] The memorials, also, which the Bister and
the wife [1085] of our Ruler have erected; his son-in-law [1086]
too, his head encircled with naval honors. Frequent the altars of the
Memphian heifer, [1087] that smoke with frankincense; frequent the three
Theatres, [1088] in conspicuous positions. Let the sand, stained with
the warm blood, have you for spectators; the goal, also, to be passed
with the glowing wheels. [1089]
That which lies hid is unknown; for what is not known there is no
desire. All advantage is lost, when a pretty face is without one to see
it. Were you to excel even Thamyras [1090] and Amcebeus in your singing,
there would be no great regard for your lyre, while unknown. If Apelles
of Cos [1091] had never painted Venus, she would have lain concealed
beneath the ocean waves. What but fame alone is sought by the hallowed
Poets? The sum of all my labours has that crowning object. In former
days, Poets were [1092] the care of rulers and of kings; and the choirs
of old received great rewards. Hallowed was the dignity, and venerable
the name of the Poets; and upon them great riches were often bestowed.
Ennius, born in the mountains of Calabria, was deemed worthy, great
Scipio, to be placed near to thee. [1093] At the present day, the ivy
lies abandoned, without any honor; and the laborious anxiety that toils
for the learned Muses, receives the appellation of idleness.
But be it our study to lie on the watch for fame; who would have known
of Homer, if the Iliad, a never-dying work, had lain concealed? Who
would have known of Danae, if she had been for ever shut up, and if,
till an old woman, she had continued concealed in her tower? The throng,
ye beauteous fair, is advantageous to you; turn your wandering steps
full oft beyond your thresholds. The she-wolf goes on her way to the
many sheep, that she may carry off but one; and the bird of Jove pounces
down upon the many birds. Let the handsome woman, too, present herself
to be seen by the public; out of so many, perhaps there will be one for
her to attract. In all places, let her ever be desirous to please;
and, with all attention, let her have a care for her charms. Chance is
powerful everywhere; let your hook be always hanging ready. In waters
where you least think it, there will be a fish. Many a time do the
hounds wander in vain over the woody mountains; and sometimes the
stag falls in the toils, with no one to pursue him. What was there
for Andromeda, when bound, less to hope for, than that her tears could
possibly charm any one? Many a time, at the funeral of a husband, is
another husband found. To go with the tresses dishevelled, and not to
withhold your lamentations, is becoming.
But avoid those men who make dress and good looks their study; and who
arrange their locks, each in its own position. What they say to you,
they have repeated to a thousand damsels. Their love is roving, and
remains firm in no one spot. What is the woman to do, when the man,
himself, is still more effeminate, and himself perchance may have still
more male admirers?
You will hardly believe me, but still, do believe me; Troy would have
been still remaining, if it had followed the advice of its own Priam.
[1094] There are some men who range about, under a fictitious appearance
of love, and, by means of such introductions, seek disgraceful lucre.
And do not let the locks deceive you, shining much with the liquid nard;
[1095] nor yet the narrow belt, [1096] pressed upon the folds of their
dress. Nor let the robe of finest texture beguile you; nor yet if there
shall be many and many a ring [1097] on their fingers. Perhaps the best
dressed of the number of these may be some thief, [1098] and may be
attracted by a desire for your clothes. "Give me back my property! "
full oft do the plundered fair ones cry; "Give me back my property! " the
whole Forum resounding with their cries. Thou, Venus, [1099] unmoved,
and you, ye Goddesses, [1101] Hear the Appian way, from your temples
blazing with plenteous gold, behold these disputes. There are even
certain names notorious by a reputation that admits of no doubt; those
females who have been deceived by many, share the criminality of
their favorites. Learn, then, from the complaints of others, to have
apprehensions for yourselves; and do not let your door be open to the
knavish man.
Refrain, Cecropian fair, from believing Theseus, [1102] when he swears;
the Gods whom he will make his witnesses, he has made so before. And
no trust is there left for thee, Demophoon, heir to the criminality of
Theseus, since Phyllis has been deceived. If they are lavish of their
promises, in just as many words do you promise them; if they give, do
you, too, give the promised favours. That woman could extinguish the
watchful flames of Vesta, and could bear off the sacred things, daughter
of Inachus, [1103] from thy temples, and could administer to her husband
the aconite, mixed with the pounded hemlock, if on receiving a present
she could deny a favour.
My feelings are prompting me to go too close; check the rein, my Muse:
and be not hurled headlong by the wheels in their full career. Should
lines, written on the tablets made of fir, try the soundings; let a maid
suited for the duty take in the billets that are sent. Examine them; and
collect from the words themselves, whether he only pretends what you are
reading, or whether he entreats anxiously, and with sincerity. And after
a short delay, write an answer: delay ever stimulates those in love, if
it lasts only for a short time.
But neither do you make yourself too cheap to the youth who entreats,
nor yet refuse, with disdainful lips, what he is pressing for. Cause him
both to fear and to hope at the same moment; and oft as you refuse him,
let hopes more assured, and diminished apprehensions arise.
Write your words, ye fair, in a legible hand, but of common parlance,
and such as are usual; the recognized forms of language are most
pleasing. --Ah! how oft has the wavering lover been inflamed by a letter,
and how oft has uncouth language proved detrimental to, a graceful
form! But since, although you are without the honors of the fillet of
chastity, it is still your care to deceive your husbands; [1104] let
the skilled hand of a maid, or of a boy, carry the tablets, and don't
entrust your pledges to some unknown youth. I myself have seen the fair
pale with terror on that account, enduring, in their misery, servitude
to all future time. Perfidious, indeed, is he who retains such pledges:
but still in them he has power equal to the lightnings of AEtna.
In my opinion deceit is allowable, for the purpose of repelling deceit;
and the laws permit us to take up arms against the armed. One hand
should be accustomed to write in numerous styles. Perdition to those,
through whom this advice must be given by me! Nor is it safe to write,
except when the wax is quite smoothed over; so that the same tablet may
not contain two hands. [1105] Let your lover be always styled a female
when you write; in your billets let that be "she," which really is "he. "
But I wish to turn my attention from trifles to things of more
consequence, and with swelling canvass to expand my filling sails. It
conduces to good looks to restrain habits of anger. Fair peace becomes
human beings, savage fury wild beasts. With fury the features swell;
with blood the veins grow black; the eyes flash more wildly than the
Gorgonian fires. "Pipe, hence avaunt, [1106] thou art not of so much
worth to me," said Pallas, when she saw her features in the stream.
You, too, if you were to look at your mirror in the midst of your anger,
hardly could any one distinctly recognize her own countenance. And, in
no less degree, let not a repulsive haughtiness sit upon your features;
by alluring eyes love must be enticed. Believe me, ye fair who know it
by experience, I hate immoderate conceit. Full oft do the features in
silence contain the germs of hatred. Look at him who looks on you; smile
sweetly in return to him who smiles. Does he nod at you; do you, too,
return the sign well understood. When the Boy Cupid has made these
preludes, laying aside his foils, he takes his sharp arrows from
his quiver.
I hate the melancholy damsels too. Let Ajax be charmed with Tecmessa;
[1107] us, a joyous throng, the cheerful woman captivates. Never should
I have asked thee, Andromache, nor thee, Tecmessa, that one of you
would be my mistress. I seem hardly ably to believe it, though by your
fruitfulness I am obliged to believe it, that you could have granted
your favours to your husbands. And could, forsooth, that most melancholy
woman say to Ajax, "My life! " and words which are wont to please the
men?
What forbids me to apply illustrations from great matters to small ones,
and not to be standing in awe of the name of a general? To this person
the skilful general has entrusted a hundred to be ruled with the twig of
vine; [1108] to this one so many cavalry; to that one he has given the
standard to defend. Do you, too, consider, to what use each of us is
suited, and class each one in his assigned position. Let the rich man
give his presents; let him that professes the law, defend; the eloquent
man may often plead the cause of his client. We who compose verse,
verses alone let us contribute. This throng, before all others, is
susceptible of love. Far and wide do we herald the praises of the beauty
that pleases us. Nemesis [1109] has fame; Cynthia, too, has fame.
The West and the lands of the East know of Lycoris: and many a one
is enquiring who my Corinna is. Besides, all deceit is wanting in the
hallowed. Poets, and even our art contributes to forming our manners. No
ambition influences us, no love of gain; despising the Courts, the couch
and the shade are the objects of our commendation. But we are easily
attracted, and are consumed by a lasting heat; and we know how to love
with a constancy most enduring. Indeed, we have our feelngs softened by
the gentle art; and our manners are in conformity with our pursuits.
Be kind, ye fair, to the Aonian bards. In them there is inspiration, and
the Pierian maids show favour unto them. In us a Divinity exists: and
we have intercourse with the heavens. From the realms of the skies does
that inspiration proceed. 'Tis a crime to look for a present from the
learned Poets. Ah wretched me! of this crime no fair one stands in
dread. Still, do act the dissemblers, and at the very first sight, do
not be ravenous. On seeing your nets, a new lover will stop short. But
neither can the rider manage with the same reins the horse which has but
lately felt the bridle, and that which is well-trained; nor yet must
the same path be trod by you in order to captivate the feelings that are
steadied by years, and inexperienced youth.
The latter is raw, and now for the first time known in the camp of
Love, who, a tender prey, has reached your chamber; with you alone is he
acquainted; to you alone would he ever prove constant. Shun a rival;
so long as you alone shall possess him, you will be the conqueror. Both
sovereignties and love do not last long with one to share in them.
The other, the veteran soldier, will love you gradually, and with
moderation; and he will put up with much that will not be endured by the
novice. He will neither break down your door-posts, nor burn them with
raging flames; nor will he fly at the tender cheek of his mistress with
his nails. He will neither tear his own clothes, nor yet the clothes of
the fair; nor will her torn locks be a cause for grieving. These things
befit boys, who are heated with youthful years and with passion: the
other, with tranquil feelings, will put up with cruel wounds. With
slowly consuming fires will he smoulder, just like a damp torch; or like
the wood that has been cut down upon the mountain ridge. This passion
is more sure; the former is short-lived and more bounteous. With speedy
hand do you pluck the fruit that passes away.
Let all points be surrendered; the gates we have opened to the enemy,
and let confidence be placed in this perfidious betrayal. That which is
easily conceded, but badly supports a lasting passion. A repulse must
now and then be mingled with your joyous dalliance. Let him lie down
before your doors: "Cruel door! " let him exclaim; and let him do many a
thing in humble, many in threatening mood. The sweet we cannot endure;
with bitter potions we may be refreshed. Full oft does the bark perish,
overwhelmed by favouring gales. This it is that does not permit wives to
be loved; husbands have access to them, whenever they please. Shut your
door, [1110] and let your porter say to you with surly lips, "You cannot
come in, desire will seize you as well, thus shut out. "
Now lay aside the blunted swords; let the battle be fought with
sharpened ones. And I doubt not but that I myself shall be aimed at with
weapons of my own furnishing. While the lover that has been captured
only of late is falling into your toils, let him hope that he alone has
admission to your chamber. But soon let him be aware of a rival, and a
division of the privileges of your favours. Remove these contrivances;
and his passion will grow effete. Then does the high-mettled courser run
well, the starting-place being opened, when he has both competitors to
pass by, and those for him to follow. Harshness rekindles the flame,
even if gone out. Myself to wit, I confess it, I do not love unless I am
ill-used.
Still, the cause for grief should not be too manifest: and in his
anxiety he ought to suspect that there is more than what he actually
knows. The harsh supervision, too, of some feigned servant should excite
him, and the irksome watchfulness of a husband too severe. The pleasure
that is enjoyed in safety, is the least valued of all. Though you are
more at liberty than even Thais, [1111] still feign apprehensions.
Whereas you could do it far better by the door, admit him through the
window; and on your countenance show the signs of fear. Let the cunning
maid rush in, and exclaim, "We are undone! " and then do you hide the
youth in his fright in any spot. Still, an enjoyment without anxiety
must be interspersed with his alarms; lest he should not think your
favours to be worth so much trouble.
But I was about to omit by what methods the cunning husband may be
eluded, and how the watchful keeper. Let the wife stand in awe of her
husband; let the safe keeping of a wife be allowed. That is proper; that
the laws, and justice, and decency ordain. But for you as well to be
watched, whom the Lictor's rod [1112] has but just set at liberty,
who can endure it? Come to my sacred rites, that you may learn how to
deceive. Even if as many eyes shall be watching you, as Argus had, if
there is only a fixed determination, you will deceive them all. And
shall a keeper, forsooth, hinder you from being able to write, when an
opportunity is given you for taking the bath? When a female confidant
can carry the note you have penned, which her broad girth [1113] can
conceal in her warm bosom? When she can conceal the paper fastened to
her calf, and carry the tender note beneath her sandalled foot.
Should the keeper be proof against these _contrivances_; in place of
paper, let your confidant afford her shoulders; and upon her own person
let her carry your words. Letters, too, written in new milk, are safe
and escape the eye; touch them with powdered coals, and you will read
them. The writing, too, which is made with the stalk of wetted flax,
[1114] will deceive, and the clean surface will bear the secret marks.
The care of watching a fair one fell to Acrisius; still, through his own
fault, did she make him a grandsire. What can a keeper do, when there
are so many Theatres in the City? When, eagerly she is a spectator of
the harnessed steeds? When she is sitting in attendance upon the sistra
of the Pharian heifer, and at the place where her male friends are
forbidden to go? While, too, the Good Goddess [1115] expels the gaze of
males from her temples, except any that, perchance, she bids to come:
while, as the keeper watches outside the clothes of the fair, the baths
may in safety conceal the lovers who are hiding there; while, so often
as is requisite, some pretended she-friend may be sick, and, ill as she
is, may give place for her in her couch. While the false key, too, tells
[1116] by its name what we are to do, and it is not the door alone that
gives the access you require.
The watchfulness of the keeper is eluded by plenty of wine; even though
[1117] the grapes be gathered on the hills of Spain. There are drugs,
too, which create deep sleep; and let them close the eyes overpowered by
Lethaean night. And not amiss does the confidant occupy the troublesome
fellow with dalliance to create delay, and in his company spins out the
time.
What need is there to be teaching stratagems and trifling precepts,
when the keeper may be purchased by the smallest present? Believe me,
presents influence both men and Gods: on gifts being presented, Jupiter
himself is appeased. What is the wise man to do, when even the fool is
gratified with a present? The husband himself, on receiving a present,
will be silent. But once only throughout the long year must the
keeper be bought; full oft will he hold out the hand which he has once
extended.
I complained, I recollect, that new-made friends are to be dreaded; that
complaint does not extend to men alone. If you are too trusting, other
women will interrupt your pleasures; and this hare of yours will be
destined to be hunted down by other persons. Even she, [1118] who so
obligingly lends her couch and her room, believe me, has not once only
been in my company. And do not let too pretty a maid wait upon you; many
a time has she filled [1119] her mistress's place for me. Whither, in my
folly, am I led on? Why with bared breast do I strive against the foe,
and why, myself, am I betrayed through information that is my own? The
bird does not instruct the fowler in which direction he may be taken:
the hind does not teach the hostile hounds how to run. Still, let
interest see to itself; my precepts, with fidelity will I give. To the
Lemnian dames, [1120] for my own destruction, will I present the sword.
Give reason (and 'tis easy to do so) for us to believe ourselves to be
loved. Belief arises readily in those who are anxious for the fulfilment
of their desires. Let the fair one eye the youth in a kindly manner; let
her heave sighs from her very heart, and let her enquire, why it is he
comes so late? Let tears be added, too, and feigned apprehensions about
a rival, and with her fingers let her tear her face. Soon will he be
thoroughly persuaded, one? he will pity you of his own accord; and will
say to himself "This woman is consumed by affection for me. "
Especially, if he shall be well drest, and shall please himself at the
looking-glass, he will believe that the Goddesses might be touched with
love for him. But, whoever you are, let an injury disturb you only in a
moderate degree; and don't, on hearing of a rival, go out of your mind.
And don't at once believe it; how injurious it is at once to believe
things, Procris will be no slight proof to you.
There is near the empurpled hills of blooming Hymettus a sacred spring,
and the ground is soft with the verdant turf. The wood, of no great
height, there forms a grove; the strawberry tree overshadows the grass;
rosemary, and laurels, and swarthy myrtles give their perfume. Neither
the box-trees with their thick foliage and the slender tamarisks, nor
yet the tiny trefoil and the garden pine, are wanting there. Moved by
the gentle Zephyrs and the balmy air, the leaves of these many kinds,
and the tops of the grass quiver. Pleasant was this retreat to Cephalus;
[1121] his servants and his hounds left behind, the youth, when weary,
often sat down in this spot. And here he was in the habit of repeating,
"Come, gentle Aura [breeze], to be received in my bosom, that thou mayst
moderate my heat. "
Some person, maliciously officious, with retentive lips carried the
words he had heard to the timid ears of his wife. Procris, when she
heard the name of Aura [breeze], as though of a rival, fainted away, and
with this sudden apprehension she was mute. She turned pale, just as the
late leaves become wan, which the coming winter has nipped, the clusters
now gathered from the vine; and as the quinces [1122] which in their
ripeness are bending their boughs; and as the cornels not yet quite
fit for food for man. When her senses had returned, she tore her thin
garments from off her body with her nails, and wounded her guiltless
cheeks. And no delay was there; raving, with dishevelled locks, she flew
amid the tracks, like a Bacchanal aroused by the thyrsus. When she had
come near the spot, she left her attendants in the valley; and with
silent footsteps, in her boldness, she herself stealthily entered the
grove. What, Procris, were thy feelings, when thus, in thy frenzy, thou
didst he concealed? What the impulse of thy disquieted breast? Each
moment, forsooth, wast thou expecting that she would come, whoever Aura
might be, and that their criminality would be witnessed with thine eyes.
Now dost thou repent of having come, for indeed thou wouldst not wish to
detect him; and now thou art glad; fluctuating affection is tormenting
thy breast. There is the spot, and the name, and the informant to bid
thee give credence; and the fact that the lover always apprehends that
to exist which he dreads. When she beheld the grass beaten down,
the impress of his body, her trembling bosom was throbbing with her
palpitating heart. And now midday had made the unsubstantial shadows
small, and at an equal distance were the evening and the morn. Behold!
Cephalus, the offspring of the Cyilenian God, [1123] returns from the
woods, and sprinkles his glowing face with water of the fountain. In thy
anxiety, Procris, art thou lying concealed. Along the grass he lies
as wont, and says, "Ye gentle Zephyrs, and thou Aura [breeze], come
hither. " When the welcome mistake of the name was thus revealed to
the sorrowing fair, both her senses and the real colour of her face
returned.
She arose; and the wife, about to rush into the embrace of her husband,
by the moving of her body, shook the leaves that were in her way. He,
thinking that a wild beast had made the noise, with alacrity snatched up
his bow; his arrows were in his right hand. What, wretched man, art thou
about? 'Tis no wild beast; keep still thy weapons. Ah wretched me! by
thy dart has the fair been pierced. "Ah me! " she cries aloud, "a loving
heart hast thou pierced. That spot has ever retained the wound inflicted
by Cephalus. Before my time I die, but injured by no rival; this,
O Earth, will make thee light when I am entombed. Now is my breath
departing in the breeze that I had thus suspected; I sink, alas! close
my eyes with those dear hands. "
In his sorrowing bosom he supports the dying body of his spouse, and
with his tears he bathes her cruel wounds. Her breath departs; and
gradually fleeting from her senseless breast, her breath [1124] is
received into the mouth of her wretched husband.
But let us return to our path; I must deal with my subject undisguised,
that my wearied bark may reach its port. You may be waiting, in fact,
for me to escort you to the banquet, and may be requesting my advice in
this respect as well. Come late, and enter when the lights are brought
in; delay is a friend to passion; a very great stimulant is delay. Even
should you be ugly, to the tipsy you will appear charming: and night
itself will afford a concealment for your imperfections. Take up your
food with your fingers; [1125] the method of eating is something; and do
not besmear all your face with your dirty hand. And do not first [1126]
take food at home; but cease to eat a little sooner than you could
wish, and could have eaten. Had the son of Priam seen Helen greedily
devouring, he would have detested her; and he would have said, "That
prize of mine is an oaf. "
It is more proper and is more becoming for the fair to drink to excess.
Thou dost not, Bacchus, consort amiss with the son of Venus. This too,
only so far as the head will bear it, and the senses and the feet will
be able to perform their duty; [1127] and do not see each object that
is single, as double. A woman sprawling along, and drenched in plenteous
wine, is a disgusting object; she is worthy to endure the embraces of
any kind of fellows. And it is no safe thing when the tables are removed
to fall asleep; in sleep many a shocking thing is wont to happen. I feel
ashamed to instruct you any further, but genial Dione says, "That which
shames you is especially my own province. " Let each particular then be
known unto you:
`````----modos a corpore certos
````Sumite; non omnes una figura decet.
```Quse facie prsesignis eris, resupina jaceto:
````Spectentur tergo, quis sua terga placent.
```Milanion humeris Atalantes crura ferebat:
````Si bona sunt, hoc sunt accipienda modo.
```Parva vehatur equo: quod erat longissima, nunquarc
````Thebais Hectoreo nupta resedit equo.
```Strata premat genibus, paulum cervice reflexa,
````Foemina, per longum conspicienda latus.
```Cui femur est juvenile, carent cui pectora menda,
````Stet vir, in obliquo fusa sit ipsa toro.
```Nec tibi turpe puta crinem, ut Phylleia mater,
````Solvere: et effusis colla reflecte comis.
```Tu quoque, cui rugis uterum Lucina notavit,
````Ut celer aversis utere Parthus equis.
```Mille modi Veneris. Simplex minimique laboris,
````Cum jacet in dextrum semisupina latus,
```Sed neque Phoebei tripodes, nec comiger Ammon,
````Vera raagis vobis, quam mea Musa, canent.
```Si qua fides arti, "quam longo fecimus usu,
````Credite: praestabunt carmiua nostra fidem.
```Sentiat ex imis Yenerem resoluta medullis
````Foemina: et ex aequo res juvet ilia duos.
```Nec blandae voces, jucundaque murmura cessent;
````Nec taceant medus improba verba jocis.
```Tu quoque, cui Yeneris sensum natura negavit,
````Dulcia mendaci gaudia finge sono.
```Infelix, cui torpet hebes locus ille, puella es;
````Quo pariter debent foemina virque frui.
```Tantum, cum linges, ne sis manifesta caveto:
````Effice per motum luminaque ipsa fidem.
```Quod juvet: et voces et anhelitus arguat oris.
````Ah pudet! arcanas pars habet ista notas.
```Gaudia post Yeneris quae poscet munus amantem,
````Ipsa suas nolet pondus habere preces.
And admit not the light in your chamber with the windows wide open; many
blemishes of your person more becomingly lie concealed.
My pastime draws to a close; 'tis time to descend from the swans, [1128]
that have borne my yoke upon their necks. As once the youths did, so now
the fair, as my audience, may inscribe, "Naso was our preceptor," upon
their spoils.
FOOTNOTES BOOK ONE
[Footnote 701: For stripes. --Ver. 16. Statius, in the Thebaid, mentions
the strictness of the discipline of Chiron. See the Amores, i. El. xiii.
1. 18. ]
[Footnote 702: Be ye afar. --Ver. 31. He quotes this and the following
line in the Tristia, Book ii. 1. 248, to show that it was not his
intention, by his precepts, to inculcate breaches of chastity among the
Roman matrons. See the Note to the passage, and to the Fasti, Book
ii. 1. 30. The 'vitta,' or 'fillet,' was worn solely by women of pure
character. ]
[Footnote 703: The tawny Indians. --Ver. 53. Herodotus considers the
AEthiopians to be Indians. According to some, the father of Andromeda was
king of Ethiopia; but she is more frequently represented as a native of
Joppa, on the coast of Syria. ]
[Footnote 704: As many stars as. --Ver. 59. Heinsius considers this and
the next line to be spurious. ]
[Footnote 705: Wish a riper fair. --Ver. 63. 'Juvenis,' applied to a
female, would mean something more than a mere girl. 'Juventus' was
that age in which a person was in his best years, from about twenty to
forty. ]
[Footnote 706: Pompey's Portico. --Ver. 67. He alludes to the Portico
which had been erected by Pompey at Rome, and was shaded by plane trees
and refreshed by fountains. The Porticos were walks covered with roofs,
supported by columns. They were sometimes attached to other buildings,
and sometimes were independent of any other edifice. They were much
resorted to by those who wished to take exercise without exposure to the
heat of the sun. The Porticos of the temples were originally intended
for the resort of persons who took part in the rites performed there.
Lawsuits were sometimes conducted in the Porticos of Rome, and goods
were sold there. ]
[Footnote 707: The lion of Hercules. il--Ver. 68. The Nemean lion; which
formed the Constellation Leo in the Zodiac. ]
[Footnote 708: Where the mother. --Ver. 69. He alludes to the Theatre and
Portico which Augustus built; the former of which received the name of
his nephew Marcellus, the latter of his sister Octavia, the mother of
Marcellus. After the death of Marcellus, Octavia added a public library
to this Portico at her own expense. Here there were valuable paintings
of Minerva, Philip and Alexander, and Hercules on Mount Aeta. Some
suppose that the temple of Concord, built by Livia, and mentioned in the
Fasti, is here referred to. ]
[Footnote 709: The Portico of Livia. --Ver. 72. The Portico of Livia was
near the street called Suburra. This Portico is also mentioned in the
Fasti. We learn from Strabo that it was near the Via Sacra, or Sacred
Street. ]
[Footnote 710: Granddaughters of Belus. --Ver. 73. This was the Portico
of the Danaides, in the temple of Apollo. It is referred to in the
Second Elegy of the Second Book of the Amores. ]
[Footnote 711: Bewailed by Venus. --Ver. 75. He alludes to the temple of
Venus, at Rome, which, according to Juvenal, was notorious as the scene
of intrigues and disgraceful irregularities. It was a custom of the
Romans, borrowed from the Assyrians, to lament Adonis in the temple
of Venus. See the Tenth Book of the Metamorphoses. This worship of the
Assyrians is mentioned by the Prophet Ezekiel, chap. viii. ver. 13,
'women weeping for Thatnmuz. ']
[Footnote 712: The Jew of Syria. --Ver. 76. He alludes to the rites
performed in the Synagogues of the Jews of Rome, on the Sabbath, to
which numbers or females were attracted, probably by the music. There
were great numbers of Jews at Rome in the reign of Augustus, who were
allowed to follow their own worship, according to the law of Moses.
The Roman females visiting the Synagogues, assignations and gross
irregularities became the consequence. Tiberius withdrew this privilege
from the Jews, and ordered the priests' vestments and ornaments to be
burnt. This line is thus rendered in Dryden's version:]
'Nor shun the Jewish walk, where the foul drove,]
On Sabbaths rest from everything but love. ']
This wretched paraphrase is excused by the following very illiberal
note,]
'If this version seems to bear a little hard on the ancient Jews, it
does not at all wrong the modern. ']
[Footnote 713: Many a woman. --Ver. 78. Io, or Isis, was debauched by
Jupiter. Martial and Juvenal speak of the irregularities practised on
these occasions. ]
[Footnote 714: Where the erection. --Ver. 81. He refers to the Forum of
Caesar and the temple of Venus, which was built by Julius Caesar after the
battle of Pharsalia. ]
[Footnote 715: Of Appius. --Ver. 82. He alludes to the aqueduct which
had been constructed by the Censor Appius. This passed into the City,
through the Latin gate, and discharged itself near the spot where the
temple of Venus was built. ]
[Footnote 716: Shooting stream. --Ver. 82; He alludes to the violence
with which the water was discharged by the pipes of the aqueduct into
the reservoir. ]
[Footnote 717: Which is adjoining. --Ver. 87. The temple of Venus was
near the Forum. ]
[Footnote 718: Ravished Sabine fair. --Ver. 102. See the Fasti, Book iii.
1. 199. ]
[Footnote 719: Neither did curtains. --Ver. 103. The 'vela,' here
referred to, may mean either the 'siparia,' or curtains of the theatres,
or the awnings which were hung over them. See the Note on the 'siparia'
of the theatres, referred to in the Third Book of the Metamorphoses, L
111. The 'velaria,' or 'awnings,' were stretched over the whole space of
the theatres, to protect the spectators from the sun and rain. ]
[Footnote 720: Marble theatre. --Ver. 103. The Theatres of Pompey and
Scaurus were of marble. ]
[Footnote 721: Nor was the stage. --Ver. 104. The 'pulpita' was that part
of the stage where the actors stood who spoke. It was elevated above the
orchestra, where the Chorus, and dancers and musicians were placed. ]
[Footnote 722: Upon the maidens. --Ver.
