No More Learning

In the evening the young Prince went to the mansion of the Sadaijin,
where the espousal with the young daughter of the latter was
celebrated with much splendor. The youthfulness of the beautiful boy
was well pleasing to Sadaijin; but the bride, who was some years older
than he was, and who considered the disparity in their age to be
unsuitable, blushed when she thought of it.

Not only was this Sadaijin himself a distinguished personage in the
State, but his wife was also the sister of the Emperor by the same
mother, the late Empress; and her rank therefore was unequivocal. When
to this we add the union of their daughter with Genji, it was easy to
understand that the influence of Udaijin, the grandfather of the
Heir-apparent, and who therefore seemed likely to attain great power,
was not after all of very much moment.

Sadaijin had several children. One of them, who was the issue of his
Royal wife, was the Kurand Shioshio.

Udaijin was not, for political reasons, on good terms with this
family; but nevertheless he did not wish to estrange the youthful
Kurand. On the contrary, he endeavored to establish friendly relations
with him, as was indeed desirable, and he went so far as to introduce
him to his fourth daughter, the younger sister of the Koki-Den.

Genji still resided in the palace, where his society was a source of
much pleasure to the Emperor, and he did not take up his abode in a
private house. Indeed, his bride, Lady Aoi (Lady Hollyhock), though
her position insured her every attention from others, had few charms
for him, and the Princess Wistaria much more frequently occupied his
thoughts. "How pleasant her society, and how few like her! " he was
always thinking; and a hidden bitterness blended with his constant
reveries.

The years rolled on, and Genji being now older was no longer allowed
to continue his visits to the private rooms of the Princess as before.
But the pleasure of overhearing her sweet voice, as its strains flowed
occasionally through the curtained casement, and blended with the
music of the flute and _koto_, made him still glad to reside in the
Palace. Under these circumstances he seldom visited the home of his
bride, sometimes only for a day or two after an absence of five or six
at Court.

His father-in-law, however, did not attach much importance to this, on
account of his youth; and whenever they did receive a visit from him,
pleasant companions were invited to meet him, and various games likely
to suit his taste were provided for his entertainment.

In the Palace, Shigeisa, his late mother's quarters, was allotted to
him, and those who had waited on her waited on him. The private house,
where his grandmother had resided, was beautifully repaired for him by
the Shuri Takmi--the Imperial Repairing Committee--in obedience to the
wishes of the Emperor. In addition to the original loveliness of the
landscape and the noble forest ranges, the basin of the lake was now
enlarged, and similar improvements were effected throughout with the
greatest pains. "Oh, how delightful would it not be to be in a place
like that which such an one as one might choose! " thought Genji within
himself.

We may here also note that the name Hikal Genji is said to have been
originated by the Corean who examined his physiognomy.

FOOTNOTES:

[Footnote 2: The beautiful tree, called Kiri, has been named Paulownia
Imperialis, by botanists. ]

[Footnote 3: Official titles held by Court ladies. ]

[Footnote 4: The name of a Court office. ]

[Footnote 5: A celebrated and beautiful favorite of an Emperor of the
Thang dynasty in China, whose administration was disturbed by a
rebellion, said to have been caused by the neglect of his duties for
her sake. ]

[Footnote 6: A Niogo who resided in a part of the Imperial palace
called "Koki-den. "]

[Footnote 7: The Hakamagi is the investiture of boys with trousers,
when they pass from childhood to boyhood. In ordinary cases, this is
done when about five years old, but in the Royal Family, it usually
takes place earlier. ]

[Footnote 8: A carriage drawn by hands. Its use in the Court-yard of
the Palace was only allowed to persons of distinction. ]

[Footnote 9: Cremation was very common in these days. ]

[Footnote 10: A Court lady, whose name was Yugei, holding an office
called "Miobu. "]

[Footnote 11: Miyagi is the name of a field which is famous for the
Hagi or Lespedeza, a small and pretty shrub, which blooms in the
Autumn. In poetry it is associated with deer, and a male and female
deer are often compared to a lover and his love, and their young to
their children. ]

[Footnote 12: In Japan there is a great number of "mushi" or insects,
which sing in herbage grass, especially in the evenings of Autumn.
They are constantly alluded to in poetry. ]

[Footnote 13: In Japanese poetry, persons connected with the Court,
are spoken of as "the people above the clouds. "]

[Footnote 14: A famous Chinese poem, by Hak-rak-ten. The heroine of
the poem was Yo-ki-hi, to whom we have made reference before. The
story is, that after death she became a fairy, and the Emperor sent a
magician to find her. The works of the poet Peh-lo-tien, as it is
pronounced by modern Chinese, were the only poems in vogue at that
time. Hence, perhaps, the reason of its being frequently quoted. ]

[Footnote 15: There were two divisions of the Imperial guard, right
and left. ]

[Footnote 16: The general name for a species of musical instrument
resembling the zither, but longer. ]

[Footnote 17: In these days Imperial Princes were often created
founders of new families, and with some given name, the Gen being one
most frequently used. These Princes had no longer a claim to the
throne. ]

[Footnote 18: The ceremony of placing a crown or coronet upon the head
of a boy. This was an ancient custom observed by the upper and middle
classes both in Japan and China, to mark the transition from boyhood
to youth. ]

[Footnote 19: Before the crown was placed upon the head at the Gembuk,
the hair was gathered up in a conical form from all sides of the head,
and then fastened securely in that form with a knot of silken cords of
which the color was always purple. ]

[Footnote 20: The color of purple typifies, and is emblematical of,
love. ]

[Footnote 21: A body of men who resembled "Gentlemen-at-arms," and a
part of whose duty it was to attend to the falcons. ]




CHAPTER II

THE BROOM-LIKE TREE


Hikal Genji--the name is singularly well known, and is the subject of
innumerable remarks and censures. Indeed, he had many intrigues in his
lifetime, and most of them are vividly preserved in our memories. He
had always striven to keep all these intrigues in the utmost secrecy,
and had to appear constantly virtuous. This caution was observed to
such an extent that he scarcely accomplished anything really romantic,
a fact which Katano-no-Shioshio[22] would have ridiculed.

Even with such jealous watchfulness, secrets easily transpire from one
to another; so loquacious is man! Moreover, he had unfortunately from
nature a disposition of not appreciating anything within easy reach,
but of directing his thought in undesirable quarters, hence sundry
improprieties in his career.

Now, it was the season of continuous rain (namely, the month of May),
and the Court was keeping a strict Monoimi. [23] Genji, who had now
been made a Chiujio,[24] and who was still continuing his residence in
the Imperial Palace, was also confined to his apartments for a
considerable length of time. His father-in-law naturally felt for him,
and his sons were sent to bear him company. Among these, Kurand
Shioshio, who was now elevated to the post of To-no-Chiujio, proved to
be the most intimate and interesting companion. He was married to the
fourth daughter of the Udaijin, but being a man of lively disposition,
he, too, like Genji, did not often resort to the mansion of the bride.
When Genji went to the Sadaijin's he was always his favorite
associate; they were together in their studies and in their sports,
and accompanied each other everywhere. And so all stiffness and
formality were dispensed with, and they did not scruple to reveal
their secrets to each other.

It was on an evening in the above-mentioned season. Rain was falling
drearily. The inhabitants of the Palace had almost all retired, and
the apartment of Genji was more than usually still. He was engaged in
reading near a lamp, but at length mechanically put his book aside,
and began to take out some letters and writings from a bureau which
stood on one side of the room. To-no-Chiujio happened to be present,
and Genji soon gathered from his countenance that he was anxious to
look over them.

"Yes," said Genji; "some you may see, but there may be others! "

"Those others," retorted To-no-Chiujio, "are precisely those which I
wish to see; ordinary ones, even your humble servant may have
received. I only long to look upon those which may have been written
by fair hands, when the tender writer had something to complain of, or
when in twilight hour she was outpouring all her yearning! "

Being so pressed, Genji allowed his brother-in-law to see them all. It
is, however, highly probable that any very sacred letters would not
have been loosely deposited in an ordinary bureau; and these would
therefore seem, after all, to have been of second-rate importance.

"What a variety," said To-no-Chiujio, as he turned them over, and he
asked several questions guessingly about this or that. About some he
guessed correctly, about others he was puzzled and suspicious. [25]
Genji smiled and spoke little, only making some obscure remark, and
continuing as he took the letters: "but _you_, surely, must have
collected many. Will not you show me some? And then my bureau also may
open more easily. "

"You do not suppose that I have any worth reading, do you? " replied
To-no-Chiujio. "I have only just now discovered," continued he, "how
difficult it is to meet with a fair creature, of whom one can say,
'This is, indeed, _the_ one; here is, at last, perfection. ' There are,
indeed, many who fascinate; many who are ready with their pens, and
who, when occasion may require, are quick at repartee. But how often
such girls as these are conceited about their own accomplishments, and
endeavor unduly to disparage those of others! There are again some who
are special pets of their parents, and most jealously watched over at
home. Often, no doubt, they are pretty, often graceful; and frequently
they will apply themselves with effect to music and to poetry, in
which they may even attain to special excellence. But then, their
friends will keep their drawbacks in the dark, and eulogize their
merits to the utmost. If we were to give full credence to this
exaggerated praise, we could not but fail in every single instance to
be more or less disappointed. "

So saying To-no-Chiujio paused, and appeared as if he were ashamed of
having such an experience, when Genji smilingly remarked, "Can any one
of them, however, exist without at least one good point? "

"Nay, were there any so little favored as that, no one would ever be
misled at all! " replied To-no-Chiujio, and he continued, "In my
opinion, the most and the least favored are in the same proportion. I
mean, they are both not many. Their birth, also, divides them into
three classes. Those, however, who are especially well born, are often
too jealously guarded, and are, for the most part, kept secluded from
the outside gaze, which frequently tends to make their deportment shy
and timid. It is those of the middle class, who are much more
frequently seen by us, who afford us most chance of studying their
character. As for the lower class, it would be almost useless to
trouble ourselves with them. "

Thus To-no-Chiujio appeared to be thoroughly at home in his
description of the merits of the fair sex, which made Genji amused,
and he said: "But how do you define the classes you have referred to,
and classify them into three? Those who are of high birth sink
sometimes in the social scale until the distinction of their rank is
forgotten in the abjectness of their present position. Others, again,
of low origin, rise to a high position, and, with self-important faces
and in ostentatious residences, regard themselves as inferior to none.
Into what class will you allot _these_? "

Just at this moment the Sama-no-Kami[26] and To Shikib-no-Jio[27]
joined the party. They came to pay their respects to Genji, and both
of them were gay and light-hearted talkers. So To-no-Chiujio now made
over the discussion to them, and it was carried to rather questionable
lengths.

"However exalted a lady's position may be," said Sama-no-Kami, "if her
origin is an unenviable one, the estimation of the public for her
would be widely different from that which it shows to those who are
naturally entitled to it. If, again, adverse fortune assails one whose
birth is high, so that she becomes friendless and helpless,
degradation here will meet our eyes, though her heart may still remain
as noble as ever. Examples of both of these are very common. After
much reflection, I can only come to the conclusion that both of them
should be included in the middle class. In this class, too, must be
included many daughters of the Durio,[28] who occupy themselves with
local administration. These ladies are often very attractive, and are
not seldom introduced at Court and enjoy high favor. "

"And successes depend pretty much upon the state of one's fortune, I
fancy," interrupted Genji, with a placid smile.

"That is a remark very unlikely to fall from the lips of a champion of
romance," chimed in To-no-Chiujio.

"There may be some," resumed Sama-no-Kami, "who are of high birth, and
to whom public respect is duly paid, yet whose domestic education has
been much neglected. Of a lady such as this we may simply remark,
'Why, and how, is it that she is so brought up? ' and she would only
cause discredit to her class. There are, of course, some who combine
in themselves every perfection befitting their position. These best of
the best are, however, not within every one's reach. But, listen!
Within an old dilapidated gateway, almost unknown to the world, and
overgrown with wild vegetation, perchance we might find, shut up, a
maiden charming beyond imagination. Her father might be an aged man,
corpulent in person, and stern in mien, and her brothers of repulsive
countenance; but there, in an uninviting room, she lives, full of
delicacy and sentiment, and fairly skilled in the arts of poetry or
music, which she may have acquired by her own exertions alone,
unaided. If there were such a case, surely she deserves our
attention, save that of those of us who themselves are highly exalted
in position. "

So saying, Sama-no-Kami winked slyly at Shikib-no-Jio. The latter was
silent: perhaps he fancied that Sama-no-Kami was speaking in the above
strain, with a hidden reference to his (Shikib's) sisters, who, he
imagined, answered the description.

Meantime, Genji may have thought, "If it is so difficult to choose one
even from the best class, how can--Ah! " and he began to close his eyes
and doze. His dress was of soft white silk, partly covered by the
_naoshi_,[29] worn carelessly, with its cord left loose and untied.
His appearance and bearing formed quite a picture.

Meanwhile, the conversation went on about different persons and
characters, and Sama-no-Kami proceeded: "It is unquestionable that
though at first glance many women appear to be without defects, yet
when we come to the actual selection of any one of them, we should
seriously hesitate in our choice.

"Let me illustrate my meaning by reference to the numerous public men
who may be aspiring to fulfil the duties of several important posts.
You will at once recognize the great difficulty there would be in
fixing upon the individual statesman under whose guardianship the
empire could best repose. And supposing that, if at last, by good
fortune, the most able man were designated, even then we must bear in
mind that it is not in the power of one or two individuals, however
gifted they may be, to carry on the whole administration of the
kingdom alone. Public business can only be tranquilly conducted when
the superior receives the assistance of subordinates, and when the
subordinate yields a becoming respect and loyalty to his superior, and
affairs are thus conducted in a spirit of mutual conciliation. So,
too, it is in the narrow range of the domestic circle. To make a good
mistress of that circle, one must possess, if our ideal is to be fully
realized, many important qualifications. Were we to be constantly
indulging in the severity of criticism, always objecting to this or
that, a perfect character would be almost unattainable. Men should
therefore bear with patience any trifling dissatisfaction which they
may feel, and strive constantly to keep alive, to augment, and to
cherish, the warmth of their early love. Only such a man as this can
be called faithful, and the partner of such a man alone can enjoy the
real happiness of affection. How unsatisfactory to us, however, seems
the actual world if we look round upon it. Still more difficult must
it be to satisfy such as you who seek your companions but from among
the best!

"How varied are the characters and the dispositions of women! Some who
are youthful and favored by Nature strive almost selfishly to keep
themselves with the utmost reserve. If they write, they write
harmlessly and innocently; yet, at the same time, they are choice in
their expressions, which have delicate touches of bewitching
sentiment. This might possibly make us entertain a suddenly conceived
fancy for them; yet they would give us but slight encouragement. They
may allow us just to hear their voices, but when we approach them they
will speak with subdued breath, and almost inaudibly. Beware, however,
lest among these you chance to encounter some astute artiste, who,
under a surface that is smooth, conceals a current that is deep. This
sort of lady, it is true, generally appears quite modest; but often
proves, when we come closer, to be of a very different temperament
from what we anticipated. Here is one drawback to be guarded against.

"Among characters differing from the above, some are too full of
sentimental sweetness--whenever occasion offers them romance they
become spoilt. Such would be decidedly better if they had less
sentiment, and more sense.

"Others, again, are singularly earnest--too earnest, indeed--in the
performance of their domestic duty; and such, with their hair pushed
back,[30] devote themselves like household drudges to household
affairs. Man, whose duties generally call him from home all the day,
naturally hears and sees the social movements both of public and
private life, and notices different things, both good and bad. Of such
things he would not like to talk freely with strangers, but only with
some one closely allied to him. Indeed, a man may have many things in
his mind which cause him to smile or to grieve. Occasionally something
of a political nature may irritate him beyond endurance. These matters
he would like to talk over with his fair companion, that she might
soothe him, and sympathize with him. But a woman as above described is
often unable to understand him, or does not endeavor to do so; and
this only makes him more miserable. At another time he may brood over
his hopes and aspirations; but he has no hope of solace. She is not
only incapable of sharing these with him, but might carelessly remark,
'What ails you? ' How severely would this try the temper of a man!

"If, then, we clearly see all these, the only suggestion I can make is
that the best thing to do is to choose one who is gentle and modest,
and strive to guide and educate her according to the best ideal we may
think of. This is the best plan; and why should we not do so? Our
efforts would not be surely all in vain. But no! A girl whom we thus
educate, and who proves to be competent to bear us company, often
disappoints us when she is left alone. She may then show her
incapability, and her occasional actions may be done in such an
unbecoming manner that both good and bad are equally displeasing. Are
not all these against us men? --Remember, however, that there are some
who may not be very agreeable at ordinary times, yet who flash
occasionally upon us with a potent and almost irresistible charm. "

Thus Sama-no-Kami, though eloquent, not having come to one point or
another, remained thoughtful for some minutes, and again resumed:--

"After all, as I have once observed, I can only make this suggestion:
That we should not too much consider either birth or beauty, but
select one who is gentle and tranquil, and consider her to be best
suited for our last haven of rest. If, in addition, she is of fair
position, and is blessed with sweetness of temper, we should be
delighted with her, and not trouble ourselves to search or notice any
trifling deficiency. And the more so as, if her conscience is clear
and pure, calmness and serenity of features can naturally be looked
for.

"There are women who are too diffident, and too reserved, and carry
their generosity to such an extent as to pretend not to be aware even
of such annoyances as afford them just grounds of complaint. A time
arrives when their sorrows and anxieties become greater than they can
bear. Even then, however, they cannot resort to plain speaking, and
complain. But, instead thereof, they will fly away to some remote
retreat among the mountain hamlets, or to some secluded spot by the
seaside, leaving behind them some painful letter or despairing verses,
and making themselves mere sad memories of the past. Often when a boy
I heard such stories read by ladies, and the sad pathos of them even
caused my tears to flow; but now I can only declare such deeds to be
acts of mere folly. For what does it all amount to? Simply to this:
That the woman, in spite of the pain which it causes her, and
discarding a heart which may be still lingering towards her, takes to
flight, regardless of the feelings of others--of the anguish, and of
the anxiety, which those who are dearest to her suffer with her. Nay,
this act of folly may even be committed simply to test the sincerity
of her lover's affection for her. What pitiable subtlety!

"Worse than this, the woman thus led astray, perhaps by ill advice,
may even be beguiled into more serious errors. In the depth of her
despairing melancholy she will become a nun. Her conscience, when she
takes the fatal vow, may be pure and unsullied, and nothing may seem
able to call her back again to the world which she forsook. But, as
time rolls on, some household servant or aged nurse brings her tidings
of the lover who has been unable to cast her out of his heart, and
whose tears drop silently when he hears aught about her. Then, when
she hears of his affections still living, and his heart still
yearning, and thinks of the uselessness of the sacrifice she has made
voluntarily, she touches the hair[31] on her forehead, and she becomes
regretful. She may, indeed, do her best to persevere in her resolve,
but if one single tear bedews her cheek, she is no longer strong in
the sanctity of her vow. Weakness of this kind would be in the eyes of
Buddha more sinful than those offences which are committed by those
who never leave the lay circle at all, and she would eventually wander
about in the 'wrong passage. '[32]

"But there are also women, who are too self-confident and obtrusive.
These, if they discover some slight inconsistency in men, fiercely
betray their indignation and behave with arrogance. A man may show a
little inconsistency occasionally, but yet his affection may remain;
then matters will in time become right again, and they will pass
their lives happily together. If, therefore, the woman cannot show a
tolerable amount of patience, this will but add to her unhappiness.
She should, above all things, strive not to give way to excitement;
and when she experiences any unpleasantness, she should speak of it
frankly but with moderation. And if there should be anything worse
than unpleasantness she should even then complain of it in such a way
as not to irritate the men. If she guides her conduct on principles
such as these, even her very words, her very demeanor, may in all
probability increase his sympathy and consideration for her. One's
self-denial and the restraint which one imposes upon one's self, often
depend on the way in which another behaves to us. The woman who is too
indifferent and too forgiving is also inconsiderate. Remember 'the
unmoored boat floats about. ' Is it not so? "

To-no-Chiujio quickly nodded assent, as he said, "Quite true! A woman
who has no strength of emotion, no passion of sorrow or of joy, can
never be holders of us. Nay even jealousy, if not carried to the
extent of undue suspicion, is not undesirable.
If we ourselves are not
in fault, and leave the matter alone, such jealousy may easily be kept
within due bounds. But stop"--added he suddenly--"Some women have to
bear, and do bear, every grief that they may encounter with
unmurmuring and suffering patience. "

So said To-no-Chiujio, who implied by this allusion that his sister
was a woman so circumstanced. But Genji was still dozing, and no
remark came from his lips.

Sama-no-Kami had been recently made a doctor of literature, and (like
a bird) was inflating his feathers, so To-no-Chiujio, willing to draw
him out as much as possible, gave him every encouragement to proceed
with his discourse.

Again, therefore, he took up the conversation, and said, "Call to your
mind affairs in general, and judge of them. Is it not always true that
reality and sincerity are to be preferred to merely artificial
excellence? Artisans, for instance, make different sorts of articles,
as their talents serve them. Some of them are keen and expert, and
cleverly manufacture objects of temporary fashion, which have no fixed
or traditional style, and which are only intended to strike the
momentary fancy. These, however, are not the true artisans. The real
excellence of the true artisan is tested by those who make, without
defects or sensational peculiarities, articles to decorate, we will
say, some particular building, in conformity with correct taste and
high aesthetic principles. Look for another instance at the eminence
which has been attained by several of the artists of the Imperial
College of Painting. Take the case of draughtsmen in black ink.
Pictures, indeed, such as those of Mount Horai,[33] which has never
been beheld by mortal eye, or of some raging monstrous fish in a rough
sea, or of a wild animal of some far-off country, or of the imaginary
face of the demon, are often drawn with such striking vividness that
people are startled at the sight of them. These pictures, however, are
neither real nor true. On the other hand, ordinary scenery, of
familiar mountains, of calm streams of water, and of dwellings just
before our eyes, may be sketched with an irregularity so charming, and
with such excellent skill, as almost to rival Nature. In pictures such
as these, the perspective of gentle mountain slopes, and sequestered
nooks surrounded by leafy trees, are drawn with such admirable
fidelity to Nature that they carry the spectator in imagination to
something beyond them. These are the pictures in which is mostly
evinced the spirit and effectiveness of the superior hand of a master;
and in these an inferior artist would only show dulness and
inefficiency.

"Similar observations are applicable to handwriting. [34] Some people
boldly dash away with great freedom and endless flourishes, and appear
at the first glance to be elegant and skilful. But that which is
written with scrupulous neatness, in accordance with the true rules of
penmanship, constitutes a very different handwriting from the above.
If perchance the upstrokes and downstrokes do not, at first sight,
appear to be fully formed, yet when we take it up and critically
compare it with writing in which dashes and flourishes predominate, we
shall at once see how much more of real and sterling merit it
possesses.

"Such then is the nature of the case in painting, in penmanship, and
in the arts generally. And how much more then are those women
undeserving of our admiration, who though they are rich in outward and
in fashionable display, attempting to dazzle our eyes, are yet
lacking in the solid foundations of reality, fidelity, and truth! Do
not, my friends, consider me going too far, but let me proceed to
illustrate these observations by my own experience. "

So saying, Sama-no-Kami advanced his seat, and Genji awoke.
To-no-Chiujio was quite interested in the conversation, and was
keeping his eye upon the speaker, leaning his cheek upon his hand.
This long discourse of Sama-no-Kami reminds us of the preacher's
sermon, and amuses us. And it seems that, on occasions like these, one
may easily be carried away by circumstances, until he is willing to
communicate even his own private affairs.

"It was at a time," continued Sama-no-Kami, "when I was in a still
more humble position, that there was a girl to whom I had taken a
fancy. She was like one of those whom I described in the process of my
discourse; not a regular beauty. Although for this reason my youthful
vanity did not allow me to pledge myself to her forever, I still
considered her a pleasant companion. Nevertheless, from occasional
fits of restlessness, I roamed often here and there. This she always
resented fiercely, and with so much indignation that I sighed for a
sweeter temper and more moderation. Indeed, there were times when her
suspicion and spitefulness were more than I could endure. But my
irritation was generally calmed down, and I even felt sorry myself,
when I reflected how strong and devoted her affection for me was, in
spite of the mean state of my circumstances. As to her general
character, her only endeavor seemed to be to do everything for my
sake, even what was beyond her powers, while she struggled to perfect
herself in anything in which she might be deficient, and took the most
faithful care of all my interests, striving constantly and earnestly
to please me. She appeared at first even too zealous, but in time
became more moderate. She seemed as if she felt uneasy lest her plain
face should cause me displeasure, and she even denied herself the
sight of other people, in order to avoid unbecoming comment.

"As time went by, the more I became accustomed to observe how really
simple-hearted she was, the more I sympathized with her. The one thing
that I could not bear, however, was that jealousy of hers. Sincere and
devoted as she is, thought I, is there no means of ridding her of this
jealous weakness? Could I but do that, it would not matter even if I
were to alarm her a little. And I also thought that since she was
devoted to me, if I showed any symptoms of getting tired of her, she
would, in all probability, be warned by it. Therefore, I purposely
behaved to her with great coolness and heartlessness. This she
resented as usual. I then said to her, that though our affection had
been of old date, I should not see her again; 'if you wish to sever
from me you may suspect me as much as you like. If you prefer to enjoy
long happiness with me in future, be modest and patient in trifling
matters. If you can only be so, how can I do otherwise than love you?
My position also may in time be improved, and then we may enjoy
greater happiness! '

"In saying this, I thought I had managed matters very ingeniously.
Without meaning it, however, I had in fact spoken a little too
harshly. She replied, with a bitter smile, that 'to put up with a life
of undistinguished condition, even though with faint hopes of future
promotion, was not a thing about which we ought to trouble ourselves,
but that it was indeed a hard task to pass long wearisome days in
waiting until a man's mind should be restored to a sense of propriety.
And that for this reason we had, perhaps, better separate at once. '

"This she said with such sarcastic bitterness that I was irritated and
stung to the quick, and overwhelmed her with a fresh torrent of
reproaches. At this juncture she gave way to an uncontrollable fit of
passion, and snatching up my hand, she thrust my little finger into
her mouth and bit off the end of it. Then, notwithstanding my pain, I
became quite cool and collected, and calmly said, 'insulted and maimed
as I have now been, it is most fitting that I should absent myself for
the future from polite society. Office and title would ill become me
now. Your spite has now left me without spirit to face the world in
which I should be ridiculed, and has left me no alternative but to
withdraw my maimed person from the public gaze! ' After I had alarmed
her by speaking in this exalted strain, I added, 'to-day we meet for
the last time,' and bending these fingers (pointing to them as she
spoke) I made the farewell remark:--

When on my fingers, I must say
I count the hours I spent with thee,
Is this, and this alone, I pray
The only pang you've caused to me?

You are now quits with me,' At the instant I said so, she burst into
tears and without premeditation, poured forth the following:--

'From me, who long bore grievous harms,
From that cold hand and wandering heart,
You now withdraw your sheltering arms,
And coolly tell me, we must part. '

"To speak the truth, I had no real intention of separating from her
altogether. For some time, however, I sent her no communication, and
was passing rather an unsettled life. Well! I was once returning from
the palace late one evening in November, after an experimental
practice of music for a special festival in the Temple of Kamo. Sleet
was falling heavily. The wind blew cold, and my road was dark and
muddy. There was no house near where I could make myself at home. To
return and spend a lonely night in the palace was not to be thought
of. At this moment a reflection flashed across my mind. 'How cold must
she feel whom I have treated so coldly,' thought I, and suddenly
became very anxious to know what she felt and what she was about. This
made me turn my steps towards her dwelling, and brushing away the snow
that had gathered on my shoulders I trudged on: at one moment shyly
biting my nails, at another thinking that on such a night at least all
her enmity towards me might be all melted away. I approached the
house. The curtains were not drawn, and I saw the dim light of a lamp
reflected on the windows. It was even perceivable that a soft quilt
was being warmed and thrown over the large couch. The scene was such
as to give you the notion that she was really anticipating that I
might come at least on such an evening. This gave me encouragement,
but alas! she whom I hoped to see was not at home. I was told she had
gone to her parents that very evening. Previous to that time, she had
sent me no sad verses, no conciliatory letter, and this had already
given birth to unpleasant feelings on my part. And at this moment,
when I was told that she had gone away, all these things seemed to
have been done almost purposely, and I involuntarily began to suspect
that her very jealousy had only been assumed by her on purpose to
cause me to become tired of her.

"As I reflected what our future might be after such an estrangement as
this, I was truly depressed. I did not, however, give up all hope,
thinking that she would not be so determined as to abandon me forever.
I had even carefully selected some stuff for a dress for her. Some
time, however, passed away without anything particularly occurring.
She neither accepted nor refused the offers of reconciliation which I
made to her. She did not, it is true, hide herself away like any of
those of whom I have spoken before. But, nevertheless, she did not
evince the slightest symptom of regret for her previous conduct.

"At last, after a considerable interval, she intimated to me that her
final resolve was not to forgive me any more if I intended in future
to behave as I had done before; but that, on the other hand, she
should be glad to see me again if I would thoroughly change my habits,
and treat her with the kindness which was her due. From this I became
more convinced that she still entertained longings for me. Hence, with
the hope of warning her a little more, I made no expressions of any
intention to make a change in my habits, and I tried to find out which
of us had the most patience.

"While matters were in this state, she, to my great surprise, suddenly
died, perhaps broken-hearted.

"I must now frankly confess that she certainly was a woman in whom a
man might place his confidence. Often, too, I had talked with her on
music and on poetry, as well as on the more important business of
life, and I found her to be by no means wanting in intellect and
capability. She had too the clever hands of Tatyta-hime[35] and
Tanabata. [36]

"When I recall these pleasant memories my heart still clings to her
endearingly. "

"Clever in weaving, she may have been like Tanabata, that is but a
small matter," interposed To-no-Chiujio, "we should have preferred to
have seen your love as enduring as Tanabata's. [37] Nothing is so
beautiful as the brilliant dyes spread over the face of Nature, yet
the red tints of autumn are often not dyed to a color so deep as we
desire, because of the early drying of the dew, so we say, 'such is
the uncertain fate of this world,'" and so saying, he made a sign to
Sama-no-Kami to go on with his story. He went on accordingly.

"About that time I knew another lady. She was on the whole a superior
kind of person. A fair poetess, a good musician, and a fluent speaker,
with good enunciation, and graceful in her movements. All these
admirable qualities I noticed myself, and heard them spoken of by
others. As my acquaintance with her commenced at the time when I was
not on the best of terms with my former companion, I was glad to enjoy
her society. The more I associated with her the more fascinating she
became.

"Meanwhile my first friend died, at which I felt truly sorry, still I
could not help it, and I therefore paid frequent visits to this one.
In the course of my attentions to her, however, I discovered many
unpleasant traits. She was not very modest, and did not appear to be
one whom a man could trust. On this account, I became somewhat
disappointed, and visited her less often. While matters were on this
footing I accidentally found out that she had another lover to whom
she gave a share of her heart.

"It happened that one inviting moonlight evening in October, I was
driving out from home on my way to a certain Dainagon. On the road I
met with a young noble who was going in the same direction. We
therefore drove together, and as we were journeying on, he told me
that 'some one might be waiting for him, and he was anxious to see
her'; well! by and by we arrived at the house of my lady-love. The
bright reflection of the waters of an ornamental lake was seen through
crevices in the walls; and the pale moon, as she shed her full
radiance over the shimmering waves, seemed to be charmed with the
beauty of the scene. It would have been heartless to pass by with
indifference, and we both descended from the carriage, without knowing
each other's intention.

"This youth seems to have been 'the other one'; he was rather shy. He
sat down on a mat of reeds that was spread beside a corridor near the
gateway; and, gazing up at the sky, meditated for some moments in
silence. The chrysanthemums in the gardens were in full bloom, whose
sweet perfume soothed us with its gentle influence; and round about us
the scarlet leaves of the maple were falling, as ever and anon they
were shaken by the breeze. The scene was altogether romantic.

"Presently, he took a flute out of his bosom and played. He then
whispered, 'Its shade is refreshing. '

"In a few minutes the fair one struck up responsively on a sweet-toned
_wagon_ (a species of _koto_).

"The melody was soft and exquisite, in charming strains of modern
music, and admirably adapted to the lovely evening. No wonder that he
was fascinated; he advanced towards the casement from which the sounds
proceeded, and glancing at the leaves scattered on the ground,
whispered in invidious tones, 'Sure no strange footsteps would ever
dare to press these leaves. ' He then culled a chrysanthemum, humming,
as he did so:--

'Even this spot, so fair to view
With moon, and Koto's gentle strain,
Could make no other lover true,
As me, thy fond, thy only swain. '

"'Wretched! ' he exclaimed, alluding to his poetry; and then added,
'One tune more! Stay not your hand when one is near, who so ardently
longs to hear you. ' Thus he began to flatter the lady, who, having
heard his whispers, replied thus, in a tender, hesitating voice:--

'Sorry I am my voice too low
To match thy flute's far sweeter sound;
Which mingles with the winds that blow
The Autumn leaves upon the ground. '

"Ah! she little thought I was a silent and vexed spectator of all this
flirtation. She then took up a _soh_ (another kind of _koto_ with
thirteen strings) and tuned it to a Banjiki key (a winter tune), and
played on it still more excellently. Though an admirer of music, I
cannot say that these bewitching melodies gave me any pleasure under
the peculiar circumstances I stood in.

"Now, romantic interludes, such as this, might be pleasant enough in
the case of maidens who are kept strictly in Court service, and whom
we have very little opportunity of meeting with, but even there we
should hesitate to make such a one our life companion. How much less
could one ever entertain such an idea in a case like my own? Making,
therefore, that evening's experience a ground of dissatisfaction I
never saw her more.

"Now, gentlemen, let us take into consideration these two instances
which have occurred to myself and see how equally unsatisfactory they
are. The one too jealous, the other too forward. Thus, early in life,
I found out how little reliance was to be placed on such characters.
And now I think so still more; and this opinion applies more
especially to the latter of the two. Dewdrops on the 'Hagi flower' of
beauty so delicate that they disappear as soon as we touch
them--hailstones on the bamboo grass that melt in our hand as soon as
we prick them--appear at a distance extremely tempting and attractive.
Take my humble advice, however, and go not near them. If you do not
appreciate this advice now, the lapse of another seven years will
render you well able to understand that such adventures will only
bring a tarnished fame. "

Thus Sama-no-Kami admonished them, and To-no-Chiujio nodded as usual.
Genji slightly smiled; perhaps he thought it was all very true, and he
said, "Your twofold experience was indeed disastrous and irritating! "

"Now," said To-no-Chiujio, "I will tell you a story concerning myself.
It was the evil fortune of Sama-no-Kami to meet with too much jealousy
in one of the ladies to whom he might otherwise have given his heart;
while he could feel no confidence in another owing to flirtations. It
was my hard lot to encounter an instance of excessive diffidence. I
once knew a girl whose person was altogether pleasing, and although I,
too, had no intention, as Sama-no-Kami said, of forming an everlasting
connection with her, I nevertheless took a great fancy to her. As our
acquaintance was prolonged, our mutual affection grew warmer. My
thoughts were always of her, and she placed entire confidence in me.
Now, when complete confidence is placed by one person in another, does
not Nature teach us to expect resentment when that confidence is
abused? No such resentment, however, seemed under any circumstances to
trouble her. When I very seldom visited her, she showed no excitement
or indignation, but behaved and looked as if we had never been
separated from each other. This patient silence was more trying to me
than reproaches. She was parentless and friendless. For this reason
responsibility weighed more heavily on me. Abusing her gentle nature,
however, I frequently neglected her. About this time, moreover, a
certain person who lived near her, discovered our friendship, and
frightened her by sending, through some channel, mischief-making
messages to her. This I did not become aware of till afterwards, and,
it seems, she was quite cast down and helpless. She had a little one
for whose sake, it appears, she was additionally sad. One day I
unexpectedly received a bunch of Nadeshiko[38] flowers. They were from
her. "

At this point To-no-Chiujio became gloomy.

"And what," inquired Genji, "were the words of her message? "

"Sir! nothing but the verse,

Forgot may be the lowly bed
From which these darling flowerets spring,
Still let a kindly dew be shed,
Upon their early nurturing.

"No sooner had I read this than I went to her at once. She was gentle
and sedate as usual, but evidently absent and preoccupied. Her eyes
rested on the dew lying on the grass in the garden, and her ears were
intent upon the melancholy singing of the autumn insects. It was as if
we were in a real romance. I said to her:--

When with confused gaze we view
The mingled flowers on gay parterre,
Amid their blooms of radiant hue
The Tokonatz,[39] my love, is there.

And avoiding all allusion to the Nadeshiko flowers, I repeatedly
endeavored to comfort the mother's heart. She murmured in reply:--

'Ah! Flower already bent with dew,
The winds of autumn cold and chill
Will wither all thy beauteous hue,
And soon, alas, unpitying kill. '

Thus she spoke sadly. But she reproached me no further. The tears came
involuntarily into her eyes. She was, however, apparently sorry for
this, and tried to conceal them. On the whole she behaved as if she
meant to show that she was quite accustomed to such sorrows. I
certainly deeply sympathized with her, yet still further abusing her
patience. I did not visit her again for some time; but I was
punished. When I did so she had flown, leaving no traces behind her.
If she is still living she must needs be passing a miserable
existence.

"Now, if she had been free from this excessive diffidence, this apathy
of calmness, if she had complained when it was necessary, with
becoming warmth and spirit, she need never have been a wanderer, and I
would never have abused her confidence. But, as I said before, a woman
who has no strength of emotion, no passionate bursts of sorrow or of
joy, can never retain a dominion over us.

"I loved this woman without understanding her nature; and I am
constantly, but in vain, trying to find her and her little darling,
who was also very lovely; and often I think with grief and pain that,
though I may succeed in forgetting her, she may possibly not be able
to forget me, and, surely, there must be many an evening when she is
disquieted by sad memories of the past.

"Let us now sum up our experiences, and reflect on the lessons which
they teach us. One who bites your finger will easily estrange your
affection by her violence. Falseness and forwardness will be the
reproach of some other, in spite of her melodious music and the
sweetness of her songs. A third, too self-contained and too gentle, is
open to the charge of a cold silence, which oppresses one, and cannot
be understood.

"Whom, then, are we to choose? All this variety, and this perplexing
difficulty of choice, seems to be the common lot of humanity. Where,
again, I say, are we to go to find the one who will realize our
desires? Shall we fix our aspirations on the beautiful goddess, the
heavenly Kichijio? [40] Ah! this would be but superstitious and
impracticable. "

So mournfully finished To-no-Chiujio; and all his companions, who had
been attentively listening, burst simultaneously into laughter at his
last allusion.

"And now, Shikib, it is your turn. Tell us your story," exclaimed
To-no-Chiujio, turning to him.