No More Learning

: By : Percy B. Shelley. : [Motto as in (1)]
Cambridge: : Printed by W. Metcalfe, : and sold by Messrs. Gee &
Bridges, Market-Hill. : MDCCCXXIX.

14.
Hellas : A Lyrical Drama : By : Percy B. Shelley : MANTIS EIM' ESTHAON
'AGONON : Oedip. Colon. : London : Charles and James Ollier Vere Street
: Bond Street : MDCCCXXII. (The last work issued in Shelley's lifetime. )

15.
Posthumous Poems : of : Percy Bysshe Shelley. : In nobil sangue vita
umile e queta, : Ed in alto intelletto on puro core; : Frutto senile in
sul giovenil fiore, : E in aspetto pensoso anima lieta. : Petrarca. :
London, 1824: : Printed for John and Henry L. Hunt, : Tavistock Street,
Covent Garden. (Edited by Mrs. Shelley. )

16.
The : Masque of Anarchy. : A Poem. : By Percy Bysshe Shelley. Now first
published, with a Preface : by Leigh Hunt. : Hope is Strong; : Justice
and Truth their winged child have found. : "Revolt of Islam". : London:
: Edward Moxon, 64, New Bond Street. : 1832.

17.
The Shelley Papers : Memoir : of : Percy Bysshe Shelley : By T. Medwin,
Esq. : And : Original Poems and Papers : By Percy Bysshe Shelley. : Now
first collected. : London: : Whittaker, Treacher, & Co. : 1833.
(The Poems occupy pages 109-126. )

18.
The : Poetical Works : of : Percy Bysshe Shelley. : Edited : by Mrs
Shelley. : Lui non trov' io, ma suoi santi vestigi : Tutti rivolti alla
superna strada : Veggio, lunge da' laghi averni e stigi. --Petrarca. : In
Four Volumes. : Vol. 1 [2 3 4] : London: : Edward Moxon, Dover Street. :
MDCCCXXXIX.

19.
(1) The : Poetical Works : of : Percy Bysshe Shelley: [Vignette of
Shelley's Tomb. ] London. : Edward Moxon, Dover Street. : 1839.
(This is the engraved title-page. The printed title-page runs:--)

(2) The : Poetical Works : of Percy Bysshe Shelley. : Edited : By Mrs.
Shelley. : [Motto from Petrarch as in 18] London: : Edward Moxon, Dover
Street. : M. DCCC. XL.
(Large octavo, printed in double columns. The Dedication is dated 11th
November, 1839. )

20.
Essays, : Letters from Abroad, : Translations and Fragments, : By :
Percy Bysshe Shelley. : Edited : By Mrs. Shelley. : [Long prose motto
translated from Schiller] : In Two Volumes. : Volume 1 [2] : London: :
Edward Moxon, Dover Street. : MDCCCXL.

21.
Relics of Shelley. : Edited by : Richard Garnett. : [Lines 20-24 of "To
Jane": 'The keen stars,' etc. ] : London: : Edward Moxon & Co. , Dover
Street. : 1862.

22.
The : Poetical Works : of : Percy Bysshe Shelley: : Including Various
Additional Pieces : From Manuscript and Other Sources. : The Text
carefully revised, with Notes and : A Memoir, : By William Michael
Rossetti. : Volume 1 [2] : [Moxon's Device. ] : London: : E. Moxon, Son,
& Co. , 44 Dover Street, W. : 1870.

23.
The Daemon of the World : By : Percy Bysshe Shelley : The First Part :
as published in 1816 with "Alastor" : The Second Part : Deciphered and
now First Printed from his own Manuscript : Revision and Interpolations
in the Newly Discovered : Copy of "Queen Mab" : London : Privately
printed by H. Buxton Forman : 38 Marlborough Hill : 1876.

24.
The Poetical Works : of : Percy Bysshe Shelley : Edited by : Harry
Buxton Forman : In Four Volumes : Volume 1 [2 3 4] London : Reeves and
Turner 196 Strand : 1876.

25.
The Complete : Poetical Works : of : Percy Bysshe Shelley. : The Text
carefully revised with Notes and : A Memoir, : by : William Michael
Rossetti. : In Three Volumes. : Volume 1 [2 3] London: : E. Moxon, Son,
And Co. , : Dorset Buildings, Salisbury Square, E. C. : 1878.

26.
The Poetical Works : of Percy Bysshe Shelley : Given from His Own
Editions and Other Authentic Sources : Collated with many Manuscripts
and with all Editions of Authority : Together with Prefaces and Notes :
His Poetical Translations and Fragments : and an Appendix of : Juvenilia
: [Publisher's Device. ] Edited by Harry Buxton Forman : In Two Volumes.
: Volume 1 [2] London : Reeves and Turner, 196, Strand : 1882.

27.
The : Poetical Works : of : Percy Bysshe Shelley : Edited by : Edward
Dowden : London : Macmillan and Co, Limited : New York: The Macmillan
Company : 1900.

28.
The Poetical Works of : Percy Bysshe Shelley : Edited with a Memoir by :
H. Buxton Forman : In Five Volumes [Publisher's Device. ] Volume 1 [2 3 4
5] London : George Bell and Sons : 1892.

29.
The : Complete Poetical Works : of : Percy Bysshe Shelley : The Text
newly collated and revised : and Edited with a Memoir and Notes : By
George Edward Woodberry : Centenary Edition : In Four Volumes : Volume 1
[2 3 4] [Publisher's Device. ] London : Kegan Paul, Trench, Trubner and
Co. : Limited : 1893.

30.
An Examination of the : Shelley Manuscripts : In the Bodleian Library :
Being a collation thereof with the printed : texts, resulting in the
publication of : several long fragments hitherto unknown, : and the
introduction of many improved : readings into "Prometheus Unbound", and
: other poems, by : C. D. Locock, B. A. : Oxford : At the Clarendon Press
: 1903.

The early poems from the Esdaile manuscript book, which are included in
this edition by the kind permission of the owner of the volume, Charles
E. J. Esdaile, Esq. , appeared for the first time in Professor Dowden's
"Life of Percy Bysshe Shelley", published in the year 1887.

One poem from the same volume; entitled "The Wandering Jew's Soliloquy",
was printed in one of the Shelley Society Publications (Second Series,
No. 12), a reprint of "The Wandering Jew", edited by Mr. Bertram Dobell
in 1887.

***


INDEX OF FIRST LINES.

A cat in distress :
A gentle story of two lovers young :
A glorious people vibrated again :
A golden-winged Angel stood :
A Hater he came and sat by a ditch :
A man who was about to hang himself :
A pale Dream came to a Lady fair :
A portal as of shadowy adamant :
A rainbow's arch stood on the sea :
A scene, which 'wildered fancy viewed :
A Sensitive Plant in a garden grew :
A shovel of his ashes took :
A widow bird sate mourning :
A woodman whose rough heart was out of tune :
Ah! faint are her limbs, and her footstep is weary :
Ah! grasp the dire dagger and couch the fell spear :
Ah! quit me not yet, for the wind whistles shrill :
Ah, sister! Desolation is a delicate thing :
Ah! sweet is the moonbeam that sleeps on yon fountain :
Alas! for Liberty! :
Alas, good friend, what profit can you see :
Alas! this is not what I thought life was :
Ambition, power, and avarice, now have hurled :
Amid the desolation of a city :
Among the guests who often stayed :
An old, mad, blind, despised, and dying king :
And can'st thou mock mine agony, thus calm :
And earnest to explore within--around :
And ever as he went he swept a lyre :
And, if my grief should still be dearer to me :
And like a dying lady, lean and pale :
And many there were hurt by that strong boy :
And Peter Bell, when he had been :
And said I that all hope was fled :
And that I walk thus proudly crowned withal :
And the cloven waters like a chasm of mountains :
And when the old man saw that on the green :
And where is truth? On tombs? for such to thee :
And who feels discord now or sorrow? :
Arethusa arose :
Ariel to Miranda:--Take :
Arise, arise, arise! :
Art thou indeed forever gone :
Art thou pale for weariness :
As a violet's gentle eye :
As from an ancestral oak :
As I lay asleep in Italy :
As the sunrise to the night :
Ask not the pallid stranger's woe :
At the creation of the Earth :
Away! the moor is dark beneath the moon :

Bear witness, Erin! when thine injured isle :
Before those cruel Twins, whom at one birth :
Beside the dimness of the glimmering sea :
Best and brightest, come away! :
Break the dance, and scatter the song :
Bright ball of flame that through the gloom of even :
Bright clouds float in heaven :
Bright wanderer, fair coquette of Heaven :
Brothers! between you and me :
'Buona notte, buona notte! '--Come mai :
By the mossy brink :

Chameleons feed on light and air :
Cold, cold is the blast when December is howling :
Come, be happy! --sit near me :
Come [Harriet]! sweet is the hour :
Come hither, my sweet Rosalind :
Come, thou awakener of the spirit's ocean :
Corpses are cold in the tomb :

Dares the lama, most fleet of the sons of the wind :
Dar'st thou amid the varied multitude :
Darkness has dawned in the East :
Daughters of Jove, whose voice is melody :
Dear home, thou scene of earliest hopes and joys :
Dearest, best and brightest :
Death is here and death is there :
Death! where is thy victory? :
Do evil deeds thus quickly come to end?
Do you not hear the Aziola cry? :

Eagle! why soarest thou above that tomb? :
Earth, ocean, air, beloved brotherhood :
Echoes we: listen!
Ever as now with Love and Virtue's glow :

Faint with love, the Lady of the South :
Fairest of the Destinies :
False friend, wilt thou smile or weep :
Far, far away, O ye :
Fiend, I defy thee! with a calm, fixed mind :
Fierce roars the midnight storm :
Flourishing vine, whose kindling clusters glow :
Follow to the deep wood's weeds :
For me, my friend, if not that tears did tremble :
For my dagger is bathed in the blood of the brave :
For your letter, dear [Hattie], accept my best thanks :
From all the blasts of heaven thou hast descended :
From the cities where from caves :
From the ends of the earth, from the ends of the earth :
From the forests and highlands :
From unremembered ages we :

Gather, O gather :
Ghosts of the dead! have I not heard your yelling :
God prosper, speed, and save :
Good-night? ah! no; the hour is ill :
Great Spirit whom the sea of boundless thought :
Guido, I would that Lapo, thou, and I :

Hail to thee, blithe Spirit! :
Hail to thee, Cambria! for the unfettered wind :
Hark! the owlet flaps her wing :
Hark! the owlet flaps his wings :
Hast thou not seen, officious with delight :
He came like a dream in the dawn of life :
He wanders, like a day-appearing dream :
Hell is a city much like London :
Her hair was brown, her sphered eyes were brown :
Her voice did quiver as we parted :
Here I sit with my paper, my pen and my ink :
'Here lieth One whose name was writ on water' :
Here, my dear friend, is a new book for you :
Here, oh, here :
Hic sinu fessum caput hospitali :
His face was like a snake's--wrinkled and loose :
Honey from silkworms who can gather :
Hopes, that swell in youthful breasts :
How eloquent are eyes :
How, my dear Mary,--are you critic-bitten :
How stern are the woes of the desolate mourner :
How sweet it is to sit and read the tales :
How swiftly through Heaven's wide expanse :
How wonderful is Death :
How wonderful is Death :

I am afraid these verses will not please you, but :
I am as a spirit who has dwelt :
I am drunk with the honey wine :
I arise from dreams of thee :
I bring fresh showers for the thirsting flowers :
I dreamed that, as I wandered by the way :
I dreamed that Milton's spirit rose, and took :
I faint, I perish with my love! I grow :
I fear thy kisses, gentle maiden :
I hated thee, fallen tyrant! I did groan :
I love thee, Baby! for thine own sweet sake :
I loved--alas! our life is love :
I met a traveller from an antique land :
I mourn Adonis dead--loveliest Adonis :
I pant for the music which is divine :
I rode one evening with Count Maddalo :
I sate beside a sage's bed :
I sate beside the Steersman then, and gazing :
I sing the glorious Power with azure eyes :
I stood upon a heaven-cleaving turret :
I stood within the City disinterred :
I weep for Adonais--he is dead' :
I went into the deserts of dim sleep :
I would not be a king--enough :
If gibbets, axes, confiscations, chains :
If I esteemed you less, Envy would kill :
If I walk in Autumn's even :
In the cave which wild weeds cover :
In the sweet solitude of this calm place :
Inter marmoreas Leonorae pendula colles :
Is it that in some brighter sphere :
Is it the Eternal Triune, is it He :
Is not to-day enough? Why do I peer :
It is not blasphemy to hope that Heaven :
It is the day when all the sons of God :
It lieth, gazing on the midnight sky :
It was a bright and cheerful afternoon :

Kissing Helena, together :

Let there be light! said Liberty :
Let those who pine in pride or in revenge :
Life of Life! thy lips enkindle :
Lift not the painted veil which those who live :
Like the ghost of a dear friend dead :
Listen, listen, Mary mine :
Lo, Peter in Hell's Grosvenor Square :

Madonna, wherefore hast thou sent to me :
Maiden, quench the glare of sorrow :
Many a green isle needs must be :
Melodious Arethusa, o'er my verse :
Men of England, wherefore plough :
Methought I was a billow in the crowd :
Mighty eagle! thou that soarest :
Mine eyes were dim with tears unshed :
Monarch of Gods and Daemons, and all Spirits :
Month after month the gathered rains descend :
Moonbeam, leave the shadowy vale :
Muse, sing the deeds of golden Aphrodite :
Music, when soft voices die :
My coursers are fed with the lightning :
My dearest Mary, wherefore hast thou gone :
My faint spirit was sitting in the light :
My head is heavy, my limbs are weary :
My head is wild with weeping for a grief :
My lost William, thou in whom :
My Song, I fear that thou wilt find but few :
My soul is an enchanted boat :
My spirit like a charmed bark doth swim :
My thoughts arise and fade in solitude :
My wings are folded o'er mine ears :

Night, with all thine eyes look down! :
Night! with all thine eyes look down! :
No access to the Duke! You have not said :
No, Music, thou art not the 'food of Love' :
No trump tells thy virtues :
Nor happiness, nor majesty, nor fame :
Not far from hence. From yonder pointed hill :
Now had the loophole of that dungeon, still :
Now the last day of many days :

O Bacchus, what a world of toil, both now :
O happy Earth! reality of Heaven :
O Mary dear, that you were here :
O mighty mind, in whose deep stream this age :
O pillow cold and wet with tears! :
O Slavery! thou frost of the world's prime :
O that a chariot of cloud were mine! :
O that mine enemy had written :
O thou bright Sun! beneath the dark blue line :
O thou immortal deity :
O thou, who plumed with strong desire :
O universal Mother, who dost keep :
O wild West Wind, thou breath of Autumn's being :
O world! O life! O time! :
Offspring of Jove, Calliope, once more :
Oh! did you observe the black Canon pass :
Oh! take the pure gem to where southerly breezes :
Oh! there are spirits of the air :
Oh! what is the gain of restless care :
On a battle-trumpet's blast :
On a poet's lips I slept :
On the brink of the night and the morning :
Once, early in the morning :
One sung of thee who left the tale untold :
One word is too often profaned :
Orphan Hours, the Year is dead :
Our boat is asleep on Serchio's stream :
Our spoil is won :
Out of the eastern shadow of the Earth :
Over the utmost hill at length I sped :

Palace-roof of cloudless nights! :
Pan loved his neighbour Echo--but that child :
People of England, ye who toil and groan :
Peter Bells, one, two and three :
Place, for the Marshal of the Masque! :
Poet of Nature, thou hast wept to know :
Prince Athanase had one beloved friend :

Rarely, rarely, comest thou :
Reach me that handkerchief! --My brain is hurt :
Returning from its daily quest, my Spirit :
Rome has fallen, ye see it lying :
Rough wind, that moanest loud :

Sacred Goddess, Mother Earth :
See yon opening flower :
Serene in his unconquerable might :
Shall we roam, my love :
She comes not; yet I left her even now :
She left me at the silent time :
She saw me not--she heard me not--alone :
She was an aged woman; and the years :
Silence! Oh, well are Death and Sleep and Thou :
Silver key of the fountain of tears :
Sing, Muse, the son of Maia and of Jove :
Sleep, sleep on! forget thy pain :
So now my summer task is ended, Mary :
So we sate joyous as the morning ray :
Stern, stern is the voice of fate's fearful command :
Such hope, as is the sick despair of good :
Such was Zonoras; and as daylight finds :
Summer was dead and Autumn was expiring :
Sweet Spirit! Sister of that orphan one :
Sweet star, which gleaming o'er the darksome scene :
Swift as a spirit hastening to his task :
Swifter far than summer's flight :
Swiftly walk o'er the western wave :

Tell me, thou Star, whose wings of light :
That matter of the murder is hushed up :
That night we anchored in a woody bay :
That time is dead for ever, child! :
The awful shadow of some unseen Power :
The babe is at peace within the womb :
The billows on the beach are leaping around it :
The cold earth slept below :
The curtain of the Universe :
The death-bell beats! :
The death knell is ringing :
The Devil, I safely can aver :
The Devil now knew his proper cue :
The Elements respect their Maker's seal! :
The everlasting universe of things :
The fierce beasts of the woods and wildernesses :
The fiery mountains answer each other :
The fitful alternations of the rain :
The flower that smiles to-day :
The fountains mingle with the river :
The gentleness of rain was in the wind :
The golden gates of Sleep unbar :
The joy, the triumph, the delight, the madness :
The keen stars were twinkling :
The odour from the flower is gone :
The old man took the oars, and soon the bark :
The pale stars are gone :
The pale stars of the morn :
The pale, the cold, and the moony smile :
The path through which that lovely twain :
The rose that drinks the fountain dew :
The rude wind is singing :
The season was the childhood of sweet June :
The serpent is shut out from Paradise :
The sleepless Hours who watch me as I lie :
The spider spreads her webs, whether she be :
The starlight smile of children, the sweet looks :
The stars may dissolve, and the fountain of light :
The sun is set; the swallows are asleep :
The sun is warm, the sky is clear :
The sun makes music as of old :
The transport of a fierce and monstrous gladness :
The viewless and invisible Consequence :
The voice of the Spirits of Air and of Earth :
The warm sun is failing, the bleak wind is wailing :
The waters are flashing :
The wind has swept from the wide atmosphere :
The world is dreary :
The world is now our dwelling-place :
The world's great age begins anew :
Then weave the web of the mystic measure :
There is a voice, not understood by all :
There is a warm and gentle atmosphere :
There late was One within whose subtle being :
There was a little lawny islet :
There was a youth, who, as with toil and travel :
These are two friends whose lives were undivided :
They die--the dead return not--Misery :
Those whom nor power, nor lying faith, nor toil :
Thou art fair, and few are fairer :
Thou art the wine whose drunkenness is all :
Thou living light that in thy rainbow hues :
Thou supreme Goddess! by whose power divine :
Thou wert not, Cassius, and thou couldst not be :
Thou wert the morning star among the living :
Thrice three hundred thousand years :
Thus to be lost and thus to sink and die :
Thy beauty hangs around thee like :
Thy country's curse is on thee, darkest crest :
Thy dewy looks sink in my breast :
Thy little footsteps on the sands :
Thy look of love has power to calm :
'Tis midnight now--athwart the murky air :
'Tis the terror of tempest. The rags of the sail :
To me this world's a dreary blank :
To the deep, to the deep :
To thirst and find no fill--to wail and wander :
Tremble, Kings despised of man :
'Twas at the season when the Earth upsprings :
'Twas at this season that Prince Athanase :
'Twas dead of the night, when I sat in my dwelling :
'Twas dead of the night when I sate in my dwelling :

Unfathomable Sea! whose waves are years :
Unrisen splendour of the brightest sun :

Vessels of heavenly medicine! may the breeze :
Victorious Wrong, with vulture scream :

Wake the serpent not--lest he :
Was there a human spirit in the steed :
We are as clouds that veil the midnight moon :
We come from the mind :
We join the throng :
We meet not as we parted :
We strew these opiate flowers :
Wealth and dominion fade into the mass :
Weave the dance on the floor of the breeze :
Weep not, my gentle boy; he struck but me :
What! alive and so bold, O Earth? :
What art thou, Presumptuous, who profanest :
What Mary is when she a little smiles :
What men gain fairly--that they should possess :
'What think you the dead are?
' :
What thoughts had sway o'er Cythna's lonely slumber :
What was the shriek that struck Fancy's ear :
When a lover clasps his fairest :
When May is painting with her colours gay :
When passion's trance is overpast :
When soft winds and sunny skies :
When the lamp is shattered :
When the last hope of trampled France had failed :
When winds that move not its calm surface sweep :
Where art thou, beloved To-morrow? :
Where man's profane and tainting hand :
Whose is the love that gleaming through the world :
Why is it said thou canst not live :
Wild, pale, and wonder-stricken, even as one :
Wilt thou forget the happy hours :
Within a cavern of man's trackless spirit :
Worlds on worlds are rolling ever :
Would I were the winged cloud :

Ye congregated powers of heaven, who share :
Ye Dorian woods and waves, lament aloud :
Ye gentle visitations of calm thought :
Ye hasten to the grave! What seek ye there :
Ye who intelligent the Third Heaven move :
Ye wild-eyed Muses, sing the Twins of Jove :
Yes! all is past--swift time has fled away :
Yes, often when the eyes are cold and dry :
Yet look on me--take not thine eyes away :
You said that spirits spoke, but it was thee :
Your call was as a winged car :







End of the Project Gutenberg EBook of The Complete Poetical Works of Percy
Bysshe Shelley, by Percy Bysshe Shelley

*** END OF PROJECT GUTENBERG EBOOK SHELLEY'S COMPLETE POETICAL WORKS ***

This file should be named 4800. txt or 4800. zip

Produced by Sue Asscher <asschers@bigpond. com>

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included. Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
http://gutenberg. net or
http://promo. net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free! ).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www. ibiblio. org/gutenberg/etext03 or
ftp://ftp. ibiblio. org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work. The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. Our
projected audience is one hundred million readers. If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month: 1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

1 1971 July
10 1991 January
100 1994 January
1000 1997 August
1500 1998 October
2000 1999 December
2500 2000 December
3000 2001 November
4000 2001 October/November
6000 2002 December*
9000 2003 November*
10000 2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states. If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154. Donations are
tax-deductible to the maximum extent permitted by law. As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

http://www. gutenberg. net/donation. html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox. com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT! **FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print! " statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print! " statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE! * YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print! " statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you! ) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print! " and all other references to Project Gutenberg,
or:

[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
eBook or this "small print! " statement. You may however,
if you wish, distribute this eBook in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word
processing or hypertext software, but only so long as
*EITHER*:

[*] The eBook, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR

[*] The eBook may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the eBook (as is
the case, for instance, with most word processors);
OR

[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
eBook in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).

[2] Honor the eBook refund and replacement provisions of this
"Small Print! " statement.

[3] Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Literary Archive Foundation"
the 60 days following each date you prepare (or were
legally required to prepare) your annual (or equivalent
periodic) tax return. Please contact us beforehand to
let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation. "

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox. com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees. Copyright (C) 2001, 2002 by
Michael S. Hart. Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission. ]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.