13
smoking his favourile T urkish .
smoking his favourile T urkish .
Hart-Clive-1962-Structure-and-Motif-in-Finnegans-Wake
?
(Lat.
: ' Eternal r<:lot grant them,
a L<>rd . . . '-the opening wurth of the Introit of the M,. ,.
Ii,. the Dud), 2&. 1. 15, 499. [ [
Reverend (st< 'Letter')
rich beyond the dreams of aV'Hice (Samuel J ohnson; Edward
Moore: 'The Gamester'), '43. 06, lag. 15
The Riddle ('why do I am alook alike . . . '), 21. 18, 22. 05,
22. 29, (38. 05), 223. 23, 224. 14, 260. 05, SOI. f" 311. 22, 3'7. 22, 3 2 P 2 , 365. 34, 372. 04, 4'7. 07, (466. 3? ), 493 . 29,
(S' 1. 19), 623. 14
rime or reason, '. 'i4. 31, '78. 05, 2'2. 16, 263. 26, 478. 10,
496. 14
ringsome on the aquafatt (m 'First Four I'aragraph. ')
R. I. P. , '7. 26, 295. IS, 325. 0'
rise you rumt (IU 'First FQur l'aragraph. ')
riverrun (st< 'Fint Four Paragraplu')
a rolling stone gathcn no m<)l. S (Shaun), 428. 10, 600. , I
,,,
? An Index rif Motifs in Finmgam Wake
Sd""WS! Sa",,""'! $tmc/ur. l (Lat. ; 'Holy! Holy! Holy! '; Ih~ Trisagion), 235. 09, 279? F3? 1o 3? 5. 23, 343. 32, 350. 3', 360. 27, 377. 0',408. 33,01,5+'5,01,54,33,528'''9,593. 01,605. 14
SangloriaIll, save! <<. . 'Firsl Four >>aragraph. ') sauct-qu;-p. . . I, 9. 34, 222. 10, 459. 03
Ih. scheme il like a rumba round my garden (su above, p. [43), (gII. 14), 176. 18, 3"9. 0 7
. . arch me! (lh~ p~gc prcC"ding the final OCCUlnnC" "'''tIJ to Owe something to Browning" 'Caliban upon Seteboo'),
186. 33, 26g. ~3, 280,09, 322. '7, 597. 22
Secluelautcn MoLif (. u~ '. -ir:1I four Paragraph. ' : 'Pingpong!
. . . ')
""""" Wdical ",bi< l<>Tal1<m, /xnIos """ tnt. . . (Lat. : 'The calm
judgment orthe world U that thOle men (annot be good who in any part of the wodd Cut themselves off fro tn the reot or the world'-St. Augustine ; su Atherton, 'f[), 76. 07, g6? 33,
263. 27, 3OO. RI, 3'4? 3{, 5'3. 0', 593? ' 3 se. m. df, "4. 23, 143. 26, -too. 1 r
oe<: Kaple. '! and then die, ,06. 24, 4fB. "9, 501,0. [2
see pr= (paMim), 50. 21, 550. 03. .
'lbe ,tim anew (m 'Anna Livia Mntifl')
Sekhet. Hetep (the Elysian Fiel& nf the Egypliaru), 360. [6,
377. 03, 3gB? 27, 4[5? 34, 4,8. 06, 453. 32, 454-35, 530. 22,
571. 02,6'2,'5
send pe~ in our time, 92. 22, 259. 04, 500. 13
" " " " ; M"O, 3"[. 16, 353. 09
she pleated iI, she plaited it, 207. 02, 526. 32
. he s:u3 her nach, chillybombom and lorty bonnets, upon the aharsl""" (Queen Ola on the high ahar of Annagh cathe(hal;
u t GnuIU), 279? F27, 493" 9, 552. 30
she w"," alwaY' mad gone on me (Shaun "" Yeats ,peaking of
Maud Gonne), 399. 22, 526. 26
she wa, the qn""r old n co","'a (JU 'Anna Livia M otiu') . himmer and shak~ (the templ= ) , ~22. 35, 336. 08, 342. 07,
595. 05
sind nlll in prWipiq, '1/\WIt, tlsmopn; ,I in s~ la J<<IIlDrum (Lat. :
'M it ",a. in the beginning, i. now, and ever shaUbe; world '<"
? A n 1 m U x i f M o t i f s i n Fj,m~gil1ls W a k t
without end'), 66. 06, 111. 07, IS9. 211, '78. 18, '93. ~9, ~lo. 06, ~42 . 31 , 2 4 4 . 0 1 , 2 7 ' . 2 2 , ~72. 04, 2 7 7 . 1 2 , 2 9 " . 2 3 , 3 0 1 . 0 2 , 3S6. OI , 4,,5. 1 7, 468. 06, ~ . [ I, 5,,2 . 08, 582. 20
the sign of the cmss, 222. 2? h 3[6. 25, 3' 7. " , 326. 06, 336m, 339. 32, 374. 33, oj,20. S6, {71. 12, 574-'4-
s i l e n c e i n c o u r t l ( t h e ,ilen~e w h i c h r o m " , a t t h e e n d o f a c y c l e ) , 4+04, 3711. 32, 557-'2
. imply and ",! ely, . . ,:,8. 30, 5#. 19, 600. 01 . ink or swim, 120. [3, 230. "9
Sirdand calls you, 428. n7, 62J . 20, &. 18.
13
smoking his favourile T urkish . . . (the mOOf closely "-'"OCiates
Barwickr and T affin a way that J do notwholly unde,. ,tand),
294. [9,347. 36, {oj,'7. J2}
. nake in lhe grass, '39. 3', 563. oS, 6'5. 28
So. (II' 'Last Monologue Motifs')
. . , be ii, 27. 30, 94. 3~, g6. 24, 121. 211,262. 19, 111. 27,414. 14,
4 ,8. 07
Sofl morning, city! (II' 'La. t Monologue Motifs')
the . . ,lfa scale, 53. 18, 68. 20, 126m, '94. 12, 22oj,. 3:', 260. L3, 26,. '5, 268. '4, ,]S. F8, 401. 27,437. 07, <<11. 35, 450. 10, 597. 01
some at home . ? . more . . . (Set 'I. etter')
rome . ? . more . . . , 6. 21, 41. 10, 77. 12, (78. S3), 116. 20,
" 9. 33, 129. 2<>, 276. LI
SOn of a bitch, 112. 05, '49. 20,209. 15, 251. 1 I, 278. 23, S'4? 28,
3 2 2 . 0 5 , 3 4 - 0 . 0 1 1 , s 4 l ? 3 4 , 3 6 0 . 0 3 , 3 &. 1 ? 1 0 , 3 t i g ? 2 1 , 4 3 7 . 2 9 , 540. 14,543. 09, . . ,86,'5, 603. 32, 621. 10
the sonn~r the better (the finl occuITcncc--'the soother the bitther'----Ihow. tIW motif to be a version of 'Come, "",eel SaViour! '; the ,econd- 'the sinner the badder'- i1lhe oPPO' site side of Ihe piclOre), 93. 24, 3'oj,. 18
son ooft, 427. 24, 620. 1 5
sooie sesthen (_ 'First Four Paragraphs')
Sot a bit ofil! (su 'Vikingfather Sleeps')
10 this is Dublin! '3. 04, 3SP6
sound S(rnt: (the Duche. . says to Alice: 'Take care of the ""rue,
and the ""uods will take care of themS(ives'), '3. 0', g6. 32, I o g . 1 5 , , 12 . 1~, I~ J . 1 5 , 1 3 8 . 0 7 , l t i g . 2 1 , 2 7 9 . F 2 5 , 5 2 2 . 2 9 , 6 , 2 . 2 9
. .
'4'
? ? AlIlllda tif Motifs in Fi1l1llgans Wake
oow wild oau, 49-05> ~5,. 06
spare ,he rod and spoil the: c;hild, '3 , . 1" 436. 32, 579-,6 spc<<h islllw:r, sil~nce is golden (VlCO'1 finl, g<>lden, A~ wu
inanicu. b. te), ' 40. 27, '93. II , 345. 20, (! I66. I1), (477. 08)
the: Ipindle . id~, 3" ' 5, 3,5. 4. 30
SPQR (l. al. : s-wuPDJndou Q. ,R","4IIW-'th~ Roman Seriate
and People'; l~t~rs inscribed on Roman OIandards), 229. 07,
454. 35, 455. 28, ? I. p2
"lu. a~ Ihe circl~, ,86. 1 2, 265. F4, 460,09
"luaring his lbouklcn, 29-06, 252. 01
standing room only (011 Rosun ection Day), 33. ''', '79-36 stick '" pin into the bullOCb, "'. toa, 414"4
IlOp. Plu x 'lOp . . . (_ 'Leiter')
Stop Pnl, 568. ? 6, s88. 33
Ihe Itreet which is called Straight ( ACll 9: 11), 31('. ' 2, 491 . 09,
512. 15,342? ? 6,564. 10
the llruggle for lilCllh~ survi"al of the fitte3l/nltural . elecdon,
" 1. 12, 117. 28, '45. 26, 24,7. 30, 252. 28, 3+",'3, 437. 2',
lIullmng hand (Earwid'. . . . , like Ihe pri~" in "flu. SiUUl', lIYIUhn becr? gluo-c. balicos), 4. 18, 395. 27
ruch and weh and ! II aDd . 0, 4. 28, 23. 2" 233-"9, (372. ,6), 517. 30
such is Spanish (pcrhapII b. ,. . . j on a remarkof 'Sally' in Mon on Prince', TM DifS<<i4nOfl. l" Ptr~i! 7: 'T<n<jOll1S is }'rench, you know'), '#. '3, 233. 35, 300. 16
SlUS" '" t IN"" (Lat. : 'Lift up your hearu! '; from Ihe Mau). ' 5" 5,239. 09. 2g6. F3, 453. 26, 581. 13
the . . ,,,,,i,,a! of the filial (st. '! he Itruggle for lire')
lake french lelW: (d. Joyce'. early trip 10 Paris), SO-"9, 83. 30,
31 t. S3, 363. 18
take ilM lu~ il. , , ,8. lt, 623. 20
take off thai ,,"';I. e hal ! 32.
a L<>rd . . . '-the opening wurth of the Introit of the M,. ,.
Ii,. the Dud), 2&. 1. 15, 499. [ [
Reverend (st< 'Letter')
rich beyond the dreams of aV'Hice (Samuel J ohnson; Edward
Moore: 'The Gamester'), '43. 06, lag. 15
The Riddle ('why do I am alook alike . . . '), 21. 18, 22. 05,
22. 29, (38. 05), 223. 23, 224. 14, 260. 05, SOI. f" 311. 22, 3'7. 22, 3 2 P 2 , 365. 34, 372. 04, 4'7. 07, (466. 3? ), 493 . 29,
(S' 1. 19), 623. 14
rime or reason, '. 'i4. 31, '78. 05, 2'2. 16, 263. 26, 478. 10,
496. 14
ringsome on the aquafatt (m 'First Four I'aragraph. ')
R. I. P. , '7. 26, 295. IS, 325. 0'
rise you rumt (IU 'First FQur l'aragraph. ')
riverrun (st< 'Fint Four Paragraplu')
a rolling stone gathcn no m<)l. S (Shaun), 428. 10, 600. , I
,,,
? An Index rif Motifs in Finmgam Wake
Sd""WS! Sa",,""'! $tmc/ur. l (Lat. ; 'Holy! Holy! Holy! '; Ih~ Trisagion), 235. 09, 279? F3? 1o 3? 5. 23, 343. 32, 350. 3', 360. 27, 377. 0',408. 33,01,5+'5,01,54,33,528'''9,593. 01,605. 14
SangloriaIll, save! <<. . 'Firsl Four >>aragraph. ') sauct-qu;-p. . . I, 9. 34, 222. 10, 459. 03
Ih. scheme il like a rumba round my garden (su above, p. [43), (gII. 14), 176. 18, 3"9. 0 7
. . arch me! (lh~ p~gc prcC"ding the final OCCUlnnC" "'''tIJ to Owe something to Browning" 'Caliban upon Seteboo'),
186. 33, 26g. ~3, 280,09, 322. '7, 597. 22
Secluelautcn MoLif (. u~ '. -ir:1I four Paragraph. ' : 'Pingpong!
. . . ')
""""" Wdical ",bi< l<>Tal1<m, /xnIos """ tnt. . . (Lat. : 'The calm
judgment orthe world U that thOle men (annot be good who in any part of the wodd Cut themselves off fro tn the reot or the world'-St. Augustine ; su Atherton, 'f[), 76. 07, g6? 33,
263. 27, 3OO. RI, 3'4? 3{, 5'3. 0', 593? ' 3 se. m. df, "4. 23, 143. 26, -too. 1 r
oe<: Kaple. '! and then die, ,06. 24, 4fB. "9, 501,0. [2
see pr= (paMim), 50. 21, 550. 03. .
'lbe ,tim anew (m 'Anna Livia Mntifl')
Sekhet. Hetep (the Elysian Fiel& nf the Egypliaru), 360. [6,
377. 03, 3gB? 27, 4[5? 34, 4,8. 06, 453. 32, 454-35, 530. 22,
571. 02,6'2,'5
send pe~ in our time, 92. 22, 259. 04, 500. 13
" " " " ; M"O, 3"[. 16, 353. 09
she pleated iI, she plaited it, 207. 02, 526. 32
. he s:u3 her nach, chillybombom and lorty bonnets, upon the aharsl""" (Queen Ola on the high ahar of Annagh cathe(hal;
u t GnuIU), 279? F27, 493" 9, 552. 30
she w"," alwaY' mad gone on me (Shaun "" Yeats ,peaking of
Maud Gonne), 399. 22, 526. 26
she wa, the qn""r old n co","'a (JU 'Anna Livia M otiu') . himmer and shak~ (the templ= ) , ~22. 35, 336. 08, 342. 07,
595. 05
sind nlll in prWipiq, '1/\WIt, tlsmopn; ,I in s~ la J<<IIlDrum (Lat. :
'M it ",a. in the beginning, i. now, and ever shaUbe; world '<"
? A n 1 m U x i f M o t i f s i n Fj,m~gil1ls W a k t
without end'), 66. 06, 111. 07, IS9. 211, '78. 18, '93. ~9, ~lo. 06, ~42 . 31 , 2 4 4 . 0 1 , 2 7 ' . 2 2 , ~72. 04, 2 7 7 . 1 2 , 2 9 " . 2 3 , 3 0 1 . 0 2 , 3S6. OI , 4,,5. 1 7, 468. 06, ~ . [ I, 5,,2 . 08, 582. 20
the sign of the cmss, 222. 2? h 3[6. 25, 3' 7. " , 326. 06, 336m, 339. 32, 374. 33, oj,20. S6, {71. 12, 574-'4-
s i l e n c e i n c o u r t l ( t h e ,ilen~e w h i c h r o m " , a t t h e e n d o f a c y c l e ) , 4+04, 3711. 32, 557-'2
. imply and ",! ely, . . ,:,8. 30, 5#. 19, 600. 01 . ink or swim, 120. [3, 230. "9
Sirdand calls you, 428. n7, 62J . 20, &. 18.
13
smoking his favourile T urkish . . . (the mOOf closely "-'"OCiates
Barwickr and T affin a way that J do notwholly unde,. ,tand),
294. [9,347. 36, {oj,'7. J2}
. nake in lhe grass, '39. 3', 563. oS, 6'5. 28
So. (II' 'Last Monologue Motifs')
. . , be ii, 27. 30, 94. 3~, g6. 24, 121. 211,262. 19, 111. 27,414. 14,
4 ,8. 07
Sofl morning, city! (II' 'La. t Monologue Motifs')
the . . ,lfa scale, 53. 18, 68. 20, 126m, '94. 12, 22oj,. 3:', 260. L3, 26,. '5, 268. '4, ,]S. F8, 401. 27,437. 07, <<11. 35, 450. 10, 597. 01
some at home . ? . more . . . (Set 'I. etter')
rome . ? . more . . . , 6. 21, 41. 10, 77. 12, (78. S3), 116. 20,
" 9. 33, 129. 2<>, 276. LI
SOn of a bitch, 112. 05, '49. 20,209. 15, 251. 1 I, 278. 23, S'4? 28,
3 2 2 . 0 5 , 3 4 - 0 . 0 1 1 , s 4 l ? 3 4 , 3 6 0 . 0 3 , 3 &. 1 ? 1 0 , 3 t i g ? 2 1 , 4 3 7 . 2 9 , 540. 14,543. 09, . . ,86,'5, 603. 32, 621. 10
the sonn~r the better (the finl occuITcncc--'the soother the bitther'----Ihow. tIW motif to be a version of 'Come, "",eel SaViour! '; the ,econd- 'the sinner the badder'- i1lhe oPPO' site side of Ihe piclOre), 93. 24, 3'oj,. 18
son ooft, 427. 24, 620. 1 5
sooie sesthen (_ 'First Four Paragraphs')
Sot a bit ofil! (su 'Vikingfather Sleeps')
10 this is Dublin! '3. 04, 3SP6
sound S(rnt: (the Duche. . says to Alice: 'Take care of the ""rue,
and the ""uods will take care of themS(ives'), '3. 0', g6. 32, I o g . 1 5 , , 12 . 1~, I~ J . 1 5 , 1 3 8 . 0 7 , l t i g . 2 1 , 2 7 9 . F 2 5 , 5 2 2 . 2 9 , 6 , 2 . 2 9
. .
'4'
? ? AlIlllda tif Motifs in Fi1l1llgans Wake
oow wild oau, 49-05> ~5,. 06
spare ,he rod and spoil the: c;hild, '3 , . 1" 436. 32, 579-,6 spc<<h islllw:r, sil~nce is golden (VlCO'1 finl, g<>lden, A~ wu
inanicu. b. te), ' 40. 27, '93. II , 345. 20, (! I66. I1), (477. 08)
the: Ipindle . id~, 3" ' 5, 3,5. 4. 30
SPQR (l. al. : s-wuPDJndou Q. ,R","4IIW-'th~ Roman Seriate
and People'; l~t~rs inscribed on Roman OIandards), 229. 07,
454. 35, 455. 28, ? I. p2
"lu. a~ Ihe circl~, ,86. 1 2, 265. F4, 460,09
"luaring his lbouklcn, 29-06, 252. 01
standing room only (011 Rosun ection Day), 33. ''', '79-36 stick '" pin into the bullOCb, "'. toa, 414"4
IlOp. Plu x 'lOp . . . (_ 'Leiter')
Stop Pnl, 568. ? 6, s88. 33
Ihe Itreet which is called Straight ( ACll 9: 11), 31('. ' 2, 491 . 09,
512. 15,342? ? 6,564. 10
the llruggle for lilCllh~ survi"al of the fitte3l/nltural . elecdon,
" 1. 12, 117. 28, '45. 26, 24,7. 30, 252. 28, 3+",'3, 437. 2',
lIullmng hand (Earwid'. . . . , like Ihe pri~" in "flu. SiUUl', lIYIUhn becr? gluo-c. balicos), 4. 18, 395. 27
ruch and weh and ! II aDd . 0, 4. 28, 23. 2" 233-"9, (372. ,6), 517. 30
such is Spanish (pcrhapII b. ,. . . j on a remarkof 'Sally' in Mon on Prince', TM DifS<<i4nOfl. l" Ptr~i! 7: 'T<n<jOll1S is }'rench, you know'), '#. '3, 233. 35, 300. 16
SlUS" '" t IN"" (Lat. : 'Lift up your hearu! '; from Ihe Mau). ' 5" 5,239. 09. 2g6. F3, 453. 26, 581. 13
the . . ,,,,,i,,a! of the filial (st. '! he Itruggle for lire')
lake french lelW: (d. Joyce'. early trip 10 Paris), SO-"9, 83. 30,
31 t. S3, 363. 18
take ilM lu~ il. , , ,8. lt, 623. 20
take off thai ,,"';I. e hal ! 32.
