No More Learning

good-day! " They were two old ones from the nest and
a little one of the family. "Do we meet here? It's a grand place,
but there's not much to eat. This is 'the beautiful. ' Peep! "

Many people came out of the side rooms where the beautiful
marble statues stood and approached the grave where lay the great
master who had created these works of art. All stood with enraptured
faces round Thorwaldsen's grave, and a few picked up the fallen
rose-leaves and preserved them. They had come from afar: one from
mighty England, others from Germany and France. The fairest of the
ladies plucked one of the roses and hid it in her bosom. Then the
sparrows thought that the roses reigned here, and that the house had
been built for their sake. That appeared to them to be really too
much, but since all the people showed their love for the roses, they
did not wish to be behindhand. "Peep! " they said sweeping the ground
with their tails, and blinking with one eye at the roses, they had not
looked at them long before they were convinced that they were their
old neighbours. And so they really were. The painter who had drawn the
rose-bush near the ruined house, had afterwards obtained permission to
dig it up, and had given it to the architect, for finer roses had
never been seen. The architect had planted it upon Thorwaldsen's
grave, where it bloomed as an emblem of 'the beautiful' and yielded
fragrant red rose-leaves to be carried as mementoes to distant lands.

"Have you obtained an appointment here in the city? " asked the
sparrows. The roses nodded; they recognized their grey neighbours
and were pleased to see them again. "How glorious it is to live and to
bloom, to see old friends again, and happy faces every day. It is as
if every day were a festival. " "Peep! " said the sparrows. "Yes, they
are really our old neighbours; we remember their origin near the pond.
Peep! how they have got on. Yes, some succeed while they are asleep.
Ah! there's a faded leaf; I can see that quite plainly. " And they
pecked at it till it fell off. But the tree stood there fresher and
greener than ever; the roses bloomed in the sunshine on
Thorwaldsen's grave and became associated with his immortal name.




THE NIGHTINGALE

In China, you know, the emperor is a Chinese, and all those
about him are Chinamen also. The story I am going to tell you happened
a great many years ago, so it is well to hear it now before it is
forgotten. The emperor's palace was the most beautiful in the world.
It was built entirely of porcelain, and very costly, but so delicate
and brittle that whoever touched it was obliged to be careful. In
the garden could be seen the most singular flowers, with pretty silver
bells tied to them, which tinkled so that every one who passed could
not help noticing the flowers. Indeed, everything in the emperor's
garden was remarkable, and it extended so far that the gardener
himself did not know where it ended. Those who travelled beyond its
limits knew that there was a noble forest, with lofty trees, sloping
down to the deep blue sea, and the great ships sailed under the shadow
of its branches. In one of these trees lived a nightingale, who sang
so beautifully that even the poor fishermen, who had so many other
things to do, would stop and listen. Sometimes, when they went at
night to spread their nets, they would hear her sing, and say, "Oh, is
not that beautiful? " But when they returned to their fishing, they
forgot the bird until the next night. Then they would hear it again,
and exclaim "Oh, how beautiful is the nightingale's song! "

Travellers from every country in the world came to the city of the
emperor, which they admired very much, as well as the palace and
gardens; but when they heard the nightingale, they all declared it
to be the best of all. And the travellers, on their return home,
related what they had seen; and learned men wrote books, containing
descriptions of the town, the palace, and the gardens; but they did
not forget the nightingale, which was really the greatest wonder.
And those who could write poetry composed beautiful verses about the
nightingale, who lived in a forest near the deep sea. The books
travelled all over the world, and some of them came into the hands
of the emperor; and he sat in his golden chair, and, as he read, he
nodded his approval every moment, for it pleased him to find such a
beautiful description of his city, his palace, and his gardens. But
when he came to the words, "the nightingale is the most beautiful of
all," he exclaimed, "What is this? I know nothing of any
nightingale. Is there such a bird in my empire? and even in my garden?
I have never heard of it. Something, it appears, may be learnt from
books. "

Then he called one of his lords-in-waiting, who was so
high-bred, that when any in an inferior rank to himself spoke to
him, or asked him a question, he would answer, "Pooh," which means
nothing.

"There is a very wonderful bird mentioned here, called a
nightingale," said the emperor; "they say it is the best thing in my
large kingdom. Why have I not been told of it? "

"I have never heard the name," replied the cavalier; "she has
not been presented at court. "

"It is my pleasure that she shall appear this evening. " said the
emperor; "the whole world knows what I possess better than I do
myself. "

"I have never heard of her," said the cavalier; "yet I will
endeavor to find her. "

But where was the nightingale to be found? The nobleman went up
stairs and down, through halls and passages; yet none of those whom he
met had heard of the bird. So he returned to the emperor, and said
that it must be a fable, invented by those who had written the book.
"Your imperial majesty," said he, "cannot believe everything contained
in books; sometimes they are only fiction, or what is called the black
art. "

"But the book in which I have read this account," said the
emperor, "was sent to me by the great and mighty emperor of Japan, and
therefore it cannot contain a falsehood. I will hear the
nightingale, she must be here this evening; she has my highest
favor; and if she does not come, the whole court shall be trampled
upon after supper is ended. "

"Tsing-pe! " cried the lord-in-waiting, and again he ran up and
down stairs, through all the halls and corridors; and half the court
ran with him, for they did not like the idea of being trampled upon.
There was a great inquiry about this wonderful nightingale, whom all
the world knew, but who was unknown to the court.

At last they met with a poor little girl in the kitchen, who said,
"Oh, yes, I know the nightingale quite well; indeed, she can sing.
Every evening I have permission to take home to my poor sick mother
the scraps from the table; she lives down by the sea-shore, and as I
come back I feel tired, and I sit down in the wood to rest, and listen
to the nightingale's song. Then the tears come into my eyes, and it is
just as if my mother kissed me. "

"Little maiden," said the lord-in-waiting, "I will obtain for
you constant employment in the kitchen, and you shall have
permission to see the emperor dine, if you will lead us to the
nightingale; for she is invited for this evening to the palace. " So
she went into the wood where the nightingale sang, and half the
court followed her. As they went along, a cow began lowing.

"Oh," said a young courtier, "now we have found her; what
wonderful power for such a small creature; I have certainly heard it
before. "

"No, that is only a cow lowing," said the little girl; "we are a
long way from the place yet. "

Then some frogs began to croak in the marsh.

"Beautiful," said the young courtier again. "Now I hear it,
tinkling like little church bells. "

"No, those are frogs," said the little maiden; "but I think we
shall soon hear her now:" and presently the nightingale began to sing.

"Hark, hark! there she is," said the girl, "and there she sits,"
she added, pointing to a little gray bird who was perched on a bough.

"Is it possible? " said the lord-in-waiting, "I never imagined it
would be a little, plain, simple thing like that. She has certainly
changed color at seeing so many grand people around her. "

"Little nightingale," cried the girl, raising her voice, "our most
gracious emperor wishes you to sing before him. "

"With the greatest pleasure," said the nightingale, and began to
sing most delightfully.

"It sounds like tiny glass bells," said the lord-in-waiting,
"and see how her little throat works. It is surprising that we have
never heard this before; she will be a great success at court. "

"Shall I sing once more before the emperor? " asked the
nightingale, who thought he was present.

"My excellent little nightingale," said the courtier, "I have
the great pleasure of inviting you to a court festival this evening,
where you will gain imperial favor by your charming song. "

"My song sounds best in the green wood," said the bird; but
still she came willingly when she heard the emperor's wish.

The palace was elegantly decorated for the occasion. The walls and
floors of porcelain glittered in the light of a thousand lamps.
Beautiful flowers, round which little bells were tied, stood in the
corridors: what with the running to and fro and the draught, these
bells tinkled so loudly that no one could speak to be heard. In the
centre of the great hall, a golden perch had been fixed for the
nightingale to sit on. The whole court was present, and the little
kitchen-maid had received permission to stand by the door. She was not
installed as a real court cook. All were in full dress, and every
eye was turned to the little gray bird when the emperor nodded to
her to begin. The nightingale sang so sweetly that the tears came into
the emperor's eyes, and then rolled down his cheeks, as her song
became still more touching and went to every one's heart. The
emperor was so delighted that he declared the nightingale should
have his gold slipper to wear round her neck, but she declined the
honor with thanks: she had been sufficiently rewarded already. "I have
seen tears in an emperor's eyes," she said, "that is my richest
reward. An emperor's tears have wonderful power, and are quite
sufficient honor for me;" and then she sang again more enchantingly
than ever.

"That singing is a lovely gift;" said the ladies of the court to
each other; and then they took water in their mouths to make them
utter the gurgling sounds of the nightingale when they spoke to any
one, so that they might fancy themselves nightingales. And the footmen
and chambermaids also expressed their satisfaction, which is saying
a great deal, for they are very difficult to please. In fact the
nightingale's visit was most successful. She was now to remain at
court, to have her own cage, with liberty to go out twice a day, and
once during the night. Twelve servants were appointed to attend her on
these occasions, who each held her by a silken string fastened to
her leg. There was certainly not much pleasure in this kind of flying.

The whole city spoke of the wonderful bird, and when two people
met, one said "nightin," and the other said "gale," and they
understood what was meant, for nothing else was talked of. Eleven
peddlers' children were named after her, but not of them could sing
a note.

One day the emperor received a large packet on which was written
"The Nightingale. " "Here is no doubt a new book about our celebrated
bird," said the emperor. But instead of a book, it was a work of art
contained in a casket, an artificial nightingale made to look like a
living one, and covered all over with diamonds, rubies, and sapphires.
As soon as the artificial bird was wound up, it could sing like the
real one, and could move its tail up and down, which sparkled with
silver and gold. Round its neck hung a piece of ribbon, on which was
written "The Emperor of China's nightingale is poor compared with that
of the Emperor of Japan's. "

"This is very beautiful," exclaimed all who saw it, and he who had
brought the artificial bird received the title of "Imperial
nightingale-bringer-in-chief. "

"Now they must sing together," said the court, "and what a duet it
will be. " But they did not get on well, for the real nightingale
sang in its own natural way, but the artificial bird sang only
waltzes.

"That is not a fault," said the music-master, "it is quite perfect
to my taste," so then it had to sing alone, and was as successful as
the real bird; besides, it was so much prettier to look at, for it
sparkled like bracelets and breast-pins. Three and thirty times did it
sing the same tunes without being tired; the people would gladly
have heard it again, but the emperor said the living nightingale ought
to sing something. But where was she? No one had noticed her when
she flew out at the open window, back to her own green woods.

"What strange conduct," said the emperor, when her flight had been
discovered; and all the courtiers blamed her, and said she was a
very ungrateful creature.

"But we have the best bird after all," said one, and then they
would have the bird sing again, although it was the thirty-fourth time
they had listened to the same piece, and even then they had not learnt
it, for it was rather difficult. But the music-master praised the bird
in the highest degree, and even asserted that it was better than a
real nightingale, not only in its dress and the beautiful diamonds,
but also in its musical power. "For you must perceive, my chief lord
and emperor, that with a real nightingale we can never tell what is
going to be sung, but with this bird everything is settled. It can
be opened and explained, so that people may understand how the waltzes
are formed, and why one note follows upon another. "

"This is exactly what we think," they all replied, and then the
music-master received permission to exhibit the bird to the people
on the following Sunday, and the emperor commanded that they should be
present to hear it sing. When they heard it they were like people
intoxicated; however it must have been with drinking tea, which is
quite a Chinese custom. They all said "Oh! " and held up their
forefingers and nodded, but a poor fisherman, who had heard the real
nightingale, said, "it sounds prettily enough, and the melodies are
all alike; yet there seems something wanting, I cannot exactly tell
what. "

And after this the real nightingale was banished from the
empire, and the artificial bird placed on a silk cushion close to
the emperor's bed. The presents of gold and precious stones which
had been received with it were round the bird, and it was now advanced
to the title of "Little Imperial Toilet Singer," and to the rank of
No. 1 on the left hand; for the emperor considered the left side, on
which the heart lies, as the most noble, and the heart of an emperor
is in the same place as that of other people.

The music-master wrote a work, in twenty-five volumes, about the
artificial bird, which was very learned and very long, and full of the
most difficult Chinese words; yet all the people said they had read
it, and understood it, for fear of being thought stupid and having
their bodies trampled upon.

So a year passed, and the emperor, the court, and all the other
Chinese knew every little turn in the artificial bird's song; and
for that same reason it pleased them better. They could sing with
the bird, which they often did. The street-boys sang, "Zi-zi-zi,
cluck, cluck, cluck," and the emperor himself could sing it also. It
was really most amusing.

One evening, when the artificial bird was singing its best, and
the emperor lay in bed listening to it, something inside the bird
sounded "whizz. " Then a spring cracked. "Whir-r-r-r" went all the
wheels, running round, and then the music stopped. The emperor
immediately sprang out of bed, and called for his physician; but
what could he do? Then they sent for a watchmaker; and, after a
great deal of talking and examination, the bird was put into something
like order; but he said that it must be used very carefully, as the
barrels were worn, and it would be impossible to put in new ones
without injuring the music. Now there was great sorrow, as the bird
could only be allowed to play once a year; and even that was dangerous
for the works inside it. Then the music-master made a little speech,
full of hard words, and declared that the bird was as good as ever;
and, of course no one contradicted him.

Five years passed, and then a real grief came upon the land. The
Chinese really were fond of their emperor, and he now lay so ill
that he was not expected to live. Already a new emperor had been
chosen and the people who stood in the street asked the
lord-in-waiting how the old emperor was; but he only said, "Pooh! " and
shook his head.

Cold and pale lay the emperor in his royal bed; the whole court
thought he was dead, and every one ran away to pay homage to his
successor. The chamberlains went out to have a talk on the matter, and
the ladies'-maids invited company to take coffee. Cloth had been
laid down on the halls and passages, so that not a footstep should
be heard, and all was silent and still. But the emperor was not yet
dead, although he lay white and stiff on his gorgeous bed, with the
long velvet curtains and heavy gold tassels. A window stood open,
and the moon shone in upon the emperor and the artificial bird. The
poor emperor, finding he could scarcely breathe with a strange
weight on his chest, opened his eyes, and saw Death sitting there.
He had put on the emperor's golden crown, and held in one hand his
sword of state, and in the other his beautiful banner. All around
the bed and peeping through the long velvet curtains, were a number of
strange heads, some very ugly, and others lovely and gentle-looking.
These were the emperor's good and bad deeds, which stared him in the
face now Death sat at his heart.

"Do you remember this? " "Do you recollect that? " they asked one
after another, thus bringing to his remembrance circumstances that
made the perspiration stand on his brow.

"I know nothing about it," said the emperor. "Music! music! " he
cried; "the large Chinese drum! that I may not hear what they say. "
But they still went on, and Death nodded like a Chinaman to all they
said. "Music! music! " shouted the emperor. "You little precious golden
bird, sing, pray sing! I have given you gold and costly presents; I
have even hung my golden slipper round your neck. Sing! sing! " But the
bird remained silent. There was no one to wind it up, and therefore it
could not sing a note.

Death continued to stare at the emperor with his cold, hollow
eyes, and the room was fearfully still. Suddenly there came through
the open window the sound of sweet music. Outside, on the bough of a
tree, sat the living nightingale. She had heard of the emperor's
illness, and was therefore come to sing to him of hope and trust.
And as she sung, the shadows grew paler and paler; the blood in the
emperor's veins flowed more rapidly, and gave life to his weak
limbs; and even Death himself listened, and said, "Go on, little
nightingale, go on. "

"Then will you give me the beautiful golden sword and that rich
banner? and will you give me the emperor's crown? " said the bird.

So Death gave up each of these treasures for a song; and the
nightingale continued her singing. She sung of the quiet churchyard,
where the white roses grow, where the elder-tree wafts its perfume
on the breeze, and the fresh, sweet grass is moistened by the
mourners' tears. Then Death longed to go and see his garden, and
floated out through the window in the form of a cold, white mist.

"Thanks, thanks, you heavenly little bird. I know you well. I
banished you from my kingdom once, and yet you have charmed away the
evil faces from my bed, and banished Death from my heart, with your
sweet song. How can I reward you? "

"You have already rewarded me," said the nightingale. "I shall
never forget that I drew tears from your eyes the first time I sang to
you. These are the jewels that rejoice a singer's heart. But now
sleep, and grow strong and well again. I will sing to you again.
"

And as she sung, the emperor fell into a sweet sleep; and how mild
and refreshing that slumber was! When he awoke, strengthened and
restored, the sun shone brightly through the window; but not one of
his servants had returned--they all believed he was dead; only the
nightingale still sat beside him, and sang.

"You must always remain with me," said the emperor. "You shall
sing only when it pleases you; and I will break the artificial bird
into a thousand pieces. "

"No; do not do that," replied the nightingale; "the bird did
very well as long as it could. Keep it here still. I cannot live in
the palace, and build my nest; but let me come when I like. I will sit
on a bough outside your window, in the evening, and sing to you, so
that you may be happy, and have thoughts full of joy. I will sing to
you of those who are happy, and those who suffer; of the good and
the evil, who are hidden around you. The little singing bird flies far
from you and your court to the home of the fisherman and the peasant's
cot. I love your heart better than your crown; and yet something
holy lingers round that also. I will come, I will sing to you; but you
must promise me one thing. "

"Everything," said the emperor, who, having dressed himself in his
imperial robes, stood with the hand that held the heavy golden sword
pressed to his heart.

"I only ask one thing," she replied; "let no one know that you
have a little bird who tells you everything. It will be best to
conceal it. " So saying, the nightingale flew away.

The servants now came in to look after the dead emperor; when, lo!
there he stood, and, to their astonishment, said, "Good morning. "




THERE IS NO DOUBT ABOUT IT

"That was a terrible affair! " said a hen, and in a quarter of the
town, too, where it had not taken place. "That was a terrible affair
in a hen-roost. I cannot sleep alone to-night. It is a good thing that
many of us sit on the roost together. " And then she told a story
that made the feathers on the other hens bristle up, and the cock's
comb fall. There was no doubt about it.

But we will begin at the beginning, and that is to be found in a
hen-roost in another part of the town. The sun was setting, and the
fowls were flying on to their roost; one hen, with white feathers
and short legs, used to lay her eggs according to the regulations, and
was, as a hen, respectable in every way. As she was flying upon the
roost, she plucked herself with her beak, and a little feather came
out.

"There it goes," she said; "the more I pluck, the more beautiful
do I get. " She said this merrily, for she was the best of the hens,
and, moreover, as had been said, very respectable. With that she
went to sleep.

It was dark all around, and hen sat close to hen, but the one
who sat nearest to her merry neighbour did not sleep. She had heard
and yet not heard, as we are often obliged to do in this world, in
order to live at peace; but she could not keep it from her neighbour
on the other side any longer. "Did you hear what was said? I mention
no names, but there is a hen here who intends to pluck herself in
order to look well. If I were a cock, I should despise her. "

Just over the fowls sat the owl, with father owl and the little
owls. The family has sharp ears, and they all heard every word that
their neighbour had said. They rolled their eyes, and mother owl,
beating her wings, said: "Don't listen to her! But I suppose you heard
what was said? I heard it with my own ears, and one has to hear a
great deal before they fall off. There is one among the fowls who
has so far forgotten what is becoming to a hen that she plucks out all
her feathers and lets the cock see it. "

"Prenez garde aux enfants! " said father owl; "children should
not hear such things. "

"But I must tell our neighbour owl about it; she is such an
estimable owl to talk to. " And with that she flew away.

"Too-whoo! Too-whoo! " they both hooted into the neighbour's
dove-cot to the doves inside. "Have you heard? Have you heard?
Too-whoo! There is a hen who has plucked out all her feathers for
the sake of the cock; she will freeze to death, if she is not frozen
already. Too-whoo! "

"Where? where? " cooed the doves.

"In the neighbour's yard. I have as good as seen it myself. It
is almost unbecoming to tell the story, but there is no doubt about
it. "

"Believe every word of what we tell you," said the doves, and
cooed down into their poultry-yard. "There is a hen--nay, some say
that there are two--who have plucked out all their feathers, in
order not to look like the others, and to attract the attention of the
cock. It is a dangerous game, for one can easily catch cold and die
from fever, and both of these are dead already. "

"Wake up! wake up! " crowed the cock, and flew upon his board.
Sleep was still in his eyes, but yet he crowed out: "Three hens have
died of their unfortunate love for a cock. They had plucked out all
their feathers. It is a horrible story: I will not keep it to
myself, but let it go farther. "

"Let it go farther," shrieked the bats, and the hens clucked and
the cocks crowed, "Let it go farther! Let it go farther! " In this
way the story travelled from poultry-yard to poultry-yard, and at last
came back to the place from which it had really started.

"Five hens," it now ran, "have plucked out all their feathers to
show which of them had grown leanest for love of the cock, and then
they all pecked at each other till the blood ran down and they fell
down dead, to the derision and shame of their family, and to the great
loss of their owner. "

The hen who had lost the loose little feather naturally did not
recognise her own story, and being a respectable hen, said: "I despise
those fowls; but there are more of that kind. Such things ought not to
be concealed, and I will do my best to get the story into the
papers, so that it becomes known throughout the land; the hens have
richly deserved it, and their family too. "

It got into the papers, it was printed; and there is no doubt
about it, one little feather may easily grow into five hens.




IN THE NURSERY

Father, and mother, and brothers, and sisters, were gone to the
play; only little Anna and her grandpapa were left at home.

"We'll have a play too," he said, "and it may begin immediately. "

"But we have no theatre," cried little Anna, "and we have no one
to act for us; my old doll cannot, for she is a fright, and my new one
cannot, for she must not rumple her new clothes. "

"One can always get actors if one makes use of what one has,"
observed grandpapa.

"Now we'll go into the theatre. Here we will put up a book,
there another, and there a third, in a sloping row. Now three on the
other side; so, now we have the side scenes. The old box that lies
yonder may be the back stairs; and we'll lay the flooring on top of
it. The stage represents a room, as every one may see. Now we want the
actors. Let us see what we can find in the plaything-box. First the
personages, and then we will get the play ready. One after the
other; that will be capital! Here's a pipe-head, and yonder an odd
glove; they will do very well for father and daughter. "

"But those are only two characters," said little Anna. "Here's
my brother's old waistcoat--could not that play in our piece, too? "

"It's big enough, certainly," replied grandpapa. "It shall be
the lover. There's nothing in the pockets, and that's very
interesting, for that's half of an unfortunate attachment. And here we
have the nut-cracker's boots, with spurs to them. Row, dow, dow! how
they can stamp and strut! They shall represent the unwelcome wooer,
whom the lady does not like. What kind of a play will you have now?
Shall it be a tragedy, or a domestic drama? "

"A domestic drama, please," said little Anna, "for the others
are so fond of that. Do you know one? "

"I know a hundred," said grandpapa. "Those that are most in
favor are from the French, but they are not good for little girls.
In the meantime, we may take one of the prettiest, for inside
they're all very much alike. Now I shake the pen! Cock-a-lorum! So
now, here's the play, brin-bran-span new! Now listen to the
play-bill. "

And grandpapa took a newspaper, and read as if he were reading
from it:

THE PIPE-HEAD AND THE GOOD HEAD
A Family Drama in One Act
CHARACTERS

MR. PIPE-HEAD, a father. MR. WAISTCOAT, a lover.
MISS GLOVE, a daughter. MR. DE BOOTS, a suitor.


"And now we're going to begin. The curtain rises. We have no
curtain, so it has risen already. All the characters are there, and so
we have them at hand. Now I speak as Papa Pipe-head! He's angry
to-day. One can see that he's a colored meerschaum.

"'Snik, snak, snurre, bassellurre! I'm master of this house! I'm
the father of my daughter! Will you hear what I have to say? Mr. de
Boots is a person in whom one may see one's face; his upper part is of
morocco, and he has spurs into the bargain. Snikke, snakke, snak! He
shall have my daughter! "

"Now listen to what the Waistcoat says, little Anna," said
grandpapa. "Now the Waistcoat's speaking. The Waistcoat has a
laydown collar, and is very modest; but he knows his own value, and
has quite a right to say what he says:

"'I haven't a spot on me! Goodness of material ought to be
appreciated. I am of real silk, and have strings to me. '

"'--On the wedding day, but no longer; you don't keep your color
in the wash. ' This is Mr. Pipe-head who is speaking. 'Mr. de Boots
is water-tight, of strong leather, and yet very delicate; he can
creak, and clank with his spurs, and has an Italian physiognomy-'"

"But they ought to speak in verses," said Anna, "for I've heard
that's the most charming way of all. "

"They can do that too," replied grandpapa; "and if the public
demands it, they will talk in that way. Just look at little Miss
Glove, how she's pointing her fingers!

"'Could I but have my love,
Who then so happy as Glove!
Ah!
If I from him must part,
I'm sure 'twill break my heart! '
'Bah! '

The last word was spoken by Mr. Pipe-head; and now it's Mr.
Waistcoat's turn:

"'O Glove, my own dear,
Though it cost thee a tear,
Thou must be mine,
For Holger Danske has sworn it! '


"Mr. de Boots, hearing this, kicks up, jingles his spurs, and
knocks down three of the side-scenes. "

"That's exceedingly charming! " cried little Anna.

"Silence! silence! " said grandpapa. "Silent approbation will
show that you are the educated public in the stalls. Now Miss Glove
sings her great song with startling effects:

"'I can't see, heigho!
And therefore I'll crow!
Kikkeriki, in the lofty hall! '


"Now comes the exciting part, little Anna. This is the most
important in all the play. Mr. Waistcoat undoes himself, and addresses
his speech to you, that you may applaud; but leave it alone,--that's
considered more genteel.

"'I am driven to extremities! Take care of yourself! Now comes the
plot! You are the Pipe-head, and I am the good head--snap! there you
go! "

"Do you notice this, little Anna? " asked grandpapa. "That's a most
charming comedy. Mr. Waistcoat seized the old Pipe-head and put him in
his pocket; there he lies, and the Waistcoat says:

"'You are in my pocket; you can't come out till you promise to
unite me to your daughter Glove on the left. I hold out my right
hand. '"

"That's awfully pretty," said little Anna.

"And now the old Pipe-head replies:

"'Though I'm all ear,
Very stupid I appear:
Where's my humor? Gone, I fear,
And I feel my hollow stick's not here,
Ah! never, my dear,
Did I feel so queer.
Oh! pray let me out,
And like a lamb led to slaughter
I'll betroth you, no doubt,
To my daughter. '"


"Is the play over already? " asked little Anna.

"By no means," replied grandpapa. "It's only all over with Mr.
de Boots. Now the lovers kneel down, and one of them sings:

"'Father! '

and the other,

'Come, do as you ought to do,--
Bless your son and daughter. '

And they receive his blessing, and celebrate their wedding, and all
the pieces of furniture sing in chorus,

"'Klink! clanks!
A thousand thanks;
And now the play is over! '


"And now we'll applaud," said grandpapa. "We'll call them all out,
and the pieces of furniture too, for they are of mahogany. "

"And is not our play just as good as those which the others have
in the real theatre? "

"Our play is much better," said grandpapa. "It is shorter, the
performers are natural, and it has passed away the interval before
tea-time. "




THE OLD BACHELOR'S NIGHTCAP

There is a street in Copenhagen with a very strange name. It is
called "Hysken" street. Where the name came from, and what it means is
very uncertain.