No More Learning

")_

[XXXIX. , 1823]


To thee, all time to thee,
My lyre a voice shall be!
Above all earthly fashion,
Above mere mundane rage,
Your mind made it my passion
To write for noblest stage.

Whoe'er you be, send blessings to her--she
Was sister of my soul immortal, free!
My pride, my hope, my shelter, my resource,
When green hoped not to gray to run its course;
She was enthroned Virtue under heaven's dome,
My idol in the shrine of curtained home.






LES VOIX INTERIEURES. --1840.





THE BLINDED BOURBONS.

_("Qui leur eut dit l'austere destinee? ")_

[II. v. , November, 1836. ]


Who _then_, to them[1] had told the Future's story?
Or said that France, low bowed before their glory,
One day would mindful be
Of them and of their mournful fate no more,
Than of the wrecks its waters have swept o'er
The unremembering sea?

That their old Tuileries should see the fall
Of blazons from its high heraldic hall,
Dismantled, crumbling, prone;[2]
Or that, o'er yon dark Louvre's architrave[3]
A Corsican, as yet unborn, should grave
An eagle, then unknown?

That gay St. Cloud another lord awaited,
Or that in scenes Le Notre's art created
For princely sport and ease,
Crimean steeds, trampling the velvet glade,
Should browse the bark beneath the stately shade
Of the great Louis' trees?

_Fraser's Magazine. _

[Footnote 1: The young princes, afterwards Louis XVIII. and Charles X. ]

[Footnote 2: The Tuileries, several times stormed by mobs, was so
irreparably injured by the Communists that, in 1882, the Paris Town
Council decided that the ruins should be cleared away. ]

[Footnote 3: After the Eagle and the Bee superseded the Lily-flowers,
the Third Napoleon's initial "N" flourished for two decades, but has
been excised or plastered over, the words "National Property" or
"Liberty, Equality, Fraternity" being cut in the stone profusely. ]





TO ALBERT DURER.

_("Dans les vieilles forets. ")_

[X. , April 20, 1837. ]


Through ancient forests--where like flowing tide
The rising sap shoots vigor far and wide,
Mounting the column of the alder dark
And silv'ring o'er the birch's shining bark--
Hast thou not often, Albert Durer, strayed
Pond'ring, awe-stricken--through the half-lit glade,
Pallid and trembling--glancing not behind
From mystic fear that did thy senses bind,
Yet made thee hasten with unsteady pace?
Oh, Master grave! whose musings lone we trace
Throughout thy works we look on reverently.
Amidst the gloomy umbrage thy mind's eye
Saw clearly, 'mong the shadows soft yet deep,
The web-toed faun, and Pan the green-eyed peep,
Who deck'd with flowers the cave where thou might'st rest,
Leaf-laden dryads, too, in verdure drest.
A strange weird world such forest was to thee,
Where mingled truth and dreams in mystery;
There leaned old ruminating pines, and there
The giant elms, whose boughs deformed and bare
A hundred rough and crooked elbows made;
And in this sombre group the wind had swayed,
Nor life--nor death--but life in death seemed found.
The cresses drink--the water flows--and round
Upon the slopes the mountain rowans meet,
And 'neath the brushwood plant their gnarled feet,
Intwining slowly where the creepers twine.
There, too, the lakes as mirrors brightly shine,
And show the swan-necked flowers, each line by line.
Chimeras roused take stranger shapes for thee,
The glittering scales of mailed throat we see,
And claws tight pressed on huge old knotted tree;
While from a cavern dim the bright eyes glare.
Oh, vegetation! Spirit! Do we dare
Question of matter, and of forces found
'Neath a rude skin-in living verdure bound.
Oh, Master--I, like thee, have wandered oft
Where mighty trees made arches high aloft,
But ever with a consciousness of strife,
A surging struggle of the inner life.
Ever the trembling of the grass I say,
And the boughs rocking as the breezes play,
Have stirred deep thoughts in a bewild'ring way.
Oh, God! alone Great Witness of all deeds,
Of thoughts and acts, and all our human needs,
God only knows how often in such scenes
Of savage beauty under leafy screens,
I've felt the mighty oaks had spirit dower--
Like me knew mirth and sorrow--sentient power,
And whisp'ring each to each in twilight dim,
Had hearts that beat--and owned a soul from Him!

MRS. NEWTON CROSLAND





TO HIS MUSE.

_("Puisqu'ici-bas tout ame. ")_

[XL, May 19, 1836. ]

Since everything below,
Doth, in this mortal state,
Its tone, its fragrance, or its glow
Communicate;

Since all that lives and moves
Upon the earth, bestows
On what it seeks and what it loves
Its thorn or rose;

Since April to the trees
Gives a bewitching sound,
And sombre night to grief gives ease,
And peace profound;

Since day-spring on the flower
A fresh'ning drop confers,
And the fresh air on branch and bower
Its choristers;

Since the dark wave bestows
A soft caress, imprest
On the green bank to which it goes
Seeking its rest;

I give thee at this hour,
Thus fondly bent o'er thee,
The best of all the things in dow'r
That in me be.

Receive,-poor gift, 'tis true,
Which grief, not joy, endears,--
My thoughts, that like a shower of dew,
Reach thee in tears.

My vows untold receive,
All pure before thee laid;
Receive of all the days I live
The light or shade!

My hours with rapture fill'd,
Which no suspicion wrongs;
And all the blandishments distill'd
From all my songs.

My spirit, whose essay
Flies fearless, wild, and free,
And hath, and seeks, to guide its way
No star but thee.

No pensive, dreamy Muse,
Who, though all else should smile,
Oft as thou weep'st, with thee would choose,
To weep the while.

Oh, sweetest mine! this gift
Receive;--'tis throe alone;--
My heart, of which there's nothing left
When Love is gone!

_Fraser's Magazine. _





THE COW.

_("Devant la blanche ferme. ")_

[XV. , May, 1837. ]


Before the farm where, o'er the porch, festoon
Wild creepers red, and gaffer sits at noon,
Whilst strutting fowl display their varied crests,
And the old watchdog slumberously rests,
They half-attentive to the clarion of their king,
Resplendent in the sunshine op'ning wing--
There stood a cow, with neck-bell jingling light,
Superb, enormous, dappled red and white--
Soft, gentle, patient as a hind unto its young,
Letting the children swarm until they hung
Around her, under--rustics with their teeth
Whiter than marble their ripe lips beneath,
And bushy hair fresh and more brown
Than mossy walls at old gates of a town,
Calling to one another with loud cries
For younger imps to be in at the prize;
Stealing without concern but tremulous with fear
They glance around lest Doll the maid appear;--
Their jolly lips--that haply cause some pain,
And all those busy fingers, pressing now and 'gain,
The teeming udders whose small, thousand pores
Gush out the nectar 'mid their laughing roars,
While she, good mother, gives and gives in heaps,
And never moves. Anon there creeps
A vague soft shiver o'er the hide unmarred,
As sharp they pull, she seems of stone most hard.
Dreamy of large eye, seeks she no release,
And shrinks not while there's one still to appease.
Thus Nature--refuge 'gainst the slings of fate!
Mother of all, indulgent as she's great!
Lets us, the hungered of each age and rank,
Shadow and milk seek in the eternal flank;
Mystic and carnal, foolish, wise, repair,
The souls retiring and those that dare,
Sages with halos, poets laurel-crowned,
All creep beneath or cluster close around,
And with unending greed and joyous cries,
From sources full, draw need's supplies,
Quench hearty thirst, obtain what must eftsoon
Form blood and mind, in freest boon,
Respire at length thy sacred flaming light,
From all that greets our ears, touch, scent or sight--
Brown leaves, blue mountains, yellow gleams, green sod--
Thou undistracted still dost dream of God.

TORU DUTT.





MOTHERS.

_("Regardez: les enfants. ")_

[XX. , June, 1884. ]


See all the children gathered there,
Their mother near; so young, so fair,
An eider sister she might be,
And yet she hears, amid their games,
The shaking of their unknown names
In the dark urn of destiny.

She wakes their smiles, she soothes their cares,
On that pure heart so like to theirs,
Her spirit with such life is rife
That in its golden rays we see,
Touched into graceful poesy,
The dull cold commonplace of life.

Still following, watching, whether burn
The Christmas log in winter stern,
While merry plays go round;
Or streamlets laugh to breeze of May
That shakes the leaf to break away--
A shadow falling to the ground.

If some poor man with hungry eyes
Her baby's coral bauble spies,
She marks his look with famine wild,
For Christ's dear sake she makes with joy
An alms-gift of the silver toy--
A smiling angel of the child.

_Dublin University Magazine_





TO SOME BIRDS FLOWN AWAY.

_("Enfants! Oh! revenez! ")_

[XXII, April, 1837]


Children, come back--come back, I say--
You whom my folly chased away
A moment since, from this my room,
With bristling wrath and words of doom!
What had you done, you bandits small,
With lips as red as roses all?
What crime? --what wild and hapless deed?
What porcelain vase by you was split
To thousand pieces? Did you need
For pastime, as you handled it,
Some Gothic missal to enrich
With your designs fantastical?
Or did your tearing fingers fall
On some old picture? Which, oh, which
Your dreadful fault? Not one of these;
Only when left yourselves to please
This morning but a moment here
'Mid papers tinted by my mind
You took some embryo verses near--
Half formed, but fully well designed
To open out. Your hearts desire
Was but to throw them on the fire,
Then watch the tinder, for the sight
Of shining sparks that twinkle bright
As little boats that sail at night,
Or like the window lights that spring
From out the dark at evening.

'Twas all, and you were well content.
Fine loss was this for anger's vent--
A strophe ill made midst your play,
Sweet sound that chased the words away
In stormy flight. An ode quite new,
With rhymes inflated--stanzas, too,
That panted, moving lazily,
And heavy Alexandrine lines
That seemed to jostle bodily,
Like children full of play designs
That spring at once from schoolroom's form.
Instead of all this angry storm,
Another might have thanked you well
For saving prey from that grim cell,
That hollowed den 'neath journals great,
Where editors who poets flout
With their demoniac laughter shout.
And I have scolded you! What fate
For charming dwarfs who never meant
To anger Hercules! And I
Have frightened you! --My chair I sent
Back to the wall, and then let fly
A shower of words the envious use--
"Get out," I said, with hard abuse,
"Leave me alone--alone I say. "
Poor man alone! Ah, well-a-day,
What fine result--what triumph rare!
As one turns from the coffin'd dead
So left you me:--I could but stare
Upon the door through which you fled--
I proud and grave--but punished quite.
And what care you for this my plight! --
You have recovered liberty,
Fresh air and lovely scenery,
The spacious park and wished-for grass;
The running stream, where you can throw
A blade to watch what comes to pass;
Blue sky, and all the spring can show;
Nature, serenely fair to see;
The book of birds and spirits free,
God's poem, worth much more than mine,
Where flowers for perfect stanzas shine--
Flowers that a child may pluck in play,
No harsh voice frightening it away.
And I'm alone--all pleasure o'er--
Alone with pedant called "Ennui,"
For since the morning at my door
Ennui has waited patiently.
That docto-r-London born, you mark,
One Sunday in December dark,
Poor little ones--he loved you not,
And waited till the chance he got
To enter as you passed away,
And in the very corner where
You played with frolic laughter gay,
He sighs and yawns with weary air.

What can I do? Shall I read books,
Or write more verse--or turn fond looks
Upon enamels blue, sea-green,
And white--on insects rare as seen
Upon my Dresden china ware?
Or shall I touch the globe, and care
To make the heavens turn upon
Its axis? No, not one--not one
Of all these things care I to do;
All wearies me--I think of you.
In truth with you my sunshine fled,
And gayety with your light tread--
Glad noise that set me dreaming still.
'Twas my delight to watch your will,
And mark you point with finger-tips
To help your spelling out a word;
To see the pearls between your lips
When I your joyous laughter heard;
Your honest brows that looked so true,
And said "Oh, yes! " to each intent;
Your great bright eyes, that loved to view
With admiration innocent
My fine old Sevres; the eager thought
That every kind of knowledge sought;
The elbow push with "Come and see! "

Oh, certes! spirits, sylphs, there be,
And fays the wind blows often here;
The gnomes that squat the ceiling near,
In corners made by old books dim;
The long-backed dwarfs, those goblins grim
That seem at home 'mong vases rare,
And chat to them with friendly air--
Oh, how the joyous demon throng
Must all have laughed with laughter long
To see you on my rough drafts fall,
My bald hexameters, and all
The mournful, miserable band,
And drag them with relentless hand
From out their box, with true delight
To set them each and all a-light,
And then with clapping hands to lean
Above the stove and watch the scene,
How to the mass deformed there came
A soul that showed itself in flame!

Bright tricksy children--oh, I pray
Come back and sing and dance away,
And chatter too--sometimes you may,
A giddy group, a big book seize--
Or sometimes, if it so you please,
With nimble step you'll run to me
And push the arm that holds the pen,
Till on my finished verse will be
A stroke that's like a steeple when
Seen suddenly upon a plain.
My soul longs for your breath again
To warm it. Oh, return--come here
With laugh and babble--and no fear
When with your shadow you obscure
The book I read, for I am sure,
Oh, madcaps terrible and dear,
That you were right and I was wrong.
But who has ne'er with scolding tongue
Blamed out of season. Pardon me!
You must forgive--for sad are we.

The young should not be hard and cold
And unforgiving to the old.
Children each morn your souls ope out
Like windows to the shining day,
Oh, miracle that comes about,
The miracle that children gay
Have happiness and goodness too,
Caressed by destiny are you,
Charming you are, if you but play.
But we with living overwrought,
And full of grave and sombre thought,
Are snappish oft: dear little men,
We have ill-tempered days, and then,
Are quite unjust and full of care;
It rained this morning and the air
Was chill; but clouds that dimm'd the sky
Have passed. Things spited me, and why?
But now my heart repents. Behold
What 'twas that made me cross, and scold!
All by-and-by you'll understand,
When brows are mark'd by Time's stern hand;
Then you will comprehend, be sure,
When older--that's to say, less pure.

The fault I freely own was mine.
But oh, for pardon now I pine!
Enough my punishment to meet,
You must forgive, I do entreat
With clasped hands praying--oh, come back,
Make peace, and you shall nothing lack.
See now my pencils--paper--here,
And pointless compasses, and dear
Old lacquer-work; and stoneware clear
Through glass protecting; all man's toys
So coveted by girls and boys.
Great China monsters--bodies much
Like cucumbers--you all shall touch.
I yield up all! my picture rare
Found beneath antique rubbish heap,
My great and tapestried oak chair
I will from you no longer keep.
You shall about my table climb,
And dance, or drag, without a cry
From me as if it were a crime.
Even I'll look on patiently
If you your jagged toys all throw
Upon my carved bench, till it show
The wood is torn; and freely too,
I'll leave in your own hands to view,
My pictured Bible--oft desired--
But which to touch your fear inspired--
With God in emperor's robes attired.

Then if to see my verses burn,
Should seem to you a pleasant turn,
Take them to freely tear away
Or burn. But, oh! not so I'd say,
If this were Mery's room to-day.
That noble poet! Happy town,
Marseilles the Greek, that him doth own!
Daughter of Homer, fair to see,
Of Virgil's son the mother she.
To you I'd say, Hold, children all,
Let but your eyes on his work fall;
These papers are the sacred nest
In which his crooning fancies rest;
To-morrow winged to Heaven they'll soar,
For new-born verse imprisoned still
In manuscript may suffer sore
At your small hands and childish will,
Without a thought of bad intent,
Of cruelty quite innocent.
You wound their feet, and bruise their wings,
And make them suffer those ill things
That children's play to young birds brings.

But mine! no matter what you do,
My poetry is all in you;
You are my inspiration bright
That gives my verse its purest light.
Children whose life is made of hope,
Whose joy, within its mystic scope,
Owes all to ignorance of ill,
You have not suffered, and you still
Know not what gloomy thoughts weigh down
The poet-writer weary grown.
What warmth is shed by your sweet smile!
How much he needs to gaze awhile
Upon your shining placid brow,
When his own brow its ache doth know;
With what delight he loves to hear
Your frolic play 'neath tree that's near,
Your joyous voices mixing well
With his own song's all-mournful swell!
Come back then, children! come to me,
If you wish not that I should be
As lonely now that you're afar
As fisherman of Etretat,
Who listless on his elbow leans
Through all the weary winter scenes,
As tired of thought--as on Time flies--
And watching only rainy skies!

MRS. NEWTON CROSLAND.





MY THOUGHTS OF YE.

_("A quoi je songe? ")_

[XXIII. , July, 1836. ]


What do I dream of? Far from the low roof,
Where now ye are, children, I dream of you;
Of your young heads that are the hope and crown
Of my full summer, ripening to its fall.
Branches whose shadow grows along my wall,
Sweet souls scarce open to the breath of day,
Still dazzled with the brightness of your dawn.
I dream of those two little ones at play,
Making the threshold vocal with their cries,
Half tears, half laughter, mingled sport and strife,
Like two flowers knocked together by the wind.
Or of the elder two--more anxious thought--
Breasting already broader waves of life,
A conscious innocence on either face,
My pensive daughter and my curious boy.
Thus do I dream, while the light sailors sing,
At even moored beneath some steepy shore,
While the waves opening all their nostrils breathe
A thousand sea-scents to the wandering wind,
And the whole air is full of wondrous sounds,
From sea to strand, from land to sea, given back
Alone and sad, thus do I dream of you.
Children, and house and home, the table set,
The glowing hearth, and all the pious care
Of tender mother, and of grandsire kind;
And while before me, spotted with white sails,
The limpid ocean mirrors all the stars,
And while the pilot, from the infinite main,
Looks with calm eye into the infinite heaven,
I dreaming of you only, seek to scan
And fathom all my soul's deep love for you--
Love sweet, and powerful, and everlasting--
And find that the great sea is small beside it.

_Dublin University Magazine. _





THE BEACON IN THE STORM.

_("Quels sont ces bruits sourds? ")_

[XXIV. , July 17, 1836. ]


Hark to that solemn sound!
It steals towards the strand. --
Whose is that voice profound
Which mourns the swallowed land,
With moans,
Or groans,
New threats of ruin close at hand?
It is Triton--the storm to scorn
Who doth wind his sonorous horn.

How thick the rain to-night!
And all along the coast
The sky shows naught of light
Is it a storm, my host?
Too soon
The boon
Of pleasant weather will be lost
Yes, 'tis Triton, etc.

Are seamen on that speck
Afar in deepening dark?
Is that a splitting deck
Of some ill-fated bark?
Fend harm!
Send calm!
O Venus! show thy starry spark!
Though 'tis Triton, etc.

The thousand-toothed gale,--
Adventurers too bold! --
Rips up your toughest sail
And tears your anchor-hold.
You forge
Through surge,
To be in rending breakers rolled.
While old Triton, etc.

Do sailors stare this way,
Cramped on the Needle's sheaf,
To hail the sudden ray
Which promises relief?
Then, bright;
Shine, light!
Of hope upon the beacon reef!
Though 'tis Triton, etc.





LOVE'S TREACHEROUS POOL

_("Jeune fille, l'amour c'est un miroir. ")_

[XXVI. , February, 1835. ]


Young maiden, true love is a pool all mirroring clear,
Where coquettish girls come to linger in long delight,
For it banishes afar from the face all the clouds that besmear
The soul truly bright;
But tempts you to ruffle its surface; drawing your foot
To subtilest sinking! and farther and farther the brink
That vainly you snatch--for repentance, 'tis weed without root,--
And struggling, you sink!





THE ROSE AND THE GRAVE.

_("La tombe dit a la rose. ")_

[XXXI. , June 3, 1837]


The Grave said to the rose
"What of the dews of dawn,
Love's flower, what end is theirs? "
"And what of spirits flown,
The souls whereon doth close
The tomb's mouth unawares? "
The Rose said to the Grave.

The Rose said: "In the shade
From the dawn's tears is made
A perfume faint and strange,
Amber and honey sweet.
"
"And all the spirits fleet
Do suffer a sky-change,
More strangely than the dew,
To God's own angels new,"
The Grave said to the Rose.

A. LANG.






LES RAYONS ET LES OMBRES. --1840.





HOLYROOD PALACE.

_("O palais, sois benie. ")_

[II. , June, 1839. ]


Palace and ruin, bless thee evermore!
Grateful we bow thy gloomy tow'rs before;
For the old King of France[1] hath found in thee
That melancholy hospitality
Which in their royal fortune's evil day,
Stuarts and Bourbons to each other pay.

_Fraser's Magazine. _

[Footnote 1: King Charles X. ]





THE HUMBLE HOME.

_("L'eglise est vaste et haute. ")_

[IV. , June 29, 1839. ]


The Church[1] is vast; its towering pride, its steeples loom on high;
The bristling stones with leaf and flower are sculptured wondrously;
The portal glows resplendent with its "rose,"
And 'neath the vault immense at evening swarm
Figures of angel, saint, or demon's form,
As oft a fearful world our dreams disclose.
But not the huge Cathedral's height, nor yet its vault sublime,
Nor porch, nor glass, nor streaks of light, nor shadows deep with time;
Nor massy towers, that fascinate mine eyes;
No, 'tis that spot--the mind's tranquillity--
Chamber wherefrom the song mounts cheerily,
Placed like a joyful nest well nigh the skies.

Yea! glorious is the Church, I ween, but Meekness dwelleth here;
Less do I love the lofty oak than mossy nest it bear;
More dear is meadow breath than stormy wind:
And when my mind for meditation's meant,
The seaweed is preferred to the shore's extent,--
The swallow to the main it leaves behind.

_Author of "Critical Essays. "_

[Footnote 1: The Cathedral Notre Dame of Paris, which is the scene of the
author's romance, "Notre Dame. "]





THE EIGHTEENTH CENTURY.

_("O dix-huitieme siecle! ")_

[IV. vi]


O Eighteenth Century! by Heaven chastised!
Godless thou livedst, by God thy doom was fixed.
Thou in one ruin sword and sceptre mixed,
Then outraged love, and pity's claim despised.
Thy life a banquet--but its board a scaffold at the close,
Where far from Christ's beatic reign, Satanic deeds arose!
Thy writers, like thyself, by good men scorned--
Yet, from thy crimes, renown has decked thy name,
As the smoke emplumes the furnace flame,
A revolution's deeds have thine adorned!

_Author of "Critical Essays. "_





STILL BE A CHILD.

_("O vous que votre age defende")_

[IX. , February, 1840. ]


In youthful spirits wild,
Smile, for all beams on thee;
Sport, sing, be still the child,
The flower, the honey-bee.

Bring not the future near,
For Joy too soon declines--
What is man's mission here?
Toil, where no sunlight shines!

Our lot is hard, we know;
From eyes so gayly beaming,
Whence rays of beauty flow,
Salt tears most oft are streaming.

Free from emotions past,
All joy and hope possessing,
With mind in pureness cast,
Sweet ignorance confessing.

Plant, safe from winds and showers,
Heart with soft visions glowing,
In childhood's happy hours
A mother's rapture showing.

Loved by each anxious friend,
No carking care within--
When summer gambols end,
My winter sports begin.

Sweet poesy from heaven
Around thy form is placed,
A mother's beauty given,
By father's thought is graced!

Seize, then, each blissful second,
Live, for joy _sinks in night_,
And those whose tale is reckoned,
Have had their days of light.

Then, oh! before we part,
The poet's blessing take,
Ere bleeds that aged heart,
Or child the woman make.

_Dublin University Magazine_.





THE POOL AND THE SOUL.

_("Comme dans les etangs. ")_

[X. , May, 1839. ]


As in some stagnant pool by forest-side,
In human souls two things are oft descried;
The sky,--which tints the surface of the pool
With all its rays, and all its shadows cool;
The basin next,--where gloomy, dark and deep,
Through slime and mud black reptiles vaguely creep.

R. F. HODGSON





YE MARINERS WHO SPREAD YOUR SAILS.

_("Matelots, vous deploirez les voiles. ")_

[XVI. , May 5, 1839. ]


Ye mariners! ye mariners! each sail to the breeze unfurled,
In joy or sorrow still pursue your course around the world;
And when the stars next sunset shine, ye anxiously will gaze
Upon the shore, a friend or foe, as the windy quarter lays.

Ye envious souls, with spiteful tooth, the statue's base will bite;
Ye birds will sing, ye bending boughs with verdure glad the sight;
The ivy root in the stone entwined, will cause old gates to fall;
The church-bell sound to work or rest the villagers will call.

Ye glorious oaks will still increase in solitude profound,
Where the far west in distance lies as evening veils around;
Ye willows, to the earth your arms in mournful trail will bend,
And back again your mirror'd forms the water's surface send.

Ye nests will oscillate beneath the youthful progeny;
Embraced in furrows of the earth the germing grain will lie;
Ye lightning-torches still your streams will cast into the air,
Which like a troubled spirit's course float wildly here and there.

Ye thunder-peals will God proclaim, as doth the ocean wave;
Ye violets will nourish still the flower that April gave;
Upon your ambient tides will be man's sternest shadow cast;
Your waters ever will roll on when man himself is past.

All things that are, or being have, or those that mutely lie,
Have each its course to follow out, or object to descry;
Contributing its little share to that stupendous whole,
Where with man's teeming race combined creation's wonders roll.

The poet, too, will contemplate th' Almighty Father's love,
Who to our restless minds, with light and darkness from above,
Hath given the heavens that glorious urn of tranquil majesty,
Whence in unceasing stores we draw calm and serenity.

_Author of "Critical Essays. "_





ON A FLEMISH WINDOW-PANE.

_("J'aime le carillon dans tes cites antiques. ")_

[XVIII. , August, 1837. ]


Within thy cities of the olden time
Dearly I love to list the ringing chime,
Thou faithful guardian of domestic worth,
Noble old Flanders! where the rigid North
A flush of rich meridian glow doth feel,
Caught from reflected suns of bright Castile.
The chime, the clinking chime! To Fancy's eye--
Prompt her affections to personify--
It is the fresh and frolic hour, arrayed
In guise of Andalusian dancing maid,
Appealing by a crevice fine and rare,
As of a door oped in "th' incorporal air. "
She comes! o'er drowsy roofs, inert and dull,
Shaking her lap, of silv'ry music full,
Rousing without remorse the drones abed,
Tripping like joyous bird with tiniest tread,
Quiv'ring like dart that trembles in the targe,
By a frail crystal stair, whose viewless marge
Bears her slight footfall, tim'rous half, yet free,
In innocent extravagance of glee
The graceful elf alights from out the spheres,
While the quick spirit--thing of eyes and ears--
As now she goes, now comes, mounts, and anon
Descends, those delicate degrees upon,
Hears her melodious spirit from step to step run on.

_Fraser's Magazine_





THE PRECEPTOR.

_("Homme chauve et noir. ")_

[XIX. , May, 1839. ]


A gruesome man, bald, clad in black,
Who kept us youthful drudges in the track,
Thinking it good for them to leave home care,
And for a while a harsher yoke to bear;
Surrender all the careless ease of home,
And be forbid from schoolyard bounds to roam;
For this with blandest smiles he softly asks
That they with him will prosecute their tasks;
Receives them in his solemn chilly lair,
The rigid lot of discipline to share.
At dingy desks they toil by day; at night
To gloomy chambers go uncheered by light,
Where pillars rudely grayed by rusty nail
Of heavy hours reveal the weary tale;
Where spiteful ushers grin, all pleased to make
Long scribbled lines the price of each mistake.
By four unpitying walls environed there
The homesick students pace the pavements bare.

E. E. FREWER





GASTIBELZA.

_("Gastibelza, l'homme a la carabine. ")_

[XXII. , March, 1837. ]


Gastibelza, with gun the measure beating,
Would often sing:
"Has one o' ye with sweet Sabine been meeting,
As, gay, ye bring
Your songs and steps which, by the music,
Are reconciled--
Oh! this chill wind across the mountain rushing
Will drive me wild!

"You stare as though you hardly knew my lady--
Sabine's her name!
Her dam inhabits yonder cavern shady,
A witch of shame,
Who shrieks o' nights upon the Haunted Tower,
With horrors piled--
Oh! this chill wind, etc.

"Sing on and leap--enjoying all the favors
Good heaven sends;
She, too, was young--her lips had peachy savors
With honey blends;
Give to that hag--not always old--a penny,
Though crime-defiled--
Oh! this chill wind, etc.

"The queen beside her looked a wench uncomely,
When, near to-night,
She proudly stalked a-past the maids so homely,
In bodice tight
And collar old as reign of wicked Julian,
By fiend beguiled--
Oh! this chill wind, etc.

"The king himself proclaimed her peerless beauty
Before the court,
And held it were to win a kiss his duty
To give a fort,
Or, more, to sign away all bright Dorado,
Tho' gold-plate tiled--
Oh! this chill wind, etc.

"Love her? at least, I know I am most lonely
Without her nigh;
I'm but a hound to follow her, and only
At her feet die.
I'd gayly spend of toilsome years a dozen--
A felon styled--
Oh! this chill wind, etc.

"One summer day when long--so long? I'd missed her,
She came anew,
To play i' the fount alone but for her sister,
And bared to view
The finest, rosiest, most tempting ankle,
Like that of child--
Oh! this chill wind, etc.

"When I beheld her, I--a lowly shepherd--
Grew in my mind
Till I was Caesar--she that crowned leopard
He crouched behind,
No Roman stern, but in her silken leashes
A captive mild--
Oh! this chill wind, etc.

"Yet dance and sing, tho' night be thickly falling;--
In selfsame time
Poor Sabine heard in ecstasy the calling,
In winning rhyme,
Of Saldane's earl so noble, ay, and wealthy,
Name e'er reviled--
Oh! this chill wind, etc.

"(Let me upon this bench be shortly resting,
So weary, I! )
That noble bore her smiling, unresisting,
By yonder high
And ragged road that snakes towards the summit
Where crags are piled--
Oh! this chill wind, etc.

"I saw her pass beside my lofty station--
A glance--'twas all!
And yet I loathe my daily honest ration,
The air's turned gall!
My soul's in chase, my body chafes to wander--
My dagger's filed--
Oh! this chill wind may change, and o'er the mountain
May drive me wild! "

HENRY L. WILLIAMS.





GUITAR SONG.

_("Comment, disaient-ils. ")_

[XXIII. , July 18, 1838. ]


How shall we flee sorrow--flee sorrow? said he.
How, how! How shall we flee sorrow--flee sorrow? said he.
How--how--how? answered she.

How shall we see pleasure--see pleasure? said he.
How, how! How shall we see pleasure--see pleasure? said he.
Dream--dream--dream! answered she.

How shall we be happy--be happy? said he.
How, how! How shall we be happy--be happy? said he.
Love--love--love! whispered she.

EVELYN JERROLD





COME WHEN I SLEEP.

_("Oh, quand je dors. ")_

[XXVII. ]


Oh! when I sleep, come near my resting-place,
As Laura came to bless her poet's heart,
And let thy breath in passing touch my face--
At once a space
My lips will part.

And on my brow where too long weighed supreme
A vision--haply spent now--black as night,
Let thy look as a star arise and beam--
At once my dream
Will seem of light.

Then press my lips, where plays a flame of bliss--
A pure and holy love-light--and forsake
The angel for the woman in a kiss--
At once, I wis,
My soul will wake!

WM. W. TOMLINSON.





EARLY LOVE REVISITED.

_("O douleur! j'ai voulu savoir. ")_

[XXXIV. i. , October, 183-. ]


I have wished in the grief of my heart to know
If the vase yet treasured that nectar so clear,
And to see what this beautiful valley could show
Of all that was once to my soul most dear.
In how short a span doth all Nature change,
How quickly she smoothes with her hand serene--
And how rarely she snaps, in her ceaseless range,
The links that bound our hearts to the scene.

Our beautiful bowers are all laid waste;
The fir is felled that our names once bore;
Our rows of roses, by urchins' haste,
Are destroyed where they leap the barrier o'er.
The fount is walled in where, at noonday pride,
She so gayly drank, from the wood descending;
In her fairy hand was transformed the tide,
And it turned to pearls through her fingers wending

The wild, rugged path is paved with spars,
Where erst in the sand her footsteps were traced,
When so small were the prints that the surface mars,
That they seemed _to smile_ ere by mine effaced.
The bank on the side of the road, day by day,
Where of old she awaited my loved approach,
Is now become the traveller's way
To avoid the track of the thundering coach.

Here the forest contracts, there the mead extends,
Of all that was ours, there is little left--
Like the ashes that wildly are whisked by winds,
Of all souvenirs is the place bereft.
Do we live no more--is our hour then gone?
Will it give back naught to our hungry cry?
The breeze answers my call with a mocking tone,
The house that was mine makes no reply.

True! others shall pass, as we have passed,
As we have come, so others shall meet,
And the dream that our mind had sketched in haste,
Shall others continue, but never complete.
For none upon earth can achieve his scheme,
The best as the worst are futile here:
We awake at the selfsame point cf the dream--
All is here begun, and finished elsewhere.

Yes! others shall come in the bloom of the heart,
To enjoy in this pure and happy retreat,
All that nature to timid love can impart
Of solemn repose and communion sweet.
In _our_ fields, in _our_ paths, shall strangers stray,
In _thy_ wood, my dearest, new lovers go lost,
And other fair forms in the stream shall play
Which of old thy delicate feet have crossed.

_Author of "Critical Essays. "_





SWEET MEMORY OF LOVE.

_("Toutes les passions s'eloignent avec l'age. ")_

[XXXIV. ii. , October, 183-. ]


As life wanes on, the passions slow depart,
One with his grinning mask, one with his steel;
Like to a strolling troupe of Thespian art,
Whose pace decreases, winding past the hill.
But naught can Love's all charming power efface,
That light, our misty tracks suspended o'er,
In joy thou'rt ours, more dear thy tearful grace,
The young may curse thee, but the old adore.

But when the weight of years bow down the head,
And man feels all his energies decline,
His projects gone, himself tomb'd with the dead,
Where virtues lie, nor more illusions shine,
When all our lofty thoughts dispersed and o'er,
We count within our hearts so near congealed,
Each grief that's past, each dream, exhausted ore!
As counting dead upon the battle-field.

As one who walks by the lamp's flickering blaze,
Far from the hum of men, the joys of earth--
Our mind arrives at last by tortuous ways,
At that drear gulf where but despair has birth.
E'en there, amid the darkness of that night,
When all seems closing round in empty air,
Is seen through thickening gloom one trembling light!
'Tis Love's sweet memory that lingers there!

_Author of "Critical Essays. "_





THE MARBLE FAUN.

_("Il semblait grelotter. ")_

[XXXVI. , December, 1837. ]


He seemed to shiver, for the wind was keen.
'Twas a poor statue underneath a mass
Of leafless branches, with a blackened back
And a green foot--an isolated Faun
In old deserted park, who, bending forward,
Half-merged himself in the entangled boughs,
Half in his marble settings. He was there,
Pensive, and bound to earth; and, as all things
Devoid of movement, he was there--forgotten.

Trees were around him, whipped by icy blasts--
Gigantic chestnuts, without leaf or bird,
And, like himself, grown old in that same place.