But for their praises you have no ear,
therefore
I come to praise
you.
you.
Tagore - Creative Unity
We have only our tears.
What quenchless fire glows in your eyes?
What restless fever runs in your blood?
What call from the dark urges you?
What awful incantation have you read among the stars in the sky,
that with a sealed secret message the night entered your heart,
silent and strange?
If you do not care for merry meetings, if you must have peace,
weary heart, we shall put our lamps out and silence our harps.
We shall sit still in the dark in the rustle of leaves, and the
tired moon will shed pale rays on your window.
O traveller, what sleepless spirit has touched you from the heart
of the mid-night?
64
I spent my day on the scorching hot dust of the road.
Now, in the cool of the evening, I knock at the door of the inn.
It is deserted and in ruins.
A grim _ashath_ tree spreads its hungry clutching roots
through the gaping fissures of the walls.
Days have been when wayfarers came here to wash their weary feet.
They spread their mats in the courtyard in the dim light of the
early moon, and sat and talked of strange lands.
They work refreshed in the morning when birds made them glad, and
friendly flowers nodded their heads at them from the wayside.
But no lighted lamp awaited me when I came here.
The black smudges of smoke left by many a forgotten evening lamp
stare, like blind eyes, from the wall.
Fireflies flit in the bush near the dried-up pond, and bamboo
branches fling their shadows on the grass-grown path.
I am the guest of no one at the end of my day.
The long night is before me, and I am tired.
65
Is that your call again?
The evening has come. Weariness clings around me like the arms
of entreating love.
Do you call me?
I had given all my day to you, cruel mistress, must you also rob
me of my night?
Somewhere there is an end to everything, and the loneness of the
dark is one's own.
Must your voice cut through it and smite me?
Has the evening no music of sleep at your gate?
Do the silent-winged stars never climb the sky above your
pitiless tower?
Do the flowers never drop on the dust in soft death in your
garden?
Must you call me, you unquiet one?
Then let the sad eyes of love vainly watch and weep.
Let the lamp burn in the lonely house.
Let the ferry-boat take the weary labourers to their home.
I leave behind my dreams and I hasten to your call.
66
A wandering madman was seeking the touchstone, with matted locks
tawny and dust-laden, and body worn to a shadow, his lips
tight-pressed, like the shut-up doors of his heart, his burning
eyes like the lamp of a glow-worm seeking its mate.
Before him the endless ocean roared.
The garrulous waves ceaselessly talked of hidden treasures,
mocking the ignorance that knew not their meaning.
Maybe he now had no hope remaining, yet he would not rest, for
the search had become his life,--
Just as the ocean for ever lifts its arms to the sky for the
unattainable--
Just as the stars go in circles, yet seeking a goal that can
never be reached--
Even so on the lonely shore the madman with dusty tawny locks
still roamed in search of the touchstone.
One day a village boy came up and asked, "Tell me, where did you
come at this golden chain about your waist? "
The madman started--the chain that once was iron was verily gold;
it was not a dream, but he did not know when it had changed.
He struck his forehead wildly--where, O where had he without
knowing it achieved success?
It had grown into a habit, to pick up pebbles and touch the
chain, and to throw them away without looking to see if a
change had come; thus the madman found and lost the touchstone.
The sun was sinking low in the west, the sky was of gold.
The madman returned on his footsteps to seek anew the lost
treasure, with his strength gone, his body bent, and his heart
in the dust, like a tree uprooted.
67
Though the evening comes with slow steps and has signalled for
all songs to cease;
Though your companions have gone to their rest and you are tired;
Though fear broods in the dark and the face of the sky is veiled;
Yet, bird, O my bird, listen to me, do not close your wings.
That is not the gloom of the leaves of the forest, that is the
sea swelling like a dark black snake.
That is not the dance of the flowering jasmine, that is flashing
foam.
Ah, where is the sunny green shore, where is your nest?
Bird, O my bird, listen to me, do not close your wings.
The lone night lies along your path, the dawn sleeps behind the
shadowy hills.
The stars hold their breath counting the hours, the feeble moon
swims the deep night.
Bird, O my bird, listen to me, do not close your wings.
There is no hope, no fear for you.
There is no word, no whisper, no cry.
There is no home, no bed for rest.
There is only your own pair of wings and the pathless sky.
Bird, O my bird, listen to me, do not close your wings.
68
None lives for ever, brother, and nothing lasts for long. Keep
that in mind and rejoice.
Our life is not the one old burden, our path is not the one long
journey.
One sole poet has not to sing one aged song.
The flower fades and dies; but he who wears the flower has not to
mourn for it for ever.
Brother, keep that in mind and rejoice.
There must come a full pause to weave perfection into music.
Life droops toward its sunset to be drowned in the golden
shadows.
Love must be called from its play to drink sorrow and be borne to
the heaven of tears.
Brother, keep that in mind and rejoice.
We hasten to gather our flowers lest they are plundered by the
passing winds.
It quickens our blood and brightens our eyes to snatch kisses
that would vanish if we delayed.
Our life is eager, our desires are keen, for time tolls the bell
of parting.
Brother, keep that in mind and rejoice.
There is not time for us to clasp a thing and crush it and fling
it away to the dust.
The hours trip rapidly away, hiding their dreams in their skirts.
Our life is short; it yields but a few days for love.
Were it for work and drudgery it would be endlessly long.
Brother, keep that in mind and rejoice.
Beauty is sweet to us, because she dances to the same fleeting
tune with our lives.
Knowledge is precious to us, because we shall never have time to
complete it.
All is done and finished in the eternal Heaven.
But earth's flowers of illusion are kept eternally fresh by
death.
Brother, keep that in mind and rejoice.
69
I hunt for the golden stag.
You may smile, my friends, but I pursue the vision that eludes
me.
I run across hills and dales, I wander through nameless lands,
because I am hunting for the golden stag.
You come and buy in the market and go back to your homes laden
with goods, but the spell of the homeless winds has touched me
I know not when and where.
I have no care in my heart; all my belongings I have left far
behind me.
I run across hills and dales, I wander through nameless lands--
because I am hunting for the golden stag.
70
I remember a day in my childhood I floated a paper boat in the
ditch.
It was a wet day of July; I was alone and happy over my play.
I floated my paper boat in the ditch.
Suddenly the storm clouds thickened, winds came in gusts, and
rain poured in torrents.
Rills of muddy water rushed and swelled the stream and sunk my
boat.
Bitterly I thought in my mind that the storm came on purpose to
spoil my happiness; all its malice was against me.
The cloudy day of July is long today, and I have been musing over
all those games in life wherein I was loser.
I was blaming my fate for the many tricks it played on me, when
suddenly I remembered the paper boat that sank in the ditch.
71
The day is not yet done, the fair is not over, the fair on the
river-bank.
I had feared that my time had been squandered and my last penny
lost.
But no, my brother, I have still something left. My fate has not
cheated me of everything.
The selling and buying are over.
All the dues on both sides have been gathered in, and it is time
for me to go home.
But, gatekeeper, do you ask for your toll?
Do not fear, I have still something left. My fate has not
cheated me of everything.
The lull in the wind threatens storm, and the lowering clouds in
the west bode no good.
The hushed water waits for the wind.
I hurry to cross the river before the night overtakes me.
O ferryman, you want your fee!
Yes, brother, I have still something left. My fate has not
cheated me of everything.
In the wayside under the tree sits the beggar. Alas, he looks at
my face with a timid hope!
He thinks I am rich with the day's profit.
Yes, brother, I have still something left. My fate has not
cheated me of everything.
The night grows dark and the road lonely. Fireflies gleam among
the leaves.
Who are you that follow me with stealthy silent steps?
Ah, I know, it is your desire to rob me of all my gains. I will
not disappoint you!
For I still have something left, and my fate has not cheated me
of everything.
At midnight I reach home. My hands are empty.
You are waiting with anxious eyes at my door, sleepless and
silent.
Like a timorous bird you fly to my breast with eager love.
Ay, ay, my God, much remains still. My fate has not cheated me
of everything.
72
With days of hard travail I raised a temple. It had no doors or
windows, its walls were thickly built with massive stones.
I forgot all else, I shunned all the world, I gazed in rapt
contemplation at the image I had set upon the altar.
It was always night inside, and lit by the lamps of perfumed oil.
The ceaseless smoke of incense wound my heart in its heavy coils.
Sleepless, I carved on the walls fantastic figures in mazy
bewildering lines--winged horses, flowers with human faces,
women with limbs like serpents.
No passage was left anywhere through which could enter the song
of birds, the murmur of leaves or hum of the busy village.
The only sound that echoed in its dark dome was that of
incantations which I chanted.
My mind became keen and still like a pointed flame, my senses
swooned in ecstasy.
I knew not how time passed till the thunderstone had struck the
temple, and a pain stung me through the heart.
The lamp looked pale and ashamed; the carvings on the walls, like
chained dreams, stared meaningless in the light as they would
fain hide themselves.
I looked at the image on the altar. I saw it smiling and alive
with the living touch of God. The night I had imprisoned had
spread its wings and vanished.
73
Infinite wealth is not yours, my patient and dusky mother dust!
You toil to fill the mouths of your children, but food is scarce.
The gift of gladness that you have for us is never perfect.
The toys that you make for your children are fragile.
You cannot satisfy all our hungry hopes, but should I desert you
for that?
Your smile which is shadowed with pain is sweet to my eyes.
Your love which knows not fulfilment is dear to my heart.
From your breast you have fed us with life but not immortality,
that is why your eyes are ever wakeful.
For ages you are working with colour and song, yet your heaven is
not built, but only its sad suggestion.
Over your creations of beauty there is the mist of tears.
I will pour my songs into your mute heart, and my love into your
love.
I will worship you with labour.
I have seen your tender face and I love your mournful dust,
Mother Earth.
74
In the world's audience hall, the simple blade of grass sits on
the same carpet with the sunbeam and the stars of midnight.
Thus my songs share their seats in the heart of the world with
the music of the clouds and forests.
But, you man of riches, your wealth has no part in the simple
grandeur of the sun's glad gold and the mellow gleam of the
musing moon.
The blessing of all-embracing sky is not shed upon it.
And when death appears, it pales and withers and crumbles into
dust.
75
At midnight the would-be ascetic announced:
"This is the time to give up my home and seek for God. Ah, who
has held me so long in delusion here? "
God whispered, "I," but the ears of the man were stopped.
With a baby asleep at her breast lay his wife, peacefully
sleeping on one side of the bed.
The man said, "Who are ye that have fooled me so long? "
The voice said again, "They are God," but he heard it not.
The baby cried out in its dream, nestling close to its mother.
God commanded, "Stop, fool, leave not thy home," but still he
heard not.
God sighed and complained, "Why does my servant wander to seek
me, forsaking me? "
76
The fair was on before the temple. It had rained from the early
morning and the day came to its end.
Brighter than all the gladness of the crowd was the bright smile
of a girl who bought for a farthing a whistle of palm leaf.
The shrill joy of that whistle floated above all laughter and
noise.
An endless throng of people came and jostled together. The road
was muddy, the river in flood, the field under water in
ceaseless rain.
Greater than all the troubles of the crowd was a little boy's
trouble--he had not a farthing to buy a painted stick.
His wistful eyes gazing at the shop made this whole meeting of
men so pitiful.
77
The workman and his wife from the west country are busy digging
to make bricks for the kiln.
Their little daughter goes to the landing-place by the river;
there she has no end of scouring and scrubbing of pots and
pans.
Her little brother, with shaven head and brown, naked, mud-
covered limbs, follows after her and waits patiently on the
high bank at her bidding.
She goes back home with the full pitcher poised on her head, the
shining brass pot in her left hand, holding the child with her
right--she the tiny servant of her mother, grave with the
weight of the household cares.
One day I saw this naked boy sitting with legs outstretched.
In the water his sister sat rubbing a drinking-pot with a handful
of earth, turning it round and round.
Near by a soft-haired lamb stood gazing along the bank.
It came close to where the boy sat and suddenly bleated aloud,
and the child started up and screamed.
His sister left off cleaning her pot and ran up.
She took up her brother in one arm and the lamb in the other, and
dividing her caresses between them bound in one bond of
affection the offspring of beast and man.
78
It was in May. The sultry noon seemed endlessly long. The dry
earth gaped with thirst in the heat.
When I heard from the riverside a voice calling, "Come, my
darling! "
I shut my book and opened the window to look out.
I saw a big buffalo with mud-stained hide, standing near the
river with placid, patient eyes; and a youth, knee deep in
water, calling it to its bath.
I smiled amused and felt a touch of sweetness in my heart.
79
I often wonder where lie hidden the boundaries of recognition
between man and the beast whose heart knows no spoken language.
Through what primal paradise in a remote morning of creation ran
the simple path by which their hearts visited each other.
Those marks of their constant tread have not been effaced though
their kinship has been long forgotten.
Yet suddenly in some wordless music the dim memory wakes up and
the beast gazes into the man's face with a tender trust, and
the man looks down into its eyes with amused affection.
It seems that the two friends meet masked and vaguely know each
other through the disguise.
80
With a glance of your eyes you could plunder all the wealth of
songs struck from poets' harps, fair woman!
But for their praises you have no ear, therefore I come to praise
you.
You could humble at your feet the proudest heads in the world.
But it is your loved ones, unknown to fame, whom you choose to
worship, therefore I worship you.
The perfection of your arms would add glory to kingly splendour
with their touch.
But you use them to sweep away the dust, and to make clean your
humble home, therefore I am filled with awe.
81
Why do you whisper so faintly in my ears, O Death, my Death?
When the flowers droop in the evening and cattle come back to
their stalls, you stealthily come to my side and speak words
that I do not understand.
Is this how you must woo and win me with the opiate of drowsy
murmur and cold kisses, O Death, my Death?
Will there be no proud ceremony for our wedding?
Will you not tie up with a wreath your tawny coiled locks?
Is there none to carry your banner before you, and will not the
night be on fire with your red torch-lights, O Death, my Death?
Come with your conch-shells sounding, come in the sleepless
night.
Dress me with a crimson mantle, grasp my hand and take me.
Let your chariot be ready at my door with your horses neighing
impatiently.
Raise my veil and look at my face proudly, O Death, my Death!
82
We are to play the game of death to-night, my bride and I.
The night is black, the clouds in the sky are capricious, and the
waves are raving at sea.
We have left our bed of dreams, flung open the door and come out,
my bride and I.
We sit upon a swing, and the storm winds give us a wild push from
behind.
My bride starts up with fear and delight, she trembles and clings
to my breast.
Long have I served her tenderly.
I made for her a bed of flowers and I closed the doors to shut
out the rude light from her eyes.
I kissed her gently on her lips and whispered softly in her ears
till she half swooned in languor.
She was lost in the endless mist of vague sweetness.
She answered not to my touch, my songs failed to arouse her.
To-night has come to us the call of the storm from the wild.
My bride has shivered and stood up, she has clasped my hand and
come out.
Her hair is flying in the wind, her veil is fluttering, her
garland rustles over her breast.
The push of death has swung her into life.
We are face to face and heart to heart, my bride and I.
83
She dwelt on the hillside by the edge of a maize-field, near the
spring that flows in laughing rills through the solemn shadows
of ancient trees. The women came there to fill their jars, and
travellers would sit there to rest and talk. She worked and
dreamed daily to the tune of the bubbling stream.
One evening the stranger came down from the cloud-hidden peak;
his locks were tangled like drowsy snakes. We asked in wonder,
"Who are you? " He answered not but sat by the garrulous stream
and silently gazed at the hut where she dwelt. Our hearts
quaked in fear and we came back home when it was night.
Next morning when the women came to fetch water at the spring by
the _deodar_ trees, they found the doors open in her hut,
but her voice was gone and where was her smiling face? The
empty jar lay on the floor and her lamp had burnt itself out in
the corner. No one knew where she had fled to before it was
morning--and the stranger had gone.
In the month of May the sun grew strong and the snow melted, and
we sat by the spring and wept. We wondered in our mind, "Is
there a spring in the land where she has gone and where she can
fill her vessel in these hot thirsty days? " And we asked each
other in dismay, "Is there a land beyond these hills where we
live? "
It was a summer night; the breeze blew from the south; and I sat
in her deserted room where the lamp stood still unlit. When
suddenly from before my eyes the hills vanished like curtains
drawn aside. "Ah, it is she who comes. How are you, my child?
Are you happy? But where can you shelter under this open sky?
And, alas, our spring is not here to allay your thirst. "
"Here is the same sky," she said, "only free from the fencing
hills,--this is the same stream grown into a river,--the same
earth widened into a plain. " "Everything is here," I sighed,
"only we are not. " She smiled sadly and said, "You are in my
heart. " I woke up and heard the babbling of the stream and the
rustling of the _deodars_ at night.
84
Over the green and yellow rice-fields sweep the shadows of the
autumn clouds followed by the swift chasing sun.
The bees forget to sip their honey; drunken with light they
foolishly hover and hum.
The ducks in the islands of the river clamour in joy for mere
nothing.
Let none go back home, brothers, this morning, let none go to
work.
Let us take the blue sky by storm and plunder space as we run.
Laughter floats in the air like foam on the flood.
Brothers, let us squander our morning in futile songs.
85
Who are you, reader, reading my poems an hundred years hence?
I cannot send you one single flower from this wealth of the
spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the
vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang
one spring morning, sending its glad voice across an hundred
years.
INDEX OF FIRST WORDS
No.
A wandering madman was seeking the touchstone 66
Ah me, why did they build my house 4
Ah, poet, the evening draws near 2
Amidst the rush and roar of life 60
An unbelieving smile flits on your eyes 40
At midnight the would-be ascetic announced 75
Come as you are; do not loiter over your toilet 11
Come to us, youth, tell us truly 25
Day after day he comes and goes away 20
Do not go, my love, without asking my leave 34
Do not keep to yourself the secret of your heart, my friend 24
Free me from the bonds of your sweetness, my love 48
Hands cling to hands and eyes linger on eyes 16
Have mercy upon your servant, my queen 1
He whispered, "My love, raise your eyes" 36
I am restless 5
I asked nothing, only stood at the edge of the wood 13
I hold her hands and press her to my breast 49
I hunt for the golden stag 69
I long to speak the deepest words 41
I love you, beloved 33
I often wonder where lie hidden 79
I plucked your flower, O world 57
I remember a day in my childhood 70
I run as a musk-deer runs in the shadow of the forest 15
I spent my day on the scorching hot dust of the road 64
I try to weave a wreath all the morning 39
I was one among many women 56
I was walking by the road, I do not know why 14
If you would be busy and fill your pitcher, come 12
If you would have it so, I will end my singing 47
In the dusky path of a dream I went to seek the love 62
In the morning I cast my net into the sea 3
In the world's audience hall 74
Infinite wealth is not yours 73
Is that your call again 65
It was in May 78
It was mid-day when you want away 55
Lest I should know you too easily, you play with me 35
Let your work be, bride 10
Love, my heart longs day and night 50
My heart, the bird of the wilderness 31
My love, once upon a time your poet launched a great epic 38
No, my friends, I shall never be an ascetic 43
None lives for ever, brother 68
O mad, superbly drunk 42
O mother, the young Prince is to pass by our door 7
O woman, you are not merely the handiwork of God 59
One morning in the flower garden a blind girl came 58
Over the green and yellow rice-fields 84
Peace, my heart, let the time for the parting be sweet 61
Reverend sir, forgive this pair of sinners 44
She dwelt on the hillside 83
Speak to me, my love 29
Tell me if this be all true, my lover 32
The day is not yet done, the fair is not over 71
The fair was on before the temple 76
The tame bird was in a cage 6
The workman and his wife from the west country 77
The yellow bird sings in their tree 17
Then finish the last song and let us leave 51
Though the evening comes with slow steps 67
To the guests that must go bid God's speed 45
Traveller, must you go 63
Trust love even if it brings sorrow 27
We are to play the game of death to-night 82
What comes from your willing hands I take 26
When I go alone at night to my love-tryst 9
When she passed by me with quick steps 22
When the lamp went out by my bed 8
When the two sisters go to fetch water 18
Where do you hurry with your basket 54
Who are you, reader, reading my poems 85
Why did he choose to come to my door 21
Why did the lamp go out 52
Why do you put me to shame with a look 53
Why do you sit there and jingle your bracelets 23
Why do you whisper so faintly in my ears 81
With a glance of your eyes you could plunder 80
With days of hard travail I raised a temple 72
Would you put your wreath of fresh flowers on my neck 37
You are the evening cloud floating in the sky of my dreams 30
You left me and went on your way 46
You walked by the riverside path 19
Your questioning eyes are sad 28
End of the Project Gutenberg EBook of The Gardener, by Rabindranath Tagore
*** END OF THIS PROJECT GUTENBERG EBOOK THE GARDENER ***
***** This file should be named 6686. txt or 6686. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/6/6/8/6686/
Produced by Chetan Jain
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F.
What quenchless fire glows in your eyes?
What restless fever runs in your blood?
What call from the dark urges you?
What awful incantation have you read among the stars in the sky,
that with a sealed secret message the night entered your heart,
silent and strange?
If you do not care for merry meetings, if you must have peace,
weary heart, we shall put our lamps out and silence our harps.
We shall sit still in the dark in the rustle of leaves, and the
tired moon will shed pale rays on your window.
O traveller, what sleepless spirit has touched you from the heart
of the mid-night?
64
I spent my day on the scorching hot dust of the road.
Now, in the cool of the evening, I knock at the door of the inn.
It is deserted and in ruins.
A grim _ashath_ tree spreads its hungry clutching roots
through the gaping fissures of the walls.
Days have been when wayfarers came here to wash their weary feet.
They spread their mats in the courtyard in the dim light of the
early moon, and sat and talked of strange lands.
They work refreshed in the morning when birds made them glad, and
friendly flowers nodded their heads at them from the wayside.
But no lighted lamp awaited me when I came here.
The black smudges of smoke left by many a forgotten evening lamp
stare, like blind eyes, from the wall.
Fireflies flit in the bush near the dried-up pond, and bamboo
branches fling their shadows on the grass-grown path.
I am the guest of no one at the end of my day.
The long night is before me, and I am tired.
65
Is that your call again?
The evening has come. Weariness clings around me like the arms
of entreating love.
Do you call me?
I had given all my day to you, cruel mistress, must you also rob
me of my night?
Somewhere there is an end to everything, and the loneness of the
dark is one's own.
Must your voice cut through it and smite me?
Has the evening no music of sleep at your gate?
Do the silent-winged stars never climb the sky above your
pitiless tower?
Do the flowers never drop on the dust in soft death in your
garden?
Must you call me, you unquiet one?
Then let the sad eyes of love vainly watch and weep.
Let the lamp burn in the lonely house.
Let the ferry-boat take the weary labourers to their home.
I leave behind my dreams and I hasten to your call.
66
A wandering madman was seeking the touchstone, with matted locks
tawny and dust-laden, and body worn to a shadow, his lips
tight-pressed, like the shut-up doors of his heart, his burning
eyes like the lamp of a glow-worm seeking its mate.
Before him the endless ocean roared.
The garrulous waves ceaselessly talked of hidden treasures,
mocking the ignorance that knew not their meaning.
Maybe he now had no hope remaining, yet he would not rest, for
the search had become his life,--
Just as the ocean for ever lifts its arms to the sky for the
unattainable--
Just as the stars go in circles, yet seeking a goal that can
never be reached--
Even so on the lonely shore the madman with dusty tawny locks
still roamed in search of the touchstone.
One day a village boy came up and asked, "Tell me, where did you
come at this golden chain about your waist? "
The madman started--the chain that once was iron was verily gold;
it was not a dream, but he did not know when it had changed.
He struck his forehead wildly--where, O where had he without
knowing it achieved success?
It had grown into a habit, to pick up pebbles and touch the
chain, and to throw them away without looking to see if a
change had come; thus the madman found and lost the touchstone.
The sun was sinking low in the west, the sky was of gold.
The madman returned on his footsteps to seek anew the lost
treasure, with his strength gone, his body bent, and his heart
in the dust, like a tree uprooted.
67
Though the evening comes with slow steps and has signalled for
all songs to cease;
Though your companions have gone to their rest and you are tired;
Though fear broods in the dark and the face of the sky is veiled;
Yet, bird, O my bird, listen to me, do not close your wings.
That is not the gloom of the leaves of the forest, that is the
sea swelling like a dark black snake.
That is not the dance of the flowering jasmine, that is flashing
foam.
Ah, where is the sunny green shore, where is your nest?
Bird, O my bird, listen to me, do not close your wings.
The lone night lies along your path, the dawn sleeps behind the
shadowy hills.
The stars hold their breath counting the hours, the feeble moon
swims the deep night.
Bird, O my bird, listen to me, do not close your wings.
There is no hope, no fear for you.
There is no word, no whisper, no cry.
There is no home, no bed for rest.
There is only your own pair of wings and the pathless sky.
Bird, O my bird, listen to me, do not close your wings.
68
None lives for ever, brother, and nothing lasts for long. Keep
that in mind and rejoice.
Our life is not the one old burden, our path is not the one long
journey.
One sole poet has not to sing one aged song.
The flower fades and dies; but he who wears the flower has not to
mourn for it for ever.
Brother, keep that in mind and rejoice.
There must come a full pause to weave perfection into music.
Life droops toward its sunset to be drowned in the golden
shadows.
Love must be called from its play to drink sorrow and be borne to
the heaven of tears.
Brother, keep that in mind and rejoice.
We hasten to gather our flowers lest they are plundered by the
passing winds.
It quickens our blood and brightens our eyes to snatch kisses
that would vanish if we delayed.
Our life is eager, our desires are keen, for time tolls the bell
of parting.
Brother, keep that in mind and rejoice.
There is not time for us to clasp a thing and crush it and fling
it away to the dust.
The hours trip rapidly away, hiding their dreams in their skirts.
Our life is short; it yields but a few days for love.
Were it for work and drudgery it would be endlessly long.
Brother, keep that in mind and rejoice.
Beauty is sweet to us, because she dances to the same fleeting
tune with our lives.
Knowledge is precious to us, because we shall never have time to
complete it.
All is done and finished in the eternal Heaven.
But earth's flowers of illusion are kept eternally fresh by
death.
Brother, keep that in mind and rejoice.
69
I hunt for the golden stag.
You may smile, my friends, but I pursue the vision that eludes
me.
I run across hills and dales, I wander through nameless lands,
because I am hunting for the golden stag.
You come and buy in the market and go back to your homes laden
with goods, but the spell of the homeless winds has touched me
I know not when and where.
I have no care in my heart; all my belongings I have left far
behind me.
I run across hills and dales, I wander through nameless lands--
because I am hunting for the golden stag.
70
I remember a day in my childhood I floated a paper boat in the
ditch.
It was a wet day of July; I was alone and happy over my play.
I floated my paper boat in the ditch.
Suddenly the storm clouds thickened, winds came in gusts, and
rain poured in torrents.
Rills of muddy water rushed and swelled the stream and sunk my
boat.
Bitterly I thought in my mind that the storm came on purpose to
spoil my happiness; all its malice was against me.
The cloudy day of July is long today, and I have been musing over
all those games in life wherein I was loser.
I was blaming my fate for the many tricks it played on me, when
suddenly I remembered the paper boat that sank in the ditch.
71
The day is not yet done, the fair is not over, the fair on the
river-bank.
I had feared that my time had been squandered and my last penny
lost.
But no, my brother, I have still something left. My fate has not
cheated me of everything.
The selling and buying are over.
All the dues on both sides have been gathered in, and it is time
for me to go home.
But, gatekeeper, do you ask for your toll?
Do not fear, I have still something left. My fate has not
cheated me of everything.
The lull in the wind threatens storm, and the lowering clouds in
the west bode no good.
The hushed water waits for the wind.
I hurry to cross the river before the night overtakes me.
O ferryman, you want your fee!
Yes, brother, I have still something left. My fate has not
cheated me of everything.
In the wayside under the tree sits the beggar. Alas, he looks at
my face with a timid hope!
He thinks I am rich with the day's profit.
Yes, brother, I have still something left. My fate has not
cheated me of everything.
The night grows dark and the road lonely. Fireflies gleam among
the leaves.
Who are you that follow me with stealthy silent steps?
Ah, I know, it is your desire to rob me of all my gains. I will
not disappoint you!
For I still have something left, and my fate has not cheated me
of everything.
At midnight I reach home. My hands are empty.
You are waiting with anxious eyes at my door, sleepless and
silent.
Like a timorous bird you fly to my breast with eager love.
Ay, ay, my God, much remains still. My fate has not cheated me
of everything.
72
With days of hard travail I raised a temple. It had no doors or
windows, its walls were thickly built with massive stones.
I forgot all else, I shunned all the world, I gazed in rapt
contemplation at the image I had set upon the altar.
It was always night inside, and lit by the lamps of perfumed oil.
The ceaseless smoke of incense wound my heart in its heavy coils.
Sleepless, I carved on the walls fantastic figures in mazy
bewildering lines--winged horses, flowers with human faces,
women with limbs like serpents.
No passage was left anywhere through which could enter the song
of birds, the murmur of leaves or hum of the busy village.
The only sound that echoed in its dark dome was that of
incantations which I chanted.
My mind became keen and still like a pointed flame, my senses
swooned in ecstasy.
I knew not how time passed till the thunderstone had struck the
temple, and a pain stung me through the heart.
The lamp looked pale and ashamed; the carvings on the walls, like
chained dreams, stared meaningless in the light as they would
fain hide themselves.
I looked at the image on the altar. I saw it smiling and alive
with the living touch of God. The night I had imprisoned had
spread its wings and vanished.
73
Infinite wealth is not yours, my patient and dusky mother dust!
You toil to fill the mouths of your children, but food is scarce.
The gift of gladness that you have for us is never perfect.
The toys that you make for your children are fragile.
You cannot satisfy all our hungry hopes, but should I desert you
for that?
Your smile which is shadowed with pain is sweet to my eyes.
Your love which knows not fulfilment is dear to my heart.
From your breast you have fed us with life but not immortality,
that is why your eyes are ever wakeful.
For ages you are working with colour and song, yet your heaven is
not built, but only its sad suggestion.
Over your creations of beauty there is the mist of tears.
I will pour my songs into your mute heart, and my love into your
love.
I will worship you with labour.
I have seen your tender face and I love your mournful dust,
Mother Earth.
74
In the world's audience hall, the simple blade of grass sits on
the same carpet with the sunbeam and the stars of midnight.
Thus my songs share their seats in the heart of the world with
the music of the clouds and forests.
But, you man of riches, your wealth has no part in the simple
grandeur of the sun's glad gold and the mellow gleam of the
musing moon.
The blessing of all-embracing sky is not shed upon it.
And when death appears, it pales and withers and crumbles into
dust.
75
At midnight the would-be ascetic announced:
"This is the time to give up my home and seek for God. Ah, who
has held me so long in delusion here? "
God whispered, "I," but the ears of the man were stopped.
With a baby asleep at her breast lay his wife, peacefully
sleeping on one side of the bed.
The man said, "Who are ye that have fooled me so long? "
The voice said again, "They are God," but he heard it not.
The baby cried out in its dream, nestling close to its mother.
God commanded, "Stop, fool, leave not thy home," but still he
heard not.
God sighed and complained, "Why does my servant wander to seek
me, forsaking me? "
76
The fair was on before the temple. It had rained from the early
morning and the day came to its end.
Brighter than all the gladness of the crowd was the bright smile
of a girl who bought for a farthing a whistle of palm leaf.
The shrill joy of that whistle floated above all laughter and
noise.
An endless throng of people came and jostled together. The road
was muddy, the river in flood, the field under water in
ceaseless rain.
Greater than all the troubles of the crowd was a little boy's
trouble--he had not a farthing to buy a painted stick.
His wistful eyes gazing at the shop made this whole meeting of
men so pitiful.
77
The workman and his wife from the west country are busy digging
to make bricks for the kiln.
Their little daughter goes to the landing-place by the river;
there she has no end of scouring and scrubbing of pots and
pans.
Her little brother, with shaven head and brown, naked, mud-
covered limbs, follows after her and waits patiently on the
high bank at her bidding.
She goes back home with the full pitcher poised on her head, the
shining brass pot in her left hand, holding the child with her
right--she the tiny servant of her mother, grave with the
weight of the household cares.
One day I saw this naked boy sitting with legs outstretched.
In the water his sister sat rubbing a drinking-pot with a handful
of earth, turning it round and round.
Near by a soft-haired lamb stood gazing along the bank.
It came close to where the boy sat and suddenly bleated aloud,
and the child started up and screamed.
His sister left off cleaning her pot and ran up.
She took up her brother in one arm and the lamb in the other, and
dividing her caresses between them bound in one bond of
affection the offspring of beast and man.
78
It was in May. The sultry noon seemed endlessly long. The dry
earth gaped with thirst in the heat.
When I heard from the riverside a voice calling, "Come, my
darling! "
I shut my book and opened the window to look out.
I saw a big buffalo with mud-stained hide, standing near the
river with placid, patient eyes; and a youth, knee deep in
water, calling it to its bath.
I smiled amused and felt a touch of sweetness in my heart.
79
I often wonder where lie hidden the boundaries of recognition
between man and the beast whose heart knows no spoken language.
Through what primal paradise in a remote morning of creation ran
the simple path by which their hearts visited each other.
Those marks of their constant tread have not been effaced though
their kinship has been long forgotten.
Yet suddenly in some wordless music the dim memory wakes up and
the beast gazes into the man's face with a tender trust, and
the man looks down into its eyes with amused affection.
It seems that the two friends meet masked and vaguely know each
other through the disguise.
80
With a glance of your eyes you could plunder all the wealth of
songs struck from poets' harps, fair woman!
But for their praises you have no ear, therefore I come to praise
you.
You could humble at your feet the proudest heads in the world.
But it is your loved ones, unknown to fame, whom you choose to
worship, therefore I worship you.
The perfection of your arms would add glory to kingly splendour
with their touch.
But you use them to sweep away the dust, and to make clean your
humble home, therefore I am filled with awe.
81
Why do you whisper so faintly in my ears, O Death, my Death?
When the flowers droop in the evening and cattle come back to
their stalls, you stealthily come to my side and speak words
that I do not understand.
Is this how you must woo and win me with the opiate of drowsy
murmur and cold kisses, O Death, my Death?
Will there be no proud ceremony for our wedding?
Will you not tie up with a wreath your tawny coiled locks?
Is there none to carry your banner before you, and will not the
night be on fire with your red torch-lights, O Death, my Death?
Come with your conch-shells sounding, come in the sleepless
night.
Dress me with a crimson mantle, grasp my hand and take me.
Let your chariot be ready at my door with your horses neighing
impatiently.
Raise my veil and look at my face proudly, O Death, my Death!
82
We are to play the game of death to-night, my bride and I.
The night is black, the clouds in the sky are capricious, and the
waves are raving at sea.
We have left our bed of dreams, flung open the door and come out,
my bride and I.
We sit upon a swing, and the storm winds give us a wild push from
behind.
My bride starts up with fear and delight, she trembles and clings
to my breast.
Long have I served her tenderly.
I made for her a bed of flowers and I closed the doors to shut
out the rude light from her eyes.
I kissed her gently on her lips and whispered softly in her ears
till she half swooned in languor.
She was lost in the endless mist of vague sweetness.
She answered not to my touch, my songs failed to arouse her.
To-night has come to us the call of the storm from the wild.
My bride has shivered and stood up, she has clasped my hand and
come out.
Her hair is flying in the wind, her veil is fluttering, her
garland rustles over her breast.
The push of death has swung her into life.
We are face to face and heart to heart, my bride and I.
83
She dwelt on the hillside by the edge of a maize-field, near the
spring that flows in laughing rills through the solemn shadows
of ancient trees. The women came there to fill their jars, and
travellers would sit there to rest and talk. She worked and
dreamed daily to the tune of the bubbling stream.
One evening the stranger came down from the cloud-hidden peak;
his locks were tangled like drowsy snakes. We asked in wonder,
"Who are you? " He answered not but sat by the garrulous stream
and silently gazed at the hut where she dwelt. Our hearts
quaked in fear and we came back home when it was night.
Next morning when the women came to fetch water at the spring by
the _deodar_ trees, they found the doors open in her hut,
but her voice was gone and where was her smiling face? The
empty jar lay on the floor and her lamp had burnt itself out in
the corner. No one knew where she had fled to before it was
morning--and the stranger had gone.
In the month of May the sun grew strong and the snow melted, and
we sat by the spring and wept. We wondered in our mind, "Is
there a spring in the land where she has gone and where she can
fill her vessel in these hot thirsty days? " And we asked each
other in dismay, "Is there a land beyond these hills where we
live? "
It was a summer night; the breeze blew from the south; and I sat
in her deserted room where the lamp stood still unlit. When
suddenly from before my eyes the hills vanished like curtains
drawn aside. "Ah, it is she who comes. How are you, my child?
Are you happy? But where can you shelter under this open sky?
And, alas, our spring is not here to allay your thirst. "
"Here is the same sky," she said, "only free from the fencing
hills,--this is the same stream grown into a river,--the same
earth widened into a plain. " "Everything is here," I sighed,
"only we are not. " She smiled sadly and said, "You are in my
heart. " I woke up and heard the babbling of the stream and the
rustling of the _deodars_ at night.
84
Over the green and yellow rice-fields sweep the shadows of the
autumn clouds followed by the swift chasing sun.
The bees forget to sip their honey; drunken with light they
foolishly hover and hum.
The ducks in the islands of the river clamour in joy for mere
nothing.
Let none go back home, brothers, this morning, let none go to
work.
Let us take the blue sky by storm and plunder space as we run.
Laughter floats in the air like foam on the flood.
Brothers, let us squander our morning in futile songs.
85
Who are you, reader, reading my poems an hundred years hence?
I cannot send you one single flower from this wealth of the
spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.
From your blossoming garden gather fragrant memories of the
vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang
one spring morning, sending its glad voice across an hundred
years.
INDEX OF FIRST WORDS
No.
A wandering madman was seeking the touchstone 66
Ah me, why did they build my house 4
Ah, poet, the evening draws near 2
Amidst the rush and roar of life 60
An unbelieving smile flits on your eyes 40
At midnight the would-be ascetic announced 75
Come as you are; do not loiter over your toilet 11
Come to us, youth, tell us truly 25
Day after day he comes and goes away 20
Do not go, my love, without asking my leave 34
Do not keep to yourself the secret of your heart, my friend 24
Free me from the bonds of your sweetness, my love 48
Hands cling to hands and eyes linger on eyes 16
Have mercy upon your servant, my queen 1
He whispered, "My love, raise your eyes" 36
I am restless 5
I asked nothing, only stood at the edge of the wood 13
I hold her hands and press her to my breast 49
I hunt for the golden stag 69
I long to speak the deepest words 41
I love you, beloved 33
I often wonder where lie hidden 79
I plucked your flower, O world 57
I remember a day in my childhood 70
I run as a musk-deer runs in the shadow of the forest 15
I spent my day on the scorching hot dust of the road 64
I try to weave a wreath all the morning 39
I was one among many women 56
I was walking by the road, I do not know why 14
If you would be busy and fill your pitcher, come 12
If you would have it so, I will end my singing 47
In the dusky path of a dream I went to seek the love 62
In the morning I cast my net into the sea 3
In the world's audience hall 74
Infinite wealth is not yours 73
Is that your call again 65
It was in May 78
It was mid-day when you want away 55
Lest I should know you too easily, you play with me 35
Let your work be, bride 10
Love, my heart longs day and night 50
My heart, the bird of the wilderness 31
My love, once upon a time your poet launched a great epic 38
No, my friends, I shall never be an ascetic 43
None lives for ever, brother 68
O mad, superbly drunk 42
O mother, the young Prince is to pass by our door 7
O woman, you are not merely the handiwork of God 59
One morning in the flower garden a blind girl came 58
Over the green and yellow rice-fields 84
Peace, my heart, let the time for the parting be sweet 61
Reverend sir, forgive this pair of sinners 44
She dwelt on the hillside 83
Speak to me, my love 29
Tell me if this be all true, my lover 32
The day is not yet done, the fair is not over 71
The fair was on before the temple 76
The tame bird was in a cage 6
The workman and his wife from the west country 77
The yellow bird sings in their tree 17
Then finish the last song and let us leave 51
Though the evening comes with slow steps 67
To the guests that must go bid God's speed 45
Traveller, must you go 63
Trust love even if it brings sorrow 27
We are to play the game of death to-night 82
What comes from your willing hands I take 26
When I go alone at night to my love-tryst 9
When she passed by me with quick steps 22
When the lamp went out by my bed 8
When the two sisters go to fetch water 18
Where do you hurry with your basket 54
Who are you, reader, reading my poems 85
Why did he choose to come to my door 21
Why did the lamp go out 52
Why do you put me to shame with a look 53
Why do you sit there and jingle your bracelets 23
Why do you whisper so faintly in my ears 81
With a glance of your eyes you could plunder 80
With days of hard travail I raised a temple 72
Would you put your wreath of fresh flowers on my neck 37
You are the evening cloud floating in the sky of my dreams 30
You left me and went on your way 46
You walked by the riverside path 19
Your questioning eyes are sad 28
End of the Project Gutenberg EBook of The Gardener, by Rabindranath Tagore
*** END OF THIS PROJECT GUTENBERG EBOOK THE GARDENER ***
***** This file should be named 6686. txt or 6686. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/6/6/8/6686/
Produced by Chetan Jain
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F.
