The
boastings
of my spirit still?
Tennyson
" See
Spedding in 'Edinburgh Review' for April, 1843. The poem concludes by
leaving as an answer to the awful question, "can there be final
salvation for the poor wretch? " a reply undecipherable by man, and dawn
breaking in angry splendour. The best commentary on the poem would be
Byron's lyric: "There's not a joy the world can give like that it takes
away," and 'Don Juan'; biography and daily life are indeed full of
comments on the truth of this fine allegory.
1
I had a vision when the night was late:
A youth came riding toward a palace-gate.
He rode a horse with wings, that would have flown, [1]
But that his heavy rider kept him down.
And from the palace came a child of sin,
And took him by the curls, and led him in,
Where sat a company with heated eyes,
Expecting when a fountain should arise:
A sleepy light upon their brows and lips--
As when the sun, a crescent of eclipse,
Dreams over lake and lawn, and isles and capes--
Suffused them, sitting, lying, languid shapes,
By heaps of gourds, and skins of wine, and piles of grapes.
2
Then methought I heard a mellow sound,
Gathering up from all the lower ground; [2]
Narrowing in to where they sat assembled
Low voluptuous music winding trembled,
Wov'n in circles: they that heard it sigh'd,
Panted hand in hand with faces pale,
Swung themselves, and in low tones replied;
Till the fountain spouted, showering wide
Sleet of diamond-drift and pearly hail;
Then the music touch'd the gates and died;
Rose again from where it seem'd to fail,
Storm'd in orbs of song, a growing gale;
Till thronging in and in, to where they waited,
As 'twere a hundred-throated nightingale,
The strong tempestuous treble throbb'd and palpitated;
Ran into its giddiest whirl of sound,
Caught the sparkles, and in circles,
Purple gauzes, golden hazes, liquid mazes,
Flung the torrent rainbow round:
Then they started from their places,
Moved with violence, changed in hue,
Caught each other with wild grimaces,
Half-invisible to the view,
Wheeling with precipitate paces
To the melody, till they flew,
Hair, and eyes, and limbs, and faces,
Twisted hard in fierce embraces,
Like to Furies, like to Graces,
Dash'd together in blinding dew:
Till, kill'd with some luxurious agony,
The nerve-dissolving melody
Flutter'd headlong from the sky.
3
And then I look'd up toward a mountain-tract,
That girt the region with high cliff and lawn:
I saw that every morning, far withdrawn
Beyond the darkness and the cataract,
God made himself an awful rose of dawn, [3]
Unheeded: and detaching, fold by fold,
From those still heights, and, slowly drawing near,
A vapour heavy, hueless, formless, cold,
Came floating on for many a month and year,
Unheeded: and I thought I would have spoken,
And warn'd that madman ere it grew too late:
But, as in dreams, I could not. Mine was broken,
When that cold vapour touch'd the palace-gate,
And link'd again. I saw within my head
A gray and gap-tooth'd man as lean as death,
Who slowly rode across a wither'd heath,
And lighted at a ruin'd inn, and said:
4
"Wrinkled ostler, grim and thin!
Here is custom come your way;
Take my brute, and lead him in,
Stuff his ribs with mouldy hay.
"Bitter barmaid, waning fast!
See that sheets are on my bed;
What! the flower of life is past:
It is long before you wed.
"Slip-shod waiter, lank and sour,
At the Dragon on the heath!
Let us have a quiet hour,
Let us hob-and-nob with Death.
"I am old, but let me drink;
Bring me spices, bring me wine;
I remember, when I think,
That my youth was half divine.
"Wine is good for shrivell'd lips,
When a blanket wraps the day,
When the rotten woodland drips,
And the leaf is stamp'd in clay.
"Sit thee down, and have no shame,
Cheek by jowl, and knee by knee:
What care I for any name?
What for order or degree?
"Let me screw thee up a peg:
Let me loose thy tongue with wine:
Callest thou that thing a leg?
Which is thinnest? thine or mine?
"Thou shalt not be saved by works:
Thou hast been a sinner too:
Ruin'd trunks on wither'd forks,
Empty scarecrows, I and you!
"Fill the cup, and fill the can:
Have a rouse before the morn:
Every moment dies a man,
Every moment one is born. [4]
"We are men of ruin'd blood;
Therefore comes it we are wise.
Fish are we that love the mud.
Rising to no fancy-flies.
"Name and fame! to fly sublime
Thro' the courts, the camps, the schools,
Is to be the ball of Time,
Bandied by the hands of fools.
"Friendship! --to be two in one--
Let the canting liar pack!
Well I know, when I am gone,
How she mouths behind my back.
"Virtue! --to be good and just--
Every heart, when sifted well,
Is a clot of warmer dust,
Mix'd with cunning sparks of hell.
"O! we two as well can look
Whited thought and cleanly life
As the priest, above his book
Leering at his neighbour's wife.
"Fill the cup, and fill the can:
Have a rouse before the morn:
Every moment dies a man,
Every moment one is born. [4]
"Drink, and let the parties rave:
They are fill'd with idle spleen;
Rising, falling, like a wave,
For they know not what they mean.
"He that roars for liberty
Faster binds a tyrant's [5] power;
And the tyrant's cruel glee
Forces on the freer hour.
"Fill the can, and fill the cup:
All the windy ways of men
Are but dust that rises up,
And is lightly laid again.
"Greet her with applausive breath,
Freedom, gaily doth she tread;
In her right a civic wreath,
In her left a human head.
"No, I love not what is new;
She is of an ancient house:
And I think we know the hue
Of that cap upon her brows.
"Let her go! her thirst she slakes
Where the bloody conduit runs:
Then her sweetest meal she makes
On the first-born of her sons.
"Drink to lofty hopes that cool--
Visions of a perfect State:
Drink we, last, the public fool,
Frantic love and frantic hate.
"Chant me now some wicked stave,
Till thy drooping courage rise,
And the glow-worm of the grave
Glimmer in thy rheumy eyes.
"Fear not thou to loose thy tongue;
Set thy hoary fancies free;
What is loathsome to the young
Savours well to thee and me.
"Change, reverting to the years,
When thy nerves could understand
What there is in loving tears,
And the warmth of hand in hand.
"Tell me tales of thy first love--
April hopes, the fools of chance;
Till the graves begin to move,
And the dead begin to dance.
"Fill the can, and fill the cup:
All the windy ways of men
Are but dust that rises up,
And is lightly laid again.
"Trooping from their mouldy dens
The chap-fallen circle spreads:
Welcome, fellow-citizens,
Hollow hearts and empty heads!
"You are bones, and what of that?
Every face, however full,
Padded round with flesh and fat,
Is but modell'd on a skull.
"Death is king, and Vivat Rex!
Tread a measure on the stones,
Madam--if I know your sex,
From the fashion of your bones.
"No, I cannot praise the fire
In your eye--nor yet your lip:
All the more do I admire
Joints of cunning workmanship.
"Lo! God's likeness--the ground-plan--
Neither modell'd, glazed, or framed:
Buss me thou rough sketch of man,
Far too naked to be shamed!
"Drink to Fortune, drink to Chance,
While we keep a little breath!
Drink to heavy Ignorance!
Hob-and-nob with brother Death!
"Thou art mazed, the night is long,
And the longer night is near:
What! I am not all as wrong
As a bitter jest is dear.
"Youthful hopes, by scores, to all,
When the locks are crisp and curl'd;
Unto me my maudlin gall
And my mockeries of the world.
"Fill the cup, and fill the can!
Mingle madness, mingle scorn!
Dregs of life, and lees of man:
Yet we will not die forlorn. "
5
The voice grew faint: there came a further change:
Once more uprose the mystic mountain-range:
Below were men and horses pierced with worms,
And slowly quickening into lower forms;
By shards and scurf of salt, and scum of dross,
Old plash of rains, and refuse patch'd with moss,
Then some one spake [6]: "Behold! it was a crime
Of sense avenged by sense that wore with time".
[7] Another said: "The crime of sense became
The crime of malice, and is equal blame".
And one: "He had not wholly quench'd his power;
A little grain of conscience made him sour".
At last I heard a voice upon the slope
Cry to the summit, "Is there any hope? "
To which an answer peal'd from that high land.
But in a tongue no man could understand;
And on the glimmering limit far withdrawn
God made Himself an awful rose of dawn. [8]
[Footnote 1: A reference to the famous passage in the 'Phoedrus' where
Plato compares the soul to a chariot drawn by the two-winged steeds. ]
Footnote 2: Imitated apparently from the dance in Shelley's 'Triumph of
Life':--
The wild dance maddens in the van; and those
. . .
Mix with each other in tempestuous measure
To savage music, wilder as it grows.
They, tortur'd by their agonising pleasure,
Convuls'd, and on the rapid whirlwinds spun
. . .
Maidens and youths fling their wild arms in air.
As their feet twinkle, etc. ]
[Footnote 3: See footnote to last line. ]
[Footnote 4: All up to and including 1850 read:--
Every _minute_ dies a man,
Every _minute_ one is born.
Mr. Babbage, the famous mathematician, is said to have addressed the
following letter to Tennyson in reference to this couplet:--
"I need hardly point out to you that this calculation would tend to
keep the sum total of the world's population in a state of perpetual
equipoise, whereas it is a]**[Footnote: well-known fact that the said
sum total is constantly on the increase. I would therefore take the
liberty of suggesting that, in the next edition of your excellent
poem, the erroneous calculation to which I refer should be corrected
as follows:--
Every moment dies a man,
And one and a sixteenth is born.
I may add that the exact figures are 1. 167, but something must, of
course, be conceded to the laws of metre. "]
[Footnote 5: 1842 and 1843. The tyrant's. ]
[Footnote 6: 1842. Said. ]
[Footnote 7: In the Selection published in 1865 Tennyson here inserted a
couplet which he afterwards omitted:--
Another answer'd: "But a crime of sense! "
"Give him new nerves with old experience. "]
[Footnote 8: In Professor Tyndall's reminiscences of Tennyson, inserted
in Tennyson's 'Life', he says he once asked him for some
explanation of this line, and the poet's reply was:
"The power of explaining such concentrated expressions of the
imagination was very different from that of writing them".
And on another occasion he said very happily:
"Poetry is like shot silk with many glancing colours. Every reader
must find his own interpretation, according to his ability, and
according to his sympathy with the poet".
Poetry in its essential forms always suggests infinitely more than it
expresses, and at once inspires and kindles the intelligence which is to
comprehend it; if that intelligence, which is perhaps only another name
for sympathy, does not exist, then, in Byron's happy sarcasm:--
"The gentle readers wax unkind,
And, not so studious for the poet's ease,
Insist on knowing what he 'means', a hard
And hapless situation for a bard".
Possibly Tennyson may have had in his mind Keats's line:--
"There was an awful rainbow once in heaven"]
COME NOT, WHEN I AM DEAD. . .
First published in 'The Keepsake' for 1851.
Come not, when I am dead,
To drop thy foolish tears upon my grave,
To trample round my fallen head,
And vex the unhappy dust thou wouldst not save.
There let the wind sweep and the plover cry;
But thou, go by. [1]
Child, if it were thine error or thy crime
I care no longer, being all unblest:
Wed whom thou wilt, but I am sick of Time, [2]
And I desire to rest.
Pass on, weak heart, and leave me where I lie:
Go by, go by.
[Footnote 1: 'The Keepsake':--But go thou by. ]
[Footnote 2: 'The Keepsake' has a small 't' for Time. ]
THE EAGLE
{FRAGMENT}
First published in 1851. It has not been altered.
He clasps the crag with hooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls; [1]
He watches from his mountain walls,
And like a thunderbolt he falls.
[Footnote 1: One of Tennyson's most magically descriptive lines; nothing
could exceed the vividness of the words "wrinkled" and "crawls" here. ]
MOVE EASTWARD, HAPPY EARTH. . .
First published in 1842.
Move eastward, happy earth, and leave
Yon orange sunset waning slow:
From fringes of the faded eve,
O, happy planet, eastward go;
Till over thy dark shoulder glow
Thy silver sister-world, and rise
To glass herself in dewy eyes
That watch me from the glen below.
Ah, bear me with thee, smoothly [1] borne,
Dip forward under starry light,
And move me to my marriage-morn,
And round again to happy night.
[Footnote 1: 1842 to 1853. Lightly. ]
BREAK, BREAK, BREAK. . .
First published in 1842. No alteration.
This exquisite poem was composed in a very different scene from that to
which it refers, namely in "a Lincolnshire lane at five o'clock in the
morning between blossoming hedges". See 'Life of Tennyson', vol. i. , p.
223.
Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.
O well for the fisherman's boy,
That he shouts with his sister at play!
O well for the sailor lad,
That he sings in his boat on the bay!
And the stately ships go on
To their haven under the hill;
But O for the touch of a vanish'd hand,
And the sound of a voice that is still!
Break, break, break,
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.
THE POET'S SONG
First published in 1842.
The rain had fallen, the Poet arose,
He pass'd by the town and out of the street,
A light wind blew from the gates of the sun,
And waves of shadow went over the wheat,
And he sat him down in a lonely place,
And chanted a melody loud and sweet,
That made the wild-swan pause in her cloud,
And the lark drop down at his feet.
The swallow stopt as he hunted the bee, [1]
The snake slipt under a spray,
The wild hawk stood with the down on his beak,
And stared, with his foot on the prey,
And the nightingale thought, "I have sung many songs,
But never a one so gay,
For he sings of what the world will be
When the years have died away".
[Footnote 1: 1889, Fly. ]
APPENDIX
The Poems published in MDCCCXXX and in MDCCCXXXIII which were
temporarily or finally suppressed.
POEMS PUBLISHED IN MDCCCXXX
ELEGIACS
Reprinted in Collected Works among 'Juvenilia', with title
altered to 'Leonine Elegiacs'. The only alterations made in the
text were "wood-dove" for "turtle," and the substitution of "or" for
"and" in the last line but one.
Lowflowing breezes are roaming the broad valley dimm'd in the
gloaming:
Thoro' the black-stemm'd pines only the far river shines.
Creeping thro' blossomy rushes and bowers of rose-blowing bushes,
Down by the poplar tall rivulets babble and fall.
Barketh the shepherd-dog cheerily; the grasshopper carolleth clearly;
Deeply the turtle coos; shrilly the owlet halloos;
Winds creep; dews fell chilly: in her first sleep earth breathes
stilly:
Over the pools in the burn watergnats murmur and mourn.
Sadly the far kine loweth: the glimmering water outfloweth:
Twin peaks shadow'd with pine slope to the dark hyaline.
Lowthroned Hesper is stayed between the two peaks; but the Naiad
Throbbing in mild unrest holds him beneath in her breast.
The ancient poetess singeth, that Hesperus all things bringeth,
Smoothing the wearied mind: bring me my love, Rosalind.
Thou comest morning and even; she cometh not morning or even.
False-eyed Hesper, unkind, where is my sweet Rosalind?
THE "HOW" AND THE "WHY"
I am any man's suitor,
If any will be my tutor:
Some say this life is pleasant,
Some think it speedeth fast:
In time there is no present,
In eternity no future,
In eternity no past.
We laugh, we cry, we are born, we die,
Who will riddle me the _how_ and the _why_?
The bulrush nods unto its brother,
The wheatears whisper to each other:
What is it they say? What do they there?
Why two and two make four? Why round is not square?
Why the rocks stand still, and the light clouds fly?
Why the heavy oak groans, and the white willows sigh?
Why deep is not high, and high is not deep?
Whether we wake, or whether we sleep?
Whether we sleep, or whether we die?
How you are you? Why I am I?
Who will riddle me the _how_ and the _why_?
The world is somewhat; it goes on somehow;
But what is the meaning of _then_ and _now_?
I feel there is something; but how and what?
I know there is somewhat; but what and why?
I cannot tell if that somewhat be I.
The little bird pipeth, "why? why? "
In the summerwoods when the sun falls low
And the great bird sits on the opposite bough,
And stares in his face and shouts, "how? how? "
And the black owl scuds down the mellow twilight,
And chaunts, "how? how? " the whole of the night.
Why the life goes when the blood is spilt?
What the life is? where the soul may lie?
Why a church is with a steeple built;
And a house with a chimneypot?
Who will riddle me the how and the what?
Who will riddle me the what and the why?
SUPPOSED CONFESSIONS
OF A SECOND-RATE SENSITIVE MIND NOT IN UNITY WITH ITSELF
There has been only one important alteration made in this poem, when it
was reprinted among the 'Juvenilia' in 1871, and that was the
suppression of the verses beginning "A grief not uninformed and dull" to
"Indued with immortality" inclusive, and the substitution of "rosy" for
"waxen". Capitals are in all cases inserted in the reprint where the
Deity is referred to, "through" is altered into "thro'" all through the
poem, and hyphens are inserted in the double epithets. No further
alterations were made in the edition of 1830.
Oh God! my God! have mercy now.
I faint, I fall. Men say that thou
Didst die for me, for such as _me_,
Patient of ill, and death, and scorn,
And that my sin was as a thorn
Among the thorns that girt thy brow,
Wounding thy soul. --That even now,
In this extremest misery
Of ignorance, I should require
A sign! and if a bolt of fire
Would rive the slumbrous summernoon
While I do pray to thee alone,
Think my belief would stronger grow!
Is not my human pride brought low?
The boastings of my spirit still?
The joy I had in my freewill
All cold, and dead, and corpse-like grown?
And what is left to me, but thou,
And faith in thee? Men pass me by;
Christians with happy countenances--
And children all seem full of thee!
And women smile with saint-like glances
Like thine own mother's when she bow'd
Above thee, on that happy morn
When angels spake to men aloud,
And thou and peace to earth were born.
Goodwill to me as well as all--
I one of them: my brothers they:
Brothers in Christ--a world of peace
And confidence, day after day;
And trust and hope till things should cease,
And then one Heaven receive us all.
How sweet to have a common faith!
To hold a common scorn of death!
And at a burial to hear
The creaking cords which wound and eat
Into my human heart, whene'er
Earth goes to earth, with grief, not fear,
With hopeful grief, were passing sweet!
A grief not uninformed, and dull
Hearted with hope, of hope as full
As is the blood with life, or night
And a dark cloud with rich moonlight.
To stand beside a grave, and see
The red small atoms wherewith we
Are built, and smile in calm, and say--
"These little moles and graves shall be
Clothed on with immortality
More glorious than the noon of day--
All that is pass'd into the flowers
And into beasts and other men,
And all the Norland whirlwind showers
From open vaults, and all the sea
O'er washes with sharp salts, again
Shall fleet together all, and be
Indued with immortality. "
Thrice happy state again to be
The trustful infant on the knee!
Who lets his waxen fingers play
About his mother's neck, and knows
Nothing beyond his mother's eyes.
They comfort him by night and day;
They light his little life alway;
He hath no thought of coming woes;
He hath no care of life or death,
Scarce outward signs of joy arise,
Because the Spirit of happiness
And perfect rest so inward is;
And loveth so his innocent heart,
Her temple and her place of birth,
Where she would ever wish to dwell,
Life of the fountain there, beneath
Its salient springs, and far apart,
Hating to wander out on earth,
Or breathe into the hollow air,
Whose dullness would make visible
Her subtil, warm, and golden breath,
Which mixing with the infant's blood,
Fullfills him with beatitude.
Oh! sure it is a special care
Of God, to fortify from doubt,
To arm in proof, and guard about
With triple-mailed trust, and clear
Delight, the infant's dawning year.
Would that my gloomed fancy were
As thine, my mother, when with brows
Propped on thy knees, my hands upheld
In thine, I listen'd to thy vows,
For me outpour'd in holiest prayer--
For me unworthy! --and beheld
Thy mild deep eyes upraised, that knew
The beauty and repose of faith,
And the clear spirit shining through.
Oh! wherefore do we grow awry
From roots which strike so deep? why dare
Paths in the desert? Could not I
Bow myself down, where thou hast knelt,
To th' earth--until the ice would melt
Here, and I feel as thou hast felt?
What Devil had the heart to scathe
Flowers thou hadst rear'd--to brush the dew
From thine own lily, when thy grave
Was deep, my mother, in the clay?
Myself? Is it thus? Myself? Had I
So little love for thee? But why
Prevail'd not thy pure prayers? Why pray
To one who heeds not, who can save
But will not? Great in faith, and strong
Against the grief of circumstance
Wert thou, and yet unheard. What if
Thou pleadest still, and seest me drive
Thro' utter dark a fullsailed skiff,
Unpiloted i' the echoing dance
Of reboant whirlwinds, stooping low
Unto the death, not sunk! I know
At matins and at evensong,
That thou, if thou were yet alive,
In deep and daily prayers wouldst strive
To reconcile me with thy God.
Albeit, my hope is gray, and cold
At heart, thou wouldest murmur still--
"Bring this lamb back into thy fold,
My Lord, if so it be thy will".
Wouldst tell me I must brook the rod,
And chastisement of human pride;
That pride, the sin of devils, stood
Betwixt me and the light of God!
That hitherto I had defied
And had rejected God--that grace
Would drop from his o'erbrimming love,
As manna on my wilderness,
If I would pray--that God would move
And strike the hard hard rock, and thence,
Sweet in their utmost bitterness,
Would issue tears of penitence
Which would keep green hope's life. Alas!
I think that pride hath now no place
Nor sojourn in me. I am void,
Dark, formless, utterly destroyed.
Why not believe then? Why not yet
Anchor thy frailty there, where man
Hath moor'd and rested? Ask the sea
At midnight, when the crisp slope waves
After a tempest, rib and fret
The broadimbased beach, why he
Slumbers not like a mountain tarn?
Wherefore his ridges are not curls
And ripples of an inland mere?
Wherefore he moaneth thus, nor can
Draw down into his vexed pools
All that blue heaven which hues and paves
The other? I am too forlorn,
Too shaken: my own weakness fools
My judgment, and my spirit whirls,
Moved from beneath with doubt and fear.
"Yet" said I, in my morn of youth,
The unsunned freshness of my strength,
When I went forth in quest of truth,
"It is man's privilege to doubt,
If so be that from doubt at length,
Truth may stand forth unmoved of change,
An image with profulgent brows,
And perfect limbs, as from the storm
Of running fires and fluid range
Of lawless airs, at last stood out
This excellence and solid form
Of constant beauty. For the Ox
Feeds in the herb, and sleeps, or fills
The horned valleys all about,
And hollows of the fringed hills
In summerheats, with placid lows
Unfearing, till his own blood flows
About his hoof. And in the flocks
The lamb rejoiceth in the year,
And raceth freely with his fere,
And answers to his mother's calls
From the flower'd furrow. In a time,
Of which he wots not, run short pains
Through his warm heart; and then, from whence
He knows not, on his light there falls
A shadow; and his native slope,
Where he was wont to leap and climb,
Floats from his sick and filmed eyes,
And something in the darkness draws
His forehead earthward, and he dies.
Shall man live thus, in joy and hope
As a young lamb, who cannot dream,
Living, but that he shall live on?
Shall we not look into the laws
Of life and death, and things that seem,
And things that be, and analyse
Our double nature, and compare
All creeds till we have found the one,
If one there be? " Ay me! I fear
All may not doubt, but everywhere
Some must clasp Idols. Yet, my God,
Whom call I Idol? Let thy dove
Shadow me over, and my sins
Be unremembered, and thy love
Enlighten me. Oh teach me yet
Somewhat before the heavy clod
Weighs on me, and the busy fret
Of that sharpheaded worm begins
In the gross blackness underneath.
O weary life! O weary death!
O spirit and heart made desolate!
O damned vacillating state!
THE BURIAL OF LOVE
His eyes in eclipse,
Pale cold his lips,
The light of his hopes unfed,
Mute his tongue,
His bow unstrung
With the tears he hath shed,
Backward drooping his graceful head,
Love is dead;
His last arrow is sped;
He hath not another dart;
Go--carry him to his dark deathbed;
Bury him in the cold, cold heart--
Love is dead.
Oh, truest love! art thou forlorn,
And unrevenged? thy pleasant wiles
Forgotten, and thine innocent joy?
Shall hollowhearted apathy,
The cruellest form of perfect scorn,
With languor of most hateful smiles,
For ever write
In the withered light
Of the tearless eye,
An epitaph that all may spy?
No! sooner she herself shall die.
For her the showers shall not fall,
Nor the round sun that shineth to all;
Her light shall into darkness change;
For her the green grass shall not spring,
Nor the rivers flow, nor the sweet birds sing,
Till Love have his full revenge.
TO--
Sainted Juliet! dearest name!
If to love be life alone,
Divinest Juliet,
I love thee, and live; and yet
Love unreturned is like the fragrant flame
Folding the slaughter of the sacrifice
Offered to gods upon an altarthrone;
My heart is lighted at thine eyes,
Changed into fire, and blown about with sighs.
SONG
I
I' the glooming light
Of middle night
So cold and white,
Worn Sorrow sits by the moaning wave;
Beside her are laid
Her mattock and spade,
For she hath half delved her own deep grave.
Alone she is there:
The white clouds drizzle: her hair falls loose;
Her shoulders are bare;
Her tears are mixed with the bearded dews.
II
Death standeth by;
She will not die;
With glazed eye
She looks at her grave: she cannot sleep;
Ever alone
She maketh her moan:
She cannot speak; she can only weep;
For she will not hope.
The thick snow falls on her flake by flake,
The dull wave mourns down the slope,
The world will not change, and her heart will not break.
SONG
The lintwhite and the throstlecock
Have voices sweet and clear;
All in the bloomed May.
They from the blosmy brere
Call to the fleeting year,
If that he would them hear
And stay. Alas! that one so beautiful
Should have so dull an ear.
II
Fair year, fair year, thy children call,
But thou art deaf as death;
All in the bloomed May.
When thy light perisheth
That from thee issueth,
Our life evanisheth: Oh! stay.
Alas! that lips so cruel-dumb
Should have so sweet a breath!
III
Fair year, with brows of royal love
Thou comest, as a king,
All in the bloomed May.
Thy golden largess fling,
And longer hear us sing;
Though thou art fleet of wing,
Yet stay. Alas! that eyes so full of light
Should be so wandering!
IV
Thy locks are all of sunny sheen
In rings of gold yronne, [1]
All in the bloomed May,
We pri'thee pass not on;
If thou dost leave the sun,
Delight is with thee gone, Oh! stay.
Thou art the fairest of thy feres,
We pri'thee pass not on.
[Footnote 1: His crispe hair in ringis was yronne. --Chaucer, _Knight's
Tale. _ (Tennyson's note. )]
SONG
I
Every day hath its night:
Every night its morn:
Thorough dark and bright
Winged hours are borne;
Ah! welaway!
Seasons flower and fade;
Golden calm and storm
Mingle day by day.
There is no bright form
Doth not cast a shade--
Ah! welaway!
II
When we laugh, and our mirth
Apes the happy vein,
We're so kin to earth,
Pleasaunce fathers pain--
Ah! welaway!
Madness laugheth loud:
Laughter bringeth tears:
Eyes are worn away
Till the end of fears
Cometh in the shroud,
Ah! welaway!
III
All is change, woe or weal;
Joy is Sorrow's brother;
Grief and gladness steal
Symbols of each other;
Ah! welaway!
Larks in heaven's cope
Sing: the culvers mourn
All the livelong day.
Be not all forlorn;
Let us weep, in hope--
Ah! welaway!
NOTHING WILL DIE
Reprinted without any important alteration among the 'Juvenilia' in
1871 and onward. No change made except that "through" is spelt "thro',"
and in the last line "and" is substituted for "all".
When will the stream be aweary of flowing
Under my eye?
When will the wind be aweary of blowing
Over the sky?
When will the clouds be aweary of fleeting?
When will the heart be aweary of beating?
And nature die?
Never, oh! never, nothing will die?
The stream flows,
The wind blows,
The cloud fleets,
The heart beats,
Nothing will die.
Nothing will die;
All things will change
Through eternity.
'Tis the world's winter;
Autumn and summer
Are gone long ago;
Earth is dry to the centre,
But spring, a new comer,
A spring rich and strange,
Shall make the winds blow
Round and round,
Through and through,
Here and there,
Till the air
And the ground
Shall be filled with life anew.
The world was never made;
It will change, but it will not fade.
So let the wind range;
For even and morn
Ever will be
Through eternity.
Nothing was born;
Nothing will die;
All things will change.
ALL THINGS WILL DIE
Reprinted among 'Juvenilia' in 1872 and onward, without alteration.
Clearly the blue river chimes in its flowing
Under my eye;
Warmly and broadly the south winds are blowing
Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating
Full merrily;
Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
For all things must die.
All things must die.
Spring will come never more.
Oh! vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are called--we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
Oh! misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
The old earth
Had a birth,
As all men know,
Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Through eternity.
All things were born.
Ye will come never more,
For all things must die.
HERO TO LEANDER
Oh go not yet, my love,
The night is dark and vast;
The white moon is hid in her heaven above,
And the waves climb high and fast.
Oh! kiss me, kiss me, once again,
Lest thy kiss should be the last.
Oh kiss me ere we part;
Grow closer to my heart.
My heart is warmer surely than the bosom of the main.
Oh joy! 0 bliss of blisses!
My heart of hearts art thou.
Come bathe me with thy kisses,
My eyelids and my brow.
Hark how the wild rain hisses,
And the loud sea roars below.
Thy heart beats through thy rosy limbs
So gladly doth it stir;
Thine eye in drops of gladness swims.
I have bathed thee with the pleasant myrrh;
Thy locks are dripping balm;
Thou shalt not wander hence to-night,
I'll stay thee with my kisses.
To-night the roaring brine
Will rend thy golden tresses;
The ocean with the morrow light
Will be both blue and calm;
And the billow will embrace thee with a kiss as soft as mine.
No western odours wander
On the black and moaning sea,
And when thou art dead, Leander,
My soul must follow thee!
Oh go not yet, my love
Thy voice is sweet and low;
The deep salt wave breaks in above
Those marble steps below.
The turretstairs are wet
That lead into the sea.
Leander! go not yet.
The pleasant stars have set:
Oh! go not, go not yet,
Or I will follow thee.
THE MYSTIC
Angels have talked with him, and showed him thrones:
Ye knew him not: he was not one of ye,
Ye scorned him with an undiscerning scorn;
Ye could not read the marvel in his eye,
The still serene abstraction; he hath felt
The vanities of after and before;
Albeit, his spirit and his secret heart
The stern experiences of converse lives,
The linked woes of many a fiery change
Had purified, and chastened, and made free.
Always there stood before him, night and day,
Of wayward vary colored circumstance,
The imperishable presences serene
Colossal, without form, or sense, or sound,
Dim shadows but unwaning presences
Fourfaced to four corners of the sky;
And yet again, three shadows, fronting one,
One forward, one respectant, three but one;
And yet again, again and evermore,
For the two first were not, but only seemed,
One shadow in the midst of a great light,
One reflex from eternity on time,
One mighty countenance of perfect calm,
Awful with most invariable eyes.
For him the silent congregated hours,
Daughters of time, divinely tall, beneath
Severe and youthful brows, with shining eyes
Smiling a godlike smile (the innocent light
Of earliest youth pierced through and through with all
Keen knowledges of low-embowed eld)
Upheld, and ever hold aloft the cloud
Which droops low hung on either gate of life,
Both birth and death; he in the centre fixt,
Saw far on each side through the grated gates
Most pale and clear and lovely distances.
He often lying broad awake, and yet
Remaining from the body, and apart
In intellect and power and will, hath heard
Time flowing in the middle of the night,
And all things creeping to a day of doom.
How could ye know him? Ye were yet within
The narrower circle; he had wellnigh reached
The last, with which a region of white flame,
Pure without heat, into a larger air
Upburning, and an ether of black blue,
Investeth and ingirds all other lives.
THE GRASSHOPPER
I
Voice of the summerwind,
Joy of the summerplain,
Life of the summerhours,
Carol clearly, bound along.
No Tithon thou as poets feign
(Shame fall 'em they are deaf and blind)
But an insect lithe and strong,
Bowing the seeded summerflowers.
Prove their falsehood and thy quarrel,
Vaulting on thine airy feet.
Clap thy shielded sides and carol,
Carol clearly, chirrup sweet.
Thou art a mailed warrior in youth and strength complete;
Armed cap-a-pie,
Full fair to see;
Unknowing fear,
Undreading loss,
A gallant cavalier
'Sans peur et sans reproche,'
In sunlight and in shadow,
The Bayard of the meadow.
II
I would dwell with thee,
Merry grasshopper,
Thou art so glad and free,
And as light as air;
Thou hast no sorrow or tears,
Thou hast no compt of years,
No withered immortality,
But a short youth sunny and free.
Carol clearly, bound along,
Soon thy joy is over,
A summer of loud song,
And slumbers in the clover.
What hast thou to do with evil
In thine hour of love and revel,
In thy heat of summerpride,
Pushing the thick roots aside
Of the singing flowered grasses,
That brush thee with their silken tresses?
What hast thou to do with evil,
Shooting, singing, ever springing
In and out the emerald glooms,
Ever leaping, ever singing,
Lighting on the golden blooms?
LOVE, PRIDE AND FORGETFULNESS
Ere yet my heart was sweet Love's tomb,
Love laboured honey busily.
I was the hive and Love the bee,
My heart the honey-comb.
One very dark and chilly night
Pride came beneath and held a light.
The cruel vapours went through all,
Sweet Love was withered in his cell;
Pride took Love's sweets, and by a spell,
Did change them into gall;
And Memory tho' fed by Pride
Did wax so thin on gall,
Awhile she scarcely lived at all,
What marvel that she died?
CHORUS
In an unpublished drama written very early.
The varied earth, the moving heaven,
The rapid waste of roving sea,
The fountainpregnant mountains riven
To shapes of wildest anarchy,
By secret fire and midnight storms
That wander round their windy cones,
The subtle life, the countless forms
Of living things, the wondrous tones
Of man and beast are full of strange
Astonishment and boundless change.
The day, the diamonded light,
The echo, feeble child of sound,
The heavy thunder's griding might,
The herald lightning's starry bound,
The vocal spring of bursting bloom,
The naked summer's glowing birth,
The troublous autumn's sallow gloom,
The hoarhead winter paving earth
With sheeny white, are full of strange
Astonishment and boundless change.
Each sun which from the centre flings
Grand music and redundant fire,
The burning belts, the mighty rings,
The murmurous planets' rolling choir,
The globefilled arch that, cleaving air,
Lost in its effulgence sleeps,
The lawless comets as they glare,
And thunder thro' the sapphire deeps
In wayward strength, are full of strange
Astonishment and boundless change.
LOST HOPE
You cast to ground the hope which once was mine,
But did the while your harsh decree deplore,
Embalming with sweet tears the vacant shrine,
My heart, where Hope had been and was no more.
So on an oaken sprout
A goodly acorn grew;
But winds from heaven shook the acorn out,
And filled the cup with dew.
THE TEARS OF HEAVEN
Heaven weeps above the earth all night till morn,
In darkness weeps, as all ashamed to weep,
Because the earth hath made her state forlorn
With selfwrought evils of unnumbered years,
And doth the fruit of her dishonour reap.
And all the day heaven gathers back her tears
Into her own blue eyes so clear and deep,
And showering down the glory of lightsome day,
Smiles on the earth's worn brow to win her if she may.
LOVE AND SORROW
O Maiden, fresher than the first green leaf
With which the fearful springtide flecks the lea,
Weep not, Almeida, that I said to thee
That thou hast half my heart, for bitter grief
Doth hold the other half in sovranty.
Thou art my heart's sun in love's crystalline:
Yet on both sides at once thou canst not shine:
Thine is the bright side of my heart, and thine
My heart's day, but the shadow of my heart,
Issue of its own substance, my heart's night
Thou canst not lighten even with 'thy' light,
All powerful in beauty as thou art.
Almeida, it my heart were substanceless,
Then might thy rays pass thro' to the other side,
So swiftly, that they nowhere would abide,
But lose themselves in utter emptiness.
Half-light, half-shadow, let my spirit sleep;
They never learnt to love who never knew to weep.
TO A LADY SLEEPING
O Thou whose fringed lids I gaze upon,
Through whose dim brain the winged dreams are borne,
Unroof the shrines of clearest vision,
In honour of the silverflecked morn:
Long hath the white wave of the virgin light
Driven back the billow of the dreamful dark.
Thou all unwittingly prolongest night,
Though long ago listening the poised lark,
With eyes dropt downward through the blue serene,
Over heaven's parapets the angels lean.
SONNET
Could I outwear my present state of woe
With one brief winter, and indue i' the spring
Hues of fresh youth, and mightily outgrow
The wan dark coil of faded suffering--
Forth in the pride of beauty issuing
A sheeny snake, the light of vernal bowers,
Moving his crest to all sweet plots of flowers
And watered vallies where the young birds sing;
Could I thus hope my lost delights renewing,
I straightly would commend the tears to creep
From my charged lids; but inwardly I weep:
Some vital heat as yet my heart is wooing:
This to itself hath drawn the frozen rain
From my cold eyes and melted it again.
SONNET
Though Night hath climbed her peak of highest noon,
And bitter blasts the screaming autumn whirl,
All night through archways of the bridged pearl
And portals of pure silver walks the moon.
Spedding in 'Edinburgh Review' for April, 1843. The poem concludes by
leaving as an answer to the awful question, "can there be final
salvation for the poor wretch? " a reply undecipherable by man, and dawn
breaking in angry splendour. The best commentary on the poem would be
Byron's lyric: "There's not a joy the world can give like that it takes
away," and 'Don Juan'; biography and daily life are indeed full of
comments on the truth of this fine allegory.
1
I had a vision when the night was late:
A youth came riding toward a palace-gate.
He rode a horse with wings, that would have flown, [1]
But that his heavy rider kept him down.
And from the palace came a child of sin,
And took him by the curls, and led him in,
Where sat a company with heated eyes,
Expecting when a fountain should arise:
A sleepy light upon their brows and lips--
As when the sun, a crescent of eclipse,
Dreams over lake and lawn, and isles and capes--
Suffused them, sitting, lying, languid shapes,
By heaps of gourds, and skins of wine, and piles of grapes.
2
Then methought I heard a mellow sound,
Gathering up from all the lower ground; [2]
Narrowing in to where they sat assembled
Low voluptuous music winding trembled,
Wov'n in circles: they that heard it sigh'd,
Panted hand in hand with faces pale,
Swung themselves, and in low tones replied;
Till the fountain spouted, showering wide
Sleet of diamond-drift and pearly hail;
Then the music touch'd the gates and died;
Rose again from where it seem'd to fail,
Storm'd in orbs of song, a growing gale;
Till thronging in and in, to where they waited,
As 'twere a hundred-throated nightingale,
The strong tempestuous treble throbb'd and palpitated;
Ran into its giddiest whirl of sound,
Caught the sparkles, and in circles,
Purple gauzes, golden hazes, liquid mazes,
Flung the torrent rainbow round:
Then they started from their places,
Moved with violence, changed in hue,
Caught each other with wild grimaces,
Half-invisible to the view,
Wheeling with precipitate paces
To the melody, till they flew,
Hair, and eyes, and limbs, and faces,
Twisted hard in fierce embraces,
Like to Furies, like to Graces,
Dash'd together in blinding dew:
Till, kill'd with some luxurious agony,
The nerve-dissolving melody
Flutter'd headlong from the sky.
3
And then I look'd up toward a mountain-tract,
That girt the region with high cliff and lawn:
I saw that every morning, far withdrawn
Beyond the darkness and the cataract,
God made himself an awful rose of dawn, [3]
Unheeded: and detaching, fold by fold,
From those still heights, and, slowly drawing near,
A vapour heavy, hueless, formless, cold,
Came floating on for many a month and year,
Unheeded: and I thought I would have spoken,
And warn'd that madman ere it grew too late:
But, as in dreams, I could not. Mine was broken,
When that cold vapour touch'd the palace-gate,
And link'd again. I saw within my head
A gray and gap-tooth'd man as lean as death,
Who slowly rode across a wither'd heath,
And lighted at a ruin'd inn, and said:
4
"Wrinkled ostler, grim and thin!
Here is custom come your way;
Take my brute, and lead him in,
Stuff his ribs with mouldy hay.
"Bitter barmaid, waning fast!
See that sheets are on my bed;
What! the flower of life is past:
It is long before you wed.
"Slip-shod waiter, lank and sour,
At the Dragon on the heath!
Let us have a quiet hour,
Let us hob-and-nob with Death.
"I am old, but let me drink;
Bring me spices, bring me wine;
I remember, when I think,
That my youth was half divine.
"Wine is good for shrivell'd lips,
When a blanket wraps the day,
When the rotten woodland drips,
And the leaf is stamp'd in clay.
"Sit thee down, and have no shame,
Cheek by jowl, and knee by knee:
What care I for any name?
What for order or degree?
"Let me screw thee up a peg:
Let me loose thy tongue with wine:
Callest thou that thing a leg?
Which is thinnest? thine or mine?
"Thou shalt not be saved by works:
Thou hast been a sinner too:
Ruin'd trunks on wither'd forks,
Empty scarecrows, I and you!
"Fill the cup, and fill the can:
Have a rouse before the morn:
Every moment dies a man,
Every moment one is born. [4]
"We are men of ruin'd blood;
Therefore comes it we are wise.
Fish are we that love the mud.
Rising to no fancy-flies.
"Name and fame! to fly sublime
Thro' the courts, the camps, the schools,
Is to be the ball of Time,
Bandied by the hands of fools.
"Friendship! --to be two in one--
Let the canting liar pack!
Well I know, when I am gone,
How she mouths behind my back.
"Virtue! --to be good and just--
Every heart, when sifted well,
Is a clot of warmer dust,
Mix'd with cunning sparks of hell.
"O! we two as well can look
Whited thought and cleanly life
As the priest, above his book
Leering at his neighbour's wife.
"Fill the cup, and fill the can:
Have a rouse before the morn:
Every moment dies a man,
Every moment one is born. [4]
"Drink, and let the parties rave:
They are fill'd with idle spleen;
Rising, falling, like a wave,
For they know not what they mean.
"He that roars for liberty
Faster binds a tyrant's [5] power;
And the tyrant's cruel glee
Forces on the freer hour.
"Fill the can, and fill the cup:
All the windy ways of men
Are but dust that rises up,
And is lightly laid again.
"Greet her with applausive breath,
Freedom, gaily doth she tread;
In her right a civic wreath,
In her left a human head.
"No, I love not what is new;
She is of an ancient house:
And I think we know the hue
Of that cap upon her brows.
"Let her go! her thirst she slakes
Where the bloody conduit runs:
Then her sweetest meal she makes
On the first-born of her sons.
"Drink to lofty hopes that cool--
Visions of a perfect State:
Drink we, last, the public fool,
Frantic love and frantic hate.
"Chant me now some wicked stave,
Till thy drooping courage rise,
And the glow-worm of the grave
Glimmer in thy rheumy eyes.
"Fear not thou to loose thy tongue;
Set thy hoary fancies free;
What is loathsome to the young
Savours well to thee and me.
"Change, reverting to the years,
When thy nerves could understand
What there is in loving tears,
And the warmth of hand in hand.
"Tell me tales of thy first love--
April hopes, the fools of chance;
Till the graves begin to move,
And the dead begin to dance.
"Fill the can, and fill the cup:
All the windy ways of men
Are but dust that rises up,
And is lightly laid again.
"Trooping from their mouldy dens
The chap-fallen circle spreads:
Welcome, fellow-citizens,
Hollow hearts and empty heads!
"You are bones, and what of that?
Every face, however full,
Padded round with flesh and fat,
Is but modell'd on a skull.
"Death is king, and Vivat Rex!
Tread a measure on the stones,
Madam--if I know your sex,
From the fashion of your bones.
"No, I cannot praise the fire
In your eye--nor yet your lip:
All the more do I admire
Joints of cunning workmanship.
"Lo! God's likeness--the ground-plan--
Neither modell'd, glazed, or framed:
Buss me thou rough sketch of man,
Far too naked to be shamed!
"Drink to Fortune, drink to Chance,
While we keep a little breath!
Drink to heavy Ignorance!
Hob-and-nob with brother Death!
"Thou art mazed, the night is long,
And the longer night is near:
What! I am not all as wrong
As a bitter jest is dear.
"Youthful hopes, by scores, to all,
When the locks are crisp and curl'd;
Unto me my maudlin gall
And my mockeries of the world.
"Fill the cup, and fill the can!
Mingle madness, mingle scorn!
Dregs of life, and lees of man:
Yet we will not die forlorn. "
5
The voice grew faint: there came a further change:
Once more uprose the mystic mountain-range:
Below were men and horses pierced with worms,
And slowly quickening into lower forms;
By shards and scurf of salt, and scum of dross,
Old plash of rains, and refuse patch'd with moss,
Then some one spake [6]: "Behold! it was a crime
Of sense avenged by sense that wore with time".
[7] Another said: "The crime of sense became
The crime of malice, and is equal blame".
And one: "He had not wholly quench'd his power;
A little grain of conscience made him sour".
At last I heard a voice upon the slope
Cry to the summit, "Is there any hope? "
To which an answer peal'd from that high land.
But in a tongue no man could understand;
And on the glimmering limit far withdrawn
God made Himself an awful rose of dawn. [8]
[Footnote 1: A reference to the famous passage in the 'Phoedrus' where
Plato compares the soul to a chariot drawn by the two-winged steeds. ]
Footnote 2: Imitated apparently from the dance in Shelley's 'Triumph of
Life':--
The wild dance maddens in the van; and those
. . .
Mix with each other in tempestuous measure
To savage music, wilder as it grows.
They, tortur'd by their agonising pleasure,
Convuls'd, and on the rapid whirlwinds spun
. . .
Maidens and youths fling their wild arms in air.
As their feet twinkle, etc. ]
[Footnote 3: See footnote to last line. ]
[Footnote 4: All up to and including 1850 read:--
Every _minute_ dies a man,
Every _minute_ one is born.
Mr. Babbage, the famous mathematician, is said to have addressed the
following letter to Tennyson in reference to this couplet:--
"I need hardly point out to you that this calculation would tend to
keep the sum total of the world's population in a state of perpetual
equipoise, whereas it is a]**[Footnote: well-known fact that the said
sum total is constantly on the increase. I would therefore take the
liberty of suggesting that, in the next edition of your excellent
poem, the erroneous calculation to which I refer should be corrected
as follows:--
Every moment dies a man,
And one and a sixteenth is born.
I may add that the exact figures are 1. 167, but something must, of
course, be conceded to the laws of metre. "]
[Footnote 5: 1842 and 1843. The tyrant's. ]
[Footnote 6: 1842. Said. ]
[Footnote 7: In the Selection published in 1865 Tennyson here inserted a
couplet which he afterwards omitted:--
Another answer'd: "But a crime of sense! "
"Give him new nerves with old experience. "]
[Footnote 8: In Professor Tyndall's reminiscences of Tennyson, inserted
in Tennyson's 'Life', he says he once asked him for some
explanation of this line, and the poet's reply was:
"The power of explaining such concentrated expressions of the
imagination was very different from that of writing them".
And on another occasion he said very happily:
"Poetry is like shot silk with many glancing colours. Every reader
must find his own interpretation, according to his ability, and
according to his sympathy with the poet".
Poetry in its essential forms always suggests infinitely more than it
expresses, and at once inspires and kindles the intelligence which is to
comprehend it; if that intelligence, which is perhaps only another name
for sympathy, does not exist, then, in Byron's happy sarcasm:--
"The gentle readers wax unkind,
And, not so studious for the poet's ease,
Insist on knowing what he 'means', a hard
And hapless situation for a bard".
Possibly Tennyson may have had in his mind Keats's line:--
"There was an awful rainbow once in heaven"]
COME NOT, WHEN I AM DEAD. . .
First published in 'The Keepsake' for 1851.
Come not, when I am dead,
To drop thy foolish tears upon my grave,
To trample round my fallen head,
And vex the unhappy dust thou wouldst not save.
There let the wind sweep and the plover cry;
But thou, go by. [1]
Child, if it were thine error or thy crime
I care no longer, being all unblest:
Wed whom thou wilt, but I am sick of Time, [2]
And I desire to rest.
Pass on, weak heart, and leave me where I lie:
Go by, go by.
[Footnote 1: 'The Keepsake':--But go thou by. ]
[Footnote 2: 'The Keepsake' has a small 't' for Time. ]
THE EAGLE
{FRAGMENT}
First published in 1851. It has not been altered.
He clasps the crag with hooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.
The wrinkled sea beneath him crawls; [1]
He watches from his mountain walls,
And like a thunderbolt he falls.
[Footnote 1: One of Tennyson's most magically descriptive lines; nothing
could exceed the vividness of the words "wrinkled" and "crawls" here. ]
MOVE EASTWARD, HAPPY EARTH. . .
First published in 1842.
Move eastward, happy earth, and leave
Yon orange sunset waning slow:
From fringes of the faded eve,
O, happy planet, eastward go;
Till over thy dark shoulder glow
Thy silver sister-world, and rise
To glass herself in dewy eyes
That watch me from the glen below.
Ah, bear me with thee, smoothly [1] borne,
Dip forward under starry light,
And move me to my marriage-morn,
And round again to happy night.
[Footnote 1: 1842 to 1853. Lightly. ]
BREAK, BREAK, BREAK. . .
First published in 1842. No alteration.
This exquisite poem was composed in a very different scene from that to
which it refers, namely in "a Lincolnshire lane at five o'clock in the
morning between blossoming hedges". See 'Life of Tennyson', vol. i. , p.
223.
Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.
O well for the fisherman's boy,
That he shouts with his sister at play!
O well for the sailor lad,
That he sings in his boat on the bay!
And the stately ships go on
To their haven under the hill;
But O for the touch of a vanish'd hand,
And the sound of a voice that is still!
Break, break, break,
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.
THE POET'S SONG
First published in 1842.
The rain had fallen, the Poet arose,
He pass'd by the town and out of the street,
A light wind blew from the gates of the sun,
And waves of shadow went over the wheat,
And he sat him down in a lonely place,
And chanted a melody loud and sweet,
That made the wild-swan pause in her cloud,
And the lark drop down at his feet.
The swallow stopt as he hunted the bee, [1]
The snake slipt under a spray,
The wild hawk stood with the down on his beak,
And stared, with his foot on the prey,
And the nightingale thought, "I have sung many songs,
But never a one so gay,
For he sings of what the world will be
When the years have died away".
[Footnote 1: 1889, Fly. ]
APPENDIX
The Poems published in MDCCCXXX and in MDCCCXXXIII which were
temporarily or finally suppressed.
POEMS PUBLISHED IN MDCCCXXX
ELEGIACS
Reprinted in Collected Works among 'Juvenilia', with title
altered to 'Leonine Elegiacs'. The only alterations made in the
text were "wood-dove" for "turtle," and the substitution of "or" for
"and" in the last line but one.
Lowflowing breezes are roaming the broad valley dimm'd in the
gloaming:
Thoro' the black-stemm'd pines only the far river shines.
Creeping thro' blossomy rushes and bowers of rose-blowing bushes,
Down by the poplar tall rivulets babble and fall.
Barketh the shepherd-dog cheerily; the grasshopper carolleth clearly;
Deeply the turtle coos; shrilly the owlet halloos;
Winds creep; dews fell chilly: in her first sleep earth breathes
stilly:
Over the pools in the burn watergnats murmur and mourn.
Sadly the far kine loweth: the glimmering water outfloweth:
Twin peaks shadow'd with pine slope to the dark hyaline.
Lowthroned Hesper is stayed between the two peaks; but the Naiad
Throbbing in mild unrest holds him beneath in her breast.
The ancient poetess singeth, that Hesperus all things bringeth,
Smoothing the wearied mind: bring me my love, Rosalind.
Thou comest morning and even; she cometh not morning or even.
False-eyed Hesper, unkind, where is my sweet Rosalind?
THE "HOW" AND THE "WHY"
I am any man's suitor,
If any will be my tutor:
Some say this life is pleasant,
Some think it speedeth fast:
In time there is no present,
In eternity no future,
In eternity no past.
We laugh, we cry, we are born, we die,
Who will riddle me the _how_ and the _why_?
The bulrush nods unto its brother,
The wheatears whisper to each other:
What is it they say? What do they there?
Why two and two make four? Why round is not square?
Why the rocks stand still, and the light clouds fly?
Why the heavy oak groans, and the white willows sigh?
Why deep is not high, and high is not deep?
Whether we wake, or whether we sleep?
Whether we sleep, or whether we die?
How you are you? Why I am I?
Who will riddle me the _how_ and the _why_?
The world is somewhat; it goes on somehow;
But what is the meaning of _then_ and _now_?
I feel there is something; but how and what?
I know there is somewhat; but what and why?
I cannot tell if that somewhat be I.
The little bird pipeth, "why? why? "
In the summerwoods when the sun falls low
And the great bird sits on the opposite bough,
And stares in his face and shouts, "how? how? "
And the black owl scuds down the mellow twilight,
And chaunts, "how? how? " the whole of the night.
Why the life goes when the blood is spilt?
What the life is? where the soul may lie?
Why a church is with a steeple built;
And a house with a chimneypot?
Who will riddle me the how and the what?
Who will riddle me the what and the why?
SUPPOSED CONFESSIONS
OF A SECOND-RATE SENSITIVE MIND NOT IN UNITY WITH ITSELF
There has been only one important alteration made in this poem, when it
was reprinted among the 'Juvenilia' in 1871, and that was the
suppression of the verses beginning "A grief not uninformed and dull" to
"Indued with immortality" inclusive, and the substitution of "rosy" for
"waxen". Capitals are in all cases inserted in the reprint where the
Deity is referred to, "through" is altered into "thro'" all through the
poem, and hyphens are inserted in the double epithets. No further
alterations were made in the edition of 1830.
Oh God! my God! have mercy now.
I faint, I fall. Men say that thou
Didst die for me, for such as _me_,
Patient of ill, and death, and scorn,
And that my sin was as a thorn
Among the thorns that girt thy brow,
Wounding thy soul. --That even now,
In this extremest misery
Of ignorance, I should require
A sign! and if a bolt of fire
Would rive the slumbrous summernoon
While I do pray to thee alone,
Think my belief would stronger grow!
Is not my human pride brought low?
The boastings of my spirit still?
The joy I had in my freewill
All cold, and dead, and corpse-like grown?
And what is left to me, but thou,
And faith in thee? Men pass me by;
Christians with happy countenances--
And children all seem full of thee!
And women smile with saint-like glances
Like thine own mother's when she bow'd
Above thee, on that happy morn
When angels spake to men aloud,
And thou and peace to earth were born.
Goodwill to me as well as all--
I one of them: my brothers they:
Brothers in Christ--a world of peace
And confidence, day after day;
And trust and hope till things should cease,
And then one Heaven receive us all.
How sweet to have a common faith!
To hold a common scorn of death!
And at a burial to hear
The creaking cords which wound and eat
Into my human heart, whene'er
Earth goes to earth, with grief, not fear,
With hopeful grief, were passing sweet!
A grief not uninformed, and dull
Hearted with hope, of hope as full
As is the blood with life, or night
And a dark cloud with rich moonlight.
To stand beside a grave, and see
The red small atoms wherewith we
Are built, and smile in calm, and say--
"These little moles and graves shall be
Clothed on with immortality
More glorious than the noon of day--
All that is pass'd into the flowers
And into beasts and other men,
And all the Norland whirlwind showers
From open vaults, and all the sea
O'er washes with sharp salts, again
Shall fleet together all, and be
Indued with immortality. "
Thrice happy state again to be
The trustful infant on the knee!
Who lets his waxen fingers play
About his mother's neck, and knows
Nothing beyond his mother's eyes.
They comfort him by night and day;
They light his little life alway;
He hath no thought of coming woes;
He hath no care of life or death,
Scarce outward signs of joy arise,
Because the Spirit of happiness
And perfect rest so inward is;
And loveth so his innocent heart,
Her temple and her place of birth,
Where she would ever wish to dwell,
Life of the fountain there, beneath
Its salient springs, and far apart,
Hating to wander out on earth,
Or breathe into the hollow air,
Whose dullness would make visible
Her subtil, warm, and golden breath,
Which mixing with the infant's blood,
Fullfills him with beatitude.
Oh! sure it is a special care
Of God, to fortify from doubt,
To arm in proof, and guard about
With triple-mailed trust, and clear
Delight, the infant's dawning year.
Would that my gloomed fancy were
As thine, my mother, when with brows
Propped on thy knees, my hands upheld
In thine, I listen'd to thy vows,
For me outpour'd in holiest prayer--
For me unworthy! --and beheld
Thy mild deep eyes upraised, that knew
The beauty and repose of faith,
And the clear spirit shining through.
Oh! wherefore do we grow awry
From roots which strike so deep? why dare
Paths in the desert? Could not I
Bow myself down, where thou hast knelt,
To th' earth--until the ice would melt
Here, and I feel as thou hast felt?
What Devil had the heart to scathe
Flowers thou hadst rear'd--to brush the dew
From thine own lily, when thy grave
Was deep, my mother, in the clay?
Myself? Is it thus? Myself? Had I
So little love for thee? But why
Prevail'd not thy pure prayers? Why pray
To one who heeds not, who can save
But will not? Great in faith, and strong
Against the grief of circumstance
Wert thou, and yet unheard. What if
Thou pleadest still, and seest me drive
Thro' utter dark a fullsailed skiff,
Unpiloted i' the echoing dance
Of reboant whirlwinds, stooping low
Unto the death, not sunk! I know
At matins and at evensong,
That thou, if thou were yet alive,
In deep and daily prayers wouldst strive
To reconcile me with thy God.
Albeit, my hope is gray, and cold
At heart, thou wouldest murmur still--
"Bring this lamb back into thy fold,
My Lord, if so it be thy will".
Wouldst tell me I must brook the rod,
And chastisement of human pride;
That pride, the sin of devils, stood
Betwixt me and the light of God!
That hitherto I had defied
And had rejected God--that grace
Would drop from his o'erbrimming love,
As manna on my wilderness,
If I would pray--that God would move
And strike the hard hard rock, and thence,
Sweet in their utmost bitterness,
Would issue tears of penitence
Which would keep green hope's life. Alas!
I think that pride hath now no place
Nor sojourn in me. I am void,
Dark, formless, utterly destroyed.
Why not believe then? Why not yet
Anchor thy frailty there, where man
Hath moor'd and rested? Ask the sea
At midnight, when the crisp slope waves
After a tempest, rib and fret
The broadimbased beach, why he
Slumbers not like a mountain tarn?
Wherefore his ridges are not curls
And ripples of an inland mere?
Wherefore he moaneth thus, nor can
Draw down into his vexed pools
All that blue heaven which hues and paves
The other? I am too forlorn,
Too shaken: my own weakness fools
My judgment, and my spirit whirls,
Moved from beneath with doubt and fear.
"Yet" said I, in my morn of youth,
The unsunned freshness of my strength,
When I went forth in quest of truth,
"It is man's privilege to doubt,
If so be that from doubt at length,
Truth may stand forth unmoved of change,
An image with profulgent brows,
And perfect limbs, as from the storm
Of running fires and fluid range
Of lawless airs, at last stood out
This excellence and solid form
Of constant beauty. For the Ox
Feeds in the herb, and sleeps, or fills
The horned valleys all about,
And hollows of the fringed hills
In summerheats, with placid lows
Unfearing, till his own blood flows
About his hoof. And in the flocks
The lamb rejoiceth in the year,
And raceth freely with his fere,
And answers to his mother's calls
From the flower'd furrow. In a time,
Of which he wots not, run short pains
Through his warm heart; and then, from whence
He knows not, on his light there falls
A shadow; and his native slope,
Where he was wont to leap and climb,
Floats from his sick and filmed eyes,
And something in the darkness draws
His forehead earthward, and he dies.
Shall man live thus, in joy and hope
As a young lamb, who cannot dream,
Living, but that he shall live on?
Shall we not look into the laws
Of life and death, and things that seem,
And things that be, and analyse
Our double nature, and compare
All creeds till we have found the one,
If one there be? " Ay me! I fear
All may not doubt, but everywhere
Some must clasp Idols. Yet, my God,
Whom call I Idol? Let thy dove
Shadow me over, and my sins
Be unremembered, and thy love
Enlighten me. Oh teach me yet
Somewhat before the heavy clod
Weighs on me, and the busy fret
Of that sharpheaded worm begins
In the gross blackness underneath.
O weary life! O weary death!
O spirit and heart made desolate!
O damned vacillating state!
THE BURIAL OF LOVE
His eyes in eclipse,
Pale cold his lips,
The light of his hopes unfed,
Mute his tongue,
His bow unstrung
With the tears he hath shed,
Backward drooping his graceful head,
Love is dead;
His last arrow is sped;
He hath not another dart;
Go--carry him to his dark deathbed;
Bury him in the cold, cold heart--
Love is dead.
Oh, truest love! art thou forlorn,
And unrevenged? thy pleasant wiles
Forgotten, and thine innocent joy?
Shall hollowhearted apathy,
The cruellest form of perfect scorn,
With languor of most hateful smiles,
For ever write
In the withered light
Of the tearless eye,
An epitaph that all may spy?
No! sooner she herself shall die.
For her the showers shall not fall,
Nor the round sun that shineth to all;
Her light shall into darkness change;
For her the green grass shall not spring,
Nor the rivers flow, nor the sweet birds sing,
Till Love have his full revenge.
TO--
Sainted Juliet! dearest name!
If to love be life alone,
Divinest Juliet,
I love thee, and live; and yet
Love unreturned is like the fragrant flame
Folding the slaughter of the sacrifice
Offered to gods upon an altarthrone;
My heart is lighted at thine eyes,
Changed into fire, and blown about with sighs.
SONG
I
I' the glooming light
Of middle night
So cold and white,
Worn Sorrow sits by the moaning wave;
Beside her are laid
Her mattock and spade,
For she hath half delved her own deep grave.
Alone she is there:
The white clouds drizzle: her hair falls loose;
Her shoulders are bare;
Her tears are mixed with the bearded dews.
II
Death standeth by;
She will not die;
With glazed eye
She looks at her grave: she cannot sleep;
Ever alone
She maketh her moan:
She cannot speak; she can only weep;
For she will not hope.
The thick snow falls on her flake by flake,
The dull wave mourns down the slope,
The world will not change, and her heart will not break.
SONG
The lintwhite and the throstlecock
Have voices sweet and clear;
All in the bloomed May.
They from the blosmy brere
Call to the fleeting year,
If that he would them hear
And stay. Alas! that one so beautiful
Should have so dull an ear.
II
Fair year, fair year, thy children call,
But thou art deaf as death;
All in the bloomed May.
When thy light perisheth
That from thee issueth,
Our life evanisheth: Oh! stay.
Alas! that lips so cruel-dumb
Should have so sweet a breath!
III
Fair year, with brows of royal love
Thou comest, as a king,
All in the bloomed May.
Thy golden largess fling,
And longer hear us sing;
Though thou art fleet of wing,
Yet stay. Alas! that eyes so full of light
Should be so wandering!
IV
Thy locks are all of sunny sheen
In rings of gold yronne, [1]
All in the bloomed May,
We pri'thee pass not on;
If thou dost leave the sun,
Delight is with thee gone, Oh! stay.
Thou art the fairest of thy feres,
We pri'thee pass not on.
[Footnote 1: His crispe hair in ringis was yronne. --Chaucer, _Knight's
Tale. _ (Tennyson's note. )]
SONG
I
Every day hath its night:
Every night its morn:
Thorough dark and bright
Winged hours are borne;
Ah! welaway!
Seasons flower and fade;
Golden calm and storm
Mingle day by day.
There is no bright form
Doth not cast a shade--
Ah! welaway!
II
When we laugh, and our mirth
Apes the happy vein,
We're so kin to earth,
Pleasaunce fathers pain--
Ah! welaway!
Madness laugheth loud:
Laughter bringeth tears:
Eyes are worn away
Till the end of fears
Cometh in the shroud,
Ah! welaway!
III
All is change, woe or weal;
Joy is Sorrow's brother;
Grief and gladness steal
Symbols of each other;
Ah! welaway!
Larks in heaven's cope
Sing: the culvers mourn
All the livelong day.
Be not all forlorn;
Let us weep, in hope--
Ah! welaway!
NOTHING WILL DIE
Reprinted without any important alteration among the 'Juvenilia' in
1871 and onward. No change made except that "through" is spelt "thro',"
and in the last line "and" is substituted for "all".
When will the stream be aweary of flowing
Under my eye?
When will the wind be aweary of blowing
Over the sky?
When will the clouds be aweary of fleeting?
When will the heart be aweary of beating?
And nature die?
Never, oh! never, nothing will die?
The stream flows,
The wind blows,
The cloud fleets,
The heart beats,
Nothing will die.
Nothing will die;
All things will change
Through eternity.
'Tis the world's winter;
Autumn and summer
Are gone long ago;
Earth is dry to the centre,
But spring, a new comer,
A spring rich and strange,
Shall make the winds blow
Round and round,
Through and through,
Here and there,
Till the air
And the ground
Shall be filled with life anew.
The world was never made;
It will change, but it will not fade.
So let the wind range;
For even and morn
Ever will be
Through eternity.
Nothing was born;
Nothing will die;
All things will change.
ALL THINGS WILL DIE
Reprinted among 'Juvenilia' in 1872 and onward, without alteration.
Clearly the blue river chimes in its flowing
Under my eye;
Warmly and broadly the south winds are blowing
Over the sky.
One after another the white clouds are fleeting;
Every heart this May morning in joyance is beating
Full merrily;
Yet all things must die.
The stream will cease to flow;
The wind will cease to blow;
The clouds will cease to fleet;
The heart will cease to beat;
For all things must die.
All things must die.
Spring will come never more.
Oh! vanity!
Death waits at the door.
See! our friends are all forsaking
The wine and the merrymaking.
We are called--we must go.
Laid low, very low,
In the dark we must lie.
The merry glees are still;
The voice of the bird
Shall no more be heard,
Nor the wind on the hill.
Oh! misery!
Hark! death is calling
While I speak to ye,
The jaw is falling,
The red cheek paling,
The strong limbs failing;
Ice with the warm blood mixing;
The eyeballs fixing.
Nine times goes the passing bell:
Ye merry souls, farewell.
The old earth
Had a birth,
As all men know,
Long ago.
And the old earth must die.
So let the warm winds range,
And the blue wave beat the shore;
For even and morn
Ye will never see
Through eternity.
All things were born.
Ye will come never more,
For all things must die.
HERO TO LEANDER
Oh go not yet, my love,
The night is dark and vast;
The white moon is hid in her heaven above,
And the waves climb high and fast.
Oh! kiss me, kiss me, once again,
Lest thy kiss should be the last.
Oh kiss me ere we part;
Grow closer to my heart.
My heart is warmer surely than the bosom of the main.
Oh joy! 0 bliss of blisses!
My heart of hearts art thou.
Come bathe me with thy kisses,
My eyelids and my brow.
Hark how the wild rain hisses,
And the loud sea roars below.
Thy heart beats through thy rosy limbs
So gladly doth it stir;
Thine eye in drops of gladness swims.
I have bathed thee with the pleasant myrrh;
Thy locks are dripping balm;
Thou shalt not wander hence to-night,
I'll stay thee with my kisses.
To-night the roaring brine
Will rend thy golden tresses;
The ocean with the morrow light
Will be both blue and calm;
And the billow will embrace thee with a kiss as soft as mine.
No western odours wander
On the black and moaning sea,
And when thou art dead, Leander,
My soul must follow thee!
Oh go not yet, my love
Thy voice is sweet and low;
The deep salt wave breaks in above
Those marble steps below.
The turretstairs are wet
That lead into the sea.
Leander! go not yet.
The pleasant stars have set:
Oh! go not, go not yet,
Or I will follow thee.
THE MYSTIC
Angels have talked with him, and showed him thrones:
Ye knew him not: he was not one of ye,
Ye scorned him with an undiscerning scorn;
Ye could not read the marvel in his eye,
The still serene abstraction; he hath felt
The vanities of after and before;
Albeit, his spirit and his secret heart
The stern experiences of converse lives,
The linked woes of many a fiery change
Had purified, and chastened, and made free.
Always there stood before him, night and day,
Of wayward vary colored circumstance,
The imperishable presences serene
Colossal, without form, or sense, or sound,
Dim shadows but unwaning presences
Fourfaced to four corners of the sky;
And yet again, three shadows, fronting one,
One forward, one respectant, three but one;
And yet again, again and evermore,
For the two first were not, but only seemed,
One shadow in the midst of a great light,
One reflex from eternity on time,
One mighty countenance of perfect calm,
Awful with most invariable eyes.
For him the silent congregated hours,
Daughters of time, divinely tall, beneath
Severe and youthful brows, with shining eyes
Smiling a godlike smile (the innocent light
Of earliest youth pierced through and through with all
Keen knowledges of low-embowed eld)
Upheld, and ever hold aloft the cloud
Which droops low hung on either gate of life,
Both birth and death; he in the centre fixt,
Saw far on each side through the grated gates
Most pale and clear and lovely distances.
He often lying broad awake, and yet
Remaining from the body, and apart
In intellect and power and will, hath heard
Time flowing in the middle of the night,
And all things creeping to a day of doom.
How could ye know him? Ye were yet within
The narrower circle; he had wellnigh reached
The last, with which a region of white flame,
Pure without heat, into a larger air
Upburning, and an ether of black blue,
Investeth and ingirds all other lives.
THE GRASSHOPPER
I
Voice of the summerwind,
Joy of the summerplain,
Life of the summerhours,
Carol clearly, bound along.
No Tithon thou as poets feign
(Shame fall 'em they are deaf and blind)
But an insect lithe and strong,
Bowing the seeded summerflowers.
Prove their falsehood and thy quarrel,
Vaulting on thine airy feet.
Clap thy shielded sides and carol,
Carol clearly, chirrup sweet.
Thou art a mailed warrior in youth and strength complete;
Armed cap-a-pie,
Full fair to see;
Unknowing fear,
Undreading loss,
A gallant cavalier
'Sans peur et sans reproche,'
In sunlight and in shadow,
The Bayard of the meadow.
II
I would dwell with thee,
Merry grasshopper,
Thou art so glad and free,
And as light as air;
Thou hast no sorrow or tears,
Thou hast no compt of years,
No withered immortality,
But a short youth sunny and free.
Carol clearly, bound along,
Soon thy joy is over,
A summer of loud song,
And slumbers in the clover.
What hast thou to do with evil
In thine hour of love and revel,
In thy heat of summerpride,
Pushing the thick roots aside
Of the singing flowered grasses,
That brush thee with their silken tresses?
What hast thou to do with evil,
Shooting, singing, ever springing
In and out the emerald glooms,
Ever leaping, ever singing,
Lighting on the golden blooms?
LOVE, PRIDE AND FORGETFULNESS
Ere yet my heart was sweet Love's tomb,
Love laboured honey busily.
I was the hive and Love the bee,
My heart the honey-comb.
One very dark and chilly night
Pride came beneath and held a light.
The cruel vapours went through all,
Sweet Love was withered in his cell;
Pride took Love's sweets, and by a spell,
Did change them into gall;
And Memory tho' fed by Pride
Did wax so thin on gall,
Awhile she scarcely lived at all,
What marvel that she died?
CHORUS
In an unpublished drama written very early.
The varied earth, the moving heaven,
The rapid waste of roving sea,
The fountainpregnant mountains riven
To shapes of wildest anarchy,
By secret fire and midnight storms
That wander round their windy cones,
The subtle life, the countless forms
Of living things, the wondrous tones
Of man and beast are full of strange
Astonishment and boundless change.
The day, the diamonded light,
The echo, feeble child of sound,
The heavy thunder's griding might,
The herald lightning's starry bound,
The vocal spring of bursting bloom,
The naked summer's glowing birth,
The troublous autumn's sallow gloom,
The hoarhead winter paving earth
With sheeny white, are full of strange
Astonishment and boundless change.
Each sun which from the centre flings
Grand music and redundant fire,
The burning belts, the mighty rings,
The murmurous planets' rolling choir,
The globefilled arch that, cleaving air,
Lost in its effulgence sleeps,
The lawless comets as they glare,
And thunder thro' the sapphire deeps
In wayward strength, are full of strange
Astonishment and boundless change.
LOST HOPE
You cast to ground the hope which once was mine,
But did the while your harsh decree deplore,
Embalming with sweet tears the vacant shrine,
My heart, where Hope had been and was no more.
So on an oaken sprout
A goodly acorn grew;
But winds from heaven shook the acorn out,
And filled the cup with dew.
THE TEARS OF HEAVEN
Heaven weeps above the earth all night till morn,
In darkness weeps, as all ashamed to weep,
Because the earth hath made her state forlorn
With selfwrought evils of unnumbered years,
And doth the fruit of her dishonour reap.
And all the day heaven gathers back her tears
Into her own blue eyes so clear and deep,
And showering down the glory of lightsome day,
Smiles on the earth's worn brow to win her if she may.
LOVE AND SORROW
O Maiden, fresher than the first green leaf
With which the fearful springtide flecks the lea,
Weep not, Almeida, that I said to thee
That thou hast half my heart, for bitter grief
Doth hold the other half in sovranty.
Thou art my heart's sun in love's crystalline:
Yet on both sides at once thou canst not shine:
Thine is the bright side of my heart, and thine
My heart's day, but the shadow of my heart,
Issue of its own substance, my heart's night
Thou canst not lighten even with 'thy' light,
All powerful in beauty as thou art.
Almeida, it my heart were substanceless,
Then might thy rays pass thro' to the other side,
So swiftly, that they nowhere would abide,
But lose themselves in utter emptiness.
Half-light, half-shadow, let my spirit sleep;
They never learnt to love who never knew to weep.
TO A LADY SLEEPING
O Thou whose fringed lids I gaze upon,
Through whose dim brain the winged dreams are borne,
Unroof the shrines of clearest vision,
In honour of the silverflecked morn:
Long hath the white wave of the virgin light
Driven back the billow of the dreamful dark.
Thou all unwittingly prolongest night,
Though long ago listening the poised lark,
With eyes dropt downward through the blue serene,
Over heaven's parapets the angels lean.
SONNET
Could I outwear my present state of woe
With one brief winter, and indue i' the spring
Hues of fresh youth, and mightily outgrow
The wan dark coil of faded suffering--
Forth in the pride of beauty issuing
A sheeny snake, the light of vernal bowers,
Moving his crest to all sweet plots of flowers
And watered vallies where the young birds sing;
Could I thus hope my lost delights renewing,
I straightly would commend the tears to creep
From my charged lids; but inwardly I weep:
Some vital heat as yet my heart is wooing:
This to itself hath drawn the frozen rain
From my cold eyes and melted it again.
SONNET
Though Night hath climbed her peak of highest noon,
And bitter blasts the screaming autumn whirl,
All night through archways of the bridged pearl
And portals of pure silver walks the moon.
