No More Learning

The dreamy butterflies bestir,
Lethargic pools resume the whir
Of last year's sundered tune.
From some old fortress on the sun
Baronial bees march, one by one,
In murmuring platoon!

The robins stand as thick to-day
As flakes of snow stood yesterday,
On fence and roof and twig.
The orchis binds her feather on
For her old lover, Don the Sun,
Revisiting the bog!

Without commander, countless, still,
The regiment of wood and hill
In bright detachment stand.
Behold! Whose multitudes are these?
The children of whose turbaned seas,
Or what Circassian land?





IX.

THE GRASS.

The grass so little has to do, --
A sphere of simple green,
With only butterflies to brood,
And bees to entertain,

And stir all day to pretty tunes
The breezes fetch along,
And hold the sunshine in its lap
And bow to everything;

And thread the dews all night, like pearls,
And make itself so fine, --
A duchess were too common
For such a noticing.

And even when it dies, to pass
In odors so divine,
As lowly spices gone to sleep,
Or amulets of pine.

And then to dwell in sovereign barns,
And dream the days away, --
The grass so little has to do,
I wish I were the hay!





X.

A little road not made of man,
Enabled of the eye,
Accessible to thill of bee,
Or cart of butterfly.

If town it have, beyond itself,
'T is that I cannot say;
I only sigh, -- no vehicle
Bears me along that way.





XI.

SUMMER SHOWER.

A drop fell on the apple tree,
Another on the roof;
A half a dozen kissed the eaves,
And made the gables laugh.

A few went out to help the brook,
That went to help the sea.
Myself conjectured, Were they pearls,
What necklaces could be!

The dust replaced in hoisted roads,
The birds jocoser sung;
The sunshine threw his hat away,
The orchards spangles hung.

The breezes brought dejected lutes,
And bathed them in the glee;
The East put out a single flag,
And signed the fete away.





XII.

PSALM OF THE DAY.

A something in a summer's day,
As slow her flambeaux burn away,
Which solemnizes me.

A something in a summer's noon, --
An azure depth, a wordless tune,
Transcending ecstasy.

And still within a summer's night
A something so transporting bright,
I clap my hands to see;

Then veil my too inspecting face,
Lest such a subtle, shimmering grace
Flutter too far for me.

The wizard-fingers never rest,
The purple brook within the breast
Still chafes its narrow bed;

Still rears the East her amber flag,
Guides still the sun along the crag
His caravan of red,

Like flowers that heard the tale of dews,
But never deemed the dripping prize
Awaited their low brows;

Or bees, that thought the summer's name
Some rumor of delirium
No summer could for them;

Or Arctic creature, dimly stirred
By tropic hint, -- some travelled bird
Imported to the wood;

Or wind's bright signal to the ear,
Making that homely and severe,
Contented, known, before

The heaven unexpected came,
To lives that thought their worshipping
A too presumptuous psalm.





XIII.

THE SEA OF SUNSET.

This is the land the sunset washes,
These are the banks of the Yellow Sea;
Where it rose, or whither it rushes,
These are the western mystery!

Night after night her purple traffic
Strews the landing with opal bales;
Merchantmen poise upon horizons,
Dip, and vanish with fairy sails.





XIV.

PURPLE CLOVER.

There is a flower that bees prefer,
And butterflies desire;
To gain the purple democrat
The humming-birds aspire.

And whatsoever insect pass,
A honey bears away
Proportioned to his several dearth
And her capacity.

Her face is rounder than the moon,
And ruddier than the gown
Of orchis in the pasture,
Or rhododendron worn.

She doth not wait for June;
Before the world is green
Her sturdy little countenance
Against the wind is seen,

Contending with the grass,
Near kinsman to herself,
For privilege of sod and sun,
Sweet litigants for life.

And when the hills are full,
And newer fashions blow,
Doth not retract a single spice
For pang of jealousy.

Her public is the noon,
Her providence the sun,
Her progress by the bee proclaimed
In sovereign, swerveless tune.

The bravest of the host,
Surrendering the last,
Nor even of defeat aware
When cancelled by the frost.





XV.

THE BEE.

Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry

Withstands until the sweet assault
Their chivalry consumes,
While he, victorious, tilts away
To vanquish other blooms.

His feet are shod with gauze,
His helmet is of gold;
His breast, a single onyx
With chrysoprase, inlaid.

His labor is a chant,
His idleness a tune;
Oh, for a bee's experience
Of clovers and of noon!





XVI.

Presentiment is that long shadow on the lawn
Indicative that suns go down;
The notice to the startled grass
That darkness is about to pass.





XVII.

As children bid the guest good-night,
And then reluctant turn,
My flowers raise their pretty lips,
Then put their nightgowns on.

As children caper when they wake,
Merry that it is morn,
My flowers from a hundred cribs
Will peep, and prance again.





XVIII.

Angels in the early morning
May be seen the dews among,
Stooping, plucking, smiling, flying:
Do the buds to them belong?

Angels when the sun is hottest
May be seen the sands among,
Stooping, plucking, sighing, flying;
Parched the flowers they bear along.





XIX.

So bashful when I spied her,
So pretty, so ashamed!
So hidden in her leaflets,
Lest anybody find;

So breathless till I passed her,
So helpless when I turned
And bore her, struggling, blushing,
Her simple haunts beyond!

For whom I robbed the dingle,
For whom betrayed the dell,
Many will doubtless ask me,
But I shall never tell!





XX.

TWO WORLDS.

It makes no difference abroad,
The seasons fit the same,
The mornings blossom into noons,
And split their pods of flame.

Wild-flowers kindle in the woods,
The brooks brag all the day;
No blackbird bates his jargoning
For passing Calvary.

Auto-da-fe and judgment
Are nothing to the bee;
His separation from his rose
To him seems misery.





XXI.

THE MOUNTAIN.

The mountain sat upon the plain
In his eternal chair,
His observation omnifold,
His inquest everywhere.

The seasons prayed around his knees,
Like children round a sire:
Grandfather of the days is he,
Of dawn the ancestor.





XXII.

A DAY.

I'll tell you how the sun rose, --
A ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.

The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
"That must have been the sun! "

* * *

But how he set, I know not.
There seemed a purple stile
Which little yellow boys and girls
Were climbing all the while

Till when they reached the other side,
A dominie in gray
Put gently up the evening bars,
And led the flock away.





XXIII.

The butterfly's assumption-gown,
In chrysoprase apartments hung,
This afternoon put on.

How condescending to descend,
And be of buttercups the friend
In a New England town!





XXIV.

THE WIND.

Of all the sounds despatched abroad,
There's not a charge to me
Like that old measure in the boughs,
That phraseless melody

The wind does, working like a hand
Whose fingers brush the sky,
Then quiver down, with tufts of tune
Permitted gods and me.

When winds go round and round in bands,
And thrum upon the door,
And birds take places overhead,
To bear them orchestra,

I crave him grace, of summer boughs,
If such an outcast be,
He never heard that fleshless chant
Rise solemn in the tree,

As if some caravan of sound
On deserts, in the sky,
Had broken rank,
Then knit, and passed
In seamless company.





XXV.

DEATH AND LIFE.

Apparently with no surprise
To any happy flower,
The frost beheads it at its play
In accidental power.
The blond assassin passes on,
The sun proceeds unmoved
To measure off another day
For an approving God.





XXVI.

'T WAS later when the summer went
Than when the cricket came,
And yet we knew that gentle clock
Meant nought but going home.

'T was sooner when the cricket went
Than when the winter came,
Yet that pathetic pendulum
Keeps esoteric time.





XXVII.

INDIAN SUMMER.

These are the days when birds come back,
A very few, a bird or two,
To take a backward look.

These are the days when skies put on
The old, old sophistries of June, --
A blue and gold mistake.

Oh, fraud that cannot cheat the bee,
Almost thy plausibility
Induces my belief,

Till ranks of seeds their witness bear,
And softly through the altered air
Hurries a timid leaf!

Oh, sacrament of summer days,
Oh, last communion in the haze,
Permit a child to join,

Thy sacred emblems to partake,
Thy consecrated bread to break,
Taste thine immortal wine!





XXVIII.

AUTUMN.

The morns are meeker than they were,
The nuts are getting brown;
The berry's cheek is plumper,
The rose is out of town.

The maple wears a gayer scarf,
The field a scarlet gown.
Lest I should be old-fashioned,
I'll put a trinket on.





XXIX.

BECLOUDED.

The sky is low, the clouds are mean,
A travelling flake of snow
Across a barn or through a rut
Debates if it will go.

A narrow wind complains all day
How some one treated him;
Nature, like us, is sometimes caught
Without her diadem.





XXX.

THE HEMLOCK.

I think the hemlock likes to stand
Upon a marge of snow;
It suits his own austerity,
And satisfies an awe

That men must slake in wilderness,
Or in the desert cloy, --
An instinct for the hoar, the bald,
Lapland's necessity.

The hemlock's nature thrives on cold;
The gnash of northern winds
Is sweetest nutriment to him,
His best Norwegian wines.

To satin races he is nought;
But children on the Don
Beneath his tabernacles play,
And Dnieper wrestlers run.





XXXI.

There's a certain slant of light,
On winter afternoons,
That oppresses, like the weight
Of cathedral tunes.

Heavenly hurt it gives us;
We can find no scar,
But internal difference
Where the meanings are.

None may teach it anything,
' T is the seal, despair, --
An imperial affliction
Sent us of the air.

When it comes, the landscape listens,
Shadows hold their breath;
When it goes, 't is like the distance
On the look of death.






IV. TIME AND ETERNITY.

I.

One dignity delays for all,
One mitred afternoon.
None can avoid this purple,
None evade this crown.

Coach it insures, and footmen,
Chamber and state and throng;
Bells, also, in the village,
As we ride grand along.

What dignified attendants,
What service when we pause!
How loyally at parting
Their hundred hats they raise!

How pomp surpassing ermine,
When simple you and I
Present our meek escutcheon,
And claim the rank to die!





II.

TOO LATE.

Delayed till she had ceased to know,
Delayed till in its vest of snow
Her loving bosom lay.
An hour behind the fleeting breath,
Later by just an hour than death, --
Oh, lagging yesterday!

Could she have guessed that it would be;
Could but a crier of the glee
Have climbed the distant hill;
Had not the bliss so slow a pace, --
Who knows but this surrendered face
Were undefeated still?

Oh, if there may departing be
Any forgot by victory
In her imperial round,
Show them this meek apparelled thing,
That could not stop to be a king,
Doubtful if it be crowned!





III.

ASTRA CASTRA.

Departed to the judgment,
A mighty afternoon;
Great clouds like ushers leaning,
Creation looking on.

The flesh surrendered, cancelled,
The bodiless begun;
Two worlds, like audiences, disperse
And leave the soul alone.





IV.

Safe in their alabaster chambers,
Untouched by morning and untouched by noon,
Sleep the meek members of the resurrection,
Rafter of satin, and roof of stone.

Light laughs the breeze in her castle of sunshine;
Babbles the bee in a stolid ear;
Pipe the sweet birds in ignorant cadence, --
Ah, what sagacity perished here!

Grand go the years in the crescent above them;
Worlds scoop their arcs, and firmaments row,
Diadems drop and Doges surrender,
Soundless as dots on a disk of snow.





V.

On this long storm the rainbow rose,
On this late morn the sun;
The clouds, like listless elephants,
Horizons straggled down.

The birds rose smiling in their nests,
The gales indeed were done;
Alas! how heedless were the eyes
On whom the summer shone!

The quiet nonchalance of death
No daybreak can bestir;
The slow archangel's syllables
Must awaken her.





VI.

FROM THE CHRYSALIS.

My cocoon tightens, colors tease,
I'm feeling for the air;
A dim capacity for wings
Degrades the dress I wear.

A power of butterfly must be
The aptitude to fly,
Meadows of majesty concedes
And easy sweeps of sky.

So I must baffle at the hint
And cipher at the sign,
And make much blunder, if at last
I take the clew divine.





VII.

SETTING SAIL.

Exultation is the going
Of an inland soul to sea, --
Past the houses, past the headlands,
Into deep eternity!

Bred as we, among the mountains,
Can the sailor understand
The divine intoxication
Of the first league out from land?





VIII.

Look back on time with kindly eyes,
He doubtless did his best;
How softly sinks his trembling sun
In human nature's west!





IX.

A train went through a burial gate,
A bird broke forth and sang,
And trilled, and quivered, and shook his throat
Till all the churchyard rang;

And then adjusted his little notes,
And bowed and sang again.
Doubtless, he thought it meet of him
To say good-by to men.





X.

I died for beauty, but was scarce
Adjusted in the tomb,
When one who died for truth was lain
In an adjoining room.

He questioned softly why I failed?
"For beauty," I replied.
"And I for truth, -- the two are one;
We brethren are," he said.

And so, as kinsmen met a night,
We talked between the rooms,
Until the moss had reached our lips,
And covered up our names.





XI.

"TROUBLED ABOUT MANY THINGS. "

How many times these low feet staggered,
Only the soldered mouth can tell;
Try! can you stir the awful rivet?
Try! can you lift the hasps of steel?

Stroke the cool forehead, hot so often,
Lift, if you can, the listless hair;
Handle the adamantine fingers
Never a thimble more shall wear.

Buzz the dull flies on the chamber window;
Brave shines the sun through the freckled pane;
Fearless the cobweb swings from the ceiling --
Indolent housewife, in daisies lain!





XII.

REAL.

I like a look of agony,
Because I know it 's true;
Men do not sham convulsion,
Nor simulate a throe.

The eyes glaze once, and that is death.
Impossible to feign
The beads upon the forehead
By homely anguish strung.





XIII.

THE FUNERAL.

That short, potential stir
That each can make but once,
That bustle so illustrious
'T is almost consequence,

Is the eclat of death.
Oh, thou unknown renown
That not a beggar would accept,
Had he the power to spurn!





XIV.

I went to thank her,
But she slept;
Her bed a funnelled stone,
With nosegays at the head and foot,
That travellers had thrown,

Who went to thank her;
But she slept.
'T was short to cross the sea
To look upon her like, alive,
But turning back 't was slow.





XV.

I've seen a dying eye
Run round and round a room
In search of something, as it seemed,
Then cloudier become;
And then, obscure with fog,
And then be soldered down,
Without disclosing what it be,
'T were blessed to have seen.





XVI.

REFUGE.

The clouds their backs together laid,
The north begun to push,
The forests galloped till they fell,
The lightning skipped like mice;
The thunder crumbled like a stuff --
How good to be safe in tombs,
Where nature's temper cannot reach,
Nor vengeance ever comes!





XVII.

I never saw a moor,
I never saw the sea;
Yet know I how the heather looks,
And what a wave must be.

I never spoke with God,
Nor visited in heaven;
Yet certain am I of the spot
As if the chart were given.





XVIII.

PLAYMATES.

God permits industrious angels
Afternoons to play.
I met one, -- forgot my school-mates,
All, for him, straightway.

God calls home the angels promptly
At the setting sun;
I missed mine. How dreary marbles,
After playing Crown!





XIX.

To know just how he suffered would be dear;
To know if any human eyes were near
To whom he could intrust his wavering gaze,
Until it settled firm on Paradise.

To know if he was patient, part content,
Was dying as he thought, or different;
Was it a pleasant day to die,
And did the sunshine face his way?
What was his furthest mind, of home, or God,
Or what the distant say
At news that he ceased human nature
On such a day?

And wishes, had he any?
Just his sigh, accented,
Had been legible to me.
And was he confident until
Ill fluttered out in everlasting well?

And if he spoke, what name was best,
What first,
What one broke off with
At the drowsiest?

Was he afraid, or tranquil?
Might he know
How conscious consciousness could grow,
Till love that was, and love too blest to be,
Meet -- and the junction be Eternity?





XX.

The last night that she lived,
It was a common night,
Except the dying; this to us
Made nature different.

We noticed smallest things, --
Things overlooked before,
By this great light upon our minds
Italicized, as 't were.

That others could exist
While she must finish quite,
A jealousy for her arose
So nearly infinite.

We waited while she passed;
It was a narrow time,
Too jostled were our souls to speak,
At length the notice came.

She mentioned, and forgot;
Then lightly as a reed
Bent to the water, shivered scarce,
Consented, and was dead.

And we, we placed the hair,
And drew the head erect;
And then an awful leisure was,
Our faith to regulate.





XXI.

THE FIRST LESSON.

Not in this world to see his face
Sounds long, until I read the place
Where this is said to be
But just the primer to a life
Unopened, rare, upon the shelf,
Clasped yet to him and me.

And yet, my primer suits me so
I would not choose a book to know
Than that, be sweeter wise;
Might some one else so learned be,
And leave me just my A B C,
Himself could have the skies.





XXII.

The bustle in a house
The morning after death
Is solemnest of industries
Enacted upon earth, --

The sweeping up the heart,
And putting love away
We shall not want to use again
Until eternity.





XXIII.

I reason, earth is short,
And anguish absolute,
And many hurt;
But what of that?

I reason, we could die:
The best vitality
Cannot excel decay;
But what of that?

I reason that in heaven
Somehow, it will be even,
Some new equation given;
But what of that?





XXIV.

Afraid? Of whom am I afraid?
Not death; for who is he?
The porter of my father's lodge
As much abasheth me.

Of life? 'T were odd I fear a thing
That comprehendeth me
In one or more existences
At Deity's decree.

Of resurrection? Is the east
Afraid to trust the morn
With her fastidious forehead?
As soon impeach my crown!





XXV.

DYING.

The sun kept setting, setting still;
No hue of afternoon
Upon the village I perceived, --
From house to house 't was noon.

The dusk kept dropping, dropping still;
No dew upon the grass,
But only on my forehead stopped,
And wandered in my face.

My feet kept drowsing, drowsing still,
My fingers were awake;
Yet why so little sound myself
Unto my seeming make?

How well I knew the light before!
I could not see it now.
'T is dying, I am doing; but
I'm not afraid to know.





XXVI.

Two swimmers wrestled on the spar
Until the morning sun,
When one turned smiling to the land.
O God, the other one!

The stray ships passing spied a face
Upon the waters borne,
With eyes in death still begging raised,
And hands beseeching thrown.





XXVII.

THE CHARIOT.

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.

We passed the school where children played,
Their lessons scarcely done;
We passed the fields of gazing grain,
We passed the setting sun.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 't is centuries; but each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.





XXVIII.

She went as quiet as the dew
From a familiar flower.
Not like the dew did she return
At the accustomed hour!

She dropt as softly as a star
From out my summer's eve;
Less skilful than Leverrier
It's sorer to believe!





XXIX.

RESURGAM.

At last to be identified!
At last, the lamps upon thy side,
The rest of life to see!
Past midnight, past the morning star!
Past sunrise! Ah! what leagues there are
Between our feet and day!





XXX.

Except to heaven, she is nought;
Except for angels, lone;
Except to some wide-wandering bee,
A flower superfluous blown;

Except for winds, provincial;
Except by butterflies,
Unnoticed as a single dew
That on the acre lies.

The smallest housewife in the grass,
Yet take her from the lawn,
And somebody has lost the face
That made existence home!





XXXI.

Death is a dialogue between
The spirit and the dust.
"Dissolve," says Death. The Spirit, "Sir,
I have another trust. "

Death doubts it, argues from the ground.
The Spirit turns away,
Just laying off, for evidence,
An overcoat of clay.





XXXII.

It was too late for man,
But early yet for God;
Creation impotent to help,
But prayer remained our side.

How excellent the heaven,
When earth cannot be had;
How hospitable, then, the face
Of our old neighbor, God!





XXXIII.

ALONG THE POTOMAC.

When I was small, a woman died.
To-day her only boy
Went up from the Potomac,
His face all victory,

To look at her; how slowly
The seasons must have turned
Till bullets clipt an angle,
And he passed quickly round!

If pride shall be in Paradise
I never can decide;
Of their imperial conduct,
No person testified.

But proud in apparition,
That woman and her boy
Pass back and forth before my brain,
As ever in the sky.





XXXIV.

The daisy follows soft the sun,
And when his golden walk is done,
Sits shyly at his feet.
He, waking, finds the flower near.
"Wherefore, marauder, art thou here? "
"Because, sir, love is sweet! "

We are the flower, Thou the sun!
Forgive us, if as days decline,
We nearer steal to Thee, --
Enamoured of the parting west,
The peace, the flight, the amethyst,
Night's possibility!





XXXV.

EMANCIPATION.

No rack can torture me,
My soul's at liberty
Behind this mortal bone
There knits a bolder one

You cannot prick with saw,
Nor rend with scymitar.
Two bodies therefore be;
Bind one, and one will flee.

The eagle of his nest
No easier divest
And gain the sky,
Than mayest thou,

Except thyself may be
Thine enemy;
Captivity is consciousness,
So's liberty.





XXXVI.

LOST.

I lost a world the other day.
Has anybody found?
You'll know it by the row of stars
Around its forehead bound.

A rich man might not notice it;
Yet to my frugal eye
Of more esteem than ducats.
Oh, find it, sir, for me!





XXXVII.

If I shouldn't be alive
When the robins come,
Give the one in red cravat
A memorial crumb.

If I couldn't thank you,
Being just asleep,
You will know I'm trying
With my granite lip!





XXXVIII.

Sleep is supposed to be,
By souls of sanity,
The shutting of the eye.

Sleep is the station grand
Down which on either hand
The hosts of witness stand!

Morn is supposed to be,
By people of degree,
The breaking of the day.

Morning has not occurred!
That shall aurora be
East of eternity;

One with the banner gay,
One in the red array, --
That is the break of day.





XXXIX.

I shall know why, when time is over,
And I have ceased to wonder why;
Christ will explain each separate anguish
In the fair schoolroom of the sky.

He will tell me what Peter promised,
And I, for wonder at his woe,
I shall forget the drop of anguish
That scalds me now, that scalds me now.





XL.

I never lost as much but twice,
And that was in the sod;
Twice have I stood a beggar
Before the door of God!

Angels, twice descending,
Reimbursed my store.
Burglar, banker, father,
I am poor once more!






POEMS

by EMILY DICKINSON

Second Series




Edited by two of her friends

MABEL LOOMIS TODD and T. W. HIGGINSON




PREFACE

The eagerness with which the first volume of Emily Dickinson's
poems has been read shows very clearly that all our alleged modern
artificiality does not prevent a prompt appreciation of the
qualities of directness and simplicity in approaching the greatest
themes,--life and love and death. That "irresistible needle-touch,"
as one of her best critics has called it, piercing at once the very
core of a thought, has found a response as wide and sympathetic as
it has been unexpected even to those who knew best her compelling
power. This second volume, while open to the same criticism as to
form with its predecessor, shows also the same shining beauties.

Although Emily Dickinson had been in the habit of sending
occasional poems to friends and correspondents, the full extent of
her writing was by no means imagined by them. Her friend "H. H. "
must at least have suspected it, for in a letter dated 5th
September, 1884, she wrote:--


MY DEAR FRIEND,-- What portfolios full of verses
you must have! It is a cruel wrong to your "day and
generation" that you will not give them light.

If such a thing should happen as that I should outlive
you, I wish you would make me your literary legatee
and executor. Surely after you are what is called
"dead" you will be willing that the poor ghosts you
have left behind should be cheered and pleased by your
verses, will you not? You ought to be. I do not think
we have a right to withhold from the world a word or
a thought any more than a deed which might help a
single soul. . . .

Truly yours,

HELEN JACKSON.


The "portfolios" were found, shortly after Emily Dickinson's death,
by her sister and only surviving housemate. Most of the poems had
been carefully copied on sheets of note-paper, and tied in little
fascicules, each of six or eight sheets. While many of them bear
evidence of having been thrown off at white heat, still more had
received thoughtful revision. There is the frequent addition of
rather perplexing foot-notes, affording large choice of words and
phrases. And in the copies which she sent to friends, sometimes one
form, sometimes another, is found to have been used. Without
important exception, her friends have generously placed at the
disposal of the Editors any poems they had received from her; and
these have given the obvious advantage of comparison among several
renderings of the same verse.

To what further rigorous pruning her verses would have been
subjected had she published them herself, we cannot know. They
should be regarded in many cases as merely the first strong and
suggestive sketches of an artist, intended to be embodied at some
time in the finished picture.

Emily Dickinson appears to have written her first poems in the
winter of 1862. In a letter to oone of the present Editors the
April following, she says, "I made no verse, but one or two, until
this winter. "

The handwriting was at first somewhat like the delicate, running
Italian hand of our elder gentlewomen; but as she advanced in
breadth of thought, it grew bolder and more abrupt, until in her
latest years each letter stood distinct and separate from its
fellows. In most of her poems, particularly the later ones,
everything by way of punctuation was discarded, except numerous
dashes; and all important words began with capitals. The effect of
a page of her more recent manuscript is exceedingly quaint and
strong. The fac-simile given in the present volume is from one of
the earlier transition periods. Although there is nowhere a date,
the handwriting makes it possible to arrange the poems with general
chronologic accuracy.

As a rule, the verses were without titles; but "A Country Burial,"
"A Thunder-Storm," "The Humming-Bird," and a few others were named
by their author, frequently at the end,--sometimes only in the
accompanying note, if sent to a friend.

The variation of readings, with the fact that she often wrote in
pencil and not always clearly, have at times thrown a good deal of
responsibility upon her Editors. But all interference not
absolutely inevitable has been avoided. The very roughness of her
rendering is part of herself, and not lightly to be touched; for it
seems in many cases that she intentionally avoided the smoother and
more usual rhymes.

Like impressionist pictures, or Wagner's rugged music, the very
absence of conventional form challenges attention. In Emily
Dickinson's exacting hands, the especial, intrinsic fitness of a
particular order of words might not be sacrificed to anything
virtually extrinsic; and her verses all show a strange cadence of
inner rhythmical music. Lines are always daringly constructed, and
the "thought-rhyme" appears frequently,--appealing, indeed, to an
unrecognized sense more elusive than hearing.

Emily Dickinson scrutinized everything with clear-eyed frankness.
Every subject was proper ground for legitimate study, even the
sombre facts of death and burial, and the unknown life beyond. She
touches these themes sometimes lightly, sometimes almost
humorously, more often with weird and peculiar power; but she is
never by any chance frivolous or trivial. And while, as one critic
has said, she may exhibit toward God "an Emersonian self-possession,"
it was because she looked upon all life with a candor as unprejudiced
as it is rare.

She had tried society and the world, and found them lacking. She
was not an invalid, and she lived in seclusion from no
love-disappointment. Her life was the normal blossoming of a nature
introspective to a high degree, whose best thought could not exist
in pretence.

Storm, wind, the wild March sky, sunsets and dawns; the birds and
bees, butterflies and flowers of her garden, with a few trusted
human friends, were sufficient companionship. The coming of the
first robin was a jubilee beyond crowning of monarch or birthday of
pope; the first red leaf hurrying through "the altered air," an
epoch. Immortality was close about her; and while never morbid or
melancholy, she lived in its presence.

MABEL LOOMIS TODD.

AMHERST, MASSACHUSETTS,
August, I891.











My nosegays are for captives;
Dim, long-expectant eyes,
Fingers denied the plucking,
Patient till paradise,

To such, if they should whisper
Of morning and the moor,
They bear no other errand,
And I, no other prayer.




I. LIFE.


I.

I'm nobody! Who are you?
Are you nobody, too?
Then there 's a pair of us -- don't tell!
They 'd banish us, you know.

How dreary to be somebody!
How public, like a frog
To tell your name the livelong day
To an admiring bog!





II.

I bring an unaccustomed wine
To lips long parching, next to mine,
And summon them to drink.

Crackling with fever, they essay;
I turn my brimming eyes away,
And come next hour to look.

The hands still hug the tardy glass;
The lips I would have cooled, alas!
Are so superfluous cold,

I would as soon attempt to warm
The bosoms where the frost has lain
Ages beneath the mould.

Some other thirsty there may be
To whom this would have pointed me
Had it remained to speak.

And so I always bear the cup
If, haply, mine may be the drop
Some pilgrim thirst to slake, --

If, haply, any say to me,
"Unto the little, unto me,"
When I at last awake.





III.

The nearest dream recedes, unrealized.
The heaven we chase
Like the June bee
Before the school-boy
Invites the race;
Stoops to an easy clover --
Dips -- evades -- teases -- deploys;
Then to the royal clouds
Lifts his light pinnace
Heedless of the boy
Staring, bewildered, at the mocking sky.

Homesick for steadfast honey,
Ah! the bee flies not
That brews that rare variety.





IV.

We play at paste,
Till qualified for pearl,
Then drop the paste,
And deem ourself a fool.
The shapes, though, were similar,
And our new hands
Learned gem-tactics
Practising sands.





V.

I found the phrase to every thought
I ever had, but one;
And that defies me, -- as a hand
Did try to chalk the sun

To races nurtured in the dark; --
How would your own begin?
Can blaze be done in cochineal,
Or noon in mazarin?





VI.

HOPE.