No More Learning

I give nothing as duties,
What others give as duties I give as living impulses,
(Shall I give the heart's action as a duty? )

Let others dispose of questions, I dispose of nothing, I arouse
unanswerable questions,
Who are they I see and touch, and what about them?
What about these likes of myself that draw me so close by tender
directions and indirections?

I call to the world to distrust the accounts of my friends, but
listen to my enemies, as I myself do,
I charge you forever reject those who would expound me, for I cannot
expound myself,
I charge that there be no theory or school founded out of me,
I charge you to leave all free, as I have left all free.

After me, vista!
O I see life is not short, but immeasurably long,
I henceforth tread the world chaste, temperate, an early riser, a
steady grower,
Every hour the semen of centuries, and still of centuries.

I must follow up these continual lessons of the air, water, earth,
I perceive I have no time to lose.




Year of Meteors [1859-60

Year of meteors! brooding year!
I would bind in words retrospective some of your deeds and signs,
I would sing your contest for the 19th Presidentiad,
I would sing how an old man, tall, with white hair, mounted the
scaffold in Virginia,
(I was at hand, silent I stood with teeth shut close, I watch'd,
I stood very near you old man when cool and indifferent, but trembling
with age and your unheal'd wounds you mounted the scaffold;)
I would sing in my copious song your census returns of the States,
The tables of population and products, I would sing of your ships
and their cargoes,
The proud black ships of Manhattan arriving, some fill'd with
immigrants, some from the isthmus with cargoes of gold,
Songs thereof would I sing, to all that hitherward comes would welcome give,
And you would I sing, fair stripling! welcome to you from me, young
prince of England!
(Remember you surging Manhattan's crowds as you pass'd with your
cortege of nobles?
There in the crowds stood I, and singled you out with attachment;)
Nor forget I to sing of the wonder, the ship as she swam up my bay,
Well-shaped and stately the Great Eastern swam up my bay, she was
600 feet long,
Her moving swiftly surrounded by myriads of small craft I forget not
to sing;
Nor the comet that came unannounced out of the north flaring in heaven,
Nor the strange huge meteor-procession dazzling and clear shooting
over our heads,
(A moment, a moment long it sail'd its balls of unearthly light over
our heads,
Then departed, dropt in the night, and was gone;)
Of such, and fitful as they, I sing--with gleams from them would
gleam and patch these chants,
Your chants, O year all mottled with evil and good--year of forebodings!
Year of comets and meteors transient and strange--lo! even here one
equally transient and strange!
As I flit through you hastily, soon to fall and be gone, what is this chant,
What am I myself but one of your meteors?




With Antecedents

1
With antecedents,
With my fathers and mothers and the accumulations of past ages,
With all which, had it not been, I would not now be here, as I am,
With Egypt, India, Phenicia, Greece and Rome,
With the Kelt, the Scandinavian, the Alb and the Saxon,
With antique maritime ventures, laws, artisanship, wars and journeys,
With the poet, the skald, the saga, the myth, and the oracle,
With the sale of slaves, with enthusiasts, with the troubadour, the
crusader, and the monk,
With those old continents whence we have come to this new continent,
With the fading kingdoms and kings over there,
With the fading religions and priests,
With the small shores we look back to from our own large and present shores,
With countless years drawing themselves onward and arrived at these years,
You and me arrived--America arrived and making this year,
This year! sending itself ahead countless years to come.

2
O but it is not the years--it is I, it is You,
We touch all laws and tally all antecedents,
We are the skald, the oracle, the monk and the knight, we easily
include them and more,
We stand amid time beginningless and endless, we stand amid evil and good,
All swings around us, there is as much darkness as light,
The very sun swings itself and its system of planets around us,
Its sun, and its again, all swing around us.

As for me, (torn, stormy, amid these vehement days,)
I have the idea of all, and am all and believe in all,
I believe materialism is true and spiritualism is true, I reject no part.

(Have I forgotten any part? any thing in the past?
Come to me whoever and whatever, till I give you recognition. )

I respect Assyria, China, Teutonia, and the Hebrews,
I adopt each theory, myth, god, and demigod,
I see that the old accounts, bibles, genealogies, are true, without
exception,
I assert that all past days were what they must have been,
And that they could no-how have been better than they were,
And that to-day is what it must be, and that America is,
And that to-day and America could no-how be better than they are.

3
In the name of these States and in your and my name, the Past,
And in the name of these States and in your and my name, the Present time.

I know that the past was great and the future will be great,
And I know that both curiously conjoint in the present time,
(For the sake of him I typify, for the common average man's sake,
your sake if you are he,)
And that where I am or you are this present day, there is the centre
of all days, all races,
And there is the meaning to us of all that has ever come of races
and days, or ever will come.




BOOK XVIII


A Broadway Pageant

1
Over the Western sea hither from Niphon come,
Courteous, the swart-cheek'd two-sworded envoys,
Leaning back in their open barouches, bare-headed, impassive,
Ride to-day through Manhattan.

Libertad! I do not know whether others behold what I behold,
In the procession along with the nobles of Niphon, the errand-bearers,
Bringing up the rear, hovering above, around, or in the ranks marching,
But I will sing you a song of what I behold Libertad.

When million-footed Manhattan unpent descends to her pavements,
When the thunder-cracking guns arouse me with the proud roar love,
When the round-mouth'd guns out of the smoke and smell I love
spit their salutes,
When the fire-flashing guns have fully alerted me, and
heaven-clouds canopy my city with a delicate thin haze,
When gorgeous the countless straight stems, the forests at the
wharves, thicken with colors,
When every ship richly drest carries her flag at the peak,
When pennants trail and street-festoons hang from the windows,
When Broadway is entirely given up to foot-passengers and
foot-standers, when the mass is densest,
When the facades of the houses are alive with people, when eyes
gaze riveted tens of thousands at a time,
When the guests from the islands advance, when the pageant moves
forward visible,
When the summons is made, when the answer that waited thousands
of years answers,
I too arising, answering, descend to the pavements, merge with the
crowd, and gaze with them.

2
Superb-faced Manhattan!
Comrade Americanos! to us, then at last the Orient comes.
To us, my city,
Where our tall-topt marble and iron beauties range on opposite
sides, to walk in the space between,
To-day our Antipodes comes.

The Originatress comes,
The nest of languages, the bequeather of poems, the race of eld,
Florid with blood, pensive, rapt with musings, hot with passion,
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes,
The race of Brahma comes.

See my cantabile! these and more are flashing to us from the procession,
As it moves changing, a kaleidoscope divine it moves changing before us.


For not the envoys nor the tann'd Japanee from his island only,
Lithe and silent the Hindoo appears, the Asiatic continent itself
appears, the past, the dead,
The murky night-morning of wonder and fable inscrutable,
The envelop'd mysteries, the old and unknown hive-bees,
The north, the sweltering south, eastern Assyria, the Hebrews, the
ancient of ancients,
Vast desolated cities, the gliding present, all of these and more
are in the pageant-procession.

Geography, the world, is in it,
The Great Sea, the brood of islands, Polynesia, the coast beyond,
The coast you henceforth are facing--you Libertad! from your Western
golden shores,
The countries there with their populations, the millions en-masse
are curiously here,
The swarming market-places, the temples with idols ranged along the
sides or at the end, bonze, brahmin, and llama,
Mandarin, farmer, merchant, mechanic, and fisherman,
The singing-girl and the dancing-girl, the ecstatic persons, the
secluded emperors,
Confucius himself, the great poets and heroes, the warriors, the castes,
all,
Trooping up, crowding from all directions, from the Altay mountains,
From Thibet, from the four winding and far-flowing rivers of China,
From the southern peninsulas and the demi-continental islands, from
Malaysia,
These and whatever belongs to them palpable show forth to me, and
are seiz'd by me,
And I am seiz'd by them, and friendlily held by them,
Till as here them all I chant, Libertad! for themselves and for you.

For I too raising my voice join the ranks of this pageant,
I am the chanter, I chant aloud over the pageant,
I chant the world on my Western sea,
I chant copious the islands beyond, thick as stars in the sky,
I chant the new empire grander than any before, as in a vision it
comes to me,
I chant America the mistress, I chant a greater supremacy,
I chant projected a thousand blooming cities yet in time on those
groups of sea-islands,
My sail-ships and steam-ships threading the archipelagoes,
My stars and stripes fluttering in the wind,
Commerce opening, the sleep of ages having done its work, races
reborn, refresh'd,
Lives, works resumed--the object I know not--but the old, the Asiatic
renew'd as it must be,
Commencing from this day surrounded by the world.

3
And you Libertad of the world!
You shall sit in the middle well-pois'd thousands and thousands of years,
As to-day from one side the nobles of Asia come to you,
As to-morrow from the other side the queen of England sends her
eldest son to you.

The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done,
The box-lid is but perceptibly open'd, nevertheless the perfume
pours copiously out of the whole box.

Young Libertad! with the venerable Asia, the all-mother,
Be considerate with her now and ever hot Libertad, for you are all,
Bend your proud neck to the long-off mother now sending messages
over the archipelagoes to you,
Bend your proud neck low for once, young Libertad.

Here the children straying westward so long? so wide the tramping?
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while
unknown, for you, for reasons?

They are justified, they are accomplish'd, they shall now be turn'd
the other way also, to travel toward you thence,
They shall now also march obediently eastward for your sake Libertad.




BOOK XIX. SEA-DRIFT


Out of the Cradle Endlessly Rocking

Out of the cradle endlessly rocking,
Out of the mocking-bird's throat, the musical shuttle,
Out of the Ninth-month midnight,
Over the sterile sands and the fields beyond, where the child
leaving his bed wander'd alone, bareheaded, barefoot,
Down from the shower'd halo,
Up from the mystic play of shadows twining and twisting as if they
were alive,
Out from the patches of briers and blackberries,
From the memories of the bird that chanted to me,
From your memories sad brother, from the fitful risings and fallings I heard,
From under that yellow half-moon late-risen and swollen as if with tears,
From those beginning notes of yearning and love there in the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous'd words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.

Once Paumanok,
When the lilac-scent was in the air and Fifth-month grass was growing,
Up this seashore in some briers,
Two feather'd guests from Alabama, two together,
And their nest, and four light-green eggs spotted with brown,
And every day the he-bird to and fro near at hand,
And every day the she-bird crouch'd on her nest, silent, with bright eyes,
And every day I, a curious boy, never too close, never disturbing
them,
Cautiously peering, absorbing, translating.

Shine! shine! shine!
Pour down your warmth, great sun. '
While we bask, we two together.

Two together!
Winds blow south, or winds blow north,
Day come white, or night come black,
Home, or rivers and mountains from home,
Singing all time, minding no time,
While we two keep together.

Till of a sudden,
May-be kill'd, unknown to her mate,
One forenoon the she-bird crouch'd not on the nest,
Nor return'd that afternoon, nor the next,
Nor ever appear'd again.

And thenceforward all summer in the sound of the sea,
And at night under the full of the moon in calmer weather,
Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals the remaining one, the he-bird,
The solitary guest from Alabama.

Blow! blow! blow!
Blow up sea-winds along Paumanok's shore;
I wait and I wait till you blow my mate to me.

Yes, when the stars glisten'd,
All night long on the prong of a moss-scallop'd stake,
Down almost amid the slapping waves,
Sat the lone singer wonderful causing tears.

He call'd on his mate,
He pour'd forth the meanings which I of all men know.

Yes my brother I know,
The rest might not, but I have treasur'd every note,
For more than once dimly down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and sights
after their sorts,
The white arms out in the breakers tirelessly tossing,
I, with bare feet, a child, the wind wafting my hair,
Listen'd long and long.

Listen'd to keep, to sing, now translating the notes,
Following you my brother.

Soothe! soothe! soothe!
Close on its wave soothes the wave behind,
And again another behind embracing and lapping, every one close,
But my love soothes not me, not me.

Low hangs the moon, it rose late,
It is lagging--O I think it is heavy with love, with love.

O madly the sea pushes upon the land,
With love, with love.

O night! do I not see my love fluttering out among the breakers?
What is that little black thing I see there in the white?

Loud! loud! loud!
Loud I call to you, my love!
High and clear I shoot my voice over the waves,
Surely you must know who is here, is here,
You must know who I am, my love.

Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate. '
O moon do not keep her from me any longer.

Land! land! O land!
Whichever way I turn, O I think you could give me my mate back again
if you only would,
For I am almost sure I see her dimly whichever way I look.

O rising stars!
Perhaps the one I want so much will rise, will rise with some of you.

O throat! O trembling throat!
Sound clearer through the atmosphere!
Pierce the woods, the earth,
Somewhere listening to catch you must be the one I want.

Shake out carols!
Solitary here, the night's carols!
Carols of lonesome love! death's carols!
Carols under that lagging, yellow, waning moon!
O under that moon where she droops almost down into the sea!
O reckless despairing carols.

But soft! sink low!
Soft! let me just murmur,
And do you wait a moment you husky-nois'd sea,
For somewhere I believe I heard my mate responding to me,
So faint, I must be still, be still to listen,
But not altogether still, for then she might not come immediately to me.

Hither my love!
Here I am! here!
With this just-sustain'd note I announce myself to you,
This gentle call is for you my love, for you.

Do not be decoy'd elsewhere,
That is the whistle of the wind, it is not my voice,
That is the fluttering, the fluttering of the spray,
Those are the shadows of leaves.

O darkness! O in vain!
O I am very sick and sorrowful

O brown halo in the sky near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
And I singing uselessly, uselessly all the night.

O past! O happy life! O songs of joy!
In the air, in the woods, over fields,
Loved! loved! loved! loved! loved!
But my mate no more, no more with me!
We two together no more.

The aria sinking,
All else continuing, the stars shining,
The winds blowing, the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok's shore gray and rustling,
The yellow half-moon enlarged, sagging down, drooping, the face of
the sea almost touching,
The boy ecstatic, with his bare feet the waves, with his hair the
atmosphere dallying,
The love in the heart long pent, now loose, now at last tumultuously
bursting,
The aria's meaning, the ears, the soul, swiftly depositing,
The strange tears down the cheeks coursing,
The colloquy there, the trio, each uttering,
The undertone, the savage old mother incessantly crying,
To the boy's soul's questions sullenly timing, some drown'd secret hissing,
To the outsetting bard.

Demon or bird! (said the boy's soul,)
Is it indeed toward your mate you sing? or is it really to me?
For I, that was a child, my tongue's use sleeping, now I have heard you,
Now in a moment I know what I am for, I awake,
And already a thousand singers, a thousand songs, clearer, louder
and more sorrowful than yours,
A thousand warbling echoes have started to life within me, never to die.

O you singer solitary, singing by yourself, projecting me,
O solitary me listening, never more shall I cease perpetuating you,
Never more shall I escape, never more the reverberations,
Never more the cries of unsatisfied love be absent from me,
Never again leave me to be the peaceful child I was before what
there in the night,
By the sea under the yellow and sagging moon,
The messenger there arous'd, the fire, the sweet hell within,
The unknown want, the destiny of me.

O give me the clue! (it lurks in the night here somewhere,)
O if I am to have so much, let me have more!

A word then, (for I will conquer it,)
The word final, superior to all,
Subtle, sent up--what is it? --I listen;
Are you whispering it, and have been all the time, you sea-waves?
Is that it from your liquid rims and wet sands?

Whereto answering, the sea,
Delaying not, hurrying not,
Whisper'd me through the night, and very plainly before daybreak,
Lisp'd to me the low and delicious word death,
And again death, death, death, death
Hissing melodious, neither like the bird nor like my arous'd child's heart,
But edging near as privately for me rustling at my feet,
Creeping thence steadily up to my ears and laving me softly all over,
Death, death, death, death, death.

Which I do not forget.
But fuse the song of my dusky demon and brother,
That he sang to me in the moonlight on Paumanok's gray beach,
With the thousand responsive songs at random,
My own songs awaked from that hour,
And with them the key, the word up from the waves,
The word of the sweetest song and all songs,
That strong and delicious word which, creeping to my feet,
(Or like some old crone rocking the cradle, swathed in sweet
garments, bending aside,)
The sea whisper'd me.




As I Ebb'd with the Ocean of Life

1
As I ebb'd with the ocean of life,
As I wended the shores I know,
As I walk'd where the ripples continually wash you Paumanok,
Where they rustle up hoarse and sibilant,
Where the fierce old mother endlessly cries for her castaways,
I musing late in the autumn day, gazing off southward,
Held by this electric self out of the pride of which I utter poems,
Was seiz'd by the spirit that trails in the lines underfoot,
The rim, the sediment that stands for all the water and all the land
of the globe.

Fascinated, my eyes reverting from the south, dropt, to follow those
slender windrows,
Chaff, straw, splinters of wood, weeds, and the sea-gluten,
Scum, scales from shining rocks, leaves of salt-lettuce, left by the tide,
Miles walking, the sound of breaking waves the other side of me,
Paumanok there and then as I thought the old thought of likenesses,
These you presented to me you fish-shaped island,
As I wended the shores I know,
As I walk'd with that electric self seeking types.

2
As I wend to the shores I know not,
As I list to the dirge, the voices of men and women wreck'd,
As I inhale the impalpable breezes that set in upon me,
As the ocean so mysterious rolls toward me closer and closer,
I too but signify at the utmost a little wash'd-up drift,
A few sands and dead leaves to gather,
Gather, and merge myself as part of the sands and drift.

O baffled, balk'd, bent to the very earth,
Oppress'd with myself that I have dared to open my mouth,
Aware now that amid all that blab whose echoes recoil upon me I have
not once had the least idea who or what I am,
But that before all my arrogant poems the real Me stands yet
untouch'd, untold, altogether unreach'd,
Withdrawn far, mocking me with mock-congratulatory signs and bows,
With peals of distant ironical laughter at every word I have written,
Pointing in silence to these songs, and then to the sand beneath.

I perceive I have not really understood any thing, not a single
object, and that no man ever can,
Nature here in sight of the sea taking advantage of me to dart upon
me and sting me,
Because I have dared to open my mouth to sing at all.

3
You oceans both, I close with you,
We murmur alike reproachfully rolling sands and drift, knowing not why,
These little shreds indeed standing for you and me and all.

You friable shore with trails of debris,
You fish-shaped island, I take what is underfoot,
What is yours is mine my father.

I too Paumanok,
I too have bubbled up, floated the measureless float, and been
wash'd on your shores,
I too am but a trail of drift and debris,
I too leave little wrecks upon you, you fish-shaped island.

I throw myself upon your breast my father,
I cling to you so that you cannot unloose me,
I hold you so firm till you answer me something.

Kiss me my father,
Touch me with your lips as I touch those I love,
Breathe to me while I hold you close the secret of the murmuring I envy.

4
Ebb, ocean of life, (the flow will return,)
Cease not your moaning you fierce old mother,
Endlessly cry for your castaways, but fear not, deny not me,
Rustle not up so hoarse and angry against my feet as I touch you or
gather from you.

I mean tenderly by you and all,
I gather for myself and for this phantom looking down where we lead,
and following me and mine.

Me and mine, loose windrows, little corpses,
Froth, snowy white, and bubbles,
(See, from my dead lips the ooze exuding at last,
See, the prismatic colors glistening and rolling,)
Tufts of straw, sands, fragments,
Buoy'd hither from many moods, one contradicting another,
From the storm, the long calm, the darkness, the swell,
Musing, pondering, a breath, a briny tear, a dab of liquid or soil,
Up just as much out of fathomless workings fermented and thrown,
A limp blossom or two, torn, just as much over waves floating,
drifted at random,
Just as much for us that sobbing dirge of Nature,
Just as much whence we come that blare of the cloud-trumpets,
We, capricious, brought hither we know not whence, spread out before you,
You up there walking or sitting,
Whoever you are, we too lie in drifts at your feet.




Tears

Tears! tears! tears!
In the night, in solitude, tears,
On the white shore dripping, dripping, suck'd in by the sand,
Tears, not a star shining, all dark and desolate,
Moist tears from the eyes of a muffled head;
O who is that ghost? that form in the dark, with tears?
What shapeless lump is that, bent, crouch'd there on the sand?
Streaming tears, sobbing tears, throes, choked with wild cries;
O storm, embodied, rising, careering with swift steps along the beach!
O wild and dismal night storm, with wind--O belching and desperate!
O shade so sedate and decorous by day, with calm countenance and
regulated pace,
But away at night as you fly, none looking--O then the unloosen'd ocean,
Of tears! tears! tears!




To the Man-of-War-Bird

Thou who hast slept all night upon the storm,
Waking renew'd on thy prodigious pinions,
(Burst the wild storm? above it thou ascended'st,
And rested on the sky, thy slave that cradled thee,)
Now a blue point, far, far in heaven floating,
As to the light emerging here on deck I watch thee,
(Myself a speck, a point on the world's floating vast. )

Far, far at sea,
After the night's fierce drifts have strewn the shore with wrecks,
With re-appearing day as now so happy and serene,
The rosy and elastic dawn, the flashing sun,
The limpid spread of air cerulean,
Thou also re-appearest.

Thou born to match the gale, (thou art all wings,)
To cope with heaven and earth and sea and hurricane,
Thou ship of air that never furl'st thy sails,
Days, even weeks untired and onward, through spaces, realms gyrating,
At dusk that lookist on Senegal, at morn America,
That sport'st amid the lightning-flash and thunder-cloud,
In them, in thy experiences, had'st thou my soul,
What joys! what joys were thine!




Aboard at a Ship's Helm

Aboard at a ship's helm,
A young steersman steering with care.

Through fog on a sea-coast dolefully ringing,
An ocean-bell--O a warning bell, rock'd by the waves.

O you give good notice indeed, you bell by the sea-reefs ringing,
Ringing, ringing, to warn the ship from its wreck-place.

For as on the alert O steersman, you mind the loud admonition,
The bows turn, the freighted ship tacking speeds away under her gray sails,
The beautiful and noble ship with all her precious wealth speeds
away gayly and safe.

But O the ship, the immortal ship! O ship aboard the ship!
Ship of the body, ship of the soul, voyaging, voyaging, voyaging.




On the Beach at Night

On the beach at night,
Stands a child with her father,
Watching the east, the autumn sky.

Up through the darkness,
While ravening clouds, the burial clouds, in black masses spreading,
Lower sullen and fast athwart and down the sky,
Amid a transparent clear belt of ether yet left in the east,
Ascends large and calm the lord-star Jupiter,
And nigh at hand, only a very little above,
Swim the delicate sisters the Pleiades.

From the beach the child holding the hand of her father,
Those burial-clouds that lower victorious soon to devour all,
Watching, silently weeps.

Weep not, child,
Weep not, my darling,
With these kisses let me remove your tears,
The ravening clouds shall not long be victorious,
They shall not long possess the sky, they devour the stars only in
apparition,
Jupiter shall emerge, be patient, watch again another night, the
Pleiades shall emerge,
They are immortal, all those stars both silvery and golden shall
shine out again,
The great stars and the little ones shall shine out again, they endure,
The vast immortal suns and the long-enduring pensive moons shall
again shine.

Then dearest child mournest thou only for jupiter?
Considerest thou alone the burial of the stars?

Something there is,
(With my lips soothing thee, adding I whisper,
I give thee the first suggestion, the problem and indirection,)
Something there is more immortal even than the stars,
(Many the burials, many the days and nights, passing away,)
Something that shall endure longer even than lustrous Jupiter
Longer than sun or any revolving satellite,
Or the radiant sisters the Pleiades.




The World below the Brine

The world below the brine,
Forests at the bottom of the sea, the branches and leaves,
Sea-lettuce, vast lichens, strange flowers and seeds, the thick
tangle openings, and pink turf,
Different colors, pale gray and green, purple, white, and gold, the
play of light through the water,
Dumb swimmers there among the rocks, coral, gluten, grass, rushes,
and the aliment of the swimmers,
Sluggish existences grazing there suspended, or slowly crawling
close to the bottom,
The sperm-whale at the surface blowing air and spray, or disporting
with his flukes,
The leaden-eyed shark, the walrus, the turtle, the hairy
sea-leopard, and the sting-ray,
Passions there, wars, pursuits, tribes, sight in those ocean-depths,
breathing that thick-breathing air, as so many do,
The change thence to the sight here, and to the subtle air breathed
by beings like us who walk this sphere,
The change onward from ours to that of beings who walk other spheres.




On the Beach at Night Alone

On the beach at night alone,
As the old mother sways her to and fro singing her husky song,
As I watch the bright stars shining, I think a thought of the clef
of the universes and of the future.

A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets,
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies though they be ever so different, or in
different worlds,
All gaseous, watery, vegetable, mineral processes, the fishes, the brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe, or any globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann'd,
And shall forever span them and compactly hold and enclose them.




Song for All Seas, All Ships

1
To-day a rude brief recitative,
Of ships sailing the seas, each with its special flag or ship-signal,
Of unnamed heroes in the ships--of waves spreading and spreading
far as the eye can reach,
Of dashing spray, and the winds piping and blowing,
And out of these a chant for the sailors of all nations,
Fitful, like a surge.

Of sea-captains young or old, and the mates, and of all intrepid sailors,
Of the few, very choice, taciturn, whom fate can never surprise nor
death dismay.
Pick'd sparingly without noise by thee old ocean, chosen by thee,
Thou sea that pickest and cullest the race in time, and unitest nations,
Suckled by thee, old husky nurse, embodying thee,
Indomitable, untamed as thee.

(Ever the heroes on water or on land, by ones or twos appearing,
Ever the stock preserv'd and never lost, though rare, enough for
seed preserv'd. )

2
Flaunt out O sea your separate flags of nations!
Flaunt out visible as ever the various ship-signals!
But do you reserve especially for yourself and for the soul of man
one flag above all the rest,
A spiritual woven signal for all nations, emblem of man elate above death,
Token of all brave captains and all intrepid sailors and mates,
And all that went down doing their duty,
Reminiscent of them, twined from all intrepid captains young or old,
A pennant universal, subtly waving all time, o'er all brave sailors,
All seas, all ships.
Patroling Barnegat

Wild, wild the storm, and the sea high running,
Steady the roar of the gale, with incessant undertone muttering,
Shouts of demoniac laughter fitfully piercing and pealing,
Waves, air, midnight, their savagest trinity lashing,
Out in the shadows there milk-white combs careering,
On beachy slush and sand spirts of snow fierce slanting,
Where through the murk the easterly death-wind breasting,
Through cutting swirl and spray watchful and firm advancing,
(That in the distance! is that a wreck? is the red signal flaring? )
Slush and sand of the beach tireless till daylight wending,
Steadily, slowly, through hoarse roar never remitting,
Along the midnight edge by those milk-white combs careering,
A group of dim, weird forms, struggling, the night confronting,
That savage trinity warily watching.




After the Sea-Ship

After the sea-ship, after the whistling winds,
After the white-gray sails taut to their spars and ropes,
Below, a myriad myriad waves hastening, lifting up their necks,
Tending in ceaseless flow toward the track of the ship,
Waves of the ocean bubbling and gurgling, blithely prying,
Waves, undulating waves, liquid, uneven, emulous waves,
Toward that whirling current, laughing and buoyant, with curves,
Where the great vessel sailing and tacking displaced the surface,
Larger and smaller waves in the spread of the ocean yearnfully flowing,
The wake of the sea-ship after she passes, flashing and frolicsome
under the sun,
A motley procession with many a fleck of foam and many fragments,
Following the stately and rapid ship, in the wake following.




BOOK XX. BY THE ROADSIDE


A Boston Ballad [1854]

To get betimes in Boston town I rose this morning early,
Here's a good place at the corner, I must stand and see the show.

Clear the way there Jonathan!
Way for the President's marshal--way for the government cannon!
Way for the Federal foot and dragoons, (and the apparitions
copiously tumbling. )

I love to look on the Stars and Stripes, I hope the fifes will play
Yankee Doodle.
How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.

A fog follows, antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and bloodless.

Why this is indeed a show--it has called the dead out of the earth!
The old graveyards of the hills have hurried to see!
Phantoms! phantoms countless by flank and rear!
Cock'd hats of mothy mould--crutches made of mist!
Arms in slings--old men leaning on young men's shoulders.

What troubles you Yankee phantoms? what is all this chattering of
bare gums?
Does the ague convulse your limbs? do you mistake your crutches for
firelocks and level them?

If you blind your eyes with tears you will not see the President's marshal,
If you groan such groans you might balk the government cannon.

For shame old maniacs--bring down those toss'd arms, and let your
white hair be,
Here gape your great grandsons, their wives gaze at them from the windows,
See how well dress'd, see how orderly they conduct themselves.

Worse and worse--can't you stand it? are you retreating?
Is this hour with the living too dead for you?

Retreat then--pell-mell!
To your graves--back--back to the hills old limpers!
I do not think you belong here anyhow.

But there is one thing that belongs here--shall I tell you what it
is, gentlemen of Boston?

I will whisper it to the Mayor, he shall send a committee to England,
They shall get a grant from the Parliament, go with a cart to the
royal vault,
Dig out King George's coffin, unwrap him quick from the
graveclothes, box up his bones for a journey,
Find a swift Yankee clipper--here is freight for you, black-bellied clipper,
Up with your anchor--shake out your sails--steer straight toward
Boston bay.

Now call for the President's marshal again, bring out the government cannon,
Fetch home the roarers from Congress, make another procession,
guard it with foot and dragoons.

This centre-piece for them;
Look, all orderly citizens--look from the windows, women!

The committee open the box, set up the regal ribs, glue those that
will not stay,
Clap the skull on top of the ribs, and clap a crown on top of the skull.
You have got your revenge, old buster--the crown is come to its own,
and more than its own.

Stick your hands in your pockets, Jonathan--you are a made man from
this day,
You are mighty cute--and here is one of your bargains.




Europe [The 72d and 73d Years of These States]

Suddenly out of its stale and drowsy lair, the lair of slaves,
Like lightning it le'pt forth half startled at itself,
Its feet upon the ashes and the rags, its hands tight to the throats
of kings.

O hope and faith!
O aching close of exiled patriots' lives!
O many a sicken'd heart!
Turn back unto this day and make yourselves afresh.

And you, paid to defile the People--you liars, mark!
Not for numberless agonies, murders, lusts,
For court thieving in its manifold mean forms, worming from his
simplicity the poor man's wages,
For many a promise sworn by royal lips and broken and laugh'd at in
the breaking,

Then in their power not for all these did the blows strike revenge,
or the heads of the nobles fall;
The People scorn'd the ferocity of kings.

But the sweetness of mercy brew'd bitter destruction, and the
frighten'd monarchs come back,
Each comes in state with his train, hangman, priest, tax-gatherer,
Soldier, lawyer, lord, jailer, and sycophant.

Yet behind all lowering stealing, lo, a shape,
Vague as the night, draped interminably, head, front and form, in
scarlet folds,
Whose face and eyes none may see,
Out of its robes only this, the red robes lifted by the arm,
One finger crook'd pointed high over the top, like the head of a
snake appears.

Meanwhile corpses lie in new-made graves, bloody corpses of young men,
The rope of the gibbet hangs heavily, the bullets of princes are
flying, the creatures of power laugh aloud,
And all these things bear fruits, and they are good.

Those corpses of young men,
Those martyrs that hang from the gibbets, those hearts pierc'd by
the gray lead,
Cold and motionless as they seem live elsewhere with unslaughter'd vitality.

They live in other young men O kings!
They live in brothers again ready to defy you,
They were purified by death, they were taught and exalted.

Not a grave of the murder'd for freedom but grows seed for freedom,
in its turn to bear seed,
Which the winds carry afar and re-sow, and the rains and the snows nourish.

Not a disembodied spirit can the weapons of tyrants let loose,
But it stalks invisibly over the earth, whispering, counseling, cautioning.
Liberty, let others despair of you--I never despair of you.

Is the house shut? is the master away?
Nevertheless, be ready, be not weary of watching,
He will soon return, his messengers come anon.




A Hand-Mirror

Hold it up sternly--see this it sends back, (who is it? is it you? )
Outside fair costume, within ashes and filth,
No more a flashing eye, no more a sonorous voice or springy step,
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left, no magnetism of sex;
Such from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!




Gods

Lover divine and perfect Comrade,
Waiting content, invisible yet, but certain,
Be thou my God.

Thou, thou, the Ideal Man,
Fair, able, beautiful, content, and loving,
Complete in body and dilate in spirit,
Be thou my God.

O Death, (for Life has served its turn,)
Opener and usher to the heavenly mansion,
Be thou my God.

Aught, aught of mightiest, best I see, conceive, or know,
(To break the stagnant tie--thee, thee to free, O soul,)
Be thou my God.

All great ideas, the races' aspirations,
All heroisms, deeds of rapt enthusiasts,
Be ye my Gods.

Or Time and Space,
Or shape of Earth divine and wondrous,
Or some fair shape I viewing, worship,
Or lustrous orb of sun or star by night,
Be ye my Gods.




Germs

Forms, qualities, lives, humanity, language, thoughts,
The ones known, and the ones unknown, the ones on the stars,
The stars themselves, some shaped, others unshaped,
Wonders as of those countries, the soil, trees, cities, inhabitants,
whatever they may be,
Splendid suns, the moons and rings, the countless combinations and effects,
Such-like, and as good as such-like, visible here or anywhere, stand
provided for a handful of space, which I extend my arm and
half enclose with my hand,
That containing the start of each and all, the virtue, the germs of all.




Thoughts

Of ownership--as if one fit to own things could not at pleasure enter
upon all, and incorporate them into himself or herself;
Of vista--suppose some sight in arriere through the formative chaos,
presuming the growth, fulness, life, now attain'd on the journey,
(But I see the road continued, and the journey ever continued;)
Of what was once lacking on earth, and in due time has become
supplied--and of what will yet be supplied,
Because all I see and know I believe to have its main purport in
what will yet be supplied.



When I Heard the Learn'd Astronomer

When I heard the learn'd astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much
applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the mystical moist night-air, and from time to time,
Look'd up in perfect silence at the stars.




Perfections

Only themselves understand themselves and the like of themselves,
As souls only understand souls.




O Me! O Life!

O me! O life! of the questions of these recurring,
Of the endless trains of the faithless, of cities fill'd with the foolish,
Of myself forever reproaching myself, (for who more foolish than I,
and who more faithless? )
Of eyes that vainly crave the light, of the objects mean, of the
struggle ever renew'd,
Of the poor results of all, of the plodding and sordid crowds I see
around me,
Of the empty and useless years of the rest, with the rest me intertwined,
The question, O me! so sad, recurring--What good amid these, O me, O life?

Answer.
That you are here--that life exists and identity,
That the powerful play goes on, and you may contribute a verse.




To a President

All you are doing and saying is to America dangled mirages,
You have not learn'd of Nature--of the politics of Nature you have
not learn'd the great amplitude, rectitude, impartiality,
You have not seen that only such as they are for these States,
And that what is less than they must sooner or later lift off from
these States.




I Sit and Look Out

I sit and look out upon all the sorrows of the world, and upon all
oppression and shame,
I hear secret convulsive sobs from young men at anguish with
themselves, remorseful after deeds done,
I see in low life the mother misused by her children, dying,
neglected, gaunt, desperate,
I see the wife misused by her husband, I see the treacherous seducer
of young women,
I mark the ranklings of jealousy and unrequited love attempted to be
hid, I see these sights on the earth,
I see the workings of battle, pestilence, tyranny, I see martyrs and
prisoners,
I observe a famine at sea, I observe the sailors casting lots who
shall be kill'd to preserve the lives of the rest,
I observe the slights and degradations cast by arrogant persons upon
laborers, the poor, and upon negroes, and the like;
All these--all the meanness and agony without end I sitting look out upon,
See, hear, and am silent.




To Rich Givers

What you give me I cheerfully accept,
A little sustenance, a hut and garden, a little money, as I
rendezvous with my poems,
A traveler's lodging and breakfast as journey through the States,--
why should I be ashamed to own such gifts? why to advertise for them?
For I myself am not one who bestows nothing upon man and woman,
For I bestow upon any man or woman the entrance to all the gifts of
the universe.




The Dalliance of the Eagles

Skirting the river road, (my forenoon walk, my rest,)
Skyward in air a sudden muffled sound, the dalliance of the eagles,
The rushing amorous contact high in space together,
The clinching interlocking claws, a living, fierce, gyrating wheel,
Four beating wings, two beaks, a swirling mass tight grappling,
In tumbling turning clustering loops, straight downward falling,
Till o'er the river pois'd, the twain yet one, a moment's lull,
A motionless still balance in the air, then parting, talons loosing,
Upward again on slow-firm pinions slanting, their separate diverse flight,
She hers, he his, pursuing.




Roaming in Thought [After reading Hegel]

Roaming in thought over the Universe, I saw the little that is Good
steadily hastening towards immortality,
And the vast all that is call'd Evil I saw hastening to merge itself
and become lost and dead.




A Farm Picture

Through the ample open door of the peaceful country barn,
A sunlit pasture field with cattle and horses feeding,
And haze and vista, and the far horizon fading away.




A Child's Amaze

Silent and amazed even when a little boy,
I remember I heard the preacher every Sunday put God in his statements,
As contending against some being or influence.




The Runner

On a flat road runs the well-train'd runner,
He is lean and sinewy with muscular legs,
He is thinly clothed, he leans forward as he runs,
With lightly closed fists and arms partially rais'd.




Beautiful Women

Women sit or move to and fro, some old, some young,
The young are beautiful--but the old are more beautiful than the young.




Mother and Babe

I see the sleeping babe nestling the breast of its mother,
The sleeping mother and babe--hush'd, I study them long and long.




Thought

Of obedience, faith, adhesiveness;
As I stand aloof and look there is to me something profoundly
affecting in large masses of men following the lead of those who
do not believe in men.




Visor'd

A mask, a perpetual natural disguiser of herself,
Concealing her face, concealing her form,
Changes and transformations every hour, every moment,
Falling upon her even when she sleeps.




Thought

Of justice--as If could be any thing but the same ample law,
expounded by natural judges and saviors,
As if it might be this thing or that thing, according to decisions.




Gliding O'er all

Gliding o'er all, through all,
Through Nature, Time, and Space,
As a ship on the waters advancing,
The voyage of the soul--not life alone,
Death, many deaths I'll sing.




Hast Never Come to Thee an Hour

Hast never come to thee an hour,
A sudden gleam divine, precipitating, bursting all these bubbles,
fashions, wealth?
These eager business aims--books, politics, art, amours,
To utter nothingness?




Thought

Of Equality--as if it harm'd me, giving others the same chances and
rights as myself--as if it were not indispensable to my own
rights that others possess the same.




To Old Age

I see in you the estuary that enlarges and spreads itself grandly as
it pours in the great sea.




Locations and Times

Locations and times--what is it in me that meets them all, whenever
and wherever, and makes me at home?
Forms, colors, densities, odors--what is it in me that corresponds
with them?




Offerings

A thousand perfect men and women appear,
Around each gathers a cluster of friends, and gay children and
youths, with offerings.




To The States [To Identify the 16th, 17th, or 18th Presidentiad]

Why reclining, interrogating? why myself and all drowsing?
What deepening twilight-scum floating atop of the waters,
Who are they as bats and night-dogs askant in the capitol?
What a filthy Presidentiad! (O South, your torrid suns! O North,
your arctic freezings! )
Are those really Congressmen? are those the great Judges? is that
the President?
Then I will sleep awhile yet, for I see that these States sleep, for
reasons;
(With gathering murk, with muttering thunder and lambent shoots we
all duly awake,
South, North, East, West, inland and seaboard, we will surely awake. )




BOOK XXI. DRUM-TAPS


First O Songs for a Prelude

First O songs for a prelude,
Lightly strike on the stretch'd tympanum pride and joy in my city,
How she led the rest to arms, how she gave the cue,
How at once with lithe limbs unwaiting a moment she sprang,
(O superb! O Manhattan, my own, my peerless!
O strongest you in the hour of danger, in crisis! O truer than steel! )
How you sprang--how you threw off the costumes of peace with
indifferent hand,
How your soft opera-music changed, and the drum and fife were heard
in their stead,
How you led to the war, (that shall serve for our prelude, songs of
soldiers,)
How Manhattan drum-taps led.

Forty years had I in my city seen soldiers parading,
Forty years as a pageant, till unawares the lady of this teeming and
turbulent city,
Sleepless amid her ships, her houses, her incalculable wealth,
With her million children around her, suddenly,
At dead of night, at news from the south,
Incens'd struck with clinch'd hand the pavement.

A shock electric, the night sustain'd it,
Till with ominous hum our hive at daybreak pour'd out its myriads.

From the houses then and the workshops, and through all the doorways,
Leapt they tumultuous, and lo! Manhattan arming.

To the drum-taps prompt,
The young men falling in and arming,
The mechanics arming, (the trowel, the jack-plane, the blacksmith's
hammer, tost aside with precipitation,)
The lawyer leaving his office and arming, the judge leaving the court,
The driver deserting his wagon in the street, jumping down, throwing
the reins abruptly down on the horses' backs,
The salesman leaving the store, the boss, book-keeper, porter, all leaving;
Squads gather everywhere by common consent and arm,
The new recruits, even boys, the old men show them how to wear their
accoutrements, they buckle the straps carefully,
Outdoors arming, indoors arming, the flash of the musket-barrels,
The white tents cluster in camps, the arm'd sentries around, the
sunrise cannon and again at sunset,
Arm'd regiments arrive every day, pass through the city, and embark
from the wharves,
(How good they look as they tramp down to the river, sweaty, with
their guns on their shoulders!
How I love them! how I could hug them, with their brown faces and
their clothes and knapsacks cover'd with dust! )
The blood of the city up-arm'd! arm'd! the cry everywhere,
The flags flung out from the steeples of churches and from all the
public buildings and stores,
The tearful parting, the mother kisses her son, the son kisses his mother,
(Loth is the mother to part, yet not a word does she speak to detain him,)
The tumultuous escort, the ranks of policemen preceding, clearing the way,
The unpent enthusiasm, the wild cheers of the crowd for their favorites,
The artillery, the silent cannons bright as gold, drawn along,
rumble lightly over the stones,
(Silent cannons, soon to cease your silence,
Soon unlimber'd to begin the red business;)
All the mutter of preparation, all the determin'd arming,
The hospital service, the lint, bandages and medicines,
The women volunteering for nurses, the work begun for in earnest, no
mere parade now;
War! an arm'd race is advancing! the welcome for battle, no turning away!
War! be it weeks, months, or years, an arm'd race is advancing to
welcome it.

Mannahatta a-march--and it's O to sing it well!
It's O for a manly life in the camp.

And the sturdy artillery,
The guns bright as gold, the work for giants, to serve well the guns,
Unlimber them! (no more as the past forty years for salutes for
courtesies merely,
Put in something now besides powder and wadding. )

And you lady of ships, you Mannahatta,
Old matron of this proud, friendly, turbulent city,
Often in peace and wealth you were pensive or covertly frown'd amid
all your children,
But now you smile with joy exulting old Mannahatta.




Eighteen Sixty-One

Arm'd year--year of the struggle,
No dainty rhymes or sentimental love verses for you terrible year,
Not you as some pale poetling seated at a desk lisping cadenzas piano,
But as a strong man erect, clothed in blue clothes, advancing,
carrying rifle on your shoulder,
With well-gristled body and sunburnt face and hands, with a knife in
the belt at your side,
As I heard you shouting loud, your sonorous voice ringing across the
continent,
Your masculine voice O year, as rising amid the great cities,
Amid the men of Manhattan I saw you as one of the workmen, the
dwellers in Manhattan,
Or with large steps crossing the prairies out of Illinois and Indiana,
Rapidly crossing the West with springy gait and descending the Allghanies,
Or down from the great lakes or in Pennsylvania, or on deck along
the Ohio river,
Or southward along the Tennessee or Cumberland rivers, or at
Chattanooga on the mountain top,
Saw I your gait and saw I your sinewy limbs clothed in blue, bearing
weapons, robust year,
Heard your determin'd voice launch'd forth again and again,
Year that suddenly sang by the mouths of the round-lipp'd cannon,
I repeat you, hurrying, crashing, sad, distracted year.




Beat! Beat! Drums!

Beat! beat! drums! --blow! bugles! blow!
Through the windows--through doors--burst like a ruthless force,
Into the solemn church, and scatter the congregation,
Into the school where the scholar is studying;
Leave not the bridegroom quiet--no happiness must he have now with
his bride,
Nor the peaceful farmer any peace, ploughing his field or gathering
his grain,
So fierce you whirr and pound you drums--so shrill you bugles blow.

Beat! beat! drums! --blow! bugles! blow!
Over the traffic of cities--over the rumble of wheels in the streets;
Are beds prepared for sleepers at night in the houses? no sleepers
must sleep in those beds,
No bargainers' bargains by day--no brokers or speculators--would
they continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the judge?
Then rattle quicker, heavier drums--you bugles wilder blow.

Beat! beat! drums! --blow! bugles! blow!
Make no parley--stop for no expostulation,
Mind not the timid--mind not the weeper or prayer,
Mind not the old man beseeching the young man,
Let not the child's voice be heard, nor the mother's entreaties,
Make even the trestles to shake the dead where they lie awaiting the
hearses,
So strong you thump O terrible drums--so loud you bugles blow.




From Paumanok Starting I Fly Like a Bird

From Paumanok starting I fly like a bird,
Around and around to soar to sing the idea of all,
To the north betaking myself to sing there arctic songs,
To Kanada till I absorb Kanada in myself, to Michigan then,
To Wisconsin, Iowa, Minnesota, to sing their songs, (they are inimitable;)
Then to Ohio and Indiana to sing theirs, to Missouri and Kansas and
Arkansas to sing theirs,
To Tennessee and Kentucky, to the Carolinas and Georgia to sing theirs,
To Texas and so along up toward California, to roam accepted everywhere;
To sing first, (to the tap of the war-drum if need be,)
The idea of all, of the Western world one and inseparable,
And then the song of each member of these States.




Song of the Banner at Daybreak

Poet:
O A new song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind's voice and that of the drum,
By the banner's voice and child's voice and sea's voice and father's voice,
Low on the ground and high in the air,
On the ground where father and child stand,
In the upward air where their eyes turn,
Where the banner at daybreak is flapping.

Words! book-words! what are you?
Words no more, for hearken and see,
My song is there in the open air, and I must sing,
With the banner and pennant a-flapping.

I'll weave the chord and twine in,
Man's desire and babe's desire, I'll twine them in, I'll put in life,
I'll put the bayonet's flashing point, I'll let bullets and slugs whizz,
(As one carrying a symbol and menace far into the future,
Crying with trumpet voice, Arouse and beware! Beware and arouse! )
I'll pour the verse with streams of blood, full of volition, full of joy,
Then loosen, launch forth, to go and compete,
With the banner and pennant a-flapping.

Pennant:
Come up here, bard, bard,
Come up here, soul, soul,
Come up here, dear little child,
To fly in the clouds and winds with me, and play with the measureless light.

Child:
Father what is that in the sky beckoning to me with long finger?
And what does it say to me all the while?

Father:
Nothing my babe you see in the sky,
And nothing at all to you it says--but look you my babe,
Look at these dazzling things in the houses, and see you the money-
shops opening,
And see you the vehicles preparing to crawl along the streets with goods;
These, ah these, how valued and toil'd for these!
How envied by all the earth.

Poet:
Fresh and rosy red the sun is mounting high,
On floats the sea in distant blue careering through its channels,
On floats the wind over the breast of the sea setting in toward land,
The great steady wind from west or west-by-south,
Floating so buoyant with milk-white foam on the waters.

But I am not the sea nor the red sun,
I am not the wind with girlish laughter,
Not the immense wind which strengthens, not the wind which lashes,
Not the spirit that ever lashes its own body to terror and death,
But I am that which unseen comes and sings, sings, sings,
Which babbles in brooks and scoots in showers on the land,
Which the birds know in the woods mornings and evenings,
And the shore-sands know and the hissing wave, and that banner and pennant,
Aloft there flapping and flapping.

Child:
O father it is alive--it is full of people--it has children,
O now it seems to me it is talking to its children,
I hear it--it talks to me--O it is wonderful!
O it stretches--it spreads and runs so fast--O my father,
It is so broad it covers the whole sky.

Father:
Cease, cease, my foolish babe,
What you are saying is sorrowful to me, much 't displeases me;
Behold with the rest again I say, behold not banners and pennants aloft,
But the well-prepared pavements behold, and mark the solid-wall'd houses.

Banner and Pennant:
Speak to the child O bard out of Manhattan,
To our children all, or north or south of Manhattan,
Point this day, leaving all the rest, to us over all--and yet we know
not why,
For what are we, mere strips of cloth profiting nothing,
Only flapping in the wind?


Poet:
I hear and see not strips of cloth alone,
I hear the tramp of armies, I hear the challenging sentry,
I hear the jubilant shouts of millions of men, I hear Liberty!
I hear the drums beat and the trumpets blowing,
I myself move abroad swift-rising flying then,
I use the wings of the land-bird and use the wings of the sea-bird,
and look down as from a height,
I do not deny the precious results of peace, I see populous cities
with wealth incalculable,
I see numberless farms, I see the farmers working in their fields or barns,
I see mechanics working, I see buildings everywhere founded, going
up, or finish'd,
I see trains of cars swiftly speeding along railroad tracks drawn by
the locomotives,
I see the stores, depots, of Boston, Baltimore, Charleston, New Orleans,
I see far in the West the immense area of grain, I dwell awhile hovering,
I pass to the lumber forests of the North, and again to the Southern
plantation, and again to California;
Sweeping the whole I see the countless profit, the busy gatherings,
earn'd wages,
See the Identity formed out of thirty-eight spacious and haughty
States, (and many more to come,)
See forts on the shores of harbors, see ships sailing in and out;
Then over all, (aye! aye! ) my little and lengthen'd pennant shaped
like a sword,
Runs swiftly up indicating war and defiance--and now the halyards
have rais'd it,
Side of my banner broad and blue, side of my starry banner,
Discarding peace over all the sea and land.

Banner and Pennant:
Yet louder, higher, stronger, bard! yet farther, wider cleave!
No longer let our children deem us riches and peace alone,
We may be terror and carnage, and are so now,
Not now are we any one of these spacious and haughty States, (nor
any five, nor ten,)
Nor market nor depot we, nor money-bank in the city,
But these and all, and the brown and spreading land, and the mines
below, are ours,
And the shores of the sea are ours, and the rivers great and small,
And the fields they moisten, and the crops and the fruits are ours,
Bays and channels and ships sailing in and out are ours--while we over all,
Over the area spread below, the three or four millions of square
miles, the capitals,
The forty millions of people,--O bard! in life and death supreme,
We, even we, henceforth flaunt out masterful, high up above,
Not for the present alone, for a thousand years chanting through you,
This song to the soul of one poor little child.

Child:
O my father I like not the houses,
They will never to me be any thing, nor do I like money,
But to mount up there I would like, O father dear, that banner I like,
That pennant I would be and must be.

Father:
Child of mine you fill me with anguish,
To be that pennant would be too fearful,
Little you know what it is this day, and after this day, forever,
It is to gain nothing, but risk and defy every thing,
Forward to stand in front of wars--and O, such wars! --what have you
to do with them?
With passions of demons, slaughter, premature death?

Banner:
Demons and death then I sing,
Put in all, aye all will I, sword-shaped pennant for war,
And a pleasure new and ecstatic, and the prattled yearning of children,
Blent with the sounds of the peaceful land and the liquid wash of the sea,
And the black ships fighting on the sea envelop'd in smoke,
And the icy cool of the far, far north, with rustling cedars and pines,
And the whirr of drums and the sound of soldiers marching, and the
hot sun shining south,
And the beach-waves combing over the beach on my Eastern shore,
and my Western shore the same,
And all between those shores, and my ever running Mississippi with
bends and chutes,
And my Illinois fields, and my Kansas fields, and my fields of Missouri,
The Continent, devoting the whole identity without reserving an atom,
Pour in!