No More Learning

tnw
cannot become warm before the ice melts in the eyes of those who believe were called on to valorize, to administer the world, and to ravage it.
Breasts
CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST ? 147
l the modern civilization of media and fashion, an atmospheric concoction of osmetics, pornography, consumerism, illusion, addiction, and prostitution reigns for which the baring and depiction of breasts is typical. In the commodity world, it seems that nothing functions without them anymore. Everyone specu- lates cynically on the addictive reflexes of others. With everything that is sup- posed to look lifelike and arouse desires, they are present, as the universal orna- ments of capitalism. Everything that is dead, superfluous, alienated draws attention to itself with laughing forms. Sexism? If only it were so simple. Adver- tising and pornography are special cases of modern cynicism, which knows that power must make its way through ideals and that the dreams and addictions of others can be simultaneously stimulated and frustrated in order to achieve one's own ends. Politics is not only the art of the possible, as has been said, but just as much the art of seduction. It is the chocolate side of power that assumes first,
that order must prevail and, second, that the world wants to be deceived. These modern business breasts exist, philosophically speaking, only in them- selves (an sich), as things, not for themselves (fur sick), as conscious bodies. They merely signify a power, an attraction. But what would breasts be for them- selves, independent of their cynical baring on the commodity market? What is their relation to the power and energy emanating from them? Many would prefer to have nothing at all to do anymore with this play of power, attraction, and de- sire. Others embody consciously and frivolously their appeal to the other sex. Something of their consciousness of power is still present in the hackneyed phrase about the "weapons of a woman. " Some are also unhappy because they do not look like the ideal breasts in advertising. They do not feel very good being naked when they do not have the prevailing aesthetic on their side. Some, on the other hand, have the sweetness of ripe pears that have become so heavy and friendly toward themselves that, on an appropriate occasion, they fall from the tree into a hand
they feel recognizes them.
Arses
he arse seems doomed to spend its life in the dark, as the beggar among body Parts. It is the real idiot of the family. However, it would be a wonder if this black
s n
People in the upper strata. If the head were to enter into conversation just once
Wlt
eep of the body did not have its own opinion about everything that takes place
higher regions, similar to the declassed who often cast the most sober gaze on
h its antipode, the latter would first stick out its tongue, if it had one. As in
148 ? CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST
2
the enlightenment film of the Rote Grtitze, Was heisst hier Liebe (What do you
mean by love? ), the arse would say to the higher spheres: I find that our relation- ship is shitty.
The arse is the plebeian, the grass-roots democrat, and the cosmopolitan
among the parts of the body-- in a word, the elementary kynical organ. It provides
the solid materialist basis. It is at home on toilets all over the world. The Interna-
tional of Arses is the only worldwide organization that has no statutes, ideology,
or dues. Its solidarity cannot be shaken. The arse crosses all borders playfully,
unlike the head, to which borders and possessions mean a lot. Without any objec-
tion, it squats on this or that chair. To an unspoiled arse, the difference between
3
athrone andakitchenstool,abenchandaHolyChairisnotparticularlyimpres-
sive. Now and again, it can also sit on the ground; the only thing it dislikes is standing when it is tired. This proclivity for the elementary and the fundamental predisposes the arse especially to philosophy. It probably registers the nuances, but it would not think of making a fuss like vain heads do when they knock them- selves bloody over the occupation of seats. It never loses sight of what really un- derlies it: the firm ground. In an erotic sense, too, the arse often shows itself to be both sensitive and superior. It does not pretend to be choosier than is neces- sary. Even then, it is the one that easily raises itself above imagined borders and exclusivities. When the famous Arletty was accused of having had sexual rela- tions with members of the German occupation forces, her answer is said to have been: "My heart is French, but my backside is international. " As representative of the kynical principle per se (able to survive anywhere, reduction to the essen- tials), the arse can hardly be brought under government control, although it can- not be denied that many an arsehole has given off nationalistic tones.
Often beaten, kicked, and pinched, the arse has a worldview from below: ple- beian, popular, realistic. Millennia of bad treatment have not passed over it with- out leaving a mark. They have trained it to be a materialist, albeit one with a di- alectical tendency, which assumes that things are shitty but not hopeless. Nothing can cause as much bitterness as the feeling of not being welcome. Only the under- tone of fascination that can be heard through so much maltreatment gives the op- pressed a secret feeling of power. Something about which silence is so stubbornly maintained, even though it cannot be evaded, must have a great power over the spirits. The best energies are often hidden behind the strongest swear words. It is as if all the maltreated backsides are waiting for their hour of revenge in the
r
near future, when everything will again be falling flat on its arse. The feeling f? time is generally one of the special strengths of arses, for very early on they de- velop a feeling for what has to be done immediately, for what can be postponed,
at
is really a political art that today is called timing and that has its roots in a praxis
e even children's arses learn, namely, to perform what has to be at the right tim >
not too early and not too late.
and for what a well-padded behind can wait out patiently until doomsday. Th
CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST ? 149
. . . howEulenspiegelshatinabathroominHannoverandclaimeditwasahouse of purity. Woodcut illustration from a popular book, 1515.
The arse triumphs secretly, conscious that without it nothing works. Being there precedes being such and such; first existence, then qualities; first reality, then good and evil, above and below. Thus arses are, in addition to their dialectical-materialist inclinations, also the first existentialists. They practice the existential dialectic in advance: Should one decide in favor of what has to be in any case, or does one choose to revolt against the unavoidable? Even those who decide to let things take their course have decided, as Sartre says, not to decide. Freedom surrenders to necessity. One can, however, also decide against it --not, of course, against the fact that one must, but against the fact that the must can do anything at all with one. One can struggle against it and hold back what has to be; then one becomes, following Camus, the person in revolt. Nobody must must, says Lessing's Nathan, and the popular saying adds: Dying and shitting are the only things one must do. That remains the kynical a priori. The arse is thus, of all bodily organs, the one closest to the dialectical relation of freedom and necessity. It is no accident that psychoanalysis--a thoroughly kynically inspired discipline--devotes subtle investigations to it and names a fundamental anthropo- logical stage, the anal phase, after the experiences and vicissitudes of the arse. Its themes are Can and Cannot, Must and Must not, Have and Hold Back. The Principle of achievement is contained in it. To understand the arse would be there- fore the best preparatory study for philosophy, the somatic propaedeutic. How
? ? 150 ? CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST
many constipated theories we would be spared! Again we meet up with Diogenes He was the first European philosopher who, instead of employing a lot of words in the Athenian market, performed his urgent business. Naturalia non sunt turpia In nature, he says, we find nothing about which we would have to be ashamed Real bestiality and perverted spirits are found where the arrogance of morality and the imbroglio of culture begin. The heads, however, did not want to recog- nize that this was an early climax of reason, a moment in which philosophy had found a balance with the principle of nature. For a moment, it was beyond good and evil and beyond turning up its nose. Respectable thinkers, on the other hand insist on their view; according to them, it can only have been a joke or a provoca- tive dirty trick. They refuse to conjecture that there could be a truth-producing meaning in such a manifestation.
Fart
The theme cannot be excused; indeed, it will get worse. I regret this for all sensi- tive readers, but the fart, even if not emitted, cannot be omitted. Those who do not want to talk about it would also have to have kept silent about the arse. The subject matter demands it, and after we have spoken about oral matters, our presentation, for better or for worse, must go through its anal phase before we come to the genitals. To speak of the fart is not difficult insofar as it represents a sound that always means something in social situations. Witnesses of a fart in- evitably interpret the sound. All in all, the semantics of the fart is a rather compli- cated problem, a problem that is seriously neglected by linguistics and communi- cation research. The scale of meaning stretches from awkwardness to contempt, from humorous intentions to lack of respect. Teachers, professors, speakers, and conference participants all know the torture of having to stifle a fart because such a sound expresses something that, in reality, one does not want to say. Could it aid our empathy with politicians if, in listening to their speeches, we were to think more often that they are possibly at that very moment concentrating on subduing a fart that has been wanting to interrupt their talk? The art of the vague statement is related to the art of unobtrusive flatulence: Both are diplomacy.
Semiotically, we assign the fart to the group of signals, that is, of signs, which neither symbolize nor depict something but rather point to a situation. When the locomotive whistles, it warns about its approach and possible danger. The fan conceived as a signal shows that the lower body is in full action, and in situations where any reference to such regions is absolutely undesirable, this can have ta consequences. Ernst Jiinger noted in his Paris Diary about his reading ot tn historian Flavius Josephus's Jewish War:
Here I again came upon a passage in which the beginning of unrest in Jerusalem under Cumanus is described (II, 12). While the Jews
CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST ? 151
gathered for the festival of unleavened bread, the Romans positioned a cohort above the hall of columns in the temple to keep an eye on the crowd. One of the soldiers in the cohort pulled up his coat, and with a mocking bow turned his behind to the Jews and "let forth an indecent sound corresponding to his position. " That triggered a clash that cost ten thousand lives, so that one can speak of the most fateful fart in world history. (Strahlungen, vol. II, pp. 188-89)
The cynicism of the Roman soldier, whose fart was a political provocation and
4
a"blasphemy"inthetemple, findsacounterpartinJiinger'scommentary,which
5
Here we come to the whole of the matter. As children of an anal culture, we all
have a more or less disturbed relation to our own shit. The splitting off of our
consciousness from our own shit is the deepest training in order; it tells us what
must happen privately and under wraps. The relation that is drummed into people
with regard to their own excretions provides the model for their behavior with
all sorts of refuse in their lives. Hitherto, refuse was systematically ignored. Only
under the sign of modern ecological thinking do we find ourselves forced to be-
come conscious again of our refuse. High theory discovers the category "shit";
a new stage of the philosophy of nature thereby comes due, a critique of the hu-
man being as a hyperproductive shit-accumulating industry-animal. Diogenes is
the only Western philosopher who we know consciously and publicly performed
his animal business, and there are reasons to interpret this as a component of a
pantomimic theory. It hints at a consciousness of nature that assigns positive
values to the animal side of human beings and does not allow any dissociation of
what is low or embarrassing. Those who do not want to admit that they produce
refuse and that they cannot choose to do anything else risk suffocating one day
in their own shit. Everything suggests that Diogenes of Sinope should be admitted
to the Ancestral Gallery of Ecological Consciousness. The grand act of ecology
lr
> the history of ideas that will have an impact as far as philosophy, ethics, and
Politics are concerned will be to transform the phenomenon of refuse into a "high"
heme. From now on it is no longer an onerous secondary phenomenon but is
recognized as a basic principle. With this, the last hidden positions of idealism
and dualism are really broken down. Shit has to be encountered in another way.
]
s now necessary to rethink the usefulness of the unuseful, the productivity of
le
te and to recognize our responsibility also for what is unintended. Kynical phil-
6 sophersarethosewhodonotgetnauseated. Inthistheyarerelatedtochildren,
crosses over into the area of theoretical cynicism.
Shit, Refuse
unproductive, philosophically speaking: to unlock the positivity of the nega-
0
do not yet know anything about the negativity of their excrement.
152 ? CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST
? ? ? The Scepter. What we conjecture where we don't see anything, that rules the world.
Genitals
These are the geniuses among the organs of the lower half of the body. When they have collected enough experience, they can tell fine stories about how things really are in the big and the small world. They are like the wire pullers in the dark the shark song in the Threepenny Opera says cannot be seen. But in their hands all threads finally come together. In the beginning, Freudian psychoanalysis was accused, among other things, of cynicism because it taught that everything human beings do can be reduced in the final analysis to sexual impulses and their detor mations. This is, of course, a malicious misunderstanding even though it has grain of truth. In fact, psychoanalysis does adopt something of the kynical im pulse in its theoretical procedure, namely, a resoluteness not to let the naked tru that hides behind cultural disguises elude it. As long as it was customary to se
CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST ? 153
omething low and dirty in sexuality, it was also only a small step to confusing the kynical drive in psychoanalysis toward truth with cynicism, which tries to re- duce everything "higher" to the lowest denominator. Then cynicism would be just
variant of nihilism, and Freud would have preached a materialism that unduly
7
emphasizes the animal in human beings. However, insofar as psychoanalysis
constitutes a theory supportive of life and humanity, it is not at all cynical but tries, in the spirit of Diogenes (and even more, of Epicure), to heal those fissures that idealistic taboos have opened up in carnal pleasures. If today the figure of Freud is virtually overgrown with objections and doubts about his theory and his person, it should nevertheless not be forgotten how great the liberation is that has emanated from him.
However, after the "sexual revolution" things have not gotten any simpler, and it is precisely enlightened genitals that often have an unhappy consciousness. They now live in the twilight of freedom and have learned that sexual adventures and the art of loving are not the same thing. After the "mutual use of the sexual organs"-as Immanuel Kant, in good enlightened fashion, described the marriage contract-the question often remains: Is that all? And if that is everything, why make such a fuss about it?
Out of liberal sexual roaming, a cynicism easily results for which everything is a matter of indifference. The longer the game lasts, the stronger the impression becomes that what we are really looking for does not exist in this world. In their own way, the genitals know, once they have gone through the school of capa- ciousness, about the modern "frosts of freedom. " They begin to get scared of ex- aggerations. The suspicion grows that they too are on the best path toward becom- ing respectable, if respectability means a mixture of reasonableness, cynicism, and resignation.
Enlightenment disillusions, and where disillusionment becomes widespread,
self-experience in the ecstasy that shows us in clear moments who we can really
be dies. This is the most sensitive point in advanced civilization. The more ideals
disintegrate and the positing of meaning from "above" fails, the more we will be
forced to listen to the life energies that bear us along. Whether they can carry us,
'hat is the question, for they can only do so when they flow without obstruction.
0
-eling" described by Romain Rolland as the basis of religious consciousness and
they flow? Does life live? Are orgasms really our signposts to that "oceanic
that our great theoretician of the libido, Sigmund Freud, refused to acknowledge e
cause he had not directly experienced it? Notes
? borrow this concept from Ivan Illich and transfer it to the area of epistemology.
? [A progressive children's theater group in Berlin-Trans. ]
? Napoleon Bonaparte, who was admired by many because of his realistic cynicism (see chapter
aed
' * 'n his sarcastic New Year's Day speech in 1814: "What is a throne anyway? Four pieces
154 ? CONCERNING THE PSYCHOSOMATICS OF THE ZEITGEIST
of gilded timber and a shred of velvet? -No, the throne is a man, and I am this man. " The langua? of a cynic, who behaves like an upstart, i. e. , awkwardly matter-of-fact, toward ceremony ("fuss"i and legitimacy ("paper").
4. Later (see chapter 8) I explain blasphemy as a phenomenon related to religious cynicism 5. See on this point the sixth cardinal cynicism (chapter 8).
6. Here we see that cynicism arises from a reversal of kynicism. The cynic feels nauseated in prjn
ciple: for him, everything is shit; his overdisappointed superego does not see the good in the shit Hence his nausee.
7. The connections between psychoanalysis and cynicism will be touched on in three places it this book; in chapter 8 ("Sexual Cynicism" and "The Cynicism of Knowledge") and in chapter 13 Excursus 2 ("The Ice Dogs: On the Psychoanalysis of the Cynic").
Chapter 7
The Cabinet of Cynics
In the cabinet of cynics, there are no individualized personalities but rather types, that is, social characters and characters of a period. When we examine them, it does no harm to imagine them as dolls in a cabinet of wax figures where promi- nent historical personages meet. On our tour we also encounter literary figures who can be used to demonstrate archetypal features of cynical consciousness. Only the first two we find exhibited here--both figures of antiquity--actually lived: Diogenes of Sinope, the ancestral father of the species, and Lucian of Samosata on the Euphrates. The two modern figures, Goethe's Mephistopheles and Dostoyevsky's Grand Inquisitor, are by contrast figures created by poets out of the material of cynical experience. In plasticity, they have everything the historical personalities have. As pure types there is something impersonal, im- mortal, about them, and in this they resemble Diogenes and Lucian, of whom we likewise possess only silhouettes with none of the details that distinguish real in- dividuals from their types. At the end of this series, we find, as representative of the present, a quite faceless figure that resembles everybody and nobody. It is called Anyone (das Man); Martin Heidegger has polished and abstracted it. It reminds one a little of the figures of the painter De Chirico, mannequins with empty, round heads and artificial limbs, geometrically shaped, which look like human beings, but only "look like" because they lack "authenticity. "
We will keep the tour through the historical cabinet as short as possible, first, because museums are fatiguing and second, because the main points can be demonstrated by a few examples. By rights, of course, many other faces would nave to crop up --Antisthenes, Crates, Aristophanes, Francois Villon, Rabelais,
155
156 ? THE CABINET OF CYNICS
? Heinrich Zille, Dog theater on a fairground in Berlin around 1900.
Machiavelli, Eulenspiegel, Castruccio Castracani, Sancho Panza, Rameau's
1
nephew, Frederick II of Prussia, de Sade, Talleyrand, Napoleon, Biichner,
Grabbe, Heine, Flaubert, Nietzsche, Cioran, and many more. Some of them will be mentioned in other parts of this book. The whole of Part V, Historical Main Text, is indirectly devoted to the German kynics and cynics of the early twentieth century.
We join our museum guide, who, before each of the figures, insists on making educated comments on the historical significance of the gentlemen depicted. It is clear that philosophy is his passion and that he belongs to that species of people who like to show off their education. That means that from now on we will have to grit our teeth. The man really wants to teach us something. Nothing is worse than a museum guide who, in all seriousness, wants to instruct his visitors. Such a dilettante lacks the professional philosopher's fear of philosophy. But have cour- age! Haven't we already survived unscathed quite different attempts to make us smarter? Avanti!
Diogenes of Sinope: Human Dog, Philosopher, Good-for-Nothing
Once he called out loud: Hey there, people! and as they ran up to him, he worked them over with his staff with the words: I called for people, not riff-raff!
To approach one another with a smile full of "understanding" would be a misun-
derstanding. Diogenes, who we have before us here, is not at all an idylh?
dreamer in his tub but a dog that bites when he feels like it.
2
He is one of those
THE CABINET OF CYNICS ? 157
? Diogenes, Democritus, and two fools standing around the globe. From the Narren- schiff (The ship of fools), 1497.
who simultaneously bark and bite and do not pay much attention to proverbs. His
bite sank so deep into the most highly treasured values of Athenian civilization
that since then no satirist could be trusted. The memory of his bites belongs to
the most vivid impressions retained from antiquity. For this reason, the humorous
approval of this philosopher by many an ironically minded citizen almost always
rests on a belittling misunderstanding. In the citizen there is a caged wolf who
sympathizes with the biting philosopher. But Diogenes sees above all the citizen
? n his sympathizer, and he bites all the same. Theory and praxis are incalculably
interwoven in his philosophy and there is no room for mere theoretical agree-
ment. Even mere practical imitation would not please him; he would probably
think it was stupid. He is impressed only by characters whose presence of mind,
quick wit, alertness, and independent feeling toward life are a match for his. His
su
ggestive success rests not least of all on the fact that he was a teacher who Wanted no pupils who imitated him. In this he resembles the Japanese Zen Masters, whose effect is achieved by teaching through nonteaching.
We could not picture his external appearance today or gain an impression of
158 ? THE CABINET OF CYNICS
his effect on the Athenian environment if we did not have the visual instruction
3
of the hippies, freaks, globetrotters, and metropolitan Indians. He is a wild,
witty, cunning sort. Part of the standard picture, as it is handed down from antiq- uity, is that the kynic must be without possessions --mostly involuntarily by birth, then, on top of that, voluntarily, whereby an impression of sovereignty arises. Everything kynics own, they carry with them. For Diogenes and his kind this means an all-weather coat, a staff, a knapsack with the smallest personal effects, including probably a toothpick, a pumice for cleansing the skin, a drinking vessel made of wood. The feet are in sandals. This outfit, when it was chosen by free citizens, was somewhat shocking, especially at a time when it was considered dis- graceful for an Athenian to appear in public unaccompanied by slaves. That Di- ogenes had a beard is self-evident, even if it is not so much a matter of a proper
4
beard, but rather of the unshavenness of many decades.
Diogenes' influence on his contemporaries, however, was not a question of
aesthetics. A disheveled appearance says little when, on the other hand, it is known that the Athenian upper-class whores granted the unkempt philosopher ex- clusive and unpaid favors that other poor suckers at most only dreamed about. Between Lai's and Phryne, the star courtesans of the Attic capital, and Diogenes, it seems there were laws of giving and taking that the normal citizen, who has to pay cash for everything, does not understand.
To call him an ascetic would be incorrect because of the false undertones the word asceticism has assumed through a thousand-year-long masochistic misun- derstanding. We have to rid the word of its Christian connotations to rediscover its fundamental meaning. As free of need as Diogenes appears, he could be taken rather as the original father of the idea of self-help, and thus as an ascetic in the sense that he was a self-helper by distancing himself from and being ironic about needs for whose satisfaction most people pay with their freedom. He, who provided the impulse for kynicism, introduced the original connection between happiness, lack of need, and intelligence into Western philosophy--a theme that can be found in all vita simplex movements in world cultures. As the original hip- pie and proto-Bohemian, Diogenes has left his mark on the European tradition of intelligent living. His spectacular poverty is the price of freedom; that must be understood. If he could be well-off without sacrificing his freedom, he would not have objected at all. But no wise man can let himself be made a fool of by so-called needs. Diogenes taught that the wise man too eats cake, but only if he can just as well do without it.
A dogmatism of poverty does not come into question; it is rather a matter of discarding false weights, which hinder one's freedom of movement. Self-torture is definitely a stupidity for Diogenes. Still more stupid, of course, from his point of view are those who spend their whole lives running after something they al- ready have. Citizens struggle with the chimera of ambition and strive for riches
THE CABINET OF CYNICS D 159
? G. J. Caraglio after Parmigianino, Diogenes with the "Platonic human,"around 1530-40.
that, in the last analysis, they cannot enjoy any more than what is enjoyed in the elementary pleasures of the kynical philosopher as a daily recurring matter of course: lying in the sun, observing the goings-on in the world, being glad, and having nothing to wait for.
Since Diogenes was one of those philosophers of life for whom life is more
important than writing, it is understandable why not a single authentic line from
him has been preserved. Instead, a garland of anecdotes lives on around him that
say more about his influence than any writing could do. Whether he really com-
posed some writings, such as a Politics and the seven tragedy-parodies, as
claimed by tradition, is left aside here. In any case, his significance does not lie
ln
became a mythical figure. Witty and instructive stories buzz around him, as they
writings. His existence is absorbed in the anecdotes he provoked. In them he
160 ? THE CABINET OF CYNICS
do around his colleague, Mullah Nasrudin, in the Sufian satire. Precisely that proves his real existence. The most vital people thrust themselves on their con- temporaries and even more on posterity as projection-figures and attract a definite direction of fantasy and thinking to themselves. They stimulate people's curiosity as to what it would be like to be in the skin of such a philosopher. Thereby they not only gain pupils but also attract people who carry their living impulse further. This curiosity with regard to Diogenes' existence seized even the greatest military hero of antiquity, Alexander of Macedonia, who is reputed to have said that he would want to be Diogenes if he were not Alexander. This shows the heights, both
5
political and existential, to which the philosopher's influence reached.
In the attempt to express Diogenes' intentions in modern language, we auto- matically approach existential philosophy. However, Diogenes does not talk about existence, decision, absurdity, atheism, and such key words of modern ex- istentialism. The ancient Diogenes is ironic about his philosopher colleagues, poking fun not only at how they torture themselves with problems but also at their credulity regarding concepts. His existentialism does not go primarily through the head; he experiences the world as neither tragic nor absurd. There is not the slightest trace of the melancholy around him, which clings to all modern existen- tialism. His weapon is not so much analysis as laughter. He uses his philosophical
competence to mock his serious colleagues. As anti-theoretician, anti-dogmatist, anti-scholar, he emits an impulse that resounds everywhere where thinkers strive for a "knowledge for free people," free also from the strictures of a school, and with this he begins a series in which names like Montaigne, Voltaire, Nietzsche, Feyerabend, and others appear. It is a line of philosophizing that suspends the es- prit de serieux. How Diogenes' existentialism is to be understood is still best shown in the anecdotes. The danger of underestimating the philosophical content of kynicism, precisely because it has been handed down "only" anecdotally, is great. That even great spirits of the caliber of Hegel and Schopenhauer have fallen into this trap can be gleaned from their presentations of the history of philosophy. Hegel above all was blind to the theoretical content of a philosophy that finds ulti- mate wisdom precisely in not having a theory for the decisive things in life and that teaches instead to undertake the risk of existence consciously and serenely-
1. Legend has it that the young Alexander of Macedonia one day sought out
Diogenes, whose fame had made him curious. He found him taking a sunbath,
lying lazily on his back, perhaps close to an Athenian sportsfield; others say he
was gluing books. The young sovereign, in an effort to prove his generosity-
granted the philosopher a wish. Diogenes' answer is supposed to have been: "Stop
7
blocking my sun! " That is perhaps the most well known philosophical anecdote
from Greek antiquity, and not without justice. It demonstrates in one stroke wha antiquity understands by philosophical wisdom -- not so much a theoretical knowl- edge but rather an unerring, sovereign spirit. The wise man of long ago knew bes
THE CABINET OF CYNICS ? 161
? ? Johannes Platner, Diogenes and Alexander, 1780.
of all the dangers of knowledge that lie in the addictive character of theory. All too easily they draw intellectuals into the ambitious stream where they succumb to intellectual reflexes instead of exercising autonomy. The fascination of this anecdote lies in the fact that it shows the emancipation of the philosopher from the politician. Here, the wise man is not, like the modern intellectual, an accom- plice of the powerful, but turns his back on the subjective principle of power, am-
8
bition, and the urge to be recognized. He is the first one who is uninhibited
enough to say the truth to the prince. Diogenes' answer negates not only the desire for power, but the power of desire as such. It can be interpreted as an abridgment ? f a theory of social needs. Socialized human beings lost their freedom when their educators succeeded in instilling wishes, projects, and ambitions in them. These
atter separate them from their inner time, which knows only the Now, and draw them into expectations and memories.
Alexander, whose hunger for power drove him to the borders of India, found his master in an outwardly insignificant, indeed, a down-and-out philosopher. In
eality, life js n o t t0 ^ found with the activists or in the mentality of security.
re
, the Alexander anecdote comes close to Jesus' simile about the birds in the avens who neither sow nor harvest yet live as the freest creatures under God's
-? ',
162 ? THE CABINET OF CYNICS
heaven. Diogenes and Jesus are united in their irony directed at social labor that exceeds the necessary measure and merely serves to extend power. What for Je- sus was taught by the birds was for Diogenes taught by a mouse; it became his
9 model for self-sufficiency.
2. Just as the Alexander anecdote highlights the philosopher's attitude toward
the powerful and the insatiable, the famous episode with the lantern illustrates his
stance vis-a-vis his fellow citizens in Athens. One day, in broad daylight, the phi-
losopher lit a lamp and, as he was asked on his way through the town what he
was doing, his answer was, Tm looking for people. " This episode provides the
masterpiece of his pantomimic philosophy. The seeker of people with his lantern
does not couch his doctrine in a complicated, cultivated language. Seen in this
light, Diogenes would certainly be the most humanitarian philosopher of our tra-
dition, popular, graphic, exoteric, and plebeian, to a certain extent the great
10
Grock
didactic procedure, just as biting --indeed, misanthropic --do his ethics turn against the inhabitants of the polis. Laertius emphasizes the special talent of our philosopher to show contempt--a sure sign of a strong, morally critical irritabil- ity. He pursues an idea of humanity that he scarcely finds realized in his fellow human beings. If true human beings are those who remain in control of their desires and live rationally in harmony with nature, it is obvious that urbanized, social human beings behave irrationally and inhumanely. They indeed require the philosopher's light even in daylight to orient themselves in the world. As a moral- ist, Diogenes appears in the role of the doctor of society. His harshness and roughness since that time have been interpreted ambiguously, either as poisons or as medicine. Where the philosopher appears as therapist, he inevitably encoun-
? of antiquity. However, as affably as Diogenes behaves in his existential
THE CABINET OF CYNICS ? 163
? 9iu&ro tHompfies
G. Ehinger after Johann Heinrich Schonfeld, Quaero homines, first third of the
eighteenth century.
ters resistance from those who refuse his help, or, even more likely, denounce him as a troublemaker or as the one who really needs to be healed --a structure that can be observed everywhere today where therapists confront the disease- producing relations of their society. In a way that inevitably reminds one of Rous- seau, the philosopher with the lantern declares his fellow citizens to be social crip- ples, misformed, addicted beings who in no way correspond to the image of the autonomous, self-controlled, and free individual according to which the philoso- pher tries to shape his own life. This is the therapeutic foil to social unreason. In its exaggeration there is a misanthropic side, just as its practical effect may be to balance and humanize. This ambivalence cannot be resolved theoretically, and whether Diogenes as a person was more misanthrope than philanthrope, whether m his satire there was more cynicism than humor, more aggression than cheerful-
164 ? THE CABINET OF CYNICS
ness, can in any case no longer be decided from our historical distance. I believe everything points toward underscoring in the figure of Diogenes the sovereign, humorous philosopher of life who, in Erich Fromm's words, is driven by a bi- ophilic disposition to sarcastically take human stupidities to task. Enlightenment in antiquity tends to manifest itself in quarrelsome figures who are capable of reacting in an uncivil way to the spectacle of false living.
Diogenes appears in the period of the decay of the Athenian urban community. It is the eve of Macedonian rule with which the transition to Hellenism begins. The old, small-scale, patriotic ethos of the polis is caught in its own dissolution, which loosens the bonds of individuals to their citizenship. What was earlier the only conceivable place for sensible life now shows its obverse side. The city now becomes a melting pot of absurd customs, a hollow political mechanism whose functioning can now, all at once, be seen through as if from the outside. All but the blind must recognize that a new ethos and a new anthropology are now needed. One is no longer a narrow-minded citizen of a random city-community but must understand oneself as an individual in an extended cosmos. To this ex- tended cosmos corresponds, geographically the new, broad trading network of the dawning Macedonian world empire; culturally, the Hellenistic civilization around the eastern Mediterranean; existentially, the experience of emigration, of migration, of being an outsider. Of Diogenes it is said: "Asked about his hometown, he answered: 'I am a citizen of the world! ' " (Diogenes Laertius, vol. VI, p. 63). This grandiose new concept contains the boldest answer in antiquity to its most unsettling experience: reason's becoming homeless in the social world and the separation of the idea of true living from the empirical communities. Where socialization for the philosopher becomes synonymous with the un- reasonable demand to be satisfied with the partial reason of one's own random cul- ture and to join in the collective irrationality of one's society, there, the kynic's refusal has a Utopian significance. With their demand for a rational vitality, those who refuse shut themselves in against objective absurdities. The kynic thus sa- crifices his social identity and forgoes the psychic comfort of unquestioned mem- bership in a political group in order to save his existential and cosmic identity. He individualistically defends the universal against the--at best--half-rational collective particular that we call state and society. In the concept of citizen of the world, ancient kynicism passes on its most valuable gift to world culture. "The only true order of state I find is in the cosmos" (Diogenes Laertius, vol. VI, P- 72). Cosmopolitan sages as bearers of living reason will accordingly only be able to integrate themselves unreservedly into a society when it has become a world- polis. Until then, their role is inevitably that of subversives; they remain the biting conscience of every dominating self-satisfaction and the affliction of every local narrowing.
ic tures, further reports that our philosopher, in order to prove his autonomy, made
3. The legend of Diogenes, which also provides us with all kinds of funny p
'
v
sl
THE CABINET OF CYNICS ? 165
his home in a vat or a tub, whether that sounds like a fairy tale or not. The expla-
nation that possibly it was not a vat in our sense of the word but rather a cistern
or a walled container for water or grain hardly detracts from this story. For no
matter how the ominous vat was shaped, what is important here is not its appear-
ance but what it signifies when, in the middle of the world-city, Athens, a man
who was held to be wise decided to "live" in it. (He is also said to have slept under
the roof of the hall of columns of Zeus, ironically remarking that the Athenians
had probably erected the building especially for him as an abode. ) Alexander the
Great is said to have stood before the philosopher's residential container and cried
out with admiration: "O vat full of wisdom! " What Diogenes demonstrates to his
fellow citizens through his life-style would be designated now as a "regression
to the level of an animal. " Because of this, the Athenians (or perhaps it was the
Corinthians) derogatorily called him "dog," for Diogenes had reduced his re-
quirements to the living standards of a domestic pet. In doing so, he had freed
himself from civilization's chain of needs. He thus also turned the Athenians'
nickname around against them and accepted the insult as the name of his phi-
11
losophy.
One must recall this when one hears the quintessence Diogenes is supposed
to have drawn from his doctrine: "To the question of what gain philosophy had
brought him, he said, if nothing else, then at least, to be prepared for every vicis-
situde" (DiogenesLaertius, vol. VI, p. 63). Sages show that they can live literally
anywhere because, in any place, they are in harmony with themselves and the
"laws of nature. " To the present day, this is the decisive attack against the ideol-
ogy of "Home Beautiful" and comfortable estrangement. This does not necessar-
ily mean that Diogenes would have to nourish resentment against comfort and
cosy homes. However, those who want to be "prepared for every vicissitude"
would understand comfort as a passing episode, like any other situation. That the
philosopher was serious about this view, he could, of course, prove to his fellow
citizens only in the tub because a comfortably situated Diogenes would never
have had as great an impact as this impoverished, declassed wiseman at the nadir
of architecture. In the later Stoa, where in matters of possession kynical princi-
ples were cited absolutely {habere ut non: have as if you did not have), one often
d w w
consciousness, as later, on Christian soil, the Franciscans first were able to do ^gain. In a modern language, what in Diogenes upset his contemporaries could
be
id not know how it was really intended, for one indeed "had" and, seen on the hole, Stoicism was a philosophy of the comfortable. Diogenes, however, really as without possessions and he could convincingly shake his contemporaries'
expressed succinctly: "rejection of the superstructure" (Uberbau- Vetr n
weigerung) . Superstructure in this sense would be what civilization offers
way of comfortable seductions to entice people to serve its ends: ideals, ideas
? ut duty, promises of redemption, hopes for immortality, goals for ambition,
tions of power, careers, arts, riches. From a kynical perspective, they are all
166 ? THE CABINET OF CYNICS
? Francisco de Goya, You Will Not Find Him.
compensations for something a Diogenes does not let himself be robbed of in the first place: freedom, awareness, joy in living. The fascination of the kynical mode of life is its astounding, indeed almost unbelievable serenity. Those who have subjected themselves to the "reality principle" watch, perplexed and annoyed at the same time, but also fascinated, the activities of those who, so it seems, have taken the shorter path to authentic life and who avoid the long detour of culture to the satisfaction of needs. "Like Diogenes, who used to say, it is divine not ? need anything, and semidivine to only need little" (Diogenes Laertius, vol. * ' p. 105). The pleasure principle functions for the wise in a way similar to that normal mortals, however, not because they get pleasure from the possession
THE CABINET OF CYNICS D 167
biects, but because they realize how dispensable objects are, and thus they re-
main in the continuum of vital contentedness. With Diogenes, this pleasure
nvraniid, in which one only surrenders a lower form of pleasure in favor of a
higher form, is evident. Yet here lies also the easily misunderstood point in kyni-
13
cal ethics: It easily finds followers among masochistically inclined people who,
through asceticism, get a chance to express their resentment against what is living (lebendig)- This ambivalence will mark out the further course of kynical sects. With Diogenes, kynical serenity still speaks for itself. It is the riddle on which those who suffer under an all-too-well-known "discontent in the culture" labor, including Sigmund Freud, who went so far as to claim that happiness was not provided for in the plan of creation. Would not Diogenes, the protokynic, be the most appropriate person to stand as a living witness against the great psycholo- gist's resignation (a mild variant of cynicism?