Her name
signifies
Memory.
Keats
i.
72-8.
The
mysterious grandeur of the wind in the trees, whether in calm or storm.
PAGE 174. ll. 133-5. _that old . . . darkness. _ Uranus was the same as
Coelus, the god of the sky. The 'book' is the sky, from which ancient
sages drew their lore. Cf. i. 277-80.
PAGE 175. l. 153. _palpable_, having material existence; literally,
touchable.
PAGE 176. l. 159. _unseen parent dear. _ Coelus, since the air is
invisible.
l. 168. _no . . . grove. _ 'Sophist and sage' suggests the philosophers
of ancient Greece.
l. 170. _locks not oozy. _ Cf. _Lycidas_, l. 175, 'oozy locks'. This use
of the negative is a reminiscence of Milton.
ll. 171-2. _murmurs . . . sands. _ In this description of the god's
utterance is the whole spirit of the element which he personifies.
PAGE 177. ll. 182-7. Wise as Saturn was, the greatness of his power had
prevented him from realizing that he was neither the beginning nor the
end, but a link in the chain of progress.
PAGE 178. ll. 203-5. In their hour of downfall a new dominion is
revealed to them--a dominion of the soul which rules so long as it is
not afraid to see and know.
l. 207. _though once chiefs. _ Though Chaos and Darkness once had the
sovereignty. From Chaos and Darkness developed Heaven and Earth, and
from them the Titans in all their glory and power. Now from them
develops the new order of Gods, surpassing them in beauty as they
surpassed their parents.
PAGE 180. ll. 228-9. The key of the whole situation.
ll. 237-41. No fight has taken place. The god has seen his doom and
accepted the inevitable.
PAGE 181. l. 244. _poz'd_, settled, firm.
PAGE 183. l. 284. _Like . . . string. _ In this expressive line we hear
the quick patter of the beads. Clymene has had much the same experience
as Oceanus, though she does not philosophize upon it. She has succumbed
to the beauty of her successor.
PAGE 184. ll. 300-7. We feel the great elemental nature of the Titans in
these powerful similes.
l. 310. _Giant-Gods? _ In the edition of 1820 printed 'giant, Gods? ' Mr.
Forman suggested the above emendation, which has since been discovered
to be the true MS. reading.
PAGE 185. l. 328. _purge the ether_, clear the air.
l. 331. As if Jove's appearance of strength were a deception, masking
his real weakness.
PAGE 186. l. 339. Cf. i. 328-35, ii. 96.
ll. 346-56. As the silver wings of dawn preceded Hyperion's rising so
now a silver light heralds his approach.
PAGE 187. l. 357. See how the light breaks in with this line.
l. 366. _and made it terrible. _ There is no joy in the light which
reveals such terrors.
PAGE 188. l. 374. _Memnon's image. _ Memnon was a famous king of Egypt
who was killed in the Trojan war. His people erected a wonderful statue
to his memory, which uttered a melodious sound at dawn, when the sun
fell on it. At sunset it uttered a sad sound.
l. 375. _dusking East. _ Since the light fades first from the eastern
sky.
BOOK III.
PAGE 191. l. 9. _bewildered shores. _ The attribute of the wanderer
transferred to the shore. Cf. _Nightingale_, ll. 14, 67.
l. 10. _Delphic. _ At Delphi worship was given to Apollo, the inventor
and god of music.
PAGE 192. l. 12. _Dorian. _ There were several 'modes' in Greek music, of
which the chief were Dorian, Phrygian, and Lydian. Each was supposed to
possess certain definite ethical characteristics. Dorian music was
martial and manly. Cf. _Paradise Lost_, i. 549-53.
l. 13. _Father of all verse. _ Apollo, the god of light and song.
ll. 18-19. _Let the red . . . well. _ Cf. _Nightingale_, st. 2.
l. 19. _faint-lipp'd. _ Cf. ii. 270, 'mouthed shell. '
l. 23. _Cyclades. _ Islands in the Aegean sea, so called because they
surrounded Delos in a circle.
l. 24. _Delos_, the island where Apollo was born.
PAGE 193. l. 31. _mother fair_, Leto (Latona).
l. 32. _twin-sister_, Artemis (Diana).
l. 40. _murmurous . . . waves. _ We hear their soft breaking.
PAGE 196. ll. 81-2. Cf. _Lamia_, i. 75.
l. 82. _Mnemosyne_, daughter of Coelus and Terra, and mother of the
Muses.
Her name signifies Memory.
l. 86. Cf. _Samson Agonistes_, ll. 80-2.
l. 87. Cf. _Merchant of Venice_, I. i. 1-7.
l. 92. _liegeless_, independent--acknowledging no allegiance.
l. 93. _aspirant_, ascending. The air will not bear him up.
PAGE 197. l. 98. _patient . . . moon. _ Cf. i. 353, 'patient stars. '
Their still, steady light.
l. 113. So Apollo reaches his divinity--by knowledge which includes
experience of human suffering--feeling 'the giant-agony of the world'.
PAGE 198. l. 114. _gray_, hoary with antiquity.
l. 128. _immortal death. _ Cf. Swinburne's _Garden of Proserpine_, st. 7.
Who gathers all things mortal
With cold immortal hands.
PAGE 199. l. 136. Filled in, in pencil, in a transcript of _Hyperion_ by
Keats's friend Richard Woodhouse--
Glory dawn'd, he was a god.
FOOTNOTES:
[245:1] 'If any apology be thought necessary for the appearance of the
unfinished poem of Hyperion, the publishers beg to state that they alone
are responsible, as it was printed at their particular request, and
contrary to the wish of the author. The poem was intended to have been
of equal length with Endymion, but the reception given to that work
discouraged the author from proceeding. '
[247:1]
e. g. i. 56 Knows thee not, thus afflicted, for a god
i. 206 save what solemn tubes . . . gave
ii. 70 that second war
Not long delayed.
[247:2]
e. g. ii. 8 torrents hoarse
32 covert drear
i. 265 season due
286 plumes immense
[247:3]
e. g. i. 35 How beautiful . . . self
182 While sometimes . . . wondering men
ii. 116, 122 Such noise . . . pines.
[247:4] e. g. ii. 79 No shape distinguishable. Cf. _Paradise Lost_, ii.
667.
i. 2 breath of morn. Cf. _Paradise Lost_, iv. 641.
HENRY FROWDE, M. A.
PUBLISHER TO THE UNIVERSITY OF OXFORD
LONDON, EDINBURGH, NEW YORK, TORONTO AND MELBOURNE
* * * * * * *
TRANSCRIBER'S NOTES:
Line numbers are placed every ten lines. In the original, due to space
constraints, this is not always the case.
On page 237, the note for l. 25 refers to "_Lamia_, i. 9, note". There
is no such note.
The following words appear with and without hyphens. They have been left
as in the original.
bed-side bedside
church-yard churchyard
death-bell deathbell
demi-god demigod
no-where nowhere
re-united reunited
sun-rise sunrise
under-grove undergrove
under-song undersong
The following words have variations in spelling. They have been left as
in the original.
AEolian Aeolian
Amaz'd Amazed
branch-charmed Branch-charmed
faery fairy
should'st shouldst
splendor splendour
The following words use an oe ligature in the poems but not in the notes
section.
Coeus
Coelus
Phoebe Phoebe's Phoebean
Phoenician
***END OF THE PROJECT GUTENBERG EBOOK KEATS: POEMS PUBLISHED IN 1820***
******* This file should be named 23684-8. txt or 23684-8. zip *******
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http://www. gutenberg. org/dirs/2/3/6/8/23684
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1. E.
mysterious grandeur of the wind in the trees, whether in calm or storm.
PAGE 174. ll. 133-5. _that old . . . darkness. _ Uranus was the same as
Coelus, the god of the sky. The 'book' is the sky, from which ancient
sages drew their lore. Cf. i. 277-80.
PAGE 175. l. 153. _palpable_, having material existence; literally,
touchable.
PAGE 176. l. 159. _unseen parent dear. _ Coelus, since the air is
invisible.
l. 168. _no . . . grove. _ 'Sophist and sage' suggests the philosophers
of ancient Greece.
l. 170. _locks not oozy. _ Cf. _Lycidas_, l. 175, 'oozy locks'. This use
of the negative is a reminiscence of Milton.
ll. 171-2. _murmurs . . . sands. _ In this description of the god's
utterance is the whole spirit of the element which he personifies.
PAGE 177. ll. 182-7. Wise as Saturn was, the greatness of his power had
prevented him from realizing that he was neither the beginning nor the
end, but a link in the chain of progress.
PAGE 178. ll. 203-5. In their hour of downfall a new dominion is
revealed to them--a dominion of the soul which rules so long as it is
not afraid to see and know.
l. 207. _though once chiefs. _ Though Chaos and Darkness once had the
sovereignty. From Chaos and Darkness developed Heaven and Earth, and
from them the Titans in all their glory and power. Now from them
develops the new order of Gods, surpassing them in beauty as they
surpassed their parents.
PAGE 180. ll. 228-9. The key of the whole situation.
ll. 237-41. No fight has taken place. The god has seen his doom and
accepted the inevitable.
PAGE 181. l. 244. _poz'd_, settled, firm.
PAGE 183. l. 284. _Like . . . string. _ In this expressive line we hear
the quick patter of the beads. Clymene has had much the same experience
as Oceanus, though she does not philosophize upon it. She has succumbed
to the beauty of her successor.
PAGE 184. ll. 300-7. We feel the great elemental nature of the Titans in
these powerful similes.
l. 310. _Giant-Gods? _ In the edition of 1820 printed 'giant, Gods? ' Mr.
Forman suggested the above emendation, which has since been discovered
to be the true MS. reading.
PAGE 185. l. 328. _purge the ether_, clear the air.
l. 331. As if Jove's appearance of strength were a deception, masking
his real weakness.
PAGE 186. l. 339. Cf. i. 328-35, ii. 96.
ll. 346-56. As the silver wings of dawn preceded Hyperion's rising so
now a silver light heralds his approach.
PAGE 187. l. 357. See how the light breaks in with this line.
l. 366. _and made it terrible. _ There is no joy in the light which
reveals such terrors.
PAGE 188. l. 374. _Memnon's image. _ Memnon was a famous king of Egypt
who was killed in the Trojan war. His people erected a wonderful statue
to his memory, which uttered a melodious sound at dawn, when the sun
fell on it. At sunset it uttered a sad sound.
l. 375. _dusking East. _ Since the light fades first from the eastern
sky.
BOOK III.
PAGE 191. l. 9. _bewildered shores. _ The attribute of the wanderer
transferred to the shore. Cf. _Nightingale_, ll. 14, 67.
l. 10. _Delphic. _ At Delphi worship was given to Apollo, the inventor
and god of music.
PAGE 192. l. 12. _Dorian. _ There were several 'modes' in Greek music, of
which the chief were Dorian, Phrygian, and Lydian. Each was supposed to
possess certain definite ethical characteristics. Dorian music was
martial and manly. Cf. _Paradise Lost_, i. 549-53.
l. 13. _Father of all verse. _ Apollo, the god of light and song.
ll. 18-19. _Let the red . . . well. _ Cf. _Nightingale_, st. 2.
l. 19. _faint-lipp'd. _ Cf. ii. 270, 'mouthed shell. '
l. 23. _Cyclades. _ Islands in the Aegean sea, so called because they
surrounded Delos in a circle.
l. 24. _Delos_, the island where Apollo was born.
PAGE 193. l. 31. _mother fair_, Leto (Latona).
l. 32. _twin-sister_, Artemis (Diana).
l. 40. _murmurous . . . waves. _ We hear their soft breaking.
PAGE 196. ll. 81-2. Cf. _Lamia_, i. 75.
l. 82. _Mnemosyne_, daughter of Coelus and Terra, and mother of the
Muses.
Her name signifies Memory.
l. 86. Cf. _Samson Agonistes_, ll. 80-2.
l. 87. Cf. _Merchant of Venice_, I. i. 1-7.
l. 92. _liegeless_, independent--acknowledging no allegiance.
l. 93. _aspirant_, ascending. The air will not bear him up.
PAGE 197. l. 98. _patient . . . moon. _ Cf. i. 353, 'patient stars. '
Their still, steady light.
l. 113. So Apollo reaches his divinity--by knowledge which includes
experience of human suffering--feeling 'the giant-agony of the world'.
PAGE 198. l. 114. _gray_, hoary with antiquity.
l. 128. _immortal death. _ Cf. Swinburne's _Garden of Proserpine_, st. 7.
Who gathers all things mortal
With cold immortal hands.
PAGE 199. l. 136. Filled in, in pencil, in a transcript of _Hyperion_ by
Keats's friend Richard Woodhouse--
Glory dawn'd, he was a god.
FOOTNOTES:
[245:1] 'If any apology be thought necessary for the appearance of the
unfinished poem of Hyperion, the publishers beg to state that they alone
are responsible, as it was printed at their particular request, and
contrary to the wish of the author. The poem was intended to have been
of equal length with Endymion, but the reception given to that work
discouraged the author from proceeding. '
[247:1]
e. g. i. 56 Knows thee not, thus afflicted, for a god
i. 206 save what solemn tubes . . . gave
ii. 70 that second war
Not long delayed.
[247:2]
e. g. ii. 8 torrents hoarse
32 covert drear
i. 265 season due
286 plumes immense
[247:3]
e. g. i. 35 How beautiful . . . self
182 While sometimes . . . wondering men
ii. 116, 122 Such noise . . . pines.
[247:4] e. g. ii. 79 No shape distinguishable. Cf. _Paradise Lost_, ii.
667.
i. 2 breath of morn. Cf. _Paradise Lost_, iv. 641.
HENRY FROWDE, M. A.
PUBLISHER TO THE UNIVERSITY OF OXFORD
LONDON, EDINBURGH, NEW YORK, TORONTO AND MELBOURNE
* * * * * * *
TRANSCRIBER'S NOTES:
Line numbers are placed every ten lines. In the original, due to space
constraints, this is not always the case.
On page 237, the note for l. 25 refers to "_Lamia_, i. 9, note". There
is no such note.
The following words appear with and without hyphens. They have been left
as in the original.
bed-side bedside
church-yard churchyard
death-bell deathbell
demi-god demigod
no-where nowhere
re-united reunited
sun-rise sunrise
under-grove undergrove
under-song undersong
The following words have variations in spelling. They have been left as
in the original.
AEolian Aeolian
Amaz'd Amazed
branch-charmed Branch-charmed
faery fairy
should'st shouldst
splendor splendour
The following words use an oe ligature in the poems but not in the notes
section.
Coeus
Coelus
Phoebe Phoebe's Phoebean
Phoenician
***END OF THE PROJECT GUTENBERG EBOOK KEATS: POEMS PUBLISHED IN 1820***
******* This file should be named 23684-8. txt or 23684-8. zip *******
This and all associated files of various formats will be found in:
http://www. gutenberg. org/dirs/2/3/6/8/23684
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
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Gutenberg-tm electronic works if you follow the terms of this agreement
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Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
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