Rapture
proclaim
to the grove, to the echoing cliffs perorate it?
Goethe - Erotica Romana
Not until after many a testing and trial did they discover
What, within sacred ring, secretive image concealed.
What was this mystery other than this: that Demeter, goddess,
Once upon a time had to a hero been kind.
It was to Jason, powerful king of the Cretans, she granted
Of her immortal self hidden sweet parts to explore.
That made the fortune of Crete! The marital bed of the goddess
Soon grew pregnant with grain, heavy her bounteous fields.
As for the rest of the world, it languished away, while Ceres,
Derelict of her true task, dalliance offered in love.
--Now the initiate youths, having followed this tale, all astonished,
Turned and beckoned their loves--love, do you comprehend?
See there the sacred shade beneath that bushy-boughed myrtle?
Our satisfaction will there scarcely endanger a world.
XV
Cupid is always a scoundrel, and if you believe him he'll cheat you.
Here's what the hypocrite said: "Trust me just once more, this time.
I have the best of intentions toward you who have now dedicated--
I recognize it with thanks--life and writings to me.
Lo, I have followed you hither to Rome, and I'd like to do something
Here in this far away land pleasing to such an old friend.
Every traveller I've ever known has complained of poor treatment:
He whom I recommend treatment delicious receives.
You've now regarded with awe all the structures which lie here in ruins,
Cultivated your eye, sensing each hallowed space.
How you've revered the formative will of those ancient artists!
In their own ateliers often I 've visited them.
As for their works, why, I formed those myself--now this time I'm boasting
Not. Oh come now, admit what I am saying is true.
Where are your own creations, your service to me having slackened?
Where is invention's glow now? Where is the color all gone?
Friend, do you hope you can create again? --The school of the Ancients
Yet remains open. Its gates, years have not closed them to you.
I am eternally young, and as teacher I still love the young ones.
Wisdom that comes with old age pleases me not. Listen here:
Wasn't antiquity young when those fortunate Ancients were living?
Happy then be your life, too: in it antiquity lives.
Where will you find a fit theme for your song? --It is I must provide it.
As for a style truly grand, love can alone give you that. "
All of these claims that sophist asserted. Could I contradict him?
I am wont to obey, when my commander decrees.
Treacherous now he is keeping his word: giving me themes for my poems
While he is stealing my time, potency, presence of mind.
Gazing into her eyes, holding hands, giving kisses, exchanging
Syllables sweet and those words lovers alone understand,
Murmuring our conversations we stutter in sweet oratory.
Hymns of such sort pass away, wanting prosodical tact.
Goddess of morning, Aurora, as friend of my muse I once knew you.
Has the unprincipled god, Cupid, seduced you now too?
So that these mornings you come as his sweetheart, awakening me at
His festive altar again, where I must celebrate him?
Here on my breast flows her hair, an abundance of curls, while her head rests,
Pressing my arm as it's bent, so as to pillow her neck.
What a delicious condition, if only these few tranquil moments
Could in my memory fix firmly that image of joy
When the night rocked us to sleep--but in slumber she's moving away now,
From my side turns, as she goes leaving her hand in my hand.
Love in our hearts makes us one, as the genuine need there stays constant;
Only returning desire knows oscillation or change.
Gently her hand presses mine, now she opens her eyes and is looking
Into my own eyes. No--don't. Let my thoughts rest on your form!
Please close your eyes. They're inebriation, confusion, they rob me
All too soon of the joy quiet reflection affords.
Grand are the forms of this body and nobly positioned each member.
Had Ariadne lain thus, Theseus never had fled.
Only a single kiss for these lips and then, O Theseus, leave her;
Look at her eyes--she's awake! Now you're eternally bound.
XVI
Boy, won't you light me a lamp. "But dear master, there's light in the sky yet.
Don't waste your oil and the wick. Don't close the shutters so soon.
Only the houses are blocking the sun there, it's not yet the mountains.
Until the curfew shall ring, full half an hour must pass. "
Wretched young fellow, be gone and obey me! My loved one is coming.
Lamplight, console me till then, harbinger warm of the night.
XVII
Poets of old in chorus cried out against those two serpents,
Making them horrible names, hated in all of the world:
Python the one, the other the Hydra of Lerna. These monsters
Both have now been destroyed, thanks to the deeds of the gods.
Fire-breathing, venomous once, they no longer now depredate our
Flocks and meadows and woods, fields of golden grain.
How is it then that some spiteful god in his wrath has
Raised from the poisonous slime offspring so monstrous again?
There's an insidious viper creeps into the loveliest gardens,
Lying in wait to attack all who seek pleasure therein.
Noble Hesperian dragon, I call you courageous and forthright.
Boldly defending your own beautiful apples of gold.
As for this worm, why he is not guarding at all, for his presence
Sullies both garden and fruit, till they deserve no defense.
Secretly coiled beneath bushes, where he befouls the sweet wellsprings,
Turning to poisonous drool Cupid's lifegiving dew.
Happy Lucretius knew how in his day to forego love completely,
Fearing not to enjoy pleasure in anyone's arms.
Fortunate Ancient, Propertius, for you a slave fetched the girls down
From the Aventine Hill, from Tarpeia's grove.
Cynthia then, when driving you out of such unchaste embraces,
Found you unfaithful, it's true, but she did find you whole.
Who would today dare attempt to escape from fidelity's ennui?
Love does not hold one back--only concern for one's health.
Even the woman we love may afford us uncertain enjoyment;
Nowhere can feminine lap safely encouch a man's head.
Matrimonial bed's insecure and so's fornication;
Husband, lover and wife pass to each other the hurt.
Think of those ages of gold when Jupiter followed his urges,
Chose Callisto one day, turned to Semel the next.
It was important to him to find thresholds of temples so sacred
Pure when, enamoured, he sought powerful entry to them.
Can you imagine the ragings of Juno if in love's skirmish
Poisonous weapons on her by her own spouse had been turned?
But we neo-pagans may not after all be abandoned entirely:
Yet there is speeding a god mercifully over the earth,
Quick and assiduous. Everyone knows him and ought to adore him,
Herald of Zeus: Hermes, the healing god.
Although his father's temple be fallen, and though of its pillars
Scarcely a pair yet records ancient glory adored,
Nevertheless the son's place of worship still stands, and forever
Will there the ardent requests alternate with the thanks.
Only one favor I beg of you, Graces (I ask it in secret--
Fervent my prayer and deep, out of a passionate breast):
My little garden, my sweet one, protect it and do not let any
Evil come near it nor me. Cupid will hold out his hand:
O, and entrusting myself to the rascal, I beg you please may I
Do so in pleasure with no danger or worry or fear.
XVIII
I cannot think I'd have gone with Julius Caesar to Britain;
To the Popina right here, Florus would tug me with ease.
Fogs of the dreary north remain a more baleful remembrance
Than in the kitchens of Rome tribes of assiduous fleas.
After today, I'll remember you even more kindly, tavernas,
You osterias, as you are called, aptly by those here in Rome.
That was the place I encountered my mistress today with the uncle
Whom she so often deceives, so that she can have me.
Here's where I sat at a table surrounded by good-natured Germans;
Over on that side the girl, finding a seat for herself
Next to her mother where, frequently shifting her bench, she arranged
Nicely for me to perceive profile and curve of her neck;
Speaks just a little more loudly than women in Rome are accustomed;
Significant glance as she pours--misses the glass with the wine
So that it spills on the table, and she with a delicate finger
Over its surface can draw circles in damp arabesque:
Her name entwining in mine, while my eyes most eagerly follow
All that her fingertip writes. She is of course well aware
That I am watching, so finally makes the V of the Roman
Five, with a virgule before. Quickly, as soon as I've seen,
She interlaces the circles, reducing them all to ornatest
Patterns--but still the sweet IV stood as engraved in my eye.
I sat there mutely and biting my passionate lips almost bloody
Half from delight at the ruse, partly from stifled desire:
Such a long time until dark, then another four hours of waiting.
--Sun, who tarries on high, contemplating Rome:
Greater never you've nor shall you in future see greater
Than Rome, O sun, as your priest, Horace, enraptured foretold.
Tarry no longer today. Go seek other realms beneath heaven.
Sooner depart and leave Rome's seven famed hills to me.
Please do the poet a favor and shorten the glorious hours
Which the painter devours, eagerly filling his eyes.
Cast now but one ardent glance, while descending, on noble facades and
Cupolas, pillars, and--last--up at the obelisks. Then
Hastily plunge to the ocean. Come view all the sooner tomorrow
That which, for centuries now, gods have let you enjoy:
Italy's shoreline so long overgrown with moist reeds, elevations
Somberly rising to shades cast by the bushes and trees.
First were but few simple dwellings here, suddenly sunlight discovered
Nations enlivening hills teeming with fortunate thieves.
Onto this spot they assembled such plunder, in your eye so splendid
All earth's remaining orb scarcely was worthy of note.
You watched a world being born here, watched the same world sink to ruin,
And from those ruins yet arise world again greater, perhaps.
O may I long by your light now behold this Rome. May the Parcae
Spin the fine thread of my life slowly, taking great care.
O but come rushing the moment my love designated so sweetly.
Wonderful! Sound already the chimes? --No, but I heard at least three.
Thus, my dear muses, again you've beguiled the monotony for me.
Of this long interval while I was apart from my love.
All of you now, farewell! I'll be going now--don't be offended.
For, though you're proud, you'll concede: Cupid in my heart comes first.
XIX
Why did you fail to appear at the cot in the vineyard today, Love?
As I had promised I would, long I awaited you there.
"Dear, I had almost arrived when I saw, by good fortune, your uncle
Standing right there by the vines, looking now this way, now that.
Stealthily I slipped away. " --Alas, what a misapprehension!
You saw the scarecrow, that's all. Nothing else drove you away.
Reeds and some discarded garments all hastily cobbled together--
I helped to make it myself: diligent in my own grief.
"Well, now his wish is fulfilled. The old gardner's most dissolute crow has
Left on this day unscathed nice little garden and niece. "
XX
While there is many an unpleasant sound, I hate to hear barking
Worse than anything else. Bellowing dogs split my ears.
Nevertheless I do like to hear, and take pleasure in listening
To the loud howl of the dog raised from a pup next door.
That is the dog that so bayed one time at my girl that he almost
Gave our secret away (when she was visiting me).
Now, when I hear the dog barking I think my beloved is coming--
Or I remember the time, when long awaited she came.
XXI
I can tell not only about a discomfort far greater than others,
But of a horror besides, thinking of which will arouse
Every fiber in me to revulsion. My friends, I confess it:
Great displeasure I take lying alone in my bed.
But it's a horror to fear on the pathways of love you'll discover
Snakes and their venom beneath roses of eager desire--
That at the moment supreme, when I'm yielding to pleasure so fully,
Right at my head as it droops, hissing disease may approach.
That's why Faustina as my companion in bed makes me happy:
Loving she always remains faithful, as I am to her.
Young men are aroused in their passions by obstacles and by excitement;
I prefer to go slow, savoring pleasures secure.
Is it not bliss to exchange tender kisses containing no dangers,
Sucking into our lungs, carefree, our partner's own life?
That is the way our long nights of enjoyment are passed. We listen,
Breast against breast, to the storm, pouring down rain in the wind
Morning begins to dawn, we expect from these hours approaching
Blossoms that will adorn festive the coming new day.
Quirites, permit me the joy, and may this, of all pleasures on earth the
First and the last, be vouchsafed all of mankind by the god.
XXII
Ah, to uphold one's respectable name is not easy. The Lady
Fame has an ancient foe: Cupid, my master and lord.
Oh, by the way, have you heard of the cause of their mutual hatred?
It's an old story, I think--Let me just tell it again.
Powerful ever the goddess, but nevertheless to her fellows
Overbearing and rude, quite unendurable. She
Had by the gods since time out of mind at their banquets been dreaded,
Yelling with brassiest voice orders to great and to small.
Once, in her arrogance even maintained that she had subjected
To her own will, as her slave, Jove's most illustrious son.
"One of these days, O father of deities," cried she in triumph,
"I shall be bringing you my--Hercules, as if new born.
Don't think that Hercules be still that boy whom Alcmene once bore you;
His adulation of me makes him now god upon earth.
When toward Olympus he gazes, I've no doubt you hope that he's looking
Piously toward your knees. Hardly. He's looking for me.
Worthiest man! O the vision of winning my favor makes easy
Hitherto unexplored paths, under that powerful foot.
I do my part, for I meet him halfway and proclaim his adventures
Praising his name in advance, even before he's begun.
One day you'll wed me to Hercules. Hero who Amazons conquered
That day will overwhelm me. Happily I'll call him: spouse. "
All of the gods kept their counsel, and none would reply to the braggart,
Lest in a pique she devise vengeance against one of them.
Cupid, escaping attention, slipped off to enslave, however, her hero:
Artlessly conquering by--force of a beautiful girl,
Afterward decked out his couple in mute masquerade: lionskin
Over her shoulders, the club leaned (by much toil) at her side;
Wiry stiff hair of the hero larded with blossoms, a distaff
Laid in his fist, to conform strength to the dalliance of love.
Scene now completed and ready to tease, he goes scampering, shouting
For all Olympus to hear: "Come, see these glorious deeds!
Heaven and Earth and the Sun on his indefatigable journey
Over that infinite path never did witness the like! "
Everyone hastened, gulled by the dissolute boy, who feigning
Earnest, had summoned them all (Fame by no means lagged behind).
Which of the gods will now smile in sweet condescension on Cupid?
--Juno! delighted, of course, seeing a man humbled so.
Fame, on the other hand, stood there ashamed, embarrassed, despairing.
First she just laughed, saying: "Gods, be not deceived. It's a masque.
I know my hero too well to be fooled by disguises of actors. "
Soon, though, in pain she perceived: Hercules, none but he.
(Vulcan had not been one thousandth so vexed to discover his playmate
Under his meshes ensnared, caught with his own lusty friend,
Lying just as the wiles of the net at the most crucial moment
Deftly embraced their embrace, trapping their instant of joy.
How those boys, Bacchus and Mercury, guffawed, and freely admitted:
Sweet must be the repose, lying on bosom so fine
Of this magnificent woman. They turned to Vulcan entreating:
"Do not release them just yet. Let us inspect them once more. "
And the old cuckold was cuckold enough to comply with their wishes. )
As for poor Fame, in all haste, burning with wrath she must flee.
Since then no armistice has been proclaimed to the feuding between them.
Let her but favor a man, hot in pursuit is the boy.
He whom Fame honors most can least defend against Cupid,
And her most dang'rous attacks strike the most morally proud.
Whoever tries to escape him is dragged down from bad deeds to worse ones.
Yes, he will offer you girls--if like a fool you despise
These, only then do you feel from his bow the arrows most vicious:
Heat of man's love for man, ardent desires toward beasts.
For those ashamed of him Cupid reserves the bitterest passions,
Mingling for hypocrites their pleasure in vice and remorse.
But, at the same time, the goddess seeks him, she's watching and list'ning.
Should find him with you, ill disposed will she be:
Frighten you, frowning austerely, contemptuously, violently casting
Into the worst of repute houses he's known to frequent.
Ah, it's the same with me, too. I haven't escaped her, the goddess.
Jealously she seeks me out, sweet secret love to expose.
I will submit to the ancient law and in silence revere her,
For, when great lords fall out, I like the Greeks must atone.
XXIII
However comely be strength, or free and undaunted comportment,
Secrecy is for a man most important of all.
Mighty subduer of cities, Discretion, O princess of nations,
Goddess whom I adore, safely you've led me thus far.
Now, though, what fate shall befall me? My frivolous muse has now opened
--Cupid, the scamp--opens lips hitherto sealed so well.
Difficult is it, alas, to conceal the shame of a monarch;
Hide it can neither his crown, nor a tight Phrygian cap:
Midas has asses ears! the first servant discovers--O horror!
Shame of this secret so weighs, Midas unburdens his heart.
Into the earth for safekeeping the servant must bury the story,
Easing in this way the king: earth must conceal the tale.
Reeds in a trice are sprouting and rustling in murmuring breezes:
"Midas, o Midas the King--bears the ears of an ass! "
Mine is a secret more pleasant, but even more difficult keeping:
Out of abundance of heart eagerly speaketh my mouth.
None of my ladyfriends dare I confide in, for they would but chide me;
Nor any gentleman friend, lest he be rival to me.
Rapture proclaim to the grove, to the echoing cliffs perorate it?
One can do that if one's young, or if one's lonely enough.
I to hexameters tell, in pentameters I will confide it:
During the day she was joy, happiness all the night long.
Courted by so many suitors, avoided the snares that were set her
Now by one bolder than I, now by another in guile,
Cleverly, daintily, always slipped past them, and sure of the byways,
Comes to her lover's embrace, where he so eagerly waits.
Luna! Don't rise yet. She's coming, and must not be seen by the neighbor!
Breezes, rustle the leaves: muffle the sound of her feet.
And as for you, little poems, o grow and flower, your blossoms
Cradling themselves in the air, tepid and soft with love's breath.
Wafting, betray to Quirites, as Midas' reeds did with cheap gossip,
One happy couple in love, and their sweet secret, at last.
XXIV
I in the back of the garden, the last of the gods, in a corner,
Ineptly formed, must I stand. Evil the inroads of time.
Cucumber vines grow entwining about this primeval lingam,
Cracking it almost in two under the weight of the fruit.
Faggots are heaped all about me against the cold of the winter,
Which I so hate for the crows settling then down on my head,
Which they befoul very shamefully. Summer's no better: the servants
Empty their bowels and show insolent, naked behinds.
Filth, above and below! I was clearly in danger of turning
Into filth myself, toadstool, rotten wood!
Now, by your efforts, O noblest of artists, I shall recover
With fellow gods my just place. And it's no more than my due.
Jupiter's throne, so dishonestly won, it was I who secured it:
Color and ivory, marble and bronze, not to mention the poems.
Now, all intelligent men look upon me in kindness. They like to
Form their own image of me, just as the poet has done.
Nor do the girls take offense when they see me--by no means the matrons.
None finds me ugly today, though I am monstrously strong.
Half a foot long, as reward, your glorious rod (dear poet)
Proudly shall strut from your loins, when but your dearest commands,
Nor shall your member grow weary until you've enjoyed the full dozen
Artful positions the great poet Philainis describes.
ABOUT THE ELEGIES
Goethe cultivated a special, italianate hand for this portfolio of
twenty-four "elegies," so called because he was emulating the elegiasts
of Imperial Rome, Tibullus, Propertius, Catullus. The Elegies have
never before been published as here, together in the cyclical form of
their original conception. Experts even denied that the two priapeia (I
& XXIV) were by Goethe at all, although they are in the same hand as the
rest. To be sure, these two are not numbered, so that I was long
undecided as to just what their proper position might be. At one time I
imagined they must belong at the middle of the cycle where at the end of
Elegy XIII Priapus' mother summons her son. Obviously Goethe, just
returned north from his two years in Italy (1786-88), and alienated from
prim, courtly friends (especially since he had taken a girlfriend into
his cottage), had no thought of publication when he indited these
remembrances of Ancient Rome. But he did show them to close friends,
one of whom was the wonderful dramatist Friedrich Schiller. In 1795,
Schiller undertook a new periodical, Die Horen. This thoughtful and
responsible man initiated the journal with an essay of his own,
explaining how forms of entertainment are actually at the same time our
primary modes of education. It makes for pretty difficult reading in
our present, less interested epoch. But he did break the essay up with
diversions solicited from the best minds of his era. For a discussion
of all this, see
_Professor Worthy's Page_
For now, it is enough to say that among Schiller's examples for
"aesthetic education," as he called it, were these Elegies by his much
admired friend, Wolfgang Goethe. Editor and author made substantial
changes for propriety's sake--despite Goethe's having lashed out to the
contrary in the first Elegy (which he now suppressed, along with the
final one). My attempt has been--for the very first time by the way, in
any language--to restore Goethe's cycle to his early conception. Since
I have been unwilling to intrude with learned notes, I must apologize
for Goethe's many classical allusions, which were as familiar to his own
readership as are, in our publications today, the dense references to
media celebrities. Modern editors of what they call the "Roman Elegies"
bring abundant annotation, and often detail Goethe's own emendations.
What I bring here is merely translated from his manuscript in the
Goethe-Schiller Archive in Weimar.
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