Gabriel Gauchat (1709-1779), French ecclesiastical writer,
was author of a number of works on religious subjects.
was author of a number of works on religious subjects.
Candide by Voltaire
"
"Well, my dear Pangloss," said Candide to him, "when you had been
hanged, dissected, whipped, and were tugging at the oar, did you always
think that everything happens for the best? "
"I am still of my first opinion," answered Pangloss, "for I am a
philosopher and I cannot retract, especially as Leibnitz could never be
wrong; and besides, the pre-established harmony is the finest thing in
the world, and so is his _plenum_ and _materia subtilis_. "
XXIX
HOW CANDIDE FOUND CUNEGONDE AND THE OLD WOMAN AGAIN.
While Candide, the Baron, Pangloss, Martin, and Cacambo were relating
their several adventures, were reasoning on the contingent or
non-contingent events of the universe, disputing on effects and causes,
on moral and physical evil, on liberty and necessity, and on the
consolations a slave may feel even on a Turkish galley, they arrived at
the house of the Transylvanian prince on the banks of the Propontis. The
first objects which met their sight were Cunegonde and the old woman
hanging towels out to dry.
The Baron paled at this sight. The tender, loving Candide, seeing his
beautiful Cunegonde embrowned, with blood-shot eyes, withered neck,
wrinkled cheeks, and rough, red arms, recoiled three paces, seized with
horror, and then advanced out of good manners. She embraced Candide and
her brother; they embraced the old woman, and Candide ransomed them
both.
There was a small farm in the neighbourhood which the old woman
proposed to Candide to make a shift with till the company could be
provided for in a better manner. Cunegonde did not know she had grown
ugly, for nobody had told her of it; and she reminded Candide of his
promise in so positive a tone that the good man durst not refuse her. He
therefore intimated to the Baron that he intended marrying his sister.
"I will not suffer," said the Baron, "such meanness on her part, and
such insolence on yours; I will never be reproached with this scandalous
thing; my sister's children would never be able to enter the church in
Germany. No; my sister shall only marry a baron of the empire. "
Cunegonde flung herself at his feet, and bathed them with her tears;
still he was inflexible.
"Thou foolish fellow," said Candide; "I have delivered thee out of the
galleys, I have paid thy ransom, and thy sister's also; she was a
scullion, and is very ugly, yet I am so condescending as to marry her;
and dost thou pretend to oppose the match? I should kill thee again,
were I only to consult my anger. "
"Thou mayest kill me again," said the Baron, "but thou shalt not marry
my sister, at least whilst I am living. "
XXX
THE CONCLUSION.
At the bottom of his heart Candide had no wish to marry Cunegonde. But
the extreme impertinence of the Baron determined him to conclude the
match, and Cunegonde pressed him so strongly that he could not go from
his word. He consulted Pangloss, Martin, and the faithful Cacambo.
Pangloss drew up an excellent memorial, wherein he proved that the Baron
had no right over his sister, and that according to all the laws of the
empire, she might marry Candide with her left hand. Martin was for
throwing the Baron into the sea; Cacambo decided that it would be better
to deliver him up again to the captain of the galley, after which they
thought to send him back to the General Father of the Order at Rome by
the first ship. This advice was well received, the old woman approved
it; they said not a word to his sister; the thing was executed for a
little money, and they had the double pleasure of entrapping a Jesuit,
and punishing the pride of a German baron.
It is natural to imagine that after so many disasters Candide married,
and living with the philosopher Pangloss, the philosopher Martin, the
prudent Cacambo, and the old woman, having besides brought so many
diamonds from the country of the ancient Incas, must have led a very
happy life. But he was so much imposed upon by the Jews that he had
nothing left except his small farm; his wife became uglier every day,
more peevish and unsupportable; the old woman was infirm and even more
fretful than Cunegonde. Cacambo, who worked in the garden, and took
vegetables for sale to Constantinople, was fatigued with hard work, and
cursed his destiny. Pangloss was in despair at not shining in some
German university. For Martin, he was firmly persuaded that he would be
as badly off elsewhere, and therefore bore things patiently. Candide,
Martin, and Pangloss sometimes disputed about morals and metaphysics.
They often saw passing under the windows of their farm boats full of
Effendis, Pashas, and Cadis, who were going into banishment to Lemnos,
Mitylene, or Erzeroum. And they saw other Cadis, Pashas, and Effendis
coming to supply the place of the exiles, and afterwards exiled in their
turn. They saw heads decently impaled for presentation to the Sublime
Porte. Such spectacles as these increased the number of their
dissertations; and when they did not dispute time hung so heavily upon
their hands, that one day the old woman ventured to say to them:
"I want to know which is worse, to be ravished a hundred times by negro
pirates, to have a buttock cut off, to run the gauntlet among the
Bulgarians, to be whipped and hanged at an _auto-da-fe_, to be
dissected, to row in the galleys--in short, to go through all the
miseries we have undergone, or to stay here and have nothing to do? "
"It is a great question," said Candide.
This discourse gave rise to new reflections, and Martin especially
concluded that man was born to live either in a state of distracting
inquietude or of lethargic disgust. Candide did not quite agree to that,
but he affirmed nothing. Pangloss owned that he had always suffered
horribly, but as he had once asserted that everything went wonderfully
well, he asserted it still, though he no longer believed it.
What helped to confirm Martin in his detestable principles, to stagger
Candide more than ever, and to puzzle Pangloss, was that one day they
saw Paquette and Friar Giroflee land at the farm in extreme misery. They
had soon squandered their three thousand piastres, parted, were
reconciled, quarrelled again, were thrown into gaol, had escaped, and
Friar Giroflee had at length become Turk. Paquette continued her trade
wherever she went, but made nothing of it.
"I foresaw," said Martin to Candide, "that your presents would soon be
dissipated, and only make them the more miserable. You have rolled in
millions of money, you and Cacambo; and yet you are not happier than
Friar Giroflee and Paquette. "
"Ha! " said Pangloss to Paquette, "Providence has then brought you
amongst us again, my poor child! Do you know that you cost me the tip of
my nose, an eye, and an ear, as you may see? What a world is this! "
And now this new adventure set them philosophising more than ever.
In the neighbourhood there lived a very famous Dervish who was esteemed
the best philosopher in all Turkey, and they went to consult him.
Pangloss was the speaker.
"Master," said he, "we come to beg you to tell why so strange an animal
as man was made. "
"With what meddlest thou? " said the Dervish; "is it thy business? "
"But, reverend father," said Candide, "there is horrible evil in this
world. "
"What signifies it," said the Dervish, "whether there be evil or good?
When his highness sends a ship to Egypt, does he trouble his head
whether the mice on board are at their ease or not? "
"What, then, must we do? " said Pangloss.
"Hold your tongue," answered the Dervish.
"I was in hopes," said Pangloss, "that I should reason with you a little
about causes and effects, about the best of possible worlds, the origin
of evil, the nature of the soul, and the pre-established harmony. "
At these words, the Dervish shut the door in their faces.
During this conversation, the news was spread that two Viziers and the
Mufti had been strangled at Constantinople, and that several of their
friends had been impaled. This catastrophe made a great noise for some
hours. Pangloss, Candide, and Martin, returning to the little farm, saw
a good old man taking the fresh air at his door under an orange bower.
Pangloss, who was as inquisitive as he was argumentative, asked the old
man what was the name of the strangled Mufti.
"I do not know," answered the worthy man, "and I have not known the name
of any Mufti, nor of any Vizier. I am entirely ignorant of the event you
mention; I presume in general that they who meddle with the
administration of public affairs die sometimes miserably, and that they
deserve it; but I never trouble my head about what is transacting at
Constantinople; I content myself with sending there for sale the fruits
of the garden which I cultivate. "
Having said these words, he invited the strangers into his house; his
two sons and two daughters presented them with several sorts of sherbet,
which they made themselves, with Kaimak enriched with the candied-peel
of citrons, with oranges, lemons, pine-apples, pistachio-nuts, and Mocha
coffee unadulterated with the bad coffee of Batavia or the American
islands. After which the two daughters of the honest Mussulman perfumed
the strangers' beards.
"You must have a vast and magnificent estate," said Candide to the Turk.
"I have only twenty acres," replied the old man; "I and my children
cultivate them; our labour preserves us from three great
evils--weariness, vice, and want. "
Candide, on his way home, made profound reflections on the old man's
conversation.
"This honest Turk," said he to Pangloss and Martin, "seems to be in a
situation far preferable to that of the six kings with whom we had the
honour of supping. "
"Grandeur," said Pangloss, "is extremely dangerous according to the
testimony of philosophers. For, in short, Eglon, King of Moab, was
assassinated by Ehud; Absalom was hung by his hair, and pierced with
three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King
Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings
Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how
perished Croesus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus,
Perseus, Hannibal, Jugurtha, Ariovistus, Caesar, Pompey, Nero, Otho,
Vitellius, Domitian, Richard II. of England, Edward II. , Henry VI. ,
Richard III. , Mary Stuart, Charles I. , the three Henrys of France, the
Emperor Henry IV. ! You know----"
"I know also," said Candide, "that we must cultivate our garden. "
"You are right," said Pangloss, "for when man was first placed in the
Garden of Eden, he was put there _ut operaretur eum_, that he might
cultivate it; which shows that man was not born to be idle. "
"Let us work," said Martin, "without disputing; it is the only way to
render life tolerable. "
The whole little society entered into this laudable design, according to
their different abilities. Their little plot of land produced plentiful
crops. Cunegonde was, indeed, very ugly, but she became an excellent
pastry cook; Paquette worked at embroidery; the old woman looked after
the linen. They were all, not excepting Friar Giroflee, of some service
or other; for he made a good joiner, and became a very honest man.
Pangloss sometimes said to Candide:
"There is a concatenation of events in this best of all possible worlds:
for if you had not been kicked out of a magnificent castle for love of
Miss Cunegonde: if you had not been put into the Inquisition: if you had
not walked over America: if you had not stabbed the Baron: if you had
not lost all your sheep from the fine country of El Dorado: you would
not be here eating preserved citrons and pistachio-nuts. "
"All that is very well," answered Candide, "but let us cultivate our
garden. "
FOOTNOTES:
[1] P. 2. The name Pangloss is derived from two Greek words signifying
"all" and "language. "
[2] P. 8. The Abares were a tribe of Tartars settled on the shores of
the Danube, who later dwelt in part of Circassia.
[3] P. 15. Venereal disease was said to have been first brought from
Hispaniola, in the West Indies, by some followers of Columbus who were
later employed in the siege of Naples. From this latter circumstance it
was at one time known as the Neapolitan disease.
[4] P. 19. The great earthquake of Lisbon happened on the first of
November, 1755.
[5] P. 20. Such was the aversion of the Japanese to the Christian faith
that they compelled Europeans trading with their islands to trample on
the cross, renounce all marks of Christianity, and swear that it was not
their religion. See chap. xi. of the voyage to Laputa in Swift's
_Gulliver's Travels_.
[6] P. 23. This _auto-da-fe_ actually took place, some months after the
earthquake, on June 20, 1756.
[7] P. 23. The rejection of bacon convicting them, of course, of being
Jews, and therefore fitting victims for an _auto-da-fe_.
[8] P. 24. The _San-benito_ was a kind of loose over-garment painted
with flames, figures of devils, the victim's own portrait, etc. , worn by
persons condemned to death by the Inquisition when going to the stake on
the occasion of an _auto-da-fe_. Those who expressed repentance for
their errors wore a garment of the same kind covered with flames
directed downwards, while that worn by Jews, sorcerers, and renegades
bore a St. Andrew's cross before and behind.
[9] P. 26. "This Notre-Dame is of wood; every year she weeps on the day
of her _fete_, and the people weep also. One day the preacher, seeing a
carpenter with dry eyes, asked him how it was that he did not dissolve
in tears when the Holy Virgin wept. 'Ah, my reverend father,' replied
he, 'it is I who refastened her in her niche yesterday. I drove three
great nails through her behind; it is then she would have wept if she
had been able. '"--Voltaire, _Melanges_.
[10] P. 42. The following posthumous note of Voltaire's was first added
to M. Beuchot's edition of his works issued in 1829; "See the extreme
discretion of the author; there has not been up to the present any Pope
named Urban X. ; he feared to give a bastard to a known Pope. What
circumspection! What delicacy of conscience! " The last Pope Urban was
the eighth, and he died in 1644.
[11] P. 45. Muley-Ismael was Emperor of Morocco from 1672 to 1727, and
was a notoriously cruel tyrant.
[12] P. 47. "Oh, what a misfortune to be an eunuch! "
[13] P. 48. Carlo Broschi, called Farinelli, an Italian singer, born at
Naples in 1705, without being exactly Minister, governed Spain under
Ferdinand VI. ; he died in 1782. He has been made one of the chief
persons in one of the comic operas of MM. Auber and Scribe.
[14] P. 53. Jean Robeck, a Swede, who was born in 1672, will be found
mentioned in Rousseau's _Nouvelle Heloise_. He drowned himself in the
Weser at Bremen in 1729, and was the author of a Latin treatise on
voluntary death, first printed in 1735.
[15] P. 60. A spontoon was a kind of half-pike, a military weapon
carried by officers of infantry and used as a medium for signalling
orders to the regiment.
[16] P. 64. Later Voltaire substituted the name of the Father Croust for
that of Didrie. Of Croust he said in the _Dictionnaire Philosophique_
that he was "the most brutal of the Society. "
[17] P. 68. By the _Journal of Trevoux_ Voltaire meant a critical
periodical printed by the Jesuits at Trevoux under the title of
_Memoires pour servir a l'Historie des Sciences et des Beaux-Arts_. It
existed from 1701 until 1767, during which period its title underwent
many changes.
[18] P. 76. It has been suggested that Voltaire, in speaking of red
sheep, referred to the llama, a South American ruminant allied to the
camel. These animals are sometimes of a reddish colour, and were notable
as pack-carriers and for their fleetness.
[19] P. 78. The first English translator curiously gives "a tourene of
bouilli that weighed two hundred pounds," as the equivalent of "_un
contour bouilli qui pesait deux cent livres_. " The French editor of the
1869 reprint points out that the South American vulture, or condor, is
meant; the name of this bird, it may be added, is taken from "_cuntur_,"
that given it by the aborigines.
[20] P. 90. Spanish half-crowns.
[21] P. 99. _Socinians_; followers of the teaching of Lalius and Faustus
Socinus (16th century), which denied the doctrine of the Trinity, the
deity of Christ, the personality of the devil, the native and total
depravity of man, the vicarious atonement and eternal punishment. The
Socinians are now represented by the Unitarians. _Manicheans_; followers
of Manes or Manichaeus (3rd century), a Persian who maintained that there
are two principles, the one good and the other evil, each equally
powerful in the government of the world.
[22] P. 107. In the 1759 editions, in place of the long passage in
brackets from here to page 215, there was only the following: "'Sir,'
said the Perigordian Abbe to him, 'have you noticed that young person
who has so roguish a face and so fine a figure? You may have her for ten
thousand francs a month, and fifty thousand crowns in diamonds. ' 'I have
only a day or two to give her,' answered Candide, 'because I have a
rendezvous at Venice. ' In the evening after supper the insinuating
Perigordian redoubled his politeness and attentions. "
[23] P. 108. The play referred to is supposed to be "Le Comte d'Essex,"
by Thomas Corneille.
[24] P. 108. In France actors were at one time looked upon as
excommunicated persons, not worthy of burial in holy ground or with
Christian rites. In 1730 the "honours of sepulture" were refused to
Mademoiselle Lecouvreur (doubtless the Miss Monime of this passage).
Voltaire's miscellaneous works contain a paper on the matter.
[25] P. 109. Elie-Catherine Freron was a French critic (1719-1776) who
incurred the enmity of Voltaire. In 1752 Freron, in _Lettres sur
quelques ecrits du temps_, wrote pointedly of Voltaire as one who chose
to be all things to all men, and Voltaire retaliated by references such
as these in _Candide_.
[26] P. 111.
Gabriel Gauchat (1709-1779), French ecclesiastical writer,
was author of a number of works on religious subjects.
[27] P. 112. Nicholas Charles Joseph Trublet (1697-1770) was a French
writer whose criticism of Voltaire was revenged in passages such as this
one in _Candide_, and one in the _Pauvre Diable_ beginning:
L'abbe Trublet avait alors le rage
D'etre a Paris un petit personage.
[28] P. 120. Damiens, who attempted the life of Louis XV. in 1757, was
born at Arras, capital of Artois (Atrebatie).
[29] P. 120. On May 14, 1610, Ravaillac assassinated Henry VI.
[30] P. 120. On December 27, 1594, Jean Chatel attempted to assassinate
Henry IV.
[31] P. 122. This same curiously inept criticism of the war which cost
France her American provinces occurs in Voltaire's _Memoirs_, wherein he
says, "In 1756 England made a piratical war upon France for some acres
of snow. " See also his _Precis du Siecle de Louis_ XV.
[32] P. 123. Admiral Byng was shot on March 14, 1757.
[33] P. 129. Commenting upon this passage, M. Sarcey says admirably:
"All is there! In those ten lines Voltaire has gathered all the griefs
and all the terrors of these creatures; the picture is admirable for its
truth and power! But do you not feel the pity and sympathy of the
painter? Here irony becomes sad, and in a way an avenger. Voltaire cries
out with horror against the society which throws some of its members
into such an abyss. He has his 'Bartholomew' fever; we tremble with him
through contagion. "
[34] P. 142. The following particulars of the six monarchs may prove not
uninteresting. Achmet III. (_b. _ 1673, _d. _ 1739) was dethroned in 1730.
Ivan VI. (_b. _ 1740, _d. _ 1762) was dethroned in 1741. Charles Edward
Stuart, the Pretender (_b. _ 1720, _d. _ 1788). Auguste III. (_b. _ 1696,
_d. _ 1763). Stanislaus (_b. _ 1682, _d. _ 1766). Theodore (_b. _ 1690, _d. _
1755). It will be observed that, although quite impossible for the six
kings ever to have met, five of them might have been made to do so
without any anachronism.
[35] P. 149. Francois Leopold Ragotsky (1676-1735).
* * * * *
+------------------------------------------------------------+
| Typographical errors corrected in text: |
| |
| Page xiv: Chapter XIII heading in Table of Contents |
| amended to match chapter heading on page 54. |
| Page 2: metaphysicotheo-logico-cosmolo-nigology |
| amended to metaphysico-theologico-cosmolo-nigology. |
| Page 158: Liebnitz amended to Leibnitz. |
| Page 168: perserved amended to preserved. |
| Page 172: rougish amended to roguish; crows amended to |
| crowns. |
| |
| Where there is an equal number of instances of a word |
| being hyphenated and unhyphenated, both versions |
| of the word have been retained: dung-hill/dunghill; |
| and new-comers/newcomers. |
| |
| A single footnote on page 90 has been moved |
| to the endnotes, and the notes numbers re-indexed. A |
| page reference was added to the moved footnote to |
| match the format of other endnotes. |
| |
| Modern Library blurb: "mail complete list of titles" left |
| as is. |
| |
| There are two instances of Massa Carara (pp. 43 and 45) |
| and one instance of Massa-Carrara (page ix). As this |
| latter is in the Introduction, i. e. distinct from the book |
| proper, it has been retained. |
| |
| The different spellings of Cunegonde (which occurs only |
| in the Introduction) and Robeck (which occurs in the |
| Notes [p. 170]; spelt Robek in the text [p. 53]) have |
| been retained for the same reason. |
| |
+------------------------------------------------------------+
* * * * *
End of the Project Gutenberg EBook of Candide, by Voltaire
*** END OF THIS PROJECT GUTENBERG EBOOK CANDIDE ***
***** This file should be named 19942-8. txt or 19942-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/1/9/9/4/19942/
Produced by Chuck Greif, Fox in the Stars and the Online
Distributed Proofreading Team at http://www. pgdp. net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
"Well, my dear Pangloss," said Candide to him, "when you had been
hanged, dissected, whipped, and were tugging at the oar, did you always
think that everything happens for the best? "
"I am still of my first opinion," answered Pangloss, "for I am a
philosopher and I cannot retract, especially as Leibnitz could never be
wrong; and besides, the pre-established harmony is the finest thing in
the world, and so is his _plenum_ and _materia subtilis_. "
XXIX
HOW CANDIDE FOUND CUNEGONDE AND THE OLD WOMAN AGAIN.
While Candide, the Baron, Pangloss, Martin, and Cacambo were relating
their several adventures, were reasoning on the contingent or
non-contingent events of the universe, disputing on effects and causes,
on moral and physical evil, on liberty and necessity, and on the
consolations a slave may feel even on a Turkish galley, they arrived at
the house of the Transylvanian prince on the banks of the Propontis. The
first objects which met their sight were Cunegonde and the old woman
hanging towels out to dry.
The Baron paled at this sight. The tender, loving Candide, seeing his
beautiful Cunegonde embrowned, with blood-shot eyes, withered neck,
wrinkled cheeks, and rough, red arms, recoiled three paces, seized with
horror, and then advanced out of good manners. She embraced Candide and
her brother; they embraced the old woman, and Candide ransomed them
both.
There was a small farm in the neighbourhood which the old woman
proposed to Candide to make a shift with till the company could be
provided for in a better manner. Cunegonde did not know she had grown
ugly, for nobody had told her of it; and she reminded Candide of his
promise in so positive a tone that the good man durst not refuse her. He
therefore intimated to the Baron that he intended marrying his sister.
"I will not suffer," said the Baron, "such meanness on her part, and
such insolence on yours; I will never be reproached with this scandalous
thing; my sister's children would never be able to enter the church in
Germany. No; my sister shall only marry a baron of the empire. "
Cunegonde flung herself at his feet, and bathed them with her tears;
still he was inflexible.
"Thou foolish fellow," said Candide; "I have delivered thee out of the
galleys, I have paid thy ransom, and thy sister's also; she was a
scullion, and is very ugly, yet I am so condescending as to marry her;
and dost thou pretend to oppose the match? I should kill thee again,
were I only to consult my anger. "
"Thou mayest kill me again," said the Baron, "but thou shalt not marry
my sister, at least whilst I am living. "
XXX
THE CONCLUSION.
At the bottom of his heart Candide had no wish to marry Cunegonde. But
the extreme impertinence of the Baron determined him to conclude the
match, and Cunegonde pressed him so strongly that he could not go from
his word. He consulted Pangloss, Martin, and the faithful Cacambo.
Pangloss drew up an excellent memorial, wherein he proved that the Baron
had no right over his sister, and that according to all the laws of the
empire, she might marry Candide with her left hand. Martin was for
throwing the Baron into the sea; Cacambo decided that it would be better
to deliver him up again to the captain of the galley, after which they
thought to send him back to the General Father of the Order at Rome by
the first ship. This advice was well received, the old woman approved
it; they said not a word to his sister; the thing was executed for a
little money, and they had the double pleasure of entrapping a Jesuit,
and punishing the pride of a German baron.
It is natural to imagine that after so many disasters Candide married,
and living with the philosopher Pangloss, the philosopher Martin, the
prudent Cacambo, and the old woman, having besides brought so many
diamonds from the country of the ancient Incas, must have led a very
happy life. But he was so much imposed upon by the Jews that he had
nothing left except his small farm; his wife became uglier every day,
more peevish and unsupportable; the old woman was infirm and even more
fretful than Cunegonde. Cacambo, who worked in the garden, and took
vegetables for sale to Constantinople, was fatigued with hard work, and
cursed his destiny. Pangloss was in despair at not shining in some
German university. For Martin, he was firmly persuaded that he would be
as badly off elsewhere, and therefore bore things patiently. Candide,
Martin, and Pangloss sometimes disputed about morals and metaphysics.
They often saw passing under the windows of their farm boats full of
Effendis, Pashas, and Cadis, who were going into banishment to Lemnos,
Mitylene, or Erzeroum. And they saw other Cadis, Pashas, and Effendis
coming to supply the place of the exiles, and afterwards exiled in their
turn. They saw heads decently impaled for presentation to the Sublime
Porte. Such spectacles as these increased the number of their
dissertations; and when they did not dispute time hung so heavily upon
their hands, that one day the old woman ventured to say to them:
"I want to know which is worse, to be ravished a hundred times by negro
pirates, to have a buttock cut off, to run the gauntlet among the
Bulgarians, to be whipped and hanged at an _auto-da-fe_, to be
dissected, to row in the galleys--in short, to go through all the
miseries we have undergone, or to stay here and have nothing to do? "
"It is a great question," said Candide.
This discourse gave rise to new reflections, and Martin especially
concluded that man was born to live either in a state of distracting
inquietude or of lethargic disgust. Candide did not quite agree to that,
but he affirmed nothing. Pangloss owned that he had always suffered
horribly, but as he had once asserted that everything went wonderfully
well, he asserted it still, though he no longer believed it.
What helped to confirm Martin in his detestable principles, to stagger
Candide more than ever, and to puzzle Pangloss, was that one day they
saw Paquette and Friar Giroflee land at the farm in extreme misery. They
had soon squandered their three thousand piastres, parted, were
reconciled, quarrelled again, were thrown into gaol, had escaped, and
Friar Giroflee had at length become Turk. Paquette continued her trade
wherever she went, but made nothing of it.
"I foresaw," said Martin to Candide, "that your presents would soon be
dissipated, and only make them the more miserable. You have rolled in
millions of money, you and Cacambo; and yet you are not happier than
Friar Giroflee and Paquette. "
"Ha! " said Pangloss to Paquette, "Providence has then brought you
amongst us again, my poor child! Do you know that you cost me the tip of
my nose, an eye, and an ear, as you may see? What a world is this! "
And now this new adventure set them philosophising more than ever.
In the neighbourhood there lived a very famous Dervish who was esteemed
the best philosopher in all Turkey, and they went to consult him.
Pangloss was the speaker.
"Master," said he, "we come to beg you to tell why so strange an animal
as man was made. "
"With what meddlest thou? " said the Dervish; "is it thy business? "
"But, reverend father," said Candide, "there is horrible evil in this
world. "
"What signifies it," said the Dervish, "whether there be evil or good?
When his highness sends a ship to Egypt, does he trouble his head
whether the mice on board are at their ease or not? "
"What, then, must we do? " said Pangloss.
"Hold your tongue," answered the Dervish.
"I was in hopes," said Pangloss, "that I should reason with you a little
about causes and effects, about the best of possible worlds, the origin
of evil, the nature of the soul, and the pre-established harmony. "
At these words, the Dervish shut the door in their faces.
During this conversation, the news was spread that two Viziers and the
Mufti had been strangled at Constantinople, and that several of their
friends had been impaled. This catastrophe made a great noise for some
hours. Pangloss, Candide, and Martin, returning to the little farm, saw
a good old man taking the fresh air at his door under an orange bower.
Pangloss, who was as inquisitive as he was argumentative, asked the old
man what was the name of the strangled Mufti.
"I do not know," answered the worthy man, "and I have not known the name
of any Mufti, nor of any Vizier. I am entirely ignorant of the event you
mention; I presume in general that they who meddle with the
administration of public affairs die sometimes miserably, and that they
deserve it; but I never trouble my head about what is transacting at
Constantinople; I content myself with sending there for sale the fruits
of the garden which I cultivate. "
Having said these words, he invited the strangers into his house; his
two sons and two daughters presented them with several sorts of sherbet,
which they made themselves, with Kaimak enriched with the candied-peel
of citrons, with oranges, lemons, pine-apples, pistachio-nuts, and Mocha
coffee unadulterated with the bad coffee of Batavia or the American
islands. After which the two daughters of the honest Mussulman perfumed
the strangers' beards.
"You must have a vast and magnificent estate," said Candide to the Turk.
"I have only twenty acres," replied the old man; "I and my children
cultivate them; our labour preserves us from three great
evils--weariness, vice, and want. "
Candide, on his way home, made profound reflections on the old man's
conversation.
"This honest Turk," said he to Pangloss and Martin, "seems to be in a
situation far preferable to that of the six kings with whom we had the
honour of supping. "
"Grandeur," said Pangloss, "is extremely dangerous according to the
testimony of philosophers. For, in short, Eglon, King of Moab, was
assassinated by Ehud; Absalom was hung by his hair, and pierced with
three darts; King Nadab, the son of Jeroboam, was killed by Baasa; King
Ela by Zimri; Ahaziah by Jehu; Athaliah by Jehoiada; the Kings
Jehoiakim, Jeconiah, and Zedekiah, were led into captivity. You know how
perished Croesus, Astyages, Darius, Dionysius of Syracuse, Pyrrhus,
Perseus, Hannibal, Jugurtha, Ariovistus, Caesar, Pompey, Nero, Otho,
Vitellius, Domitian, Richard II. of England, Edward II. , Henry VI. ,
Richard III. , Mary Stuart, Charles I. , the three Henrys of France, the
Emperor Henry IV. ! You know----"
"I know also," said Candide, "that we must cultivate our garden. "
"You are right," said Pangloss, "for when man was first placed in the
Garden of Eden, he was put there _ut operaretur eum_, that he might
cultivate it; which shows that man was not born to be idle. "
"Let us work," said Martin, "without disputing; it is the only way to
render life tolerable. "
The whole little society entered into this laudable design, according to
their different abilities. Their little plot of land produced plentiful
crops. Cunegonde was, indeed, very ugly, but she became an excellent
pastry cook; Paquette worked at embroidery; the old woman looked after
the linen. They were all, not excepting Friar Giroflee, of some service
or other; for he made a good joiner, and became a very honest man.
Pangloss sometimes said to Candide:
"There is a concatenation of events in this best of all possible worlds:
for if you had not been kicked out of a magnificent castle for love of
Miss Cunegonde: if you had not been put into the Inquisition: if you had
not walked over America: if you had not stabbed the Baron: if you had
not lost all your sheep from the fine country of El Dorado: you would
not be here eating preserved citrons and pistachio-nuts. "
"All that is very well," answered Candide, "but let us cultivate our
garden. "
FOOTNOTES:
[1] P. 2. The name Pangloss is derived from two Greek words signifying
"all" and "language. "
[2] P. 8. The Abares were a tribe of Tartars settled on the shores of
the Danube, who later dwelt in part of Circassia.
[3] P. 15. Venereal disease was said to have been first brought from
Hispaniola, in the West Indies, by some followers of Columbus who were
later employed in the siege of Naples. From this latter circumstance it
was at one time known as the Neapolitan disease.
[4] P. 19. The great earthquake of Lisbon happened on the first of
November, 1755.
[5] P. 20. Such was the aversion of the Japanese to the Christian faith
that they compelled Europeans trading with their islands to trample on
the cross, renounce all marks of Christianity, and swear that it was not
their religion. See chap. xi. of the voyage to Laputa in Swift's
_Gulliver's Travels_.
[6] P. 23. This _auto-da-fe_ actually took place, some months after the
earthquake, on June 20, 1756.
[7] P. 23. The rejection of bacon convicting them, of course, of being
Jews, and therefore fitting victims for an _auto-da-fe_.
[8] P. 24. The _San-benito_ was a kind of loose over-garment painted
with flames, figures of devils, the victim's own portrait, etc. , worn by
persons condemned to death by the Inquisition when going to the stake on
the occasion of an _auto-da-fe_. Those who expressed repentance for
their errors wore a garment of the same kind covered with flames
directed downwards, while that worn by Jews, sorcerers, and renegades
bore a St. Andrew's cross before and behind.
[9] P. 26. "This Notre-Dame is of wood; every year she weeps on the day
of her _fete_, and the people weep also. One day the preacher, seeing a
carpenter with dry eyes, asked him how it was that he did not dissolve
in tears when the Holy Virgin wept. 'Ah, my reverend father,' replied
he, 'it is I who refastened her in her niche yesterday. I drove three
great nails through her behind; it is then she would have wept if she
had been able. '"--Voltaire, _Melanges_.
[10] P. 42. The following posthumous note of Voltaire's was first added
to M. Beuchot's edition of his works issued in 1829; "See the extreme
discretion of the author; there has not been up to the present any Pope
named Urban X. ; he feared to give a bastard to a known Pope. What
circumspection! What delicacy of conscience! " The last Pope Urban was
the eighth, and he died in 1644.
[11] P. 45. Muley-Ismael was Emperor of Morocco from 1672 to 1727, and
was a notoriously cruel tyrant.
[12] P. 47. "Oh, what a misfortune to be an eunuch! "
[13] P. 48. Carlo Broschi, called Farinelli, an Italian singer, born at
Naples in 1705, without being exactly Minister, governed Spain under
Ferdinand VI. ; he died in 1782. He has been made one of the chief
persons in one of the comic operas of MM. Auber and Scribe.
[14] P. 53. Jean Robeck, a Swede, who was born in 1672, will be found
mentioned in Rousseau's _Nouvelle Heloise_. He drowned himself in the
Weser at Bremen in 1729, and was the author of a Latin treatise on
voluntary death, first printed in 1735.
[15] P. 60. A spontoon was a kind of half-pike, a military weapon
carried by officers of infantry and used as a medium for signalling
orders to the regiment.
[16] P. 64. Later Voltaire substituted the name of the Father Croust for
that of Didrie. Of Croust he said in the _Dictionnaire Philosophique_
that he was "the most brutal of the Society. "
[17] P. 68. By the _Journal of Trevoux_ Voltaire meant a critical
periodical printed by the Jesuits at Trevoux under the title of
_Memoires pour servir a l'Historie des Sciences et des Beaux-Arts_. It
existed from 1701 until 1767, during which period its title underwent
many changes.
[18] P. 76. It has been suggested that Voltaire, in speaking of red
sheep, referred to the llama, a South American ruminant allied to the
camel. These animals are sometimes of a reddish colour, and were notable
as pack-carriers and for their fleetness.
[19] P. 78. The first English translator curiously gives "a tourene of
bouilli that weighed two hundred pounds," as the equivalent of "_un
contour bouilli qui pesait deux cent livres_. " The French editor of the
1869 reprint points out that the South American vulture, or condor, is
meant; the name of this bird, it may be added, is taken from "_cuntur_,"
that given it by the aborigines.
[20] P. 90. Spanish half-crowns.
[21] P. 99. _Socinians_; followers of the teaching of Lalius and Faustus
Socinus (16th century), which denied the doctrine of the Trinity, the
deity of Christ, the personality of the devil, the native and total
depravity of man, the vicarious atonement and eternal punishment. The
Socinians are now represented by the Unitarians. _Manicheans_; followers
of Manes or Manichaeus (3rd century), a Persian who maintained that there
are two principles, the one good and the other evil, each equally
powerful in the government of the world.
[22] P. 107. In the 1759 editions, in place of the long passage in
brackets from here to page 215, there was only the following: "'Sir,'
said the Perigordian Abbe to him, 'have you noticed that young person
who has so roguish a face and so fine a figure? You may have her for ten
thousand francs a month, and fifty thousand crowns in diamonds. ' 'I have
only a day or two to give her,' answered Candide, 'because I have a
rendezvous at Venice. ' In the evening after supper the insinuating
Perigordian redoubled his politeness and attentions. "
[23] P. 108. The play referred to is supposed to be "Le Comte d'Essex,"
by Thomas Corneille.
[24] P. 108. In France actors were at one time looked upon as
excommunicated persons, not worthy of burial in holy ground or with
Christian rites. In 1730 the "honours of sepulture" were refused to
Mademoiselle Lecouvreur (doubtless the Miss Monime of this passage).
Voltaire's miscellaneous works contain a paper on the matter.
[25] P. 109. Elie-Catherine Freron was a French critic (1719-1776) who
incurred the enmity of Voltaire. In 1752 Freron, in _Lettres sur
quelques ecrits du temps_, wrote pointedly of Voltaire as one who chose
to be all things to all men, and Voltaire retaliated by references such
as these in _Candide_.
[26] P. 111.
Gabriel Gauchat (1709-1779), French ecclesiastical writer,
was author of a number of works on religious subjects.
[27] P. 112. Nicholas Charles Joseph Trublet (1697-1770) was a French
writer whose criticism of Voltaire was revenged in passages such as this
one in _Candide_, and one in the _Pauvre Diable_ beginning:
L'abbe Trublet avait alors le rage
D'etre a Paris un petit personage.
[28] P. 120. Damiens, who attempted the life of Louis XV. in 1757, was
born at Arras, capital of Artois (Atrebatie).
[29] P. 120. On May 14, 1610, Ravaillac assassinated Henry VI.
[30] P. 120. On December 27, 1594, Jean Chatel attempted to assassinate
Henry IV.
[31] P. 122. This same curiously inept criticism of the war which cost
France her American provinces occurs in Voltaire's _Memoirs_, wherein he
says, "In 1756 England made a piratical war upon France for some acres
of snow. " See also his _Precis du Siecle de Louis_ XV.
[32] P. 123. Admiral Byng was shot on March 14, 1757.
[33] P. 129. Commenting upon this passage, M. Sarcey says admirably:
"All is there! In those ten lines Voltaire has gathered all the griefs
and all the terrors of these creatures; the picture is admirable for its
truth and power! But do you not feel the pity and sympathy of the
painter? Here irony becomes sad, and in a way an avenger. Voltaire cries
out with horror against the society which throws some of its members
into such an abyss. He has his 'Bartholomew' fever; we tremble with him
through contagion. "
[34] P. 142. The following particulars of the six monarchs may prove not
uninteresting. Achmet III. (_b. _ 1673, _d. _ 1739) was dethroned in 1730.
Ivan VI. (_b. _ 1740, _d. _ 1762) was dethroned in 1741. Charles Edward
Stuart, the Pretender (_b. _ 1720, _d. _ 1788). Auguste III. (_b. _ 1696,
_d. _ 1763). Stanislaus (_b. _ 1682, _d. _ 1766). Theodore (_b. _ 1690, _d. _
1755). It will be observed that, although quite impossible for the six
kings ever to have met, five of them might have been made to do so
without any anachronism.
[35] P. 149. Francois Leopold Ragotsky (1676-1735).
* * * * *
+------------------------------------------------------------+
| Typographical errors corrected in text: |
| |
| Page xiv: Chapter XIII heading in Table of Contents |
| amended to match chapter heading on page 54. |
| Page 2: metaphysicotheo-logico-cosmolo-nigology |
| amended to metaphysico-theologico-cosmolo-nigology. |
| Page 158: Liebnitz amended to Leibnitz. |
| Page 168: perserved amended to preserved. |
| Page 172: rougish amended to roguish; crows amended to |
| crowns. |
| |
| Where there is an equal number of instances of a word |
| being hyphenated and unhyphenated, both versions |
| of the word have been retained: dung-hill/dunghill; |
| and new-comers/newcomers. |
| |
| A single footnote on page 90 has been moved |
| to the endnotes, and the notes numbers re-indexed. A |
| page reference was added to the moved footnote to |
| match the format of other endnotes. |
| |
| Modern Library blurb: "mail complete list of titles" left |
| as is. |
| |
| There are two instances of Massa Carara (pp. 43 and 45) |
| and one instance of Massa-Carrara (page ix). As this |
| latter is in the Introduction, i. e. distinct from the book |
| proper, it has been retained. |
| |
| The different spellings of Cunegonde (which occurs only |
| in the Introduction) and Robeck (which occurs in the |
| Notes [p. 170]; spelt Robek in the text [p. 53]) have |
| been retained for the same reason. |
| |
+------------------------------------------------------------+
* * * * *
End of the Project Gutenberg EBook of Candide, by Voltaire
*** END OF THIS PROJECT GUTENBERG EBOOK CANDIDE ***
***** This file should be named 19942-8. txt or 19942-8. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/1/9/9/4/19942/
Produced by Chuck Greif, Fox in the Stars and the Online
Distributed Proofreading Team at http://www. pgdp. net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg. org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
