Ere Cernel's Abbey ceased
hereabout
there dwelt a priest,
(In later life sub-prior
Of the brotherhood there, whose bones are now bare
In the field that was Cernel choir).
(In later life sub-prior
Of the brotherhood there, whose bones are now bare
In the field that was Cernel choir).
Thomas Hardy - Poems of the Past and Present
"
THE DAME OF ATHELHALL
I
"SOUL! Shall I see thy face," she said,
"In one brief hour?
And away with thee from a loveless bed
To a far-off sun, to a vine-wrapt bower,
And be thine own unseparated,
And challenge the world's white glower? "
II
She quickened her feet, and met him where
They had predesigned:
And they clasped, and mounted, and cleft the air
Upon whirling wheels; till the will to bind
Her life with his made the moments there
Efface the years behind.
III
Miles slid, and the sight of the port upgrew
As they sped on;
When slipping its bond the bracelet flew
From her fondled arm. Replaced anon,
Its cameo of the abjured one drew
Her musings thereupon.
IV
The gaud with his image once had been
A gift from him:
And so it was that its carving keen
Refurbished memories wearing dim,
Which set in her soul a throe of teen,
And a tear on her lashes' brim.
V
"I may not go! " she at length upspake,
"Thoughts call me back--
I would still lose all for your dear, dear sake;
My heart is thine, friend! But my track
I home to Athelhall must take
To hinder household wrack! "
VI
He appealed. But they parted, weak and wan:
And he left the shore;
His ship diminished, was low, was gone;
And she heard in the waves as the daytide wore,
And read in the leer of the sun that shone,
That they parted for evermore.
VII
She homed as she came, at the dip of eve
On Athel Coomb
Regaining the Hall she had sworn to leave . . .
The house was soundless as a tomb,
And she entered her chamber, there to grieve
Lone, kneeling, in the gloom.
VIII
From the lawn without rose her husband's voice
To one his friend:
"Another her Love, another my choice,
Her going is good. Our conditions mend;
In a change of mates we shall both rejoice;
I hoped that it thus might end!
IX
"A quick divorce; she will make him hers,
And I wed mine.
So Time rights all things in long, long years--
Or rather she, by her bold design!
I admire a woman no balk deters:
She has blessed my life, in fine.
X
"I shall build new rooms for my new true bride,
Let the bygone be:
By now, no doubt, she has crossed the tide
With the man to her mind. Far happier she
In some warm vineland by his side
Than ever she was with me. "
THE SEASONS OF HER YEAR
I
WINTER is white on turf and tree,
And birds are fled;
But summer songsters pipe to me,
And petals spread,
For what I dreamt of secretly
His lips have said!
II
O 'tis a fine May morn, they say,
And blooms have blown;
But wild and wintry is my day,
My birds make moan;
For he who vowed leaves me to pay
Alone--alone!
THE MILKMAID
UNDER a daisied bank
There stands a rich red ruminating cow,
And hard against her flank
A cotton-hooded milkmaid bends her brow.
The flowery river-ooze
Upheaves and falls; the milk purrs in the pail;
Few pilgrims but would choose
The peace of such a life in such a vale.
The maid breathes words--to vent,
It seems, her sense of Nature's scenery,
Of whose life, sentiment,
And essence, very part itself is she.
She bends a glance of pain,
And, at a moment, lets escape a tear;
Is it that passing train,
Whose alien whirr offends her country ear? --
Nay! Phyllis does not dwell
On visual and familiar things like these;
What moves her is the spell
Of inner themes and inner poetries:
Could but by Sunday morn
Her gay new gown come, meads might dry to dun,
Trains shriek till ears were torn,
If Fred would not prefer that Other One.
THE LEVELLED CHURCHYARD
"O PASSENGER, pray list and catch
Our sighs and piteous groans,
Half stifled in this jumbled patch
Of wrenched memorial stones!
"We late-lamented, resting here,
Are mixed to human jam,
And each to each exclaims in fear,
'I know not which I am! '
"The wicked people have annexed
The verses on the good;
A roaring drunkard sports the text
Teetotal Tommy should!
"Where we are huddled none can trace,
And if our names remain,
They pave some path or p-ing place
Where we have never lain!
"There's not a modest maiden elf
But dreads the final Trumpet,
Lest half of her should rise herself,
And half some local strumpet!
"From restorations of Thy fane,
From smoothings of Thy sward,
From zealous Churchmen's pick and plane
Deliver us O Lord! Amen! "
1882.
THE RUINED MAID
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty? "--
"O didn't you know I'd been ruined? " said she.
--"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three! "--
"Yes: that's how we dress when we're ruined," said she.
--"At home in the barton you said 'thee' and 'thou,'
And 'thik oon,' and 'theas oon,' and 't'other'; but now
Your talking quite fits 'ee for high compa-ny! "--
"Some polish is gained with one's ruin," said she.
--"Your hands were like paws then, your face blue and bleak,
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy! "--
"We never do work when we're ruined," said she.
--"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly! "--
"True. There's an advantage in ruin," said she.
--"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town! "--
"My dear--a raw country girl, such as you be,
Isn't equal to that. You ain't ruined," said she.
WESTBOURNE PARK VILLAS, 1866.
THE RESPECTABLE BURGHER
ON "THE HIGHER CRITICISM"
SINCE Reverend Doctors now declare
That clerks and people must prepare
To doubt if Adam ever were;
To hold the flood a local scare;
To argue, though the stolid stare,
That everything had happened ere
The prophets to its happening sware;
That David was no giant-slayer,
Nor one to call a God-obeyer
In certain details we could spare,
But rather was a debonair
Shrewd bandit, skilled as banjo-player:
That Solomon sang the fleshly Fair,
And gave the Church no thought whate'er;
That Esther with her royal wear,
And Mordecai, the son of Jair,
And Joshua's triumphs, Job's despair,
And Balaam's ass's bitter blare;
Nebuchadnezzar's furnace-flare,
And Daniel and the den affair,
And other stories rich and rare,
Were writ to make old doctrine wear
Something of a romantic air:
That the Nain widow's only heir,
And Lazarus with cadaverous glare
(As done in oils by Piombo's care)
Did not return from Sheol's lair:
That Jael set a fiendish snare,
That Pontius Pilate acted square,
That never a sword cut Malchus' ear
And (but for shame I must forbear)
That -- -- did not reappear! . . .
--Since thus they hint, nor turn a hair,
All churchgoing will I forswear,
And sit on Sundays in my chair,
And read that moderate man Voltaire.
ARCHITECTURAL MASKS
I
THERE is a house with ivied walls,
And mullioned windows worn and old,
And the long dwellers in those halls
Have souls that know but sordid calls,
And daily dote on gold.
II
In blazing brick and plated show
Not far away a "villa" gleams,
And here a family few may know,
With book and pencil, viol and bow,
Lead inner lives of dreams.
III
The philosophic passers say,
"See that old mansion mossed and fair,
Poetic souls therein are they:
And O that gaudy box! Away,
You vulgar people there. "
THE TENANT-FOR-LIFE
THE sun said, watching my watering-pot
"Some morn you'll pass away;
These flowers and plants I parch up hot--
Who'll water them that day?
"Those banks and beds whose shape your eye
Has planned in line so true,
New hands will change, unreasoning why
Such shape seemed best to you.
"Within your house will strangers sit,
And wonder how first it came;
They'll talk of their schemes for improving it,
And will not mention your name.
"They'll care not how, or when, or at what
You sighed, laughed, suffered here,
Though you feel more in an hour of the spot
Than they will feel in a year
"As I look on at you here, now,
Shall I look on at these;
But as to our old times, avow
No knowledge--hold my peace! . . .
"O friend, it matters not, I say;
Bethink ye, I have shined
On nobler ones than you, and they
Are dead men out of mind! "
THE KING'S EXPERIMENT
IT was a wet wan hour in spring,
And Nature met King Doom beside a lane,
Wherein Hodge trudged, all blithely ballading
The Mother's smiling reign.
"Why warbles he that skies are fair
And coombs alight," she cried, "and fallows gay,
When I have placed no sunshine in the air
Or glow on earth to-day? "
"'Tis in the comedy of things
That such should be," returned the one of Doom;
"Charge now the scene with brightest blazonings,
And he shall call them gloom. "
She gave the word: the sun outbroke,
All Froomside shone, the hedgebirds raised a song;
And later Hodge, upon the midday stroke,
Returned the lane along,
Low murmuring: "O this bitter scene,
And thrice accurst horizon hung with gloom!
How deadly like this sky, these fields, these treen,
To trappings of the tomb! "
The Beldame then: "The fool and blind!
Such mad perverseness who may apprehend? "--
"Nay; there's no madness in it; thou shalt find
Thy law there," said her friend.
"When Hodge went forth 'twas to his Love,
To make her, ere this eve, his wedded prize,
And Earth, despite the heaviness above,
Was bright as Paradise.
"But I sent on my messenger,
With cunning arrows poisonous and keen,
To take forthwith her laughing life from her,
And dull her little een,
"And white her cheek, and still her breath,
Ere her too buoyant Hodge had reached her side;
So, when he came, he clasped her but in death,
And never as his bride.
"And there's the humour, as I said;
Thy dreary dawn he saw as gleaming gold,
And in thy glistening green and radiant red
Funereal gloom and cold. "
THE TREE
AN OLD MAN'S STORY
I
Its roots are bristling in the air
Like some mad Earth-god's spiny hair;
The loud south-wester's swell and yell
Smote it at midnight, and it fell.
Thus ends the tree
Where Some One sat with me.
II
Its boughs, which none but darers trod,
A child may step on from the sod,
And twigs that earliest met the dawn
Are lit the last upon the lawn.
Cart off the tree
Beneath whose trunk sat we!
III
Yes, there we sat: she cooed content,
And bats ringed round, and daylight went;
The gnarl, our seat, is wrenched and sunk,
Prone that queer pocket in the trunk
Where lay the key
To her pale mystery.
IV
"Years back, within this pocket-hole
I found, my Love, a hurried scrawl
Meant not for me," at length said I;
"I glanced thereat, and let it lie:
The words were three--
'_Beloved_, _I agree_. '
V
"Who placed it here; to what request
It gave assent, I never guessed.
Some prayer of some hot heart, no doubt,
To some coy maiden hereabout,
Just as, maybe,
With you, Sweet Heart, and me. "
VI
She waited, till with quickened breath
She spoke, as one who banisheth
Reserves that lovecraft heeds so well,
To ease some mighty wish to tell:
"'Twas I," said she,
"Who wrote thus clinchingly.
VII
"My lover's wife--aye, wife! --knew nought
Of what we felt, and bore, and thought . . .
He'd said: '_I wed with thee or die_:
_She stands between_, '_tis true_. _But why_?
_Do thou agree_,
_And--she shalt cease to be_. '
VIII
"How I held back, how love supreme
Involved me madly in his scheme
Why should I say? . . . I wrote assent
(You found it hid) to his intent . . .
She--_died_ . . . But he
Came not to wed with me.
IX
"O shrink not, Love! --Had these eyes seen
But once thine own, such had not been!
But we were strangers . . . Thus the plot
Cleared passion's path. --Why came he not
To wed with me? . . .
He wived the gibbet-tree. "
X
--Under that oak of heretofore
Sat Sweetheart mine with me no more:
By many a Fiord, and Strom, and Fleuve
Have I since wandered . . . Soon, for love,
Distraught went she--
'Twas said for love of me.
HER LATE HUSBAND
(KING'S-HINTOCK, 182-. )
"No--not where I shall make my own;
But dig his grave just by
The woman's with the initialed stone--
As near as he can lie--
After whose death he seemed to ail,
Though none considered why.
"And when I also claim a nook,
And your feet tread me in,
Bestow me, under my old name,
Among my kith and kin,
That strangers gazing may not dream
I did a husband win. "
"Widow, your wish shall be obeyed;
Though, thought I, certainly
You'd lay him where your folk are laid,
And your grave, too, will be,
As custom hath it; you to right,
And on the left hand he. "
"Aye, sexton; such the Hintock rule,
And none has said it nay;
But now it haps a native here
Eschews that ancient way . . .
And it may be, some Christmas night,
When angels walk, they'll say:
"'O strange interment! Civilized lands
Afford few types thereof;
Here is a man who takes his rest
Beside his very Love,
Beside the one who was his wife
In our sight up above! '"
THE SELF-UNSEEING
HERE is the ancient floor,
Footworn and hollowed and thin,
Here was the former door
Where the dead feet walked in.
She sat here in her chair,
Smiling into the fire;
He who played stood there,
Bowing it higher and higher.
Childlike, I danced in a dream;
Blessings emblazoned that day
Everything glowed with a gleam;
Yet we were looking away!
DE PROFUNDIS
I
"Percussus sum sicut foenum, et aruit cor meum. "
--_Ps. _ ci
WINTERTIME nighs;
But my bereavement-pain
It cannot bring again:
Twice no one dies.
Flower-petals flee;
But, since it once hath been,
No more that severing scene
Can harrow me.
Birds faint in dread:
I shall not lose old strength
In the lone frost's black length:
Strength long since fled!
Leaves freeze to dun;
But friends can not turn cold
This season as of old
For him with none.
Tempests may scath;
But love can not make smart
Again this year his heart
Who no heart hath.
Black is night's cope;
But death will not appal
One who, past doubtings all,
Waits in unhope.
II
"Considerabam ad dexteram, et videbam; et non erat qui cognosceret me
. . . Non est qui requirat animam meam. "--_Ps. _ cxli.
WHEN the clouds' swoln bosoms echo back the shouts of the many and
strong
That things are all as they best may be, save a few to be right ere
long,
And my eyes have not the vision in them to discern what to these is so
clear,
The blot seems straightway in me alone; one better he were not here.
The stout upstanders say, All's well with us: ruers have nought to
rue!
And what the potent say so oft, can it fail to be somewhat true?
Breezily go they, breezily come; their dust smokes around their
career,
Till I think I am one horn out of due time, who has no calling here.
Their dawns bring lusty joys, it seems; their eves exultance sweet;
Our times are blessed times, they cry: Life shapes it as is most meet,
And nothing is much the matter; there are many smiles to a tear;
Then what is the matter is I, I say. Why should such an one be here?
. . .
Let him to whose ears the low-voiced Best seems stilled by the clash
of the First,
Who holds that if way to the Better there be, it exacts a full look at
the Worst,
Who feels that delight is a delicate growth cramped by crookedness,
custom, and fear,
Get him up and be gone as one shaped awry; he disturbs the order here.
1895-96.
III
"Heu mihi, quia incolatus meus prolongatus est! Habitavi cum
habitantibus Cedar; multum incola fuit aninia mea. "--_Ps. _ cxix.
THERE have been times when I well might have passed and the ending
have come--
Points in my path when the dark might have stolen on me, artless,
unrueing--
Ere I had learnt that the world was a welter of futile doing:
Such had been times when I well might have passed, and the ending have
come!
Say, on the noon when the half-sunny hours told that April was nigh,
And I upgathered and cast forth the snow from the crocus-border,
Fashioned and furbished the soil into a summer-seeming order,
Glowing in gladsome faith that I quickened the year thereby.
Or on that loneliest of eves when afar and benighted we stood,
She who upheld me and I, in the midmost of Egdon together,
Confident I in her watching and ward through the blackening heather,
Deeming her matchless in might and with measureless scope endued.
Or on that winter-wild night when, reclined by the chimney-nook quoin,
Slowly a drowse overgat me, the smallest and feeblest of folk there,
Weak from my baptism of pain; when at times and anon I awoke there--
Heard of a world wheeling on, with no listing or longing to join.
Even then! while unweeting that vision could vex or that knowledge
could numb,
That sweets to the mouth in the belly are bitter, and tart, and
untoward,
Then, on some dim-coloured scene should my briefly raised curtain have
lowered,
Then might the Voice that is law have said "Cease! " and the ending
have come.
1896.
THE CHURCH-BUILDER
I
THE church flings forth a battled shade
Over the moon-blanched sward;
The church; my gift; whereto I paid
My all in hand and hoard:
Lavished my gains
With stintless pains
To glorify the Lord.
II
I squared the broad foundations in
Of ashlared masonry;
I moulded mullions thick and thin,
Hewed fillet and ogee;
I circleted
Each sculptured head
With nimb and canopy.
III
I called in many a craftsmaster
To fix emblazoned glass,
To figure Cross and Sepulchre
On dossal, boss, and brass.
My gold all spent,
My jewels went
To gem the cups of Mass.
IV
I borrowed deep to carve the screen
And raise the ivoried Rood;
I parted with my small demesne
To make my owings good.
Heir-looms unpriced
I sacrificed,
Until debt-free I stood.
V
So closed the task. "Deathless the Creed
Here substanced! " said my soul:
"I heard me bidden to this deed,
And straight obeyed the call.
Illume this fane,
That not in vain
I build it, Lord of all! "
VI
But, as it chanced me, then and there
Did dire misfortunes burst;
My home went waste for lack of care,
My sons rebelled and curst;
Till I confessed
That aims the best
Were looking like the worst.
VII
Enkindled by my votive work
No burning faith I find;
The deeper thinkers sneer and smirk,
And give my toil no mind;
From nod and wink
I read they think
That I am fool and blind.
VIII
My gift to God seems futile, quite;
The world moves as erstwhile;
And powerful wrong on feeble right
Tramples in olden style.
My faith burns down,
I see no crown;
But Cares, and Griefs, and Guile.
IX
So now, the remedy? Yea, this:
I gently swing the door
Here, of my fane--no soul to wis--
And cross the patterned floor
To the rood-screen
That stands between
The nave and inner chore.
X
The rich red windows dim the moon,
But little light need I;
I mount the prie-dieu, lately hewn
From woods of rarest dye;
Then from below
My garment, so,
I draw this cord, and tie
XI
One end thereof around the beam
Midway 'twixt Cross and truss:
I noose the nethermost extreme,
And in ten seconds thus
I journey hence--
To that land whence
No rumour reaches us.
XII
Well: Here at morn they'll light on one
Dangling in mockery
Of what he spent his substance on
Blindly and uselessly! . . .
"He might," they'll say,
"Have built, some way.
A cheaper gallows-tree! "
THE LOST PYX
A MEDIAEVAL LEGEND {457}
SOME say the spot is banned; that the pillar Cross-and-Hand
Attests to a deed of hell;
But of else than of bale is the mystic tale
That ancient Vale-folk tell.
Ere Cernel's Abbey ceased hereabout there dwelt a priest,
(In later life sub-prior
Of the brotherhood there, whose bones are now bare
In the field that was Cernel choir).
One night in his cell at the foot of yon dell
The priest heard a frequent cry:
"Go, father, in haste to the cot on the waste,
And shrive a man waiting to die. "
Said the priest in a shout to the caller without,
"The night howls, the tree-trunks bow;
One may barely by day track so rugged a way,
And can I then do so now? "
No further word from the dark was heard,
And the priest moved never a limb;
And he slept and dreamed; till a Visage seemed
To frown from Heaven at him.
In a sweat he arose; and the storm shrieked shrill,
And smote as in savage joy;
While High-Stoy trees twanged to Bubb-Down Hill,
And Bubb-Down to High-Stoy.
There seemed not a holy thing in hail,
Nor shape of light or love,
From the Abbey north of Blackmore Vale
To the Abbey south thereof.
Yet he plodded thence through the dark immense,
And with many a stumbling stride
Through copse and briar climbed nigh and nigher
To the cot and the sick man's side.
When he would have unslung the Vessels uphung
To his arm in the steep ascent,
He made loud moan: the Pyx was gone
Of the Blessed Sacrament.
Then in dolorous dread he beat his head:
"No earthly prize or pelf
Is the thing I've lost in tempest tossed,
But the Body of Christ Himself! "
He thought of the Visage his dream revealed,
And turned towards whence he came,
Hands groping the ground along foot-track and field,
And head in a heat of shame.
Till here on the hill, betwixt vill and vill,
He noted a clear straight ray
Stretching down from the sky to a spot hard by,
Which shone with the light of day.
And gathered around the illumined ground
Were common beasts and rare,
All kneeling at gaze, and in pause profound
Attent on an object there.
'Twas the Pyx, unharmed 'mid the circling rows
Of Blackmore's hairy throng,
Whereof were oxen, sheep, and does,
And hares from the brakes among;
And badgers grey, and conies keen,
And squirrels of the tree,
And many a member seldom seen
Of Nature's family.
The ireful winds that scoured and swept
Through coppice, clump, and dell,
Within that holy circle slept
Calm as in hermit's cell.
Then the priest bent likewise to the sod
And thanked the Lord of Love,
And Blessed Mary, Mother of God,
And all the saints above.
And turning straight with his priceless freight,
He reached the dying one,
Whose passing sprite had been stayed for the rite
Without which bliss hath none.
And when by grace the priest won place,
And served the Abbey well,
He reared this stone to mark where shone
That midnight miracle.
TESS'S LAMENT
I
I WOULD that folk forgot me quite,
Forgot me quite!
I would that I could shrink from sight,
And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
Of my day's work as done.
II
Ah! dairy where I lived so long,
I lived so long;
Where I would rise up stanch and strong,
And lie down hopefully.
'Twas there within the chimney-seat
He watched me to the clock's slow beat--
Loved me, and learnt to call me sweet,
And whispered words to me.
III
And now he's gone; and now he's gone; . . .
And now he's gone!
The flowers we potted p'rhaps are thrown
To rot upon the farm.
And where we had our supper-fire
May now grow nettle, dock, and briar,
And all the place be mould and mire
So cozy once and warm.
IV
And it was I who did it all,
Who did it all;
'Twas I who made the blow to fall
On him who thought no guile.
Well, it is finished--past, and he
Has left me to my misery,
And I must take my Cross on me
For wronging him awhile.
V
How gay we looked that day we wed,
That day we wed!
"May joy be with ye! " all o'm said
A standing by the durn.
I wonder what they say o's now,
And if they know my lot; and how
She feels who milks my favourite cow,
And takes my place at churn!
VI
It wears me out to think of it,
To think of it;
I cannot bear my fate as writ,
I'd have my life unbe;
Would turn my memory to a blot,
Make every relic of me rot,
My doings be as they were not,
And what they've brought to me!
THE SUPPLANTER
A TALE
I
HE bends his travel-tarnished feet
To where she wastes in clay:
From day-dawn until eve he fares
Along the wintry way;
From day-dawn until eve repairs
Unto her mound to pray.
II
"Are these the gravestone shapes that meet
My forward-straining view?
Or forms that cross a window-blind
In circle, knot, and queue:
Gay forms, that cross and whirl and wind
To music throbbing through? "--
III
"The Keeper of the Field of Tombs
Dwells by its gateway-pier;
He celebrates with feast and dance
His daughter's twentieth year:
He celebrates with wine of France
The birthday of his dear. "--
IV
"The gates are shut when evening glooms:
Lay down your wreath, sad wight;
To-morrow is a time more fit
For placing flowers aright:
The morning is the time for it;
Come, wake with us to-night! "--
V
He grounds his wreath, and enters in,
And sits, and shares their cheer. --
"I fain would foot with you, young man,
Before all others here;
I fain would foot it for a span
With such a cavalier! "
VI
She coaxes, clasps, nor fails to win
His first-unwilling hand:
The merry music strikes its staves,
The dancers quickly band;
And with the damsel of the graves
He duly takes his stand.
VII
"You dance divinely, stranger swain,
Such grace I've never known.
O longer stay! Breathe not adieu
And leave me here alone!
O longer stay: to her be true
Whose heart is all your own! "--
VIII
"I mark a phantom through the pane,
That beckons in despair,
Its mouth all drawn with heavy moan--
Her to whom once I sware! "--
"Nay; 'tis the lately carven stone
Of some strange girl laid there! "--
IX
"I see white flowers upon the floor
Betrodden to a clot;
My wreath were they? "--"Nay; love me much,
Swear you'll forget me not!
'Twas but a wreath! Full many such
Are brought here and forgot. "
* * * * * * *
X
The watches of the night grow hoar,
He rises ere the sun;
"Now could I kill thee here! " he says,
"For winning me from one
Who ever in her living days
Was pure as cloistered nun! "
XI
She cowers, and he takes his track
Afar for many a mile,
For evermore to be apart
From her who could beguile
His senses by her burning heart,
And win his love awhile.
XII
A year: and he is travelling back
To her who wastes in clay;
From day-dawn until eve he fares
Along the wintry way,
From day-dawn until eve repairs
Unto her mound to pray.
XIII
And there he sets him to fulfil
His frustrate first intent:
And lay upon her bed, at last,
The offering earlier meant:
When, on his stooping figure, ghast
And haggard eyes are bent.
XIV
"O surely for a little while
You can be kind to me!
For do you love her, do you hate,
She knows not--cares not she:
Only the living feel the weight
Of loveless misery!
XV
"I own my sin; I've paid its cost,
Being outcast, shamed, and bare:
I give you daily my whole heart,
Your babe my tender care,
I pour you prayers; and aye to part
Is more than I can bear! "
XVI
He turns--unpitying, passion-tossed;
"I know you not! " he cries,
"Nor know your child. I knew this maid,
But she's in Paradise! "
And swiftly in the winter shade
He breaks from her and flies.
IMITATIONS, ETC.
SAPPHIC FRAGMENT
"Thou shalt be--Nothing. "--OMAR KHAYYAM.
"Tombless, with no remembrance. "--W. SHAKESPEARE.
DEAD shalt thou lie; and nought
Be told of thee or thought,
For thou hast plucked not of the Muses' tree:
And even in Hades' halls
Amidst thy fellow-thralls
No friendly shade thy shade shall company!
CATULLUS: XXXI
(After passing Sirmione, April 1887. )
SIRMIO, thou dearest dear of strands
That Neptune strokes in lake and sea,
With what high joy from stranger lands
Doth thy old friend set foot on thee!
Yea, barely seems it true to me
That no Bithynia holds me now,
But calmly and assuringly
Around me stretchest homely Thou.
Is there a scene more sweet than when
Our clinging cares are undercast,
And, worn by alien moils and men,
The long untrodden sill repassed,
We press the pined for couch at last,
And find a full repayment there?
Then hail, sweet Sirmio; thou that wast,
And art, mine own unrivalled Fair!
AFTER SCHILLER
KNIGHT, a true sister-love
This heart retains;
Ask me no other love,
That way lie pains!
Calm must I view thee come,
Calm see thee go;
Tale-telling tears of thine
I must not know!
SONG FROM HEINE
I SCANNED her picture dreaming,
Till each dear line and hue
Was imaged, to my seeming,
As if it lived anew.
Her lips began to borrow
Their former wondrous smile;
Her fair eyes, faint with sorrow,
Grew sparkling as erstwhile.
Such tears as often ran not
Ran then, my love, for thee;
And O, believe I cannot
That thou are lost to me!
FROM VICTOR HUGO
CHILD, were I king, I'd yield my royal rule,
My chariot, sceptre, vassal-service due,
My crown, my porphyry-basined waters cool,
My fleets, whereto the sea is but a pool,
For a glance from you!
Love, were I God, the earth and its heaving airs,
Angels, the demons abject under me,
Vast chaos with its teeming womby lairs,
Time, space, all would I give--aye, upper spheres,
For a kiss from thee!
CARDINAL BEMBO'S EPITAPH ON RAPHAEL
HERE'S one in whom Nature feared--faint at such vying--
Eclipse while he lived, and decease at his dying.
RETROSPECT
"I HAVE LIVED WITH SHADES"
I
I HAVE lived with shades so long,
And talked to them so oft,
Since forth from cot and croft
I went mankind among,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," spake they to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee. "--
--"Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace.
IV
"He moves me not at all;
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him. "
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine--
Thy mould and his define
A likeness each to each--
But go! Deep pain
Alas, would be
His name to thee,
And told in vain! "
_Feb. _ 2, 1899.
MEMORY AND I
"O MEMORY, where is now my youth,
Who used to say that life was truth? "
"I saw him in a crumbled cot
Beneath a tottering tree;
That he as phantom lingers there
Is only known to me. "
"O Memory, where is now my joy,
Who lived with me in sweet employ? "
"I saw him in gaunt gardens lone,
Where laughter used to be;
That he as phantom wanders there
Is known to none but me. "
"O Memory, where is now my hope,
Who charged with deeds my skill and scope? "
"I saw her in a tomb of tomes,
Where dreams are wont to be;
That she as spectre haunteth there
Is only known to me. "
"O Memory, where is now my faith,
One time a champion, now a wraith? "
"I saw her in a ravaged aisle,
Bowed down on bended knee;
That her poor ghost outflickers there
Is known to none but me. "
"O Memory, where is now my love,
That rayed me as a god above? "
"I saw him by an ageing shape
Where beauty used to be;
That his fond phantom lingers there
Is only known to me. "
? ? ? ? ? ? ? . ? ? ? .
LONG have I framed weak phantasies of Thee,
O Willer masked and dumb!
Who makest Life become,--
As though by labouring all-unknowingly,
Like one whom reveries numb.
How much of consciousness informs Thy will
Thy biddings, as if blind,
Of death-inducing kind,
Nought shows to us ephemeral ones who fill
But moments in Thy mind.
Perhaps Thy ancient rote-restricted ways
Thy ripening rule transcends;
That listless effort tends
To grow percipient with advance of days,
And with percipience mends.
For, in unwonted purlieus, far and nigh,
At whiles or short or long,
May be discerned a wrong
Dying as of self-slaughter; whereat I
Would raise my voice in song.
FOOTNOTES
{253} The "Race" is the turbulent sea-area off the Bill of Portland,
where contrary tides meet.
{290} Pronounce "Loddy. "
{457} On a lonely table-land above the Vale of Blackmore, between
High-Stoy and Bubb-Down hills, and commanding in clear weather views that
extend from the English to the Bristol Channel, stands a pillar,
apparently mediaeval, called Cross-and-Hand or Christ-in-Hand. Among
other stories of its origin a local tradition preserves the one here
given.
***END OF THE PROJECT GUTENBERG EBOOK POEMS OF THE PAST AND THE PRESENT***
******* This file should be named 3168-0. txt or 3168-0. zip *******
This and all associated files of various formats will be found in:
http://www. gutenberg. org/dirs/3/1/6/3168
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U. S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you! ) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U. S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www. gutenberg. org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1. E. 2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U. S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1. E. 1 through 1. E. 7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1. E. 8 or 1. E.
THE DAME OF ATHELHALL
I
"SOUL! Shall I see thy face," she said,
"In one brief hour?
And away with thee from a loveless bed
To a far-off sun, to a vine-wrapt bower,
And be thine own unseparated,
And challenge the world's white glower? "
II
She quickened her feet, and met him where
They had predesigned:
And they clasped, and mounted, and cleft the air
Upon whirling wheels; till the will to bind
Her life with his made the moments there
Efface the years behind.
III
Miles slid, and the sight of the port upgrew
As they sped on;
When slipping its bond the bracelet flew
From her fondled arm. Replaced anon,
Its cameo of the abjured one drew
Her musings thereupon.
IV
The gaud with his image once had been
A gift from him:
And so it was that its carving keen
Refurbished memories wearing dim,
Which set in her soul a throe of teen,
And a tear on her lashes' brim.
V
"I may not go! " she at length upspake,
"Thoughts call me back--
I would still lose all for your dear, dear sake;
My heart is thine, friend! But my track
I home to Athelhall must take
To hinder household wrack! "
VI
He appealed. But they parted, weak and wan:
And he left the shore;
His ship diminished, was low, was gone;
And she heard in the waves as the daytide wore,
And read in the leer of the sun that shone,
That they parted for evermore.
VII
She homed as she came, at the dip of eve
On Athel Coomb
Regaining the Hall she had sworn to leave . . .
The house was soundless as a tomb,
And she entered her chamber, there to grieve
Lone, kneeling, in the gloom.
VIII
From the lawn without rose her husband's voice
To one his friend:
"Another her Love, another my choice,
Her going is good. Our conditions mend;
In a change of mates we shall both rejoice;
I hoped that it thus might end!
IX
"A quick divorce; she will make him hers,
And I wed mine.
So Time rights all things in long, long years--
Or rather she, by her bold design!
I admire a woman no balk deters:
She has blessed my life, in fine.
X
"I shall build new rooms for my new true bride,
Let the bygone be:
By now, no doubt, she has crossed the tide
With the man to her mind. Far happier she
In some warm vineland by his side
Than ever she was with me. "
THE SEASONS OF HER YEAR
I
WINTER is white on turf and tree,
And birds are fled;
But summer songsters pipe to me,
And petals spread,
For what I dreamt of secretly
His lips have said!
II
O 'tis a fine May morn, they say,
And blooms have blown;
But wild and wintry is my day,
My birds make moan;
For he who vowed leaves me to pay
Alone--alone!
THE MILKMAID
UNDER a daisied bank
There stands a rich red ruminating cow,
And hard against her flank
A cotton-hooded milkmaid bends her brow.
The flowery river-ooze
Upheaves and falls; the milk purrs in the pail;
Few pilgrims but would choose
The peace of such a life in such a vale.
The maid breathes words--to vent,
It seems, her sense of Nature's scenery,
Of whose life, sentiment,
And essence, very part itself is she.
She bends a glance of pain,
And, at a moment, lets escape a tear;
Is it that passing train,
Whose alien whirr offends her country ear? --
Nay! Phyllis does not dwell
On visual and familiar things like these;
What moves her is the spell
Of inner themes and inner poetries:
Could but by Sunday morn
Her gay new gown come, meads might dry to dun,
Trains shriek till ears were torn,
If Fred would not prefer that Other One.
THE LEVELLED CHURCHYARD
"O PASSENGER, pray list and catch
Our sighs and piteous groans,
Half stifled in this jumbled patch
Of wrenched memorial stones!
"We late-lamented, resting here,
Are mixed to human jam,
And each to each exclaims in fear,
'I know not which I am! '
"The wicked people have annexed
The verses on the good;
A roaring drunkard sports the text
Teetotal Tommy should!
"Where we are huddled none can trace,
And if our names remain,
They pave some path or p-ing place
Where we have never lain!
"There's not a modest maiden elf
But dreads the final Trumpet,
Lest half of her should rise herself,
And half some local strumpet!
"From restorations of Thy fane,
From smoothings of Thy sward,
From zealous Churchmen's pick and plane
Deliver us O Lord! Amen! "
1882.
THE RUINED MAID
"O 'Melia, my dear, this does everything crown!
Who could have supposed I should meet you in Town?
And whence such fair garments, such prosperi-ty? "--
"O didn't you know I'd been ruined? " said she.
--"You left us in tatters, without shoes or socks,
Tired of digging potatoes, and spudding up docks;
And now you've gay bracelets and bright feathers three! "--
"Yes: that's how we dress when we're ruined," said she.
--"At home in the barton you said 'thee' and 'thou,'
And 'thik oon,' and 'theas oon,' and 't'other'; but now
Your talking quite fits 'ee for high compa-ny! "--
"Some polish is gained with one's ruin," said she.
--"Your hands were like paws then, your face blue and bleak,
But now I'm bewitched by your delicate cheek,
And your little gloves fit as on any la-dy! "--
"We never do work when we're ruined," said she.
--"You used to call home-life a hag-ridden dream,
And you'd sigh, and you'd sock; but at present you seem
To know not of megrims or melancho-ly! "--
"True. There's an advantage in ruin," said she.
--"I wish I had feathers, a fine sweeping gown,
And a delicate face, and could strut about Town! "--
"My dear--a raw country girl, such as you be,
Isn't equal to that. You ain't ruined," said she.
WESTBOURNE PARK VILLAS, 1866.
THE RESPECTABLE BURGHER
ON "THE HIGHER CRITICISM"
SINCE Reverend Doctors now declare
That clerks and people must prepare
To doubt if Adam ever were;
To hold the flood a local scare;
To argue, though the stolid stare,
That everything had happened ere
The prophets to its happening sware;
That David was no giant-slayer,
Nor one to call a God-obeyer
In certain details we could spare,
But rather was a debonair
Shrewd bandit, skilled as banjo-player:
That Solomon sang the fleshly Fair,
And gave the Church no thought whate'er;
That Esther with her royal wear,
And Mordecai, the son of Jair,
And Joshua's triumphs, Job's despair,
And Balaam's ass's bitter blare;
Nebuchadnezzar's furnace-flare,
And Daniel and the den affair,
And other stories rich and rare,
Were writ to make old doctrine wear
Something of a romantic air:
That the Nain widow's only heir,
And Lazarus with cadaverous glare
(As done in oils by Piombo's care)
Did not return from Sheol's lair:
That Jael set a fiendish snare,
That Pontius Pilate acted square,
That never a sword cut Malchus' ear
And (but for shame I must forbear)
That -- -- did not reappear! . . .
--Since thus they hint, nor turn a hair,
All churchgoing will I forswear,
And sit on Sundays in my chair,
And read that moderate man Voltaire.
ARCHITECTURAL MASKS
I
THERE is a house with ivied walls,
And mullioned windows worn and old,
And the long dwellers in those halls
Have souls that know but sordid calls,
And daily dote on gold.
II
In blazing brick and plated show
Not far away a "villa" gleams,
And here a family few may know,
With book and pencil, viol and bow,
Lead inner lives of dreams.
III
The philosophic passers say,
"See that old mansion mossed and fair,
Poetic souls therein are they:
And O that gaudy box! Away,
You vulgar people there. "
THE TENANT-FOR-LIFE
THE sun said, watching my watering-pot
"Some morn you'll pass away;
These flowers and plants I parch up hot--
Who'll water them that day?
"Those banks and beds whose shape your eye
Has planned in line so true,
New hands will change, unreasoning why
Such shape seemed best to you.
"Within your house will strangers sit,
And wonder how first it came;
They'll talk of their schemes for improving it,
And will not mention your name.
"They'll care not how, or when, or at what
You sighed, laughed, suffered here,
Though you feel more in an hour of the spot
Than they will feel in a year
"As I look on at you here, now,
Shall I look on at these;
But as to our old times, avow
No knowledge--hold my peace! . . .
"O friend, it matters not, I say;
Bethink ye, I have shined
On nobler ones than you, and they
Are dead men out of mind! "
THE KING'S EXPERIMENT
IT was a wet wan hour in spring,
And Nature met King Doom beside a lane,
Wherein Hodge trudged, all blithely ballading
The Mother's smiling reign.
"Why warbles he that skies are fair
And coombs alight," she cried, "and fallows gay,
When I have placed no sunshine in the air
Or glow on earth to-day? "
"'Tis in the comedy of things
That such should be," returned the one of Doom;
"Charge now the scene with brightest blazonings,
And he shall call them gloom. "
She gave the word: the sun outbroke,
All Froomside shone, the hedgebirds raised a song;
And later Hodge, upon the midday stroke,
Returned the lane along,
Low murmuring: "O this bitter scene,
And thrice accurst horizon hung with gloom!
How deadly like this sky, these fields, these treen,
To trappings of the tomb! "
The Beldame then: "The fool and blind!
Such mad perverseness who may apprehend? "--
"Nay; there's no madness in it; thou shalt find
Thy law there," said her friend.
"When Hodge went forth 'twas to his Love,
To make her, ere this eve, his wedded prize,
And Earth, despite the heaviness above,
Was bright as Paradise.
"But I sent on my messenger,
With cunning arrows poisonous and keen,
To take forthwith her laughing life from her,
And dull her little een,
"And white her cheek, and still her breath,
Ere her too buoyant Hodge had reached her side;
So, when he came, he clasped her but in death,
And never as his bride.
"And there's the humour, as I said;
Thy dreary dawn he saw as gleaming gold,
And in thy glistening green and radiant red
Funereal gloom and cold. "
THE TREE
AN OLD MAN'S STORY
I
Its roots are bristling in the air
Like some mad Earth-god's spiny hair;
The loud south-wester's swell and yell
Smote it at midnight, and it fell.
Thus ends the tree
Where Some One sat with me.
II
Its boughs, which none but darers trod,
A child may step on from the sod,
And twigs that earliest met the dawn
Are lit the last upon the lawn.
Cart off the tree
Beneath whose trunk sat we!
III
Yes, there we sat: she cooed content,
And bats ringed round, and daylight went;
The gnarl, our seat, is wrenched and sunk,
Prone that queer pocket in the trunk
Where lay the key
To her pale mystery.
IV
"Years back, within this pocket-hole
I found, my Love, a hurried scrawl
Meant not for me," at length said I;
"I glanced thereat, and let it lie:
The words were three--
'_Beloved_, _I agree_. '
V
"Who placed it here; to what request
It gave assent, I never guessed.
Some prayer of some hot heart, no doubt,
To some coy maiden hereabout,
Just as, maybe,
With you, Sweet Heart, and me. "
VI
She waited, till with quickened breath
She spoke, as one who banisheth
Reserves that lovecraft heeds so well,
To ease some mighty wish to tell:
"'Twas I," said she,
"Who wrote thus clinchingly.
VII
"My lover's wife--aye, wife! --knew nought
Of what we felt, and bore, and thought . . .
He'd said: '_I wed with thee or die_:
_She stands between_, '_tis true_. _But why_?
_Do thou agree_,
_And--she shalt cease to be_. '
VIII
"How I held back, how love supreme
Involved me madly in his scheme
Why should I say? . . . I wrote assent
(You found it hid) to his intent . . .
She--_died_ . . . But he
Came not to wed with me.
IX
"O shrink not, Love! --Had these eyes seen
But once thine own, such had not been!
But we were strangers . . . Thus the plot
Cleared passion's path. --Why came he not
To wed with me? . . .
He wived the gibbet-tree. "
X
--Under that oak of heretofore
Sat Sweetheart mine with me no more:
By many a Fiord, and Strom, and Fleuve
Have I since wandered . . . Soon, for love,
Distraught went she--
'Twas said for love of me.
HER LATE HUSBAND
(KING'S-HINTOCK, 182-. )
"No--not where I shall make my own;
But dig his grave just by
The woman's with the initialed stone--
As near as he can lie--
After whose death he seemed to ail,
Though none considered why.
"And when I also claim a nook,
And your feet tread me in,
Bestow me, under my old name,
Among my kith and kin,
That strangers gazing may not dream
I did a husband win. "
"Widow, your wish shall be obeyed;
Though, thought I, certainly
You'd lay him where your folk are laid,
And your grave, too, will be,
As custom hath it; you to right,
And on the left hand he. "
"Aye, sexton; such the Hintock rule,
And none has said it nay;
But now it haps a native here
Eschews that ancient way . . .
And it may be, some Christmas night,
When angels walk, they'll say:
"'O strange interment! Civilized lands
Afford few types thereof;
Here is a man who takes his rest
Beside his very Love,
Beside the one who was his wife
In our sight up above! '"
THE SELF-UNSEEING
HERE is the ancient floor,
Footworn and hollowed and thin,
Here was the former door
Where the dead feet walked in.
She sat here in her chair,
Smiling into the fire;
He who played stood there,
Bowing it higher and higher.
Childlike, I danced in a dream;
Blessings emblazoned that day
Everything glowed with a gleam;
Yet we were looking away!
DE PROFUNDIS
I
"Percussus sum sicut foenum, et aruit cor meum. "
--_Ps. _ ci
WINTERTIME nighs;
But my bereavement-pain
It cannot bring again:
Twice no one dies.
Flower-petals flee;
But, since it once hath been,
No more that severing scene
Can harrow me.
Birds faint in dread:
I shall not lose old strength
In the lone frost's black length:
Strength long since fled!
Leaves freeze to dun;
But friends can not turn cold
This season as of old
For him with none.
Tempests may scath;
But love can not make smart
Again this year his heart
Who no heart hath.
Black is night's cope;
But death will not appal
One who, past doubtings all,
Waits in unhope.
II
"Considerabam ad dexteram, et videbam; et non erat qui cognosceret me
. . . Non est qui requirat animam meam. "--_Ps. _ cxli.
WHEN the clouds' swoln bosoms echo back the shouts of the many and
strong
That things are all as they best may be, save a few to be right ere
long,
And my eyes have not the vision in them to discern what to these is so
clear,
The blot seems straightway in me alone; one better he were not here.
The stout upstanders say, All's well with us: ruers have nought to
rue!
And what the potent say so oft, can it fail to be somewhat true?
Breezily go they, breezily come; their dust smokes around their
career,
Till I think I am one horn out of due time, who has no calling here.
Their dawns bring lusty joys, it seems; their eves exultance sweet;
Our times are blessed times, they cry: Life shapes it as is most meet,
And nothing is much the matter; there are many smiles to a tear;
Then what is the matter is I, I say. Why should such an one be here?
. . .
Let him to whose ears the low-voiced Best seems stilled by the clash
of the First,
Who holds that if way to the Better there be, it exacts a full look at
the Worst,
Who feels that delight is a delicate growth cramped by crookedness,
custom, and fear,
Get him up and be gone as one shaped awry; he disturbs the order here.
1895-96.
III
"Heu mihi, quia incolatus meus prolongatus est! Habitavi cum
habitantibus Cedar; multum incola fuit aninia mea. "--_Ps. _ cxix.
THERE have been times when I well might have passed and the ending
have come--
Points in my path when the dark might have stolen on me, artless,
unrueing--
Ere I had learnt that the world was a welter of futile doing:
Such had been times when I well might have passed, and the ending have
come!
Say, on the noon when the half-sunny hours told that April was nigh,
And I upgathered and cast forth the snow from the crocus-border,
Fashioned and furbished the soil into a summer-seeming order,
Glowing in gladsome faith that I quickened the year thereby.
Or on that loneliest of eves when afar and benighted we stood,
She who upheld me and I, in the midmost of Egdon together,
Confident I in her watching and ward through the blackening heather,
Deeming her matchless in might and with measureless scope endued.
Or on that winter-wild night when, reclined by the chimney-nook quoin,
Slowly a drowse overgat me, the smallest and feeblest of folk there,
Weak from my baptism of pain; when at times and anon I awoke there--
Heard of a world wheeling on, with no listing or longing to join.
Even then! while unweeting that vision could vex or that knowledge
could numb,
That sweets to the mouth in the belly are bitter, and tart, and
untoward,
Then, on some dim-coloured scene should my briefly raised curtain have
lowered,
Then might the Voice that is law have said "Cease! " and the ending
have come.
1896.
THE CHURCH-BUILDER
I
THE church flings forth a battled shade
Over the moon-blanched sward;
The church; my gift; whereto I paid
My all in hand and hoard:
Lavished my gains
With stintless pains
To glorify the Lord.
II
I squared the broad foundations in
Of ashlared masonry;
I moulded mullions thick and thin,
Hewed fillet and ogee;
I circleted
Each sculptured head
With nimb and canopy.
III
I called in many a craftsmaster
To fix emblazoned glass,
To figure Cross and Sepulchre
On dossal, boss, and brass.
My gold all spent,
My jewels went
To gem the cups of Mass.
IV
I borrowed deep to carve the screen
And raise the ivoried Rood;
I parted with my small demesne
To make my owings good.
Heir-looms unpriced
I sacrificed,
Until debt-free I stood.
V
So closed the task. "Deathless the Creed
Here substanced! " said my soul:
"I heard me bidden to this deed,
And straight obeyed the call.
Illume this fane,
That not in vain
I build it, Lord of all! "
VI
But, as it chanced me, then and there
Did dire misfortunes burst;
My home went waste for lack of care,
My sons rebelled and curst;
Till I confessed
That aims the best
Were looking like the worst.
VII
Enkindled by my votive work
No burning faith I find;
The deeper thinkers sneer and smirk,
And give my toil no mind;
From nod and wink
I read they think
That I am fool and blind.
VIII
My gift to God seems futile, quite;
The world moves as erstwhile;
And powerful wrong on feeble right
Tramples in olden style.
My faith burns down,
I see no crown;
But Cares, and Griefs, and Guile.
IX
So now, the remedy? Yea, this:
I gently swing the door
Here, of my fane--no soul to wis--
And cross the patterned floor
To the rood-screen
That stands between
The nave and inner chore.
X
The rich red windows dim the moon,
But little light need I;
I mount the prie-dieu, lately hewn
From woods of rarest dye;
Then from below
My garment, so,
I draw this cord, and tie
XI
One end thereof around the beam
Midway 'twixt Cross and truss:
I noose the nethermost extreme,
And in ten seconds thus
I journey hence--
To that land whence
No rumour reaches us.
XII
Well: Here at morn they'll light on one
Dangling in mockery
Of what he spent his substance on
Blindly and uselessly! . . .
"He might," they'll say,
"Have built, some way.
A cheaper gallows-tree! "
THE LOST PYX
A MEDIAEVAL LEGEND {457}
SOME say the spot is banned; that the pillar Cross-and-Hand
Attests to a deed of hell;
But of else than of bale is the mystic tale
That ancient Vale-folk tell.
Ere Cernel's Abbey ceased hereabout there dwelt a priest,
(In later life sub-prior
Of the brotherhood there, whose bones are now bare
In the field that was Cernel choir).
One night in his cell at the foot of yon dell
The priest heard a frequent cry:
"Go, father, in haste to the cot on the waste,
And shrive a man waiting to die. "
Said the priest in a shout to the caller without,
"The night howls, the tree-trunks bow;
One may barely by day track so rugged a way,
And can I then do so now? "
No further word from the dark was heard,
And the priest moved never a limb;
And he slept and dreamed; till a Visage seemed
To frown from Heaven at him.
In a sweat he arose; and the storm shrieked shrill,
And smote as in savage joy;
While High-Stoy trees twanged to Bubb-Down Hill,
And Bubb-Down to High-Stoy.
There seemed not a holy thing in hail,
Nor shape of light or love,
From the Abbey north of Blackmore Vale
To the Abbey south thereof.
Yet he plodded thence through the dark immense,
And with many a stumbling stride
Through copse and briar climbed nigh and nigher
To the cot and the sick man's side.
When he would have unslung the Vessels uphung
To his arm in the steep ascent,
He made loud moan: the Pyx was gone
Of the Blessed Sacrament.
Then in dolorous dread he beat his head:
"No earthly prize or pelf
Is the thing I've lost in tempest tossed,
But the Body of Christ Himself! "
He thought of the Visage his dream revealed,
And turned towards whence he came,
Hands groping the ground along foot-track and field,
And head in a heat of shame.
Till here on the hill, betwixt vill and vill,
He noted a clear straight ray
Stretching down from the sky to a spot hard by,
Which shone with the light of day.
And gathered around the illumined ground
Were common beasts and rare,
All kneeling at gaze, and in pause profound
Attent on an object there.
'Twas the Pyx, unharmed 'mid the circling rows
Of Blackmore's hairy throng,
Whereof were oxen, sheep, and does,
And hares from the brakes among;
And badgers grey, and conies keen,
And squirrels of the tree,
And many a member seldom seen
Of Nature's family.
The ireful winds that scoured and swept
Through coppice, clump, and dell,
Within that holy circle slept
Calm as in hermit's cell.
Then the priest bent likewise to the sod
And thanked the Lord of Love,
And Blessed Mary, Mother of God,
And all the saints above.
And turning straight with his priceless freight,
He reached the dying one,
Whose passing sprite had been stayed for the rite
Without which bliss hath none.
And when by grace the priest won place,
And served the Abbey well,
He reared this stone to mark where shone
That midnight miracle.
TESS'S LAMENT
I
I WOULD that folk forgot me quite,
Forgot me quite!
I would that I could shrink from sight,
And no more see the sun.
Would it were time to say farewell,
To claim my nook, to need my knell,
Time for them all to stand and tell
Of my day's work as done.
II
Ah! dairy where I lived so long,
I lived so long;
Where I would rise up stanch and strong,
And lie down hopefully.
'Twas there within the chimney-seat
He watched me to the clock's slow beat--
Loved me, and learnt to call me sweet,
And whispered words to me.
III
And now he's gone; and now he's gone; . . .
And now he's gone!
The flowers we potted p'rhaps are thrown
To rot upon the farm.
And where we had our supper-fire
May now grow nettle, dock, and briar,
And all the place be mould and mire
So cozy once and warm.
IV
And it was I who did it all,
Who did it all;
'Twas I who made the blow to fall
On him who thought no guile.
Well, it is finished--past, and he
Has left me to my misery,
And I must take my Cross on me
For wronging him awhile.
V
How gay we looked that day we wed,
That day we wed!
"May joy be with ye! " all o'm said
A standing by the durn.
I wonder what they say o's now,
And if they know my lot; and how
She feels who milks my favourite cow,
And takes my place at churn!
VI
It wears me out to think of it,
To think of it;
I cannot bear my fate as writ,
I'd have my life unbe;
Would turn my memory to a blot,
Make every relic of me rot,
My doings be as they were not,
And what they've brought to me!
THE SUPPLANTER
A TALE
I
HE bends his travel-tarnished feet
To where she wastes in clay:
From day-dawn until eve he fares
Along the wintry way;
From day-dawn until eve repairs
Unto her mound to pray.
II
"Are these the gravestone shapes that meet
My forward-straining view?
Or forms that cross a window-blind
In circle, knot, and queue:
Gay forms, that cross and whirl and wind
To music throbbing through? "--
III
"The Keeper of the Field of Tombs
Dwells by its gateway-pier;
He celebrates with feast and dance
His daughter's twentieth year:
He celebrates with wine of France
The birthday of his dear. "--
IV
"The gates are shut when evening glooms:
Lay down your wreath, sad wight;
To-morrow is a time more fit
For placing flowers aright:
The morning is the time for it;
Come, wake with us to-night! "--
V
He grounds his wreath, and enters in,
And sits, and shares their cheer. --
"I fain would foot with you, young man,
Before all others here;
I fain would foot it for a span
With such a cavalier! "
VI
She coaxes, clasps, nor fails to win
His first-unwilling hand:
The merry music strikes its staves,
The dancers quickly band;
And with the damsel of the graves
He duly takes his stand.
VII
"You dance divinely, stranger swain,
Such grace I've never known.
O longer stay! Breathe not adieu
And leave me here alone!
O longer stay: to her be true
Whose heart is all your own! "--
VIII
"I mark a phantom through the pane,
That beckons in despair,
Its mouth all drawn with heavy moan--
Her to whom once I sware! "--
"Nay; 'tis the lately carven stone
Of some strange girl laid there! "--
IX
"I see white flowers upon the floor
Betrodden to a clot;
My wreath were they? "--"Nay; love me much,
Swear you'll forget me not!
'Twas but a wreath! Full many such
Are brought here and forgot. "
* * * * * * *
X
The watches of the night grow hoar,
He rises ere the sun;
"Now could I kill thee here! " he says,
"For winning me from one
Who ever in her living days
Was pure as cloistered nun! "
XI
She cowers, and he takes his track
Afar for many a mile,
For evermore to be apart
From her who could beguile
His senses by her burning heart,
And win his love awhile.
XII
A year: and he is travelling back
To her who wastes in clay;
From day-dawn until eve he fares
Along the wintry way,
From day-dawn until eve repairs
Unto her mound to pray.
XIII
And there he sets him to fulfil
His frustrate first intent:
And lay upon her bed, at last,
The offering earlier meant:
When, on his stooping figure, ghast
And haggard eyes are bent.
XIV
"O surely for a little while
You can be kind to me!
For do you love her, do you hate,
She knows not--cares not she:
Only the living feel the weight
Of loveless misery!
XV
"I own my sin; I've paid its cost,
Being outcast, shamed, and bare:
I give you daily my whole heart,
Your babe my tender care,
I pour you prayers; and aye to part
Is more than I can bear! "
XVI
He turns--unpitying, passion-tossed;
"I know you not! " he cries,
"Nor know your child. I knew this maid,
But she's in Paradise! "
And swiftly in the winter shade
He breaks from her and flies.
IMITATIONS, ETC.
SAPPHIC FRAGMENT
"Thou shalt be--Nothing. "--OMAR KHAYYAM.
"Tombless, with no remembrance. "--W. SHAKESPEARE.
DEAD shalt thou lie; and nought
Be told of thee or thought,
For thou hast plucked not of the Muses' tree:
And even in Hades' halls
Amidst thy fellow-thralls
No friendly shade thy shade shall company!
CATULLUS: XXXI
(After passing Sirmione, April 1887. )
SIRMIO, thou dearest dear of strands
That Neptune strokes in lake and sea,
With what high joy from stranger lands
Doth thy old friend set foot on thee!
Yea, barely seems it true to me
That no Bithynia holds me now,
But calmly and assuringly
Around me stretchest homely Thou.
Is there a scene more sweet than when
Our clinging cares are undercast,
And, worn by alien moils and men,
The long untrodden sill repassed,
We press the pined for couch at last,
And find a full repayment there?
Then hail, sweet Sirmio; thou that wast,
And art, mine own unrivalled Fair!
AFTER SCHILLER
KNIGHT, a true sister-love
This heart retains;
Ask me no other love,
That way lie pains!
Calm must I view thee come,
Calm see thee go;
Tale-telling tears of thine
I must not know!
SONG FROM HEINE
I SCANNED her picture dreaming,
Till each dear line and hue
Was imaged, to my seeming,
As if it lived anew.
Her lips began to borrow
Their former wondrous smile;
Her fair eyes, faint with sorrow,
Grew sparkling as erstwhile.
Such tears as often ran not
Ran then, my love, for thee;
And O, believe I cannot
That thou are lost to me!
FROM VICTOR HUGO
CHILD, were I king, I'd yield my royal rule,
My chariot, sceptre, vassal-service due,
My crown, my porphyry-basined waters cool,
My fleets, whereto the sea is but a pool,
For a glance from you!
Love, were I God, the earth and its heaving airs,
Angels, the demons abject under me,
Vast chaos with its teeming womby lairs,
Time, space, all would I give--aye, upper spheres,
For a kiss from thee!
CARDINAL BEMBO'S EPITAPH ON RAPHAEL
HERE'S one in whom Nature feared--faint at such vying--
Eclipse while he lived, and decease at his dying.
RETROSPECT
"I HAVE LIVED WITH SHADES"
I
I HAVE lived with shades so long,
And talked to them so oft,
Since forth from cot and croft
I went mankind among,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," spake they to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee. "--
--"Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace.
IV
"He moves me not at all;
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him. "
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine--
Thy mould and his define
A likeness each to each--
But go! Deep pain
Alas, would be
His name to thee,
And told in vain! "
_Feb. _ 2, 1899.
MEMORY AND I
"O MEMORY, where is now my youth,
Who used to say that life was truth? "
"I saw him in a crumbled cot
Beneath a tottering tree;
That he as phantom lingers there
Is only known to me. "
"O Memory, where is now my joy,
Who lived with me in sweet employ? "
"I saw him in gaunt gardens lone,
Where laughter used to be;
That he as phantom wanders there
Is known to none but me. "
"O Memory, where is now my hope,
Who charged with deeds my skill and scope? "
"I saw her in a tomb of tomes,
Where dreams are wont to be;
That she as spectre haunteth there
Is only known to me. "
"O Memory, where is now my faith,
One time a champion, now a wraith? "
"I saw her in a ravaged aisle,
Bowed down on bended knee;
That her poor ghost outflickers there
Is known to none but me. "
"O Memory, where is now my love,
That rayed me as a god above? "
"I saw him by an ageing shape
Where beauty used to be;
That his fond phantom lingers there
Is only known to me. "
? ? ? ? ? ? ? . ? ? ? .
LONG have I framed weak phantasies of Thee,
O Willer masked and dumb!
Who makest Life become,--
As though by labouring all-unknowingly,
Like one whom reveries numb.
How much of consciousness informs Thy will
Thy biddings, as if blind,
Of death-inducing kind,
Nought shows to us ephemeral ones who fill
But moments in Thy mind.
Perhaps Thy ancient rote-restricted ways
Thy ripening rule transcends;
That listless effort tends
To grow percipient with advance of days,
And with percipience mends.
For, in unwonted purlieus, far and nigh,
At whiles or short or long,
May be discerned a wrong
Dying as of self-slaughter; whereat I
Would raise my voice in song.
FOOTNOTES
{253} The "Race" is the turbulent sea-area off the Bill of Portland,
where contrary tides meet.
{290} Pronounce "Loddy. "
{457} On a lonely table-land above the Vale of Blackmore, between
High-Stoy and Bubb-Down hills, and commanding in clear weather views that
extend from the English to the Bristol Channel, stands a pillar,
apparently mediaeval, called Cross-and-Hand or Christ-in-Hand. Among
other stories of its origin a local tradition preserves the one here
given.
***END OF THE PROJECT GUTENBERG EBOOK POEMS OF THE PAST AND THE PRESENT***
******* This file should be named 3168-0. txt or 3168-0. zip *******
This and all associated files of various formats will be found in:
http://www. gutenberg. org/dirs/3/1/6/3168
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U. S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you! ) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U. S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www. gutenberg. org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1. E. 2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U. S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1. E. 1 through 1. E. 7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1. E. 8 or 1. E.
