The
wolves, which had withdrawn to a safe distance, followed in their wake,
leaving us alone.
wolves, which had withdrawn to a safe distance, followed in their wake,
leaving us alone.
Dracula by Bram Stoker
_--With the dawn we saw the body of Szgany before us
dashing away from the river with their leiter-waggon. They surrounded
it in a cluster, and hurried along as though beset. The snow is falling
lightly and there is a strange excitement in the air. It may be our
own excited feelings, but the depression is strange. Far off I hear
the howling of wolves; the snow brings them down from the mountains,
and there are dangers to all of us, and from all sides. The horses are
nearly ready, and we are soon off. We ride to death of some one. God
alone knows who, or where, or what, or when, or how it may be. . . .
_Dr. Van Helsing's Memorandum. _
_5 November, afternoon. _--I am at least sane. Thank God for that
mercy at all events, though the proving it has been dreadful. When I
left Madam Mina sleeping within the Holy circle, I took my way to the
castle. The blacksmith hammer which I took in the carriage from Veresti
was useful; though the doors were all open I broke them off the rusty
hinges, lest some ill-intent or ill-chance should close them, so that
being entered I might not get out. Jonathan's bitter experience served
me here. By memory of his diary I found my way to the old chapel, for
I knew that here my work lay. The air was oppressive; it seemed as if
there was some sulphurous fume, which at times made me dizzy. Either
there was a roaring in my ears or I heard afar off the howl of wolves.
Then I bethought me of my dear Madam Mina, and I was in terrible
plight. The dilemma had me between his horns. Her, I had not dare to
take into this place, but left safe from the Vampire in that Holy
circle; and yet even there would be the wolf! I resolve me that my work
lay here, and that as to the wolves we must submit, if it were God's
Will. At any rate it was only death and freedom beyond. So did I choose
for her. Had it but been for myself the choice had been easy; the maw
of the wolf were better to rest in than the grave of the Vampire! So I
make my choice to go on with my work.
I knew that there were at least three graves to find--graves that are
inhabit; so I search, and search, and I find one of them. She lay in
her Vampire sleep, so full of life and voluptuous beauty that I shudder
as though I have come to do murder. Ah, I doubt not that in old time,
when such things were, many a man who set forth to do such a task as
mine, found at the last his heart fail him, and then his nerve. So he
delay, and delay, and delay, till the mere beauty and the fascination
of the wanton Un-Dead have hypnotise him; and he remain on, and on,
till sunset come, and the Vampire sleep be over. Then the beautiful
eyes of the fair woman open and look love, and the voluptuous mouth
present to a kiss--and man is weak. And there remain one more victim in
the Vampire fold; one more to swell the grim and grisly ranks of the
Un-Dead! . . .
There is some fascination, surely, when I am moved by the mere presence
of such an one, even lying as she lay in a tomb fretted with age and
heavy with the dust of centuries, though there be that horrid odour
such as the lairs of the Count have had. Yes, I was moved--I, Van
Helsing, with all my purpose and with my motive for hate--I was moved
to a yearning for delay which seemed to paralyse my faculties and to
clog my very soul. It may have been that the need of natural sleep,
and the strange oppression of the air were beginning to overcome me.
Certain it was that I was lapsing into sleep, the open-eyed sleep of
one who yields to a sweet fascination, when there came through the
snow-stilled air a long, low wail, so full of woe and pity that it woke
me like the sound of a clarion. For it was the voice of my dear Madam
Mina that I heard.
Then I braced myself again to my horrid task, and found by wrenching
away tomb-tops one other of the sisters, the other dark one. I dared
not pause to look on her as I had on her sister, lest once more I
should begin to be enthral; but I go on searching until, presently, I
find in a high great tomb as if made to one much beloved that other
fair sister which, like Jonathan I had seen to gather herself out
of the atoms of the mist. She was so fair to look on, so radiantly
beautiful, so exquisitely voluptuous, that the very instinct of man in
me, which calls some of my sex to love and to protect one of hers, made
my head whirl with new emotion. But God be thanked, that soul-wail of
my dear Madam Mina had not died out of my ears; and, before the spell
could be wrought further upon me, I had nerved myself to my wild work.
By this time I had searched all the tombs in the chapel, so far as I
could tell; and as there had been only three of these Un-Dead phantoms
around us in the night, I took it that there were no more of active
Un-Dead existent. There was one great tomb more lordly than all the
rest; huge it was, and nobly proportioned. On it was but one word
DRACULA.
This then was the Un-Dead home of the King-Vampire, to whom so many
more were due. Its emptiness spoke eloquent to make certain what I
knew. Before I began to restore these women to their dead selves
through my awful work, I laid in Dracula's tomb some of the Wafer, and
so banished him from it, Un-Dead, for ever.
Then began my terrible task, and I dreaded it. Had it been but one,
it had been easy, comparative. But three! To begin twice more after
I had been through a deed of horror; for if it was terrible with the
sweet Miss Lucy, what would it not be with these strange ones who
had survived through centuries, and who had been strengthened by the
passing of the years; who would, if they could, have fought for their
foul lives? . . .
Oh, my friend John, but it was butcher work; had I not been nerved by
thoughts of other dead, and of the living over whom hung such a pall of
fear, I could not have gone on. I tremble and tremble even yet, though
till all was over, God be thanked, my nerve did stand. Had I not seen
the repose in the first face, and the gladness that stole over it just
ere the final dissolution came, as realisation that the soul had been
won, I could not have gone further with my butchery. I could not have
endured the horrid screeching as the stake drove home; the plunging of
writhing form, and lips of bloody foam. I should have fled in terror
and left my work undone. But it is over! And the poor souls, I can pity
them now and weep, as I think of them placid each in her full sleep of
death, for a short moment ere fading. For, friend John, hardly had my
knife severed the head of each, before the whole body began to melt
away and crumble into its native dust, as though the death that should
have come centuries agone had at last assert himself and say at once
and loud "I am here! "
Before I left the castle I so fixed its entrances that never more can
the Count enter there Un-Dead.
When I stepped into the circle where Madam Mina slept, she woke from
her sleep, and seeing me, cried out in pain that I had endured too much.
"Come! " she said, "come away from this awful place! Let us go to meet
my husband, who is, I know, coming towards us. " She was looking thin
and pale and weak; but her eyes were pure and glowed with fervour. I
was glad to see her paleness and her illness, for my mind was full of
the fresh horror of that ruddy Vampire sleep.
And so with trust and hope, and yet full of fear, we go eastward to
meet our friends--and _him_--whom Madam Mina tell me that she _know_
are coming to meet us.
_Mina Harker's Journal. _
_6 November. _--It was late in the afternoon when the Professor and I
took our way towards the east whence I knew Jonathan was coming. We
did not go fast, though the way was steeply downhill, for we had to
take heavy rugs and wraps with us; we dared not face the possibility of
being left without warmth in the cold and the snow. We had to take some
of our provisions too, for we were in a perfect desolation, and, so
far as we could see through the snow-fall, there was not even the sign
of a habitation. When we had gone about a mile, I was tired with the
heavy walking and sat down to rest. Then we looked back and saw where
the clear line of Dracula's castle cut the sky; for we were so deep
under the hill whereon it was set that the angle of perspective of the
Carpathian mountains was far below it. We saw it in all its grandeur,
perched a thousand feet on the summit of a sheer precipice, and with
seemingly a great gap between it and the steep of the adjacent mountain
on any side. There was something wild and uncanny about the place. We
could hear the distant howling of wolves. They were far off, but the
sound, even though coming muffled through the deadening snowfall, was
full of terror. I knew from the way Dr. Van Helsing was searching about
that he was trying to seek some strategic point, where we would be less
exposed in case of attack. The rough roadway still led downwards; we
could trace it through the drifted snow.
In a little while the Professor signalled to me, so I got up and joined
him. He had found a wonderful spot, a sort of natural hollow in a
rock, with an entrance like a doorway between two boulders. He took
me by the hand and drew me in: "See! " he said, "here you will be in
shelter; and if the wolves do come I can meet them one by one. " He
brought in our furs, and made a snug nest for me, and got out some
provisions and forced them upon me. But I could not eat; to even try to
do so was repulsive to me, and, much as I would have liked to please
him, I could not bring myself to the attempt. He looked very sad, but
did not reproach me. Taking his field-glasses from the case, he stood
on the top of the rock, and began to search the horizon. Suddenly he
called out:--
"Look! Madam Mina, look! look! " I sprang up and stood beside him on the
rock; he handed me his glasses and pointed. The snow was now falling
more heavily, and swirled about fiercely, for a high wind was beginning
to blow. However, there were times when there were pauses between the
snow flurries, and I could see a long way round. From the height where
we were it was possible to see a great distance; and far off, beyond
the white waste of snow, I could see the river lying like a black
ribbon in kinks and curls as it wound its way. Straight in front of us
and not far off--in fact so near that I wondered we had not noticed
before--came a group of mounted men hurrying along. In the midst of
them was a cart, a long leiter-waggon, which swept from side to side,
like a dog's tail wagging, with each stern inequality of the road.
Outlined against the snow as they were, I could see from the men's
clothes that they were peasants or gipsies of some kind.
On the cart was a great square chest. My heart leaped as I saw it, for
I felt that the end was coming. The evening was now drawing close, and
well I knew that at sunset the Thing, which was till then imprisoned
there, would take new freedom and could in any of many forms elude
all pursuit. In fear I turned to the Professor; to my consternation,
however, he was not there. An instant later, I saw him below me. Round
the rock he had drawn a circle, such as we had found shelter in last
night. When he had completed it he stood beside me again, saying:--
"At least you shall be safe here from _him_! " He took the glasses from
me, and at the next lull of the snow swept the whole space below us.
"See," he said, "they come quickly; they are flogging the horses,
and galloping as hard as they can. " He paused and went on in a hollow
voice:--
"They are racing for the sunset. We may be too late. God's will be
done! " Down came another blinding rush of driving snow, and the whole
landscape was blotted out. It soon passed, however, and once more his
glasses were fixed on the plain. Then came a sudden cry:--
"Look! Look! Look! See, two horsemen follow fast, coming up from the
south. It must be Quincey and John. Take the glass. Look, before the
snow blots it all out! " I took it and looked. The two men might be Dr.
Seward and Mr. Morris. I knew at all events that neither of them was
Jonathan. At the same time I _knew_ that Jonathan was not far off;
looking around I saw on the north side of the coming party two other
men, riding at break-neck speed. One of them I knew was Jonathan,
and the other I took, of course, to be Lord Godalming. They, too,
were pursuing the party with the cart. When I told the Professor he
shouted in glee like a schoolboy, and, after looking intently till a
snowfall made sight impossible, he laid his Winchester rifle ready for
use against the boulder at the opening of our shelter. "They are all
converging," he said. "When the time comes we shall have the gipsies
on all sides. " I got out my revolver ready to hand, for whilst we
were speaking the howling of wolves came louder and closer. When the
snowstorm abated a moment we looked again. It was strange to see the
snow falling in such heavy flakes close to us, and beyond, the sun
shining more and more brightly as it sank down towards the far mountain
tops. Sweeping the glass all around us I could see here and there dots
moving singly and in twos and threes and larger numbers--the wolves
were gathering for their prey.
Every instant seemed an age whilst we waited. The wind came now in
fierce bursts, and the snow was driven with fury as it swept upon us
in circling eddies. At times we could not see an arm's length before
us; but at others as the hollow-sounding wind swept by us, it seemed to
clear the air-space around us so that we could see afar off. We had of
late been so accustomed to watch for sunrise and sunset, that we knew
with fair accuracy when it would be; and we knew that before long the
sun would set.
It was hard to believe that by our watches it was less than an hour
that we waited in that rocky shelter before the various bodies began to
converge close upon us. The wind came now with fiercer and more bitter
sweeps, and more steadily from the north. It seemingly had driven
the snow-clouds from us, for, with only occasional bursts, the snow
fell. We could distinguish clearly the individuals of each party, the
pursued and the pursuers. Strangely enough those pursued did not seem
to realize, or at least to care, that they were pursued; they seemed,
however, to hasten with redoubled speed as the sun dropped lower and
lower on the mountain tops.
Closer and closer they drew. The Professor and I crouched down
behind our rock, and held our weapons ready; I could see that he was
determined that they should not pass. One and all were quite unaware of
our presence.
All at once two voices shouted out to: "Halt! " One was my Jonathan's,
raised in a high key of passion; the other Mr. Morris's strong resolute
tone of quiet command. The gipsies may not have known the language,
but there was no mistaking the tone, in whatever tongue the words were
spoken. Instinctively they reined in, and at the instant Lord Godalming
and Jonathan dashed up at one side and Dr. Seward and Mr. Morris on the
other. The leader of the gipsies, a splendid looking fellow, who sat
his horse like a centaur, waved them back, and in a fierce voice gave
to his companions some word to proceed. They lashed the horses, which
sprang forward; but the four men raised their Winchester rifles, and
in an unmistakable way commanded them to stop. At the same moment Dr.
Van Helsing and I rose behind the rock and pointed our weapons at them.
Seeing that they were surrounded, the men tightened their reins and
drew up. The leader turned to them and gave a word at which every man
of the gipsy party drew what weapon he carried, knife or pistol, and
held himself in readiness to attack. Issue was joined in an instant.
The leader, with a quick movement of his rein, threw his horse out
in front, and pointing first to the sun--now close down on the
hill-tops--and then to the castle, said something which I did not
understand. For answer, all four men of our party threw themselves
from their horses and dashed towards the cart. I should have felt
terrible fear at seeing Jonathan in such danger, but that the ardour of
battle must have been upon me as well as the rest of them; I felt no
fear, but only a wild, surging desire to do something. Seeing a quick
movement of our parties, the leader of the gipsies gave a command;
his men instantly formed round the cart in a sort of undisciplined
endeavour, each one shouldering and pushing the other in his eagerness
to carry out the order.
In the midst of this I could see that Jonathan on one side of the ring
of men, and Quincey on the other, were forcing a way to the cart; it
was evident that they were bent on finishing their task before the sun
should set. Nothing seemed to stop or even to hinder them. Neither the
levelled weapons or the flashing knives of the gipsies in front, or the
howling of the wolves behind, appeared to even attract their attention.
Jonathan's impetuosity, and the manifest singleness of his purpose,
seemed to overawe those in front of him; instinctively they cowered
aside and let him pass. In an instant he had jumped upon the cart,
and, with a strength which seemed incredible, raised the great box,
and flung it over the wheel to the ground. In the meantime, Mr. Morris
had had to use force to pass through his side of the ring of Szgany.
All the time I had been breathlessly watching Jonathan I had, with the
tail of my eye, seen him pressing desperately forward, and had seen
the knives of the gipsies flash as he won a way through them, and they
cut at him. He had parried with his great bowie knife, and at first I
thought that he too had come through in safety; but as he sprang beside
Jonathan, who had by now jumped from the cart, I could see that with
his left hand he was clutching at his side, and that the blood was
spurting through his fingers. He did not delay notwithstanding this,
for as Jonathan, with desperate energy, attacked one end of the chest,
attempting to prise off the lid with his great kukri knife, he attacked
the other frantically with his bowie. Under the efforts of both men the
lid began to yield; the nails drew with a quick screeching sound, and
the top of the box was thrown back.
By this time the gipsies, seeing themselves covered by the Winchesters,
and at the mercy of Lord Godalming and Dr. Seward, had given in and
made no further resistance. The sun was almost down on the mountain
tops, and the shadows of the whole group fell long upon the snow. I
saw the Count lying within the box upon the earth, some of which the
rude falling from the cart had scattered over him. He was deathly pale,
just like a waxen image, and the red eyes glared with the horrible
vindictive look which I knew too well.
As I looked, the eyes saw the sinking sun, and the look of hate in them
turned to triumph.
But, on the instant, came the sweep and flash of Jonathan's great
knife. I shrieked as I saw it shear through the throat; whilst at the
same moment Mr. Morris' bowie knife plunged in the heart.
It was like a miracle; but before our very eyes, and almost in the
drawing of a breath, the whole body crumbled into dust and passed from
our sight.
I shall be glad as long as I live that even in that moment of final
dissolution there was in the face a look of peace, such as I never
could have imagined might have rested there.
The Castle of Dracula now stood out against the red sky, and every
stone of its broken battlements was articulated against the light of
the setting sun.
The gipsies, taking us as in some way the cause of the extraordinary
disappearance of the dead man, turned, without a word, and rode away
as if for their lives. Those who were unmounted jumped upon the
leiter-waggon and shouted to the horsemen not to desert them.
The
wolves, which had withdrawn to a safe distance, followed in their wake,
leaving us alone.
Mr. Morris, who had sunk to the ground, leaned on his elbow, holding
his hand pressed to his side; the blood still gushed through his
fingers. I flew to him, for the Holy circle did not now keep me back;
so did the two doctors. Jonathan knelt behind him and the wounded man
laid back his head on his shoulder. With a sigh he took, with a feeble
effort, my hand in that of his own which was unstained. He must have
seen the anguish of my heart in my face, for he smiled at me and
said:--
"I am only too happy to have been of any service! Oh, God! " he cried
suddenly, struggling up to a sitting posture and pointing to me, "It
was worth this to die! Look! look! "
The sun was now right down upon the mountain top, and the red gleams
fell upon my face, so that it was bathed in rosy light. With one
impulse the men sank on their knees, and a deep and earnest "Amen"
broke from all as their eyes followed the pointing of his finger as the
dying man spoke:--
"Now God be thanked that all has not been in vain! See! the snow is not
more stainless than her forehead! The curse has passed away! "
And, to our bitter grief, with a smile and in silence, he died, a
gallant gentleman.
NOTE.
Seven years ago we all went through the flames; and the happiness of
some of us since then is, we think, well worth the pain we endured. It
is an added joy to Mina and to me that our boy's birthday is the same
day as that on which Quincey Morris died. His mother holds, I know, the
secret belief that some of our brave friend's spirit has passed into
him. His bundle of names links all our little band of men together; but
we call him Quincey.
In the summer of this year we made a journey to Transylvania, and went
over the old ground which was, and is, to us so full of vivid and
terrible memories. It was almost impossible to believe that the things
which we had seen with our own eyes and heard with our own ears were
living truths. Every trace of all that had been was blotted out. The
castle stood as before, reared high above a waste of desolation.
When we got home we got to talking of the old time--which we could all
look back on without despair, for Godalming and Seward are both happily
married. I took the papers from the safe where they have been ever
since our return so long ago. We were struck with the fact, that in all
the mass of material of which the record is composed, there is hardly
one authentic document; nothing but a mass of type-writing, except
the later note-books of Mina and Seward and myself, and Van Helsing's
memorandum. We could hardly ask any one, even did we wish to, to accept
these as proofs of so wild a story. Van Helsing summed it all up as he
said, with our boy on his knee:--
"We want no proofs; we ask none to believe us! This boy will some day
know what a brave and gallant woman his mother is. Already he knows her
sweetness and loving care; later on he will understand how some men so
loved her, that they did dare much for her sake. "
/Jonathan Harker. /
End of the Project Gutenberg EBook of Dracula, by Bram Stoker
*** END OF THIS PROJECT GUTENBERG EBOOK DRACULA ***
***** This file should be named 45839-0. txt or 45839-0. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/4/5/8/3/45839/
Produced by Juliet Sutherland, Reiner Ruf, James Adcock
and the Online Distributed Proofreading Team at
http://www. pgdp. net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1. F. 3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2.
dashing away from the river with their leiter-waggon. They surrounded
it in a cluster, and hurried along as though beset. The snow is falling
lightly and there is a strange excitement in the air. It may be our
own excited feelings, but the depression is strange. Far off I hear
the howling of wolves; the snow brings them down from the mountains,
and there are dangers to all of us, and from all sides. The horses are
nearly ready, and we are soon off. We ride to death of some one. God
alone knows who, or where, or what, or when, or how it may be. . . .
_Dr. Van Helsing's Memorandum. _
_5 November, afternoon. _--I am at least sane. Thank God for that
mercy at all events, though the proving it has been dreadful. When I
left Madam Mina sleeping within the Holy circle, I took my way to the
castle. The blacksmith hammer which I took in the carriage from Veresti
was useful; though the doors were all open I broke them off the rusty
hinges, lest some ill-intent or ill-chance should close them, so that
being entered I might not get out. Jonathan's bitter experience served
me here. By memory of his diary I found my way to the old chapel, for
I knew that here my work lay. The air was oppressive; it seemed as if
there was some sulphurous fume, which at times made me dizzy. Either
there was a roaring in my ears or I heard afar off the howl of wolves.
Then I bethought me of my dear Madam Mina, and I was in terrible
plight. The dilemma had me between his horns. Her, I had not dare to
take into this place, but left safe from the Vampire in that Holy
circle; and yet even there would be the wolf! I resolve me that my work
lay here, and that as to the wolves we must submit, if it were God's
Will. At any rate it was only death and freedom beyond. So did I choose
for her. Had it but been for myself the choice had been easy; the maw
of the wolf were better to rest in than the grave of the Vampire! So I
make my choice to go on with my work.
I knew that there were at least three graves to find--graves that are
inhabit; so I search, and search, and I find one of them. She lay in
her Vampire sleep, so full of life and voluptuous beauty that I shudder
as though I have come to do murder. Ah, I doubt not that in old time,
when such things were, many a man who set forth to do such a task as
mine, found at the last his heart fail him, and then his nerve. So he
delay, and delay, and delay, till the mere beauty and the fascination
of the wanton Un-Dead have hypnotise him; and he remain on, and on,
till sunset come, and the Vampire sleep be over. Then the beautiful
eyes of the fair woman open and look love, and the voluptuous mouth
present to a kiss--and man is weak. And there remain one more victim in
the Vampire fold; one more to swell the grim and grisly ranks of the
Un-Dead! . . .
There is some fascination, surely, when I am moved by the mere presence
of such an one, even lying as she lay in a tomb fretted with age and
heavy with the dust of centuries, though there be that horrid odour
such as the lairs of the Count have had. Yes, I was moved--I, Van
Helsing, with all my purpose and with my motive for hate--I was moved
to a yearning for delay which seemed to paralyse my faculties and to
clog my very soul. It may have been that the need of natural sleep,
and the strange oppression of the air were beginning to overcome me.
Certain it was that I was lapsing into sleep, the open-eyed sleep of
one who yields to a sweet fascination, when there came through the
snow-stilled air a long, low wail, so full of woe and pity that it woke
me like the sound of a clarion. For it was the voice of my dear Madam
Mina that I heard.
Then I braced myself again to my horrid task, and found by wrenching
away tomb-tops one other of the sisters, the other dark one. I dared
not pause to look on her as I had on her sister, lest once more I
should begin to be enthral; but I go on searching until, presently, I
find in a high great tomb as if made to one much beloved that other
fair sister which, like Jonathan I had seen to gather herself out
of the atoms of the mist. She was so fair to look on, so radiantly
beautiful, so exquisitely voluptuous, that the very instinct of man in
me, which calls some of my sex to love and to protect one of hers, made
my head whirl with new emotion. But God be thanked, that soul-wail of
my dear Madam Mina had not died out of my ears; and, before the spell
could be wrought further upon me, I had nerved myself to my wild work.
By this time I had searched all the tombs in the chapel, so far as I
could tell; and as there had been only three of these Un-Dead phantoms
around us in the night, I took it that there were no more of active
Un-Dead existent. There was one great tomb more lordly than all the
rest; huge it was, and nobly proportioned. On it was but one word
DRACULA.
This then was the Un-Dead home of the King-Vampire, to whom so many
more were due. Its emptiness spoke eloquent to make certain what I
knew. Before I began to restore these women to their dead selves
through my awful work, I laid in Dracula's tomb some of the Wafer, and
so banished him from it, Un-Dead, for ever.
Then began my terrible task, and I dreaded it. Had it been but one,
it had been easy, comparative. But three! To begin twice more after
I had been through a deed of horror; for if it was terrible with the
sweet Miss Lucy, what would it not be with these strange ones who
had survived through centuries, and who had been strengthened by the
passing of the years; who would, if they could, have fought for their
foul lives? . . .
Oh, my friend John, but it was butcher work; had I not been nerved by
thoughts of other dead, and of the living over whom hung such a pall of
fear, I could not have gone on. I tremble and tremble even yet, though
till all was over, God be thanked, my nerve did stand. Had I not seen
the repose in the first face, and the gladness that stole over it just
ere the final dissolution came, as realisation that the soul had been
won, I could not have gone further with my butchery. I could not have
endured the horrid screeching as the stake drove home; the plunging of
writhing form, and lips of bloody foam. I should have fled in terror
and left my work undone. But it is over! And the poor souls, I can pity
them now and weep, as I think of them placid each in her full sleep of
death, for a short moment ere fading. For, friend John, hardly had my
knife severed the head of each, before the whole body began to melt
away and crumble into its native dust, as though the death that should
have come centuries agone had at last assert himself and say at once
and loud "I am here! "
Before I left the castle I so fixed its entrances that never more can
the Count enter there Un-Dead.
When I stepped into the circle where Madam Mina slept, she woke from
her sleep, and seeing me, cried out in pain that I had endured too much.
"Come! " she said, "come away from this awful place! Let us go to meet
my husband, who is, I know, coming towards us. " She was looking thin
and pale and weak; but her eyes were pure and glowed with fervour. I
was glad to see her paleness and her illness, for my mind was full of
the fresh horror of that ruddy Vampire sleep.
And so with trust and hope, and yet full of fear, we go eastward to
meet our friends--and _him_--whom Madam Mina tell me that she _know_
are coming to meet us.
_Mina Harker's Journal. _
_6 November. _--It was late in the afternoon when the Professor and I
took our way towards the east whence I knew Jonathan was coming. We
did not go fast, though the way was steeply downhill, for we had to
take heavy rugs and wraps with us; we dared not face the possibility of
being left without warmth in the cold and the snow. We had to take some
of our provisions too, for we were in a perfect desolation, and, so
far as we could see through the snow-fall, there was not even the sign
of a habitation. When we had gone about a mile, I was tired with the
heavy walking and sat down to rest. Then we looked back and saw where
the clear line of Dracula's castle cut the sky; for we were so deep
under the hill whereon it was set that the angle of perspective of the
Carpathian mountains was far below it. We saw it in all its grandeur,
perched a thousand feet on the summit of a sheer precipice, and with
seemingly a great gap between it and the steep of the adjacent mountain
on any side. There was something wild and uncanny about the place. We
could hear the distant howling of wolves. They were far off, but the
sound, even though coming muffled through the deadening snowfall, was
full of terror. I knew from the way Dr. Van Helsing was searching about
that he was trying to seek some strategic point, where we would be less
exposed in case of attack. The rough roadway still led downwards; we
could trace it through the drifted snow.
In a little while the Professor signalled to me, so I got up and joined
him. He had found a wonderful spot, a sort of natural hollow in a
rock, with an entrance like a doorway between two boulders. He took
me by the hand and drew me in: "See! " he said, "here you will be in
shelter; and if the wolves do come I can meet them one by one. " He
brought in our furs, and made a snug nest for me, and got out some
provisions and forced them upon me. But I could not eat; to even try to
do so was repulsive to me, and, much as I would have liked to please
him, I could not bring myself to the attempt. He looked very sad, but
did not reproach me. Taking his field-glasses from the case, he stood
on the top of the rock, and began to search the horizon. Suddenly he
called out:--
"Look! Madam Mina, look! look! " I sprang up and stood beside him on the
rock; he handed me his glasses and pointed. The snow was now falling
more heavily, and swirled about fiercely, for a high wind was beginning
to blow. However, there were times when there were pauses between the
snow flurries, and I could see a long way round. From the height where
we were it was possible to see a great distance; and far off, beyond
the white waste of snow, I could see the river lying like a black
ribbon in kinks and curls as it wound its way. Straight in front of us
and not far off--in fact so near that I wondered we had not noticed
before--came a group of mounted men hurrying along. In the midst of
them was a cart, a long leiter-waggon, which swept from side to side,
like a dog's tail wagging, with each stern inequality of the road.
Outlined against the snow as they were, I could see from the men's
clothes that they were peasants or gipsies of some kind.
On the cart was a great square chest. My heart leaped as I saw it, for
I felt that the end was coming. The evening was now drawing close, and
well I knew that at sunset the Thing, which was till then imprisoned
there, would take new freedom and could in any of many forms elude
all pursuit. In fear I turned to the Professor; to my consternation,
however, he was not there. An instant later, I saw him below me. Round
the rock he had drawn a circle, such as we had found shelter in last
night. When he had completed it he stood beside me again, saying:--
"At least you shall be safe here from _him_! " He took the glasses from
me, and at the next lull of the snow swept the whole space below us.
"See," he said, "they come quickly; they are flogging the horses,
and galloping as hard as they can. " He paused and went on in a hollow
voice:--
"They are racing for the sunset. We may be too late. God's will be
done! " Down came another blinding rush of driving snow, and the whole
landscape was blotted out. It soon passed, however, and once more his
glasses were fixed on the plain. Then came a sudden cry:--
"Look! Look! Look! See, two horsemen follow fast, coming up from the
south. It must be Quincey and John. Take the glass. Look, before the
snow blots it all out! " I took it and looked. The two men might be Dr.
Seward and Mr. Morris. I knew at all events that neither of them was
Jonathan. At the same time I _knew_ that Jonathan was not far off;
looking around I saw on the north side of the coming party two other
men, riding at break-neck speed. One of them I knew was Jonathan,
and the other I took, of course, to be Lord Godalming. They, too,
were pursuing the party with the cart. When I told the Professor he
shouted in glee like a schoolboy, and, after looking intently till a
snowfall made sight impossible, he laid his Winchester rifle ready for
use against the boulder at the opening of our shelter. "They are all
converging," he said. "When the time comes we shall have the gipsies
on all sides. " I got out my revolver ready to hand, for whilst we
were speaking the howling of wolves came louder and closer. When the
snowstorm abated a moment we looked again. It was strange to see the
snow falling in such heavy flakes close to us, and beyond, the sun
shining more and more brightly as it sank down towards the far mountain
tops. Sweeping the glass all around us I could see here and there dots
moving singly and in twos and threes and larger numbers--the wolves
were gathering for their prey.
Every instant seemed an age whilst we waited. The wind came now in
fierce bursts, and the snow was driven with fury as it swept upon us
in circling eddies. At times we could not see an arm's length before
us; but at others as the hollow-sounding wind swept by us, it seemed to
clear the air-space around us so that we could see afar off. We had of
late been so accustomed to watch for sunrise and sunset, that we knew
with fair accuracy when it would be; and we knew that before long the
sun would set.
It was hard to believe that by our watches it was less than an hour
that we waited in that rocky shelter before the various bodies began to
converge close upon us. The wind came now with fiercer and more bitter
sweeps, and more steadily from the north. It seemingly had driven
the snow-clouds from us, for, with only occasional bursts, the snow
fell. We could distinguish clearly the individuals of each party, the
pursued and the pursuers. Strangely enough those pursued did not seem
to realize, or at least to care, that they were pursued; they seemed,
however, to hasten with redoubled speed as the sun dropped lower and
lower on the mountain tops.
Closer and closer they drew. The Professor and I crouched down
behind our rock, and held our weapons ready; I could see that he was
determined that they should not pass. One and all were quite unaware of
our presence.
All at once two voices shouted out to: "Halt! " One was my Jonathan's,
raised in a high key of passion; the other Mr. Morris's strong resolute
tone of quiet command. The gipsies may not have known the language,
but there was no mistaking the tone, in whatever tongue the words were
spoken. Instinctively they reined in, and at the instant Lord Godalming
and Jonathan dashed up at one side and Dr. Seward and Mr. Morris on the
other. The leader of the gipsies, a splendid looking fellow, who sat
his horse like a centaur, waved them back, and in a fierce voice gave
to his companions some word to proceed. They lashed the horses, which
sprang forward; but the four men raised their Winchester rifles, and
in an unmistakable way commanded them to stop. At the same moment Dr.
Van Helsing and I rose behind the rock and pointed our weapons at them.
Seeing that they were surrounded, the men tightened their reins and
drew up. The leader turned to them and gave a word at which every man
of the gipsy party drew what weapon he carried, knife or pistol, and
held himself in readiness to attack. Issue was joined in an instant.
The leader, with a quick movement of his rein, threw his horse out
in front, and pointing first to the sun--now close down on the
hill-tops--and then to the castle, said something which I did not
understand. For answer, all four men of our party threw themselves
from their horses and dashed towards the cart. I should have felt
terrible fear at seeing Jonathan in such danger, but that the ardour of
battle must have been upon me as well as the rest of them; I felt no
fear, but only a wild, surging desire to do something. Seeing a quick
movement of our parties, the leader of the gipsies gave a command;
his men instantly formed round the cart in a sort of undisciplined
endeavour, each one shouldering and pushing the other in his eagerness
to carry out the order.
In the midst of this I could see that Jonathan on one side of the ring
of men, and Quincey on the other, were forcing a way to the cart; it
was evident that they were bent on finishing their task before the sun
should set. Nothing seemed to stop or even to hinder them. Neither the
levelled weapons or the flashing knives of the gipsies in front, or the
howling of the wolves behind, appeared to even attract their attention.
Jonathan's impetuosity, and the manifest singleness of his purpose,
seemed to overawe those in front of him; instinctively they cowered
aside and let him pass. In an instant he had jumped upon the cart,
and, with a strength which seemed incredible, raised the great box,
and flung it over the wheel to the ground. In the meantime, Mr. Morris
had had to use force to pass through his side of the ring of Szgany.
All the time I had been breathlessly watching Jonathan I had, with the
tail of my eye, seen him pressing desperately forward, and had seen
the knives of the gipsies flash as he won a way through them, and they
cut at him. He had parried with his great bowie knife, and at first I
thought that he too had come through in safety; but as he sprang beside
Jonathan, who had by now jumped from the cart, I could see that with
his left hand he was clutching at his side, and that the blood was
spurting through his fingers. He did not delay notwithstanding this,
for as Jonathan, with desperate energy, attacked one end of the chest,
attempting to prise off the lid with his great kukri knife, he attacked
the other frantically with his bowie. Under the efforts of both men the
lid began to yield; the nails drew with a quick screeching sound, and
the top of the box was thrown back.
By this time the gipsies, seeing themselves covered by the Winchesters,
and at the mercy of Lord Godalming and Dr. Seward, had given in and
made no further resistance. The sun was almost down on the mountain
tops, and the shadows of the whole group fell long upon the snow. I
saw the Count lying within the box upon the earth, some of which the
rude falling from the cart had scattered over him. He was deathly pale,
just like a waxen image, and the red eyes glared with the horrible
vindictive look which I knew too well.
As I looked, the eyes saw the sinking sun, and the look of hate in them
turned to triumph.
But, on the instant, came the sweep and flash of Jonathan's great
knife. I shrieked as I saw it shear through the throat; whilst at the
same moment Mr. Morris' bowie knife plunged in the heart.
It was like a miracle; but before our very eyes, and almost in the
drawing of a breath, the whole body crumbled into dust and passed from
our sight.
I shall be glad as long as I live that even in that moment of final
dissolution there was in the face a look of peace, such as I never
could have imagined might have rested there.
The Castle of Dracula now stood out against the red sky, and every
stone of its broken battlements was articulated against the light of
the setting sun.
The gipsies, taking us as in some way the cause of the extraordinary
disappearance of the dead man, turned, without a word, and rode away
as if for their lives. Those who were unmounted jumped upon the
leiter-waggon and shouted to the horsemen not to desert them.
The
wolves, which had withdrawn to a safe distance, followed in their wake,
leaving us alone.
Mr. Morris, who had sunk to the ground, leaned on his elbow, holding
his hand pressed to his side; the blood still gushed through his
fingers. I flew to him, for the Holy circle did not now keep me back;
so did the two doctors. Jonathan knelt behind him and the wounded man
laid back his head on his shoulder. With a sigh he took, with a feeble
effort, my hand in that of his own which was unstained. He must have
seen the anguish of my heart in my face, for he smiled at me and
said:--
"I am only too happy to have been of any service! Oh, God! " he cried
suddenly, struggling up to a sitting posture and pointing to me, "It
was worth this to die! Look! look! "
The sun was now right down upon the mountain top, and the red gleams
fell upon my face, so that it was bathed in rosy light. With one
impulse the men sank on their knees, and a deep and earnest "Amen"
broke from all as their eyes followed the pointing of his finger as the
dying man spoke:--
"Now God be thanked that all has not been in vain! See! the snow is not
more stainless than her forehead! The curse has passed away! "
And, to our bitter grief, with a smile and in silence, he died, a
gallant gentleman.
NOTE.
Seven years ago we all went through the flames; and the happiness of
some of us since then is, we think, well worth the pain we endured. It
is an added joy to Mina and to me that our boy's birthday is the same
day as that on which Quincey Morris died. His mother holds, I know, the
secret belief that some of our brave friend's spirit has passed into
him. His bundle of names links all our little band of men together; but
we call him Quincey.
In the summer of this year we made a journey to Transylvania, and went
over the old ground which was, and is, to us so full of vivid and
terrible memories. It was almost impossible to believe that the things
which we had seen with our own eyes and heard with our own ears were
living truths. Every trace of all that had been was blotted out. The
castle stood as before, reared high above a waste of desolation.
When we got home we got to talking of the old time--which we could all
look back on without despair, for Godalming and Seward are both happily
married. I took the papers from the safe where they have been ever
since our return so long ago. We were struck with the fact, that in all
the mass of material of which the record is composed, there is hardly
one authentic document; nothing but a mass of type-writing, except
the later note-books of Mina and Seward and myself, and Van Helsing's
memorandum. We could hardly ask any one, even did we wish to, to accept
these as proofs of so wild a story. Van Helsing summed it all up as he
said, with our boy on his knee:--
"We want no proofs; we ask none to believe us! This boy will some day
know what a brave and gallant woman his mother is. Already he knows her
sweetness and loving care; later on he will understand how some men so
loved her, that they did dare much for her sake. "
/Jonathan Harker. /
End of the Project Gutenberg EBook of Dracula, by Bram Stoker
*** END OF THIS PROJECT GUTENBERG EBOOK DRACULA ***
***** This file should be named 45839-0. txt or 45839-0. zip *****
This and all associated files of various formats will be found in:
http://www. gutenberg. org/4/5/8/3/45839/
Produced by Juliet Sutherland, Reiner Ruf, James Adcock
and the Online Distributed Proofreading Team at
http://www. pgdp. net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you! ) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
www. gutenberg. org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1. A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1. E. 8.
1. B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1. C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1. E below.
1. C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1. D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1. E. Unless you have removed all references to Project Gutenberg:
1. E. 1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www. gutenberg. org
1. E. 2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1. E. 1
through 1. E. 7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1. E. 8 or
1. E. 9.
1. E. 3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1. E. 1 through 1. E. 7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1. E. 4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1. E. 5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1. E. 1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1. E. 6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www. gutenberg. org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1. E. 1.
1. E. 7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1. E. 8 or 1. E. 9.
1. E. 8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation. "
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1. F. 3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1. E. 9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1. F.
1. F. 1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1. F. 2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1. F. 3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1. F. 3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1. F. 3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1. F. 4. Except for the limited right of replacement or refund set forth
in paragraph 1. F. 3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1. F. 5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1. F. 6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2.
