A
Paraleipsis
cries ; " I leave 't behind, 47
I let it pass ;" tho' you the whole may find.
I let it pass ;" tho' you the whole may find.
Latin - Casserly - Complete System of Latin Prosody
27.
Ah !
poor, poor Swain !
Wars, horrid wars. 28. Folly breeds Laughter ; Laugh-
ter, Disdain ; Disdain makes Shame her Daughter. 29.
Foot to foot ; Hand to Hand ; Face to Face. 30. I write
friendly of Friendship to a Friend. 31. Friends are
turned fiends. 32. Chime and Rhyme, as above. 33.
Liberty begets Mischief chiefly.
TERMS ENGLISHED.
26. A Regression. 27. A joining together. 28. A
Ladder, Stair. 29. Variation of Case. 30. Derived
from the same. 31. Likeness of Words. 32. A like
ending. 33. Allusion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 130 ARS RHETORIC A.
Figurje ad Explicationem.
Exprimit atque oculis quasi subjicit Hypotyposis. 34
Res, loca, personas, affectus, tempora, gestus.
Explicat oppositum ad dens Paradiastole recte. 35
Opposita Antimetabole mutat dictaque ssepe. 36
Librat in Antithetis contraria Enantiosis. 37
Synceceiosis duo dat contraria eidem. 38
Oxymoron " iners erit ars ;" " Concordia discors. " 39
Figure ad Probationem.
Propositi reddit causas Mtiologia. 40
Arguit allatam rem contra Inversio pro se>> 41
EX. EMPLA.
34* Videbar videre alios intrantes, alios verd exeuntes ;
quosdam ex vino vacillantes, quasdam hesterna potatione
oscitantes, &c. 35. Fortuna obumbrat virtutem, tamen
non obruit earn. 36. Poema est pictura loquens, pictura
est mutum poema. 37* Alba ligustra cadunt, vaccinia
nigra leguntur. 38. Tarn quod adest desit quam quod
non adsit avaro. 39. Superba hurnilitas. 40. Sperne
voluptates : nocet empta dolore voluptas. 41. Imd equi-
dem : neque enim, si occidissem, sepelissem.
DERIVATIONES.
34. ab bnoivnbw, reprgesento. 35. a nugadiac;&Xloj f dis-
jungo. 36. ab &vtI, contra, & peTafi&X'tex), inverto. 37.
ab ivavriog, oppositus. 38. a ovvotxeiib, concilio. 39.
ab 6? i>, acutum* & /uw^r, stultum. 40. ab aiuoXoyiw,
rationem reddo. 41. ab inverto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 131
Figures for Explanation.
Hypotyposis to the eye contracts 34
Things, places, persons, affections, acts.
Paradiastole explains aright 35
Things in an opposite and diff'rent light.
Antimetabole puts chang'd words again 36
By contraries ; as the example will explain.
Enantiosis poiseth diff'rent things, 37
And words and sense as into balance brings.
Synceceiosis to one subject ties 38
Two contraries ; and fuller sense supplies.
In Oxymoron contradictions meet : 39
And jarring epithets and subjects greet.
Figures for Proof.
JEtiology gives every theme a reason ; 40
For sure that never can be out of season.
Inversion makes the adversary's plea 41
A strong nay best defence that urg'd can be.
EXAMPLES.
34. The Head is sick ; the Heart is faint ; from the
sole of the Foot, even unto the Head, there is no sound-
ness, but Wounds, Bruises, and putrefying sores. 35.
Virtue may be overshadowed, but not overwhelmed. 36.
A poem is a speaking Picture ; a Picture is a mute Poem.
37. Truth brings Foes, Flattery brings Friends. 38. He
is dead even while he liveth. . 39. Proud humility. This
bitter sweet. 40. Despise Pleasures, for Pleasure bought
with pain hurteth. 41. Had I killed him, (as you report,)
I had not staid to bury him.
TERMS ENGLISHED.
34. A Representation. 35. Discrimination. 36.
Changing by Contraries. 37. A Contrariety. 38. Re-
conciling. 39. A witty foolish saying. 40. Showing a
Reason. 41. Inversion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 132 AES RHETORICAL
Anticipat, quae quis valet objecisse, Prolepsis. 42
Plane aut dissimulans permittit Epitrope factum. 43
Figure ad Amplificationem.
Ad summum ex imo gradibus venit Incrementum. 44
Verba Synonymia addit rem signantia eandem. 45
Res specie varias Synathr&smus congerit una. 46
" Non dico," Apophasis ; " Taceo, mitto," est Parale-
ipsis. 47
EXEMPLA.
42. Hie aliquis mihi dicat : cur ego amicum ofFendam
in nugis ? hse nugse seria ducunt in mala. 43. Credo
equidem : neque te teneo, nee dicta refello. 44. Justum
et tenacem propositi virum non civium ardor prava ju-
bentium, non vultus instantis Tyranni, mente quatit
solida, neque Auster dux inquieti turbidus Adriae, nee
fulminantis magna manus Jovis ; si fractus illabatur or-
bis, impavidum ferient ruinoe. 45. Ensis & gladius.
Vivit & vescitur aetherea aura. 46. Grammaticus, Rhetor,
Pictor, Aliptes, Augur, Schagnobates, Medicus, Magus :
omnia novit. 47. Non referam ignaviam & alia magis
scelesta, quorum pcenitere oportet. 47. Taceo; mitto
homicidia, furta, & alia tua crimina.
DERIVATIONES
42. a TTQoXa/Lip&vco, anticipo. 43. ab Itxitqetiq), permitto.
44. ' ab incresco. 45. a ovv^ con, & b^o/na, nomen. 46.
a ovvixdyoirw, congrego. 47. ab d^o, ab, & <p<iw, dico ; --
a TiaQulelTU}), pr33termitto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 133
Prolepsis your objection doth prevent, 42
With answers suitable and pertinent.
Epitrope gives leave, and facts permits, 43
Whether it speaks sincere, or counterfeits.
Figures for Amplifying.
An Incrementum by degrees doth rise, 44
And from a low t' a lofty pitch it flies.
Synonymy doth divers words prepare, 45
Yet each of them one meaning doth declare,
A SynathrcBsmus sums up various things, 46
And as into one heap together brings.
Apophasis, pretending to conceal 47
The whole it meant to hide, must needs reveal.
A Paraleipsis cries ; " I leave 't behind, 47
I let it pass ;" tho' you the whole may find.
EXAMPLES.
<? 2. What then ? shall we sin, because we are not
under the Law, but Grace ? God forbid. 43. Ga, take
your Course, I will not stop your Rambles. 44. The
Wickedness of a Mob, the cruel Force of a Tyrant,
Storms and Tempests, even Jupiter's Thunder; nay, if
the World should fall, it cannot disturb the just Man, nor
shake his solid Resolution. 45. Freedom and Liberty ;
He is yet alive ; he breathes sethereal Air. 46. Thief,
Tailor, Miller, Weaver, &c. 47. I say nothing of your
Idleness, and other Things, for which you cannot excuse
yourself. 47. I omit the Bribes you received ; i" let pass
your Thefts, your Robberies, and your other crimes.
TERMS ENGLISHED.
42. Prevention. 43. Permission. 44. Increasing.
45. Partaking together of a Name. 46. Gathering to-
gether. 47. Not saying. 47. Leaving.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 134 ARS RHETORICA.
Rem circumloquitur per plura Periphrasis unam. 48
Hendiadys fixum dat mobile, sic duo fixa. 49
Ad Affectuum Concitationem.
Quserit Erotesis, poterat quod dicere recte. 50
Concitat Ecphonesis & Exclamatio mentem. 51
Narratse subit & rei Epiphonema probatse. 52
Est Epanorthosis positi correctio sensus. 53
Aposiopesis sensa imperfecta relinquit. 54
Consultat cum aliis Anacanosis ubique. 55
Consulit addubitans quid agat dicatve Aporia. 56
EXEMPLA.
48. Scriptor Trojani belli, (i. e. Homerus. ) 49. Bibit
ex auro & patens, pro aureis pateris. 50. Creditis avec-
tos hostes ? aut ulla putatis dona carere dolis Danaum ?
51. Heu Pietas ! heu prisca fides ! beu vana voluptas !
52. Tantae molis erat Roma nam condere gentem. 53.
O dementia ! dementia dixi ? potius patientia mira. 54.
Quos ego sed motos prsestat componere fiuctus. 55.
Si ita haberet se tua res quid concilii aut rationis inires ?
56. Quidfaciam? roger, anne rogem ? quiddeinderogabo?
DERIVATIONES.
48. a 7TEQi(pQ6? (a, circumloquor. 49 ab ev, unum, dux,
per, & 8vo, duo. 50. ab t^wrdw, interrogo. 51. ab ? x-
qwv&o), exclamo. 52. ab Lntyinvio), acclamo. 53. ab
innvogOdai, corrigo. 54. ab (knb, post, & atwndw, obticeo.
55. ab tivaxotvdw, communico. 56. ab <xtioq? (o, addubito.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 135
/
Periphrasis of words doth use a train, 48
Intending one thing only to explain.
Hendiadys turns to substantives, you'll see, 49
What adjectives with substantives agree.
TO ROUSE THE FEELINGS.
By Erotesis what we know we ask, 50
Prescribing to ourselves a needless task.
By Ecphonesis straight the mind is raised, 51
When by a sudden flow of passion seiz'd.
Epiphonema makes a final clause, 52
When narratives and proofs afford a cause.
Epanorthosis doth past words correct, 53
u4nd only to enhance seems to reject.
Aposiopesis leaves imperfect sense ; 54
Yet such a silent pause speaks eloquence.
Anaccenosis tries another's mind, 55
The better counsel of a friend to find.
Aporia in words and actions doubts, 56
And with itself what may be best disputes.
EXAMPLES.
48. The ivriter of tlie Trojan War (for Homer). 49.
He drinks out of Gold and Cups, for Golden Cups. 50.
Do you imagine the enemy departed ? Do you believe
any boons from the Greeks free from wile ? 51. Alas ! Oh
banished Piety ! Oh corrupted Nation ! 52. Of so great
Moment was it to raise the Roman Nation. 53. Most
brave! Brave, said I? Most heroic Act. 54. Whom I --
but it is better to compose the swelling waves. 55. Were
it your case, what would you do ? 56. What shall I do ;
must I be asked, or must I ask ? Then what shall I ask ?
TERMS ENGLISHED.
48. Circumlocution. 49. One in two. 50. A Ques-
tioning -- Interrogation. 51. Exclamation, 52. Accla-
mation. 53. Correcting. 54. A Pausing or Concealing.
65, A Communication. 56. A Doubting.
13
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 136 ARS KHETORICA.
Personam inducit Prosopopr&ia loquentem. 57
Sermonem a prcesenti avertit Apostrophe rite. 58
Schemata Grammatica Orthographic.
Prosthesis apponit capiti ; sed Aphceresis aufert. 59
Syncope de medio tollit ; sed Epenthesis addit. 60
Abstrahit Apocope fini; sed dat Paragoge. 61
EXEMPLA. '
57. Hosne mihi fructus, hunc fertilitas honorem officii-
que refers ? (Tell us fingitur loqui. ) 58. Et auro vi poti-
tur. Quid non mortalia pectora cogis, auri sacra fames?
59. Gnatus, pro natus ; non temnere, pro non contem-
nere Divos. 60. Surrexe, pro surrexisse ; -- Mavors, pro
Mars. 61. Ingeni, pro ingenii ; -- vestirier, pro vestiri.
DERIVATIONES.
57. a. nQdownov, persona, & noiiw, facio. 58. ab bnoc;-
qiqxo, verto. 59. a nQozldrjui, appono ; -- ab byaiQe w, aufero.
60. a ovv, con, & xdmw, scindo ; -- ab M 9 in, & tvTldrjtii,
infero.
Wars, horrid wars. 28. Folly breeds Laughter ; Laugh-
ter, Disdain ; Disdain makes Shame her Daughter. 29.
Foot to foot ; Hand to Hand ; Face to Face. 30. I write
friendly of Friendship to a Friend. 31. Friends are
turned fiends. 32. Chime and Rhyme, as above. 33.
Liberty begets Mischief chiefly.
TERMS ENGLISHED.
26. A Regression. 27. A joining together. 28. A
Ladder, Stair. 29. Variation of Case. 30. Derived
from the same. 31. Likeness of Words. 32. A like
ending. 33. Allusion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 130 ARS RHETORIC A.
Figurje ad Explicationem.
Exprimit atque oculis quasi subjicit Hypotyposis. 34
Res, loca, personas, affectus, tempora, gestus.
Explicat oppositum ad dens Paradiastole recte. 35
Opposita Antimetabole mutat dictaque ssepe. 36
Librat in Antithetis contraria Enantiosis. 37
Synceceiosis duo dat contraria eidem. 38
Oxymoron " iners erit ars ;" " Concordia discors. " 39
Figure ad Probationem.
Propositi reddit causas Mtiologia. 40
Arguit allatam rem contra Inversio pro se>> 41
EX. EMPLA.
34* Videbar videre alios intrantes, alios verd exeuntes ;
quosdam ex vino vacillantes, quasdam hesterna potatione
oscitantes, &c. 35. Fortuna obumbrat virtutem, tamen
non obruit earn. 36. Poema est pictura loquens, pictura
est mutum poema. 37* Alba ligustra cadunt, vaccinia
nigra leguntur. 38. Tarn quod adest desit quam quod
non adsit avaro. 39. Superba hurnilitas. 40. Sperne
voluptates : nocet empta dolore voluptas. 41. Imd equi-
dem : neque enim, si occidissem, sepelissem.
DERIVATIONES.
34. ab bnoivnbw, reprgesento. 35. a nugadiac;&Xloj f dis-
jungo. 36. ab &vtI, contra, & peTafi&X'tex), inverto. 37.
ab ivavriog, oppositus. 38. a ovvotxeiib, concilio. 39.
ab 6? i>, acutum* & /uw^r, stultum. 40. ab aiuoXoyiw,
rationem reddo. 41. ab inverto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 131
Figures for Explanation.
Hypotyposis to the eye contracts 34
Things, places, persons, affections, acts.
Paradiastole explains aright 35
Things in an opposite and diff'rent light.
Antimetabole puts chang'd words again 36
By contraries ; as the example will explain.
Enantiosis poiseth diff'rent things, 37
And words and sense as into balance brings.
Synceceiosis to one subject ties 38
Two contraries ; and fuller sense supplies.
In Oxymoron contradictions meet : 39
And jarring epithets and subjects greet.
Figures for Proof.
JEtiology gives every theme a reason ; 40
For sure that never can be out of season.
Inversion makes the adversary's plea 41
A strong nay best defence that urg'd can be.
EXAMPLES.
34. The Head is sick ; the Heart is faint ; from the
sole of the Foot, even unto the Head, there is no sound-
ness, but Wounds, Bruises, and putrefying sores. 35.
Virtue may be overshadowed, but not overwhelmed. 36.
A poem is a speaking Picture ; a Picture is a mute Poem.
37. Truth brings Foes, Flattery brings Friends. 38. He
is dead even while he liveth. . 39. Proud humility. This
bitter sweet. 40. Despise Pleasures, for Pleasure bought
with pain hurteth. 41. Had I killed him, (as you report,)
I had not staid to bury him.
TERMS ENGLISHED.
34. A Representation. 35. Discrimination. 36.
Changing by Contraries. 37. A Contrariety. 38. Re-
conciling. 39. A witty foolish saying. 40. Showing a
Reason. 41. Inversion.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 132 AES RHETORICAL
Anticipat, quae quis valet objecisse, Prolepsis. 42
Plane aut dissimulans permittit Epitrope factum. 43
Figure ad Amplificationem.
Ad summum ex imo gradibus venit Incrementum. 44
Verba Synonymia addit rem signantia eandem. 45
Res specie varias Synathr&smus congerit una. 46
" Non dico," Apophasis ; " Taceo, mitto," est Parale-
ipsis. 47
EXEMPLA.
42. Hie aliquis mihi dicat : cur ego amicum ofFendam
in nugis ? hse nugse seria ducunt in mala. 43. Credo
equidem : neque te teneo, nee dicta refello. 44. Justum
et tenacem propositi virum non civium ardor prava ju-
bentium, non vultus instantis Tyranni, mente quatit
solida, neque Auster dux inquieti turbidus Adriae, nee
fulminantis magna manus Jovis ; si fractus illabatur or-
bis, impavidum ferient ruinoe. 45. Ensis & gladius.
Vivit & vescitur aetherea aura. 46. Grammaticus, Rhetor,
Pictor, Aliptes, Augur, Schagnobates, Medicus, Magus :
omnia novit. 47. Non referam ignaviam & alia magis
scelesta, quorum pcenitere oportet. 47. Taceo; mitto
homicidia, furta, & alia tua crimina.
DERIVATIONES
42. a TTQoXa/Lip&vco, anticipo. 43. ab Itxitqetiq), permitto.
44. ' ab incresco. 45. a ovv^ con, & b^o/na, nomen. 46.
a ovvixdyoirw, congrego. 47. ab d^o, ab, & <p<iw, dico ; --
a TiaQulelTU}), pr33termitto.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 133
Prolepsis your objection doth prevent, 42
With answers suitable and pertinent.
Epitrope gives leave, and facts permits, 43
Whether it speaks sincere, or counterfeits.
Figures for Amplifying.
An Incrementum by degrees doth rise, 44
And from a low t' a lofty pitch it flies.
Synonymy doth divers words prepare, 45
Yet each of them one meaning doth declare,
A SynathrcBsmus sums up various things, 46
And as into one heap together brings.
Apophasis, pretending to conceal 47
The whole it meant to hide, must needs reveal.
A Paraleipsis cries ; " I leave 't behind, 47
I let it pass ;" tho' you the whole may find.
EXAMPLES.
<? 2. What then ? shall we sin, because we are not
under the Law, but Grace ? God forbid. 43. Ga, take
your Course, I will not stop your Rambles. 44. The
Wickedness of a Mob, the cruel Force of a Tyrant,
Storms and Tempests, even Jupiter's Thunder; nay, if
the World should fall, it cannot disturb the just Man, nor
shake his solid Resolution. 45. Freedom and Liberty ;
He is yet alive ; he breathes sethereal Air. 46. Thief,
Tailor, Miller, Weaver, &c. 47. I say nothing of your
Idleness, and other Things, for which you cannot excuse
yourself. 47. I omit the Bribes you received ; i" let pass
your Thefts, your Robberies, and your other crimes.
TERMS ENGLISHED.
42. Prevention. 43. Permission. 44. Increasing.
45. Partaking together of a Name. 46. Gathering to-
gether. 47. Not saying. 47. Leaving.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 134 ARS RHETORICA.
Rem circumloquitur per plura Periphrasis unam. 48
Hendiadys fixum dat mobile, sic duo fixa. 49
Ad Affectuum Concitationem.
Quserit Erotesis, poterat quod dicere recte. 50
Concitat Ecphonesis & Exclamatio mentem. 51
Narratse subit & rei Epiphonema probatse. 52
Est Epanorthosis positi correctio sensus. 53
Aposiopesis sensa imperfecta relinquit. 54
Consultat cum aliis Anacanosis ubique. 55
Consulit addubitans quid agat dicatve Aporia. 56
EXEMPLA.
48. Scriptor Trojani belli, (i. e. Homerus. ) 49. Bibit
ex auro & patens, pro aureis pateris. 50. Creditis avec-
tos hostes ? aut ulla putatis dona carere dolis Danaum ?
51. Heu Pietas ! heu prisca fides ! beu vana voluptas !
52. Tantae molis erat Roma nam condere gentem. 53.
O dementia ! dementia dixi ? potius patientia mira. 54.
Quos ego sed motos prsestat componere fiuctus. 55.
Si ita haberet se tua res quid concilii aut rationis inires ?
56. Quidfaciam? roger, anne rogem ? quiddeinderogabo?
DERIVATIONES.
48. a 7TEQi(pQ6? (a, circumloquor. 49 ab ev, unum, dux,
per, & 8vo, duo. 50. ab t^wrdw, interrogo. 51. ab ? x-
qwv&o), exclamo. 52. ab Lntyinvio), acclamo. 53. ab
innvogOdai, corrigo. 54. ab (knb, post, & atwndw, obticeo.
55. ab tivaxotvdw, communico. 56. ab <xtioq? (o, addubito.
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? ART OF RHETORIC. 135
/
Periphrasis of words doth use a train, 48
Intending one thing only to explain.
Hendiadys turns to substantives, you'll see, 49
What adjectives with substantives agree.
TO ROUSE THE FEELINGS.
By Erotesis what we know we ask, 50
Prescribing to ourselves a needless task.
By Ecphonesis straight the mind is raised, 51
When by a sudden flow of passion seiz'd.
Epiphonema makes a final clause, 52
When narratives and proofs afford a cause.
Epanorthosis doth past words correct, 53
u4nd only to enhance seems to reject.
Aposiopesis leaves imperfect sense ; 54
Yet such a silent pause speaks eloquence.
Anaccenosis tries another's mind, 55
The better counsel of a friend to find.
Aporia in words and actions doubts, 56
And with itself what may be best disputes.
EXAMPLES.
48. The ivriter of tlie Trojan War (for Homer). 49.
He drinks out of Gold and Cups, for Golden Cups. 50.
Do you imagine the enemy departed ? Do you believe
any boons from the Greeks free from wile ? 51. Alas ! Oh
banished Piety ! Oh corrupted Nation ! 52. Of so great
Moment was it to raise the Roman Nation. 53. Most
brave! Brave, said I? Most heroic Act. 54. Whom I --
but it is better to compose the swelling waves. 55. Were
it your case, what would you do ? 56. What shall I do ;
must I be asked, or must I ask ? Then what shall I ask ?
TERMS ENGLISHED.
48. Circumlocution. 49. One in two. 50. A Ques-
tioning -- Interrogation. 51. Exclamation, 52. Accla-
mation. 53. Correcting. 54. A Pausing or Concealing.
65, A Communication. 56. A Doubting.
13
? ? Generated for (University of Chicago) on 2014-12-26 11:55 GMT / http://hdl. handle. net/2027/uc2. ark:/13960/t6m041t73 Public Domain / http://www. hathitrust. org/access_use#pd
? 136 ARS KHETORICA.
Personam inducit Prosopopr&ia loquentem. 57
Sermonem a prcesenti avertit Apostrophe rite. 58
Schemata Grammatica Orthographic.
Prosthesis apponit capiti ; sed Aphceresis aufert. 59
Syncope de medio tollit ; sed Epenthesis addit. 60
Abstrahit Apocope fini; sed dat Paragoge. 61
EXEMPLA. '
57. Hosne mihi fructus, hunc fertilitas honorem officii-
que refers ? (Tell us fingitur loqui. ) 58. Et auro vi poti-
tur. Quid non mortalia pectora cogis, auri sacra fames?
59. Gnatus, pro natus ; non temnere, pro non contem-
nere Divos. 60. Surrexe, pro surrexisse ; -- Mavors, pro
Mars. 61. Ingeni, pro ingenii ; -- vestirier, pro vestiri.
DERIVATIONES.
57. a. nQdownov, persona, & noiiw, facio. 58. ab bnoc;-
qiqxo, verto. 59. a nQozldrjui, appono ; -- ab byaiQe w, aufero.
60. a ovv, con, & xdmw, scindo ; -- ab M 9 in, & tvTldrjtii,
infero.
