No More Learning

He knew that to understand his own mental state he had to
be his own diagnostician, and we may take it that he tried to
find out about his own terror. He did on the night when his fear
took its final shape--fear for his own life. The conclusion seems
unavoidable that he, through his psychotherapy, increased the
fear. He tried to supply it with a content more rationalized than
it needed to be.
This conclusion is strengthened when we recognize the un-
bending consistency with which he applied introspection. He
apparently believed that through it he could accomplish self-
control. When in August, 1903, he wrote down an appreciation
of his own gifts, he was so sure of himself that he could say: "I
believe that my gifts are such that in some way I can solve all
problems. I do not think that I could ever be wrong for any
considerable length of time. I believe that I have deserved the
name Messiah (Redeemer) because I have this nature" (Ta-
schenbuch, p. 28). Before he could arrive at this conviction, he
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? g8 Edge of Fear
must, however, have passed the stage where he came to the be-
lief that he could control all his gifts and make them fruitful in
solving all human problems. It seems probable that he did
come to this belief. After the November night of 1902 it seems
that he was beginning to master his own mental state. His faith
in psychotherapy therefore persisted. In Italy in the summer of
1903 we find him writing these words (U. L. D. , p. 130), which
must have grown from his own experience: "Perhaps disease is
always a form of poisoning. The soul does not have the courage
to become conscious of the poison and make it harmless in the
struggle. That is why it is still at work in the body. " Even if it is
dangerous to read this statement as general enough to include
all the mental torture that he suffered, it still sheds light on his
conscious effort to learn about his fear.
The terror of dying does not, however, seem to have been
built entirely by Weininger's conscious efforts. It was a product
of his mental conflicts and rose when the mental opposites in
his personality became so extreme that he forced ethical con-
siderations into every trifle. This condition resulted from his
moral uncertainty. It is clear that his moral attitude did not ex-
press his true personality, since he always had to fight in order
to maintain it. The tension and struggle bred despair. As Swo-
boda says: "Many of his statements are no doubt quite depress-
ing, but only because, disguised as realization of emotions, they
picture a soul in mortal despair. The shivering cold which one
sometimes meets in Sex and Character comes not from truth
but from the suicidal mood in which those pages were written
and which the reader cannot help feeling" (Swoboda, p. 30).
When we put all the features we now know of Otto's mental
development from the autumn of 1901 to November, 1902, into
one picture, it becomes obvious that he gave clear signs of moral
affects which had their roots in the summer of 1900 and first
appeared in an outward, critical way around July, 1902. Then it
became clear to him that he must live in accord with his moral
principles--a conviction that resulted from his great mental
conflicts, which at that time sometimes appeared to show a split
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? Edge of Fear 99
in his personality. By righting steadfastly and under great men-
tal strain for moral harmony, he arrived at the point where he
felt keenly every small demand, and he found that all the de-
mands when put together were too overwhelming to be ful-
filled. A disarrangement took place; his inner structure changed.
But this determination was an aspect of his personality that
never fell back to his former mode of life. The unique, fighting
moral attitude stayed with him and grew.
Typical of his belief that absolute demands were being made
upon him are the following words from Vber die letzten Dinge
(p. 60): "A man lives until he goes into the absolute or into
nothing. . . . He is free to choose his future life. His life goes
to ruin or is a preparation for eternity. " Here is a religious touch
not unlike that seen in Ibsen's Brand. 5 Just as Ibsen demanded
that one should live life to the full extent of the self without
compromise, so did Weininger also have his conception of ab-
solute values. 8
Contrary to this was the fear that he might not live up to
these ethical demands--the fear that, because he was full of sin,
he must atone with his life. Once more we find a change in his
personality, a displacement.
In broad outline, we may say that two oblique lines appeared
in the original structure of Weininger's personality make-up.
In the year 1902 something new entered. The schizoid or
schizophrenic individual shows (and this seems to have been
the case with Weininger) that some definitive event has oc-
s "The specific way which Ibsen chose to solve the disharmony may seem
conventional. As Solveig laboriously works her way through the shadows, she
seems like a saving angel created just for the moment. But when she speaks,
it is the sorrow of life itself that speaks, and in her comfort is found the same
attitude that faith takes toward the religious problem of existence" (Anathon
Aall, "Peer Gynt, som libsbillede og som dikting" in Samtiden, 1921, p. 235).
6 That Ibsen was at a very early period discussing the decisive attitude of man
to the demanding necessity of action may be seen in the words he wrote to
Clemens Petersen from Rome, March 9, 1867: "But that one pace forward . . .
is just this: there can be no more question of 'I will' but only of 'I must'; you
have helped me across a terrifying precipice, and I am grateful and will always
be grateful to you for it" (Halvdan Koht, "Breve fra Henrik Ibsen" in Samtiden,
1908, p. 91). See also Werner Moring, Ibsen und Kierkegaard, Palaestra 160
(Leipzig, 1928), pp. 54, 55, 90.
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? 100
Edge of Fear
curred at one time or another in his life and that this agent has
worked to cause further reactions. Weininger's original per-
sonality during the spring and summer of 1902 went through a
change which was not only permanent but progressive. The im-
portant point is that once the change in the structure of his
personality make-up took place it did not disappear, but re-
mained until a new change took place, according to the pattern
characteristic of schizophrenic cases.
The basic conflict was the psychological expression of deep-
seated difficulties in Weininger. Through the fear he revealed
in this period we can see the basic traits in his personality: his
narcissistic self-protection and self-devoted defense, neurotic in
type. The importance he attributed to this fear must be taken
as a schizophrenic symptom.
The moral struggle in Weininger, then, resulted in morbid
manifestations, which were at first short and violent, but later,
while maintaining their intensity, assumed longer duration, and
finally became constant. This struggle called forth feelings of
abasement, shame, and unworthiness, accompanied by a strong
sense of guilt. The morbid reactions he displayed were acute
motor discharges, sometimes taking the form of fear and anx-
ieties, and sometimes the form of a blind fury against himself,
which reached a temporary climax in his openly confessed sui-
cide plans.
Weininger's bellicose moral attitude developed further and
further in this period until it finally took the form of an asocial
ethic. With the development of social asceticism, which he later
professed, this ethic became self-denying and annihilating. In
his struggle the feeling of guilt was the starting point of the
crisis, the overcoming of that feeling was the content. It in-
volved the contest between his mental extremes. 7
7 The moral hypertrophy--the opposite of moral insanity--which characterized
Weininger's attitude in respect both to his rigorous ethical demands and to the
requirements he stated as an individualist is probably suggestive of a certain
differential schizoid disposition. See Hermann Hoffmann, Vererbung und Seelen-
leben: Einfilhrung in die psychiatrische Konstitutions- und Vererbungslehre
(Berlin, 1922), p. 219.
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? Edge of Fear 101
The story of Weininger's reaction to the sound of a dog bark-
ing in the night shows that he must have suffered an hallucina-
tion. If we take it that he really did hear a dog bark, he must
have had a particularly vivid and impressionistic experience--a
pseudo hallucination--suited to the situation. Such an occur-
rence is quite possible. It often happens that a patient suffer-
ing from an acute psychosis has hallucinatory and pseudo-
hallucinatory deceptions in a confused mixture. And, quite
apart from the incident of that night, Weininger, according to
his own writings, had other experiences that can scarcely be
taken as anything but visionary hallucinations.
If we try to decide what specific type of hallucination he had,
we must note that Weininger seemed to hear imaginary voices
"commanding" him ("I am a born criminal, a born mur-
derer"), and the evidence indicates a definitely psychotic phe-
nomenon. We must remember that hallucinations as such are
not a sort of schizophrenia. Weininger doubted his real experi-
ences and his real thoughts rather than his misinterpretations
and was led to the idea that he must kill himself (imperative
hallucinations). His self-deceptions make it possible for us to
interpret his disturbance as hallucinatory disturbance. In addi-
tion, there appears to be a memory component; the displace-
ment of the events of a November night to July, 1902, resulted
apparently in loss of memory of the correct date. We may
therefore maintain that his disturbances were both hallucina-
tory and mnemonic. Though the incident of the barking dog
was well preserved in his memory, he related it incorrectly, be-
cause the reproduction of what he experienced at one definite
moment was disturbed. The incident was painful, and he sub-
merged it by distorting it. We may surmise that it was not his
memory itself that was disturbed, but rather his capacity for
associative reproduction of something remembered. Such mem-
ory distortion resulted from his narcissistic orientation.
The conclusion that something was lacking in his capacity for
recollection supports the theory that he suffered from a mental
derangement. Even if he seemed to be in contact with the out-
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? 102
Edge of Fear
side world, on this one point he was unable to understand real-
ity. The living connection between him and the outside world
was lost for a short while--his ego was separated from its sur-
roundings. The mere fact that his orientation seemed sound
(and accordingly his reactions seemed sound also) is no argu-
ment against the basic diagnosis. Quite commonly delirious
schizophrenic patients are well oriented in time and space.
As events developed that night, Gerber had to defend the
"murderer" because he did not believe in his guilt. After hours
of discussion, lasting almost until dawn, the only answer to all
of his efforts was: "You cannot persuade me! Let me alone! I
cannot go on living! " The words must be taken as an expression
of introspection, self-judgment, destructive self-criticism, and
devastating self-accusations--all symptoms within the frame-
work of the schizophrenic group. This kind of self-reproach and
self-criticism may often be seen also in the manic-depressive
psychosis. Yet if we remember his whole mood, his complete
mental situation with its practically fixed affective condition, it
is more reasonable to see his self-accusations as of schizophrenic
nature.
His suicide plan was based on a misconception. But this mis-
conception did not endure. By the morning of November 21 the
thought of killing himself had left him. He wanted to live.
When Otto Weininger made his decision, it may have been
because the idea of suicide had actually left him or it may have
been because he wanted to please his friend. The most likely
psychological explanation is that the time had arrived for a more
or less sudden remission of his acute case of disturbance. (As
Gerber said earlier, "The crisis was not yet over. ") His sudden
improvement was also indicated by the fact that he later be-
haved as if nothing had happened although he remembered
clearly what had gone on. When his mental condition improved
as it did, we have one more reason to believe his case was of
schizophrenic nature, since remissions of this sort can be seen
only in schizophrenic persons. The mental disturbance in him
was, however, of a passing kind; there was a slight and momen-
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? Edge of Fear 103
tary improvement before the real one, and the crisis passed only
after several hours. But he seems to have been open to argu-
ment. There was a serious contest between him and Gerber,
and Weininger was temporarily persuaded, not because Ger-
ber's words impressed him, but because his friend wept. He
would go on living. Thus the mental disturbance was over, and
everything seemed to be as before.
It appears that Otto Weininger was trying to pull himself to-
gether. His mental conflicts had brought him to the verge of a
split, but just as they seemed to get the upper hand Weininger
overcame them. His mental split was not too serious for him to
suppress it--at least apparently it was not. Yet one gains the
impression that Weininger barely escaped schizophrenic dis-
ease. It was on the point of overtaking him, it did overtake him,
then it relaxed and he escaped, either because its grip was not
firm enough upon him or because he was strong enough to com-
pose himself and put up enough mental resistance to throw off
the attack. Weininger was that night clear-minded enough to
be able to resist insanity consciously, shocking as the experience
may have been for him. His intelligence was keen enough for
him to realize what was happening, though he was spellbound
by his own experiences and found it hard to get away.
On that November night he came out victor over his own
mental split; at least in the following months he was able to pull
himself together. The experience, however, left its mark on his
mind. From that night emerged a new Weininger, different
from the old.
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? Sex and
Character
Q
ex and character was first published in 1903. It consisted
L-^/of two parts. Of these the first part was Weininger's thesis
for the doctor's degree, which was colored with scientific
thought. It is worth while to summarize what he says in it.
The two general concepts of male and female have come
down to us from primitive mankind. Yet is it really the case that
all women and men are marked off sharply from each other?
Nowhere in nature is there another such pronounced discon-
tinuity. There are transitional forms between the metals and
nonmetals, between animals and plants, and between mam-
mals and birds. From these analogies one might suppose that
there is in nature no sharp cleavage between masculine on the
one side and feminine on the other.
In the controversy about the nature of woman, appeal has
been made to the arbitration of anatomy, in the hflpe that some
anatomical line could be drawn between the inborn and ac-
quired properties of males and those of females. The answer of
the anatomists is clear enough. Absolute sexual distinctions be-
tween all men on the one side and all women on the other do
not exist. Sex cannot be determined with certainty from the
skeleton or from the muscles, tendons, skin, blood, or nerves.
The sex of a human embryo of less than five weeks cannot be
recognized. Sexual differentiation is never complete. All pe-
culiarities of the male sex may be present in the female in some
form, however weakly developed, and so also the sexual charac-
teristics of the woman persist in the man. Thus one can find
men with feminine pelves, well-developed breasts, and high-
pitched voices, and women with flat breasts and small hips.
Among human beings there are all sorts of intermediate condi-
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? Sex and Character 105
Hons, varieties of sexual transitional forms between male and
female.
We may suppose the existence of an ideal man, M, and of an
ideal woman, W, as sexual types. Males and females are like
two substances combined in different proportions, but with
neither element ever wholly missing. All human beings are
more or less hermaphroditic, physically and mentally. A person
may be f M + \ W; another may be f W + ? M, and so on.
Yet Weininger is first concerned not with studying these spe-
cific cases, but only with determining the mind of the absolute
woman and the absolute man, the 100 percent woman and the
100 percent man. His subject, therefore, is not the living, con-
crete woman or man, but their types, considered platonically.
Sexuality is not limited to the genital organs and glands; it
extends to other parts of the body. But where are the borders?
In other words, where does sex display itself and where is it ab-
sent? Weininger mentions the theory, first suggested by the
Danish zoologist, Johannes Japetus Smith Steenstrup, that j
sexual properties are present in every part of the body. 1 Wein-
inger finds similarly that all parts of a woman, although in dif- it*-^
ferent degrees in the various zones, are sexually excitable.
He then passes on to the formal, hypothetical concept, which
to him seems almost factually certain: Each cell in the body is
sexually charged. 2 According to this principle governing sexual
transitional forms, Weininger believes that the sexual charac-
teristics may appear in different degrees. Empirical facts seem,
indeed, to prove that this principle of sexual transition between
man and woman may be extended to all the cells of the body.
At present, he said, it is impossible to say in which part of the
cell the masculinity or femininity is located.
The distribution of sexual characteristics affords an impor-
tant proof of the appearance of sexuality. Such characteristics
1 Untersuchungen ilber das Vorkommen des Hermaphroditismus in der Natur
(Greifswald, 1846), p. 9.
2 Mobius claimed in Geschlecht und Unbescheidenheit (Halle an der Saale,
1907), p. 10, that he had said (in "Uber das Somageschlecht," in Umschau,
January, 1903) that "each cell is sexually marked. "
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? 1o6
Sex and Character
(at least in the animal kingdom) may be arranged according
to the strength of their exciting influence on the opposite sex.
Weininger describes the male and female genital glands as pri-
mary sexual characteristics. The secondary sexual characteris-
tics are those which appear at puberty and which cannot be
developed except under the influence of the internal secretions
of the genital glands. Examples of these are the beard in men,
mammary glands in women, the type of voice, and the like.
Tertiary sexual characteristics comprise certain inherited traits
such as great muscular strength or marked mental obstinacy.
Quaternary sexual characteristics are acquired habits such as
men's drinking and smoking, women's domestic duties.
The degree of development of the secondary characteristics
has been regarded as the effect upon the organism of the in-
ternal secretions of the genital glands. These are the organs in
which the sex of the individual is most obvious, and, moreover,
the characteristic properties of the species, the race, and the
family to which the organism belongs are marked in the genital
cells.
If the genital glands of a man are removed, the male charac-
teristics disappear or become weakened and the feminine char-
acteristics appear more strongly. Every cell contains a certain
percentage of male plasm (arrhenoplasm) and a certain per-
centage of female plasm (thelyplasm). This seems to be proved
by the fact that in certain hermaphroditic animals male and
female sexual characters coexist, but the two do not function
at the same period. Each such individual exercises first the func-
tions of a male, afterwards those of the female (protandry). In
human beings, also, that is, in mature men, ma. y be found like
phenomena known to the study of sexual pathology.
In all forms of sexually differentiated life there is attraction
between males and females, between man and woman, the ob-
ject of which is procreation. Feminine men love masculine
women and vice versa. The fact that maleness and femaleness
are distributed in the living world in every possible proportion
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? Sex and Character 107
leads Weininger to the formulation of what he believed to be
an almost unknown law, "the law of sexual attraction," which
had been anticipated only by Schopenhauer. Sexual attraction
may be compared with gravitation. When exceptions to this
rule appear, there is nearly always evidence that some special
influence has worked to prevent the direct action of the special
taste. Weininger finds proof of his law of sexual attraction in
the common saying "waiting for Mr. Right" and in such state-
ments as "John and Mary are quite unsuitable for each other. "
Accordingly, every man or woman possesses certain individual
peculiarities which qualify or disqualify him or her for marriage
with any particular member of the opposite sex; this man can-
not be substituted for that, or this woman for another without
sexual affinity. Only one law does he consider. That one runs as
follows: For true sexual union it is necessary that there come
together a complete male (M) and a complete female (W),
even though in different cases M and W may be distributed
between the two individuals in different proportions. Thus,
IM + ^ W has a special affinity to } M + f W. In this matter
the so-called aesthetic factor, the stimulus of beauty, is entirely
ignored.
Weininger finds confirmation of his law in the vegetable
kingdom, in the phenomenon of heterostylism. Where hetero-
stylism occurs, the greatest variety of sexual difference produces
the best plants.
In several insects the same conditions may be observed.
Among animals as well as among vegetables fertilization has
the best results when it occurs between parents with maximum
affinity.
The phenomena of sexual attraction are generally recognized.
Quite young men, say under twenty, are attracted by much
older women, say those of thirty-five or thereabouts, while men
of thirty-five and more are attracted by women much younger
than themselves. And quite young girls generally prefer much
older men to younger ones. These manifestations are more pro-
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? 1o8
Sex and Character
found than is usually surmised. The union of male and female
organisms is no mere matter of chance but is guided by a defi-
nite law.
In this connection Weininger refers to the experiments of
Wilhelm Pfeffer, which showed that the male cells of many
cryptograms are naturally attracted not merely by the female
cells but also by substances with which they come in contact
under natural conditions or which have been introduced ex-
perimentally. Pfeffer called these movements chemotactic and
used the word chemotropism to describe the attraction. Wei-
ninger takes up the idea. In certain animals the male with his
sense organs perceives the female at a distance, and Weininger
thinks this attraction exercised by females analogous in certain
respects to chemotropism. Chemotropism also seems to him
the explanation of the restless and persistent energy with which
the mammalian spermatozoa seek the entrance to the uterus.
In spite of all mechanical hindrances the spermatozoon makes
for the egg cell with almost incredible certainty. Many fish make
prodigious journeys to breed, e. g. , salmon travel for months
from the open sea to the sources of the Rhine in order to spawn.
According to Weininger the law of sexual attraction shows
that, because of the gradations of sexuality, there always may
be found pairs of beings with the two members almost perfectly
adapted to one another. From this standpoint, according to
Weininger, marriage has its justification, and "free love" is to
be condemned. The healthiest offspring will result from unions
in which there is the maximum of sexual suitability.
The law of sexual attraction also explains sexual inclination
among members of the same sex. There is no such thing as gen-
uine psychosexual hermaphroditism. The men who are sexually
attracted by other men have outward marks of effeminacy, just
as women who are attracted to those of their own sex exhibit
male characters. In all cases of sexual inversion (inclination
toward one's own sex) there is invariably an anatomical approx-
imation to the opposite sex.
Sexual perversion is not a habit acquired by the individual
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? Sex and Character log
during the course of his life. Weininger points to many writers
(Kraepelin, for example) who believed that such abnormality
is induced by example. Weininger inquires, Who was the first
seducer? Did the god Hermaphroditos teach him? Just as a
normal man discovers for himself what a woman is, so also in
the case of a sexual pervert the attraction exercised on him by a
person of his own sex is a normal product of his development r
from birth. There is little reason to say that sexual inversion is ?
acquired, and there is just as little cause to regard it as inherited <
from parents or grandparents. Let those who regard sexual in-
version as pathological remember that there are to be found
various transitional stages from the most masculine to the most
effeminate male and so on through many gradations to the
feminine virgin.
No inverts are completely inverted sexually. In all of them
there is from the beginning an inclination to both sexes; they
are, in fact, bisexual. Weininger believes that what he is intro-
ducing is the view that homosexuality cannot be regarded as an
atavism or as due to incomplete differentiation of sex. Homo-
sexuality is merely the sexual condition of the intermediate sex- \
ual forms. That the rudiments of homosexuality, in however '
weak a form, exist in every human being is proved by the fact
that the tendency may be observed in adolescence, when there
is still a great deal of undifferentiated sexuality before the in-
ternal secretions have exerted their stimulating force. In this
connection Weininger points to the strong sexual aspect of
youthful friendship and to homosexuality among animals. Per-
verted sexual attraction is no exception to the law of sexual at-
traction but is merely a special example of it. To fulfill the work-
ing of the law an individual who is half-man and half-woman
requires as sexual complement a being similarly equipped with
a share of both sexes. This need, Weininger finds, is the reason
why homosexuals associate only with persons of similar char-
acter and rarely admit to intimacy those who are normal. The
sexual attraction is mutual, and this explains why one homo-
sexual so readily recognizes the abnormality of another.
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? 110
Sex and Character
The problem of sexual attraction carried Weininger into the
sphere of physiology, as he undertook the problems of the sci-
ence of character. Matter and mind correspond, and it is easy to
imagine the existence of a female mental type and a male men-
tal type. We cannot say that the character of a particular indi-
vidual is male or female. Instead, we must ask, How many parts
male and how many parts female are there in this person? When
that question is answered, we should be better able to describe
the individual definitely and arrive at a foundation for scien-
tific study of the problem of characterology (the science of
character). This discovery should also influence teaching meth-
ods.
Every human being oscillates between the maleness and the
femaleness of his constitution. These sexual oscillations are
regular or irregular, like the variations in the magnetism of the
earth. The regular forms are sometimes minute; for instance,
many men feel more masculine at night. The irregular oscilla-
tions probably depend chiefly upon the environment, as, for
instance, on the sexuality of the surrounding people. In short,
bisexuality cannot be properly observed in a single moment but
must be studied through successive periods of time.
From this point forward, theoretical analysis of the M con-
tent and the W content in the individual becomes one of
Weininger's main objectives, and he chooses the difficult
method, namely, synthetic creation of abstract "sexual types,"
the ideal mind of man and the ideal mind of woman.
Weininger argues that the cooperative functioning of the male
and female principles must be the basis of any rational study
of character. The science of character is related to psychology
in much the same way that anatomy is related to physiology.
The principle of sexually intermediate forms--and, still more
forcefully, the parallel between characterology and morphol-
ogy in their widest application--makes him look forward to a
time when physiognomy would take its honorable place among
the sciences. The problem of physiognomy is, for Weininger,
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? Sex and Character
111
the problem of the relation between the static mental forces
and the static body forces.
The reason, he says, why such sciences as physiognomy and
characterology have not yet been properly recognized lies in
the difficulty of investigation. This difficulty might be avoided,
if, instead of inquiring why a person prefers cats to dogs, one
asked instead, In what respects do lovers of cats and lovers of
dogs differ? The method of seeking the related differences
where one difference has been detected would, Weininger be-
lieves, prove extremely useful not only to pure morphology
and to the science of character but ultimately also to physiog-
nomy.
The chapter called "Emancipated Women" offers a prelim-
inary conclusion to Weininger's investigation. He maintains
that a woman's demand for emancipation and her qualifica-
tion for it are in direct proportion to the amount of maleness '
in her. All prominent women, from Sappho to George Eliot,
who have striven for real emancipation--and their efforts were
justifiable--always have revealed some of the anatomical char- |
acters of the male. Many of them were sexual perverts. Con-
cerning this maleness in women, which, by the way, he de-
scribed as woman's great endowment, we may say that it
causes them to be homosexually or bisexually inclined (George
Sand's affair with Alfred de Musset, for example). Only the
male element in emancipated women craves emancipation. 1
There is, then, Weininger believes, a stronger reason than has
been generally supposed for the familiar assumption of male
pseudonyms by women writers; using men's names is one |
mode of giving expression to the inherent maleness they feel.
As a further example of this aping of men, George Sand's
preference for men's clothing may be mentioned.
If it is true that the desire for freedom and equality with
man occurs only in masculine women, it follows by inductive
reasoning that the female principle is not conscious of any v
need for emancipation. Weininger claims that the greatest,
? ? Generated for (University of Chicago) on 2014-08-19 08:38 GMT / http://hdl. handle. net/2027/wu. 89038364857 Public Domain, Google-digitized / http://www. hathitrust. org/access_use#pd-google
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Sex and Character
the one enemy of the emancipation of woman is woman her-
self. It is left to the second part of his book to prove that point.
The second and principal part is called "The Sexual Types. "
We may briefly examine its main outlines.
Before considering the main difference between the sexes
as to psychological content, Weininger makes a few psycho-
logical soundings and formulates a few conceptions. He points
out that in studying perception it is necessary to make a dis-
tinction rarely made by psychologists; the original vague per-
ception must be distinguished from the later clarified version.
All clear perceptions and all distinct ideas must, before they
can be put into words, pass through a stage of indistinctness.
So also before an association is formed there is a sort of vague,
generalized expectation of association. To Richard Avenarius's
separation of all psychical phenomena into elements and char-
acters Weininger added a new concept. There is a stage of
mental activity not included in Avenarius's classification, a
stage that precedes those he tested. At first all elements merge,
more or less clouded. The whole process of clarification may
be compared to the experience of seeing something at a dis-
tance and then recognizing it as it comes nearer. The first
moment of indistinctness is important. Just as the process of
"anticipation" takes place before a thought is clarified in the
mind of an individual, so does it occur in history. Definite
scientific concepts are preceded by anticipations. There were
among ancient Greek and later thinkers vague anticipations
of Darwin's theory. Many earlier men foreshadowed the con-
clusions of modern science, and a like development may be
found in every phase of art, in painting as well as in music.
The whole history of thought is a continuous clarification, a
more and more accurate description or recognition of details.