Understanding Media: The
Extensions
of Man.
Kittler-Friedrich-Optical-Media-pdf
Vorlesungen iiber Geschlchte der Trzgo- nometrie.
1.
Teil: Von den dltesten Zeiten bis zur Erfindung der Logarithmen.
Leipzig: B.
G.
Teubner, 1900.
Bruch, Walter. Kleine Geschichte des deutschen Fernsehens. Berlin: Hande & Spender, 1967.
Bruch, Walter and Riedel, Heide. PAL - das Farbfernsehen. Berlin: Deutsches Rundfunk-Museum, 1987.
Biichner, Georg. "Leonce and Lena. " Trans. Anthony Meech. The Complete Plays. Ed. Michael Patterson. London: Methuen, 1987, pp. 113-46.
Biichner, Georg. Leben, Werk, Zeit: Ausstellung zum 150. Jahrestag des "Hessischen Landboten". Marburg: Jonas Verlag, 1985.
Buddemeier, Heinz. Panorama, Diorama, Photographie: Entstehung und Wirkung neuer Medien im 19. Jahrhundert. Munich: Wilhelm Fink Verlag, 1970.
Busch, Bernd. Belichtete Welt: Eine Wahrnehmungsgeschichte der Fotografie. Munich: Carl Hanser, 1995.
Clark, Ronald William. Edison: The Man Who Made the Future. New York: Putnam, 1977.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT Press, 1991.
Eder, Josef Maria. History o f Photography. Trans. Edward Epstean. New York: Dover, 1978.
Edgerton, Samuel, Jr. The Heritage of Giotto's Geometry: Art and Science on the Eve of the Scientific Revolution. Ithaca: Cornell University Press, 1991.
Edgerton, Samuel, Jr. The Renaissance Rediscovery of Linear Per- spective. New York: Basic Books, 1975.
Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence ofMax Reinhardt. Trans. Roger Greaves. London: Secker and Warburg, 1973.
Enzensberger, Hans Magnus. Mausoleum: Thirty-seven Ballads from the History of Progress. Trans. Joachim Neugroschel. New York: Urizen, 1976.
232
? ? BIBLIOGRAPHY
Faulstich, Werner, ed. Kritische Stichworte zur Medienwissenschaft. Munich: Wilhelm Fink Verlag, 1979.
Flaubert, Gustave. Sentimental Education. Trans. Robert Baldick. London: Penguin, 1964.
Freud, Sigmund. The Standard Edition o f the Complete Psychological Works ofSigmund Freud. 24 vols. Trans. James Strachey. London: Hogarth Press, 1953-74.
Greard, M. O. Jean-Louis-Ernest Meissonier, ses souvenirs - ses entretiens precedes d'une etude sur sa vie et son oeuvre. Paris: Librmne Hachette, 1897.
Greve, Ludwig, Pehle, Margot and Westhoff, Heide, eds. Hatte ich das Kino! Die Schriftsteller und der Stumm{ilm. Marbach: Deutsche Schillergesellschaft, 1976.
Halbach, Wulf R. "Reality Engines. " Computer als Medium. Ed. Norbert Bolz, Friedrich Kittler, and Christoph Tholen. Munich: Wilhelm Fink Verlag, 1993, pp. 231-44.
Heidegger, Martin. "The Age of the World Picture. " The Question Concerning Technology and Other Essays. Trans. William Lovitt. London: Garland, 1977, pp. 115-54.
Herr, Michael. Dispatches. London: Picador, 1978.
Hoffmann, E. T. A. The Devil's Elixirs. Trans. Ronald Taylor. London:
John Calder, 1963.
Hoffmann, E. T. A. Eight Tales of Hoffmann. Trans. J. M. Cohen.
London: Pan Books, 1952.
Hoffmann, E. T. A. Fantasie- und Nachtstiicke. Ed. Walter Miiller-
Seidel. Munich: Winkler Verlag, 1967.
Holmes, Oliver Wendell. "The Stereoscope and the Stereograph. "
The Atlantic Monthly 3 (1859): 738-48.
Innis, Harold. Empire and Communications. London: Oxford Uni-
versity Press, 1950.
Jauss, Hans Robert. "Nachahmungsprinzip und Wirklichkeitsbegriff
in der Theorie des Romans von Diderot bis Stendhal. " Nachah- mung und Illusion. Ed. Janss. 2nd edn. Munich: Eidos Verlag, 1969, pp. 157-78.
Jay, Paul. Lumieres et images, la photographie: Histoire sommaire des techniques photographiques au XIXe siecle. Chalon-sur-Saone: Musee Nicephore Niepce, 1981.
Kaes, Anton, ed. Die Kino-Dehatte: Texte zum Verhaltnis von Literatur und Film 1909-1929. Tiibingen: Niemeyer, 1978.
Kant, Immanuel. Critique ofJudgment. Trans. J. H. Bernard. New York: Hafner, 1951.
233
? ? ? BIBLIOGRAPHY
Kraker, Arthur. Technology and the Canadian Mind: InnislMcLuhanl Grant. New York: St. Martin's Press, 1984.
Kurze1-Runtscheiner, Erich. Franz Freiherr von Uchatius. Vienna: Osterreichischer Forschungsinstitut fur Geschichte der Technik, 1937.
Lacan, Jacques. Bcrits: A Selectzan. Trans. Bruce Fink. New York: Norton, 2002.
Lacan, Jacques. The Four Fundamental Concepts of Psycho- Analysis. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York: Norton, 1981.
Lambert, Johann Heinrich. Neues Organon oder Gedanken iiber die Erforschung und Bezeichnung des Wahren und dessen Untersche- idung vom Irrtum und Schein. 3 vols. Ed. Gunter Schenk. Berlin: Akademie Verlag, 1990, vol. 2.
Lasswitz, Kurd. Gustav Theodor Fechner. 3rd edn. Stuttgart: Frammann, 1910.
Lessing, Gotthold Ephraim. Laocoon: An Essay on the Limits of Painting and Poetry. Trans. Edward Allen McCormick. Baltimore:
Johns Hopkins University Press, 1984.
Loyola, Ignacio de. The Spiritual Exercises of Saint Ignatius. Trans.
Thomas Corbishley. London: Burns and Oates, 1963.
Mallarme, Stephane. CEuvres completes. Ed. Henri Mondor and
G. Jean-Aubry. Paris: Gallimard, 1945.
McLuhan, Marshall.
Understanding Media: The Extensions of Man.
New York: McGraw-Hill, 1964.
Monaco, James. How to Read a Film: The Art, Technology, Lan-
guage, History and Theory of Film and Media. New York: Oxford
University Press, 1977.
Morin, Edgar. The Cinema, or The Imaginary Man. Trans. Lorraine
Mortimer. Minneapolis: University of Minnesota Press, 2005. Munsterberg, Hugo. The Film: A Psychological Study; The Silent
Photoplay in 1916. New York: Dover, 1970.
Nabokov, Vladimir. Lolita. New York: G. P. Putnam's Sons, 1958. Nadar (Felix Tournachon). Quand j'hais photographe. Paris: E.
Flammarion, 1899.
Nietzsche, Friedrich. "On the Future of Our Educational Institu-
tions. " The Complete Works of Friedrich Nietzsche. Ed. Oscar Levy. Trans, J. M. Kennedy. 18 vols. New York: Russell & Russell, 1964. Vol. 3.
Ong, Walter J. Orality and Literacy: The Technologizing of the Word. London: Routledge, 1991.
Pinthus, Kurt, ed. Das Kinobuch. Zurich: Arche, 1963. 234
? BIBLIOGRAPHY
Plumpe, Gerhard. Der tote Blick: Zum Diskurs der Photographie in der Zeit des Realismus. Munich: Wilhelm Fink Verlag, 1990.
Poe, Edgar Allan. "The Oval Portrait. " The Complete Works of Edgar Allan Poe. Ed. James A. Harrison. New York: AMS Press, 1965. Vo! ' 4, pp. 245-9.
Pynchon, Thomas. Gravity's Rainbow. New York: Vikmg Press, 1973.
Pynchon, Thomas. V, New York: Harper & Row, 1990.
Ranke, Wmfried. "Magla naturalis, physique amusante uud auf- geklarte Wissenschaft. " Lanterna magica: Lichtbilder aus Men- schenwelt und Gotterwelt. Ed. Detlev Hoffmann and Almut Junker.
Berlin: Verlag Frolich & Kaufmann, 1982, pp. 11-53.
Rings, Werner. Die 5. Wand: Das Fernsehen. Vienna/Diisseldorf:
Econ-Verlag, 1962.
Ritter, Johann Wilhelm. Entdeckungen zur Elektrochemie, Bioelek-
trochemie und Photochemie. Ed. Hermann Berg and Klaus Richter.
Leipzig: Akademische Verlagsgesellschaft Geest & Portig, 1986. Rotman, Brian. Signifying Nothing: The Semiotics of Zero. New
York: St. Martin's Press, 1987.
Sartre, Jean-Pau! ' Words. Trans. Irene Clephane. Hammondsworth:
Penguin, 1967.
Schiller, Friedrich. Samtfiche Werke. Ed. Eduard von der Hellen. 16
vols. Stuttgart and Berlin: J. G. Cotta, 1904-5, vo! ' 2. Schivelbusch, Wolfgang. The Railway Jouney: The Industrialization of Time and Space in the 19th Century. Berkeley: University of
California Press, 1986.
Schliipmann, Heide. Unheimlichkeit des Blicks: Das Drama des
fruhen deutschen Kinos. Basel/Frankfurt am Main: Stroemfeld/
Roter Stern, 1990.
Schmiederer, Ernst. "All Power Proceeds from the Picture. " Infowar:
Information, Macht, Krieg. Ed. Gerfried Stocker and Christine
Schopf. Vienna: Springer, 1998, pp. 203-11.
Schmitz, Emil-Heinz. Handbuch zur Geschichte der Optik. 15 vols.
Bonn: J. P. Wayenborgh, 1981-95. Vo! ' 1.
Seeber, Guide. Filmtechnik. Halle: W. Knapp, 1925.
Shannon, Claude, and Weaver, Warren. The Mathematical Theory
of Communication. Urbana, IL: University of Illinois Press, 1949. Simmering, Klaus. HDTV - High-Definition Television: Technische, okonomische und programmfiche Aspekte einer neuen Fernsehtech-
nik. Bochum: N. Brockmeyer, 1989.
Simon, Gerard. Le regarde, ! 'iitre et l'apparence dans l'optique de
I'Antiquite. Paris: Editions du Seuil, 1988. 235
? BIBLIOGRAPHY
Starobinski, Jean. 1789: The Emblems of Reason. Trans. Barbara Bray. Charlottesville: University Press of Virginia, 1982.
Suetonious. The Twelve Caesars. Trans. Robert Graves. London: Penguin, 1979.
Swift, Jonathan. Gullwer's Travels. London: Oxford University Press, 1963.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Trans. Richard Howard. Cleveland: Press of Case Western Reserve University, 1973.
Tsuji, Shigeru. "Brunelleschi and the Art of the Camera Obscura: Tbe Discovery of Pictorial Perspective. " Art History 13 (1990): 276-92.
Vasari, Giorgio. Leben der ausgezeichnetsten Maler, Bildhauer und Baumeister von Cimabue bis zum Jahre 1567. Ed. Julian Kliemann. Trans. Ludwig Schorn and Ernst Forster. 2 vols. Darmstadt: Wer- nersche Verlagsgesellschaft, 1983. Vol. 2.
Vertov, Dziga. Kino-Eye: The Writings ofDziga Vertov. Ed. Annette Michelson. Trans. Kevin O'Brien. Berkeley: University of California Press, 1984.
Virilio, Paul. War and Cinema: The Logistics of Perception. Trans. Patrick Camiller. London: Verso, 1989.
Vogt, Hans. Die Erfindung des Lichttonfilms. Munich: Deutsches Museum, 1964.
Wagner, Richard. The Authentic Librettos of the Wagner Operas. New York: Crown Publishers, 1938.
W att, Alan. Fundamentals o f Three-Dimensional Computer Graphics. Wokingham: Addison-Wesley, 1989.
Wedel, Hasso von. Die Propagandatruppen der deutschen Wehrmacht. Neckargemlind: Kurt Vowinckel Verlag, 1962.
Wieszner, Georg Gnstav. Richard Wagner, der Theater-Reformer: Vom Werden des deutschen Nationaltheaters im Geiste des Jahres 1848. Emsdetten: Verlag Lechte, 1951.
Zglinicki, Friedrich von. Der Weg des Films: Die Geschichte der Kinematographie und ihrer Vorliiufer. Hildesheim: Olms Presse, 1979.
236
? ? ? absolutism
and bull's eye lanterns 70-1
and theater 87-8
acoustics
acoustic media 32-3
and film 154-5, 160-1, 162-3,
198-9, 200 Adorno, T. 2, 3, 36, 140
aesthetics 3, 6
aesthetic handicaps 120
and sound film 200-2 after-image effect
in photography 148-50
in television 209
Alberti, Leon Battista 54,61-5, 82,94
alchemy 121
Alewyn, Richard, Barockes Welttheater 87
Alpdriicken (Nighttnare) 115-16 alphabetical writing and the soul
34-5
analog media 11-12,45-6
analogies 12-13
ancient Greeks 7-8, 14-15
alphabetical writing and the soul 34-5
mathematics 51
painting 37-8,49
science of optics 50
animated cartoons 154 Annunzio, Gabriele D' 187 anthropometry 142 Antonius de Dominis 204 Arabs
mathematics 50-2
scrolls 47
Arago, D. F. J. 129,131,132,134,
136,141
Ardenne, Manfred von 213, 214 Arendt, Hannah 5, 10
Aristotle 9, 51, 52, 91, 93, 96
Poetics 88
theory of movement 147
Arnheim, Rudolf 40-1,63, 140, 141
asphalt and daguerreotypy 128, 129
astronomy 93
Athens, Theater of Dionysus 82 Augustus, Roman Emperor 64 the aura 47
auteur film 179-81
Babbage, Charles 22, 146, 147, 170-1
Bachman, Ingeborg 19
backwards projection in film 166-7 Bacon, Roger 53, 56-7, 58, 60 Bain, Alexander 208-9
INDEX
237
? Baird, John Logie 212
Balazs, Beta 174,201
Balzac, Honore de 139-40,141,
179
The Human Comedy 139
baroque architecture and the
lanterna magica 82-5
baroque theaters 85-8
Basserman, Albert 179
Baudrillard, Jean 37
Bauer, Felice 183
BBC (British Broadcasting Corporation) 212,216
Beccaria, C. 122
Belting, Hans 56
Benedict, Dr Moritz 35
Benjamin, Walter 24, 40, 43, 126 theory of the aura 47
Benn, Gottfried, The Journey 178 Bergson, H.
Bruch, Walter. Kleine Geschichte des deutschen Fernsehens. Berlin: Hande & Spender, 1967.
Bruch, Walter and Riedel, Heide. PAL - das Farbfernsehen. Berlin: Deutsches Rundfunk-Museum, 1987.
Biichner, Georg. "Leonce and Lena. " Trans. Anthony Meech. The Complete Plays. Ed. Michael Patterson. London: Methuen, 1987, pp. 113-46.
Biichner, Georg. Leben, Werk, Zeit: Ausstellung zum 150. Jahrestag des "Hessischen Landboten". Marburg: Jonas Verlag, 1985.
Buddemeier, Heinz. Panorama, Diorama, Photographie: Entstehung und Wirkung neuer Medien im 19. Jahrhundert. Munich: Wilhelm Fink Verlag, 1970.
Busch, Bernd. Belichtete Welt: Eine Wahrnehmungsgeschichte der Fotografie. Munich: Carl Hanser, 1995.
Clark, Ronald William. Edison: The Man Who Made the Future. New York: Putnam, 1977.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT Press, 1991.
Eder, Josef Maria. History o f Photography. Trans. Edward Epstean. New York: Dover, 1978.
Edgerton, Samuel, Jr. The Heritage of Giotto's Geometry: Art and Science on the Eve of the Scientific Revolution. Ithaca: Cornell University Press, 1991.
Edgerton, Samuel, Jr. The Renaissance Rediscovery of Linear Per- spective. New York: Basic Books, 1975.
Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence ofMax Reinhardt. Trans. Roger Greaves. London: Secker and Warburg, 1973.
Enzensberger, Hans Magnus. Mausoleum: Thirty-seven Ballads from the History of Progress. Trans. Joachim Neugroschel. New York: Urizen, 1976.
232
? ? BIBLIOGRAPHY
Faulstich, Werner, ed. Kritische Stichworte zur Medienwissenschaft. Munich: Wilhelm Fink Verlag, 1979.
Flaubert, Gustave. Sentimental Education. Trans. Robert Baldick. London: Penguin, 1964.
Freud, Sigmund. The Standard Edition o f the Complete Psychological Works ofSigmund Freud. 24 vols. Trans. James Strachey. London: Hogarth Press, 1953-74.
Greard, M. O. Jean-Louis-Ernest Meissonier, ses souvenirs - ses entretiens precedes d'une etude sur sa vie et son oeuvre. Paris: Librmne Hachette, 1897.
Greve, Ludwig, Pehle, Margot and Westhoff, Heide, eds. Hatte ich das Kino! Die Schriftsteller und der Stumm{ilm. Marbach: Deutsche Schillergesellschaft, 1976.
Halbach, Wulf R. "Reality Engines. " Computer als Medium. Ed. Norbert Bolz, Friedrich Kittler, and Christoph Tholen. Munich: Wilhelm Fink Verlag, 1993, pp. 231-44.
Heidegger, Martin. "The Age of the World Picture. " The Question Concerning Technology and Other Essays. Trans. William Lovitt. London: Garland, 1977, pp. 115-54.
Herr, Michael. Dispatches. London: Picador, 1978.
Hoffmann, E. T. A. The Devil's Elixirs. Trans. Ronald Taylor. London:
John Calder, 1963.
Hoffmann, E. T. A. Eight Tales of Hoffmann. Trans. J. M. Cohen.
London: Pan Books, 1952.
Hoffmann, E. T. A. Fantasie- und Nachtstiicke. Ed. Walter Miiller-
Seidel. Munich: Winkler Verlag, 1967.
Holmes, Oliver Wendell. "The Stereoscope and the Stereograph. "
The Atlantic Monthly 3 (1859): 738-48.
Innis, Harold. Empire and Communications. London: Oxford Uni-
versity Press, 1950.
Jauss, Hans Robert. "Nachahmungsprinzip und Wirklichkeitsbegriff
in der Theorie des Romans von Diderot bis Stendhal. " Nachah- mung und Illusion. Ed. Janss. 2nd edn. Munich: Eidos Verlag, 1969, pp. 157-78.
Jay, Paul. Lumieres et images, la photographie: Histoire sommaire des techniques photographiques au XIXe siecle. Chalon-sur-Saone: Musee Nicephore Niepce, 1981.
Kaes, Anton, ed. Die Kino-Dehatte: Texte zum Verhaltnis von Literatur und Film 1909-1929. Tiibingen: Niemeyer, 1978.
Kant, Immanuel. Critique ofJudgment. Trans. J. H. Bernard. New York: Hafner, 1951.
233
? ? ? BIBLIOGRAPHY
Kraker, Arthur. Technology and the Canadian Mind: InnislMcLuhanl Grant. New York: St. Martin's Press, 1984.
Kurze1-Runtscheiner, Erich. Franz Freiherr von Uchatius. Vienna: Osterreichischer Forschungsinstitut fur Geschichte der Technik, 1937.
Lacan, Jacques. Bcrits: A Selectzan. Trans. Bruce Fink. New York: Norton, 2002.
Lacan, Jacques. The Four Fundamental Concepts of Psycho- Analysis. Ed. Jacques-Alain Miller. Trans. Alan Sheridan. New York: Norton, 1981.
Lambert, Johann Heinrich. Neues Organon oder Gedanken iiber die Erforschung und Bezeichnung des Wahren und dessen Untersche- idung vom Irrtum und Schein. 3 vols. Ed. Gunter Schenk. Berlin: Akademie Verlag, 1990, vol. 2.
Lasswitz, Kurd. Gustav Theodor Fechner. 3rd edn. Stuttgart: Frammann, 1910.
Lessing, Gotthold Ephraim. Laocoon: An Essay on the Limits of Painting and Poetry. Trans. Edward Allen McCormick. Baltimore:
Johns Hopkins University Press, 1984.
Loyola, Ignacio de. The Spiritual Exercises of Saint Ignatius. Trans.
Thomas Corbishley. London: Burns and Oates, 1963.
Mallarme, Stephane. CEuvres completes. Ed. Henri Mondor and
G. Jean-Aubry. Paris: Gallimard, 1945.
McLuhan, Marshall.
Understanding Media: The Extensions of Man.
New York: McGraw-Hill, 1964.
Monaco, James. How to Read a Film: The Art, Technology, Lan-
guage, History and Theory of Film and Media. New York: Oxford
University Press, 1977.
Morin, Edgar. The Cinema, or The Imaginary Man. Trans. Lorraine
Mortimer. Minneapolis: University of Minnesota Press, 2005. Munsterberg, Hugo. The Film: A Psychological Study; The Silent
Photoplay in 1916. New York: Dover, 1970.
Nabokov, Vladimir. Lolita. New York: G. P. Putnam's Sons, 1958. Nadar (Felix Tournachon). Quand j'hais photographe. Paris: E.
Flammarion, 1899.
Nietzsche, Friedrich. "On the Future of Our Educational Institu-
tions. " The Complete Works of Friedrich Nietzsche. Ed. Oscar Levy. Trans, J. M. Kennedy. 18 vols. New York: Russell & Russell, 1964. Vol. 3.
Ong, Walter J. Orality and Literacy: The Technologizing of the Word. London: Routledge, 1991.
Pinthus, Kurt, ed. Das Kinobuch. Zurich: Arche, 1963. 234
? BIBLIOGRAPHY
Plumpe, Gerhard. Der tote Blick: Zum Diskurs der Photographie in der Zeit des Realismus. Munich: Wilhelm Fink Verlag, 1990.
Poe, Edgar Allan. "The Oval Portrait. " The Complete Works of Edgar Allan Poe. Ed. James A. Harrison. New York: AMS Press, 1965. Vo! ' 4, pp. 245-9.
Pynchon, Thomas. Gravity's Rainbow. New York: Vikmg Press, 1973.
Pynchon, Thomas. V, New York: Harper & Row, 1990.
Ranke, Wmfried. "Magla naturalis, physique amusante uud auf- geklarte Wissenschaft. " Lanterna magica: Lichtbilder aus Men- schenwelt und Gotterwelt. Ed. Detlev Hoffmann and Almut Junker.
Berlin: Verlag Frolich & Kaufmann, 1982, pp. 11-53.
Rings, Werner. Die 5. Wand: Das Fernsehen. Vienna/Diisseldorf:
Econ-Verlag, 1962.
Ritter, Johann Wilhelm. Entdeckungen zur Elektrochemie, Bioelek-
trochemie und Photochemie. Ed. Hermann Berg and Klaus Richter.
Leipzig: Akademische Verlagsgesellschaft Geest & Portig, 1986. Rotman, Brian. Signifying Nothing: The Semiotics of Zero. New
York: St. Martin's Press, 1987.
Sartre, Jean-Pau! ' Words. Trans. Irene Clephane. Hammondsworth:
Penguin, 1967.
Schiller, Friedrich. Samtfiche Werke. Ed. Eduard von der Hellen. 16
vols. Stuttgart and Berlin: J. G. Cotta, 1904-5, vo! ' 2. Schivelbusch, Wolfgang. The Railway Jouney: The Industrialization of Time and Space in the 19th Century. Berkeley: University of
California Press, 1986.
Schliipmann, Heide. Unheimlichkeit des Blicks: Das Drama des
fruhen deutschen Kinos. Basel/Frankfurt am Main: Stroemfeld/
Roter Stern, 1990.
Schmiederer, Ernst. "All Power Proceeds from the Picture. " Infowar:
Information, Macht, Krieg. Ed. Gerfried Stocker and Christine
Schopf. Vienna: Springer, 1998, pp. 203-11.
Schmitz, Emil-Heinz. Handbuch zur Geschichte der Optik. 15 vols.
Bonn: J. P. Wayenborgh, 1981-95. Vo! ' 1.
Seeber, Guide. Filmtechnik. Halle: W. Knapp, 1925.
Shannon, Claude, and Weaver, Warren. The Mathematical Theory
of Communication. Urbana, IL: University of Illinois Press, 1949. Simmering, Klaus. HDTV - High-Definition Television: Technische, okonomische und programmfiche Aspekte einer neuen Fernsehtech-
nik. Bochum: N. Brockmeyer, 1989.
Simon, Gerard. Le regarde, ! 'iitre et l'apparence dans l'optique de
I'Antiquite. Paris: Editions du Seuil, 1988. 235
? BIBLIOGRAPHY
Starobinski, Jean. 1789: The Emblems of Reason. Trans. Barbara Bray. Charlottesville: University Press of Virginia, 1982.
Suetonious. The Twelve Caesars. Trans. Robert Graves. London: Penguin, 1979.
Swift, Jonathan. Gullwer's Travels. London: Oxford University Press, 1963.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. Trans. Richard Howard. Cleveland: Press of Case Western Reserve University, 1973.
Tsuji, Shigeru. "Brunelleschi and the Art of the Camera Obscura: Tbe Discovery of Pictorial Perspective. " Art History 13 (1990): 276-92.
Vasari, Giorgio. Leben der ausgezeichnetsten Maler, Bildhauer und Baumeister von Cimabue bis zum Jahre 1567. Ed. Julian Kliemann. Trans. Ludwig Schorn and Ernst Forster. 2 vols. Darmstadt: Wer- nersche Verlagsgesellschaft, 1983. Vol. 2.
Vertov, Dziga. Kino-Eye: The Writings ofDziga Vertov. Ed. Annette Michelson. Trans. Kevin O'Brien. Berkeley: University of California Press, 1984.
Virilio, Paul. War and Cinema: The Logistics of Perception. Trans. Patrick Camiller. London: Verso, 1989.
Vogt, Hans. Die Erfindung des Lichttonfilms. Munich: Deutsches Museum, 1964.
Wagner, Richard. The Authentic Librettos of the Wagner Operas. New York: Crown Publishers, 1938.
W att, Alan. Fundamentals o f Three-Dimensional Computer Graphics. Wokingham: Addison-Wesley, 1989.
Wedel, Hasso von. Die Propagandatruppen der deutschen Wehrmacht. Neckargemlind: Kurt Vowinckel Verlag, 1962.
Wieszner, Georg Gnstav. Richard Wagner, der Theater-Reformer: Vom Werden des deutschen Nationaltheaters im Geiste des Jahres 1848. Emsdetten: Verlag Lechte, 1951.
Zglinicki, Friedrich von. Der Weg des Films: Die Geschichte der Kinematographie und ihrer Vorliiufer. Hildesheim: Olms Presse, 1979.
236
? ? ? absolutism
and bull's eye lanterns 70-1
and theater 87-8
acoustics
acoustic media 32-3
and film 154-5, 160-1, 162-3,
198-9, 200 Adorno, T. 2, 3, 36, 140
aesthetics 3, 6
aesthetic handicaps 120
and sound film 200-2 after-image effect
in photography 148-50
in television 209
Alberti, Leon Battista 54,61-5, 82,94
alchemy 121
Alewyn, Richard, Barockes Welttheater 87
Alpdriicken (Nighttnare) 115-16 alphabetical writing and the soul
34-5
analog media 11-12,45-6
analogies 12-13
ancient Greeks 7-8, 14-15
alphabetical writing and the soul 34-5
mathematics 51
painting 37-8,49
science of optics 50
animated cartoons 154 Annunzio, Gabriele D' 187 anthropometry 142 Antonius de Dominis 204 Arabs
mathematics 50-2
scrolls 47
Arago, D. F. J. 129,131,132,134,
136,141
Ardenne, Manfred von 213, 214 Arendt, Hannah 5, 10
Aristotle 9, 51, 52, 91, 93, 96
Poetics 88
theory of movement 147
Arnheim, Rudolf 40-1,63, 140, 141
asphalt and daguerreotypy 128, 129
astronomy 93
Athens, Theater of Dionysus 82 Augustus, Roman Emperor 64 the aura 47
auteur film 179-81
Babbage, Charles 22, 146, 147, 170-1
Bachman, Ingeborg 19
backwards projection in film 166-7 Bacon, Roger 53, 56-7, 58, 60 Bain, Alexander 208-9
INDEX
237
? Baird, John Logie 212
Balazs, Beta 174,201
Balzac, Honore de 139-40,141,
179
The Human Comedy 139
baroque architecture and the
lanterna magica 82-5
baroque theaters 85-8
Basserman, Albert 179
Baudrillard, Jean 37
Bauer, Felice 183
BBC (British Broadcasting Corporation) 212,216
Beccaria, C. 122
Belting, Hans 56
Benedict, Dr Moritz 35
Benjamin, Walter 24, 40, 43, 126 theory of the aura 47
Benn, Gottfried, The Journey 178 Bergson, H.
