No More Learning

Meet me in the green glen.


_Love Cannot Die_

In crime and enmity they lie
Who sin and tell us love can die,
Who say to us in slander's breath
That love belongs to sin and death.
From heaven it came on angel's wing
To bloom on earth, eternal spring;
In falsehood's enmity they lie
Who sin and tell us love can die.

Twas born upon an angel's breast.
The softest dreams, the sweetest rest,
The brightest sun, the bluest sky,
Are love's own home and canopy.
The thought that cheers this heart of mine
Is that of love; love so divine
They sin who say in slander's breath
That love belongs to sin and death.

The sweetest voice that lips contain,
The sweetest thought that leaves the brain,
The sweetest feeling of the heart--
There's pleasure in its very smart.
The scent of rose and cinnamon
Is not like love remembered on;
In falsehood's enmity they lie
Who sin and tell us love can die.


_Peggy_

Peggy said good morning and I said good bye,
When farmers dib the corn and laddies sow the rye.
Young Peggy's face was common sense and I was rather shy
When I met her in the morning when the farmers sow the rye.

Her half laced boots fit tightly as she tripped along the grass,
And she set her foot so lightly where the early bee doth pass.
Oh Peggy was a young thing, her face was common sense,
I courted her about the spring and loved her ever thence.

Oh Peggy was the young thing and bonny as to size;
Her lips were cherries of the spring and hazel were her eyes.
Oh Peggy she was straight and tall as is the poplar tree,
Smooth as the freestone of the wall, and very dear to me.

Oh Peggy's gown was chocolate and full of cherries white;
I keep a bit on't for her sake and love her day and night.
I drest myself just like a prince and Peggy went to woo,
But she's been gone some ten years since, and I know not what to do.


_The Crow Sat on the Willow_

The crow sat on the willow tree
A-lifting up his wings,
And glossy was his coat to see,
And loud the ploughman sings,
"I love my love because I know
The milkmaid she loves me";
And hoarsely croaked the glossy crow
Upon the willow tree.
"I love my love" the ploughman sung,
And all the fields with music rung.

"I love my love, a bonny lass,
She keeps her pails so bright,
And blythe she trips the dewy grass
At morning and at night.
A cotton dress her morning gown,
Her face was rosy health:
She traced the pastures up and down
And nature was her wealth. "
He sung, and turned each furrow down,
His sweetheart's love in cotton gown.

"My love is young and handsome
As any in the town,
She's worth a ploughman's ransom
In the drab cotton gown. "
He sang and turned his furrow oer
And urged his team along,
While on the willow as before
The old crow croaked his song:
The ploughman sung his rustic lay
And sung of Phoebe all the day.

The crow he was in love no doubt
And [so were] many things:
The ploughman finished many a bout,
And lustily he sings,
"My love she is a milking maid
With red rosy cheek;
Of cotton drab her gown was made,
I loved her many a week. "
His milking maid the ploughman sung
Till all the fields around him rung.


_Now is Past_

_Now_ is past--the happy _now_
When we together roved
Beneath the wildwood's oak-tree bough
And Nature said we loved.
Winter's blast
The _now_ since then has crept between,
And left us both apart.
Winters that withered all the green
Have froze the beating heart.
Now is past.

_Now_ is past since last we met
Beneath the hazel bough;
Before the evening sun was set
Her shadow stretched below.
Autumn's blast
Has stained and blighted every bough;
Wild strawberries like her lips
Have left the mosses green below,
Her bloom's upon the hips.
Now is past.

_Now_ is past, is changed agen,
The woods and fields are painted new.
Wild strawberries which both gathered then,
None know now where they grew.
The skys oercast.
Wood strawberries faded from wood sides,
Green leaves have all turned yellow;
No Adelaide walks the wood rides,
True love has no bed-fellow.
Now is past.


_Song_

I wish I was where I would be,
With love alone to dwell,
Was I but her or she but me,
Then love would all be well.
I wish to send my thoughts to her
As quick as thoughts can fly,
But as the winds the waters stir
The mirrors change and fly.


_First Love_

I ne'er was struck before that hour
With love so sudden and so sweet.
Her face it bloomed like a sweet flower
And stole my heart away complete.
My face turned pale as deadly pale,
My legs refused to walk away,
And when she looked "what could I ail? "
My life and all seemed turned to clay.

And then my blood rushed to my face
And took my sight away.
The trees and bushes round the place
Seemed midnight at noonday.
I could not see a single thing,
Words from my eyes did start;
They spoke as chords do from the string
And blood burnt round my heart.

Are flowers the winter's choice?
Is love's bed always snow?
She seemed to hear my silent voice
And love's appeal to know.
I never saw so sweet a face
As that I stood before:
My heart has left its dwelling-place
And can return no more.


_Mary Bayfield_

How beautiful the summer night
When birds roost on the mossy tree,
When moon and stars are shining bright
And home has gone the weary bee!
Then Mary Bayfield seeks the glen,
The white hawthorn and grey oak tree,
And nought but heaven can tell me then
How dear thy beauty is to me.

Dear is the dewdrop to the flower,
The old wall to the weary bee,
And silence to the evening hour,
And ivy to the stooping tree.
Dearer than these, than all beside,
Than blossoms to the moss-rose tree,
The maid who wanders by my side--
Sweet Mary Bayfield is to me.

Sweet is the moonlight on the tree,
The stars above the glassy lake,
That from the bottom look at me
Through shadows of the crimping brake.
Such are sweet things--but sweeter still
Than these and all beside I see
The maid whose look my heart can thrill,
My Mary Bayfield's look to me.

O Mary with the dark brown hair,
The rosy cheek, the beaming eye,
I would thy shade were ever near;
Then would I never grieve or sigh.
I love thee, Mary dearly love--
There's nought so fair on earth I see,
There's nought so dear in heaven above,
As Mary Bayfield is to me.


_The Maid of Jerusalem_

Maid of Jerusalem, by the Dead Sea,
I wandered all sorrowing thinking of thee,--
Thy city in ruins, thy kindred deplored,
All fallen and lost by the Ottoman's sword.

I saw thee sit there in disconsolate sighs,
Where the hall of thy fathers a ruined heap lies.
Thy fair finger showed me the place where they trod,
In thy childhood where flourished the city of God.

The place where they fell and the scenes where they lie,
In the tomb of Siloa--the tear in her eye
She stifled: transfixed there it grew like a pearl,
Beneath the dark lash of the sweet Jewish Girl.

Jerusalem is fallen! still thou art in bloom,
As fresh as the ivy around the lone tomb,
And fair as the lily of morning that waves
Its sweet-scented bells over desolate graves.

When I think of Jerusalem in kingdoms yet free,
I shall think of its ruins and think upon thee;
Thou beautiful Jewess, content thou mayest roam;
A bright spot in Eden still blooms as thy home.


Song

I would not feign a single sigh
Nor weep a single tear for thee:
The soul within these orbs burns dry;
A desert spreads where love should be.
I would not be a worm to crawl
A writhing suppliant in thy way;
For love is life, is heaven, and all
The beams of an immortal day.

For sighs are idle things and vain,
And tears for idiots vainly fall.
I would not kiss thy face again
Nor round thy shining slippers crawl.
Love is the honey, not the bee,
Nor would I turn its sweets to gall
For all the beauty found in thee,
Thy lily neck, rose cheek, and all.

I would not feign a single tale
Thy kindness or thy love to seek;
Nor sigh for Jenny of the Vale,
Her ruby smile or rosy cheek.
I would not have a pain to own
For those dark curls and those bright eyes
A frowning lip, a heart of stone,
False love and folly I despise.


_Thou Flower of Summer_

When in summer thou walkest
In the meads by the river,
And to thyself talkest,
Dost thou think of one ever--
A lost and a lorn one
That adores thee and loves thee?
And when happy morn's gone,
And nature's calm moves thee,
Leaving thee to thy sleep like an angel at rest,
Does the one who adores thee still live in thy breast?

Does nature eer give thee
Love's past happy vision,
And wrap thee and leave thee
In fancies elysian?
Thy beauty I clung to,
As leaves to the tree;
When thou fair and young too
Looked lightly on me,
Till love came upon thee like the sun to the west
And shed its perfuming and bloom on thy breast.


_The Swallow_

Pretty swallow, once again
Come and pass me in the rain.
Pretty swallow, why so shy?
Pass again my window by.

The horsepond where he dips his wings,
The wet day prints it full of rings.
The raindrops on his [ ] track
Lodge like pearls upon his back.

Then again he dips his wing
In the wrinkles of the spring,
Then oer the rushes flies again,
And pearls roll off his back like rain.

Pretty little swallow, fly
Village doors and windows by,
Whisking oer the garden pales
Where the blackbird finds the snails;

Whewing by the ladslove tree
For something only seen by thee;
Pearls that on the red rose hing
Fall off shaken by thy wing.

On that low thatched cottage stop,
In the sooty chimney pop,
Where thy wife and family
Every evening wait for thee.


_The Sailor-Boy_

Tis three years and a quarter since I left my own fireside
To go aboard a ship through love, and plough the ocean wide.
I crossed my native fields, where the scarlet poppies grew,
And the groundlark left his nest like a neighbour which I knew.

The pigeons from the dove cote cooed over the old lane,
The crow flocks from the oakwood went flopping oer the grain;
Like lots of dear old neighbours whom I shall see no more
They greeted me that morning I left the English shore.

The sun was just a-rising above the heath of furze,
And the shadows grow to giants; that bright ball never stirs:
There the shepherds lay with their dogs by their side,
And they started up and barked as my shadow they espied.

A maid of early morning twirled her mop upon the moor;
I wished her my farewell before she closed the door.
My friends I left behind me for other places new,
Crows and pigeons all were strangers as oer my head they flew.

Trees and bushes were all strangers, the hedges and the lanes,
The steeples and the houses and broad untrodden plains.
I passed the pretty milkmaid with her red and rosy face;
I knew not where I met her, I was strange to the place.

At last I saw the ocean, a pleasing sight to me:
I stood upon the shore of a mighty glorious sea.
The waves in easy motion went rolling on their way,
English colours were a-flying where the British squadron lay.

I left my honest parents, the church clock and the village;
I left the lads and lasses, the labour and the tillage;
To plough the briny ocean, which soon became my joy--
I sat and sang among the shrouds, a lonely sailor-boy.


_The Sleep of Spring_

O for that sweet, untroubled rest
That poets oft have sung! --
The babe upon its mother's breast,
The bird upon its young,
The heart asleep without a pain--
When shall I know that sleep again?

When shall I be as I have been
Upon my mother's breast
Sweet Nature's garb of verdant green
To woo to perfect rest--
Love in the meadow, field, and glen,
And in my native wilds again?

The sheep within the fallow field,
The herd upon the green,
The larks that in the thistle shield,
And pipe from morn to e'en--
O for the pasture, fields, and fen!
When shall I see such rest again?

I love the weeds along the fen,
More sweet than garden flowers,
For freedom haunts the humble glen
That blest my happiest hours.
Here prison injures health and me:
I love sweet freedom and the free.

The crows upon the swelling hills,
The cows upon the lea,
Sheep feeding by the pasture rills,
Are ever dear to me,
Because sweet freedom is their mate,
While I am lone and desolate.

I loved the winds when I was young,
When life was dear to me;
I loved the song which Nature sung,
Endearing liberty;
I loved the wood, the vale, the stream,
For there my boyhood used to dream.

There even toil itself was play;
Twas pleasure een to weep;
Twas joy to think of dreams by day,
The beautiful of sleep.
When shall I see the wood and plain,
And dream those happy dreams again?


_Mary Bateman_

My love she wears a cotton plaid,
A bonnet of the straw;
Her cheeks are leaves of roses spread,
Her lips are like the haw.
In truth she is as sweet a maid
As true love ever saw.

Her curls are ever in my eyes,
As nets by Cupid flung;
Her voice will oft my sleep surprise,
More sweet then ballad sung.
O Mary Bateman's curling hair!
I wake, and there is nothing there.

I wake, and fall asleep again,
The same delights in visions rise;
There's nothing can appear more plain
Than those rose cheeks and those bright eyes.
I wake again, and all alone
Sits Darkness on his ebon throne.

All silent runs the silver Trent,
The cobweb veils are all wet through,
A silver bead's on every bent,
On every leaf a bleb of dew.
I sighed, the moon it shone so clear;
Was Mary Bateman walking here?


_Bonny Mary O! _

The morning opens fine, bonny Mary O!
The robin sings his song by the dairy O!
Where the little Jenny wrens cock their tails among the hens,
Singing morning's happy songs with Mary O!

The swallow's on the wing, bonny Mary O!
Where the rushes fringe the spring, bonny Mary O!
Where the cowslips do unfold, shaking tassels all of gold,
Which make the milk so sweet, bonny Mary O!

There's the yellowhammer's nest, bonny Mary O!
Where she hides her golden breast, bonny Mary O!
On her mystic eggs she dwells, with strange writing on their shells,
Hid in the mossy grass, bonny Mary O!

There the spotted cow gets food, bonny Mary O!
And chews her peaceful cud, bonny Mary O!
In the mole-hills and the bushes, and the clear brook fringed with rushes
To fill the evening pail, bonny Mary O!

The cowpond once agen, bonny Mary O!
Lies dimpled like thy sen, bonny Mary O!
Where the gnat swarms fall and rise under evening's mellow skies,
And on flags sleep dragon flies, bonny Mary O!

And I will meet thee there, bonny Mary O!
When a-milking you repair, bonny Mary O!
And I'll kiss thee on the grass, my buxom, bonny lass,
And be thine own for aye, bonny Mary O!


_Where She Told Her Love_

I saw her crop a rose
Right early in the day,
And I went to kiss the place
Where she broke the rose away
And I saw the patten rings
Where she oer the stile had gone,
And I love all other things
Her bright eyes look upon.
If she looks upon the hedge or up the leafing tree,
The whitethorn or the brown oak are made dearer things to me.

I have a pleasant hill
Which I sit upon for hours,
Where she cropt some sprigs of thyme
And other little flowers;
And she muttered as she did it
As does beauty in a dream,
And I loved her when she hid it
On her breast, so like to cream,
Near the brown mole on her neck that to me a diamond shone
Then my eye was like to fire, and my heart was like to stone.

There is a small green place
Where cowslips early curled,
Which on Sabbath day I trace,
The dearest in the world.
A little oak spreads oer it,
And throws a shadow round,
A green sward close before it,
The greenest ever found:
There is not a woodland nigh nor is there a green grove,
Yet stood the fair maid nigh me and told me all her love.


_Autumn_

I love the fitful gust that shakes
The casement all the day,
And from the glossy elm tree takes
The faded leaves away,
Twirling them by the window pane
With thousand others down the lane.

I love to see the shaking twig
Dance till the shut of eve,
The sparrow on the cottage rig,
Whose chirp would make believe
That Spring was just now flirting by
In Summer's lap with flowers to lie.

I love to see the cottage smoke
Curl upwards through the trees,
The pigeons nestled round the cote
On November days like these;
The cock upon the dunghill crowing,
The mill sails on the heath a-going.

The feather from the raven's breast
Falls on the stubble lea,
The acorns near the old crow's nest
Drop pattering down the tree;
The grunting pigs, that wait for all,
Scramble and hurry where they fall.


_Invitation to Eternity_

Say, wilt thou go with me, sweet maid,
Say, maiden, wilt thou go with me
Through the valley-depths of shade,
Of bright and dark obscurity;
Where the path has lost its way,
Where the sun forgets the day,
Where there's nor light nor life to see,
Sweet maiden, wilt thou go with me?

Where stones will turn to flooding streams,
Where plains will rise like ocean's waves,
Where life will fade like visioned dreams
And darkness darken into caves,
Say, maiden, wilt thou go with me
Through this sad non-identity
Where parents live and are forgot,
And sisters live and know us not?

Say, maiden, wilt thou go with me
In this strange death of life to be,
To live in death and be the same,
Without this life or home or name,
At once to be and not to be--
That was and is not--yet to see
Things pass like shadows, and the sky
Above, below, around us lie?

The land of shadows wilt thou trace,
Nor look nor know each other's face;
The present marred with reason gone,
And past and present both as one?
Say, maiden, can thy life be led
To join the living and the dead?
Then trace thy footsteps on with me:
We are wed to one eternity.


_The Maple Tree_

The maple with its tassel flowers of green,
That turns to red a staghorn-shaped seed,
Just spreading out its scolloped leaves is seen,
Of yellowish hue, yet beautifully green;
Bark ribbed like corderoy in seamy screed,
That farther up the stem is smoother seen,
Where the white hemlock with white umbel flowers
Up each spread stoven to the branches towers;
And moss around the stoven spreads, dark green,
And blotched leaved orchis, and the blue bell flowers;
Thickly they grow and neath the leaves are seen;
I love to see them gemmed with morning hours,
I love the lone green places where they be,
And the sweet clothing of the maple tree.


_House or Window Flies_

These little window dwellers, in cottages and halls, were always
entertaining to me; after dancing in the window all day from sunrise
to sunset they would sip of the tea, drink of the beer, and eat of the
sugar, and be welcome all summer long. They look like things of mind
or fairies, and seem pleased or dull as the weather permits. In many
clean cottages and genteel houses, they are allowed every liberty to
creep, fly, or do as they like; and seldom or ever do wrong. In fact
they are the small or dwarfish portion of our own family, and so many
fairy familiars that we know and treat as one of ourselves.


_Dewdrops_

The dewdrops on every blade of grass are so much like silver drops
that I am obliged to stoop down as I walk to see if they are pearls,
and those sprinkled on the ivy-woven beds of primroses underneath the
hazels, whitethorns and maples are so like gold beads that I stooped
down to feel if they were hard, but they melted from my finger. And
where the dew lies on the primrose, the violet and whitethorn leaves
they are emerald and beryl, yet nothing more than the dews of the
morning on the budding leaves; nay, the road grasses are covered with
gold and silver beads, and the further we go the brighter they seem to
shine, like solid gold and silver. It is nothing more than the sun's
light and shade upon them in the dewy morning; every thorn-point and
every bramble-spear has its trembling ornament: till the wind gets
a little brisker, and then all is shaken off, and all the shining
jewelry passes away into a common spring morning full of budding
leaves, primroses, violets, vernal speedwell, bluebell and orchis, and
commonplace objects.



_Fragment_

The cataract, whirling down the precipice,
Elbows down rocks and, shouldering, thunders through.
Roars, howls, and stifled murmurs never cease;
Hell and its agonies seem hid below.
Thick rolls the mist, that smokes and falls in dew;
The trees and greenwood wear the deepest green.
Horrible mysteries in the gulph stare through,
Roars of a million tongues, and none knows what they mean.


_From "A Rhapsody"_

Sweet solitude, what joy to be alone--
In wild, wood-shady dell to stay for hours.
Twould soften hearts if they were hard as stone
To see glad butterflies and smiling flowers.
Tis pleasant in these quiet lonely places,
Where not the voice of man our pleasure mars,
To see the little bees with coal black faces
Gathering sweets from little flowers like stars.

The wind seems calling, though not understood.
A voice is speaking; hark, it louder calls.
It echoes in the far-outstretching wood.
First twas a hum, but now it loudly squalls;
And then the pattering rain begins to fall,
And it is hushed--the fern leaves scarcely shake,
The tottergrass it scarcely stirs at all.
And then the rolling thunder gets awake,
And from black clouds the lightning flashes break.

The sunshine's gone, and now an April evening
Commences with a dim and mackerel sky.
Gold light and woolpacks in the west are leaving,
And leaden streaks their splendid place supply.
Sheep ointment seems to daub the dead-hued sky,
And night shuts up the lightsomeness of day,
All dark and absent as a corpse's eye.
Flower, tree, and bush, like all the shadows grey,
In leaden hues of desolation fade away.

Tis May; and yet the March flower Dandelion
Is still in bloom among the emerald grass,
Shining like guineas with the sun's warm eye on--
We almost think they are gold as we pass,
Or fallen stars in a green sea of grass.
They shine in fields, or waste grounds near the town.
They closed like painter's brush when even was.
At length they turn to nothing else but down,
While the rude winds blow off each shadowy crown.


_Secret Love_

I hid my love when young till I
Couldn't bear the buzzing of a fly;
I hid my love to my despite
Till I could not bear to look at light:
I dare not gaze upon her face
But left her memory in each place;
Where eer I saw a wild flower lie
I kissed and bade my love good bye.

I met her in the greenest dells
Where dewdrops pearl the wood blue bells
The lost breeze kissed her bright blue eye,
The bee kissed and went singing by,
A sunbeam found a passage there,
A gold chain round her neck so fair;
As secret as the wild bee's song
She lay there all the summer long.

I hid my love in field and town
Till een the breeze would knock me down,
The bees seemed singing ballads oer,
The fly's bass turned a lion's roar;
And even silence found a tongue,
To haunt me all the summer long;
The riddle nature could not prove
Was nothing else but secret love.


_Bantry Bay_

On the eighteenth of October we lay in Bantry Bay,
All ready to set sail, with a fresh and steady gale:
A fortnight and nine days we in the harbour lay,
And no breeze ever reached us or strained a single sail.
Three ships of war had we, and the great guns loaded all;
But our ships were dead and beaten that had never feared a foe.
The winds becalmed around us cared for no cannon ball;
They locked us in the harbour and would not let us go.

On the nineteenth of October, by eleven of the clock,
The sky turned black as midnight and a sudden storm came on--
Awful and sudden--and the cables felt the shock;
Our anchors they all broke away and every sheet was gone.
The guns fired off amid the strife, but little hope had we;
The billows broke above the ship and left us all below.
The crew with one consent cried "Bear further out to sea,"
But the waves obeyed no sailor's call, and we knew not where to go.

She foundered on a rock, while we clambered up the shrouds,
And staggered like a mountain drunk, wedged in the waves almost.
The red hot boiling billows foamed in the stooping clouds,
And in that fatal tempest the whole ship's crew were lost.
Have pity for poor mariners, ye landsmen, in a storm.
O think what they endure at sea while safe at home you stay.
All ye that sleep on beds at night in houses dry and warm,
O think upon the whole ship's crew, all lost at Bantry Bay.


_Peggy's the Lady of the Hall_

And will she leave the lowly clowns
For silk and satins gay,
Her woollen aprons and drab gowns
For lady's cold array?
And will she leave the wild hedge rose,
The redbreast and the wren,
And will she leave her Sunday beaus
And milk shed in the glen?
And will she leave her kind friends all
To be the Lady of the Hall?

The cowslips bowed their golden drops,
The white thorn white as sheets;
The lamb agen the old ewe stops,
The wren and robin tweets.
And Peggy took her milk pails still,
And sang her evening song,
To milk her cows on Cowslip Hill
For half the summer long.
But silk and satins rich and rare
Are doomed for Peggy still to wear.

But when the May had turned to haws,
The hedge rose swelled to hips,
Peggy was missed without a cause,
And left us in eclipse.
The shepherd in the hovel milks,
Where builds the little wren,
And Peggy's gone, all clad in silks--
Far from the happy glen,
From dog-rose, woodbine, clover, all
To be the Lady of the Hall.


_I Dreamt of Robin_

I opened the casement this morn at starlight,
And, the moment I got out of bed,
The daisies were quaking about in their white
And the cowslip was nodding its head.
The grass was all shivers, the stars were all bright,
And Robin that should come at e'en--
I thought that I saw him, a ghost by moonlight,
Like a stalking horse stand on the green.

I went bed agen and did nothing but dream
Of Robin and moonlight and flowers.
He stood like a shadow transfixed by a stream,
And I couldn't forget him for hours.
I'd just dropt asleep when I dreamed Robin spoke,
And the casement it gave such a shake,
As if every pane in the window was broke;
Such a patter the gravel did make.

So I up in the morning before the cock crew
And to strike me a light I sat down.
I saw from the door all his track in the dew
And, I guess, called "Come in and sit down. "
And one, sure enough, tramples up to the door,
And who but young Robin his sen?
And ere the old folks were half willing to stir
We met, kissed, and parted agen.


_The Peasant Poet_

He loved the brook's soft sound,
The swallow swimming by.
He loved the daisy-covered ground,
The cloud-bedappled sky.
To him the dismal storm appeared
The very voice of God;
And when the evening rack was reared
Stood Moses with his rod.
And everything his eyes surveyed,
The insects in the brake,
Were creatures God Almighty made,
He loved them for His sake--
A silent man in life's affairs,
A thinker from a boy,
A peasant in his daily cares,
A poet in his joy.


_To John Clare_

Well, honest John, how fare you now at home?
The spring is come, and birds are building nests;
The old cock robin to the stye is come,
With olive feathers and its ruddy breast;
And the old cock, with wattles and red comb,
Struts with the hens, and seems to like some best,
Then crows, and looks about for little crumbs,
Swept out by little folks an hour ago;
The pigs sleep in the stye; the bookman comes--
The little boy lets home-close nesting go,
And pockets tops and taws, where daisies bloom,
To look at the new number just laid down,
With lots of pictures, and good stories too,
And Jack the Giant-killer's high renown.

_Feb. _ 10, 1860.


_Early Spring_

The Spring is come, and Spring flowers coming too,
The crocus, patty kay, the rich hearts' ease;
The polyanthus peeps with blebs of dew,
And daisy flowers; the buds swell on the trees;
While oer the odd flowers swim grandfather bees
In the old homestead rests the cottage cow;
The dogs sit on their haunches near the pail,
The least one to the stranger growls "bow wow,"
Then hurries to the door and cocks his tail,
To knaw the unfinished bone; the placid cow
Looks oer the gate; the thresher's lumping flail
Is all the noise the spring encounters now.

_May_ 28, 1860.


_Clock-a-Clay_

In the cowslip pips I lie,
Hidden from the buzzing fly,
While green grass beneath me lies,
Pearled with dew like fishes' eyes,
Here I lie, a clock-a-clay,
Waiting for the time of day.

While the forest quakes surprise,
And the wild wind sobs and sighs,
My home rocks as like to fall,
On its pillar green and tall;
When the pattering rain drives by
Clock-a-clay keeps warm and dry.

Day by day and night by night,
All the week I hide from sigh;
In the cowslip pips I lie,
In rain and dew still warm and dry;
Day and night, and night and day,
Red, black-spotted clock-a-clay.

My home shakes in wind and showers,
Pale green pillar topped with flowers,
Bending at the wild wind's breath,
Till I touch the grass beneath;
Here I live, lone clock-a-clay,
Watching for the time of day.


_Little Trotty Wagtail_

Little trotty wagtail he went in the rain,
And tittering, tottering sideways he neer got straight again,
He stooped to get a worm, and looked up to get a fly,
And then he flew away ere his feathers they were dry.

Little trotty wagtail, he waddled in the mud,
And left his little footmarks, trample where he would.
He waddled in the water-pudge, and waggle went his tail,
And chirrupt up his wings to dry upon the garden rail.

Little trotty wagtail, you nimble all about,
And in the dimpling water-pudge you waddle in and out;
Your home is nigh at hand, and in the warm pig-stye,
So, little Master Wagtail, I'll bid you a good-bye.


_Graves of Infants_

Infant' graves are steps of angels, where
Earth's brightest gems of innocence repose.
God is their parent, and they need no tear;
He takes them to His bosom from earth's woes,
A bud their lifetime and a flower their close.
Their spirits are an Iris of the skies,
Needing no prayers; a sunset's happy close.
Gone are the bright rays of their soft blue eyes;
Flowers weep in dew-drops oer them, and the gale gently sighs

Their lives were nothing but a sunny shower,
Melting on flowers as tears melt from the eye.
Their deaths were dew-drops on Heaven's amaranth bower,
And tolled on flowers as Summer gales went by.
They bowed and trembled, and they left no sigh,
And the sun smiled to show their end was well.
Infants have nought to weep for ere they die;
All prayers are needless, beads they need not tell,
White flowers their mourners are, Nature their passing bell.


_The Dying Child_

He could not die when trees were green,
For he loved the time too well.
His little hands, when flowers were seen,
Were held for the bluebell,
As he was carried oer the green.

His eye glanced at the white-nosed bee;
He knew those children of the Spring:
When he was well and on the lea
He held one in his hands to sing,
Which filled his heart with glee.

Infants, the children of the Spring!
How can an infant die
When butterflies are on the wing,
Green grass, and such a sky?
How can they die at Spring?

He held his hands for daisies white,
And then for violets blue,
And took them all to bed at night
That in the green fields grew,
As childhood's sweet delight.

And then he shut his little eyes,
And flowers would notice not;
Birds' nests and eggs caused no surprise,
He now no blossoms got:
They met with plaintive sighs.

When Winter came and blasts did sigh,
And bare were plain and tree,
As he for ease in bed did lie
His soul seemed with the free,
He died so quietly.


_Love Lives Beyond the Tomb_

Love lives beyond
The tomb, the earth, which fades like dew!
I love the fond,
The faithful, and the true.

Love lives in sleep,
The happiness of healthy dreams:
Eve's dews may weep,
But love delightful seems.

Tis seen in flowers,
And in the morning's pearly dew;
In earth's green hours,
And in the heaven's eternal blue.

Tis heard in Spring
When light and sunbeams, warm and kind,
On angel's wing
Bring love and music to the mind.

And where is voice,
So young, so beautiful, and sweet
As Nature's choice,
Where Spring and lovers meet?

Love lives beyond
The tomb, the earth, the flowers, and dew.
I love the fond,
The faithful, young and true.


_I Am_

I AM: yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish in oblivious host,
Like shades in love and death's oblivion lost;
And yet I am, and live with shadows tost

Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life's esteems;
And een the dearest--that I loved the best--
Are strange--nay, rather stranger than the rest.

I long for scenes where man has never trod;
A place where woman never smiled or wept;
There to abide with my Creator, GOD,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;
The grass below--above the vaulted sky.