No More Learning

40. Bell, 1992; Wolfe, 1975; Wolfe, 1981.
41. Bourdieu, 1984.
42. From his 1757 essay "Of the standard of taste," quoted in Dutton, 2001, p. 206.
43. Dutton, 2001, p. 213.
44. Dutton, 1998; Komar, Melamid, & Wypijewski, 1997.
45. Dissanayake, 1998.
46. Dutton, 1998.
47. Lingua Franca, 2000.
48. Turner, 1997, pp. 170, 174-175.
49. Etcoff, 1999; Kaplan, 1992; Orians & Heerwgen, 1992.
50. Leslie, 1994; Schellenberg & Trehub, 1996; Storey, 1996; Zentner & Kagan, 1996.
51. Martindale, 1990.
52. Steiner, 2001.
53. Quoted in Dutton, 2000.
54. C. Darwent, "Art of staying pretty," New Statesman, February 13,2000.
55. Steiner, 2001.
56. Bell, 1992.
57. The Onion, 36, September 21-27, 2000, p. 1.
58. Wolfe, 1975, pp. 2-4.
59. J. Miller, "Is bad writing necessary? George Orwell, Theodor Adorno, and the politics of language," Lingua Franca, December/ January, 2000.
60. www. cybereditions. com/aldaily/bwc. htm.
61. Steiner, 1967, preface.
62. New York Times, September 19,2001.
63. By the sculptor Janine Antoni; G. Beauchamp, "Dissing the middle class: The view from Burns Park," American Scholar, Summer 1995, pp. 335-349.
64. K. Limaye, "Adieu to the Avant-Garde," Reason, July 1997.
65. K. Limaye, "Adieu to the Avant-Garde," Reason, July 1997.
66. C. Darwent, "Art of staying pretty," New Statesman, February 13, 2000; C. Lambert, "The stirring of sleeping beauty," Harvard Magazine, September-October 1999, pp. 46--53; K. Limaye, "Adieu to the Avant-Garde," Reason, July 1997; A. Delbanco,"The decline and fall of literature," New York Review of Books, November 4, 1999; Perloff, 1999; Turner, 1985; Turner, 1995.
67. Abbott, 2001; Boyd, 1998; Carroll, 1995; Dutton, 2001; Easterlin, Riebling, & Crews, 1993; Evans, 1998; Gottschall & Jobling, in preparation; Hernadi, 2001; Hogan, 1997; Steiner, 2001; Turner, 1985; Turner, 1995; Turner, 1996.
68. Goguen, 1999; Gombrich, 1982/1995; Kubovy, 1986.
69. Aiello & Sloboda, 1994; Lerdahl & Jackendoff, 1983.
70. Keyser, 1999; Keyser & Halle, 1998; Turner, 1991; Turner, 1996; Williams, 1990.
71. Scarry, 1999.
72. Abbott, 2001.
73. A. Quart, "David Bordwell blows the whistle on film studies," Lingua Franca, March 2000, pp. 35-43.
74. Abbott, 2001; Aiken, 1998; Cooke & Turner, 1999; Dissanayake, 1992; Etcoff, 1999; Kaplan, 1992; Orians & Heerwgen, 1992; Thornhill, 1998.
75. Teuber, 1997.
76. Behrens, 1998.
77. Quoted in Storey, 1996, p. 182.
78. A. S. Byatt, "Narrate or die," New York Times Magazine, April 18,1999, pp. 105-107.
79. John Updike, "The tried and the treowe," Forbes ASAP, October 2,2000, pp. 201,215.
80. Storey, 1996, p. 114.
PART VI: THE VOICE OF THE SPECIES
1. Degler, 1991, p. 135.
2. Dickinson, 1976.
3. Vonnegut, 1968/1998.
4. Orwell, 1949/1983, p. 205.
5. For example, Gould, 1981; Lewontin, Rose, & Kamin, 1984, pp. ix-x. {460} 6. Orwell, 1949/1983, p. 217.
? ? 7. Orwell, 1949/1983, p. 220.
8. Orwell, 1949/1983, p. 220.
9. Orwell, 1949/1983, p. 222.
10. Twain, 1884/1983, pp. 293-295. 11. Twain, 1884/1983, p. 295.
12. Twain, 1884/1983, pp. 330-331. 13. Twain, 1884/1983, p. 332.
14. Twain, 1884/1983, p. 339.
15. Singer, 1972.
16. The dialogue is condensed from Singer, 1972, pp. 68-78, and from the film adaptation.
? <<
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