This
charming
song is much older, and indeed superior to Ramsay's
verses, "The Toast," as he calls them.
verses, "The Toast," as he calls them.
Robert Burns
'"--CROMEK.
Will it be believed that this "humble
request" of Burns was not complied with! The work was intended as a
present to Jessie Lewars. ]
_Dumfries, 4th July, 1796. _
How are you, my dear friend, and how comes on your fifth volume? You
may probably think that for some time past I have neglected you and
your work; but, alas! the hand of pain, and sorrow, and care, has
these many months lain heavy on me! Personal and domestic affliction
have almost entirely banished that alacrity and life with which I used
to woo the rural muse of Scotia. In the meantime let us finish what we
have so well begun.
* * * * *
You are a good, worthy, honest fellow, and have a good right to live
in this world--because you deserve it. Many a merry meeting this
publication has given us, and possibly it may give us more, though,
alas! I fear it. This protracting, slow, consuming illness which hangs
over me, will, I doubt much, my ever dear friend, arrest my sun before
he has well reached his middle career, and will turn over the poet to
other and far more important concerns than studying the brilliancy of
wit, or the pathos of sentiment! However, _hope_ is the cordial of the
human heart, and I endeavour to cherish it as well as I can.
Let me hear from you as soon as convenient. --Your work is a great one;
and now that it is finished, I see, if we were to begin again, two or
three things that might be mended; yet I will venture to prophesy,
that to future ages your publication will be the text-book and
standard of Scottish song and music.
I am ashamed to ask another favour of you, because you have been so
very good already; but my wife has a very particular friend of hers, a
young lady who sings well, to whom she wishes to present the "Scots
Musical Museum. " If you have a spare copy, will you be so obliging as
to send it by the very first _fly_, as I am anxious to have it soon.
The gentleman, Mr. Lewars, a particular friend of mine, will bring out
any proofs (if they are ready) or any message you may have. I am
extremely anxious for your work, as indeed I am for everything
concerning you, and your welfare.
Farewell,
R. B.
P. S. You should have had this when Mr. Lewars called on you, but his
saddle-bags miscarried.
* * * * *
CCCXXXVII.
TO MR. CUNNINGHAM.
[Few of the last requests of the poet were effectual: Clarke, it is
believed, did not send the second _note_ he wrote for: Johnson did not
send the copy of the Museum which he requested, and the Commissioners
of Excise refused the continuance of his full salary. ]
_Brow, Sea-bathing quarters, 7th July, 1796. _
MY DEAR CUNNINGHAM,
I received yours here this moment, and am indeed highly flattered with
the approbation of the literary circle you mention; a literary circle
inferior to none in the two kingdoms. Alas! my friend, I fear the
voice of the bard will soon be heard among you no more! For these
eight or ten months I have been ailing, sometimes bedfast and
sometimes not; but these last three months I have been tortured with
an excruciating rheumatism, which has reduced me to nearly the last
stage. You actually would not know me if you saw me--Pale, emaciated,
and so feeble, as occasionally to need help from my chair--my spirits
fled! fled! but I can no more on the subject--only the medical folks
tell me that my last only chance is bathing and country-quarters, and
riding. --The deuce of the matter is this; when an exciseman is off
duty, his salary is reduced to 35_l. _ instead of 50_l. _--What way, in
the name of thrift, shall I maintain myself, and keep a horse in
country quarters--with a wife and five children at home, on 35_l. _? I
mention this, because I had intended to beg your utmost interest, and
that of all the friends you can muster, to move our commissioners of
excise to grant me the full salary; I dare say you know them all
personally. If they do not grant it me, I must lay my account with an
exit truly _en poete_--if I die not of disease, I must perish with
hunger.
I have sent you one of the songs; the other my memory does not serve
me with, and I have no copy here; but I shall be at home soon, when I
will send it you. --Apropos to being at home, Mrs. Burns threatens, in
a week or two, to add one more to my paternal charge, which, if of the
right gender, I intend shall be introduced to the world by the
respectable designation of _Alexander Cunningham Burns. _ My last was
_James Glencairn_, so you can have no objection to the company of
nobility. Farewell.
R. B.
* * * * *
CCCXXXVIII.
TO MR. GILBERT BURNS.
[This letter contained heavy news for Gilbert Burns: the loss of a
brother whom he dearly loved and admired, was not all, though the
worst. ]
_10th July, 1796. _
DEAR BROTHER,
It will be no very pleasing news to you to be told that I am
dangerously ill, and not likely to get better. An inveterate
rheumatism has reduced me to such a state of debility, and my appetite
is so totally gone, that I can scarcely stand on my legs. I have been
a week at sea-bathing, and I will continue there, or in a friend's
house in the country, all the summer. God keep my wife and children:
if I am taken from their head, they will be poor indeed. I have
contracted one or two serious debts, partly from my illness these many
months, partly from too much thoughtlessness as to expense, when I
came to town, that will cut in too much on the little I leave them in
your hands. Remember me to my mother.
Yours,
R. B.
* * * * *
CCCXXXIX.
TO MR. JAMES ARMOUR,
MASON, MAUCHLINE.
[The original letter is now in a safe sanctuary, the hands of the
poet's son, Major James Glencairn Burns. ]
_July 10th_ [1796. ]
For Heaven's sake, and as you value the we[l]fare of your daughter and
my wife, do, my dearest Sir, write to Fife, to Mrs. Armour to come if
possible. My wife thinks she can yet reckon upon a fortnight. The
medical people order me, _as I value my existence_, to fly to
sea-bathing and country-quarters, so it is ten thousand chances to one
that I shall not be within a dozen miles of her when her hour comes.
What a situation for her, poor girl, without a single friend by her on
such a serious moment.
I have now been a week at salt-water, and though I think I have got
some good by it, yet I have some secret fears that this business will
be dangerous if not fatal.
Your most affectionate son,
R. B.
* * * * *
CCCXL.
TO MRS. BURNS.
[Sea-bathing, I have heard skilful men say, was injudicious: but it
was felt that Burns was on his way to the grave, and as he desired to
try the influence of sea-water, as well as sea-air, his wishes were
not opposed. ]
_Brow, Thursday. _
MY DEAREST LOVE,
I delayed writing until I could tell you what effect sea-bathing was
likely to produce. It would be injustice to deny that it has eased my
pains, and I think has strengthened me; but my appetite is still
extremely bad. No flesh nor fish can I swallow: porridge and milk are
the only things I can taste. I am very happy to hear, by Miss Jess
Lewars, that you are all well. My very best and kindest compliments to
her, and to all the children. I will see you on Sunday.
Your affectionate husband,
R. B.
* * * * *
CCCXLI.
TO MRS. DUNLOP.
["The poet had the pleasure of receiving a satisfactory explanation of
this lady's silence," says Currie, "and an assurance of the
continuance of her friendship to his widow and children. "]
_Brow, Saturday, 12th July, 1796. _
MADAM,
I have written you so often, without receiving any answer, that I
would not trouble you again, but for the circumstances in which I am.
An illness which has long hung about me, in all probability will
speedily send me beyond that _bourn whence no traveller returns. _ Your
friendship, with which for many years you honoured me, was a
friendship dearest to my soul. Your conversation, and especially your
correspondence, were at once highly entertaining and instructive. With
what pleasure did I use to break up the seal! The remembrance yet adds
one pulse more to my poor palpitating heart.
Farewell! ! !
R. B.
* * * * *
CCCXLII.
TO MR. THOMSON.
[Thomson instantly complied with the dying poet's request, and
transmitted the exact sum which he requested, viz. five pounds, by
return of post: he was afraid of offending the pride of Burns,
otherwise he would, he says, have sent a larger sum. He has not,
however, told us how much he sent to the all but desolate widow and
children, when death had released him from all dread of the poet's
indignation. ]
_Brow, on the Solway-firth, 12th July, 1796. _
After all my boasted independence, curst necessity compels me to
implore you for five pounds. A cruel wretch of a haberdasher, to whom
I owe an account, taking it into his head that I am dying, has
commenced a process, and will infallibly put me into jail. Do, for
God's sake, send me that sum, and that by return of post. Forgive me
this earnestness, but the horrors of a jail have made me half
distracted. I do not ask all this gratuitously; for, upon returning
health, I hereby promise and engage to furnish you with five pounds'
worth of the neatest song-genius you have seen. I tried my hand on
"Rothemurche" this morning. The measure is so difficult that it is
impossible to infuse much genius into the lines; they are on the other
side. Forgive, forgive me!
Fairest maid on Devon's banks. [292]
R. B.
FOOTNOTES:
[Footnote 292: Song CCLXVIII. ]
* * * * *
CCCXLIII.
TO MR. JAMES BURNESS,
WRITER, MONTROSE.
[The good, the warm-hearted James Burness sent his cousin ten pounds
on the 29th of July--he sent five pounds afterwards to the family, and
offered to take one of the boys, and educate him in his own profession
of a writer. All this was unknown to the world till lately. ]
_Brow, 12th July. _
MY DEAR COUSIN,
When you offered me money assistance, little did I think I should want
it so soon. A rascal of a haberdasher, to whom I owe a considerable
bill, taking it into his head that I am dying, has commenced process
against me, and will infallibly put my emaciated body into jail. Will
you be so good as to accommodate me, and that by return of post, with
ten pounds? O James! did you know the pride of my heart, you would
feel doubly for me! Alas! I am not used to beg! The worst of it is, my
health was coming about finely; you know, and my physician assured me,
that melancholy and low spirits are half my disease; guess then my
horrors since this business began. If I had it settled, I would be, I
think, quite well in a manner. How shall I use the language to you, O
do not disappoint me! but strong necessity's curst command.
I have been thinking over and over my brother's affairs, and I fear I
must cut him up; but on this I will correspond at another time,
particularly as I shall [require] your advice.
Forgive me for once more mentioning by return of post;--save me from
the horrors of a jail!
My compliments to my friend James, and to all the rest. I do not know
what I have written. The subject is so horrible I dare not look it
over again.
Farewell.
R. B.
* * * * *
CCCXLIV.
TO JAMES GRACIE, ESQ.
[James Gracie was, for some time, a banker in Dumfries: his eldest son,
a fine, high-spirited youth, fell by a rifle-ball in America, when
leading the troops to the attack on Washington. ]
_Brow, Wednesday Morning, 16th July, 1796. _
MY DEAR SIR,
It would [be] doing high injustice to this place not to acknowledge
that my rheumatisms have derived great benefits from it already; but
alas! my loss of appetite still continues. I shall not need your kind
offer _this week_, and I return to town the beginning of next week, it
not being a tide-week. I am detaining a man in a burning hurry.
So God bless you.
R. B.
* * * * *
REMARKS
ON
SCOTTISH SONGS AND BALLADS.
* * * * *
[The following Strictures on Scottish Song exist in the handwriting of
Burns, in the interleaved copy of Johnson's Musical Museum, which the
poet presented to Captain Riddel, of Friars Carse; on the death of
Mrs. Riddel, these precious volumes passed into the hands of her
niece, Eliza Bayley, of Manchester, who kindly permitted Mr. Cromek to
transcribe and publish them in the Reliques. ]
* * * * *
THE HIGHLAND QUEEN.
This Highland Queen, music and poetry, was composed by Mr. M'Vicar,
purser of the Solebay man-of-war. --This I had from Dr. Blacklock.
* * * * *
BESS THE GAWKIE.
This song shows that the Scottish muses did not all leave us when we
lost Ramsay and Oswald, as I have good reason to believe that the
verses and music are both posterior to the days of these two
gentlemen. It is a beautiful song, and in the genuine Scots taste. We
have few pastoral compositions, I mean the pastoral of nature, that
are equal to this.
* * * * *
OH, OPEN THE DOOR, LORD GREGORY.
It is somewhat singular, that in Lanark, Renfrew, Ayr, Wigton,
Kirkudbright, and Dumfries-shires, there is scarcely an old song or
tune which, from the title, &c. , can be guessed to belong to, or be
the production of these countries. This, I conjecture, is one of these
very few; as the ballad, which is a long one, is called, both by
tradition and in printed collections, "The Lass of Lochroyan," which I
take to be Lochroyan, in Galloway.
* * * * *
THE BANKS OF THE TWEED.
This song is one of the many attempts that English composers have made
to imitate the Scottish manner, and which I shall, in these
strictures, beg leave to distinguish by the appellation of
Anglo-Scottish productions. The music is pretty good, but the verses
are just above contempt.
* * * * *
THE BEDS OF SWEET ROSES.
This song, as far as I know, for the first time appears here in
print. --When I was a boy, it was a very popular song in Ayrshire. I
remember to have heard those fanatics, the Buchanites, sing some of
their nonsensical rhymes, which they dignify with the name of hymns,
to this air.
* * * * *
ROSLIN CASTLE.
These beautiful verses were the production of a Richard Hewit, a young
man that Dr. Blacklock, to whom I am indebted for the anecdote, kept
for some years as amanuensis. I do not know who is the author of
the second song to the tune. Tytler, in his amusing history of Scots
music, gives the air to Oswald; but in Oswald's own collection of
Scots tunes, where he affixes an asterisk to those he himself
composed, he does not make the least claim to the tune.
* * * * *
SAW YE JOHNNIE CUMMIN? QUO' SHE.
This song, for genuine humour in the verses, and lively originality in
the air, is unparalleled. I take it to be very old.
* * * * *
CLOUT THE CALDRON.
A tradition is mentioned in the "Bee," that the second Bishop
Chisholm, of Dunblane, used to say, that if he were going to be
hanged, nothing would soothe his mind so much by the way as to hear
"Clout the Caldron" played.
I have met with another tradition, that the old song to this tune,
"Hae ye onie pots or pans,
Or onie broken chanlers,"
was composed on one of the Kenmure family, in the cavalier times; and
alluded to an amour he had, while under hiding, in the disguise of an
itinerant tinker. The air is also known by the name of
"The blacksmith and his apron,"
which from the rhythm, seems to have been a line of some old song to
the tune.
* * * * *
SAW YE MY PEGGY.
This charming song is much older, and indeed superior to Ramsay's
verses, "The Toast," as he calls them. There is another set of the
words, much older still, and which I take to be the original one, but
though it has a very great deal of merit, it is not quite ladies'
reading.
The original words, for they can scarcely be called verses, seem to be
as follows; a song familiar from the cradle to every Scottish ear.
"Saw ye my Maggie,
Saw ye my Maggie,
Saw ye my Maggie
Linkin o'er the lea?
High kilted was she,
High kilted was she,
High kilted was she,
Her coat aboon her knee.
What mark has your Maggie,
What mark has your Maggie,
What mark has your Maggie,
That ane may ken her be? "
Though it by no means follows that the silliest verses to an air must,
for that reason, be the original song; yet I take this ballad, of
which I have quoted part, to be old verses. The two songs in Ramsay,
one of them evidently his own, are never to be met with in the
fire-side circle of our peasantry; while that which I take to be the
old song, is in every shepherd's mouth. Ramsay, I suppose, had thought
the old verses unworthy of a place in his collection.
* * * * *
THE FLOWERS OF EDINBURGH.
This song is one of the many effusions of Scots Jacobitism. --The title
"Flowers of Edinburgh," has no manner of connexion with the present
verses, so I suspect there has been an older set of words, of which
the title is all that remains.
By the bye, it is singular enough that the Scottish muses were all
Jacobites. --I have paid more attention to every description of Scots
songs than perhaps anybody living has done, and I do not recollect one
single stanza, or even the title of the most trifling Scots air, which
has the least panegyrical reference to the families of Nassau or
Brunswick; while there are hundreds satirizing them. --This may be
thought no panegyric on the Scots Poets, but I mean it as such. For
myself, I would always take it as a compliment to have it said, that
my heart ran before my head,--and surely the gallant though
unfortunate house of Stewart, the kings of our fathers for so many
heroic ages, is a theme * * * * * *
* * * * *
JAMIE GAY.
Jamie Gay is another and a tolerable Anglo-Scottish piece.
* * * * *
MY DEAR JOCKIE.
Another Anglo-Scottish production.
* * * * *
FYE, GAE RUB HER O'ER WI' STRAE.
It is self-evident that the first four lines of this song are part of
a song more ancient than Ramsay's beautiful verses which are annexed
to them. As music is the language of nature; and poetry, particularly
songs, are always less or more localized (if I may be allowed the
verb) by some of the modifications of time and place, this is the
reason why so many of our Scots airs have outlived their original, and
perhaps many subsequent sets of verses; except a single name or
phrase, or sometimes one or two lines, simply to distinguish the tunes
by.
To this day among people who know nothing of Ramsay's verses, the
following is the song, and all the song that ever I heard:
"Gin ye meet a bonnie lassie,
Gie her a kiss and let her gae;
But gin ye meet a dirty hizzie,
Fye, gae rub her o'er wi' strae.
Fye, gae rub her, rub her, rub her,
Fye, gae rub her o'er wi' strae:
An' gin ye meet dirty hizzie,
Fye, gae rub her o'er wi' strae. "
* * * * *
THE LASS O' LIVISTON.
The old song, in three eight-line stanzas, is well known, and has
merit as to wit and humour; but it is rather unfit for insertion. --It
begins,
"The Bonnie lass o' Liviston,
Her name ye ken, her name ye ken,
And she has written in her contract
To lie her lane, to lie her lane. "
&c. &c.
* * * * *
THE LAST TIME I CAME O'ER THE MOOR.
Ramsay found the first line of this song, which had been preserved as
the title of the charming air, and then composed the rest of the
verses to suit that line. This has always a finer effect than
composing English words, or words with an idea foreign to the spirit
of the old title. Where old titles of songs convey any idea at all, it
will generally be found to be quite in the spirit of the air.
* * * * *
JOCKIE'S GRAY BREEKS.
Though this has certainly every evidence of being a Scottish air, yet
there is a well-known tune and song in the north of Ireland, called
"The Weaver and his Shuttle O," which, though sung much quicker, is
every note the very tune.
* * * * *
THE HAPPY MARRIAGE.
Another, but very pretty Anglo-Scottish piece.
* * * * *
THE LASS OF PATIE'S MILL.
In Sinclair's Statistical Account of Scotland, this song is localized
(a verb I must use for want of another to express my idea) somewhere
in the north of Scotland, and likewise is claimed by Ayrshire. --The
following anecdote I had from the present Sir William Cunningham, of
Robertland, who had it from the last John, Earl of Loudon. The then
Earl of Loudon, and father to Earl John before mentioned, had Ramsay
at Loudon, and one day walking together by the banks of Irvine water,
near New-Mills, at a place called Patie's Mill, they were struck with
the appearance of a beautiful country girl. His lordship observed that
she would be a fine theme for a song. --Allan lagged behind in
returning to Loudon Castle, and at dinner produced this identical
song.
* * * * *
THE TURNIMSPIKE.
There is a stanza of this excellent song for local humour, omitted in
this set. --Where I have placed the asterisms.
"They tak the horse then by te head,
And tere tey mak her stan', man;
Me tell tem, me hae seen te day,
Tey no had sic comman', man. "
* * * * *
HIGHLAND LADDIE.
As this was a favourite theme with our later Scottish muses, there are
several airs and songs of that name. That which I take to be the
oldest, is to be found in the "Musical Museum," beginning, "I hae been
at Crookieden. " One reason for my thinking so is, that Oswald has it
in his collection, by the name of "The Auld Highland Laddie. " It is
also known by the name of "Jinglan Johnie," which is a well-known song
of four or five stanzas, and seems to be an earlier song than Jacobite
times. As a proof of this, it is little known to the peasantry by the
name of "Highland Laddie;" while everybody knows "Jinglan Johnie. " The
song begins
"Jinglan John, the meickle man,
He met wi' a lass was blythe and bonie. "
Another "Highland Laddie" is also in the "Museum," vol. v. , which I
take to be Ramsay's original, as he has borrowed the chorus--"O my
bonie Highland lad," &c. It consists of three stanzas, besides the
chorus; and has humour in its composition--it is an excellent, but
somewhat licentious song. --It begins
"As I cam o'er Cairney mount,
And down among the blooming heather. "
This air, and the common "Highland Laddie," seem only to be different
sets.
Another "Highland Laddie," also in the "Museum," vol. v. , is the tune
of several Jacobite fragments. One of these old songs to it, only
exists, as far as I know, in these four lines--
"Where hae ye been a' day,
Bonie laddie, Highland laddie?
Down the back o' Bell's brae,
Courtin Maggie, courtin Maggie. "
Another of this name is Dr. Arne's beautiful air, called the new
"Highland Laddie. "
* * * * *
THE GENTLE SWAIN.
To sing such a beautiful air to such execrable verses, is downright
prostitution of common sense! The Scots verses indeed are tolerable.
* * * * *
HE STOLE MY TENDER HEART AWAY.
This is an Anglo-Scottish production, but by no means a bad one.
* * * * *
FAIREST OF THE FAIR.
It is too barefaced to take Dr. Percy's charming song, and by means of
transposing a few English words into Scots, to offer to pass it for a
Scots song. --I was not acquainted with the editor until the first
volume was nearly finished, else, had I known in time, I would have
prevented such an impudent absurdity.
* * * * *
THE BLAITHRIE O'T.
The following is a set of this song, which was the earliest song I
remember to have got by heart. When a child, an old woman sung it to
me, and I picked it up, every word, at first hearing.
"O Willy, weel I mind, I lent you my hand
To sing you a song which you did me command;
But my memory's so bad I had almost forgot
That you called it the gear and the blaithrie o't. --
I'll not sing about confusion, delusion or pride,
I'll sing about a laddie was for a virtuous bride;
For virtue is an ornament that time will never rot,
And preferable to gear and the blaithrie o't. --
Tho' my lassie hae nae scarlets or silks to put on,
We envy not the greatest that sits upon the throne;
I wad rather hae my lassie, tho' she cam in her smock,
Than a princess wi' the gear and the blaithrie o't. --
Tho' we hae nae horses or menzies at command,
We will toil on our foot, and we'll work wi' our hand;
And when wearied without rest, we'll find it sweet in any spot,
And we'll value not the gear and the blaithrie o't. --
If we hae ony babies, we'll count them as lent;
Hae we less, hae we mair, we will ay be content;
For they say they hae mair pleasure that wins bu groat,
Than the miser wi' his gear and the blaithrie o't--
I'll not meddle wi' th' affairs of the kirk or the queen;
They're nae matters for a sang, let them sink, let them swim;
On your kirk I'll ne'er encroach, but I'll hold it stil remote,
Sae tak this for the gear and the blaithrie o't. "
* * * * *
MAY EVE, OR KATE OF ABERDEEN.
"Kate of Aberdeen" is, I believe, the work of poor Cunningham the
player; of whom the following anecdote, though told before, deserves a
recital. A fat dignitary of the church coming past Cunningham one
_Sunday_, as the poor poet was busy plying a fishing-rod in some
stream near Durham, his native country, his reverence reprimanded
Cunningham very severely for such an occupation on such a day. The
poor poet, with that inoffensive gentleness of manners which was his
peculiar characteristic, replied, that he hoped God and his reverence
would forgive his seeming profanity of that sacred day, "_as he had no
dinner to eat, but what lay at the bottom of that pool_! " This, Mr.
Woods, the player, who knew Cunningham well, and esteemed him much,
assured me was true.
* * * * *
TWEED SIDE.
In Ramsay's Tea-table Miscellany, he tells us that about thirty of the
songs in that publication were the works of some young gentlemen of
his acquaintance; which songs are marked with the letters D. C.
&c. --Old Mr. Tytler of Woodhouselee, the worthy and able defender of
the beauteous Queen of Scots, told me that the songs marked C, in the
_Tea-table_, were the composition of a Mr. Crawfurd, of the house of
Achnames, who was afterwards unfortunately drowned coming from
France. --As Tytler was most intimately acquainted with Allan Ramsay, I
think the anecdote may be depended on. Of consequence, the beautiful
song of Tweed Side is Mr. Crawfurd's, and indeed does great honour to
his poetical talents. He was a Robert Crawfurd; the Mary he celebrates
was a Mary Stewart, of the Castle-Milk family, afterwards married to a
Mr. John Ritchie.
I have seen a song, calling itself the original Tweed Side, and said
to have been composed by a Lord Yester. It consisted of two stanzas,
of which I still recollect the first--
"When Maggy and I was acquaint,
I carried my noddle fu' hie;
Nae lintwhite on a' the green plain,
Nor gowdspink sae happy as me:
But I saw her sae fair and I lo'ed:
I woo'd, but I came nae great speed;
So now I maun wander abroad,
And lay my banes far frae the Tweed. "--
* * * * *
THE POSY.
It appears evident to me that Oswald composed his _Roslin Castle_ on
the modulation of this air. --In the second part of Oswald's, in the
three first bars, he has either hit on a wonderful similarity to, or
else he has entirely borrowed the three first bars of the old air; and
the close of both tunes is almost exactly the same. The old verses to
which it was sung, when I took down the notes from a country girl's
voice, had no great merit. --The following is a specimen:
"There was a pretty May, and a milkin she went;
Wi' her red rosy cheeks, and her coal black hair;
And she has met a young man a comin o'er the bent,
With a double and adieu to thee, fair May.
O where are ye goin, my ain pretty May,
Wi' thy red rosy cheeks, and thy coal black hair?
Unto the yowes a milkin, kind sir, she says,
With a double and adieu to thee, fair May.
What if I gang alang with thee, my ain pretty May,
Wi' thy red rosy cheeks, any thy coal-black hair;
Wad I be aught the warse o' that, kind sir, she says,
With a double and adieu to thee, fair May. "
* * * * *
MARY'S DREAM.
The Mary here alluded to is generally supposed to be Miss Mary
Macghie, daughter to the Laird of Airds, in Galloway. The poet was a
Mr. John Lowe, who likewise wrote another beautiful song, called
Pompey's Ghost. --I have seen a poetic epistle from him in North
America, where he now is, or lately was, to a lady in Scotland. --By
the strain of the verses, it appeared that they allude to some love
affair.
* * * * *
THE MAID THAT TENDS THE GOATS.
BY MR. DUDGEON.
This Dudgeon is a respectable farmer's son in Berwickshire.
* * * * *
I WISH MY LOVE WERE IN A MIRE.
I never heard more of the words of this old song than the title.
* * * * *
ALLAN WATER.
This Allan Water, which the composer of the music has honoured with
the name of the air, I have been told is Allan Water, in Strathallan.
* * * * *
THERE'S NAE LUCK ABOUT THE HOUSE.
This is one of the most beautiful songs in the Scots, or any other
language. --The two lines,
"And will I see his face again!
And will I hear him speak! "
as well as the two preceding ones, are unequalled almost by anything I
ever heard or read: and the lines,
"The present moment is our ain,
The neist we never saw,"--
are worthy of the first poet. It is long posterior to Ramsay's days.
About the year 1771, or 72, it came first on the streets as a ballad;
and I suppose the composition of the song was not much anterior to
that period.
* * * * *
TARRY WOO.
This is a very pretty song; but I fancy that the first half stanza, as
well as the tune itself, are much older than the rest of the words.
* * * * *
GRAMACHREE.
The song of Gramachree was composed by a Mr. Poe, a counsellor at law
in Dublin. This anecdote I had from a gentleman who knew the lady, the
"Molly," who is the subject of the song, and to whom Mr. Poe sent the
first manuscript of his most beautiful verses. I do not remember any
single line that has more true pathos than
"How can she break that honest heart that wears her in its core! "
But as the song is Irish, it had nothing to do in this collection.
* * * * *
THE COLLIER'S BONNIE LASSIE.
The first half stanza is much older than the days of Ramsay. --The old
words began thus:
"The collier has a dochter, and, O, she's wonder bonnie!
A laird he was that sought her, rich baith in lands and money.
She wad na hae a laird, nor wad she be a lady,
But she wad hae a collier, the colour o' her daddie. "
* * * * *
MY AIN KIND DEARIE-O.
The old words of this song are omitted here, though much more
beautiful than these inserted; which were mostly composed by poor
Fergusson, in one of his merry humours. The old words began thus:
"I'll rowe thee o'er the lea-rig,
My ain kind dearie, O,
I'll rowe thee o'er the lea-rig,
My ain kind dearie, O,
Altho' the night were ne'er sae wat,
And I were ne'er sae weary, O;
I'll rowe thee o'er the lea-rig,
My ain kind dearie, O. "--
* * * * *
MARY SCOTT, THE FLOWER OF YARROW.
Mr. Robertson, in his statistical account of the parish of Selkirk,
says, that Mary Scott, the Flower of Yarrow, was descended from the
Dryhope, and married into the Harden family. Her daughter was married
to a predecessor of the present Sir Francis Elliot, of Stobbs, and of
the late Lord Heathfield.
There is a circumstance in their contract of marriage that merits
attention, and it strongly marks the predatory spirit of the times.
The father-in-law agrees to keep his daughter for some time after the
marriage; for which the son-in-law binds himself to give him the
profits of the first Michaelmas moon!
* * * * *
DOWN THE BURN, DAVIE.
I have been informed, that the tune of "Down the burn, Davie," was the
composition of David Maigh, keeper of the blood slough hounds,
belonging to the Laird of Riddel, in Tweeddale.
* * * * *
BLINK O'ER THE BURN, SWEET BETTIE.
The old words, all that I remember, are,--
"Blink over the burn, sweet Betty,
It is a cauld winter night:
It rains, it hails, it thunders,
The moon, she gies nae light:
It's a' for the sake o' sweet Betty,
That ever I tint my way;
Sweet, let me lie beyond thee
Until it be break o' day. --
O, Betty will bake my bread,
And Betty will brew my ale,
And Betty will be my love,
When I come over the dale:
Blink over the burn, sweet Betty,
Blink over the burn to me,
And while I hae life, dear lassie,
My ain sweet Betty thou's be. "
* * * * *
THE BLITHSOME BRIDAL.
I find the "Blithsome Bridal" in James Watson's collection of Scots
poems, printed at Edinburgh, in 1706. This collection, the publisher
says, is the first of its nature which has been published in our own
native Scots dialect--it is now extremely scarce.
* * * * *
JOHN HAY'S BONNIE LASSIE.
John Hay's "Bonnie Lassie" was daughter of John Hay, Earl or Marquis
of Tweeddale, and late Countess Dowager of Roxburgh. --She died at
Broomlands, near Kelso, some time between the years 1720 and 1740.
* * * * *
THE BONIE BRUCKET LASSIE.
The two first lines of this song are all of it that is old. The rest
of the song, as well as those songs in the Museum marked T. , are the
works of an obscure, tippling, but extraordinary body of the name of
Tytler, commonly known by the name of Balloon Tytler, from his having
projected a balloon; a mortal, who, though he drudges about Edinburgh
as a common printer, with leaky shoes, a sky-lighted hat, and
knee-buckles as unlike as George-by-the-grace-of-God, and
Solomon-the-son-of-David; yet that same unknown drunken mortal is
author and compiler of three-fourths of Elliot's pompous Encyclopedia
Britannica, which he composed at half a guinea a week!
* * * * *
SAE MERRY AS WE TWA HA'E BEEN.
This song is beautiful. --The chorus in particular is truly pathetic. I
never could learn anything of its author.
CHORUS.
"Sae merry as we twa ha'e been,
Sae merry as we twa ha'e been;
My heart is like for to break,
When I think on the days we ha'e seen. "
* * * * *
THE BANKS OF FORTH.
This air is Oswald's.
* * * * *
THE BUSH ABOON TRAQUAIR.
This is another beautiful song of Mr. Crawfurd's composition. In the
neighbourhood of Traquair, tradition still shows the old "Bush;"
which, when I saw it, in the year 1787, was composed of eight or nine
ragged birches. The Earl of Traquair has planted a clump of trees near
by, which he calls "The New Bush. "
* * * * *
CROMLET'S LILT.
The following interesting account of this plaintive dirge was
communicated to Mr. Riddel by Alexander Fraser Tytler, Esq. , of
Woodhouselee.
"In the latter end of the sixteenth century, the Chisolms were
proprietors of the estate of Cromlecks (now possessed by the
Drummonds). The eldest son of that family was very much attached to a
daughter of Sterling of Ardoch, commonly known by the name of Fair
Helen of Ardoch.
"At that time the opportunities of meeting betwixt the sexes were more
rare, consequently more sought after than now; and the Scottish
ladies, far from priding themselves on extensive literature, were
thought sufficiently book-learned if they could make out the
Scriptures in their mother-tongue. Writing was entirely out of the
line of female education. At that period the most of our young men of
family sought a fortune, or found a grave, in France. Cromlus, when he
went abroad to the war, was obliged to leave the management of his
correspondence with his mistress to a lay-brother of the monastery of
Dumblain, in the immediate neighbourhood of Cromleck, and near Ardoch.
This man, unfortunately, was deeply sensible of Helen's charms. He
artfully prepossessed her with stories to the disadvantage of Cromlus;
and, by misinterpreting or keeping up the letters and messages
intrusted to his care, he entirely irritated both. All connexion was
broken off betwixt them; Helen was inconsolable, and Cromlus has left
behind him, in the ballad called 'Cromlet's Lilt,' a proof of the
elegance of his genius, as well as the steadiness of his love.
"When the artful monk thought time had sufficiently softened Helen's
sorrow, he proposed himself as a lover: Helen was obdurate: but at
last, overcome by the persuasions of her brother, with whom she lived,
and who, having a family of thirty-one children, was probably very
well pleased to get her off his hands--she submitted, rather than
consented to the ceremony; but there her compliance ended; and, when
forcibly put into bed, she started quite frantic from it, screaming
out, that after three gentle taps on the wainscot, at the bed-head,
she heard Cromlus's voice, crying, 'Helen, Helen, mind me! ' Cromlus
soon after coming home, the treachery of the confidant was
discovered,--her marriage disannulled,--and Helen became Lady
Cromlecks. "
N. B.
request" of Burns was not complied with! The work was intended as a
present to Jessie Lewars. ]
_Dumfries, 4th July, 1796. _
How are you, my dear friend, and how comes on your fifth volume? You
may probably think that for some time past I have neglected you and
your work; but, alas! the hand of pain, and sorrow, and care, has
these many months lain heavy on me! Personal and domestic affliction
have almost entirely banished that alacrity and life with which I used
to woo the rural muse of Scotia. In the meantime let us finish what we
have so well begun.
* * * * *
You are a good, worthy, honest fellow, and have a good right to live
in this world--because you deserve it. Many a merry meeting this
publication has given us, and possibly it may give us more, though,
alas! I fear it. This protracting, slow, consuming illness which hangs
over me, will, I doubt much, my ever dear friend, arrest my sun before
he has well reached his middle career, and will turn over the poet to
other and far more important concerns than studying the brilliancy of
wit, or the pathos of sentiment! However, _hope_ is the cordial of the
human heart, and I endeavour to cherish it as well as I can.
Let me hear from you as soon as convenient. --Your work is a great one;
and now that it is finished, I see, if we were to begin again, two or
three things that might be mended; yet I will venture to prophesy,
that to future ages your publication will be the text-book and
standard of Scottish song and music.
I am ashamed to ask another favour of you, because you have been so
very good already; but my wife has a very particular friend of hers, a
young lady who sings well, to whom she wishes to present the "Scots
Musical Museum. " If you have a spare copy, will you be so obliging as
to send it by the very first _fly_, as I am anxious to have it soon.
The gentleman, Mr. Lewars, a particular friend of mine, will bring out
any proofs (if they are ready) or any message you may have. I am
extremely anxious for your work, as indeed I am for everything
concerning you, and your welfare.
Farewell,
R. B.
P. S. You should have had this when Mr. Lewars called on you, but his
saddle-bags miscarried.
* * * * *
CCCXXXVII.
TO MR. CUNNINGHAM.
[Few of the last requests of the poet were effectual: Clarke, it is
believed, did not send the second _note_ he wrote for: Johnson did not
send the copy of the Museum which he requested, and the Commissioners
of Excise refused the continuance of his full salary. ]
_Brow, Sea-bathing quarters, 7th July, 1796. _
MY DEAR CUNNINGHAM,
I received yours here this moment, and am indeed highly flattered with
the approbation of the literary circle you mention; a literary circle
inferior to none in the two kingdoms. Alas! my friend, I fear the
voice of the bard will soon be heard among you no more! For these
eight or ten months I have been ailing, sometimes bedfast and
sometimes not; but these last three months I have been tortured with
an excruciating rheumatism, which has reduced me to nearly the last
stage. You actually would not know me if you saw me--Pale, emaciated,
and so feeble, as occasionally to need help from my chair--my spirits
fled! fled! but I can no more on the subject--only the medical folks
tell me that my last only chance is bathing and country-quarters, and
riding. --The deuce of the matter is this; when an exciseman is off
duty, his salary is reduced to 35_l. _ instead of 50_l. _--What way, in
the name of thrift, shall I maintain myself, and keep a horse in
country quarters--with a wife and five children at home, on 35_l. _? I
mention this, because I had intended to beg your utmost interest, and
that of all the friends you can muster, to move our commissioners of
excise to grant me the full salary; I dare say you know them all
personally. If they do not grant it me, I must lay my account with an
exit truly _en poete_--if I die not of disease, I must perish with
hunger.
I have sent you one of the songs; the other my memory does not serve
me with, and I have no copy here; but I shall be at home soon, when I
will send it you. --Apropos to being at home, Mrs. Burns threatens, in
a week or two, to add one more to my paternal charge, which, if of the
right gender, I intend shall be introduced to the world by the
respectable designation of _Alexander Cunningham Burns. _ My last was
_James Glencairn_, so you can have no objection to the company of
nobility. Farewell.
R. B.
* * * * *
CCCXXXVIII.
TO MR. GILBERT BURNS.
[This letter contained heavy news for Gilbert Burns: the loss of a
brother whom he dearly loved and admired, was not all, though the
worst. ]
_10th July, 1796. _
DEAR BROTHER,
It will be no very pleasing news to you to be told that I am
dangerously ill, and not likely to get better. An inveterate
rheumatism has reduced me to such a state of debility, and my appetite
is so totally gone, that I can scarcely stand on my legs. I have been
a week at sea-bathing, and I will continue there, or in a friend's
house in the country, all the summer. God keep my wife and children:
if I am taken from their head, they will be poor indeed. I have
contracted one or two serious debts, partly from my illness these many
months, partly from too much thoughtlessness as to expense, when I
came to town, that will cut in too much on the little I leave them in
your hands. Remember me to my mother.
Yours,
R. B.
* * * * *
CCCXXXIX.
TO MR. JAMES ARMOUR,
MASON, MAUCHLINE.
[The original letter is now in a safe sanctuary, the hands of the
poet's son, Major James Glencairn Burns. ]
_July 10th_ [1796. ]
For Heaven's sake, and as you value the we[l]fare of your daughter and
my wife, do, my dearest Sir, write to Fife, to Mrs. Armour to come if
possible. My wife thinks she can yet reckon upon a fortnight. The
medical people order me, _as I value my existence_, to fly to
sea-bathing and country-quarters, so it is ten thousand chances to one
that I shall not be within a dozen miles of her when her hour comes.
What a situation for her, poor girl, without a single friend by her on
such a serious moment.
I have now been a week at salt-water, and though I think I have got
some good by it, yet I have some secret fears that this business will
be dangerous if not fatal.
Your most affectionate son,
R. B.
* * * * *
CCCXL.
TO MRS. BURNS.
[Sea-bathing, I have heard skilful men say, was injudicious: but it
was felt that Burns was on his way to the grave, and as he desired to
try the influence of sea-water, as well as sea-air, his wishes were
not opposed. ]
_Brow, Thursday. _
MY DEAREST LOVE,
I delayed writing until I could tell you what effect sea-bathing was
likely to produce. It would be injustice to deny that it has eased my
pains, and I think has strengthened me; but my appetite is still
extremely bad. No flesh nor fish can I swallow: porridge and milk are
the only things I can taste. I am very happy to hear, by Miss Jess
Lewars, that you are all well. My very best and kindest compliments to
her, and to all the children. I will see you on Sunday.
Your affectionate husband,
R. B.
* * * * *
CCCXLI.
TO MRS. DUNLOP.
["The poet had the pleasure of receiving a satisfactory explanation of
this lady's silence," says Currie, "and an assurance of the
continuance of her friendship to his widow and children. "]
_Brow, Saturday, 12th July, 1796. _
MADAM,
I have written you so often, without receiving any answer, that I
would not trouble you again, but for the circumstances in which I am.
An illness which has long hung about me, in all probability will
speedily send me beyond that _bourn whence no traveller returns. _ Your
friendship, with which for many years you honoured me, was a
friendship dearest to my soul. Your conversation, and especially your
correspondence, were at once highly entertaining and instructive. With
what pleasure did I use to break up the seal! The remembrance yet adds
one pulse more to my poor palpitating heart.
Farewell! ! !
R. B.
* * * * *
CCCXLII.
TO MR. THOMSON.
[Thomson instantly complied with the dying poet's request, and
transmitted the exact sum which he requested, viz. five pounds, by
return of post: he was afraid of offending the pride of Burns,
otherwise he would, he says, have sent a larger sum. He has not,
however, told us how much he sent to the all but desolate widow and
children, when death had released him from all dread of the poet's
indignation. ]
_Brow, on the Solway-firth, 12th July, 1796. _
After all my boasted independence, curst necessity compels me to
implore you for five pounds. A cruel wretch of a haberdasher, to whom
I owe an account, taking it into his head that I am dying, has
commenced a process, and will infallibly put me into jail. Do, for
God's sake, send me that sum, and that by return of post. Forgive me
this earnestness, but the horrors of a jail have made me half
distracted. I do not ask all this gratuitously; for, upon returning
health, I hereby promise and engage to furnish you with five pounds'
worth of the neatest song-genius you have seen. I tried my hand on
"Rothemurche" this morning. The measure is so difficult that it is
impossible to infuse much genius into the lines; they are on the other
side. Forgive, forgive me!
Fairest maid on Devon's banks. [292]
R. B.
FOOTNOTES:
[Footnote 292: Song CCLXVIII. ]
* * * * *
CCCXLIII.
TO MR. JAMES BURNESS,
WRITER, MONTROSE.
[The good, the warm-hearted James Burness sent his cousin ten pounds
on the 29th of July--he sent five pounds afterwards to the family, and
offered to take one of the boys, and educate him in his own profession
of a writer. All this was unknown to the world till lately. ]
_Brow, 12th July. _
MY DEAR COUSIN,
When you offered me money assistance, little did I think I should want
it so soon. A rascal of a haberdasher, to whom I owe a considerable
bill, taking it into his head that I am dying, has commenced process
against me, and will infallibly put my emaciated body into jail. Will
you be so good as to accommodate me, and that by return of post, with
ten pounds? O James! did you know the pride of my heart, you would
feel doubly for me! Alas! I am not used to beg! The worst of it is, my
health was coming about finely; you know, and my physician assured me,
that melancholy and low spirits are half my disease; guess then my
horrors since this business began. If I had it settled, I would be, I
think, quite well in a manner. How shall I use the language to you, O
do not disappoint me! but strong necessity's curst command.
I have been thinking over and over my brother's affairs, and I fear I
must cut him up; but on this I will correspond at another time,
particularly as I shall [require] your advice.
Forgive me for once more mentioning by return of post;--save me from
the horrors of a jail!
My compliments to my friend James, and to all the rest. I do not know
what I have written. The subject is so horrible I dare not look it
over again.
Farewell.
R. B.
* * * * *
CCCXLIV.
TO JAMES GRACIE, ESQ.
[James Gracie was, for some time, a banker in Dumfries: his eldest son,
a fine, high-spirited youth, fell by a rifle-ball in America, when
leading the troops to the attack on Washington. ]
_Brow, Wednesday Morning, 16th July, 1796. _
MY DEAR SIR,
It would [be] doing high injustice to this place not to acknowledge
that my rheumatisms have derived great benefits from it already; but
alas! my loss of appetite still continues. I shall not need your kind
offer _this week_, and I return to town the beginning of next week, it
not being a tide-week. I am detaining a man in a burning hurry.
So God bless you.
R. B.
* * * * *
REMARKS
ON
SCOTTISH SONGS AND BALLADS.
* * * * *
[The following Strictures on Scottish Song exist in the handwriting of
Burns, in the interleaved copy of Johnson's Musical Museum, which the
poet presented to Captain Riddel, of Friars Carse; on the death of
Mrs. Riddel, these precious volumes passed into the hands of her
niece, Eliza Bayley, of Manchester, who kindly permitted Mr. Cromek to
transcribe and publish them in the Reliques. ]
* * * * *
THE HIGHLAND QUEEN.
This Highland Queen, music and poetry, was composed by Mr. M'Vicar,
purser of the Solebay man-of-war. --This I had from Dr. Blacklock.
* * * * *
BESS THE GAWKIE.
This song shows that the Scottish muses did not all leave us when we
lost Ramsay and Oswald, as I have good reason to believe that the
verses and music are both posterior to the days of these two
gentlemen. It is a beautiful song, and in the genuine Scots taste. We
have few pastoral compositions, I mean the pastoral of nature, that
are equal to this.
* * * * *
OH, OPEN THE DOOR, LORD GREGORY.
It is somewhat singular, that in Lanark, Renfrew, Ayr, Wigton,
Kirkudbright, and Dumfries-shires, there is scarcely an old song or
tune which, from the title, &c. , can be guessed to belong to, or be
the production of these countries. This, I conjecture, is one of these
very few; as the ballad, which is a long one, is called, both by
tradition and in printed collections, "The Lass of Lochroyan," which I
take to be Lochroyan, in Galloway.
* * * * *
THE BANKS OF THE TWEED.
This song is one of the many attempts that English composers have made
to imitate the Scottish manner, and which I shall, in these
strictures, beg leave to distinguish by the appellation of
Anglo-Scottish productions. The music is pretty good, but the verses
are just above contempt.
* * * * *
THE BEDS OF SWEET ROSES.
This song, as far as I know, for the first time appears here in
print. --When I was a boy, it was a very popular song in Ayrshire. I
remember to have heard those fanatics, the Buchanites, sing some of
their nonsensical rhymes, which they dignify with the name of hymns,
to this air.
* * * * *
ROSLIN CASTLE.
These beautiful verses were the production of a Richard Hewit, a young
man that Dr. Blacklock, to whom I am indebted for the anecdote, kept
for some years as amanuensis. I do not know who is the author of
the second song to the tune. Tytler, in his amusing history of Scots
music, gives the air to Oswald; but in Oswald's own collection of
Scots tunes, where he affixes an asterisk to those he himself
composed, he does not make the least claim to the tune.
* * * * *
SAW YE JOHNNIE CUMMIN? QUO' SHE.
This song, for genuine humour in the verses, and lively originality in
the air, is unparalleled. I take it to be very old.
* * * * *
CLOUT THE CALDRON.
A tradition is mentioned in the "Bee," that the second Bishop
Chisholm, of Dunblane, used to say, that if he were going to be
hanged, nothing would soothe his mind so much by the way as to hear
"Clout the Caldron" played.
I have met with another tradition, that the old song to this tune,
"Hae ye onie pots or pans,
Or onie broken chanlers,"
was composed on one of the Kenmure family, in the cavalier times; and
alluded to an amour he had, while under hiding, in the disguise of an
itinerant tinker. The air is also known by the name of
"The blacksmith and his apron,"
which from the rhythm, seems to have been a line of some old song to
the tune.
* * * * *
SAW YE MY PEGGY.
This charming song is much older, and indeed superior to Ramsay's
verses, "The Toast," as he calls them. There is another set of the
words, much older still, and which I take to be the original one, but
though it has a very great deal of merit, it is not quite ladies'
reading.
The original words, for they can scarcely be called verses, seem to be
as follows; a song familiar from the cradle to every Scottish ear.
"Saw ye my Maggie,
Saw ye my Maggie,
Saw ye my Maggie
Linkin o'er the lea?
High kilted was she,
High kilted was she,
High kilted was she,
Her coat aboon her knee.
What mark has your Maggie,
What mark has your Maggie,
What mark has your Maggie,
That ane may ken her be? "
Though it by no means follows that the silliest verses to an air must,
for that reason, be the original song; yet I take this ballad, of
which I have quoted part, to be old verses. The two songs in Ramsay,
one of them evidently his own, are never to be met with in the
fire-side circle of our peasantry; while that which I take to be the
old song, is in every shepherd's mouth. Ramsay, I suppose, had thought
the old verses unworthy of a place in his collection.
* * * * *
THE FLOWERS OF EDINBURGH.
This song is one of the many effusions of Scots Jacobitism. --The title
"Flowers of Edinburgh," has no manner of connexion with the present
verses, so I suspect there has been an older set of words, of which
the title is all that remains.
By the bye, it is singular enough that the Scottish muses were all
Jacobites. --I have paid more attention to every description of Scots
songs than perhaps anybody living has done, and I do not recollect one
single stanza, or even the title of the most trifling Scots air, which
has the least panegyrical reference to the families of Nassau or
Brunswick; while there are hundreds satirizing them. --This may be
thought no panegyric on the Scots Poets, but I mean it as such. For
myself, I would always take it as a compliment to have it said, that
my heart ran before my head,--and surely the gallant though
unfortunate house of Stewart, the kings of our fathers for so many
heroic ages, is a theme * * * * * *
* * * * *
JAMIE GAY.
Jamie Gay is another and a tolerable Anglo-Scottish piece.
* * * * *
MY DEAR JOCKIE.
Another Anglo-Scottish production.
* * * * *
FYE, GAE RUB HER O'ER WI' STRAE.
It is self-evident that the first four lines of this song are part of
a song more ancient than Ramsay's beautiful verses which are annexed
to them. As music is the language of nature; and poetry, particularly
songs, are always less or more localized (if I may be allowed the
verb) by some of the modifications of time and place, this is the
reason why so many of our Scots airs have outlived their original, and
perhaps many subsequent sets of verses; except a single name or
phrase, or sometimes one or two lines, simply to distinguish the tunes
by.
To this day among people who know nothing of Ramsay's verses, the
following is the song, and all the song that ever I heard:
"Gin ye meet a bonnie lassie,
Gie her a kiss and let her gae;
But gin ye meet a dirty hizzie,
Fye, gae rub her o'er wi' strae.
Fye, gae rub her, rub her, rub her,
Fye, gae rub her o'er wi' strae:
An' gin ye meet dirty hizzie,
Fye, gae rub her o'er wi' strae. "
* * * * *
THE LASS O' LIVISTON.
The old song, in three eight-line stanzas, is well known, and has
merit as to wit and humour; but it is rather unfit for insertion. --It
begins,
"The Bonnie lass o' Liviston,
Her name ye ken, her name ye ken,
And she has written in her contract
To lie her lane, to lie her lane. "
&c. &c.
* * * * *
THE LAST TIME I CAME O'ER THE MOOR.
Ramsay found the first line of this song, which had been preserved as
the title of the charming air, and then composed the rest of the
verses to suit that line. This has always a finer effect than
composing English words, or words with an idea foreign to the spirit
of the old title. Where old titles of songs convey any idea at all, it
will generally be found to be quite in the spirit of the air.
* * * * *
JOCKIE'S GRAY BREEKS.
Though this has certainly every evidence of being a Scottish air, yet
there is a well-known tune and song in the north of Ireland, called
"The Weaver and his Shuttle O," which, though sung much quicker, is
every note the very tune.
* * * * *
THE HAPPY MARRIAGE.
Another, but very pretty Anglo-Scottish piece.
* * * * *
THE LASS OF PATIE'S MILL.
In Sinclair's Statistical Account of Scotland, this song is localized
(a verb I must use for want of another to express my idea) somewhere
in the north of Scotland, and likewise is claimed by Ayrshire. --The
following anecdote I had from the present Sir William Cunningham, of
Robertland, who had it from the last John, Earl of Loudon. The then
Earl of Loudon, and father to Earl John before mentioned, had Ramsay
at Loudon, and one day walking together by the banks of Irvine water,
near New-Mills, at a place called Patie's Mill, they were struck with
the appearance of a beautiful country girl. His lordship observed that
she would be a fine theme for a song. --Allan lagged behind in
returning to Loudon Castle, and at dinner produced this identical
song.
* * * * *
THE TURNIMSPIKE.
There is a stanza of this excellent song for local humour, omitted in
this set. --Where I have placed the asterisms.
"They tak the horse then by te head,
And tere tey mak her stan', man;
Me tell tem, me hae seen te day,
Tey no had sic comman', man. "
* * * * *
HIGHLAND LADDIE.
As this was a favourite theme with our later Scottish muses, there are
several airs and songs of that name. That which I take to be the
oldest, is to be found in the "Musical Museum," beginning, "I hae been
at Crookieden. " One reason for my thinking so is, that Oswald has it
in his collection, by the name of "The Auld Highland Laddie. " It is
also known by the name of "Jinglan Johnie," which is a well-known song
of four or five stanzas, and seems to be an earlier song than Jacobite
times. As a proof of this, it is little known to the peasantry by the
name of "Highland Laddie;" while everybody knows "Jinglan Johnie. " The
song begins
"Jinglan John, the meickle man,
He met wi' a lass was blythe and bonie. "
Another "Highland Laddie" is also in the "Museum," vol. v. , which I
take to be Ramsay's original, as he has borrowed the chorus--"O my
bonie Highland lad," &c. It consists of three stanzas, besides the
chorus; and has humour in its composition--it is an excellent, but
somewhat licentious song. --It begins
"As I cam o'er Cairney mount,
And down among the blooming heather. "
This air, and the common "Highland Laddie," seem only to be different
sets.
Another "Highland Laddie," also in the "Museum," vol. v. , is the tune
of several Jacobite fragments. One of these old songs to it, only
exists, as far as I know, in these four lines--
"Where hae ye been a' day,
Bonie laddie, Highland laddie?
Down the back o' Bell's brae,
Courtin Maggie, courtin Maggie. "
Another of this name is Dr. Arne's beautiful air, called the new
"Highland Laddie. "
* * * * *
THE GENTLE SWAIN.
To sing such a beautiful air to such execrable verses, is downright
prostitution of common sense! The Scots verses indeed are tolerable.
* * * * *
HE STOLE MY TENDER HEART AWAY.
This is an Anglo-Scottish production, but by no means a bad one.
* * * * *
FAIREST OF THE FAIR.
It is too barefaced to take Dr. Percy's charming song, and by means of
transposing a few English words into Scots, to offer to pass it for a
Scots song. --I was not acquainted with the editor until the first
volume was nearly finished, else, had I known in time, I would have
prevented such an impudent absurdity.
* * * * *
THE BLAITHRIE O'T.
The following is a set of this song, which was the earliest song I
remember to have got by heart. When a child, an old woman sung it to
me, and I picked it up, every word, at first hearing.
"O Willy, weel I mind, I lent you my hand
To sing you a song which you did me command;
But my memory's so bad I had almost forgot
That you called it the gear and the blaithrie o't. --
I'll not sing about confusion, delusion or pride,
I'll sing about a laddie was for a virtuous bride;
For virtue is an ornament that time will never rot,
And preferable to gear and the blaithrie o't. --
Tho' my lassie hae nae scarlets or silks to put on,
We envy not the greatest that sits upon the throne;
I wad rather hae my lassie, tho' she cam in her smock,
Than a princess wi' the gear and the blaithrie o't. --
Tho' we hae nae horses or menzies at command,
We will toil on our foot, and we'll work wi' our hand;
And when wearied without rest, we'll find it sweet in any spot,
And we'll value not the gear and the blaithrie o't. --
If we hae ony babies, we'll count them as lent;
Hae we less, hae we mair, we will ay be content;
For they say they hae mair pleasure that wins bu groat,
Than the miser wi' his gear and the blaithrie o't--
I'll not meddle wi' th' affairs of the kirk or the queen;
They're nae matters for a sang, let them sink, let them swim;
On your kirk I'll ne'er encroach, but I'll hold it stil remote,
Sae tak this for the gear and the blaithrie o't. "
* * * * *
MAY EVE, OR KATE OF ABERDEEN.
"Kate of Aberdeen" is, I believe, the work of poor Cunningham the
player; of whom the following anecdote, though told before, deserves a
recital. A fat dignitary of the church coming past Cunningham one
_Sunday_, as the poor poet was busy plying a fishing-rod in some
stream near Durham, his native country, his reverence reprimanded
Cunningham very severely for such an occupation on such a day. The
poor poet, with that inoffensive gentleness of manners which was his
peculiar characteristic, replied, that he hoped God and his reverence
would forgive his seeming profanity of that sacred day, "_as he had no
dinner to eat, but what lay at the bottom of that pool_! " This, Mr.
Woods, the player, who knew Cunningham well, and esteemed him much,
assured me was true.
* * * * *
TWEED SIDE.
In Ramsay's Tea-table Miscellany, he tells us that about thirty of the
songs in that publication were the works of some young gentlemen of
his acquaintance; which songs are marked with the letters D. C.
&c. --Old Mr. Tytler of Woodhouselee, the worthy and able defender of
the beauteous Queen of Scots, told me that the songs marked C, in the
_Tea-table_, were the composition of a Mr. Crawfurd, of the house of
Achnames, who was afterwards unfortunately drowned coming from
France. --As Tytler was most intimately acquainted with Allan Ramsay, I
think the anecdote may be depended on. Of consequence, the beautiful
song of Tweed Side is Mr. Crawfurd's, and indeed does great honour to
his poetical talents. He was a Robert Crawfurd; the Mary he celebrates
was a Mary Stewart, of the Castle-Milk family, afterwards married to a
Mr. John Ritchie.
I have seen a song, calling itself the original Tweed Side, and said
to have been composed by a Lord Yester. It consisted of two stanzas,
of which I still recollect the first--
"When Maggy and I was acquaint,
I carried my noddle fu' hie;
Nae lintwhite on a' the green plain,
Nor gowdspink sae happy as me:
But I saw her sae fair and I lo'ed:
I woo'd, but I came nae great speed;
So now I maun wander abroad,
And lay my banes far frae the Tweed. "--
* * * * *
THE POSY.
It appears evident to me that Oswald composed his _Roslin Castle_ on
the modulation of this air. --In the second part of Oswald's, in the
three first bars, he has either hit on a wonderful similarity to, or
else he has entirely borrowed the three first bars of the old air; and
the close of both tunes is almost exactly the same. The old verses to
which it was sung, when I took down the notes from a country girl's
voice, had no great merit. --The following is a specimen:
"There was a pretty May, and a milkin she went;
Wi' her red rosy cheeks, and her coal black hair;
And she has met a young man a comin o'er the bent,
With a double and adieu to thee, fair May.
O where are ye goin, my ain pretty May,
Wi' thy red rosy cheeks, and thy coal black hair?
Unto the yowes a milkin, kind sir, she says,
With a double and adieu to thee, fair May.
What if I gang alang with thee, my ain pretty May,
Wi' thy red rosy cheeks, any thy coal-black hair;
Wad I be aught the warse o' that, kind sir, she says,
With a double and adieu to thee, fair May. "
* * * * *
MARY'S DREAM.
The Mary here alluded to is generally supposed to be Miss Mary
Macghie, daughter to the Laird of Airds, in Galloway. The poet was a
Mr. John Lowe, who likewise wrote another beautiful song, called
Pompey's Ghost. --I have seen a poetic epistle from him in North
America, where he now is, or lately was, to a lady in Scotland. --By
the strain of the verses, it appeared that they allude to some love
affair.
* * * * *
THE MAID THAT TENDS THE GOATS.
BY MR. DUDGEON.
This Dudgeon is a respectable farmer's son in Berwickshire.
* * * * *
I WISH MY LOVE WERE IN A MIRE.
I never heard more of the words of this old song than the title.
* * * * *
ALLAN WATER.
This Allan Water, which the composer of the music has honoured with
the name of the air, I have been told is Allan Water, in Strathallan.
* * * * *
THERE'S NAE LUCK ABOUT THE HOUSE.
This is one of the most beautiful songs in the Scots, or any other
language. --The two lines,
"And will I see his face again!
And will I hear him speak! "
as well as the two preceding ones, are unequalled almost by anything I
ever heard or read: and the lines,
"The present moment is our ain,
The neist we never saw,"--
are worthy of the first poet. It is long posterior to Ramsay's days.
About the year 1771, or 72, it came first on the streets as a ballad;
and I suppose the composition of the song was not much anterior to
that period.
* * * * *
TARRY WOO.
This is a very pretty song; but I fancy that the first half stanza, as
well as the tune itself, are much older than the rest of the words.
* * * * *
GRAMACHREE.
The song of Gramachree was composed by a Mr. Poe, a counsellor at law
in Dublin. This anecdote I had from a gentleman who knew the lady, the
"Molly," who is the subject of the song, and to whom Mr. Poe sent the
first manuscript of his most beautiful verses. I do not remember any
single line that has more true pathos than
"How can she break that honest heart that wears her in its core! "
But as the song is Irish, it had nothing to do in this collection.
* * * * *
THE COLLIER'S BONNIE LASSIE.
The first half stanza is much older than the days of Ramsay. --The old
words began thus:
"The collier has a dochter, and, O, she's wonder bonnie!
A laird he was that sought her, rich baith in lands and money.
She wad na hae a laird, nor wad she be a lady,
But she wad hae a collier, the colour o' her daddie. "
* * * * *
MY AIN KIND DEARIE-O.
The old words of this song are omitted here, though much more
beautiful than these inserted; which were mostly composed by poor
Fergusson, in one of his merry humours. The old words began thus:
"I'll rowe thee o'er the lea-rig,
My ain kind dearie, O,
I'll rowe thee o'er the lea-rig,
My ain kind dearie, O,
Altho' the night were ne'er sae wat,
And I were ne'er sae weary, O;
I'll rowe thee o'er the lea-rig,
My ain kind dearie, O. "--
* * * * *
MARY SCOTT, THE FLOWER OF YARROW.
Mr. Robertson, in his statistical account of the parish of Selkirk,
says, that Mary Scott, the Flower of Yarrow, was descended from the
Dryhope, and married into the Harden family. Her daughter was married
to a predecessor of the present Sir Francis Elliot, of Stobbs, and of
the late Lord Heathfield.
There is a circumstance in their contract of marriage that merits
attention, and it strongly marks the predatory spirit of the times.
The father-in-law agrees to keep his daughter for some time after the
marriage; for which the son-in-law binds himself to give him the
profits of the first Michaelmas moon!
* * * * *
DOWN THE BURN, DAVIE.
I have been informed, that the tune of "Down the burn, Davie," was the
composition of David Maigh, keeper of the blood slough hounds,
belonging to the Laird of Riddel, in Tweeddale.
* * * * *
BLINK O'ER THE BURN, SWEET BETTIE.
The old words, all that I remember, are,--
"Blink over the burn, sweet Betty,
It is a cauld winter night:
It rains, it hails, it thunders,
The moon, she gies nae light:
It's a' for the sake o' sweet Betty,
That ever I tint my way;
Sweet, let me lie beyond thee
Until it be break o' day. --
O, Betty will bake my bread,
And Betty will brew my ale,
And Betty will be my love,
When I come over the dale:
Blink over the burn, sweet Betty,
Blink over the burn to me,
And while I hae life, dear lassie,
My ain sweet Betty thou's be. "
* * * * *
THE BLITHSOME BRIDAL.
I find the "Blithsome Bridal" in James Watson's collection of Scots
poems, printed at Edinburgh, in 1706. This collection, the publisher
says, is the first of its nature which has been published in our own
native Scots dialect--it is now extremely scarce.
* * * * *
JOHN HAY'S BONNIE LASSIE.
John Hay's "Bonnie Lassie" was daughter of John Hay, Earl or Marquis
of Tweeddale, and late Countess Dowager of Roxburgh. --She died at
Broomlands, near Kelso, some time between the years 1720 and 1740.
* * * * *
THE BONIE BRUCKET LASSIE.
The two first lines of this song are all of it that is old. The rest
of the song, as well as those songs in the Museum marked T. , are the
works of an obscure, tippling, but extraordinary body of the name of
Tytler, commonly known by the name of Balloon Tytler, from his having
projected a balloon; a mortal, who, though he drudges about Edinburgh
as a common printer, with leaky shoes, a sky-lighted hat, and
knee-buckles as unlike as George-by-the-grace-of-God, and
Solomon-the-son-of-David; yet that same unknown drunken mortal is
author and compiler of three-fourths of Elliot's pompous Encyclopedia
Britannica, which he composed at half a guinea a week!
* * * * *
SAE MERRY AS WE TWA HA'E BEEN.
This song is beautiful. --The chorus in particular is truly pathetic. I
never could learn anything of its author.
CHORUS.
"Sae merry as we twa ha'e been,
Sae merry as we twa ha'e been;
My heart is like for to break,
When I think on the days we ha'e seen. "
* * * * *
THE BANKS OF FORTH.
This air is Oswald's.
* * * * *
THE BUSH ABOON TRAQUAIR.
This is another beautiful song of Mr. Crawfurd's composition. In the
neighbourhood of Traquair, tradition still shows the old "Bush;"
which, when I saw it, in the year 1787, was composed of eight or nine
ragged birches. The Earl of Traquair has planted a clump of trees near
by, which he calls "The New Bush. "
* * * * *
CROMLET'S LILT.
The following interesting account of this plaintive dirge was
communicated to Mr. Riddel by Alexander Fraser Tytler, Esq. , of
Woodhouselee.
"In the latter end of the sixteenth century, the Chisolms were
proprietors of the estate of Cromlecks (now possessed by the
Drummonds). The eldest son of that family was very much attached to a
daughter of Sterling of Ardoch, commonly known by the name of Fair
Helen of Ardoch.
"At that time the opportunities of meeting betwixt the sexes were more
rare, consequently more sought after than now; and the Scottish
ladies, far from priding themselves on extensive literature, were
thought sufficiently book-learned if they could make out the
Scriptures in their mother-tongue. Writing was entirely out of the
line of female education. At that period the most of our young men of
family sought a fortune, or found a grave, in France. Cromlus, when he
went abroad to the war, was obliged to leave the management of his
correspondence with his mistress to a lay-brother of the monastery of
Dumblain, in the immediate neighbourhood of Cromleck, and near Ardoch.
This man, unfortunately, was deeply sensible of Helen's charms. He
artfully prepossessed her with stories to the disadvantage of Cromlus;
and, by misinterpreting or keeping up the letters and messages
intrusted to his care, he entirely irritated both. All connexion was
broken off betwixt them; Helen was inconsolable, and Cromlus has left
behind him, in the ballad called 'Cromlet's Lilt,' a proof of the
elegance of his genius, as well as the steadiness of his love.
"When the artful monk thought time had sufficiently softened Helen's
sorrow, he proposed himself as a lover: Helen was obdurate: but at
last, overcome by the persuasions of her brother, with whom she lived,
and who, having a family of thirty-one children, was probably very
well pleased to get her off his hands--she submitted, rather than
consented to the ceremony; but there her compliance ended; and, when
forcibly put into bed, she started quite frantic from it, screaming
out, that after three gentle taps on the wainscot, at the bed-head,
she heard Cromlus's voice, crying, 'Helen, Helen, mind me! ' Cromlus
soon after coming home, the treachery of the confidant was
discovered,--her marriage disannulled,--and Helen became Lady
Cromlecks. "
N. B.
