The 'Biglow Papers' are in this relation an
extraordinary
perform.
Warner - World's Best Literature - v16 - Lev to Mai
"What for? ' says he.
<<<I think I see the land,' says I.
"So he ups with his bring-'m-near (that's what the sailors call
a spy-glass, sir), and looks out, and sure enough it was.
«Hurrah! ' says he, 'we're all right now: pull away, my
boys,' says he.
"Take care you're not mistaken,' says I; 'maybe it's only a
fog-bank, captain darlint,' says I.
"Oh no,' says he, 'it's the land in airnest. '
"Oh then, whereabouts in the wide world are we, captain? '
says I: 'maybe it id be in Roosia, or Proosia, or the Jarman
Oceant? ' says I.
"Tut, you fool,' says he,- for he had that consaited way
wid him, thinkin' himself cleverer nor any one else, 'tut, you
fool,' says he, 'that's France,' says he.
"Tare an ouns,' says I, 'do you tell me so? and how do
you know it's France it is, captain dear? ' says I.
«Bekase this is the Bay o' Bishky we're in now,' says he.
"Throth I was thinkin' so myself,' says I, 'by the rowl it
has; for I often heerd av it in regard of that same:' and throth
the likes av it I never seen before nor since, and with the help
o' God, never will.
-
"Well, with that my heart began to grow light: and when I
seen my life was safe I began to grow twice hungrier nor ever;
so says I, 'Captain jewel, I wish we had a gridiron. '
"Why, then,' says he, 'thunder and turf,' says he, 'what
puts a gridiron into your head? '
«Bekase I'm starvin' with the hunger,' says I.
"And sure, bad luck to you,' says he, 'you couldn't ate a
gridiron,' says he, 'barrin you wor a pelican o' the wildherness,'
says he.
"Ate a gridiron! ' says I; 'och, in throth I'm not sich a
gommoch all out as that, anyhow. But sure if we had a grid-
iron we could dress a beefsteak,' says I.
"Arrah! but where's the beefsteak? ' says he.
## p. 9225 (#237) ###########################################
SAMUEL LOVER
9225
"Sure, couldn't we cut a slice aff the pork? ' says I.
"Be gor, I never thought o' that,' says the captain. "You're
a clever fellow, Paddy,' says he, laughin'.
"Oh, there's many a thrue word said in joke,' says I.
"Thrue for you, Paddy,' says he.
"Well, then,' says I, 'if you put me ashore there beyant'
(for we were nearing the land all the time), 'and sure I can ax
thim for to lind me the loan of a gridiron,' says I.
"Oh, by gor, the butther's comin' out o' the stirabout in
airnest now,' says he: 'you gommoch,' says he, 'sure I towld
you before that's France, and sure they're all furriners there,'
says the captain.
"'Well,' says I, 'and how do you know but I'm as good a
furriner myself as any o' thim? '
"What do you mane? ' says he.
"I mane,' says I, 'what I towld you: that I'm as good a fur-
riner myself as any o' thim. ’
"Make me sinsible,' says he.
"By dad, maybe that's more nor me, or greater nor me,
could do,' says I;- and we all began to laugh at him, for I
thought I'd pay him off for his bit o' consait about the Jarman
Oceant.
"Lave aff your humbuggin',' says he, 'I bid you; and tell
me what it is you mane, at all at all. '
"Parly voo frongsay? ' says I.
"Oh, your humble sarvant,' says he: 'why, by gor, you're a
scholar, Paddy. '
like.
«<<Throth, you may say that,' says I.
"Why, you're a clever fellow, Paddy,' says the captain, jeerin'
"You're not the first that said that,' says I, 'whether you
joke or no. '
"Oh, but I'm in airnest,' says the captain; 'and do you tell
me, Paddy,' says he, 'that you spake Frinch? '
"Parly voo frongsay? ' says I.
"By gor, that bangs Banagher; and all the world knows
Banagher bangs the divil. I never met the likes o' you, Paddy,'
says he: 'pull away, boys, and put Paddy ashore, and maybe we
won't get a good bellyful before long. '
"So with that it was no sooner said nor done; they pulled
away and got close into shore in less than no time, and run the
## p. 9226 (#238) ###########################################
9226
SAMUEL LOVER
boat up in a little creek, and a beautiful creek it was, with a
lovely white sthrand,—an iligant place for ladies to bathe in the
summer, and out I got: and it's stiff enough in my limbs I was,
afther bein' cramped up in the boat, and perished with the cowld
and hunger; but I conthrived to scramble on, one way or t'other,
towards a little bit iv a wood that was close to the shore, and the
smoke curlin' out of it, quite timptin' like.
« ་
"By the powdhers o' war, I'm all right,' says I,-'there's a
house there;' and sure enough there was, and a parcel of men,
women, and childher ating their dinner round a table quite con-
vaynient. And so I wint up to the door, and I thought I'd be
very civil to thim, as I heerd the Frinch was always mighty
p'lite intirely — and I thought I'd show them I knew what good
manners was.
"So I took aff my hat, and making a low bow, says I, ‘God
save all here,' says I.
"Well, to be sure, they all stopped ating at wanst, and begun
to stare at me; and faith they almost looked me out of counte-
nance; and I thought to myself it was not good manners at all—
more betoken from furriners, which they call so mighty p'lite:
but I never minded that, in regard o' wantin' the gridiron; and
so says I, I beg your pardon,' says I, 'for the liberty I take,
but it's only bein' in disthress in regard of ating,' says I, 'that
I make bowld to throuble yez, and if you could lind me the loan
of a gridiron,' says I, 'I'd be entirely obleeged to ye. '
"By gor, they all stared at me twice worse nor before; and
with that says I (knowin' what was in their minds), 'indeed, it's
thrue for you,' says I, 'I'm tatthered to pieces, and God knows
I look quare enough; but it's by raison of the storm,' says I,
'which dhruv us ashore here below, and we're all starvin',' says I.
"So then they began to look at each other agin; and myself,
seeing at wanst dirty thoughts was in their heads, and that they
tuk me for a poor beggar comin' to crave charity, -with that
says I, 'Oh! not at all,' says I, 'by no manes: we have plenty
o' mate ourselves there below, and we'll dhress it,' says I, 'if
you would be pleased to lind us the loan of a gridiron,' says I,
makin' a low bow.
«< Well, sir, with that, throth they stared at me twice worse
nor ever: and faith, I began to think that maybe the captain was
wrong, and that it was not France at all at all; and so says I,
'I beg pardon, sir,' says I, to a fine ould man with a head of
## p. 9227 (#239) ###########################################
SAMUEL LOVER
9227
hair as white as silver,-'maybe I'm undher a mistake,' says I,
'but I thought I was in France, sir: aren't you furriners? ' says
I. Parly voo frongsay? '
"We, munseer,' says he.
"Then would you lind me the loan of a gridiron,' says I, 'if
you plase? '
"Oh, it was thin that they stared at me as if I had seven
heads: and faith, myself began to feel flusthered like, and onaisy;
and so says I, makin' a bow and scrape agin, 'I know it's a lib-
erty I take, sir,' says I, 'but it's only in the regard of bein' cast
away; and if you plase, sir,' says I, Parly voo frongsay?
"We, munseer,' says he, mighty sharp.
"Then would you lind me the loan of a gridiron? ' says I,
'and you'll obleege me. '
"Well, sir, the ould chap began to 'munseer' me; but the
divil a bit of a gridiron he'd gi' me: and so I began to think
they wor all neygars, for all their fine manners; and throth my
blood begun to rise, and says I, 'By my sowl, if it was you was
in disthriss,' says I, 'and if it was to ould Ireland you kem, it's
not only the gridiron they'd give you, if you axed it, but some-
thing to put an it too, and the dhrop o' drink into the bargain,
and cead mile failte. '
"Well, the words cead mile failte seemed to sthreck his heart,
and the ould chap cocked his ear: and so I thought I'd give an-
other offer, and make him sinsible at last; and so says I wanst
more, quite slow, that he might understand, 'Parly-voo-frong-
say, munseer? ›
"We, munseer,' says he.
«Then lind me the loan of a gridiron,' says I, 'and bad
scram to you. '
"Well, bad win to the bit of it he'd gi' me, and the ould
chap begins bowin' and scrapin', and said something or other
about long tongs.
«Phoo! the divil sweep yourself and your tongs,' says I: 'I
don't want a tongs at all at all; but can't you listen to raison? '
says I: 'Parly voo frongsay? '
«་ 'We, munseer. '
"Then lind me the loan of a gridiron,' says I, 'and howld
your prate. '
"Well, what would you think but he shook his owld noddle
as much as to say he wouldn't; and so says I, 'Bad cess to the
## p. 9228 (#240) ###########################################
9228
SAMUEL LOVER
likes o' that I ever seen,-throth if you wor in my country it's
not that-a-way they'd use you: the curse o' the crows an you,
you owld sinner,' says I, 'the divil a longer I'll darken your
door. '
"So he seen I was vexed; and I thought, as I was turnin'
away, I seen him begin to relint, and that his conscience throub-
led him; and says I, turnin' back, 'Well, I'll give you one chance
more, you ould thief,- are you a Chrishthan at all at all? are
you a furriner? ' says I, 'that all the world calls so p'lite. Bad
luck to you, do you undherstand your own language? -parly voo
frongsay? ' says I.
"We, munseer,' says he.
"Then thunder an turf,' says I, will you lind me the loan
of a gridiron ? ›
"Well, sir, the divil resave the bit of it he'd gi' me: and so
with that, 'the curse o' the hungry an you, you ould negarly
villian,' says I; 'the back o' my hand and the sowl o' my fut to
you, that you may want a gridiron yourself yit,' says I; 'and
wherever I go, high and low, rich and poor, shall hear o' you,'
says I and with that I left them there, sir, and kem away-and
in throth it's often sence that I thought that it was remarkable. ”
-
## p. 9228 (#241) ###########################################
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## p. 9229 (#245) ###########################################
9229
JAMES RUSSELL LOWELL
(1819-1891)
BY HENRY JAMES
塞
HE formula would not be hard to find which would best, at
the outset, introduce to readers the author of the following
extracts and specimens. With a certain close propriety that
seems to give him, among Americans of his time, the supreme right,
James Russell Lowell wears the title of a man of letters. He was a
master of verse and a political disputant; he was to some extent a
journalist, and in a high degree an orator; he administered learning
in a great university; he was concerned, in his later years, with pub-
lic affairs, and represented in two foreign countries the interests
of the United States. Yet there is only one term to which, in an
appreciation, we can without a sense of injustice give precedence over
the others. He was the American of his time most saturated with
literature and most directed to criticism; the American also whose
character and endowment were such as to give this saturation and
this direction-this intellectual experience, in short-most value.
He added to the love of learning the love of expression; and his
attachment to these things-to poetry, to history, to language, form,
and style was such as to make him, the greater part of his life,
more than anything a man of study: but his temperament was proof
against the dryness of the air of knowledge, and he remained to the
end the least pale, the least passionless of scholars.
He was born at Cambridge, Massachusetts, on February 22, 1819,
and died in the same house on August 12th, 1891. His inheritance of
every kind contributed to the easy play of his gifts and the rich uni-
formity of his life. He was of the best and oldest New England –
of partly clerical-stock; a stock robust and supple, and which has
given to its name many a fruit-bearing branch. We read him but
dimly in not reading into him, as it were, everything that was pres-
ent, around him, in race and place; and perhaps also in not seeing
him in relation to some of the things that were absent. He is one
more instance of the way in which the poet's message is almost
always, as to what it contains or omits, a testimony to personal
circumstance, a communication of the savor of the mother soil. He
as New
figures to us thus more handsomely than any competitor -
-
## p. 9230 (#246) ###########################################
9230
JAMES RUSSELL LOWELL
England conscious of its powers and its standards, New England
accomplished and articulate. He grew up in clerical and collegiate
air, at half an hour's walk from the cluster of homely halls that
are lost to-day in the architectural parade of the modernized Harvard.
He spent fifty years of his life in the shade, or the sunshine, of Alma
Mater; a connection which was to give his spirit just enough of the
unrest of responsibility, and his style just too much perhaps of the
authority of the pedagogue. His early years unfolded with a secur-
ity and a simplicity that the middle ones enriched without disturbing;
and the long presence of which, with its implications of leisure, of
quietude, of reflection and concentration, supplies in all his work an
element of agreeable relish not lessened by the suggestion of a cer-
tain meagreness of personal experience. He took his degree in 1838;
he married young, in 1844, then again in 1857; he inherited, on the
death of his father in 1861, the commodious old house of Elmwood
(in those days more embowered and more remote), in which his life
was virtually to be spent. With a small family — a single daughter —
but also a small patrimony, and a deep indifference — his abiding char-
acteristic to any question of profit or fortune, the material con-
dition he had from an early time to meet was the rather blank face
turned to the young American who in that age, and in the consecrated
phrase, embraced literature as a profession. The embrace, on Lowell's
part as on that of most such aspirants, was at first more tender than
coercive; and he was no exception to the immemorial rule of pro-
pitiating the idol with verse. This verse took in 1841 the form of his
first book; a collection of poems elsewhere printed and unprinted, but
not afterwards republished.
His history from this time, at least for many years, would be
difficult to write save as a record of stages, phases, dates too particu-
lar for a summary. The general complexion of the period is best
presented in the simple statement that he was able to surrender on
the spot to his talent and his taste. There is something that fairly
charms, as we look at his life, in the almost complete elimination of
interference or deviation: it makes a picture exempt from all shadow
of the usual image of genius hindered or inclination blighted. Drama
and disaster could spring as little from within as from without; and
no one in the country probably led a life-certainly for so long a
time-of intellectual amenity so great in proportion to its intensity.
There was more intensity perhaps for such a spirit as Emerson's: but
there was, if only by that fact, more of moral ravage and upheaval;
there was less of applied knowledge and successful form, less of the
peace of art.
Emerson's utterance, his opinions, seem to-day to give
us a series, equally full of beauty and void of order, of noble exper-
iments and fragments. Washington Irving and Longfellow, on the
## p. 9231 (#247) ###########################################
JAMES RUSSELL LOWELL
9231
other hand, if they show us the amenity, show us also, in their
greater abundance and diffusion, a looseness, an exposure; they sit as
it were with open doors, more or less in the social draught. Haw-
thorne had further to wander and longer to wait; and if he too, in
the workshop of art, kept tapping his silver hammer, it was never
exactly the nail of thought that he strove to hit on the head. What
is true of Hawthorne is truer still of Poe; who, if he had the peace
of art, had little of any other. Lowell's evolution was all in what I
have called his saturation, in the generous scale on which he was
able to gather in and to store up impressions. The three terms of
his life for most of the middle time were a quiet fireside, a quiet
library, a singularly quiet community. The personal stillness of the
world in which for the most part he lived, seems to abide in the
delightful paper-originally included in 'Fireside Travels' on 'Cam-
bridge Thirty Years Ago. ' It gives the impression of conditions.
in which literature might well become an alternate world, and old
books, old authors, old names, old stories, constitute in daily com-
merce the better half of one's company. Complications and dis-
tractions were not, even so far as they occurred, appreciably his own
portion; except indeed for their being-some of them, in their degree
- of the general essence of the life of letters. If books have their
destinies, they have also their antecedents; and in the face of the
difficulty of trying for perfection with a rough instrument, it cannot
of course be said that even concentration shuts the door upon pain.
If Lowell had all the joys of the scholar and the poet, he was also,
and in just that degree, not a stranger to the pangs and the weari-
ness that accompany the sense of exactitude, of proportion, and of
beauty; that feeling for intrinsic success, which in the long run
becomes a grievous burden for shoulders that have in the rash con-
fidence of youth accepted it,- becomes indeed in the artist's breast
the incurable, intolerable ache.
But such drama as could not mainly, after all, be played out
within the walls of his library, came to him, on the whole, during
half a century, only in two or three other forms. I mention first the
subordinate, which were all, as well, in the day's work: the long
grind of teaching the promiscuous and preoccupied young, and those.
initiations of periodical editorship which, either as worries or as tri-
umphs, may never perhaps be said to strike very deep. In 1855 he
entered, at Harvard College, upon the chair just quitted by Longfel
low: a comprehensive professorship in literature, that of France and
that of Spain in particular. He conducted on its foundation, for four
years, the Atlantic Monthly; and carried on from 1862, in conjunc-
tion with Mr. Charles Eliot Norton, the North American Review, in
which his best critical essays appeared. There were published the
## p. 9232 (#248) ###########################################
9232
JAMES RUSSELL LOWELL
admirable article on Lessing, that on 'Rousseau and the Sentiment-
alists,' that on Carlyle's 'Frederick the Great,' the rich, replete paper
on Witchcraft,' the beautiful studies (1872-1875) of Dante, Spenser,
and Wordsworth; and the brilliant jeux d'esprit, as their overflow of
critical wit warrants our calling them, on such subjects as (1866)
sundry infirmities of the poetical temper of Swinburne, or such occas-
ions as were offered (1865) by the collected writings of Thoreau, or
(1867) by the 'Life and Letters' of James Gates Percival,- occasions
mainly to run to earth a certain shade of the provincial spirit. Of
his career from early manhood to the date of his going in 1877 as
minister to Spain, the two volumes of his correspondence published
in 1893 by Mr. Norton give a picture reducible to a presentment of
study in happy conditions, and of opinions on "moral" questions; an
image subsequently thrown somewhat into the shade, but still keep-
ing distinctness and dignity for those who at the time had something
of a near view of it.
Lowell's great good fortune was to believe for
so long that opinions and study sufficed him. There came in time
a day when he lent himself to more satisfactions than he literally
desired; but it is difficult to imagine a case in which the literary life
should have been a preparation for the life of the world. There was
so much in him of the man and the citizen, as well as of the poet
and the professor, that with the full reach of curiosities and sympa-
thies, his imagination found even in narrow walls, windows of long
range. It was during these years, at any rate, that his poetical and
critical spirit were formed; and I speak of him as our prime man of
letters precisely on account of the unhurried and unhindered process
of the formation. Literature was enough, without being too much,
his trade: it made of his life a reservoir never condemned, by too
much tapping, to show low water. We have had critics much more
frequent, but none more abundant; we have had poets more abund-
ant, but none more acquainted with poetry. This acquaintance with
poetry bore fruits of a quality to which I shall presently allude;
his critical activity, meantime, was the result of the impulse given
by the responsibilities of instructorship to the innermost turn of his
mind. His studies could deepen and widen at their ease. The uni-
versity air soothed, but never smothered; Europe was near enough
to touch, but not tormentingly to overlap; the intimate friends were
more excellent than numerous, the college feasts just recurrent
enough to keep wit in exercise, and the country walks not so blank
as to be unsweetened by a close poetic notation of every aspect and
secret of nature. He absorbed and lectured and wrote, talked and
edited and published; and had, the while, struck early in the day
the note from which, for a long time, his main public identity was
to spring.
## p. 9233 (#249) ###########################################
JAMES RUSSELL LOWELL
9233
This note, the first of the 'Biglow Papers,' was sounded in the
summer of 1846, the moment of the outbreak of the Mexican War.
It presented not quite as yet so much an "American humorist" the
more, as the very possibility or fact of the largest expressiveness in
American humor. If he was the first of the dialectic and colloquial
group in the order of time, so he was to remain, on this ground, the
master and the real authority. The 'Biglow Papers' were an acci-
dent, begun without plan or forecast: but by the accident the author
was, in a sense, determined and prompted; he himself caught from
them and from their success a fuller idea of the "Yankee » character,
lighted up by every advantage that wit and erudition could lend it.
Lowell found himself, on the spot, committed to giving it such aid
to literary existence as it could never have had without him. His
conception of all the fine things of the mind-of intelligence, hon-
esty, judgment, knowledge—was placed straight at the service of the
kind of American spirit that he was conscious of in himself, and that
he sought in his three or four typical figures to make ironic and
racy.
The 'Biglow Papers' are in this relation an extraordinary perform.
ance and a rare work of art: in what case, on the part of an artist,
has the national consciousness, passionately acute, arrived at a form
more independent, more objective? If they were a disclosure of this
particular artist's humor, and of the kind of passion that could most
possess him, they represent as well the element that for years gave
his life its main enlargement, and as may be said its main agitation,
-the element that preserved him from dryness, from the danger of
the dilettante. This safeguard was his care for public things and
national questions; those to which, even in his class-rooms and
polishings of verse, all others were subordinate. He was politically
an ardent liberal, and had from the first engaged with all the force
of his imagination on the side that has figured at all historical
moments as the cause of reform. Reform, in his younger time, meant
above all resistance to the extension of slavery; then it came to
mean- and by so doing, to give occasion during the Civil War to a
fresh and still finer Biglow' series-resistance to the pretension of
the Southern States to set up a rival republic. The two great im-
pulses he received from without were given him by the outbreak of
the war, and-after these full years and wild waves had gradually
ebbed by his being appointed minister to Spain. The latter event
began a wholly new period, though serving as a channel for much,
for even more perhaps, of the old current; meanwhile, at all events,
no account of his most productive phases at least can afford not to
touch on the large part, the supreme part, played in his life by the
intensity, and perhaps I may go so far as to say the simplicity, of
XVI-578
<
-
## p. 9234 (#250) ###########################################
9234
JAMES RUSSELL LOWELL
his patriotism. Patriotism had been the keynote of an infinite quan-
tity of more or less felicitous behavior; but perhaps it had never been
so much as in Lowell the keynote of reflection and of the moral
tone, of imagination and conversation. Action, in this case, could
mainly be but to feel as American as possible,—with an inevitable
overflow of course into whatever was the expression of the moment.
It might often have seemed to those who often- -or even to those
who occasionally-saw him, that his case was almost unique, and
that the national consciousness had never elsewhere been so culti-
vated save under the stress of national frustration or servitude. It
was in fact, in a manner, as if he had been aware of certain forces
that made for oppression; of some league of the nations and the arts,
some consensus of tradition and patronage, to treat as still in tutelage
or on its trial the particular connection of which he happened most
to be proud.
The secret of the situation was that he could only, could actively,
"cultivate" as a retort to cultivation. There were American phe-
nomena that, as he gathered about the world, cultivation in general
deemed vulgar; and on this all his genius rose within him to show
what his cultivation could make of them. It enabled him to make
so much that all the positive passion in his work is for the direct
benefit of patriotism. That, beyond any other irritation of the lyric
temperament, is what makes him ardent. In nothing, moreover, is
he more interesting than in the very nature of his vision of this
humorous "Yankeeism" of type. He meant something it was at that
time comparatively easy, as well as perhaps a trifle more directly
inspiring, to mean; for his life opened out backward into Puritan
solidities and dignities. However this be, at any rate, his main care
for the New England—or, as may almost be said, for the Cambridge
consciousness, as he embodied it, was that it could be fed from
as many sources as any other in the world, and assimilate them with
an ingenuity all its own: literature, life, poetry, art, wit, all the
growing experience of human intercourse. His great honor is that in
this direction he led it to high success; and if the 'Biglow Papers'
express supremely his range of imagination about it, they render the
American tone the service of placing it in the best literary company,
- that of all his other affinities and echoes, his love of the older
English and the older French, of all classics and romantics and
originals, of Dante and Goethe, of Cervantes and the Elizabethans;
his love, in particular, of the history of language and of the com-
plex questions of poetic form. If they had no other distinction, they
would have that of one of the acutest of all studies in linguistics.
They are more literary, in short, than they at first appear; which
is at once the strength and the weakness of his poetry in general,
-
## p. 9235 (#251) ###########################################
JAMES RUSSELL LOWELL
9235
literary indeed as most of it is at sight. The chords of his lyre were
of the precious metal, but not perhaps always of the last lyric tenu-
ity. He struck them with a hand not idle enough for mere moods,
and yet not impulsive enough for the great reverberations. He was
sometimes too ingenious, as well as too reasonable and responsible;
this leaves him, on occasion, too much in the grasp of a certain mor-
ally conservative humor,- a side on which he touches the authors of
"society" verse,- or else mixes with his emotion an intellectual sub-
stance, a something alien, that tends to stiffen and retard it. Per-
haps I only mean indeed that he had always something to say, and
his sturdiness as well as his "cleverness" about the way it should
be said. It is congruous, no doubt, with his poetic solidity that his
highest point in verse is reached by his 'Harvard Commemoration
Ode,' a poem for an occasion at once public and intimate; a sustained
lament for young lives, in the most vividly sacrificed of which he
could divide with the academic mother something of the sentiment of
proud ownership. It is unfair to speak of lines so splendid as these
as not warmed by the noble thought with which they are charged;
-even if it be of the very nature of the English ode to show us
always, at its best, something of the chill of the poetic Exercise.
-
I may refer, however, as little to the detail of his verse as to
that of the robust body of his prose. The latter consists of richly
accomplished literary criticism, and of a small group of public ad-
dresses; and would obviously be much more abundant were we in
possession of all the wrought material of Harvard lectures and pro-
fessorial talks. If we are not, it is because Lowell recognized no
material as wrought till it had passed often through the mill. He
embarked on no magnum opus, historical, biographical, critical; he
contented himself with uttering thought that had great works in its
blood. It was for the great works and the great figures he cared; he
was a critic of a pattern mainly among ourselves superseded — super-
seded so completely that he seems already to have receded into
time, and to belong to an age of vulgarity less blatant. If he was in
educated appreciation the most distinct voice that the United States
had produced, this is partly, no doubt, because the chatter of the
day and the triumph of the trivial could even then still permit him
to be audible, permit him to show his office as supported on knowl-
edge and on a view of the subject. He represented so well the use
of a view of the subject that he may be said to have represented
best what at present strikes us as most urgent; the circumstance,
namely, that so far from being a chamber surrendering itself
from the threshold to the ignorant young of either sex, criticism is
positively and miraculously not the simplest and most immediate, but
the most postponed and complicated of the arts, the last qualified
-
## p. 9236 (#252) ###########################################
9236
JAMES RUSSELL LOWELL
for and arrived at, the one requiring behind it most maturity, most
power to understand and compare.
One is disposed to say of him, in spite of his limited production,
that he belonged to the massive race, and even has for the present
the air of one of the last of it. The two volumes of his 'Letters'
help, in default of a biography, the rest of his work in testifying to
this; and would do so still more if the collection had comprised more
letters of the time of his last period in Europe. His diplomatic
years he was appointed in 1880 minister to England-form a chap-
ter by themselves; they gave a new turn to his career, and made a
different thing of what was to remain of it. They checked, save
here and there for an irrepressible poem, his literary production;
but they opened a new field-in the mother-land of "occasional »
oratory for his beautiful command of the spoken word. He spoke
often from this moment, and always with his admirable mixture of
breadth and wit; with so happy a surrender indeed to this gift that
his two finest addresses, that on 'Democracy' (Birmingham, 1884)
and that on the Harvard Anniversary of 1886, connect themselves
with the reconsecration, late in life, of his eloquence. It was a sin-
gular fortune, and possible for an American alone, that such a want
of peculiarly professional, of technical training, should have been
consistent with a degree of success that appeared to reduce train-
ing to unimportance. Nothing was more striking, in fact, than that
what Lowell had most in England to show was simply all the air
and all the effect of preparedness. If I have alluded to the best
name we can give him and the best niche we can make for him, let
this be partly because letters exactly met in him a more distin-
guished recognition than usually falls to their lot. It was they that
had prepared him really; prepared him-such is the subtlety of
their operation-even for the things from which they are most di-
vorced. He reached thus the phase in which he took from them as
much as he had given; represented them in a new, insidious way.
It was of course in his various speeches that his preparedness came
out most; most enjoyed the superlative chance of becoming, by the
very fact of its exercise, one of the safeguards of an international
relation that he would have blushed not to have done his utmost to
keep inviolable. He had the immense advantage that the very voice
in which he could speak so much at once that of his masculine,
pugnacious intellect, and that of the best side of the race— - was a
plea for everything the millions of English stock have in common.
This voice, as I may call it, that sounds equally in every form of
his utterance, was his great gift to his time. In poetry, in satire, in
prose, and on his lips, it was from beginning to end the manliest,
the most ringing, to be heard. He was essentially a fighter: he could
## p. 9237 (#253) ###########################################
JAMES RUSSELL LOWELL
9237
always begin the attack; could always, in criticism as in talk, sound
the charge and open the fire. The old Puritan conscience was deep
in him, with its strong and simple vision, even in æsthetic things, of
evil and of good, of wrong and of right; and his magnificent wit
was all at its special service. He armed it, for vindication and per-
suasion, with all the amenities, the "humanities"—with weapons as
sharp and bright as it has ever carried.
Hey Jammer
[All the poems here quoted are copyrighted, and they are reprinted by
permission of Houghton, Mifflin & Co. , publishers. ]
SI DESCENDERO IN INFERNUM, ADES
WANDERING dim on the extremest edge
O
Of God's bright providence, whose spirits sigh
Drearily in you, like the winter sedge
That shivers o'er the dead pool stiff and dry,—
A thin, sad voice, when the bold wind roars by
From the clear North of Duty,-
Still by cracked arch and broken shaft I trace
That here was once a shrine and holy place
Of the supernal beauty,
-
A child's play-altar reared of stones and moss,
With wilted flowers for offering laid across,
Mute recognition of the all-ruling Grace.
How far are ye from the innocent, from those
Whose hearts are as a little lane serene,
Smooth-heaped from wall to wall with unbroke snows,
Or in the summer blithe with lamb-cropped green,
Save the one track, where naught more rude is seen
Than the plump wain at even
Bringing home four months' sunshine bound in sheaves!
How far are ye from those! yet who believes
That ye can shut out heaven?
Your souls partake its influence, not in vain
Nor all unconscious, as that silent lane
Its drift of noiseless apple blooms receives.
## p. 9238 (#254) ###########################################
9238
JAMES RUSSELL LOWELL
Looking within myself, I note how thin
A plank of station, chance, or prosperous fate,
Doth fence me from the clutching waves of sin;
In my own heart I find the worst man's mate,
And see not dimly the smooth-hinged gate
That opes to those abysses
Where ye grope darkly,-ye who never knew
On your young hearts love's consecrating dew,
Or felt a mother's kisses,
Or home's restraining tendrils round you curled:
Ah,. side by side with heart's-ease in this world
The fatal nightshade grows, and bitter rue!
One band ye cannot break,- the force that clips
And grasps your circles to the central light;
Yours is the prodigal comet's long ellipse,
Self-exiled to the farthest verge of night:
Yet strives with you no less that inward might
No sin hath e'er imbruted;
The god in you the creed-dimmed eye eludes;
The Law brooks not to have its solitudes
By bigot feet polluted:
Yet they who watch your God-compelled return
May see your happy perihelion burn.
Where the calm sun his unfledged planets broods.
HEBE
SAW the twinkle of white feet,
I
I saw the flash of robes descending;
Before her ran an influence fleet,
That bowed my heart like barley bending.
As, in bare fields, the searching bees
Pilot to blooms beyond our finding,
It led me on, by sweet degrees
Joy's simple honey-cells unbinding.
Those Graces were, that seemed grim Fates;
With nearer love the sky leaned o'er me;
The long-sought Secret's golden gates
On musical hinges swung before me.
I saw the brimmed bowl in her grasp
Thrilling with godhood; like a lover
## p. 9239 (#255) ###########################################
JAMES RUSSELL LOWELL
9239
I sprang the proffered life to clasp;-
The beaker fell; the luck was over.
-
The earth has drunk the vintage up:
What boots it patch the goblet's splinters?
Can summer fill the icy cup,
Whose treacherous crystal is but winter's ?
O spendthrift haste! Await the gods;
The nectar crowns the lips of patience;
Haste scatters on unthankful sods
The immortal gift in vain libations.
Coy Hebe flies from those that woo,
And shuns the hands would seize upon her:
Follow thy life, and she will sue
To pour for thee the cup of honor.
SHE CAME AND WENT
SA twig trembles, which a bird
A Lights on to sing, then leaves unbent,
So is my memory thrilled and stirred; -
I only know she came and went.
As clasps some lake, by gusts unriven,
The blue dome's measureless content,
So my soul held that moment's heaven;-
I only know she came and went.
▬▬▬▬▬▬▬▬▬▬▬▬
As, at one bound, our swift spring heaps
The orchards full of bloom and scent,
So clove her May my wintry sleeps; -
I only know she came and went.
-
An angel stood and met my gaze,
Through the low doorway of my tent;
The tent is struck, the vision stays; -
I only know she came and went.
Oh, when the room grows slowly dim,
And life's last oil is nearly spent,
One gush of light these eyes will brim,
Only to think she came and went.
## p. 9240 (#256) ###########################################
9240
JAMES RUSSELL LOWELL
I
THE CHANGELING
HAD a little daughter,
And she was given to me
To lead me gently backward
To the Heavenly Father's knee;
That I, by the force of nature,
Might in some dim wise divine
The depth of his infinite patience
To this wayward soul of mine.
I know not how others saw her,
But to me she was wholly fair,
And the light of the heaven she came from
Still lingered and gleamed in her hair;
For it was as wavy and golden,
And as many changes took,
As the shadows of sun-gilt ripples
On the yellow bed of a brook.
To what can I liken her smiling
Upon me, her kneeling lover?
How it leaped from her lips to her eye-lids,
And dimpled her wholly over,
Till her outstretched hands smiled also,
And I almost seemed to see
The very heart of her mother
Sending sun through her veins to me!
She had been with us scarce a twelvemonth,
And it hardly seemed a day,
When a troop of wandering angels
Stole my little daughter away;
Or perhaps those heavenly Zingari
But loosed the hampering strings,
And when they had opened her cage door,
My little bird used her wings.
But they left in her stead a changeling,
A little angel child,
That seems like her bud in full blossom,
And smiles as she never smiled:
When I wake in the morning, I see it
Where she always used to lie,
And I feel as weak as a violet
Alone 'neath the awful sky.
## p. 9241 (#257) ###########################################
JAMES RUSSELL LOWELL
9241
O
As weak, yet as trustful also:
For the whole year long I see
All the wonders of faithful Nature
Still worked for the love of me;
Winds wander, and dews drip earthward,
Rain falls, suns rise and set,
Earth whirls, and all but to prosper
A poor little violet.
This child is not mine as the first was;
I cannot sing it to rest,
I cannot lift it up fatherly
And bliss it upon my breast:
Yet it lies in my little one's cradle
And sits in my little one's chair,
And the light of the heaven she's gone to
Transfigures its golden hair.
THE VISION OF SIR LAUNFAL
PRELUDE TO PART FIRST
VER his keys the musing organist,
Beginning doubtfully and far away,
First lets his fingers wander as they list,
And builds a bridge from Dreamland for his lay;
Then, as the touch of his loved instrument
Gives hope and fervor, nearer draws his theme,
First guessed by faint auroral flushes sent
Along the wavering vista of his dream.
Not only around our infancy
Doth heaven with all its splendors lie;
Daily, with souls that cringe and plot,
We Sinais climb and know it not.
Over our manhood bend the skies;
Against our fallen and traitor lives
The great winds utter prophecies;
With our faint hearts the mountain strives;
Its arms outstretched, the druid wood
Waits with its Benedicite;
And to our age's drowsy blood
Still shouts the inspiring sea.
## p. 9242 (#258) ###########################################
9242
JAMES RUSSELL LOWELL
Earth gets its price for what Earth gives us:
The beggar is taxed for a corner to die in,
The priest hath his fee who comes and shrives us,
We bargain for the graves we lie in;
At the devil's booth are all things sold,
Each ounce of dross costs its ounce of gold;
For a cap and bells our lives we pay,
Bubbles we buy with a whole soul's tasking:
'Tis heaven alone that is given away,
'Tis only God may be had for the asking;
No price is set on the lavish summer;
June may be had by the poorest comer.
And what is so rare as a day in June?
Then, if ever, come perfect days;
Then Heaven tries earth if it be in tune,
And over it softly her warm ear lays;
Whether we look, or whether we listen,
We hear life mu nur, or see it glisten;
Every clod feels a stir of might,
An instinct within it that reaches and towers,
And groping blindly above it for light,
Climbs to a soul in grass and flowers;
The flush of life may well be seen
Thrilling back over hills and valleys;
The cowslip startles in meadows green,
The buttercup catches the sun in its chalice,
And there's never a leaf nor a blade too mean
To be some happy creature's palace;
The little bird sits at his door in the sun,
Atilt like a blossom among the leaves,
And lets his illumined being o'errun
With the deluge of summer it receives;
His mate feels the eggs beneath her wings,
And the heart in her dumb breast flutters and sings;
He sings to the wide world, and she to her nest,-
In the nice ear of Nature which song is the best?
――――――――――
Now is the high tide of the year,
And whatever of life hath ebbed away
Comes flooding back with a ripply cheer,
Into every bare inlet and creek and bay;
Now the heart is so full that a drop overfills it;
We are happy now because God wills it;
## p. 9243 (#259) ###########################################
JAMES RUSSELL LOWELL
9243
No matter how barren the past may have been,
'Tis enough for us now that the leaves are green;
We sit in the warm shade and feel right well
How the sap creeps up and the blossoms swell;
We may shut our eyes, but we cannot help knowing
That skies are clear and grass is growing;
The breeze comes whispering in our ear
That dandelions are blossoming near,
That maize has sprouted, that streams are flowing,
That the river is bluer than the sky,
That the robin is plastering his house hard by:
And if the breeze kept the good news back,
For other couriers we should not lack;
We could guess it all by yon heifer's lowing,—
And hark! how clear bold chanticleer,
Warmed with the new wine of the year,
Tells all in his lusty crowing!
Joy comes, grief goes, we know not how;
Everything is happy now,
Everything is upward striving;
'Tis as easy now for the heart to be true
As for grass to be green or skies to be blue,-
'Tis the natural way of living:
Who knows whither the clouds have fled?
In the unscarred heaven they leave no wake;
And the eyes forget the tears they have shed,
The heart forgets its sorrow and ache;
The soul partakes the season's youth,
And the sulphurous rifts of passion and woe
Lie deep 'neath a silence pure and smooth,
Like burnt-out craters healed with snow.
What wonder if Sir Launfal now
Remembered the keeping of his vow?
PART FIRST
"MY GOLDEN spurs now bring to me,
And bring to me my richest mail,
For to-morrow I go over land and sea
In search of the Holy Grail:
Shall never a bed for me be spread,
Nor shall a pillow be under my head,
Till I begin my vow to keep;
Here on the rushes will I sleep,
## p. 9244 (#260) ###########################################
9244
JAMES RUSSELL LOWELL
And perchance there may come a vision true
Ere day create the world anew. "
Slowly Sir Launfal's eyes grew dim;
Slumber fell like a cloud on him,
And into his soul the vision flew.
The crows flapped over by twos and threes,
In the pool drowsed the cattle up to their knees,
The little birds sang as if it were
The one day of summer in all the year,
And the very leaves seemed to sing on the trees:
The castle alone in the landscape lay
Like an outpost of winter, dull and gray;
'Twas the proudest hall in the North Countree,
And never its gates might opened be,
Save to lord or lady of high degree;
Summer besieged it on every side,
But the churlish stone her assaults defied;
She could not scale the chilly wall,
Though around it for leagues her pavilions tall
Stretched left and right,
Over the hills and out of sight;
Green and broad was every tent,
And out of each a murmur went
Till the breeze fell off at night.
The drawbridge dropped with a surly clang,
And through the dark arch a charger sprang,
Bearing Sir Launfal, the maiden knight,
In his gilded mail, that flamed so bright
It seemed the dark castle had gathered all
Those shafts the fierce sun had shot over its wall
In his siege of three hundred summers long,
And binding them all in one blazing sheaf,
Had cast them forth; so, young and strong,
And lightsome as a locust leaf,
Sir Launfal flashed forth in his maiden mail,
To seek in all climes for the Holy Grail.
It was morning on hill and stream and tree,
And morning in the young knight's heart;
Only the castle moodily
Rebuffed the gifts of the sunshine free,
And gloomed by itself apart;
The season brimmed all other things up
Full as the rain fills the pitcher-plant's cup.
## p. 9245 (#261) ###########################################
JAMES RUSSELL LOWELL
9245
As Sir Launfal made morn through the darksome gate,
He was 'ware of a leper, crouched by the same.
Who begged with his hand and moaned as he sate;
And a loathing over Sir Launfal came;
The sunshine went out of his soul with a thrill,
The flesh 'neath his armor 'gan shrink and crawl,
And midway its leap his heart stood still.
Like a frozen waterfall;
For this man, so foul and bent of stature,
Rasped harshly against his dainty nature,
And seemed the one blot on the summer morn,—
So he tossed him a piece of gold in scorn.
The leper raised not the gold from the dust:-
"Better to me the poor man's crust,
Better the blessing of the poor,
Though I turn me empty from his door:
That is no true alms which the hand can hold;
He gives only the worthless gold
Who gives from a sense of duty;
But he who gives but a slender mite,
And gives to that which is out of sight,—
That thread of the all-sustaining Beauty
Which runs through all and doth all unite,—
The hand cannot clasp the whole of his alms,
The heart outstretches its eager palms;
For a god goes with it and makes it store
To the soul that was starving in darkness before. "
PRELUDE TO PART SECOND
Down swept the chill wind from the mountain peak,
From the snow five thousand summers old;
On open wold and hilltop bleak
It had gathered all the cold,
And whirled it like sleet on the wanderer's cheek;
It carried a shiver everywhere
From the unleafed boughs and pastures bare;
The little brook heard it, and built a roof
'Neath which he could house him winter-proof;
All night by the white stars' frosty gleams
He groined his arches and matched his beams;
Slender and clear were his crystal spars
As the lashes of light that trim the stars;
## p. 9246 (#262) ###########################################
9246
JAMES RUSSELL LOWELL
1
He sculptured every summer delight
In his halls and chambers out of sight;
Sometimes his tinkling waters slipt
Down through a frost-leaved forest crypt,
Long, sparkling aisles of steel stemmed trees
Bending to counterfeit a breeze;
Sometimes the roof no fretwork knew
But silvery mosses that downward grew;
Sometimes it was carved in sharp relief
With quaint arabesques of ice-fern leaf;
Sometimes it was simply smooth and clear
For the gladness of heaven to shine through, and here
He had caught the nodding bulrush tops
And hung them thickly with diamond drops,
That crystaled the beams of moon and sun,
And made a star of every one:
No mortal builder's most rare device
Could match this winter palace of ice;
'Twas as if every image that mirrored lay
In his depths serene through the summer day,
Each fleeting shadow of earth and sky,
Lest the happy model should be lost,
Had been mimicked in fairy masonry
By the elfin builders of the frost.
Within the hall are song and laughter;
The cheeks of Christmas glow red and jolly,
And sprouting is every corbel and rafter
With lightsome green of ivy and holly;
Through the deep gulf of the chimney wide
Wallows the Yule-log's roaring tide;
The broad flame pennons droop and flap
And belly and tug as a flag in the wind;
Like a locust shrills the imprisoned sap,
Hunted to death in its galleries blind;
And swift little troops of silent sparks,
Now pausing, now scattering away as in fear,
Go threading the soot forest's tangled darks
Like herds of startled deer.
But the wind without was eager and sharp;
Of Sir Launfal's gray hair it makes a harp,
And rattles and wrings
The icy strings,
## p. 9247 (#263) ###########################################
JAMES RUSSELL LOWELL
9247
Singing in dreary monotone
A Christmas carol of its own,
Whose burden still, as he might guess,
Was "Shelterless, shelterless, shelterless! "
The voice of the seneschal flared like a torch
As he shouted the wanderer away from the porch,
And he sat in the gateway and saw all night
The great hall fire, so cheery and bold,
Through the window slits of the castle old,
Build out its piers of ruddy light
Against the drift of the cold.
PART SECOND
THERE was never a leaf on bush or tree,
The bare boughs rattled shudderingly;
The river was dumb and could not speak,
For the weaver Winter its shroud had spun;
A single crow on the tree-top bleak
From his shining feathers shed off the cold sun;
Again it was morning, but shrunk and cold,
As if her veins were sapless and old,
And she rose up decrepitly
For a last dim look at earth and sea.
Sir Launfal turned from his own hard gate,
For another heir in his earldom sate:
An old, bent man, worn out and frail,
He came back from seeking the Holy Grail.
Little he recked of his earldom's loss,
No more on his surcoat was blazoned the cross;
But deep in his soul the sign he wore,
The badge of the suffering and the poor.
Sir Launfal's raiment thin and spare
Was idle mail 'gainst the barbèd air,
For it was just at the Christmas-time;
So he mused, as he sat, of a sunnier clime,
And sought for a shelter from cold and snow
In the light and warmth of long ago.
He sees the snake-like caravan crawl
O'er the edge of the desert, black and small,
Then nearer and nearer, till, one by one,
He can count the camels in the sun,
## p. 9248 (#264) ###########################################
9248
JAMES RUSSELL LOWELL
As over the red-hot sands they pass
To where, in its slender necklace of grass,
The little spring laughed and leapt in the shade,
And with its own self like an infant played,
And waved its signal of palms.
"For Christ's sweet sake, I beg an alms: "
The happy camels may reach the spring,
But Sir Launfal sees only the grewsome thing,-
The leper, lank as the rain-blanched bone,
That cowers beside him, a thing as lone
And white as the ice-isles of Northern seas
In the desolate horror of his disease.
And Sir Launfal said, "I behold in thee
An image of Him who died on the tree;
Thou also hast had thy crown of thorns,
Thou also hast had the world's buffets and scorns,
And to thy life were not denied
The wounds in the hands and feet and side:
Mild Mary's Son, acknowledge me;
Behold, through him, I give to thee! "
Then the soul of the leper stood up in his eyes
And looked at Sir Launfal, and straightway he
Remembered in what a haughtier guise
He had flung an alms to leprosie,
When he girt his young life up in gilded mail
And set forth in search of the Holy Grail.
The heart within him was ashes and dust:
He parted in twain his single crust,
He broke the ice on the streamlet's brink,
And gave the leper to eat and drink;
'Twas a moldy crust of coarse brown bread,
'Twas water out of a wooden bowl,-
Yet with fine wheaten bread was the leper fed,
And 'twas red wine he drank with his thirsty soul.
As Sir Launfal mused with a downcast face,
A light shone round about the place;
The leper no longer crouched at his side,
But stood before him glorified,
Shining and tall and fair and straight
As the pillar that stood by the Beautiful Gate,--
Himself the Gate whereby men can
Enter the temple of God in Man.
## p. 9249 (#265) ###########################################
JAMES RUSSELL LOWELL
9249
His words were shed softer than leaves from the pine,
And they fell on Sir Launfal as snows on the brine,
That mingle their softness and quiet in one
With the shaggy unrest they float down upon;
And the voice that was softer than silence said:
XVI-579
"Lo, it is I, be not afraid!
In many climes, without avail,
Thou hast spent thy life for the Holy Grail:
Behold, it is here,- this cup which thou
Didst fill at the streamlet for me but now;
This crust is my body broken for thee,
This water His blood that died on the tree;
The Holy Supper is kept indeed
In whatso we share with another's need.
Not what we give, but what we share,-
For the gift without the giver is bare;
Who gives himself with his alms feeds three,-
Himself, his hungering neighbor, and me. "
Sir Launfal awoke as from a swound:
«The Grail in my castle here is found!
Hang my idle armor up on the wall,
Let it be the spider's banquet-hall;
He must be fenced with stronger mail
Who would seek and find the Holy Grail. "
-
-
The castle gate stands open now,
And the wanderer is welcome to the hall
As the hang-bird is to the elm-tree bough;
No longer scowl the turrets tall.
The summer's long siege at last is o'er:
When the first poor outcast went in at the door,
She entered with him in disguise,
And mastered the fortress by surprise;
There is no spot she loves so well on ground;
She lingers and smiles there the whole year round;
The meanest serf on Sir Launfal's land
Has hall and bower at his command;
And there's no poor man in the North Countree
But is lord of the earldom as much as he.
## p. 9250 (#266) ###########################################
9250
JAMES RUSSELL LOWELL
FROM THE BIGLOW PAPERS'
HRASH away, you'll hev to rattle
On them kittle-drums o' yourn,-
'Taint a knowin' kind o' cattle
Thet is ketched with moldy corn;
Put in stiff, you fifer feller,
Let folks see how spry you be,-
Guess you'll toot till you are yeller
'Fore you git ahold o' me!
THE
Thet air flag's a leetle rotten,
Hope it ain't your Sunday's best; -
Fact! it takes a sight o' cotton
To stuff out a soger's chest:
Sence we farmers hev to pay fer 't,
Ef you must wear humps like these,
S'posin' you should try salt hay fer 't,-
It would du ez slick ez grease.
'Twouldn't suit them Southun fellers:
They're a dreffle graspin' set;
We must ollers blow the bellers
W'en they want their irons het;
Maybe it's all right ez preachin',
But my narves it kind o' grates,
Wen I see the overreachin'
O' them nigger-drivin' States.
Them thet rule us, them slave-traders,
Hain't they cut a thunderin' swarth
(Helped by Yankee renegaders)
Thru the vartu o' the North!
We begin to think it's nater
To take sarse an' not be riled; -
Who'd expect to see a tater
All on eend at bein' biled?
Ez fer war, I call it murder,-
There you hev it plain an' flat;
I don't want to go no furder
Than my Testyment fer that:
God hez sed so plump an' fairly;
It's ez long ez it is broad;
An' you've gut to git up airly
Ef you want to take in God.
## p. 9251 (#267) ###########################################
JAMES RUSSELL LOWELL
9251
'Tain't your eppyletts an' feathers
Make the thing a grain more right;
'Tain't afollerin' your bell-wethers
Will excuse ye in His sight;
Ef you take a sword an' dror it,
An' go stick a feller thru,
Guv'ment ain't to answer for it,-
God '11 send the bill to you.
Wut's the use o' meetin'-goin'
Every Sabbath, wet or dry,
Ef it's right to go a-mowin'
Feller-men like oats an' rye?
I dunno but wut it's pooty
Trainin' round in bobtail coats,-
But it's curus Christian dooty
This 'ere cuttin' folks's throats.
They may talk o' Freedom's airy
Tell they're pupple in the face,-
It's a grand gret cemetary
Fer the barthrights of our race;
They jest want this Californy
So 's to lug new slave States in,
To abuse ye, an' to scorn ye,
An' to plunder ye like sin.
Ain't it cute to see a Yankee
Take sech everlastin' pains,
All to get the Devil's thankee
Helpin' on 'em weld their chains?
W'y, it's jest ez clear ez figgers,
Clear ez one an' one make two,-
Chaps thet make black slaves o' niggers
Want to make w'ite slaves o' you.
Tell ye jest the eend I've come to
Arter cipherin' plaguy smart,
An' it makes a handy sum, tu,
Any gump could larn by heart:
Laborin' man an' laborin' woman
Hev one glory an' one shame;
Ev'y thin' thet's done inhuman
Injers all on 'em the same.
## p. 9252 (#268) ###########################################
9252
JAMES RUSSELL LOWELL
'Tain't by turnin' out to hack folks
You're agoin' to git your right,
Nor by lookin' down on black folks
Coz you're put upon by w'ite;
Slavery ain't o' nary color,
'Tain't the hide thet makes it wus,
All it keers fer in a feller
'S jest to make him fill its pus.
Want to tackle me in, du ye?
I expect you'll hev to wait;
W'en cold lead puts daylight thru ye
You'll begin to kal'late;
S'pose the crows wun't fall to pickin'
All the carkiss from your bones,
Coz you helped to give a lickin'
To them poor half-Spanish drones?
Jest go home an' ask our Nancy
W'ether I'd be sech a goose
Ez to jine ye,-guess you'd fancy
The etarnal bung wuz loose!
She wants me fer home consumption,
Let alone the hay's to mow:
Ef you're arter folks o' gumption,
You've a darned long row to hoe.
Take them editors thet's crowin'
Like a cockerel three months old,
Don't ketch any on 'em goin',
Though they be so blasted bold;
Ain't they a prime lot o' fellers?
'Fore they think on't, guess they'll sprout
(Like a peach thet's got the yellers),
With the meanness bustin' out.
Wal, go 'long to help 'em stealin'
Bigger pens to cram with slaves;
Help the men thet's ollers dealin'
Insults on your fathers' graves;
Help the strong to grind the feeble;
Help the many agin the few;
Help the men thet call your people
W'itewashed slaves an' peddlin' crew!
## p. 9253 (#269) ###########################################
JAMES RUSSELL LOWELL
9253
Massachusetts, God forgive her,
She's a-kneelin' with the rest,-
She, thet ough' to ha' clung ferever
In her grand old eagle-nest;
She thet ough' to stand so fearless
IW'ile the wracks are round her hurled,
Holdin' up a beacon peerless
To the oppressed of all the world!
Hain't they sold your colored seamen ?
Hain't they made your env'ys w'iz?
Wut'll make ye act like freemen?
Wut'll git your dander riz ?
Come, I'll tell ye wut I'm thinkin'
Is our dooty in this fix,-
They'd ha' done 't ez quick ez winkin'
In the days o' seventy-six.
Clang the bells in every steeple;
Call all true men to disown
The tradoocers of our people,
The enslavers o' their own;
Let our dear old Bay State proudly
Put the trumpet to her mouth;
Let her ring this messidge loudly
In the ears of all the South:-
"I'll return ye good fer evil
Much ez we frail mortils can,
But I wun't go help the Devil
Makin' man the cus o' man;
Call me coward, call me traiter,
Jest ez suits your mean idees,-
Here I stand a tyrant-hater,
An' the friend o' God an' Peace! "
Ef I'd my way, I hed ruther
We should go to work an' part,
They take one way, we take t'other,-
Guess it wouldn't break my heart:
Man hed ough' to put asunder
Them thet God has noways jined;
An' I shouldn't gretly wonder
Ef there's thousands o' my mind.
## p. 9254 (#270) ###########################################
9254
JAMES RUSSELL LOWELL
G
WHAT MR. ROBINSON THINKS
UVENER B. is a sensible man;
He stays to his home an' looks arter his folks;
He draws his furrer ez straight ez he can,
An' into nobody's tater-patch pokes:
But John P.
Robinson he
Sez he wun't vote fer Guvener B.
My! ain't it terrible? Wut shall we du?
We can't never choose him, o' course,-thet's flat;
Guess we shall hev to come round, (don't you? )
An' go in fer thunder, an' guns, an' all that:
Fer John P.
Robinson he
Sez he wun't vote fer Guvener B.
Gineral C. is a dreffle smart man:
He's ben on all sides thet give places or pelf;
But consistency still wuz a part of his plan,—
He's ben true to one party, an' thet is himself:
So John P.
Robinson he
Sez he shall vote fer Gineral C.
Gineral C. he goes in fer the war;
He don't vally princerple more 'n an' old cud;
Wut did God make us raytional creeturs fer,
But glory an' gunpowder, plunder an' blood?
So John P.
Robinson he
Sez he shall vote fer Gineral C.
We were gittin' on nicely up here to our village
With good old idees o' wut's right an' wut ain't;
We kind o' thought Christ went agin war an' pillage,
An' thet eppyletts worn't the best mark of a saint:
But John P.
Robinson he
Sez this kind o' thing 's an exploded idee.
The side of our country must ollers be took,
An' Presidunt Polk, you know, he is our country;
An' the angel thet writes all our sins in a book
Puts the debit to him, an' to us the per contry:
## p. 9255 (#271) ###########################################
JAMES RUSSELL LOWELL
9255
An' John P.
Robinson he
Sez this is his view o' the thing to a T.
Parson Wilbur he calls all these argimunts lies;
Sez they're nothin' on airth but jest fee, faw, fum;
An' thet all this big talk of our destinies
Is half on it ign'ance, an' t'other half rum:
But John P.
Robinson he
Sez it ain't no sech thing; an' of course, so must we.
