Such
embassies
delight me.
Longfellow
Well I know what there lies hidden,
Every tower and town and farm,
And again the land forbidden
Reassumes its vanished charm.
Well I know the secret places,
And the nests in hedge and tree;
At what doors are friendly faces,
In what hearts are thoughts of me.
Through the mist and darkness sinking,
Blown by wind and beaten by shower,
Down I fling the thought I'm thinking,
Down I toss this Alpine flower.
HAWTHORNE
MAY 23, 1864
How beautiful it was, that one bright day
In the long week of rain!
Though all its splendor could not chase away
The omnipresent pain.
The lovely town was white with apple-blooms,
And the great elms o'erhead
Dark shadows wove on their aerial looms
Shot through with golden thread.
Across the meadows, by the gray old manse,
The historic river flowed:
I was as one who wanders in a trance,
Unconscious of his road.
The faces of familiar friends seemed strange;
Their voices I could hear,
And yet the words they uttered seemed to change
Their meaning to my ear.
For the one face I looked for was not there,
The one low voice was mute;
Only an unseen presence filled the air,
And baffled my pursuit.
Now I look back, and meadow, manse, and stream
Dimly my thought defines;
I only see--a dream within a dream--
The hill-top hearsed with pines.
I only hear above his place of rest
Their tender undertone,
The infinite longings of a troubled breast,
The voice so like his own.
There in seclusion and remote from men
The wizard hand lies cold,
Which at its topmost speed let fall the pen,
And left the tale half told.
Ah! who shall lift that wand of magic power,
And the lost clew regain?
The unfinished window in Aladdin's tower
Unfinished must remain!
CHRISTMAS BELLS
I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till, ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
"There is no peace on earth," I said:
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men! "
Then pealed the bells more loud and deep:
"God is not dead; nor doth he sleep!
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men! "
THE WIND OVER THE CHIMNEY
See, the fire is sinking low,
Dusky red the embers glow,
While above them still I cower,
While a moment more I linger,
Though the clock, with lifted finger,
Points beyond the midnight hour.
Sings the blackened log a tune
Learned in some forgotten June
From a school-boy at his play,
When they both were young together,
Heart of youth and summer weather
Making all their holiday.
And the night-wind rising, hark!
How above there in the dark,
In the midnight and the snow,
Ever wilder, fiercer, grander,
Like the trumpets of Iskander,
All the noisy chimneys blow!
Every quivering tongue of flame
Seems to murmur some great name,
Seems to say to me, "Aspire! "
But the night-wind answers, "Hollow
Are the visions that you follow,
Into darkness sinks your fire! "
Then the flicker of the blaze
Gleams on volumes of old days,
Written by masters of the art,
Loud through whose majestic pages
Rolls the melody of ages,
Throb the harp-strings of the heart.
And again the tongues of flame
Start exulting and exclaim:
"These are prophets, bards, and seers;
In the horoscope of nations,
Like ascendant constellations,
They control the coming years. "
But the night-wind cries: "Despair!
Those who walk with feet of air
Leave no long-enduring marks;
At God's forges incandescent
Mighty hammers beat incessant,
These are but the flying sparks.
"Dust are all the hands that wrought;
Books are sepulchres of thought;
The dead laurels of the dead
Rustle for a moment only,
Like the withered leaves in lonely
Churchyards at some passing tread. "
Suddenly the flame sinks down;
Sink the rumors of renown;
And alone the night-wind drear
Clamors louder, wilder, vaguer,--
"'T is the brand of Meleager
Dying on the hearth-stone here! "
And I answer,--"Though it be,
Why should that discomfort me?
No endeavor is in vain;
Its reward is in the doing,
And the rapture of pursuing
Is the prize the vanquished gain. "
THE BELLS OF LYNN
HEARD AT NAHANT
O curfew of the setting sun! O Bells of Lynn!
O requiem of the dying day! O Bells of Lynn!
From the dark belfries of yon cloud-cathedral wafted,
Your sounds aerial seem to float, O Bells of Lynn!
Borne on the evening wind across the crimson twilight,
O'er land and sea they rise and fall, O Bells of Lynn!
The fisherman in his boat, far out beyond the headland,
Listens, and leisurely rows ashore, O Bells of Lynn!
Over the shining sands the wandering cattle homeward
Follow each other at your call, O Bells of Lynn!
The distant lighthouse hears, and with his flaming signal
Answers you, passing the watchword on, O Bells of Lynn!
And down the darkening coast run the tumultuous surges,
And clap their hands, and shout to you, O Bells of Lynn!
Till from the shuddering sea, with your wild incantations,
Ye summon up the spectral moon, O Bells of Lynn!
And startled at the sight like the weird woman of Endor,
Ye cry aloud, and then are still, O Bells of Lynn!
KILLED AT THE FORD.
He is dead, the beautiful youth,
The heart of honor, the tongue of truth,
He, the life and light of us all,
Whose voice was blithe as a bugle-call,
Whom all eyes followed with one consent,
The cheer of whose laugh, and whose pleasant word,
Hushed all murmurs of discontent.
Only last night, as we rode along,
Down the dark of the mountain gap,
To visit the picket-guard at the ford,
Little dreaming of any mishap,
He was humming the words of some old song:
"Two red roses he had on his cap,
And another he bore at the point of his sword. "
Sudden and swift a whistling ball
Came out of a wood, and the voice was still;
Something I heard in the darkness fall,
And for a moment my blood grew chill;
I spake in a whisper, as he who speaks
In a room where some one is lying dead;
But he made no answer to what I said.
We lifted him up to his saddle again,
And through the mire and the mist and the rain
Carried him back to the silent camp,
And laid him as if asleep on his bed;
And I saw by the light of the surgeon's lamp
Two white roses upon his cheeks,
And one, just over his heart, blood-red!
And I saw in a vision how far and fleet
That fatal bullet went speeding forth,
Till it reached a town in the distant North,
Till it reached a house in a sunny street,
Till it reached a heart that ceased to beat
Without a murmur, without a cry;
And a bell was tolled, in that far-off town,
For one who had passed from cross to crown,
And the neighbors wondered that she should die.
GIOTTO'S TOWER
How many lives, made beautiful and sweet
By self-devotion and by self-restraint,
Whose pleasure is to run without complaint
On unknown errands of the Paraclete,
Wanting the reverence of unshodden feet,
Fail of the nimbus which the artists paint
Around the shining forehead of the saint,
And are in their completeness incomplete!
In the old Tuscan town stands Giotto's tower,
The lily of Florence blossoming in stone,--
A vision, a delight, and a desire,--
The builder's perfect and centennial flower,
That in the night of ages bloomed alone,
But wanting still the glory of the spire.
TO-MORROW
'T is late at night, and in the realm of sleep
My little lambs are folded like the flocks;
From room to room I hear the wakeful clocks
Challenge the passing hour, like guards that keep
Their solitary watch on tower and steep;
Far off I hear the crowing of the cocks,
And through the opening door that time unlocks
Feel the fresh breathing of To-morrow creep.
To-morrow! the mysterious, unknown guest,
Who cries to me: "Remember Barmecide,
And tremble to be happy with the rest. "
And I make answer: "I am satisfied;
I dare not ask; I know not what is best;
God hath already said what shall betide. "
DIVINA COMMEDIA
I
Oft have I seen at some cathedral door
A laborer, pausing in the dust and heat,
Lay down his burden, and with reverent feet
Enter, and cross himself, and on the floor
Kneel to repeat his paternoster o'er;
Far off the noises of the world retreat;
The loud vociferations of the street
Become an undistinguishable roar.
So, as I enter here from day to day,
And leave my burden at this minster gate,
Kneeling in prayer, and not ashamed to pray,
The tumult of the time disconsolate
To inarticulate murmurs dies away,
While the eternal ages watch and wait.
II
How strange the sculptures that adorn these towers!
This crowd of statues, in whose folded sleeves
Birds build their nests; while canopied with leaves
Parvis and portal bloom like trellised bowers,
And the vast minster seems a cross of flowers!
But fiends and dragons on the gargoyled eaves
Watch the dead Christ between the living thieves,
And, underneath, the traitor Judas lowers!
Ah! from what agonies of heart and brain,
What exultations trampling on despair,
What tenderness, what tears, what hate of wrong,
What passionate outcry of a soul in pain,
Uprose this poem of the earth and air,
This medieval miracle of song!
III
I enter, and I see thee in the gloom
Of the long aisles, O poet saturnine!
And strive to make my steps keep pace with thine.
The air is filled with some unknown perfume;
The congregation of the dead make room
For thee to pass; the votive tapers shine;
Like rooks that haunt Ravenna's groves of pine
The hovering echoes fly from tomb to tomb.
From the confessionals I hear arise
Rehearsals of forgotten tragedies,
And lamentations from the crypts below;
And then a voice celestial, that begins
With the pathetic words, "Although your sins
As scarlet be," and ends with "as the snow. "
IV
With snow-white veil and garments as of flame,
She stands before thee, who so long ago
Filled thy young heart with passion and the woe
From which thy song and all its splendors came;
And while with stern rebuke she speaks thy name,
The ice about thy heart melts as the snow
On mountain height; and in swift overflow
Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam,
As of the dawn on some dark forest cast,
Seems on thy lifted forehead to increase;
Lethe and Eunoe--the remembered dream
And the forgotten sorrow--bring at last
That perfect pardon which is perfect peace.
V
I lift mine eyes, and all the windows blaze
With forms of saints and holy men who died,
Here martyred and hereafter glorified;
And the great Rose upon its leaves displays
Christ's Triumph, and the angelic roundelays,
With splendor upon splendor multiplied;
And Beatrice again at Dante's side
No more rebukes, but smiles her words of praise.
And then the organ sounds, and unseen choirs
Sing the old Latin hymns of peace and love,
And benedictions of the Holy Ghost;
And the melodious bells among the spires
O'er all the house-tops and through heaven above
Proclaim the elevation of the Host!
VI
O star of morning and of liberty!
O bringer of the light, whose splendor shines
Above the darkness of the Apennines,
Forerunner of the day that is to be!
The voices of the city and the sea,
The voices of the mountains and the pines,
Repeat thy song, till the familiar lines
Are footpaths for the thought of Italy!
Thy fame is blown abroad from all the heights,
Through all the nations, and a sound is heard,
As of a mighty wind, and men devout,
Strangers of Rome, and the new proselytes,
In their own language hear thy wondrous word,
And many are amazed and many doubt.
NOEL.
ENVOYE A M. AGASSIZ, LA VEILLE DE NOEL 1864,
AVEC UN PANIER DE VINS DIVERS
L'Academie en respect,
Nonobstant l'incorrection
A la faveur du sujet,
Ture-lure,
N'y fera point de rature;
Noel! ture-lure-lure.
-- Gui Barozai
Quand les astres de Noel
Brillaient, palpitaient au ciel,
Six gaillards, et chacun ivre,
Chantaient gaiment dans le givre,
"Bons amis,
Allons donc chez Agassiz! "
Ces illustres Pelerins
D'Outre-Mer adroits et fins,
Se donnant des airs de pretre,
A l'envi se vantaient d'etre
"Bons amis,
De Jean Rudolphe Agassiz! "
Oeil-de-Perdrix, grand farceur,
Sans reproche et sans pudeur,
Dans son patois de Bourgogne,
Bredouillait comme un ivrogne,
"Bons amis,
J'ai danse chez Agassiz! "
Verzenay le Champenois,
Bon Francais, point New-Yorquois,
Mais des environs d'Avize,
Fredonne a mainte reprise,
"Bons amis,
J'ai chante chez Agassiz! "
A cote marchait un vieux
Hidalgo, mais non mousseux;
Dans le temps de Charlemagne
Fut son pere Grand d'Espagne!
"Bons amis,
J'ai dine chez Agassiz! "
Derriere eux un Bordelais,
Gascon, s'il en fut jamais,
Parfume de poesie
Riait, chantait, plein de vie,
"Bons amis,
J'ai soupe chez Agassiz! "
Avec ce beau cadet roux,
Bras dessus et bras dessous,
Mine altiere et couleur terne,
Vint le Sire de Sauterne;
"Bons amis,
J'ai couche chez Agassiz! "
Mais le dernier de ces preux,
Etait un pauvre Chartreux,
Qui disait, d'un ton robuste,
"Benedictions sur le Juste!
Bons amis,
Benissons Pere Agassiz! "
Ils arrivent trois a trois,
Montent l'escalier de bois
Clopin-clopant! quel gendarme
Peut permettre ce vacarme,
Bons amis,
A la porte d'Agassiz!
"Ouvrer donc, mon bon Seigneur,
Ouvrez vite et n'ayez peur;
Ouvrez, ouvrez, car nous sommes
Gens de bien et gentilshommes,
Bons amis
De la famille Agassiz! "
Chut, ganaches! taisez-vous!
C'en est trop de vos glouglous;
Epargnez aux Philosophes
Vos abominables strophes!
Bons amis,
Respectez mon Agassiz!
**************
BIRDS OF PASSAGE
FLIGHT THE THIRD
FATA MORGANA
O sweet illusions of Song,
That tempt me everywhere,
In the lonely fields, and the throng
Of the crowded thoroughfare!
I approach, and ye vanish away,
I grasp you, and ye are gone;
But ever by nigh an day,
The melody soundeth on.
As the weary traveller sees
In desert or prairie vast,
Blue lakes, overhung with trees,
That a pleasant shadow cast;
Fair towns with turrets high,
And shining roofs of gold,
That vanish as he draws nigh,
Like mists together rolled,--
So I wander and wander along,
And forever before me gleams
The shining city of song,
In the beautiful land of dreams.
But when I would enter the gate
Of that golden atmosphere,
It is gone, and I wander and wait
For the vision to reappear.
THE HAUNTED CHAMBER
Each heart has its haunted chamber,
Where the silent moonlight falls!
On the floor are mysterious footsteps,
There are whispers along the walls!
And mine at times is haunted
By phantoms of the Past
As motionless as shadows
By the silent moonlight cast.
A form sits by the window,
That is not seen by day,
For as soon as the dawn approaches
It vanishes away.
It sits there in the moonlight
Itself as pale and still,
And points with its airy finger
Across the window-sill.
Without before the window,
There stands a gloomy pine,
Whose boughs wave upward and downward
As wave these thoughts of mine.
And underneath its branches
Is the grave of a little child,
Who died upon life's threshold,
And never wept nor smiled.
What are ye, O pallid phantoms!
That haunt my troubled brain?
That vanish when day approaches,
And at night return again?
What are ye, O pallid phantoms!
But the statues without breath,
That stand on the bridge overarching
The silent river of death?
THE MEETING
After so long an absence
At last we meet again:
Does the meeting give us pleasure,
Or does it give us pain?
The tree of life has been shaken,
And but few of us linger now,
Like the Prophet's two or three berries
In the top of the uppermost bough.
We cordially greet each other
In the old, familiar tone;
And we think, though we do not say it,
How old and gray he is grown!
We speak of a Merry Christmas
And many a Happy New Year
But each in his heart is thinking
Of those that are not here.
We speak of friends and their fortunes,
And of what they did and said,
Till the dead alone seem living,
And the living alone seem dead.
And at last we hardly distinguish
Between the ghosts and the guests;
And a mist and shadow of sadness
Steals over our merriest jests.
VOX POPULI
When Mazarvan the Magician,
Journeyed westward through Cathay,
Nothing heard he but the praises
Of Badoura on his way.
But the lessening rumor ended
When he came to Khaledan,
There the folk were talking only
Of Prince Camaralzaman,
So it happens with the poets:
Every province hath its own;
Camaralzaman is famous
Where Badoura is unknown.
THE CASTLE-BUILDER
A gentle boy, with soft and silken locks
A dreamy boy, with brown and tender eyes,
A castle-builder, with his wooden blocks,
And towers that touch imaginary skies.
A fearless rider on his father's knee,
An eager listener unto stories told
At the Round Table of the nursery,
Of heroes and adventures manifold.
There will be other towers for thee to build;
There will be other steeds for thee to ride;
There will be other legends, and all filled
With greater marvels and more glorified.
Build on, and make thy castles high and fair,
Rising and reaching upward to the skies;
Listen to voices in the upper air,
Nor lose thy simple faith in mysteries.
CHANGED
From the outskirts of the town
Where of old the mile-stone stood.
Now a stranger, looking down
I behold the shadowy crown
Of the dark and haunted wood.
Is it changed, or am I changed?
Ah! the oaks are fresh and green,
But the friends with whom I ranged
Through their thickets are estranged
By the years that intervene.
Bright as ever flows the sea,
Bright as ever shines the sun,
But alas! they seem to me
Not the sun that used to be,
Not the tides that used to run.
THE CHALLENGE
I have a vague remembrance
Of a story, that is told
In some ancient Spanish legend
Or chronicle of old.
It was when brave King Sanchez
Was before Zamora slain,
And his great besieging army
Lay encamped upon the plain.
Don Diego de Ordonez
Sallied forth in front of all,
And shouted loud his challenge
To the warders on the wall.
All the people of Zamora,
Both the born and the unborn,
As traitors did he challenge
With taunting words of scorn.
The living, in their houses,
And in their graves, the dead!
And the waters of their rivers,
And their wine, and oil, and bread!
There is a greater army,
That besets us round with strife,
A starving, numberless army,
At all the gates of life.
The poverty-stricken millions
Who challenge our wine and bread,
And impeach us all as traitors,
Both the living and the dead.
And whenever I sit at the banquet,
Where the feast and song are high,
Amid the mirth and the music
I can hear that fearful cry.
And hollow and haggard faces
Look into the lighted hall,
And wasted hands are extended
To catch the crumbs that fall.
For within there is light and plenty,
And odors fill the air;
But without there is cold and darkness,
And hunger and despair.
And there in the camp of famine,
In wind and cold and rain,
Christ, the great Lord of the army,
Lies dead upon the plain!
THE BROOK AND THE WAVE
The brooklet came from the mountain,
As sang the bard of old,
Running with feet of silver
Over the sands of gold!
Far away in the briny ocean
There rolled a turbulent wave,
Now singing along the sea-beach,
Now howling along the cave.
And the brooklet has found the billow
Though they flowed so far apart,
And has filled with its freshness and sweetness
That turbulent bitter heart!
AFTERMATH
When the summer fields are mown,
When the birds are fledged and flown,
And the dry leaves strew the path;
With the falling of the snow,
With the cawing of the crow,
Once again the fields we mow
And gather in the aftermath.
Not the sweet, new grass with flowers
Is this harvesting of ours;
Not the upland clover bloom;
But the rowen mired with weeds,
Tangled tufts from marsh and meads,
Where the poppy drops its seeds
In the silence and the gloom.
THE MASQUE OF PANDORA
I
THE WORKSHOP OF HEPHAESTUS
HEPHAESTUS (standing before the statue of Pandora. )
Not fashioned out of gold, like Hera's throne,
Nor forged of iron like the thunderbolts
Of Zeus omnipotent, or other works
Wrought by my hands at Lemnos or Olympus,
But moulded in soft clay, that unresisting
Yields itself to the touch, this lovely form
Before me stands, perfect in every part.
Not Aphrodite's self appeared more fair,
When first upwafted by caressing winds
She came to high Olympus, and the gods
Paid homage to her beauty. Thus her hair
Was cinctured; thus her floating drapery
Was like a cloud about her, and her face
Was radiant with the sunshine and the sea.
THE VOICE OF ZEUS.
Is thy work done, Hephaestus?
HEPHAESTUS.
It is finished!
THE VOICE.
Not finished till I breathe the breath of life
Into her nostrils, and she moves and speaks.
HEPHAESTUS.
Will she become immortal like ourselves?
THE VOICE.
The form that thou hast fashioned out of clay
Is of the earth and mortal; but the spirit,
The life, the exhalation of my breath,
Is of diviner essence and immortal.
The gods shall shower on her their benefactions,
She shall possess all gifts: the gift of song,
The gift of eloquence, the gift of beauty,
The fascination and the nameless charm
That shall lead all men captive.
HEPHAESTUS.
Wherefore? wherefore?
(A wind shakes the house. )
I hear the rushing of a mighty wind
Through all the halls and chambers of my house!
Her parted lips inhale it, and her bosom
Heaves with the inspiration. As a reed
Beside a river in the rippling current
Bends to and fro, she bows or lifts her head.
She gazes round about as if amazed;
She is alive; she breathes, but yet she speaks not!
(PANDORA descends from the pedestal. )
CHORUS OF THE GRACES
AGLAIA.
In the workshop of Hephaestus
What is this I see?
Have the Gods to four increased us
Who were only three?
Beautiful in form and feature,
Lovely as the day,
Can there be so fair a creature
Formed of common clay?
THALIA.
O sweet, pale face! O lovely eyes of azure,
Clear as the waters of a brook that run
Limpid and laughing in the summer sun!
O golden hair that like a miser's treasure
In its abundance overflows the measure!
O graceful form, that cloudlike floatest on
With the soft, undulating gait of one
Who moveth as if motion were a pleasure!
By what name shall I call thee? Nymph or Muse,
Callirrhoe or Urania? Some sweet name
Whose every syllable is a caress
Would best befit thee; but I cannot choose,
Nor do I care to choose; for still the same,
Nameless or named, will be thy loveliness.
EUPHROSYNE.
Dowered with all celestial gifts,
Skilled in every art
That ennobles and uplifts
And delights the heart,
Fair on earth shall be thy fame
As thy face is fair,
And Pandora be the name
Thou henceforth shalt bear.
II
OLYMPUS.
HERMES (putting on his sandals. )
Much must he toil who serves the Immortal Gods,
And I, who am their herald, most of all.
No rest have I, nor respite. I no sooner
Unclasp the winged sandals from my feet,
Than I again must clasp them, and depart
Upon some foolish errand. But to-day
The errand is not foolish. Never yet
With greater joy did I obey the summons
That sends me earthward. I will fly so swiftly
That my caduceus in the whistling air
Shall make a sound like the Pandaean pipes,
Cheating the shepherds; for to-day I go,
Commissioned by high-thundering Zeus, to lead
A maiden to Prometheus, in his tower,
And by my cunning arguments persuade him
To marry her. What mischief lies concealed
In this design I know not; but I know
Who thinks of marrying hath already taken
One step upon the road to penitence.
Such embassies delight me. Forth I launch
On the sustaining air, nor fear to fall
Like Icarus, nor swerve aside like him
Who drove amiss Hyperion's fiery steeds.
I sink, I fly! The yielding element
Folds itself round about me like an arm,
And holds me as a mother holds her child.
III
TOWER OF PROMETHEUS ON MOUNT CAUCASUS
PROMETHEUS.
I hear the trumpet of Alectryon
Proclaim the dawn. The stars begin to fade,
And all the heavens are full of prophecies
And evil auguries. Blood-red last night
I saw great Kronos rise; the crescent moon
Sank through the mist, as if it were the scythe
His parricidal hand had flung far down
The western steeps. O ye Immortal Gods,
What evil are ye plotting and contriving?
(HERMES and PANDORA at the threshold. )
PANDORA.
I cannot cross the threshold. An unseen
And icy hand repels me. These blank walls
Oppress me with their weight!
PROMETHEUS.
Powerful ye are,
But not omnipotent. Ye cannot fight
Against Necessity. The Fates control you,
As they do us, and so far we are equals!
PANDORA.
Motionless, passionless, companionless,
He sits there muttering in his beard. His voice
Is like a river flowing underground!
HERMES.
Prometheus, hail!
PROMETHEUS.
Who calls me?
HERMES.
It is I.
Dost thou not know me?
PROMETHEUS.
By thy winged cap
And winged heels I know thee. Thou art Hermes,
Captain of thieves! Hast thou again been stealing
The heifers of Admetus in the sweet
Meadows of asphodel? or Hera's girdle?
Or the earth-shaking trident of Poseidon?
HERMES.
And thou, Prometheus; say, hast thou again
Been stealing fire from Helios' chariot-wheels
To light thy furnaces?
PROMETHEUS.
Why comest thou hither
So early in the dawn?
HERMES.
The Immortal Gods
Know naught of late or early. Zeus himself
The omnipotent hath sent me.
PROMETHEUS.
For what purpose?
HERMES.
To bring this maiden to thee.
PROMETHEUS.
I mistrust
The Gods and all their gifts. If they have sent her
It is for no good purpose.
HERMES.
What disaster
Could she bring on thy house, who is a woman?
PROMETHEUS.
The Gods are not my friends, nor am I theirs.
Whatever comes from them, though in a shape
As beautiful as this, is evil only.
Who art thou?
PANDORA.
One who, though to thee unknown,
Yet knoweth thee.
PROMETHEUS.
How shouldst thou know me, woman?
PANDORA.
Who knoweth not Prometheus the humane?
PROMETHEUS.
Prometheus the unfortunate; to whom
Both Gods and men have shown themselves ungrateful.
When every spark was quenched on every hearth
Throughout the earth, I brought to man the fire
And all its ministrations. My reward
Hath been the rock and vulture.
HERMES.
But the Gods
At last relent and pardon.
PROMETHEUS.
They relent not;
They pardon not; they are implacable,
Revengeful, unforgiving!
HERMES.
As a pledge
Of reconciliation they have sent to thee
This divine being, to be thy companion,
And bring into thy melancholy house
The sunshine and the fragrance of her youth.
PROMETHEUS.
I need them not. I have within myself
All that my heart desires; the ideal beauty
Which the creative faculty of mind
Fashions and follows in a thousand shapes
More lovely than the real. My own thoughts
Are my companions; my designs and labors
And aspirations are my only friends.
HERMES.
Decide not rashly. The decision made
Can never be recalled. The Gods implore not,
Plead not, solicit not; they only offer
Choice and occasion, which once being passed
Return no more. Dost thou accept the gift?
PROMETHEUS.
No gift of theirs, in whatsoever shape
It comes to me, with whatsoever charm
To fascinate my sense, will I receive.
Leave me.
PANDORA.
Let us go hence. I will not stay.
HERMES.
We leave thee to thy vacant dreams, and all
The silence and the solitude of thought,
The endless bitterness of unbelief,
The loneliness of existence without love.
CHORUS OF THE FATES
CLOTHO.
How the Titan, the defiant,
The self-centred, self-reliant,
Wrapped in visions and illusions,
Robs himself of life's best gifts!
Till by all the storm-winds shaken,
By the blast of fate o'ertaken,
Hopeless, helpless, and forsaken,
In the mists of his confusions
To the reefs of doom he drifts!
LACHESIS.
Sorely tried and sorely tempted,
From no agonies exempted,
In the penance of his trial,
And the discipline of pain;
Often by illusions cheated,
Often baffled and defeated
In the tasks to be completed,
He, by toil and self-denial,
To the highest shall attain.
ATROPOS.
Tempt no more the noble schemer;
Bear unto some idle dreamer
This new toy and fascination,
This new dalliance and delight!
To the garden where reposes
Epimetheus crowned with roses,
To the door that never closes
Upon pleasure and temptation,
Bring this vision of the night!
IV
THE AIR
HERMES (returning to Olympus. )
As lonely as the tower that he inhabits,
As firm and cold as are the crags about him,
Prometheus stands. The thunderbolts of Zeus
Alone can move him; but the tender heart
Of Epimetheus, burning at white heat,
Hammers and flames like all his brother's forges!
Now as an arrow from Hyperion's bow,
My errand done, I fly, I float, I soar
Into the air, returning to Olympus.
O joy of motion! O delight to cleave
The infinite realms of space, the liquid ether,
Through the warm sunshine and the cooling cloud,
Myself as light as sunbeam or as cloud!
With one touch of my swift and winged feet,
I spurn the solid earth, and leave it rocking
As rocks the bough from which a bird takes wing.
V
THE HOUSE OF EPIMETHEUS
EPIMETHEUS.
Beautiful apparition! go not hence!
Surely thou art a Goddess, for thy voice
Is a celestial melody, and thy form
Self-poised as if it floated on the air!
PANDORA.
No Goddess am I, nor of heavenly birth,
But a mere woman fashioned out of clay
And mortal as the rest.
EPIMETHEUS.
Thy face is fair;
There is a wonder in thine azure eyes
That fascinates me. Thy whole presence seems
A soft desire, a breathing thought of love.
Say, would thy star like Merope's grow dim
If thou shouldst wed beneath thee?
PANDORA.
Ask me not;
I cannot answer thee. I only know
The Gods have sent me hither.
EPIMETHEUS.
I believe,
And thus believing am most fortunate.
It was not Hermes led thee here, but Eros,
And swifter than his arrows were thine eyes
In wounding me. There was no moment's space
Between my seeing thee and loving thee.
O, what a telltale face thou hast! Again
I see the wonder in thy tender eyes.
PANDORA.
They do but answer to the love in thine,
Yet secretly I wonder thou shouldst love me.
Thou knowest me not.
EPIMETHEUS.
Perhaps I know thee better
Than had I known thee longer. Yet it seems
That I have always known thee, and but now
Have found thee. Ah, I have been waiting long.
PANDORA.
How beautiful is this house! The atmosphere
Breathes rest and comfort, and the many chambers
Seem full of welcomes.
EPIMETHEUS.
They not only seem,
But truly are. This dwelling and its master
Belong to thee.
PANDORA.
Here let me stay forever!
There is a spell upon me.
EPIMETHEUS.
Thou thyself
Art the enchantress, and I feel thy power
Envelop me, and wrap my soul and sense
In an Elysian dream.
PANDORA,
O, let me stay.
How beautiful are all things round about me,
Multiplied by the mirrors on the walls!
What treasures hast thou here! Yon oaken chest,
Carven with figures and embossed with gold,
Is wonderful to look upon! What choice
And precious things dost thou keep hidden in it?
EPIMETHEUS.
I know not. 'T is a mystery.
PANDORA.
Hast thou never
Lifted the lid?
EPIMETHEUS.
The oracle forbids.
Safely concealed there from all mortal eyes
Forever sleeps the secret of the Gods.
Seek not to know what they have hidden from thee,
Till they themselves reveal it.
PANDORA.
As thou wilt.
EPIMETHEUS.
Let us go forth from this mysterious place.
The garden walks are pleasant at this hour;
The nightingales among the sheltering boughs
Of populous and many-nested trees
Shall teach me how to woo thee, and shall tell me
By what resistless charms or incantations
They won their mates.
PANDORA.
Thou dost not need a teacher.
(They go out. )
CHORUS OF THE EUMENIDES.
What the Immortals
Confide to thy keeping,
Tell unto no man;
Waking or sleeping,
Closed be thy portals
To friend as to foeman.
Silence conceals it;
The word that is spoken
Betrays and reveals it;
By breath or by token
The charm may be broken.
With shafts of their splendors
The Gods unforgiving
Pursue the offenders,
The dead and the living!
Fortune forsakes them,
Nor earth shall abide them,
Nor Tartarus hide them;
Swift wrath overtakes them!
With useless endeavor,
Forever, forever,
Is Sisyphus rolling
His stone up the mountain!
Immersed in the fountain,
Tantalus tastes not
The water that wastes not!
Through ages increasing
The pangs that afflict him,
With motion unceasing
The wheel of Ixion
Shall torture its victim!
VI
IN THE GARDEN
EPIMETHEUS.
Yon snow-white cloud that sails sublime in ether
Is but the sovereign Zeus, who like a swan
Flies to fair-ankled Leda!
PANDORA.
Or perchance
Ixion's cloud, the shadowy shape of Hera,
That bore the Centaurs.
EPIMETHEUS.
The divine and human.
CHORUS OF BIRDS.
Gently swaying to and fro,
Rocked by all the winds that blow,
Bright with sunshine from above
Dark with shadow from below,
Beak to beak and breast to breast
In the cradle of their nest,
Lie the fledglings of our love.
ECHO.
Love! love!
EPIMETHEUS.
Hark! listen! Hear how sweetly overhead
The feathered flute-players pipe their songs of love,
And echo answers, love and only love.
CHORUS OF BIRDS.
Every flutter of the wing,
Every note of song we sing,
Every murmur, every tone,
Is of love and love alone.
ECHO.
Love alone!
EPIMETHEUS.
Who would not love, if loving she might be
Changed like Callisto to a star in heaven?
PANDORA.
Ah, who would love, if loving she might be
Like Semele consumed and burnt to ashes?
EPIMETHEUS.
Whence knowest thou these stories?
PANDORA.
Hermes taught me;
He told me all the history of the Gods.
CHORUS OF REEDS.
Evermore a sound shall be
In the reeds of Arcady,
Evermore a low lament
Of unrest and discontent,
As the story is retold
Of the nymph so coy and cold,
Who with frightened feet outran
The pursuing steps of Pan.
EPIMETHEUS.
The pipe of Pan out of these reeds is made,
And when he plays upon it to the shepherds
They pity him, so mournful is the sound.
Be thou not coy and cold as Syrinx was.
