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McHugh-Roland-1976-The-Sigla-of-Finnegans-Wake
ying I undeUland
w',
Detailtd commen,aty on 1. 8 i, "'tained for chllptor S b<:low,
b u t i t i , c o n v e n i e n t h o r e , o e u m i n e i t s f u n c t i o n i n b o o k I . I n I1Ot . . on a copy of An"" Lit. 'a Plur~II. , apparently made during a con- ver&ation with Joyc<:, Professor E. R. Curtiu. wrote '''I 8 episod. . art a kind of imm<:tlK . hadow'. " I hllve already indica,td the
deterioration ofwuthor in Ihe earHer parts of book I : in the Ian. . . . part. this i. assisted by the onset of nightfall. Dukntss inhibits intorclw1ge$ between I: and A by limiting their wukc. faculti. . . .
Accordina to Vl. B. 20. 74:
I: ~ . . . r
A heart eye
Thus in lh<: dusk of 1. 6 (158. 06-' $9-<>5) 'The Mooh<: had ?
sound ey. . . right but he could not all bear. The Gripes had ligbt u n kft yet be could but ill see. He ceased. ' Pu. ing through the gloomy chamber of 1. 7 we find a parallel sirwnion in 1. 8. One woman cal. . OUt 'My 'ights a", swimming thicker on me by the . hlldow, to thi, plact:' (2'5. 09-. 0). The mher, who has been ques_ tioning her about m and . 01. , complain. that she cannot hear 'he answers for the noi. . , of wate. . . and $ltU. ll life. They cease also, and this . uppre. . ion ofexternal communication herald. the int. . . . . . ior world of book II.
Let us compare furth<;. the dUlk! ! of 1. 6 and 1. 8:
Then there came down to the thither bo. nk a woman of no appearance (I believe she WllJ a Black with chill. al her (<<t) and she gathered up hi. hoariness the Monkse (IS8. 25-7)
? The Notion of Time 31 MyfOOlWQn'tmoo<. I fe. ol . . oId. . yonder dm. (21". 14-
. . . . . d Ihett came down to the hieber bank ? . . . . . . . . . . ,. to . U imponanl (lhouah Ihty . . y lhal "'-: _ comdy, $pile
the c:oId in her heed) and ? . ? w piuckcd down the GI i. . . . . (158? 3t-,)
M yhohead II. oll$. 1feel at helvy II yonder $lone. (:1. 15. ]iS- 3. 6. 01)
I think Wi: are obliged to . . . . :ocniu the women who pther up thtc MookK and the Gripes . . identical with the waoherwomm who Iprcad laundry in 1. &. The Ittribution of C:? neos and . . . ? 1lQ1 10 f. . . . . . k rather than ro m. ole ""nom is unmual in FW. From 2,). 1,-6 _ oh . . " tha, the woman who lib, and who will bt:c. . ,,,, ? stone, places stones on lhe M leillbe. ob, ,,? hilst lhc who aMWeOl, and will become . tree, hallil up ? butcher', . pron ro dry, on <be other bank. "IlK ilm>1 of wllhil18 must th. . . . "'tvCl be paradiamati( of t:: and . . . .
C. K. O,den', apparently authorized commenlary on hil re<:ordin, of Joy(e ,cadil18 from 1. 8 includes a gloss on 'M y branchCllof,y art takil18 rool' (~13. t3)' 'AI the end of the ilOC)', OI"IC! woman is turned. into a [fOC and the other into a Itone. At
tim poi'll tM woman who;. to bc turned inro . tree teeI hetldf pietuttd upside . . . . . . . . . in the: "'Ier, in lhc form thol she later
WCl. . . . Mcumorphosi. hal been anticipated from . <;16. 0$-06: 'You'll die whm you hear. ' The women . urn shadowy ('we',. . ,
urn"- all') . nd b<&in'o speak of departures. Ogdm 'ltaDSla! n' US. lo-,!
'I'll lIohomcdowlynowby my . . . . y, to Moyv:allcy. And to will I, ro Rathminn. ' MnyvaUy (lee figure 2) i. on the: Royal Canal, and Rothmine. JUSI ooulh or the Gnnd Canal, which I. . . , thereby Lln~d to t:: and . . . rC1'P<<1ivdy, . . the elm . ""aQ Ii"! , and Ihen the $lone. The canals circunncrib< the Uffey, and wt:re originally OJ)CTtted by rin. ! companin. 1:::-'" polarily il ul. . . . . Uy l<:ft-flgbt poI'rity, which kys with Ihe po&itions ofthe e. ",. ! . , the Ray_I 01> Ihe Left. tw. ! <, d>c: Grand on W ri&hL
T h e w o m e n t r y 10 k c c - p o n e a n o I h c r a l i v e ( ' H o , t a l k " " " u s l ' ) but I"" wi<lmina riYcr pulls Ibcm _ward and its roar bt. nkm thrir voicn. ,. ,. . , ~Lm di$CO? C1"I her r_ roo<td. W ,ron~ <hal he, bead. il lOO hnvy to IUPPOCL U",b~ 10 rommunical( they d! I' a p p u t inlO I wintry night of toUl unknowing.
. . N. . " i~80M &or/i'"'"',I><A""", I. i. . . PIw"/14 R_ ~ted "j""""" ? (Sop. . . . bo. '969), ,0.
,)
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? 38 TheSigt. . ofFinntganJWaJu
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? Chapter 3 1\
Roles of A in Book III
Book I ocellI'S in the day'im~ and con",mplat<< the dark C""atl1re
. t
(:, book III
chapten thewarclJn nf A , implYinl! : a parallel with the four watch. .
night b<:fQre tbe radiant A j<>yce c;olled iC! l {our
of the night in Roman history: Contidnium, Cooa. hium, Inr_ptSta NIJx and Gallicinum. ' The intensely sexual . econd chapter wQuld re. . onablycorrespond to C"",. . mwn (which at z # Jl loyc<: called 'The time of lying ",gethor') and the fnunh ,0 Gallici"um by the import"''' cockcrow of584. 27_ Inl_paw No", the dead of nighI, may bt: sUggeSted by the inc<1 body of Yawn in 111. 3, although of ooul'$C the ViCQ(\ian cycle taints all book III wilh de. ,h. VI. B. I4. 142 states 'A pretends to die' (thi. could bow",,<,r m e. to a local event). The final <'quation of Com'ci,,'''''' (the silent early pan of the night) with III. ? i. len happy. The "a"",tor is indeed externally contic""', bUI then to are those of the other watches. H e i,lying in bed and hean midnightchimt, after which, jogging along in a dream, he comes upon A.
The """,,,or identifie, him,tlf with the . . " who uouany accom- pani<$ X: 'I, poor ass, am but as their fourpart tinckJer'. duntey' (405. 06-']). He alwayt interrogates Shaun in the first person plural: 'we remembered', 'we aplained' etc. He mUSt then be . pcak. ing for and with)(. Wbtn we r<ach 1I1. 3 the an i. the inter- preter between X and A : ' I am told by our interpreter, Hanner E"'llus' (. nS. oS); 'carrying my dragoman, Mead, Marvel, . hass withumpronouceabJe tail' (479. 08-9). Note that E"I i, Gtrntan for 'donkey" and thaI a dragoman is an interpreter,;n the Middle I;"'t. '
The Sround narration of book I is due to A-biased powers; hert , S<< /. S. A,,,,,,-, 'A ~ <if F. . . , Wotclt<s: M xrob;", ;" FW', AWN IX. ]
(lin" )9-.
w',
Detailtd commen,aty on 1. 8 i, "'tained for chllptor S b<:low,
b u t i t i , c o n v e n i e n t h o r e , o e u m i n e i t s f u n c t i o n i n b o o k I . I n I1Ot . . on a copy of An"" Lit. 'a Plur~II. , apparently made during a con- ver&ation with Joyc<:, Professor E. R. Curtiu. wrote '''I 8 episod. . art a kind of imm<:tlK . hadow'. " I hllve already indica,td the
deterioration ofwuthor in Ihe earHer parts of book I : in the Ian. . . . part. this i. assisted by the onset of nightfall. Dukntss inhibits intorclw1ge$ between I: and A by limiting their wukc. faculti. . . .
Accordina to Vl. B. 20. 74:
I: ~ . . . r
A heart eye
Thus in lh<: dusk of 1. 6 (158. 06-' $9-<>5) 'The Mooh<: had ?
sound ey. . . right but he could not all bear. The Gripes had ligbt u n kft yet be could but ill see. He ceased. ' Pu. ing through the gloomy chamber of 1. 7 we find a parallel sirwnion in 1. 8. One woman cal. . OUt 'My 'ights a", swimming thicker on me by the . hlldow, to thi, plact:' (2'5. 09-. 0). The mher, who has been ques_ tioning her about m and . 01. , complain. that she cannot hear 'he answers for the noi. . , of wate. . . and $ltU. ll life. They cease also, and this . uppre. . ion ofexternal communication herald. the int. . . . . . ior world of book II.
Let us compare furth<;. the dUlk! ! of 1. 6 and 1. 8:
Then there came down to the thither bo. nk a woman of no appearance (I believe she WllJ a Black with chill. al her (<<t) and she gathered up hi. hoariness the Monkse (IS8. 25-7)
? The Notion of Time 31 MyfOOlWQn'tmoo<. I fe. ol . . oId. . yonder dm. (21". 14-
. . . . . d Ihett came down to the hieber bank ? . . . . . . . . . . ,. to . U imponanl (lhouah Ihty . . y lhal "'-: _ comdy, $pile
the c:oId in her heed) and ? . ? w piuckcd down the GI i. . . . . (158? 3t-,)
M yhohead II. oll$. 1feel at helvy II yonder $lone. (:1. 15. ]iS- 3. 6. 01)
I think Wi: are obliged to . . . . :ocniu the women who pther up thtc MookK and the Gripes . . identical with the waoherwomm who Iprcad laundry in 1. &. The Ittribution of C:? neos and . . . ? 1lQ1 10 f. . . . . . k rather than ro m. ole ""nom is unmual in FW. From 2,). 1,-6 _ oh . . " tha, the woman who lib, and who will bt:c. . ,,,, ? stone, places stones on lhe M leillbe. ob, ,,? hilst lhc who aMWeOl, and will become . tree, hallil up ? butcher', . pron ro dry, on <be other bank. "IlK ilm>1 of wllhil18 must th. . . . "'tvCl be paradiamati( of t:: and . . . .
C. K. O,den', apparently authorized commenlary on hil re<:ordin, of Joy(e ,cadil18 from 1. 8 includes a gloss on 'M y branchCllof,y art takil18 rool' (~13. t3)' 'AI the end of the ilOC)', OI"IC! woman is turned. into a [fOC and the other into a Itone. At
tim poi'll tM woman who;. to bc turned inro . tree teeI hetldf pietuttd upside . . . . . . . . . in the: "'Ier, in lhc form thol she later
WCl. . . . Mcumorphosi. hal been anticipated from . <;16. 0$-06: 'You'll die whm you hear. ' The women . urn shadowy ('we',. . ,
urn"- all') . nd b<&in'o speak of departures. Ogdm 'ltaDSla! n' US. lo-,!
'I'll lIohomcdowlynowby my . . . . y, to Moyv:allcy. And to will I, ro Rathminn. ' MnyvaUy (lee figure 2) i. on the: Royal Canal, and Rothmine. JUSI ooulh or the Gnnd Canal, which I. . . , thereby Lln~d to t:: and . . . rC1'P<<1ivdy, . . the elm . ""aQ Ii"! , and Ihen the $lone. The canals circunncrib< the Uffey, and wt:re originally OJ)CTtted by rin. ! companin. 1:::-'" polarily il ul. . . . . Uy l<:ft-flgbt poI'rity, which kys with Ihe po&itions ofthe e. ",. ! . , the Ray_I 01> Ihe Left. tw. ! <, d>c: Grand on W ri&hL
T h e w o m e n t r y 10 k c c - p o n e a n o I h c r a l i v e ( ' H o , t a l k " " " u s l ' ) but I"" wi<lmina riYcr pulls Ibcm _ward and its roar bt. nkm thrir voicn. ,. ,. . , ~Lm di$CO? C1"I her r_ roo<td. W ,ron~ <hal he, bead. il lOO hnvy to IUPPOCL U",b~ 10 rommunical( they d! I' a p p u t inlO I wintry night of toUl unknowing.
. . N. . " i~80M &or/i'"'"',I><A""", I. i. . . PIw"/14 R_ ~ted "j""""" ? (Sop. . . . bo. '969), ,0.
,)
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? 38 TheSigt. . ofFinntganJWaJu
-. ":""K I l
. - '" ? ?
--
"- ""- --
",,0':. . ,. . e-. . .
~. --
?
, ,-: -- ~{I - . . . . . .
l'igu. . . ,.
. "'. . -
Loaliti"" ;,, ,h. Dublin n:gi<><t uood in Fi"". . "", W" '_
M~"'TH
--
. . .
?
?
-,-, ,. . . . "-
? ?
OJ I C K l\oW ""
?
II
,?
. . . . ~- -
_. _.
~
00,. ". -'
--
-,
-
-
. -. . -- ",. .
. . . . " "'-J. '"
-- ? ,
? Chapter 3 1\
Roles of A in Book III
Book I ocellI'S in the day'im~ and con",mplat<< the dark C""atl1re
. t
(:, book III
chapten thewarclJn nf A , implYinl! : a parallel with the four watch. .
night b<:fQre tbe radiant A j<>yce c;olled iC! l {our
of the night in Roman history: Contidnium, Cooa. hium, Inr_ptSta NIJx and Gallicinum. ' The intensely sexual . econd chapter wQuld re. . onablycorrespond to C"",. . mwn (which at z # Jl loyc<: called 'The time of lying ",gethor') and the fnunh ,0 Gallici"um by the import"''' cockcrow of584. 27_ Inl_paw No", the dead of nighI, may bt: sUggeSted by the inc<1 body of Yawn in 111. 3, although of ooul'$C the ViCQ(\ian cycle taints all book III wilh de. ,h. VI. B. I4. 142 states 'A pretends to die' (thi. could bow",,<,r m e. to a local event). The final <'quation of Com'ci,,'''''' (the silent early pan of the night) with III. ? i. len happy. The "a"",tor is indeed externally contic""', bUI then to are those of the other watches. H e i,lying in bed and hean midnightchimt, after which, jogging along in a dream, he comes upon A.
The """,,,or identifie, him,tlf with the . . " who uouany accom- pani<$ X: 'I, poor ass, am but as their fourpart tinckJer'. duntey' (405. 06-']). He alwayt interrogates Shaun in the first person plural: 'we remembered', 'we aplained' etc. He mUSt then be . pcak. ing for and with)(. Wbtn we r<ach 1I1. 3 the an i. the inter- preter between X and A : ' I am told by our interpreter, Hanner E"'llus' (. nS. oS); 'carrying my dragoman, Mead, Marvel, . hass withumpronouceabJe tail' (479. 08-9). Note that E"I i, Gtrntan for 'donkey" and thaI a dragoman is an interpreter,;n the Middle I;"'t. '
The Sround narration of book I is due to A-biased powers; hert , S<< /. S. A,,,,,,-, 'A ~ <if F. . . , Wotclt<s: M xrob;", ;" FW', AWN IX. ]
(lin" )9-.
