She did the 6 color plates for Alice in
Wonderland
[Black Sun Press, 1930J.
A-Companion-to-the-Cantos-of-Ezra-Pound-II
Whitcomb Riley: James W.
R.
, 1849- 1916, an American poet whose dialectical sounds appealed to Pound from his earliest school days: some of his own juvenilia was written in the manner of Riley.
311. Nancy: N. Cunard, 1896-1965, poetess and wealthy patron of the arts visible in all the expected places in the 20s and 30s. In 1934, Pound contributed a piece on Frobe- nius to a book she edited called Negro An- thology [NS, Life, 322]. Both she and her money were valuable to many a struggling artist and poet. Her Hours Press was the first publisher of A Draft o f xxx Cantos [HK].
312. Whither . . . ciselatons: Based on the passage from chapter 6 of Aucassin and Ni- colette, which Pound likes in Andrew Lang's version. The lover says he doesn't want to join the "priests and halt old men" in para- dise but rather he'll head toward hell where goodly knights and ladies go and where "goes the gold, and the silver, and cloth of Yair, ? and cloth of gris" ("et s'i va Ii ors et Ii
may have reminded Pound of New York skyscrapers.
289. si com' ad Arli: I, "just as at Arles. " So Dante describes the high walls of the "City of Dis" [In! IX, 112].
290. sarascen: The walls of Dis enclosed a vast cemetery. Arles, France, is the site of the famous Aliscans (Alyschamps; Elysian Fields) cemetery for warriors against the Saracens.
291. "Surrender of Breda": [ef. 19 above].
292. Velasquez: [cf. 15 above].
293. Avignon: The seat of popes from 1309 to 1377 and, after them, two antipopes. In the porch of the cathedral Notre-Dame des Doms at A. , there are "dilapidated frescoes by Simone Martini" [Fang, 11, 320].
294. y cavals armatz: P, "and horses all armed" [7: ! O].
295. "Me Hercule! ": L, "By Hercules! "
296. c'est n6tre comune: F, "It's our bailiwick. "
297. "Borr": Dialect pronunciation of Born, ancestral town in French Perigord of trouba- dour Bertran de Born, whose family moved to the castle of Altafort (Hautefort) when his brother married into the Delastours family [JW] .
298. V entadour:
[6:29; 27:35;
74:73].
299. Aubeterre: [76:76]. Visited on the 1911 walking tour.
300. Unkle George: G. Holden Tinkham [74:180]. Pound visited Monte Grappa near
the Piave with him [M de R].
301. suI Piave: I, "on the Piave. " A river in NE Italy.
302. Volpe: Giuseppe Volpi [76:191].
303. Lido Excelsior: Excelsior Palace Hotel on the island Lido off Venice [76:192].
304. Florian's: Cafe on the south side of St. Mark's square in Venice [76:95].
? ? ? ? 444
argens et Ii vaiIS et Ii gris"). Pound said Lang
was born to translate the book [SR, 84J. The opening of "Blandula, Tenella, Vagula" comes from the Lang version [P, 39J.
313. yair: P, "varicolored furs. "
314. cisclatons: P, "rich silk gowns. "
315. Excideui1: Town in SW France [29:40J.
316. Mt Segur: [23:25J. 317. Dioce: [74:8J.
318. Que . . . Iune: F, "that every month we have a new moon. "
319. Herbiet: Georges H. , French poet who, in 1921 under the name of "Christian," translated Pound's "Moeurs Contempo-
80/510-511
328. Munch: Gerhardt M. [75:2J. The anec- dote suggests the Kornmandant was a Ger- man in Italy because of the pronunciation of Puccini as "Spewcini. "
329. man seht: G, "one sees. "
80/511-512
342. lordaens: Jacob J. , 1593-1678, Flem- ish painter. All the names in this passage denote painters of Venus [HK, Era, 363- 365J. For painters of our time [cf. 349 belowJ we have Cocteau (a hermaphrodite), a prepubescent girl, and 3 fat ladies [HK].
343. "This alone . . . the all: Chu Hsi com- ments on the opening Hnes of Chung Yung and says, among other things: "The main thing is to illumine the root of process. . . . The components, the bones of things, the materials are implicit" [CON, 99J. Fang is at
a loss to see how Pound could derive leather from the characters but proposes a possibili- ty: "it may . . . be conjectured that he either interpreted the lower part of ku as 'flesh' . . . or the lower part of li as 'bean'
445
rangement in Grey Green: Miss Alexander
[Fang, III, 144J.
352. Sargent: John Singer S. , 1856-1925, an American painter who did a number of paintings of three ladies together, with an occasional fat one-but none in which all the ! acties can be called fat.
353. Rodenbach: Georges R. , 1855-1898, Belgian poet of the symbolist group. The painting was done by Levy-Dhurmer [HK, Era, 479J.
354. L'Ile St Louis: F, "St. Louis Island. " One of the islands in the Seine at Paris.
355. Abelard: Peter A. , 1079-1142, French philosopher and teacher who was such a favorite that "to hear him, his pupils crossed the Petit Pont by thousands. " The Roden- bach self-portrait indicated places the poet at the center: "its background consists of a bridge, several gabled houses, two spires, but not trees" [Fang, III, 135J. But the bridge may have reminded Pound of the Petit Pont, which may be called Abelard's bridge.
356. Elysium: In Greek mythology, the Is- lands of the Blessed.
357. rr&v7O< pel: H, "Everything fiows. " As the sage Heraclitus says [GK, 31, 79, etc. ]. Pound associates the Greek aphorism with the Confucian process [96: 168J.
358. rain altars . . . parapets: Analects XII, 21, 1 says: "Fan Ch'ih walking with him below the rain altars . . . said: 'Venture to ask how to lift one's conscience in action' "
[CON,247].
359. Aliscans: [cf. 290 aboveJ.
360. MtSegur: [cf. 316 aboveJ.
361. Spencer: H. Spencer, Pound's instruc- tor at the Cheltenham Military Academy. Pound said: "A fellow named Spenser [sicJ recited a long passage of Iliad to me, after tennis. That was worth more than grammar when one was 13 years old" [GK, 145].
raines for the [105/746J.
Dadaist journal 391
320. Fritz: F. Vanderpyl [7:22J.
. . .
322. Orage: Alfred Richard O. [46: 17J.
323. Fordie: Ford Madox Ford [74:165J.
324. Crevel: Rene C. [41 :35J.
325. de . . . vengan: S, "out of my solitude let them come. " From poem by Lope de Vega [cf. SR,208J.
326. Rossetti: Dante Gabriel R. ,
1882, English painter and poet who was the founder and leader of the Pre-Raphaelite school. He found remaindered copies of Fitzgerald's Rubiiiyat in a secondhand book shop. Pound mentions the discovery in sev- eral places: "Y eux Glauques" [P, 192; ABCR, 79-80J.
327. Cythera: Here the planet Venus [Peck, Pai, I-I, 9J. When Pound was at Pisa, the planet was bright in the autumn sky. Here he sees it with a crescent moon [Flory, Pai, 5-1,
461.
345: Chu Hsi: (rhymes with "juicy"), 1130-1200, Chinese philosopher and most important of the neo-Confucians of the southern Sung dynasty.
346. luz: [cf. 90 aboveJ. This bone was considered the seed from which at the last judgment the whole physical body could be made to spring: a sort of medieval, eschato- logical cloning.
347. Sigismundo: Invokes Platina and the usual subject of conversation among intelli- gent men [11 :26, 29J.
348. Cocteau: [cf. 217 above].
349. Marie Laurencin: 1885-1956, French painter and illustrator.
She did the 6 color plates for Alice in Wonderland [Black Sun Press, 1930J. The painting of Cocteau is mentioned by Nina Hammet [Laughing Tor- so) London, 1932], who saw it at the salon ofCocteau's mother [po 190].
350. Whistler: [cf. 175 above].
351. Miss Alexander: Miss Cecily Henri- etta A. In 1872 Whistler did a full-length standing portrait of her and entitled it Ar-
Lussac: F, "13,
321. treize
Street. " On the left bank. A circular stone bas-relief of Fritz is still visible on the bal- cony [HKJ.
Gay-Lussac
1828-
330. Les hommes . . . beaute:
I don't know what strange fear/ . . . of beauty,"
331. Beardsley: [74:4IOJ.
332. Yeats: W. B. Yeats [74:166J. Yeats tells the anecdote about beauty. "I said to him once) 'you have never done anything to equal your Salome with the head of John the Baptist. ' I think that for the moment he was sincere when he replied, 'Yes, yes; but beauty is so difficult'" [The Autobiogra- phy, Anchor A142, p. 223J.
333. Burne-Jones: Sir Edward B. -J. , 1833- 1898, English painter and decorator, strong- ly influenced by the Rossettis and an expo-
nent of Pre-Raphaelite principles.
334. Arthur: A. Symons, 1865-1945, Brit- ish poet and critic, author of The Symbolist Movement in Literature. His poem "Modern Beauty" has lines Pound always liked: "I am the torch, she saith, and what to me / Ifthe moth die of me? I am the flame / of Beauty, and I burn that all may see. "
Aphrodite, or here the planet Venus, which on this Pisan dawn appeared to be in the arms of the crescent moon [cf. 327 above].
337. Sandro: S. Botlicelli [20:19J. 338. Jacopo: J. Sellaio [20: 17J.
339. Vehisquez: [cf. 15 aboveJ.
340. Rembrandt: R. Harmenszoon van Rijn, 1606-1669, Dutch painter.
341. Rubens: Peter Paul R. , 1577-1640, Flemish painter.
'Hw~: H,
336. Kv81)p" oelv&': H, "Fearful Cythera. "
335. ~POOOO&. "TVAO~ fingered dawn" [74:403].
"rosy-
F ,
"Men have
T
. . . which is conspicuous leather),' [Fang, IV, 118].
by the
shell
(Le. ,
344. TO rr&'v: H, "the whole, the all. "
? ? ? ? ? ? ? 446
362. Bill Shepard: William Pierce Shepard, 1870-1948, professor of romance languages at Hamilton College who was Pound's teacher 1903-1905.
363. Siracusa: [77:52].
364. Im"p flopoV: H, "beyond what is des- tined. " A recurrent phrase in Homer. Per- haps here because of the word 'YACtVKWrn, used several times in the Pisan and earlier cantos; it come from ad. v, 536-537. The island attacked may be Ismarus of the Cicones [79:39].
365. with a mind: Speaking of savoir-faire in translating, Pound said about "polumetis" [9:38, 78: 119] : "And as Zeus said: 'A chap with a mind like THAT! The fellow is one of
80/512-513 80/513-515
373. the raft broke: [ad. v, 365-369; 388. Seitz: A captain in the provost section.
447
of Browning's "Home-Thoughts from Abroad" [Speare, 227].
407. the bank: The Bank of England. Time [Aug. 13, 1945] carried a note which encap- sulated its history from 1694 to the mo- ment: "But last week many an Englishman hearing Labor's Harold Laski demand the immediate nationalization of the Bank of England wondered how long it would stay what it has been for over two centuries-the world's most powerful private bank"
[p. 82].
408. the tower: A tower at Lacock Abbey in Salisbury Plain which Ezra and Dorothy once visited. Dorothy said about the visit: '''My aunt took me there a couple of times, and once Ezra and I crawled over the roof to a turret to see a copy of the Magna Charta, kept there in a glass case" [HK, Pal, 2-3, 492].
409. the old charter: The copy of the Mag- na Charta once at Lacock. It is technically an "Exemplification of Henry Ill's reissue of Magna Carta, 1225" [CFT, Pai, 5-1, 69-76].
410. John's first one: A document pre- sented to King John by the nobility who wanted confirmation of their rights-as ex- pressed by the so-called Coronation Charter of Henry I, of l100~was called "The Arti- cles of the Barons. " With changes and emendments, the document the king signed became known as "The Charter of Runny- mede" [ibid. , 70].
411. and still there: So far as Pound knew; but ironically, in the year he was writing the Pisan Cantos (1945) the Charter was pre- sented by Miss Matilda Talbot to the British Museum, where it is now.
412. Chesterton: [46:19] The lines seem to imply a crossroads. The new government
us. One of US' " [GK, 146]. 366. Favonus, . . . benigno: L,
I, "with kindly breeze. "
379. repos donneza: F, "give rest to" (from
Villan, "Grand Testament"). 396. Carleton: Mark Alfred C. , 1886-1925,
3~7. Je suis . . . forces: F, "I am at the end of my tether. " According to Wyndham Lewis, an expression frequently uttered by the owner of the Golden Calf Nightclub in London [EH].
368. gates of death: Pound means the gates of the DTC, but he adapts lines from the Bible taken from Speare's Pocket Book: "Have the gates of death been opened unto thee? Or hast thou seen the doors of the shadow of death" [Job 38. 17].
369. Whitman: Walt W. , 1819-1892, repre- sented in Speare by 5 selections: "When Lilacs . . . ," "0 Captain . . . ," "Mannahat? ta," "When I heard the Learn'd Astrono- mer" (8 lines), and "Out of the Cradle . . . " (complete).
370. Lovelace: Richard L. , 1618-1658, re- presented in Speare by "To Althea, from Prison" and "To Lucasta, Going to the W ars. "
371. jo-house: Latrine.
372. Professor Speare: Morris Speare, erst- while editor of The Pocket Book Of Verse, New York, first published in 1940 but fol- lowed by many reprintings.
His work led to vast increases in the world end to its action" [CON, 187]. The reader food supply. In 1901 the French govern-
"west
wind. "
380. dIs: OF, "those. "
381. senza tennine funge: I, "acts without end," from the end of Pound's Italian trans- lation of Chung Yung. The passage reads: "The unmixed functions [in time and in space1without bourne. This unmixed is the tensile light, the Immaculata. There is no
agricul tural scientist and cerealist who intro~
duced hardy wheat strains from Russia and
developed and introduced hardy and more
productive groups of oat and barley seed,
vastly increasing the yield per acre of these
and other cereal grains. Internationally
known expert in control -of plant diseases.
95:75].
374. Immaculata, Introibo: L, "Immacu~ utilities.
late, I shall enter" (from preparation of the Roman Catholic Mass).
390. Cornelison: Sergeant in provost sec~
406. Winston: W. Churchill
reported the defeat of Churchill in 1945 as "the biggest electoral upset in British his- tory" [Aug. 6, p. 38]. The Labor party of Clement Attlee was expected to nationalize the Bank of England.
tion. Following names, unless identified, 375. Perpetua: Saint Perpetua, d. 203, a prob. soldiers at the DTC.
Carthaginian martyr.
376. Agatha: Saint Agatha, 3d-century Sicil- ian virgin, martyred by Decius.
391. K_P. : Kitchen patrol.
392. gratia: L, "with thanks to. " Pound
seems to want to give thanks to these parti~ 377. Anastasia: Saint Anastasia, 4th-century cular people at the DTC who helped make
Roman noblewoman martyred under Diode- his imprisonment tolerable.
tian. All 3 of these saints are recalled in the Mass.
378. saeculorum: L, "of the ages. "
393. Bedell: Lieutenant in provost section. 394. africanus: L, "from Africa. "
395. souterrain: F, "underground. "
should note well. Here Pound states his per- ment recognized his service by creating him ception of "the process" as the divine mys- Chevalier du Merite Agricole. An inverse
tery in action. rhyme with usurers and "haggers of harvest" 382.
311. Nancy: N. Cunard, 1896-1965, poetess and wealthy patron of the arts visible in all the expected places in the 20s and 30s. In 1934, Pound contributed a piece on Frobe- nius to a book she edited called Negro An- thology [NS, Life, 322]. Both she and her money were valuable to many a struggling artist and poet. Her Hours Press was the first publisher of A Draft o f xxx Cantos [HK].
312. Whither . . . ciselatons: Based on the passage from chapter 6 of Aucassin and Ni- colette, which Pound likes in Andrew Lang's version. The lover says he doesn't want to join the "priests and halt old men" in para- dise but rather he'll head toward hell where goodly knights and ladies go and where "goes the gold, and the silver, and cloth of Yair, ? and cloth of gris" ("et s'i va Ii ors et Ii
may have reminded Pound of New York skyscrapers.
289. si com' ad Arli: I, "just as at Arles. " So Dante describes the high walls of the "City of Dis" [In! IX, 112].
290. sarascen: The walls of Dis enclosed a vast cemetery. Arles, France, is the site of the famous Aliscans (Alyschamps; Elysian Fields) cemetery for warriors against the Saracens.
291. "Surrender of Breda": [ef. 19 above].
292. Velasquez: [cf. 15 above].
293. Avignon: The seat of popes from 1309 to 1377 and, after them, two antipopes. In the porch of the cathedral Notre-Dame des Doms at A. , there are "dilapidated frescoes by Simone Martini" [Fang, 11, 320].
294. y cavals armatz: P, "and horses all armed" [7: ! O].
295. "Me Hercule! ": L, "By Hercules! "
296. c'est n6tre comune: F, "It's our bailiwick. "
297. "Borr": Dialect pronunciation of Born, ancestral town in French Perigord of trouba- dour Bertran de Born, whose family moved to the castle of Altafort (Hautefort) when his brother married into the Delastours family [JW] .
298. V entadour:
[6:29; 27:35;
74:73].
299. Aubeterre: [76:76]. Visited on the 1911 walking tour.
300. Unkle George: G. Holden Tinkham [74:180]. Pound visited Monte Grappa near
the Piave with him [M de R].
301. suI Piave: I, "on the Piave. " A river in NE Italy.
302. Volpe: Giuseppe Volpi [76:191].
303. Lido Excelsior: Excelsior Palace Hotel on the island Lido off Venice [76:192].
304. Florian's: Cafe on the south side of St. Mark's square in Venice [76:95].
? ? ? ? 444
argens et Ii vaiIS et Ii gris"). Pound said Lang
was born to translate the book [SR, 84J. The opening of "Blandula, Tenella, Vagula" comes from the Lang version [P, 39J.
313. yair: P, "varicolored furs. "
314. cisclatons: P, "rich silk gowns. "
315. Excideui1: Town in SW France [29:40J.
316. Mt Segur: [23:25J. 317. Dioce: [74:8J.
318. Que . . . Iune: F, "that every month we have a new moon. "
319. Herbiet: Georges H. , French poet who, in 1921 under the name of "Christian," translated Pound's "Moeurs Contempo-
80/510-511
328. Munch: Gerhardt M. [75:2J. The anec- dote suggests the Kornmandant was a Ger- man in Italy because of the pronunciation of Puccini as "Spewcini. "
329. man seht: G, "one sees. "
80/511-512
342. lordaens: Jacob J. , 1593-1678, Flem- ish painter. All the names in this passage denote painters of Venus [HK, Era, 363- 365J. For painters of our time [cf. 349 belowJ we have Cocteau (a hermaphrodite), a prepubescent girl, and 3 fat ladies [HK].
343. "This alone . . . the all: Chu Hsi com- ments on the opening Hnes of Chung Yung and says, among other things: "The main thing is to illumine the root of process. . . . The components, the bones of things, the materials are implicit" [CON, 99J. Fang is at
a loss to see how Pound could derive leather from the characters but proposes a possibili- ty: "it may . . . be conjectured that he either interpreted the lower part of ku as 'flesh' . . . or the lower part of li as 'bean'
445
rangement in Grey Green: Miss Alexander
[Fang, III, 144J.
352. Sargent: John Singer S. , 1856-1925, an American painter who did a number of paintings of three ladies together, with an occasional fat one-but none in which all the ! acties can be called fat.
353. Rodenbach: Georges R. , 1855-1898, Belgian poet of the symbolist group. The painting was done by Levy-Dhurmer [HK, Era, 479J.
354. L'Ile St Louis: F, "St. Louis Island. " One of the islands in the Seine at Paris.
355. Abelard: Peter A. , 1079-1142, French philosopher and teacher who was such a favorite that "to hear him, his pupils crossed the Petit Pont by thousands. " The Roden- bach self-portrait indicated places the poet at the center: "its background consists of a bridge, several gabled houses, two spires, but not trees" [Fang, III, 135J. But the bridge may have reminded Pound of the Petit Pont, which may be called Abelard's bridge.
356. Elysium: In Greek mythology, the Is- lands of the Blessed.
357. rr&v7O< pel: H, "Everything fiows. " As the sage Heraclitus says [GK, 31, 79, etc. ]. Pound associates the Greek aphorism with the Confucian process [96: 168J.
358. rain altars . . . parapets: Analects XII, 21, 1 says: "Fan Ch'ih walking with him below the rain altars . . . said: 'Venture to ask how to lift one's conscience in action' "
[CON,247].
359. Aliscans: [cf. 290 aboveJ.
360. MtSegur: [cf. 316 aboveJ.
361. Spencer: H. Spencer, Pound's instruc- tor at the Cheltenham Military Academy. Pound said: "A fellow named Spenser [sicJ recited a long passage of Iliad to me, after tennis. That was worth more than grammar when one was 13 years old" [GK, 145].
raines for the [105/746J.
Dadaist journal 391
320. Fritz: F. Vanderpyl [7:22J.
. . .
322. Orage: Alfred Richard O. [46: 17J.
323. Fordie: Ford Madox Ford [74:165J.
324. Crevel: Rene C. [41 :35J.
325. de . . . vengan: S, "out of my solitude let them come. " From poem by Lope de Vega [cf. SR,208J.
326. Rossetti: Dante Gabriel R. ,
1882, English painter and poet who was the founder and leader of the Pre-Raphaelite school. He found remaindered copies of Fitzgerald's Rubiiiyat in a secondhand book shop. Pound mentions the discovery in sev- eral places: "Y eux Glauques" [P, 192; ABCR, 79-80J.
327. Cythera: Here the planet Venus [Peck, Pai, I-I, 9J. When Pound was at Pisa, the planet was bright in the autumn sky. Here he sees it with a crescent moon [Flory, Pai, 5-1,
461.
345: Chu Hsi: (rhymes with "juicy"), 1130-1200, Chinese philosopher and most important of the neo-Confucians of the southern Sung dynasty.
346. luz: [cf. 90 aboveJ. This bone was considered the seed from which at the last judgment the whole physical body could be made to spring: a sort of medieval, eschato- logical cloning.
347. Sigismundo: Invokes Platina and the usual subject of conversation among intelli- gent men [11 :26, 29J.
348. Cocteau: [cf. 217 above].
349. Marie Laurencin: 1885-1956, French painter and illustrator.
She did the 6 color plates for Alice in Wonderland [Black Sun Press, 1930J. The painting of Cocteau is mentioned by Nina Hammet [Laughing Tor- so) London, 1932], who saw it at the salon ofCocteau's mother [po 190].
350. Whistler: [cf. 175 above].
351. Miss Alexander: Miss Cecily Henri- etta A. In 1872 Whistler did a full-length standing portrait of her and entitled it Ar-
Lussac: F, "13,
321. treize
Street. " On the left bank. A circular stone bas-relief of Fritz is still visible on the bal- cony [HKJ.
Gay-Lussac
1828-
330. Les hommes . . . beaute:
I don't know what strange fear/ . . . of beauty,"
331. Beardsley: [74:4IOJ.
332. Yeats: W. B. Yeats [74:166J. Yeats tells the anecdote about beauty. "I said to him once) 'you have never done anything to equal your Salome with the head of John the Baptist. ' I think that for the moment he was sincere when he replied, 'Yes, yes; but beauty is so difficult'" [The Autobiogra- phy, Anchor A142, p. 223J.
333. Burne-Jones: Sir Edward B. -J. , 1833- 1898, English painter and decorator, strong- ly influenced by the Rossettis and an expo-
nent of Pre-Raphaelite principles.
334. Arthur: A. Symons, 1865-1945, Brit- ish poet and critic, author of The Symbolist Movement in Literature. His poem "Modern Beauty" has lines Pound always liked: "I am the torch, she saith, and what to me / Ifthe moth die of me? I am the flame / of Beauty, and I burn that all may see. "
Aphrodite, or here the planet Venus, which on this Pisan dawn appeared to be in the arms of the crescent moon [cf. 327 above].
337. Sandro: S. Botlicelli [20:19J. 338. Jacopo: J. Sellaio [20: 17J.
339. Vehisquez: [cf. 15 aboveJ.
340. Rembrandt: R. Harmenszoon van Rijn, 1606-1669, Dutch painter.
341. Rubens: Peter Paul R. , 1577-1640, Flemish painter.
'Hw~: H,
336. Kv81)p" oelv&': H, "Fearful Cythera. "
335. ~POOOO&. "TVAO~ fingered dawn" [74:403].
"rosy-
F ,
"Men have
T
. . . which is conspicuous leather),' [Fang, IV, 118].
by the
shell
(Le. ,
344. TO rr&'v: H, "the whole, the all. "
? ? ? ? ? ? ? 446
362. Bill Shepard: William Pierce Shepard, 1870-1948, professor of romance languages at Hamilton College who was Pound's teacher 1903-1905.
363. Siracusa: [77:52].
364. Im"p flopoV: H, "beyond what is des- tined. " A recurrent phrase in Homer. Per- haps here because of the word 'YACtVKWrn, used several times in the Pisan and earlier cantos; it come from ad. v, 536-537. The island attacked may be Ismarus of the Cicones [79:39].
365. with a mind: Speaking of savoir-faire in translating, Pound said about "polumetis" [9:38, 78: 119] : "And as Zeus said: 'A chap with a mind like THAT! The fellow is one of
80/512-513 80/513-515
373. the raft broke: [ad. v, 365-369; 388. Seitz: A captain in the provost section.
447
of Browning's "Home-Thoughts from Abroad" [Speare, 227].
407. the bank: The Bank of England. Time [Aug. 13, 1945] carried a note which encap- sulated its history from 1694 to the mo- ment: "But last week many an Englishman hearing Labor's Harold Laski demand the immediate nationalization of the Bank of England wondered how long it would stay what it has been for over two centuries-the world's most powerful private bank"
[p. 82].
408. the tower: A tower at Lacock Abbey in Salisbury Plain which Ezra and Dorothy once visited. Dorothy said about the visit: '''My aunt took me there a couple of times, and once Ezra and I crawled over the roof to a turret to see a copy of the Magna Charta, kept there in a glass case" [HK, Pal, 2-3, 492].
409. the old charter: The copy of the Mag- na Charta once at Lacock. It is technically an "Exemplification of Henry Ill's reissue of Magna Carta, 1225" [CFT, Pai, 5-1, 69-76].
410. John's first one: A document pre- sented to King John by the nobility who wanted confirmation of their rights-as ex- pressed by the so-called Coronation Charter of Henry I, of l100~was called "The Arti- cles of the Barons. " With changes and emendments, the document the king signed became known as "The Charter of Runny- mede" [ibid. , 70].
411. and still there: So far as Pound knew; but ironically, in the year he was writing the Pisan Cantos (1945) the Charter was pre- sented by Miss Matilda Talbot to the British Museum, where it is now.
412. Chesterton: [46:19] The lines seem to imply a crossroads. The new government
us. One of US' " [GK, 146]. 366. Favonus, . . . benigno: L,
I, "with kindly breeze. "
379. repos donneza: F, "give rest to" (from
Villan, "Grand Testament"). 396. Carleton: Mark Alfred C. , 1886-1925,
3~7. Je suis . . . forces: F, "I am at the end of my tether. " According to Wyndham Lewis, an expression frequently uttered by the owner of the Golden Calf Nightclub in London [EH].
368. gates of death: Pound means the gates of the DTC, but he adapts lines from the Bible taken from Speare's Pocket Book: "Have the gates of death been opened unto thee? Or hast thou seen the doors of the shadow of death" [Job 38. 17].
369. Whitman: Walt W. , 1819-1892, repre- sented in Speare by 5 selections: "When Lilacs . . . ," "0 Captain . . . ," "Mannahat? ta," "When I heard the Learn'd Astrono- mer" (8 lines), and "Out of the Cradle . . . " (complete).
370. Lovelace: Richard L. , 1618-1658, re- presented in Speare by "To Althea, from Prison" and "To Lucasta, Going to the W ars. "
371. jo-house: Latrine.
372. Professor Speare: Morris Speare, erst- while editor of The Pocket Book Of Verse, New York, first published in 1940 but fol- lowed by many reprintings.
His work led to vast increases in the world end to its action" [CON, 187]. The reader food supply. In 1901 the French govern-
"west
wind. "
380. dIs: OF, "those. "
381. senza tennine funge: I, "acts without end," from the end of Pound's Italian trans- lation of Chung Yung. The passage reads: "The unmixed functions [in time and in space1without bourne. This unmixed is the tensile light, the Immaculata. There is no
agricul tural scientist and cerealist who intro~
duced hardy wheat strains from Russia and
developed and introduced hardy and more
productive groups of oat and barley seed,
vastly increasing the yield per acre of these
and other cereal grains. Internationally
known expert in control -of plant diseases.
95:75].
374. Immaculata, Introibo: L, "Immacu~ utilities.
late, I shall enter" (from preparation of the Roman Catholic Mass).
390. Cornelison: Sergeant in provost sec~
406. Winston: W. Churchill
reported the defeat of Churchill in 1945 as "the biggest electoral upset in British his- tory" [Aug. 6, p. 38]. The Labor party of Clement Attlee was expected to nationalize the Bank of England.
tion. Following names, unless identified, 375. Perpetua: Saint Perpetua, d. 203, a prob. soldiers at the DTC.
Carthaginian martyr.
376. Agatha: Saint Agatha, 3d-century Sicil- ian virgin, martyred by Decius.
391. K_P. : Kitchen patrol.
392. gratia: L, "with thanks to. " Pound
seems to want to give thanks to these parti~ 377. Anastasia: Saint Anastasia, 4th-century cular people at the DTC who helped make
Roman noblewoman martyred under Diode- his imprisonment tolerable.
tian. All 3 of these saints are recalled in the Mass.
378. saeculorum: L, "of the ages. "
393. Bedell: Lieutenant in provost section. 394. africanus: L, "from Africa. "
395. souterrain: F, "underground. "
should note well. Here Pound states his per- ment recognized his service by creating him ception of "the process" as the divine mys- Chevalier du Merite Agricole. An inverse
tery in action. rhyme with usurers and "haggers of harvest" 382.
