No More Learning

Getting on to sundown. The shadows of the mosques among the
pillars: priest with a scroll rolled up. A shiver of the trees, signal,
the evening wind. I pass on. Fading gold sky. A mother watches me from
her doorway. She calls her children home in their dark language. High
wall: beyond strings twanged. Night sky, moon, violet, colour of Molly's
new garters. Strings. Listen. A girl playing one of those instruments
what do you call them: dulcimers. I pass.

Probably not a bit like it really. Kind of stuff you read: in the track
of the sun. Sunburst on the titlepage. He smiled, pleasing himself. What
Arthur Griffith said about the headpiece over the _Freeman_ leader: a
homerule sun rising up in the northwest from the laneway behind the bank
of Ireland. He prolonged his pleased smile. Ikey touch that: homerule
sun rising up in the north-west.

He approached Larry O'Rourke's. From the cellar grating floated up the
flabby gush of porter. Through the open doorway the bar squirted out
whiffs of ginger, teadust, biscuitmush. Good house, however: just the
end of the city traffic. For instance M'Auley's down there: n. g. as
position. Of course if they ran a tramline along the North Circular from
the cattlemarket to the quays value would go up like a shot.

Baldhead over the blind. Cute old codger. No use canvassing him for an
ad. Still he knows his own business best. There he is, sure enough, my
bold Larry, leaning against the sugarbin in his shirtsleeves watching
the aproned curate swab up with mop and bucket. Simon Dedalus takes him
off to a tee with his eyes screwed up. Do you know what I'm going to
tell you? What's that, Mr O'Rourke? Do you know what? The Russians,
they'd only be an eight o'clock breakfast for the Japanese.

Stop and say a word: about the funeral perhaps. Sad thing about poor
Dignam, Mr O'Rourke.

Turning into Dorset street he said freshly in greeting through the
doorway:

--Good day, Mr O'Rourke.

--Good day to you.

--Lovely weather, sir.

--'Tis all that.

Where do they get the money? Coming up redheaded curates from the county
Leitrim, rinsing empties and old man in the cellar. Then, lo and behold,
they blossom out as Adam Findlaters or Dan Tallons. Then thin of the
competition. General thirst. Good puzzle would be cross Dublin without
passing a pub. Save it they can't. Off the drunks perhaps. Put down
three and carry five. What is that, a bob here and there, dribs and
drabs. On the wholesale orders perhaps. Doing a double shuffle with the
town travellers. Square it you with the boss and we'll split the job,
see?

How much would that tot to off the porter in the month? Say ten barrels
of stuff. Say he got ten per cent off. O more. Fifteen. He passed Saint
Joseph's National school. Brats' clamour. Windows open. Fresh air
helps memory. Or a lilt. Ahbeesee defeegee kelomen opeecue rustyouvee
doubleyou. Boys are they? Yes. Inishturk. Inishark. Inishboffin. At
their joggerfry. Mine. Slieve Bloom.

He halted before Dlugacz's window, staring at the hanks of sausages,
polonies, black and white. Fifteen multiplied by. The figures whitened
in his mind, unsolved: displeased, he let them fade. The shiny links,
packed with forcemeat, fed his gaze and he breathed in tranquilly the
lukewarm breath of cooked spicy pigs' blood.

A kidney oozed bloodgouts on the willowpatterned dish: the last. He
stood by the nextdoor girl at the counter. Would she buy it too, calling
the items from a slip in her hand? Chapped: washingsoda. And a pound and
a half of Denny's sausages. His eyes rested on her vigorous hips.
Woods his name is. Wonder what he does. Wife is oldish. New blood.
No followers allowed. Strong pair of arms. Whacking a carpet on the
clothesline. She does whack it, by George. The way her crooked skirt
swings at each whack.

The ferreteyed porkbutcher folded the sausages he had snipped off with
blotchy fingers, sausagepink. Sound meat there: like a stallfed heifer.

He took a page up from the pile of cut sheets: the model farm at
Kinnereth on the lakeshore of Tiberias. Can become ideal winter
sanatorium. Moses Montefiore. I thought he was. Farmhouse, wall round
it, blurred cattle cropping. He held the page from him: interesting:
read it nearer, the title, the blurred cropping cattle, the page
rustling. A young white heifer. Those mornings in the cattlemarket, the
beasts lowing in their pens, branded sheep, flop and fall of dung, the
breeders in hobnailed boots trudging through the litter, slapping a palm
on a ripemeated hindquarter, there's a prime one, unpeeled switches in
their hands. He held the page aslant patiently, bending his senses and
his will, his soft subject gaze at rest. The crooked skirt swinging,
whack by whack by whack.

The porkbutcher snapped two sheets from the pile, wrapped up her prime
sausages and made a red grimace.

--Now, my miss, he said.

She tendered a coin, smiling boldly, holding her thick wrist out.

--Thank you, my miss. And one shilling threepence change. For you,
please?

Mr Bloom pointed quickly. To catch up and walk behind her if she went
slowly, behind her moving hams. Pleasant to see first thing in the
morning. Hurry up, damn it. Make hay while the sun shines. She stood
outside the shop in sunlight and sauntered lazily to the right. He
sighed down his nose: they never understand. Sodachapped hands. Crusted
toenails too. Brown scapulars in tatters, defending her both ways.
The sting of disregard glowed to weak pleasure within his breast. For
another: a constable off duty cuddling her in Eccles lane. They like
them sizeable. Prime sausage. O please, Mr Policeman, I'm lost in the
wood.

--Threepence, please.

His hand accepted the moist tender gland and slid it into a sidepocket.
Then it fetched up three coins from his trousers' pocket and laid them
on the rubber prickles. They lay, were read quickly and quickly slid,
disc by disc, into the till.

--Thank you, sir. Another time.

A speck of eager fire from foxeyes thanked him. He withdrew his gaze
after an instant. No: better not: another time.

--Good morning, he said, moving away.

--Good morning, sir.

No sign. Gone. What matter?

He walked back along Dorset street, reading gravely. Agendath Netaim:
planters' company. To purchase waste sandy tracts from Turkish
government and plant with eucalyptus trees. Excellent for shade, fuel
and construction. Orangegroves and immense melonfields north of Jaffa.
You pay eighty marks and they plant a dunam of land for you with olives,
oranges, almonds or citrons. Olives cheaper: oranges need artificial
irrigation. Every year you get a sending of the crop. Your name entered
for life as owner in the book of the union. Can pay ten down and the
balance in yearly instalments. Bleibtreustrasse 34, Berlin, W. 15.

Nothing doing. Still an idea behind it.

He looked at the cattle, blurred in silver heat. Silverpowdered
olivetrees. Quiet long days: pruning, ripening. Olives are packed in
jars, eh? I have a few left from Andrews. Molly spitting them out. Knows
the taste of them now. Oranges in tissue paper packed in crates. Citrons
too. Wonder is poor Citron still in Saint Kevin's parade. And Mastiansky
with the old cither. Pleasant evenings we had then. Molly in Citron's
basketchair. Nice to hold, cool waxen fruit, hold in the hand, lift it
to the nostrils and smell the perfume. Like that, heavy, sweet, wild
perfume. Always the same, year after year. They fetched high prices too,
Moisel told me. Arbutus place: Pleasants street: pleasant old times.
Must be without a flaw, he said. Coming all that way: Spain, Gibraltar,
Mediterranean, the Levant. Crates lined up on the quayside at Jaffa,
chap ticking them off in a book, navvies handling them barefoot in
soiled dungarees. There's whatdoyoucallhim out of. How do you? Doesn't
see. Chap you know just to salute bit of a bore. His back is like that
Norwegian captain's. Wonder if I'll meet him today. Watering cart. To
provoke the rain. On earth as it is in heaven.

A cloud began to cover the sun slowly, wholly. Grey. Far.

No, not like that. A barren land, bare waste. Vulcanic lake, the dead
sea: no fish, weedless, sunk deep in the earth. No wind could lift those
waves, grey metal, poisonous foggy waters. Brimstone they called it
raining down: the cities of the plain: Sodom, Gomorrah, Edom. All dead
names. A dead sea in a dead land, grey and old. Old now. It bore the
oldest, the first race. A bent hag crossed from Cassidy's, clutching a
naggin bottle by the neck. The oldest people.
Wandered far away over
all the earth, captivity to captivity, multiplying, dying, being born
everywhere. It lay there now. Now it could bear no more. Dead: an old
woman's: the grey sunken cunt of the world.

Desolation.

Grey horror seared his flesh. Folding the page into his pocket he turned
into Eccles street, hurrying homeward. Cold oils slid along his veins,
chilling his blood: age crusting him with a salt cloak. Well, I am here
now. Yes, I am here now. Morning mouth bad images. Got up wrong side of
the bed. Must begin again those Sandow's exercises. On the hands down.
Blotchy brown brick houses. Number eighty still unlet. Why is that?
Valuation is only twenty-eight. Towers, Battersby, North, MacArthur:
parlour windows plastered with bills. Plasters on a sore eye. To smell
the gentle smoke of tea, fume of the pan, sizzling butter. Be near her
ample bedwarmed flesh. Yes, yes.

Quick warm sunlight came running from Berkeley road, swiftly, in slim
sandals, along the brightening footpath. Runs, she runs to meet me, a
girl with gold hair on the wind.

Two letters and a card lay on the hallfloor. He stooped and gathered
them. Mrs Marion Bloom. His quickened heart slowed at once. Bold hand.
Mrs Marion.

--Poldy!

Entering the bedroom he halfclosed his eyes and walked through warm
yellow twilight towards her tousled head.

--Who are the letters for?

He looked at them. Mullingar. Milly.

--A letter for me from Milly, he said carefully, and a card to you. And
a letter for you.

He laid her card and letter on the twill bedspread near the curve of her
knees.

--Do you want the blind up?

Letting the blind up by gentle tugs halfway his backward eye saw her
glance at the letter and tuck it under her pillow.

--That do? he asked, turning.

She was reading the card, propped on her elbow.

--She got the things, she said.

He waited till she had laid the card aside and curled herself back
slowly with a snug sigh.

--Hurry up with that tea, she said. I'm parched.

--The kettle is boiling, he said.

But he delayed to clear the chair: her striped petticoat, tossed soiled
linen: and lifted all in an armful on to the foot of the bed.

As he went down the kitchen stairs she called:

--Poldy!

--What?

--Scald the teapot.

On the boil sure enough: a plume of steam from the spout. He scalded and
rinsed out the teapot and put in four full spoons of tea, tilting the
kettle then to let the water flow in. Having set it to draw he took off
the kettle, crushed the pan flat on the live coals and watched the lump
of butter slide and melt. While he unwrapped the kidney the cat mewed
hungrily against him. Give her too much meat she won't mouse. Say they
won't eat pork. Kosher. Here. He let the bloodsmeared paper fall to
her and dropped the kidney amid the sizzling butter sauce. Pepper. He
sprinkled it through his fingers ringwise from the chipped eggcup.

Then he slit open his letter, glancing down the page and over. Thanks:
new tam: Mr Coghlan: lough Owel picnic: young student: Blazes Boylan's
seaside girls.

The tea was drawn. He filled his own moustachecup, sham crown

Derby, smiling. Silly Milly's birthday gift. Only five she was then. No,
wait: four. I gave her the amberoid necklace she broke. Putting pieces
of folded brown paper in the letterbox for her. He smiled, pouring.

_O, Milly Bloom, you are my darling.
You are my lookingglass from night to morning.
I'd rather have you without a farthing
Than Katey Keogh with her ass and garden. _


Poor old professor Goodwin. Dreadful old case. Still he was a courteous
old chap. Oldfashioned way he used to bow Molly off the platform. And
the little mirror in his silk hat. The night Milly brought it into
the parlour. O, look what I found in professor Goodwin's hat! All we
laughed. Sex breaking out even then. Pert little piece she was.

He prodded a fork into the kidney and slapped it over: then fitted the
teapot on the tray. Its hump bumped as he took it up. Everything on
it? Bread and butter, four, sugar, spoon, her cream. Yes. He carried it
upstairs, his thumb hooked in the teapot handle.

Nudging the door open with his knee he carried the tray in and set it on
the chair by the bedhead.

--What a time you were! she said.

She set the brasses jingling as she raised herself briskly, an elbow on
the pillow. He looked calmly down on her bulk and between her large soft
bubs, sloping within her nightdress like a shegoat's udder. The warmth
of her couched body rose on the air, mingling with the fragrance of the
tea she poured.

A strip of torn envelope peeped from under the dimpled pillow. In the
act of going he stayed to straighten the bedspread.

--Who was the letter from? he asked.

Bold hand. Marion.

--O, Boylan, she said. He's bringing the programme.

--What are you singing?

--_La ci darem_ with J. C. Doyle, she said, and _Love's Old Sweet Song_.

Her full lips, drinking, smiled. Rather stale smell that incense leaves
next day. Like foul flowerwater.

--Would you like the window open a little?

She doubled a slice of bread into her mouth, asking:

--What time is the funeral?

--Eleven, I think, he answered. I didn't see the paper.

Following the pointing of her finger he took up a leg of her soiled
drawers from the bed. No? Then, a twisted grey garter looped round a
stocking: rumpled, shiny sole.

--No: that book.

Other stocking. Her petticoat.

--It must have fell down, she said.

He felt here and there. _Voglio e non vorrei_. Wonder if she pronounces
that right: _voglio_. Not in the bed. Must have slid down. He stooped
and lifted the valance. The book, fallen, sprawled against the bulge of
the orangekeyed chamberpot.

--Show here, she said. I put a mark in it. There's a word I wanted to
ask you.

She swallowed a draught of tea from her cup held by nothandle and,
having wiped her fingertips smartly on the blanket, began to search the
text with the hairpin till she reached the word.

--Met him what? he asked.

--Here, she said. What does that mean?

He leaned downward and read near her polished thumbnail.

--Metempsychosis?

--Yes. Who's he when he's at home?

--Metempsychosis, he said, frowning. It's Greek: from the Greek. That
means the transmigration of souls.

--O, rocks! she said. Tell us in plain words.

He smiled, glancing askance at her mocking eyes. The same young eyes.
The first night after the charades. Dolphin's Barn. He turned over
the smudged pages. _Ruby: the Pride of the Ring_. Hello. Illustration.
Fierce Italian with carriagewhip. Must be Ruby pride of the on the floor
naked. Sheet kindly lent. _The monster Maffei desisted and flung his
victim from him with an oath_. Cruelty behind it all. Doped animals.
Trapeze at Hengler's. Had to look the other way. Mob gaping. Break your
neck and we'll break our sides. Families of them. Bone them young so
they metamspychosis. That we live after death. Our souls. That a man's
soul after he dies. Dignam's soul. . .

--Did you finish it? he asked.

--Yes, she said. There's nothing smutty in it. Is she in love with the
first fellow all the time?

--Never read it. Do you want another?

--Yes. Get another of Paul de Kock's. Nice name he has.

She poured more tea into her cup, watching it flow sideways.

Must get that Capel street library book renewed or they'll write to
Kearney, my guarantor. Reincarnation: that's the word.

--Some people believe, he said, that we go on living in another body
after death, that we lived before. They call it reincarnation. That
we all lived before on the earth thousands of years ago or some other
planet. They say we have forgotten it. Some say they remember their past
lives.

The sluggish cream wound curdling spirals through her tea. Better remind
her of the word: metempsychosis. An example would be better. An example?

The _Bath of the Nymph_ over the bed. Given away with the Easter number
of _Photo Bits_: Splendid masterpiece in art colours.