No More Learning

'Fore God, an excellent song.
IAGO. I learned it in England, where indeed they are most potent in
potting. Your Dane, your German, and your swag-bellied Hollander-
Drink, ho! - are nothing to your English.
CASSIO. Is your Englishman so expert in his drinking?
IAGO. Why, he drinks you with facility your Dane dead drunk; he
sweats not to overthrow your Almain; he gives your Hollander a
vomit ere the next pottle can be filled.
CASSIO. To the health of our general!
MONTANO. I am for it, lieutenant, and I'll do you justice.
IAGO. O sweet England!

[Sings. ] "King Stephen was and-a worthy peer,
His breeches cost him but a crown;
He held them sixpence all too dear,
With that he call'd the tailor lown.

"He was a wight of high renown,
And thou art but of low degree.
'Tis pride that pulls the country down;
Then take thine auld cloak about thee. "

Some wine, ho!
CASSIO. Why, this is a more exquisite song than the other.
IAGO. Will you hear't again?
CASSIO. No, for I hold him to be unworthy of his place that does
those things. Well, God's above all, and there be souls must be
saved, and there be souls must not be saved.
IAGO. It's true, good lieutenant.
CASSIO. For mine own part- no offense to the general, nor any man
of quality- I hope to be saved.
IAGO. And so do I too, lieutenant.
CASSIO. Ay, but, by your leave, not before me; the lieutenant is to
be saved before the ancient. Let's have no more of this; let's to
our affairs. God forgive us our sins! Gentlemen, let's look to
our business. Do not think, gentlemen, I am drunk: this is my
ancient, this is my right hand, and this is my left. I am not
drunk now; I can stand well enough, and I speak well enough.
ALL. Excellent well.
CASSIO. Why, very well then; you must not think then that I am
drunk. Exit.
MONTANO. To the platform, masters; come, let's set the watch.
IAGO. You see this fellow that is gone before;
He is a soldier fit to stand by Caesar
And give direction. And do but see his vice;
'Tis to his virtue a just equinox,
The one as long as the other. 'Tis pity of him.
I fear the trust Othello puts him in
On some odd time of his infirmity
Will shake this island.
MONTANO. But is he often thus?
IAGO. 'Tis evermore the prologue to his sleep.
He'll watch the horologe a double set,
If drink rock not his cradle.
MONTANO. It were well
The general were put in mind of it.
Perhaps he sees it not, or his good nature
Prizes the virtue that appears in Cassio
And looks not on his evils. Is not this true?

Enter Roderigo.

IAGO. [Aside to him. ] How now, Roderigo!
I pray you, after the lieutenant; go. Exit Roderigo.
MONTANO. And 'tis great pity that the noble Moor
Should hazard such a place as his own second
With one of an ingraft infirmity.
It were an honest action to say
So to the Moor.
IAGO. Not I, for this fair island.
I do love Cassio well, and would do much
To cure him of this evil- But, hark! What noise?
A cry within, "Help, help! "

Re-enter Cassio, driving in Roderigo.

CASSIO. 'Zounds! You rogue! You rascal!
MONTANO. What's the matter, lieutenant?
CASSIO. A knave teach me my duty! But I'll beat the knave into a
twiggen bottle.
RODERIGO. Beat me!
CASSIO. Dost thou prate, rogue? Strikes Roderigo.
MONTANO. Nay, good lieutenant; I pray you, sir, hold your hand.
CASSIO. Let me go, sir, or I'll knock you o'er the mazzard.
MONTANO. Come, come, you're drunk.
CASSIO. Drunk? They fight.
IAGO. [Aside to Roderigo. ] Away, I say; go out and cry a mutiny.
Exit Roderigo.
Nay, good lieutenant! God's will, gentlemen!
Help, ho! - Lieutenant- sir- Montano- sir-
Help, masters! - Here's a goodly watch indeed!
A bell rings.
Who's that that rings the bell? - Diablo, ho!
The town will rise. God's will, lieutenant, hold!
You will be shamed forever.

Re-enter Othello and Attendants.

OTHELLO. What is the matter here?
MONTANO. 'Zounds, I bleed still; I am hurt to the death.
Faints.
OTHELLO. Hold, for your lives!
IAGO. Hold, ho! Lieutenant- sir- Montano- gentlemen-
Have you forgot all place of sense and duty?
Hold! the general speaks to you! Hold, hold, for shame!
OTHELLO. Why, how now, ho! from whence ariseth this?
Are we turn'd Turks, and to ourselves do that
Which heaven hath forbid the Ottomites?
For Christian shame, put by this barbarous brawl.
He that stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence that dreadful bell; it frights the isle
From her propriety. What is the matter, masters?
Honest Iago, that look'st dead with grieving,
Speak: who began this? On thy love, I charge thee.
IAGO. I do not know. Friends all but now, even now,
In quarter, and in terms like bride and groom
Devesting them for bed; and then, but now
(As if some planet had unwitted men),
Swords out, and tilting one at other's breast,
In opposition bloody. I cannot speak
Any beginning to this peevish odds;
And would in action glorious I had lost
Those legs that brought me to a part of it!
OTHELLO. How comes it, Michael, you are thus forgot?
CASSIO. I pray you, pardon me; I cannot speak.
OTHELLO. Worthy Montano, you were wont be civil;
The gravity and stillness of your youth
The world hath noted, and your name is great
In mouths of wisest censure. What's the matter,
That you unlace your reputation thus,
And spend your rich opinion for the name
Of a night-brawler? Give me answer to it.
MONTANO. Worthy Othello, I am hurt to danger.
Your officer, Iago, can inform you-
While I spare speech, which something now offends me-
Of all that I do know. Nor know I aught
By me that's said or done amiss this night,
Unless self-charity be sometimes a vice,
And to defend ourselves it be a sin
When violence assails us.
OTHELLO. Now, by heaven,
My blood begins my safer guides to rule,
And passion, having my best judgement collied,
Assays to lead the way. If I once stir,
Or do but lift this arm, the best of you
Shall sink in my rebuke. Give me to know
How this foul rout began, who set it on,
And he that is approved in this offense,
Though he had twinn'd with me, both at a birth,
Shall lose me. What! in a town of war,
Yet wild, the people's hearts brimful of fear,
To manage private and domestic quarrel,
In night, and on the court and guard of safety!
'Tis monstrous. Iago, who began't?
MONTANO. If partially affined, or leagued in office,
Thou dost deliver more or less than truth,
Thou art no soldier.
IAGO. Touch me not so near:
I had rather have this tongue cut from my mouth
Than it should do offense to Michael Cassio;
Yet, I persuade myself, to speak the truth
Shall nothing wrong him. Thus it is, general.
Montano and myself being in speech,
There comes a fellow crying out for help,
And Cassio following him with determined sword,
To execute upon him. Sir, this gentleman
Steps in to Cassio and entreats his pause.
Myself the crying fellow did pursue,
Lest by his clamor- as it so fell out-
The town might fall in fright. He, swift of foot,
Outran my purpose; and I return'd the rather
For that I heard the clink and fall of swords,
And Cassio high in oath, which till tonight
I ne'er might say before. When I came back-
For this was brief- I found them close together,
At blow and thrust, even as again they were
When you yourself did part them.
More of this matter cannot I report.
But men are men; the best sometimes forget.
Though Cassio did some little wrong to him,
As men in rage strike those that wish them best,
Yet surely Cassio, I believe, received
From him that fled some strange indignity,
Which patience could not pass.
OTHELLO. I know, Iago,
Thy honesty and love doth mince this matter,
Making it light to Cassio. Cassio, I love thee,
But never more be officer of mine.

Re-enter Desdemona, attended.

Look, if my gentle love be not raised up!
I'll make thee an example.
DESDEMONA. What's the matter?
OTHELLO. All's well now, sweeting; come away to bed.
Sir, for your hurts, myself will be your surgeon.
Lead him off. Exit Montano, attended.
Iago, look with care about the town,
And silence those whom this vile brawl distracted.
Come, Desdemona, 'tis the soldiers' life.
To have their balmy slumbers waked with strife.
Exeunt all but Iago and Cassio.
IAGO. What, are you hurt, lieutenant?
CASSIO. Ay, past all surgery.
IAGO. Marry, heaven forbid!
CASSIO. Reputation, reputation, reputation!
O, I have lost my
reputation! I have lost the immortal part of myself, and what
remains is bestial. My reputation, Iago, my reputation!
IAGO. As I am an honest man, I thought you had received some bodily
wound; there is more sense in that than in reputation. Reputation
is an idle and most false imposition; oft got without merit and
lost without deserving. You have lost no reputation at all,
unless you repute yourself such a loser. What, man! there are
ways to recover the general again. You are but now cast in his
mood, a punishment more in policy than in malice; even so as one
would beat his offenseless dog to affright an imperious lion. Sue
to him again, and he's yours.
CASSIO. I will rather sue to be despised than to deceive so good a
commander with so slight, so drunken, and so indiscreet an
officer. Drunk? and speak parrot? and squabble? swagger? swear?
and discourse fustian with one's own shadow? O thou invisible
spirit of wine, if thou hast no name to be known by, let us call
thee devil!
IAGO. What was he that you followed with your sword?
What had he done to you?
CASSIO. I know not.
IAGO. Is't possible?
CASSIO. I remember a mass of things, but nothing distinctly; a
quarrel, but nothing wherefore. O God, that men should put an
enemy in their mouths to steal away their brains! that we should,
with joy, pleasance, revel, and applause, transform ourselves
into beasts!
IAGO. Why, but you are now well enough. How came you thus
recovered?
CASSIO. It hath pleased the devil drunkenness to give place to the
devil wrath: one unperfectness shows me another, to make me
frankly despise myself.
IAGO. Come, you are too severe a moraler. As the time, the place,
and the condition of this country stands, I could heartily wish
this had not befallen; but since it is as it is, mend it for your
own good.
CASSIO. I will ask him for my place again; he shall tell me I am a
drunkard! Had I as many mouths as Hydra, such an answer would
stop them all. To be now a sensible man, by and by a fool, and
presently a beast! O strange! Every inordinate cup is unblest,
and the ingredient is a devil.
IAGO. Come, come, good wine is a good familiar creature, if it be
well used. Exclaim no more against it. And, good lieutenant, I
think you think I love you.
CASSIO. I have well approved it, sir. I drunk!
IAGO. You or any man living may be drunk at some time, man. I'll
tell you what you shall do. Our general's wife is now the
general. I may say so in this respect, for that he hath devoted
and given up himself to the contemplation, mark, and denotement
of her parts and graces. Confess yourself freely to her;
importune her help to put you in your place again. She is of so
free, so kind, so apt, so blessed a disposition, she holds it a
vice in her goodness not to do more than she is requested. This
broken joint between you and her husband entreat her to splinter;
and, my fortunes against any lay worth naming, this crack of your
love shall grow stronger than it was before.
CASSIO. You advise me well.
IAGO. I protest, in the sincerity of love and honest kindness.
CASSIO. I think it freely; and betimes in the morning I will beseech
the virtuous Desdemona to undertake for me. I am desperate of my
fortunes if they check me here.
IAGO. You are in the right. Good night, lieutenant, I must to the
watch.
CASSIO. Good night, honest Iago. Exit.
IAGO. And what's he then that says I play the villain?
When this advice is free I give and honest,
Probal to thinking, and indeed the course
To win the Moor again? For 'tis most easy
The inclining Desdemona to subdue
In any honest suit. She's framed as fruitful
As the free elements. And then for her
To win the Moor, were't to renounce his baptism,
All seals and symbols of redeemed sin,
His soul is so enfetter'd to her love,
That she may make, unmake, do what she list,
Even as her appetite shall play the god
With his weak function. How am I then a villain
To counsel Cassio to this parallel course,
Directly to his good? Divinity of hell!
When devils will the blackest sins put on,
They do suggest at first with heavenly shows,
As I do now. For whiles this honest fool
Plies Desdemona to repair his fortune,
And she for him pleads strongly to the Moor,
I'll pour this pestilence into his ear,
That she repeals him for her body's lust;
And by how much she strives to do him good,
She shall undo her credit with the Moor.
So will I turn her virtue into pitch,
And out of her own goodness make the net
That shall enmesh them all.

Enter Roderigo.

How now, Roderigo!
RODERIGO. I do follow here in the chase, not like a hound that
hunts, but one that fills up the cry. My money is almost spent; I
have been tonight exceedingly well cudgeled; and I think the
issue will be, I shall have so much experience for my pains; and
so, with no money at all and a little more wit, return again to
Venice.
IAGO. How poor are they that have not patience!
What wound did ever heal but by degrees?
Thou know'st we work by wit and not by witchcraft,
And wit depends on dilatory time.
Does't not go well? Cassio hath beaten thee,
And thou by that small hurt hast cashier'd Cassio.
Though other things grow fair against the sun,
Yet fruits that blossom first will first be ripe.
Content thyself awhile. By the mass, 'tis morning;
Pleasure and action make the hours seem short.
Retire thee; go where thou art billeted.
Away, I say. Thou shalt know more hereafter.
Nay, get thee gone. [Exit Roderigo. ] Two things are to be done:
My wife must move for Cassio to her mistress-
I'll set her on;
Myself the while to draw the Moor apart,
And bring him jump when he may Cassio find
Soliciting his wife. Ay, that's the way;
Dull not device by coldness and delay. Exit.




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ACT III. SCENE I.
Before the castle.

Enter Cassio and some Musicians.

CASSIO. Masters, play here, I will content your pains; Something
that's brief; and bid "Good morrow, general. "
Music.

Enter Clown.

CLOWN. Why, masters, have your instruments been in Naples, that
they speak i' the nose thus?
FIRST MUSICIAN. How, sir, how?
CLOWN. Are these, I pray you, wind instruments?
FIRST MUSICIAN. Ay, marry, are they, sir.
CLOWN. O, thereby hangs a tail.
FIRST MUSICIAN. Whereby hangs a tale, sir?
CLOWN. Marry, sir, by many a wind instrument that I know. But,
masters, here's money for you; and the general so likes your
music, that he desires you, for love's sake, to make no more
noise with it.
FIRST MUSICIAN. Well, sir, we will not.
CLOWN. If you have any music that may not be heard, to't again;
but, as they say, to hear music the general does not greatly
care.
FIRST MUSICIAN. We have none such, sir.
CLOWN. Then put up your pipes in your bag, for I'll away.
Go, vanish into air, away! Exeunt Musicians.
CASSIO. Dost thou hear, my honest friend?
CLOWN. No, I hear not your honest friend; I hear you.
CASSIO. Prithee, keep up thy quillets. There's a poor piece of gold
for thee. If the gentlewoman that attends the general's wife be
stirring, tell her there's one Cassio entreats her a little favor
of speech. Wilt thou do this?
CLOWN. She is stirring, sir. If she will stir hither, I shall seem
to notify unto her.
CASSIO. Do, good my friend. Exit Clown.

Enter Iago.

In happy time, Iago.
IAGO. You have not been abed, then?
CASSIO. Why, no; the day had broke
Before we parted. I have made bold, Iago,
To send in to your wife. My suit to her
Is that she will to virtuous Desdemona
Procure me some access.
IAGO. I'll send her to you presently;
And I'll devise a mean to draw the Moor
Out of the way, that your converse and business
May be more free.
CASSIO. I humbly thank you for't. [Exit Iago. ] I never knew
A Florentine more kind and honest.

Enter Emilia.

EMILIA. Good morrow, good lieutenant. I am sorry
For your displeasure, but all will sure be well.
The general and his wife are talking of it,
And she speaks for you stoutly. The Moor replies
That he you hurt is of great fame in Cyprus
And great affinity and that in wholesome wisdom
He might not but refuse you; but he protests he loves you
And needs no other suitor but his likings
To take the safest occasion by the front
To bring you in again.
CASSIO. Yet, I beseech you,
If you think fit, or that it may be done,
Give me advantage of some brief discourse
With Desdemona alone.
EMILIA. Pray you, come in.
I will bestow you where you shall have time
To speak your bosom freely.
CASSIO. I am much bound to you.
Exeunt.




SCENE II.
A room in the castle.

Enter Othello, Iago, and Gentlemen.

OTHELLO. These letters give, Iago, to the pilot,
And by him do my duties to the Senate.
That done, I will be walking on the works;
Repair there to me.
IAGO. Well, my good lord, I'll do't.
OTHELLO. This fortification, gentlemen, shall we see't?
GENTLEMEN. We'll wait upon your lordship. Exeunt.




SCENE III.
The garden of the castle.