No More Learning

For Harry Esmond his benefactress' sweet face had lost none of its
charms. It had always the kindest of looks and smiles for him--and
beauty of every sort. She would call him "Mr. Tutor," and she herself,
as well as the two children, went to school to him. Of the pupils the
two young people were but lazy scholars, and my Lord's son only learned
what he liked, which was but little. Mistress Beatrix chattered French
prettily, and sang sweetly, but this from her mother's teaching, not
Harry Esmond's. But if the children were careless, 'twas a wonder how
eagerly the mother learned from her young tutor--and taught him, too.
She saw the [v]latent beauties and hidden graces in books; and the
happiest hours of young Esmond's life were those passed in the company
of this kind mistress and her children.

These happy days were to end soon, however; and it was by Lady
Castlewood's own decree that they were brought to a conclusion. It
happened about Christmas-tide, Harry Esmond being now past sixteen
years of age. A messenger came from Winchester one day, bearer of the
news that my Lady's aunt was dead and had left her fortune of £2,000
among her six nieces. Many a time afterward Harry Esmond recalled the
flushed face and eager look wherewith, after this intelligence, his kind
lady regarded him. When my Lord heard of the news, he did not make any
long face. "The money will come very handy to furnish the music-room and
the [v]cellar," he said, "which is getting low, and buy your Ladyship a
coach and a couple of horses. Beatrix, you shall have a [v]spinet; and
Frank, you shall have a little horse from Hexton fair; and Harry, you
shall have five pounds to buy some books. " So spoke my Lord, who was
generous with his own, and indeed with other folks' money. "I wish your
aunt would die once a year, Rachel; we could spend your money, and all
your sisters', too. "

"I have but one aunt--and--and I have another use for the money," said
my Lady, turning red.

"Another use, my dear; and what do you know about money? " cried my Lord.

"I intend it for Harry Esmond to go to college. Cousin Harry," said my
Lady, "you mustn't stay any longer in this dull place, but make a name
for yourself. "

"Is Harry going away? You don't mean to say you will go away? " cried out
Beatrix and Frank at one breath.

"But he will come back, and this will always be his home," replied my
Lady, with blue eyes looking a celestial kindness; "and his scholars
will always love him, won't they? "

"Rachel, you're a good woman," said my Lord. "I wish you joy, my
kinsman," he continued, giving Harry Esmond a hearty slap on the
shoulder, "I won't balk your luck. Go to Cambridge, boy. "

When Harry Esmond went away for Cambridge, little Frank ran alongside
his horse as far as the bridge, and there Harry stopped for a moment and
looked back at the house where the best part of his life had been
passed. And Harry remembered, all his life after, how he saw his
mistress at the window looking out on him, the little Beatrix's chestnut
curls resting at her mother's side. Both waved a farewell to him, and
little Frank sobbed to leave him.

The village people had good-bye to say to him, too. All knew that Master
Harry was going to college, and most of them had a kind word and a look
of farewell. And with these things in mind, he rode out into the world.

WILLIAM MAKEPEACE THACKERAY.


=HELPS TO STUDY=

Tell what you find out about the household in which Harry Esmond
lived. What impression do you get of each person? What trouble did
Harry bring upon the family? What change occurred in his life and
now?


SUPPLEMENTARY READING

The Virginians--William Makepeace Thackeray.
The Sir Roger de Coverley Papers--Steele and Addison.




THE FAMILY HOLDS ITS HEAD UP


The story is an extract from Oliver Goldsmith's famous novel, _The
Vicar of Wakefield_. In this book Goldsmith describes the fortunes
of the family of Doctor Primrose, a Church of England clergyman of
the middle of the eighteenth century. The novel is considered a
most faithful picture of English country life in that period.

The home I had come to as [v]vicar was in a little neighborhood
consisting of farmers who tilled their own grounds and were equal
strangers to [v]opulence and poverty. As they had almost all the
conveniences of life within themselves, they seldom visited towns or
cities in search of [v]superfluity. Remote from the polite, they still
retained the [v]primeval simplicity of manners; and, frugal by habit,
they scarce knew that temperance was a virtue. They wrought with
cheerfulness on days of labor, but observed festivals as intervals of
idleness and pleasure. They kept up the Christmas carol, sent love-knots
on Valentine morning, ate pancakes on [v]Shrovetide, showed their wit on
the first of April, and religiously cracked nuts on [v]Michaelmas-eve.
Being apprised of our approach, the whole neighborhood came out to meet
their minister, dressed in their finest clothes and preceded by a
[v]pipe and [v]tabor: a feast, also, was provided for our reception, at
which we sat cheerfully down, and what the conversation wanted in wit
was made up in laughter.

Our little habitation was situated at the foot of a sloping hill,
sheltered with a beautiful underwood behind, and a prattling river
before; on one side a meadow, on the other a green. My farm consisted of
about twenty acres of excellent land. Nothing could exceed the neatness
of my little enclosures, the elms and hedgerows appearing with
inexpressible beauty. My house consisted of but one story, and was
covered with [v]thatch, which gave it an air of great snugness; the
walls on the inside were nicely whitewashed, and my daughters undertook
to adorn them with pictures of their own designing. Though the same room
served us for parlor and kitchen, that only made it the warmer. Besides,
as it was kept with the utmost neatness,--the dishes, plates and coppers
being well scoured and all disposed in bright rows on the shelves--the
eye was agreeably relieved and did not want richer furniture. There were
three other apartments: one for my wife and me; another for our two
daughters within our own; and the third, with two beds, for the rest of
the children.

The little republic to which I gave laws was regulated in the following
manner: by sunrise we all assembled in our common apartment, the fire
being previously kindled by the servant. After we had saluted each other
with proper ceremony--for I always thought fit to keep up some
mechanical forms of good breeding, without which freedom ever destroys
friendship--we all bent in gratitude to that Being who gave us another
day. This duty performed, my son and I went to pursue our usual industry
abroad, while my wife and daughters employed themselves in providing
breakfast, which was always ready at a certain time. I allowed half an
hour for this meal, and an hour for dinner, which time was taken up in
innocent mirth between my wife and daughters, and in [v]philosophical
arguments between my son and me.

As we rose with the sun, so we never pursued our labors after it was
gone down, but returned home to the expecting family, where smiling
looks, a neat hearth, and a pleasant fire were prepared for our
reception. Nor were we without guests; sometimes Farmer Flamborough, our
talkative neighbor, and often a blind piper, would pay us a visit and
taste our gooseberry wine, for the making of which we had lost neither
the recipe nor the reputation. These harmless people had several ways of
being good company; while one played, the other would sing some soothing
ballad--"Johnny Armstrong's Last Good-Night," or "The Cruelty of Barbara
Allen. " The night was concluded in the manner we began the morning, my
youngest boys being appointed to read the lessons of the day; and he
that read loudest, distinctest and best was to have an halfpenny on
Sunday to put into the poor-box. This encouraged in them a wholesome
rivalry to do good.

When Sunday came, it was, indeed, a day of finery, which all my
[v]sumptuary edicts could not restrain. How well soever I fancied my
lectures against pride had conquered the vanity of my daughters, yet I
still found them secretly attached to all their former finery; they
still loved laces, ribbons, and bugles, and my wife herself retained a
passion for her crimson [v]paduasoy, because I formerly happened to say
it became her.

The first Sunday, in particular, their behavior served to mortify me. I
had desired my girls the preceding night to be dressed early the next
day, for I always loved to be at church a good while before the rest of
the congregation. They punctually obeyed my directions; but when we were
to assemble in the morning at breakfast, down came my wife and
daughters, dressed out in all their former splendor--their hair
plastered up with [v]pomatum, their faces [v]patched to taste, their
trains bundled up in a heap behind and rustling at every motion. I could
not help smiling at their vanity, particularly that of my wife, from
whom I expected more discretion. In this [v]exigence, therefore, my only
resource was to order my son, with an important air, to call our coach.
The girls were amazed at the command, but I repeated it, with more
solemnity than before.

"Surely, you jest! " cried my wife. "We can walk perfectly well; we want
no coach to carry us now. "

"You mistake, child," returned I; "we do want a coach, for if we walk
to church in this trim, the very children in the parish will hoot after
us. "

"Indeed! " replied my wife. "I always imagined that my Charles was fond
of seeing his children neat and handsome about him. "

"You may be as neat as you please," interrupted I, "and I shall love you
the better for it; but all this is not neatness, but frippery. These
rufflings and pinkings and patchings will only make us hated by all the
wives of our neighbors. No, my children," continued I, more gravely,
"those gowns must be altered into something of a plainer cut, for finery
is very unbecoming in us who want the means of [v]decency. "

This remonstrance had the proper effect. They went with great composure,
that very instant, to change their dress; and the next day I had the
satisfaction of finding my daughters, at their own request, employed in
cutting up their trains into Sunday waist-coats for Dick and Bill, the
two little ones; and, what was still more satisfactory, the gowns seemed
improved by this [v]curtailing.

But the reformation lasted but for a short while. My wife and daughters
were visited by the wives of some of the richer neighbors and by a
squire who lived near by, on whom they set more store than on the plain
farmers' wives who were nearer us in worldly station. I now began to
find that all my long and painful lectures upon temperance, simplicity,
and contentment were entirely disregarded. Some distinctions lately
paid us by our betters awakened that pride which I had laid asleep, but
not removed. Our windows again, as formerly, were filled with washes for
the neck and face. The sun was dreaded as an enemy to the skin without
doors and the fire as a spoiler of the complexion within. My wife
observed that rising too early would hurt her daughters' eyes, that
working after dinner would redden their noses, and she convinced me that
the hands never looked so white as when they did nothing.

Instead, therefore, of finishing George's shirts, we now had the girls
new-modeling their old gauzes. The poor Miss Flamboroughs, their former
gay companions, were cast off as mean acquaintance, and the whole
conversation ran upon high life and high-lived company, with pictures,
taste, and Shakespeare.

But we could have borne all this, had not a fortune-telling gypsy come
to raise us into perfect [v]sublimity. The tawny [v]sibyl no sooner
appeared than my girls came running to me for a shilling apiece to cross
her hand with silver. To say the truth, I was tired of being always
wise, and could not help gratifying their request, because I loved to
see them happy. I gave each of them a shilling; after they had been
closeted up with the fortune-teller for some time, I knew by their
looks, upon their returning, that they had been promised something
great.

"Well, my girls, how have you sped? Tell me, Livy, has the
fortune-teller given thee a penny-worth? "

"She positively declared that I am to be married to a squire in less
than a twelvemonth. "

"Well, now, Sophy, my child," said I, "and what sort of husband are you
to have? "

"I am to have a lord soon after my sister has married the squire," she
replied.

"How," cried I, "is that all you are to have for your two shillings?
Only a lord and a squire for two shillings! You fools, I could have
promised you a prince and a [v]nabob for half the money. "

This curiosity of theirs, however, was attended with very serious
effects. We now began to think ourselves designed by the stars to
something exalted, and already anticipated our future grandeur.

In this agreeable time my wife had the most lucky dreams in the world,
which she took care to tell us every morning, with great solemnity and
exactness. It was one night a coffin and cross-bones, the sign of an
approaching wedding; at another time she imagined her daughters' pockets
filled with farthings, a certain sign they would shortly be stuffed with
gold. The girls themselves had their omens. They saw rings in the
candle, purses bounced from the fire, and love-knots lurked in the
bottom of every teacup.

Toward the end of the week we received a card from two town ladies, in
which, with their compliments, they hoped to see our family at church
the Sunday following. All Saturday morning I could perceive, in
consequence of this, my wife and daughters in close conference together,
and now and then glancing at me with looks that betrayed a [v]latent
plot. To be sincere, I had strong suspicions that some absurd proposal
was preparing for appearing with splendor the next day. In the evening
they began their operations in a very regular manner, and my wife
undertook to conduct the siege. After tea, when I seemed in fine
spirits, she began thus:

"I fancy, Charles, my dear, we shall have a great deal of good company
at our church to-morrow. "

"Perhaps we may, my dear," returned I, "though you need be under no
uneasiness about that; you shall have a sermon, whether there be or
not. "

"That is what I expect," returned she; "but I think, my dear, we ought
to appear there as decently as possible, for who knows what may happen? "

"Your precautions," replied I, "are highly commendable. A decent
behavior and appearance in church is what charms me. We should be devout
and humble, cheerful and serene. "

"Yes," cried she, "I know that; but I mean we should go there in as
proper a manner as possible; not like the scrubs about us. "

"You are quite right, my dear," returned I, "and I was going to make the
same proposal. The proper manner of going is to go as early as
possible, to have time for meditation before the sermon begins. "

"Phoo! Charles," interrupted she, "all that is very true, but not what I
would be at. I mean, we should go there [v]genteelly. You know the
church is two miles off, and I protest I don't like to see my daughters
trudging up to their pew all blowzed and red with walking, and looking
for all the world as if they had been winners at a [v]smock race. Now,
my dear, my proposal is this: there are our two plough-horses, the colt
that has been in our family these nine years and his companion,
Blackberry, that has scarce done an earthly thing for this month past.
They are both grown fat and lazy. Why should they not do something as
well as we? And let me tell you, when Moses has trimmed them a little,
they will cut a very tolerable figure. "

To this proposal I objected that walking would be twenty times more
genteel than such a paltry conveyance, as Blackberry was wall-eyed, and
the colt wanted a tail; that they had never been broken to the rein, but
had an hundred vicious tricks, and that we had but one saddle and
[v]pillion in the whole house. All these objections, however, were
overruled, so that I was obliged to comply.

The next morning I perceived them not a little busy in collecting such
materials as might be necessary for the expedition; but as I found it
would be a business of time, I walked on to the church before, and they
promised speedily to follow. I waited near an hour in the reading desk
for their arrival; but not finding them come as I expected, I was
obliged to begin, and went through the service, not without some
uneasiness at finding them absent.

This was increased when all was finished, and no appearance of the
family. I therefore walked back by the horseway, which was five miles
round, though the footway was but two; and when I had got about half-way
home, I perceived the procession marching slowly forward toward the
church--my son, my wife, and the two little ones exalted on one horse,
and my two daughters upon the other. It was then very near dinner-time.

I demanded the cause of their delay, but I soon found, by their looks,
that they had met with a thousand misfortunes on the road. The horses
had, at first, refused to move from the door, till a neighbor was kind
enough to beat them forward for about two hundred yards with his cudgel.
Next, the straps of my wife's pillion broke down, and they were obliged
to stop to repair them before they could proceed. After that, one of the
horses took it into his head to stand still, and neither blows nor
entreaties could prevail with him to proceed. They were just recovering
from this dismal situation when I found them; but, perceiving everything
safe, I own their mortification did not much displease me, as it gave
me many opportunities of future triumph, and would teach my daughters
more humility.

OLIVER GOLDSMITH.


=HELPS TO STUDY=

Describe the neighborhood and the home to which the vicar took his
family; also their manner of living. Relate the two attempts the
ladies made to appear at church in great style. What happened to
raise the hopes of better days for the daughters? How were these
hopes encouraged? What superstitions did the wife and daughters
believe? Give your opinion of the vicar and of each member of the
family.


SUPPLEMENTARY READING

The School for Scandal--Richard Brinsley Sheridan.
She Stoops to Conquer--Oliver Goldsmith.
Life of Oliver Goldsmith--Washington Irving.
David Copperfield--Charles Dickens.
Barnaby Rudge--Charles Dickens.




Some have too much, yet still do crave;
I little have, and seek no more.
They are but poor, though much they have,
And I am rich with little store:
They poor, I rich; they beg, I give;
They lack, I leave; they pine, I live.

SIR EDWARD DYER.




THE LITTLE BOY IN THE BALCONY


My special amusement in New York is riding on the elevated railway. It
is curious to note how little one can see on the crowded sidewalks of
this city. It is simply a rush of the same people--hurrying this way or
that on the same errands, doing the same shopping or eating at the same
restaurants. It is a [v]kaleidoscope with infinite combinations but the
same effects. You see it to-day, and it is the same as yesterday.
Occasionally in the multitude you hit upon a [v]_genre_ specimen, or an
odd detail, such as a prim little dog that sits upright all day and
holds in its mouth a cup for pennies for its blind master, or an old
bookseller, with a grand head and the deliberate motions of a scholar,
moldering in a stall--but the general effect is one of sameness and soon
tires and bewilders.

Once on the elevated road, however, a new world is opened, full of the
most interesting objects. The cars sweep by the upper stories of the
houses, and, running never too swiftly to allow observation, disclose
the secrets of a thousand homes, and bring to view people and things
never dreamed of by the giddy, restless crowd that sends its impatient
murmur from the streets below. In a course of several months' pretty
steady riding from Twenty-third Street, which is the station for the
Fifth Avenue Hotel, to Rector, which overlooks Wall Street, I have made
many acquaintances along the route, and on reaching the city my first
curiosity is in their behalf.

One of these is a boy about six years of age--akin in his fragile body
and his serious mien--a youngster that is very precious to me. I first
saw this boy on a little balcony about three feet by four, projecting
from the window of a poverty-stricken fourth floor. He was leaning over
the railing, his white, thoughtful head just clearing the top, holding a
short, round stick in his hand. The little fellow made a pathetic
picture, all alone there above the street, so friendless and desolate,
and his pale face came between me and my business many a time that day.
On going uptown that evening just as night was falling, I saw him still
at his place, white and patient and silent.

Every day afterward I saw him there, always with the short stick in his
hand. Occasionally he would walk around the balcony, rattling the stick
in a solemn manner against the railing, or poke it across from one
corner to another and sit on it. This was the only playing I ever saw
him do, and the stick was the only plaything he had. But he was never
without it. His little hand always held it, and I pictured him every
morning when he awoke from his joyless sleep, picking up his poor toy
and going out to his balcony, as other boys go to play. Or perhaps he
slept with it, as little ones do with dolls and whip-tops.

I could see that the room beyond the window was bare. I never saw any
one in it. The heat must have been terrible, for it could have had no
ventilation. Once I missed the boy from the balcony, but saw his white
head moving about slowly in the dusk of the room. Gradually the little
fellow became a burden to me. I found myself continually thinking of
him, and troubled with that remorse that thoughtless people feel even
for suffering for which they are not in the slightest degree
responsible. Not that I ever saw any suffering on his face. It was
patient, thoughtful, serious, but with never a sign of petulance. What
thoughts filled that young head--what contemplation took the place of
what should have been the [v]ineffable upspringing of childish
emotion--what complaint or questioning were living behind that white
face--no one could guess. In an older person the face would have
betokened a resignation that found peace in the hope of things
hereafter. In this child, without hope or aspiration, it was sad beyond
expression.

One day as I passed I nodded at him. He made no sign in return. I
repeated the nod on another trip, waving my hand at him--but without
avail. At length, in response to an unusually winning exhortation, his
pale lips trembled into a smile, but a smile that was soberness itself.
Wherever I went that day that smile went with me. Wherever I saw
children playing in the parks, or trotting along with their hands
nestled in strong fingers that guided and protected, I thought of that
tiny watcher in the balcony--joyless, hopeless, friendless--a desolate
mite, hanging between the blue sky and the gladsome streets, lifting his
wistful face now to the peaceful heights of the one, and now looking
with grave wonder on the ceaseless tumult of the other. At length--but
why go any further?
Why is it necessary to tell that the boy had no
father, that his mother was bedridden from his birth, and that his
sister pasted labels in a drug-house, and he was thus left to himself.

It is sufficient to say that I went to Coney Island yesterday, and
watched the bathers and the children--listened to the crisp, lingering
music of the waves--ate a robust lunch on the pier--wandered in and out
among the booths, tents, and hub-bub--and that through all these
pleasures I had a companion that enjoyed them with a gravity that I can
never hope to [v]emulate, but with a soulfulness that was touching. As I
came back in the boat, the breezes singing through the [v]cordage, music
floating from the fore-deck, and the sun lighting with its dying rays
the shipping that covered the river, there was sitting in front of me a
very pale but very happy bit of a boy, open-eyed with wonder, but sober
and self-contained, clasping tightly in his little fingers a short,
battered stick. And finally, whenever I pass by a certain overhanging
balcony now, I am sure of a smile from an intimate and esteemed friend
who lives there.

HENRY W. GRADY.




ARIEL'S TRIUMPH[141-*]


This story is taken from Booth Tarkington's novel, _The Conquest of
Canaan_, which gives an admirable description of modern life in an
American town. Joe Louden, the hero, and Ariel Tabor, the heroine,
were both friendless and, in a way, forlorn. How both of them
triumphed over obstacles and won success and happiness is the theme
of a book which is notable for keen observation of character and
for a quiet and delightful humor.


I

Ariel had worked all the afternoon over her mother's wedding-gown, and
two hours were required by her toilet for the dance. She curled her hair
frizzily, burning it here and there, with a slate-pencil heated over a
lamp-chimney, and she placed above one ear three or four large
artificial roses, taken from an old hat of her mother's, which she had
found in a trunk in the store-room. Possessing no slippers, she
carefully blacked and polished her shoes, which had been clumsily
resoled, and fastened into the strings of each small rosettes of red
ribbon; after which she practised swinging the train of her skirt until
she was proud of her manipulation of it.

She had no powder, but found in her grandfather's room a lump of
magnesia, which he was in the habit of taking for heartburn, and passed
it over and over her brown face and hands. Then a lingering gaze into
her small mirror gave her joy at last; she yearned so hard to see
herself charming that she did see herself so. Admiration came, and she
told herself that she was more attractive to look at than she had ever
been in her life, and that, perhaps, at last she might begin to be
sought for like other girls. The little glass showed a sort of
prettiness in her thin, unmatured young face; tripping dance-tunes ran
through her head, her feet keeping the time--ah, she did so hope to
dance often that night! Perhaps--perhaps she might be asked for every
number. And so, wrapping an old water-proof cloak about her, she took
her grandfather's arm and sallied forth, with high hopes in her beating
heart.

It was in the dressing-room that the change began to come. Alone, at
home in her own ugly little room, she had thought herself almost
beautiful; but here in the brightly lighted chamber crowded with the
other girls it was different. There was a big [v]cheval-glass at one end
of the room, and she faced it, when her turn came--for the mirror was
popular--with a sinking spirit. There was the contrast, like a picture
painted and framed. The other girls all wore their hair after the
fashion introduced to Canaan by Mamie Pike the week before, on her
return from a visit to Chicago. None of them had "crimped" and none had
bedecked their tresses with artificial flowers. Her alterations of the
wedding-dress had not been successful; the skirt was too short in front
and higher on one side than on the other, showing too plainly the
heavy-soled shoes, which had lost most of their polish in the walk
through the snow. The ribbon rosettes were fully revealed, and as she
glanced at their reflection, she heard the words, "Look at that train
and those rosettes! " whispered behind her, and saw in the mirror two
pretty young women turn away with their handkerchiefs over their mouths
and retreat hurriedly to an alcove. All the feet in the room except
Ariel's were in dainty kid or satin slippers of the color of the dresses
from which they glimmered out, and only Ariel wore a train.

She went away from the mirror and pretended to be busy with a hanging
thread in her sleeve.

She was singularly an alien in the chattering room, although she had
been born and had lived all her life in the town. Perhaps her position
among the young ladies may be best defined by the remark, generally
current among them that evening, to the effect that it was "very sweet
of Mamie to invite her. " Ariel was not like the others; she was not of
them, and never had been. Indeed, she did not know them very well. Some
of them nodded to her and gave her a word of greeting pleasantly; all of
them whispered about her with wonder and suppressed amusement, but none
talked to her. They were not unkindly, but they were young and eager and
excited over their own interests,--which were then in the "gentlemen's
dressing-room. "

Each of the other girls had been escorted by a youth of the place, and,
one by one, joining these escorts in the hall outside the door, they
descended the stairs, until only Ariel was left. She came down alone
after the first dance had begun, and greeted her young hostess's mother
timidly. Mrs. Pike--a small, frightened-looking woman with a ruby
necklace--answered her absently, and hurried away to see that the
[v]imported waiters did not steal anything.

Ariel sat in one of the chairs against the wall and watched the dancers
with a smile of eager and benevolent interest. In Canaan no parents, no
guardians or aunts were haled forth o' nights to [v]duenna the
junketings of youth; Mrs. Pike did not reappear, and Ariel sat
conspicuously alone; there was nothing else for her to do, but it was
not an easy matter.

When the first dance reached an end, Mamie Pike came to her for a moment
with a cheery welcome, and was immediately surrounded by a circle of
young men and women, flushed with dancing, shouting as was their wont,
laughing [v]inexplicably over words and phrases and unintelligible
[v]monosyllables, as if they all belonged to a secret society and these
cries were symbols of things exquisitely humorous, which only they
understood. Ariel laughed with them more heartily than any other, so
that she might seem to be of them and as merry as they were; but almost
immediately she found herself outside of the circle, and presently they
all whirled away into another dance, and she was left alone again.

So she sat, no one coming near her, through several dances, trying to
maintain the smile of delighted interest upon her face, though she felt
the muscles of her face beginning to ache with their fixedness, her eyes
growing hot and glazed. All the other girls were provided with partners
for every dance, with several young men left over, these latter lounging
[v]hilariously together in the doorways. Ariel was careful not to glance
toward them, but she could not help hating them. Once or twice between
the dances she saw Miss Pike speak appealingly to one of the
[v]superfluous, glancing, at the same time, in her own direction, and
Ariel could see, too, that the appeal proved unsuccessful, until at last
Mamie approached her, leading Norbert Flitcroft, partly by the hand,
partly by will power. Norbert was an excessively fat boy, and at the
present moment looked as patient as the blind. But he asked Ariel if she
was "engaged for the next dance," and, Mamie, having flitted away, stood
[v]disconsolately beside her, waiting for the music to begin. Ariel was
grateful for him.

"I think you must be very good-natured, Mr. Flitcroft," she said, with
an air of [v]raillery.

"No, I'm not," he replied, [v]plaintively. "Everybody thinks I am,
because I'm fat, and they expect me to do things they never dream of
asking anybody else to do. I'd like to see 'em even _ask_ 'Gene Bantry
to go and do some of the things they get me to do! A person isn't
good-natured just because he's fat," he concluded, morbidly, "but he
might as well be! "

"Oh, I meant good-natured," she returned, with a sprightly laugh,
"because you're willing to waltz with me. "

"Oh, well," he returned, sighing, "that's all right. "

The orchestra flourished into "La Paloma"; he put his arm mournfully
about her, and taking her right hand with his left, carried her arm out
to a rigid right angle, beginning to pump and balance for time. They
made three false starts and then got away. Ariel danced badly; she
hopped and lost the step, but they persevered, bumping against other
couples continually. Circling breathlessly into the next room, they
passed close to a long mirror, in which Ariel saw herself, although in a
flash, more bitterly contrasted to the others than in the cheval-glass
of the dressing-room. The clump of roses was flopping about her neck,
her crimped hair looked frowzy, and there was something terribly wrong
about her dress. Suddenly she felt her train to be [v]grotesque, as a
thing following her in a nightmare.

A moment later she caught her partner making a [v]burlesque face of
suffering over her shoulder, and, turning her head quickly, saw for
whose benefit he had constructed it. Eugene Bantry, flying expertly by
with Mamie, was bestowing upon Mr. Flitcroft a commiserative wink. The
next instant she tripped in her train and fell to the floor at Eugene's
feet, carrying her partner with her.

There was a shout of laughter. The young hostess stopped Eugene, who
would have gone on, and he had no choice but to stoop to Ariel's
assistance.

"It seems to be a habit of mine," she said, laughing loudly.

She did not appear to see the hand he offered, but got on her feet
without help and walked quickly away with Norbert, who proceeded to live
up to the character he had given himself.

"Perhaps we had better not try it again," she laughed.

"Well, I should think not," he returned with the frankest gloom. With
the air of conducting her home, he took her to the chair against the
wall whence he had brought her. There his responsibility for her seemed
to cease. "Will you excuse me? " he asked, and there was no doubt he felt
that he had been given more than his share that evening, even though he
was fat.

"Yes, indeed. " Her laughter was continuous. "I should think you _would_
be glad to get rid of me after that. Ha, ha, ha! Poor Mr. Flitcroft, you
know you are! "

It was the deadly truth, and the fat one, saying, "Well, if you'll
excuse me now," hurried away with a step which grew lighter as the
distance from her increased. Arrived at the haven of a far doorway, he
mopped his brow and shook his head grimly in response to frequent
rallyings.

Ariel sat through more dances, interminable dances and intermissions, in
that same chair, in which it began to seem she was to live out the rest
of her life. Now and then, if she thought people were looking at her as
they passed, she broke into a laugh and nodded slightly, as if still
amused over her mishap.

After a long time she rose, and laughing cheerfully to Mr. Flitcroft,
who was standing in the doorway and replied with a wan smile, stepped
out quickly into the hall, where she almost ran into her great-uncle,
Jonas Tabor. He was going toward the big front doors with Judge Pike,
having just come out of the latter's library, down the hall.

Jonas was breathing heavily and was shockingly pale, though his eyes
were very bright. He turned his back upon his grandniece sharply and
went out of the door. Ariel reëntered the room whence she had come. She
laughed again to her fat friend as she passed him, went to the window
and looked out. The porch seemed deserted and was faintly illuminated by
a few Japanese lanterns. She sprang out, dropped upon the divan, and
burying her face in her hands, cried heart-brokenly.

Presently she felt something alive touch her foot, and, her breath
catching with alarm, she started to rise. A thin hand, issuing from a
shabby sleeve, had stolen out between two of the green tubs and was
pressing upon one of her shoes.

"Sh! " warned a voice. "Don't make a noise! "

The warning was not needed; she had recognized the hand and sleeve
instantly. It was her playmate and lifelong friend, Joe Louden.

"What were you going on about? " he asked angrily.

"Nothing," she answered. "I wasn't. You must go away; you know the Judge
doesn't like you. "

"What were you crying about? " interrupted the uninvited guest.

"Nothing, I tell you! " she repeated, the tears not ceasing to gather in
her eyes. "I wasn't. "

"I want to know what it was," he insisted. "Didn't the fools ask you to
dance! Ah! You needn't tell me. That's it. I've been here, watching, for
the last three dances and you weren't in sight till you came to the
window. Well, what do you care about that for! "

"I don't," she answered. "I don't! " Then suddenly, without being able to
prevent it, she sobbed.

"No," he said, gently, "I see you don't. And you let yourself be a fool
because there are a lot of fools in there. "

She gave way, all at once, to a gust of sorrow and bitterness; she bent
far over and caught his hand and laid it against her wet cheek. "Oh,
Joe," she whispered, brokenly, "I think we have such hard lives, you and
I! It doesn't seem right--while we're so young! Why can't we be like the
others? Why can't we have some of the fun? "

He withdrew his hand, with the embarrassment and shame he would have
felt had she been a boy.

"Get out! " he said, feebly.

She did not seem to notice, but, still stooping, rested her elbows on
her knees and her face in her hands. "I try so hard to have some fun, to
be like the rest--and it's always a mistake, always, always, always! "
She rocked herself slightly from side to side. "I'm a fool, it's the
truth, or I wouldn't have come to-night. I want to be attractive--I want
to be in things. I want to laugh as they do--"

"To laugh, just to laugh, and not because there's something funny? "

"Yes, I do, I do! And to know how to dress and to wear my hair--there
must be some place where you can learn those things. I've never had any
one to show me! It's only lately I've cared, but I'm seventeen, Joe--"
She faltered, came to a stop, and her whole body was shaken with sobs.
"I hate myself so for crying--for everything! "

Just then a colored waiter, smiling graciously, came out upon the porch,
bearing a tray of salad, hot oysters, and coffee. At his approach, Joe
had fallen prone on the floor in the shadow. Ariel shook her head to the
proffer of refreshments.

"I don't want any," she murmured.

The waiter turned away in pity and was reëntering the window when a
passionate whisper fell upon his ear as well as upon Ariel's.

_"Take it! "_

"Ma'am? " said the waiter.

"I've changed my mind," she replied quickly. The waiter, his elation
restored, gave of his viands with the [v]superfluous bounty loved by his
race when distributing the product of the wealthy.

When he had gone, "Give me everything that's hot," said Joe. "You can
keep the salad. "

"I couldn't eat it or anything else," she answered, thrusting the plate
between the palms.

For a time there was silence. From within the house came the continuous
babble of voices and laughter, the clink of [v]cutlery on china. The
young people spent a long time over their supper. By and by the waiter
returned to the veranda, deposited a plate of colored ices upon Ariel's
knees with a noble gesture, and departed.

"No ice for me," said Joe.

"Won't you please go now? " she entreated.

"It wouldn't be good manners," he joked. "They might think I only came
for the supper. "

"Give me the dish and coffee-cup," she whispered, impatiently. "Suppose
the waiter came and had to look for them? Quick! "

A bottle-shaped figure appeared in the window, and she had no time to
take the plate and cup which were being pushed through the palm-leaves.
She whispered a word of warning, and the dishes were hurriedly withdrawn
as Norbert Flitcroft, wearing a solemn expression of injury, came out
upon the veranda.

"They want you. Some one's come for you. "

"Oh, is grandfather waiting? " She rose.

"It isn't your grandfather that has come for you," answered the fat one,
slowly. "It is Eskew Arp. Something's happened. "

She looked at him for a moment, beginning to tremble violently, her eyes
growing wide with fright.

"Is my grandfather--is he sick? "

"You'd better go and see. Old Eskew's waiting in the hall. He'll tell
you. "

She was by him and through the window instantly. Mr. Arp was waiting in
the hall, talking in a low voice to Mrs. Pike.

"Your grandfather's all right," he told the frightened girl quickly. "He
sent me for you. Just hurry and get your things. "

She was with him again in a moment, and seizing the old man's arm,
hurried him down the steps and toward the street almost at a run.

"You're not telling me the truth," she said. "You're not telling me the
truth! "

"Nothing has happened to Roger Tabor," panted Mr. Arp. "We're going this
way, not that. " They had come to the gate, and as she turned to the
right he pulled her sharply to the left.

"Where are we going? " she demanded.