No More Learning

Crumble the sacred mole of salt and corn:
Next in the fire the bays with brimstone burn;
And, while it crackles in the sulphur, say,
'This I for Daphnis burn; thus Daphnis burn away!
This laurel is his fate. '--Restore, my charms,
My lovely Daphnis to my longing arms.

"As when the raging heifer, through the grove,
Stung with desire, pursues her wandering love;
Faint at the last, she seeks the weedy pools,
To quench her thirst, and on the rushes rolls,
Careless of night, unmindful to return;
Such fruitless fires perfidious Daphnis burn,
While I so scorn his love! --Restore, my charms,
My lingering Daphnis to my longing arms.

"These garments once were his, and left to me,
The pledges of his promised loyalty,
Which underneath my threshold I bestow:
These pawns, O sacred earth! to me my Daphnis owe.
As these were his, so mine is he. --My charms,
Restore their lingering lord to my deluded arms.

"These poisonous plants, for magic use designed,
(The noblest and the best of all the baneful kind,)
Old Moeris brought me from the Politic strand,
And culled the mischief of a bounteous land.
Smeared with these powerful juices, on the plain,
He howls a wolf among the hungry train;
And oft the mighty necromancer boasts,
With these, to call from tombs the stalking ghosts,
And from the roots to tear the standing corn,
Which, whirled aloft, to distant fields is borne:
Such is the strength of spells. --Restore, my charms,
My lingering Daphnis to my longing arms.
"Bear out these ashes; cast them in the brook;
Cast backwards o'er your head; nor turn your look:
Since neither gods nor godlike verse can move,
Break out, ye smothered fires, and kindle smothered love.
Exert your utmost power, my lingering charms;
And force my Daphnis to my longing arms.

"See while my last endeavours I delay,
The walking ashes rise, and round our altars play!
Run to the threshold, Amaryllis,--hark!
Our Hylax opens, and begins to bark.
Good heaven! may lovers what they wish believe?
Or dream their wishes, and those dreams deceive?
No more! my Daphnis comes! no more, my charms!
He comes, he runs, he leaps, to my desiring arms. "

FOOTNOTES:

[300] This Eighth Pastoral is copied by our author from two Bucolics
of Theocritus. Spenser has followed both Virgil and Theocritus in the
charms which he employs for curing Britomartis of her love. But he had
also our poet's Ceiris in his eye; for there not only the enchantments
are to be found, but also the very name of Britomartis. --DRYDEN.




PASTORAL IX. [301]

OR,

_LYCIDAS AND MOERIS_.


ARGUMENT.

_When Virgil, by the favour of Augustus, had recovered his
patrimony near Mantua, and went in hope to take possession,
he was in danger to be slain by Arius the centurion, to
whom those lands were assigned by the Emperor, in reward
of his service against Brutus and Cassius. This Pastoral
therefore is filled with complaints of his hard usage; and
the persons introduced are the bailiff of Virgil, Moeris,
and his friend Lycidas. _

LYCIDAS.

Ho, Moeris! whither on thy way so fast?
This leads to town.

MOERIS.

O Lycidas! at last
The time is come, I never thought to see,
(Strange revolution for my farm and me! )
When the grim captain in a surly tone
Cries out, "Pack up, ye rascals, and be gone. "
Kicked out, we set the best face on't we could; }
And these two kids, t'appease his angry mood, }
I bear,--of which the Furies give him good! }

LYCIDAS.

Your country friends were told another tale,--
That, from the sloping mountain to the vale,
And doddered oak, and all the banks along,
Menalcas saved his fortune with a song.

MOERIS.

Such was the news, indeed; but songs and rhymes
Prevail as much in these hard iron times,
As would a plump of trembling fowl, that rise
Against an eagle sousing from the skies.
And, had not Phoebus warned me, by the croak
Of an old raven from a hollow oak,
To shun debate, Menalcas had been slain,
And Moeris not survived him, to complain.

LYCIDAS.

Now heaven defend! could barbarous rage induce
The brutal son of Mars t'insult the sacred Muse?
Who then should sing the nymphs? or who rehearse
The waters gliding in a smoother verse?
Or Amaryllis praise that heavenly lay,
That shortened, as we went, our tedious way,--
"O Tityrus, tend my herd, and see them fed;
To morning pastures, evening waters, led;
And 'ware the Libyan ridgil's butting head. "

MOERIS.

Or what unfinished he to Varus read:--
"Thy name, O Varus, (if the kinder powers
Preserve our plains, and shield the Mantuan towers,
Obnoxious by Cremona's neighbouring crime,)
The wings of swans, and stronger-pinioned rhyme,
Shall raise aloft, and soaring bear above--
The immortal gift of gratitude to Jove. "

LYCIDAS.

Sing on, sing on; for I can ne'er be cloyed.
So may thy swarms the baleful yew avoid;
So may thy cows their burdened bags distend,
And trees to goats their willing branches bend.
Mean as I am, yet have the Muses made
Me free, a member of the tuneful trade:
At least the shepherds seem to like my lays;
But I discern their flattery from their praise:
I nor to Cinna's ears, nor Varus,' dare aspire,
But gabble, like a goose, amidst the swan-like choir.

MOERIS.

'Tis what I have been conning in my mind;
Nor are they verses of a vulgar kind.
"Come, Galatea! come! the seas forsake!
What pleasures can the tides with their hoarse murmurs make?
See, on the shore inhabits purple spring,
Where nightingales their love-sick ditty sing:
See, meads with purling streams, with flowers the ground, }
The grottoes cool, with shady poplars crowned, }
And creeping vines on arbours weaved around. }
Come then, and leave the waves' tumultuous roar;
Let the wild surges vainly beat the shore. "

LYCIDAS.

Or that sweet song I heard with such delight;
The same you sung alone one starry night.
The tune I still retain, but not the words.

MOERIS.

"Why, Daphnis, dost thou search in old records,
To know the seasons when the stars arise?
See, Cæsar's lamp is lighted in the skies,--
The star, whose rays the blushing grapes adorn,
And swell the kindly ripening ears of corn.
Under this influence, graft the tender shoot;
Thy children's children shall enjoy the fruit. "
The rest I have forgot; for cares and time
Change all things, and untune my soul to rhyme.
I could have once sung down a summer's sun;
But now the chime of poetry is done:
My voice grows hoarse; I feel the notes decay,
As if the wolves had seen me first to-day.
But these, and more than I to mind can bring,
Menalcas has not yet forgot to sing.

LYCIDAS.

Thy faint excuses but inflame me more:
And now the waves roll silent to the shore;
Husht winds the topmost branches scarcely bend,
As if thy tuneful song they did attend:
Already we have half our way o'ercome;
Far off I can discern Bianor's tomb.
Here, where the labourer's hands have formed a bower
Of wreathing trees, in singing waste an hour.
Rest here thy weary limbs; thy kids lay down:
We've day before us yet to reach the town;
Or if, ere night, the gathering clouds we fear,
A song will help the beating storm to bear.
And, that thou may'st not be too late abroad,
Sing, and I'll ease thy shoulders of thy load.

MOERIS.

Cease to request me;, let us mind our way:
Another song requires another day.
When good Menalcas comes, if he rejoice,
And find a friend at court, I'll find a voice.

FOOTNOTES:

[301] In the Ninth Pastoral, Virgil has made a collection of many
scattering passages, which he had translated from Theocritus; and here
he has bound them into a nosegay. --DRYDEN.




PASTORAL X.

OR,

_GALLUS_.


ARGUMENT.

_Gallus, a great patron of Virgil, and an excellent poet,
was very deeply in love with one Cytheris, whom he calls
Lycoris, and who had forsaken him for the company of a
soldier. The poet therefore supposes his friend Gallus
retired, in his height of melancholy, into the solitudes
of Arcadia, (the celebrated scene of pastorals,) where he
represents him in a very languishing condition, with all
the rural deities about him, pitying his hard usage, and
condoling his misfortune. _

Thy sacred succour, Arethusa, bring,
To crown my labour, ('tis the last I sing,)
Which proud Lycoris may with pity view:-- }
The Muse is mournful, though the numbers few. }
Refuse me not a verse, to grief and Gallus due, }
So may thy silver streams beneath the tide,
Unmixed with briny seas, securely glide.
Sing then my Gallus, and his hopeless vows;
Sing, while my cattle crop the tender browze.
The vocal grove shall answer to the sound,
And echo, from the vales, the tuneful voice rebound.
What lawns or woods with-held you from his aid, }
Ye nymphs, when Gallus was to love betrayed, }
To love, unpitied by the cruel maid? }
Not steepy Pindus could retard your course,
Nor cleft Parnassus, nor the Aonian source:
Nothing, that owns the Muses, could suspend
Your aid to Gallus:--Gallus is their friend.
For him the lofty laurel stands in tears,
And hung with humid pearls the lowly shrub appears.
Mænalian pines the godlike swain bemoan, }
When, spread beneath a rock, he sighed alone; }
And cold Lycæus wept from every dropping stone. }
The sheep surround their shepherd, as he lies:
Blush not, sweet poet, nor the name despise.
Along the streams, his flock Adonis fed;
And yet the queen of beauty blest his bed.
The swains and tardy neat-herds came, and last
Menalcas, wet with beating winter mast.
Wondering, they asked from whence arose thy flame.
Yet more amazed, thy own Apollo came.
Flushed were his cheeks, and glowing were his eyes:
"Is she thy care? is she thy care? " he cries.
"Thy false Lycoris flies thy love and thee, }
And, for thy rival, tempts the raging sea, }
The forms of horrid war, and heaven's inclemency. " }
Silvanus came: his brows a country crown
Of fennel, and of nodding lilies, drown.
Great Pan arrived; and we beheld him too,
His cheeks and temples of vermilion hue.
"Why, Gallus, this immoderate grief? " he cried,
"Think'st thou that love with tears is satisfied?
The meads are sooner drunk with morning dews,
The bees with flowery shrubs, the goats with browze. "
Unmoved, and with dejected eyes, he mourned:
He paused, and then these broken words returned:--
"'Tis past; and pity gives me no relief:
But you, Arcadian swains, shall sing my grief,
And on your hills my last complaints renew:
So sad a song is only worthy you.
How light would lie the turf upon my breast,
If you my sufferings in your songs exprest!
Ah! that your birth and business had been mine--
To pen the sheep, and press the swelling vine!
Had Phyllis or Amyntas caused my pain,
Or any nymph or shepherd on the plain,
(Though Phyllis brown, though black Amyntas were,
Are violets not sweet, because not fair? )
Beneath the sallows and the shady vine,
My loves had mixed their pliant limbs with mine:
Phyllis with myrtle wreaths had crowned my hair,
And soft Amyntas sung away my care.
Come, see what pleasures in our plains abound;
The woods, the fountains, and the flowery ground.
As you are beauteous, were you half so true,
Here could I live, and love, and die with only you.
Now I to fighting fields am sent afar,
And strive in winter camps with toils of war;
While you, (alas, that I should find it so! ) }
To shun my sight, your native soil forego, }
And climb the frozen Alps, and tread the eternal snow. }
Ye frosts and snows, her tender body spare!
Those are not limbs for icicles to tear.
For me, the wilds and deserts are my choice;
The Muses, once my care; my once harmonious voice.
There will I sing, forsaken, and alone:
The rocks and hollow caves shall echo to my moan.
The rind of every plant her name shall know;
And, as the rind extends, the love shall grow.
Then on Arcadian mountains will I chase
(Mixed with the woodland nymphs) the savage race;
Nor cold shall hinder me, with horns and hounds
To thrid the thickets, or to leap the mounds.
And now methinks o'er steepy rocks I go,
And rush through sounding woods, and bend the Parthian bow;
As if with sports my sufferings I could ease,
Or by my pains the god of love appease.
My frenzy changes: I delight no more
On mountain tops to chase the tusky boar:
No game but hopeless love my thoughts pursue:
Once more, ye nymphs, and songs, and sounding woods, adieu!
Love alters not for us his hard decrees,
Not though beneath the Thracian clime we freeze,
Or Italy's indulgent heaven forego,
And in mid-winter tread Sithonian snow;
Or, when the barks of elms are scorched, we keep
On Meroë's burning plains the Libyan sheep.
In hell, and earth, and seas, and heaven above,
Love conquers all; and we must yield to Love. "

My Muses, here your sacred raptures end:
The verse was what I owed my suffering friend.
This while I sung, my sorrows I deceived,
And bending osiers into baskets weaved.
The song, because inspired by you, shall shine;
And Gallus will approve, because 'tis mine--
Gallus, for whom my holy flames renew,
Each hour, and every moment rise in view;
As alders, in the spring, their boles extend,
And heave so fiercely, that the bark they rend.

Now let us rise; for hoarseness oft invades
The singer's voice, who sings beneath the shades.
From juniper unwholesome dews distil, }
That blast the sooty corn, the withering herbage kill. }
Away, my goats, away! for you have browzed your fill. }

END OF THE THIRTEENTH VOLUME.

* * * * *

Edinburgh,
Printed by James Ballantyne & Co.




Transcriber's Notes:


Simple spelling, grammar, and typographical errors were
corrected.

Punctuation normalized.

Anachronistic and non-standard spellings retained as printed.

Italics markup is enclosed in _underscores_.

Greek text is transliterated and enclosed in #number symbols#.






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The Project Gutenberg EBook of The Works of John Dryden, now first
collected in Eighteen Volumes, Volu, by John Dryden

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Title: The Works of John Dryden, now first collected in Eighteen Volumes, Volume 11

Author: John Dryden

Editor: Walter Scott

Release Date: October 27, 2013 [EBook #44050]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE WORKS OF JOHN DRYDEN ***




Produced by Jonathan Ingram, Jane Robins and the Online
Distributed Proofreading Team at http://www. pgdp. net










THE

WORKS

OF

JOHN DRYDEN,

NOW FIRST COLLECTED

_IN EIGHTEEN VOLUMES. _

ILLUSTRATED

WITH NOTES,

HISTORICAL, CRITICAL, AND EXPLANATORY,

AND

A LIFE OF THE AUTHOR,

BY

WALTER SCOTT, ESQ.

* * * * *

VOL. XI.

LONDON:

PRINTED FOR WILLIAM MILLER, ALBEMARLE STREET,

BY JAMES BALLANTYNE AND CO. EDINBURGH.

1808.




CONTENTS

OF

VOLUME ELEVENTH.


PAGE.
EPISTLES.

Epistle I. To John Hoddeson, 3

II. To Sir Robert Howard, 5

III. To Dr Charleton, 12

IV. To the Lady Castlemain, 18

V. To Mr Lee, 22

VI. To the Earl of Roscommon, 26

VII. To the Duchess of York, 31

VIII. To Mr J. Northleigh, 35

IX. To Sir George Etherege, 38

X. To Mr Southerne, 47

XI. To Henry Higden, Esq.