No More Learning

_Sir Dav. _ What's that?

_Sir Jol. _ Why, it will be absolutely necessary that your lady
stayed with me at my house for one day, till things were better
settled.

_Sir Dav. _ Ah, Sir Jolly! whatever you think fit; anything of
mine that you have a mind to; pray take her, pray take her, you
shall be very welcome. Hear you, my dearest, there is but one
way for us to get rid of this untoward business, and Sir Jolly
has found it out; therefore by all means go along with him, and
be ruled by him; and whatever Sir Jolly would have thee do,
e'en do it: so Heaven prosper ye, good-bye, good-bye, till I
see you again. [_Exit. _

_Sir Jol. _ This is certainly the civilest cuckold in city,
town, or country.

_Beau. _ Is he gone? [_Steps out. _

_L. Dunce. _ Yes, and has left poor me here.

_Beau. _ In troth, madam, 'tis barbarously done of him, to
commit a horrid murder on the body of an innocent poor fellow,
and then leave you to stem the danger of it.

_Sir Jol. _ Odd, an I were as thee, sweetheart, I'd be revenged
on him for it, so I would. Go, get ye together, steal out of
the house as softly as you can, I'll meet ye in the Piazza
presently; go, be sure ye steal out of the house, and don't let
Sir Davy see you. [_Exeunt. _


SCENE IV. --_Entrance Hall in_ Sir DAVY DUNCE'S _House_.

_Enter_ Sir JOLLY JUMBLE.

_Sir Jol. _ Bloody-Bones!

_Enter_ BLOODY-BONES.

_Bloody-B. _ I am here, sir.

_Sir Jol. _ Go you and Fourbin to my house presently; bid
Monsieur Fourbin remember that all things be ordered according
to my directions. Tell my maids, too, I am coming home in a
trice; bid 'em get the great chamber, and the banquet I spoke
for, ready presently. And, d'ye hear, carry the minstrels with
ye too, for I am resolved to rejoice this morning. Let me
see--Sir Davy!

_Enter_ Sir DAVY DUNCE.

_Sir Dav. _ Ay, neighbour, 'tis I; is the business done? I
cannot be satisfied till I am sure: have you removed the body?
is it gone?

_Sir Jol. _ Yes, yes, my servants conveyed it out of the house
just now. Well, Sir Davy, a good morning to you: I wish you
your health, with all my heart, Sir Davy; the first thing you
do, though, I'd have you say your prayers by all means, if you
can.

_Sir Dav. _ If I can possibly, I will.

_Sir Jol. _ Well, good-bye. [_Exit. _

_Sir Dav. _ Well, good-bye heartily, good neighbour. --Vermin,
Vermin!

_Enter_ VERMIN.

_Ver. _ Did your honour call?

_Sir Dav. _ Go run, run presently over the square, and call the
constable presently; tell him here's murder committed, and
that I must speak with him instantly. I'll e'en carry him to
my neighbour's, that he may find the dead body there, and so
let my neighbour be very fairly hanged in my stead; ha! a very
good jest, as I hope to live, ha, ha, ha! --hey, what's that?

_Watchmen. _ [_Within. _] Almost four o'clock, and a dark cloudy
morning; good-morrow, my masters all, good-morrow!

_Enter_ Constable _and_ Watch.

_Const. _ How's this, a door open! Come in, gentlemen. --Ah, Sir
Davy, your honour's humble servant; I and my watch, going my
morning-rounds, and finding your door open, made bold to enter,
to see there were no danger. Your worship will excuse our care;
a good morning to you, sir.

_Sir Dav. _ Oh, Master Constable, I'm glad you're here; I sent
my man just now to call you. I have sad news to tell you,
Master Constable.

_Const. _ I am sorry for that, sir; sad news!

_Sir Dav. _ Oh, ay, sad news, very sad news truly: here has been
murder committed.

_Const. _ Murder! if that's all, we are your humble servants,
sir, we'll bid you good-morrow: murder's nothing at this time
o' night in Covent-garden.

_Sir Dav. _ Oh, but this is a horrid, bloody murder, done under
my nose; I cannot but take notice of it; though I am sorry to
tell you the authors of it, very sorry truly.

_Const. _ Was it committed here near hand?

_Sir Dav. _ Oh, at the very next door; a sad murder indeed.
After they had done, they carried the body privately into my
neighbour Sir Jolly's house here; I am sorry to tell it you,
Master Constable, for I am afraid it will look but scurvily on
his side; though I am a justice o' peace, gentlemen, and am
bound by my oath to take notice of it; I can't help it.

_1st Watch. _ I never liked that Sir Jolly.

_Const. _ He threatened me t'other day for carrying a little,
dirty, draggle-tailed whore to Bridewell, and said she was his
cousin. Sir, if your worship thinks fit, we'll go search his
house.

_Sir Dav. _ Oh, by all means, gentlemen, it must be so; justice
must have its course; the king's liege subjects must not be
destroyed. --Vermin, carry Master Constable and his dragons into
the cellar, and make 'em drink; I'll but step into my study,
put on my face of authority, and call upon ye instantly.

_Watchmen. _ We thank your honour. [_Exeunt. _

[Illustration]


SCENE V. --_A Room in_ Sir JOLLY JUMBLE'S _House_. _A banquet set out. _

_Enter_ Sir JOLLY JUMBLE, BEAUGARD, _and_
Lady DUNCE.

_Sir Jol. _ So, are ye come? I am glad on't; odd, you're
welcome, very welcome, odd, ye are; here's a small banquet,
but I hope 'twill please you; sit ye down, sit ye down both
together; nay, both together: a pox o' him that parts ye, I say!

_Beau. _ Sir Jolly, this might be an entertainment for Antony
and Cleopatra, were they living.

_Sir Jol. _ Pish! a pox of Antony and Cleopatra, they are dead
and rotten long ago; come, come, time's but short, time's but
short, and must be made the best use of; for

Youth's a flower that soon does fade,
And life is but a span;
Man was for the woman made,
And woman made for man.

Why, now we can be bold, and make merry, and frisk and be
brisk, rejoice, and make a noise, and--odd, I am pleased,
mightily pleased, odd, I am.

_L. Dunce. _ Really, Sir Jolly, you are more a philosopher than
I thought you were.

_Sir Jol. _ Philosopher, madam! yes, madam, I have read books
in my times; odd, Aristotle, in some things, had very pretty
notions, he was an understanding fellow. Why don't ye eat? odd,
an ye don't eat--here, child, here's some ringoes,[54] help,
help your neighbour a little; odd, they are very good, very
comfortable, very cordial.

_Beau. _ Sir Jolly, your health.

_Sir Jol. _ With all my heart, old boy.

_L. Dunce. _ Dear Sir Jolly, what are these? I never tasted of
these before.

_Sir Jol. _ That? eat it, eat it, eat it when I bid you; odd,
'tis the root satyrion,[55] a very precious plant, I gather 'em
every May myself; odd, they'll make an old fellow of sixty-five
cut a caper like a dancing-master. Give me some wine. Madam,
here's a health, here's a health, madam, here's a health to
honest Sir Davy, faith and troth, ha, ha, ha! [Dance.

_Enter_ BLOODY-BONES.

_Bloody-B. _ Sir, sir, sir! what will you do? yonder's the
constable and all his watch at the door, and threatens
demolishment, if not admitted presently.

_Sir Jol. _ Odds so! odds so! the constable and his watch!
what's to be done now? get you both into the alcove there,
get ye gone quickly, quickly; no noise, no noise, d'ye hear?
[_Exeunt_ Lady DUNCE _and_ BEAUGARD. ] The constable and his
watch! a pox on the constable and his watch! what the devil
have the constable and his watch to do here?

_Enter_ Constable, Watch, _and_ Sir DAVY DUNCE.

_Const. _ This way, this way, gentlemen; stay one of ye at the
door, and let nobody pass, do you hear? Sir Jolly, your servant.

_Sir Jol. _ What, this outrage, this disturbance committed upon
my house and family! sir, sir, sir! what do you mean by these
doings, sweet sir? ho!

_Const. _ Sir, having received information that the body of a
murdered man is concealed in your house, I am come, according
to my duty, to make search and discover the truth. --Stand to my
assistance, gentlemen.

_Sir Jol. _ A murdered man, sir?

_Sir Dav. _ Yes, a murdered man, sir. Sir Jolly, Sir Jolly, I
am sorry to see a person of your character and figure in the
parish concerned in a murder, I say.

_Sir Jol. _ Here's a dog! here's a rogue for you! here's a
villain! here's a cuckoldy son of his mother! I never knew a
cuckold in my life that was not a false rogue in his heart;
there are no honest fellows living but whore-masters. Hark you,
sir, what a pox do you mean? you had best play the fool, and
spoil all, you had; what's all this for?

_Sir Dav. _ When your worship's come to be hanged, you'll find
the meaning on't, sir. I say once more, search the house.

_Const. _ It shall be done, sir. Come along, friends.

[_Exeunt_ Constable _and_ Watch.

_Sir Jol. _ Search my house! O Lord! search my house! what will
become of me? I shall lose my reputation with man and woman,
and nobody will ever trust me again. O Lord! search my house!
all will be discovered, do what I can! I'll sing a song like a
dying swan, and try to give them warning.

Go from the window, my love, my love, my love,
Go from the window, my dear;
The wind and the rain
Have brought 'em back again,
And thou canst have no lodging here. [56]

O Lord! search my house!

_Sir Dav. _ Break down that door, I'll have that door broke
open; break down that door, I say. [_Knocking within. _

_Sir Jol. _ Very well done; break down my doors, break down my
walls, gentlemen! plunder my house! ravish my maids! Ah, cursed
be cuckolds, cuckolds, constables, and cuckolds!
_A door is opened and discovers_ BEAUGARD _and_ Lady DUNCE.
_Re-enter_ Constable _and_ Watch.

_Beau. _ Stand off! by Heaven, the first that comes here comes
upon his death.

_Sir Dav. _ Sir, your humble servant; I'm glad to see you are
alive again with all my heart. Gentlemen, here's no harm done,
gentlemen; here's nobody murdered, gentlemen; the man's alive,
again, gentlemen; but here's my wife, gentlemen, and a fine
gentleman with her, gentlemen; and Master Constable, I hope
you'll bear me witness, Master Constable.

_Sir Jol. _ That he's a cuckold, Master Constable.

[_Aside. _

_Beau. _ Hark ye, ye curs, keep off from snapping at my heels,
or I shall so feague[57] ye.

_Sir Jol. _ Get ye gone, ye dogs, ye rogues, ye night-toads of
the parish dungeon; disturb my house at these unseasonable
hours! get ye out of my doors, get ye gone, or I'll brain ye,
dogs, rogues, villains! [_Exeunt_ Constable _and_ Watch.

_Beau. _ And next for you, Sir Coxcomb, you see I am not
murdered, though you paid well for the performance; what think
you of bribing my own man to butcher me?

_Enter_ FOURBIN.

Look ye, sir, he can cut a throat upon occasion, and here's
another dresses a man's heart with oil and pepper, better than
any cook in Christendom.

_Four. _ Will your worship please to have one for your breakfast
this morning?

_Sir Dav. _ With all my heart, sweetheart, anything in the
world, faith and troth, ha, ha, ha! this is the purest sport,
ha, ha, ha!

_Re-enter_ VERMIN.

_Ver. _ Oh, sir, the most unhappy and most unfortunate news!
There has been a gentleman in Madam Sylvia's chamber all this
night, who, just as you went out of doors, carried her away,
and whither they are gone nobody knows.

_Sir Dav. _ With all my heart, I am glad on't, child, I would
not care if he had carried away my house and all, man. Unhappy
news, quoth-a! poor fool, he does not know I am a cuckold, and
that anybody may make bold with what belongs to me, ha, ha, ha!
I am so pleased, ha, ha, ha; I think I was never so pleased in
all my life before, ha, ha, ha!

_Beau. _ Nay, sir, I have a hank[58] upon you; there are laws
for cut-throats, sir; and as you tender your future credit,
take this wronged lady home, and use her handsomely, use her
like my mistress, sir, do you mark me? that when we think fit
to meet again, I hear no complaint of you; this must be done,
friend.

_Sir Jol. _ In troth, and it is but reasonable, very reasonable
in troth.

_L. Dunce. _ Can you, my dear, forgive me one misfortune?

_Sir Dav. _ Madam, in one word, I am thy ladyship's most
humble servant and cuckold, Sir Davy Dunce, knight, living in
Covent-garden; ha, ha, ha! well, this is mighty pretty, ha, ha,
ha!

_Enter_ SYLVIA, _followed by_ COURTINE.

_Sylv. _ Sir Jolly, ah, Sir Jolly, protect me or I'm ruined.

_Sir Jol. _ My little minikin, is it thy squeak?

_Beau. _ My dear Courtine, welcome.

_Sir Jol. _ Well, child, and what would that wicked fellow do to
thee, child? Ha! child, child, what would he do to thee?

_Sylv. _ Oh, sir, he has most inhumanly seduced me out of my
uncle's house, and threatens to marry me.

_Cour. _ Nay, sir, and she having no more grace before her eyes
neither, has e'en taken me at my word.

_Sir Jol. _ In troth, and that's very uncivilly done: I don't
like these marriages, I'll have no marriages in my house, and
there's an end on't.

_Sir Dav. _ And do you intend to marry my niece, friend?

_Cour. _ Yes, sir, and never ask your consent neither.

_Sir Dav. _ In troth, and that's very well said: I am glad on't
with all my heart, man, because she has five thousand pounds to
her portion, and my estate's bound to pay it. Well, this is the
happiest day, ha, ha, ha!

Here, take thy bride, like man and wife agree,
And may she prove as true--as mine to me.

Ha, ha, ha!

_Beau. _ Courtine, I wish thee joy: thou art come opportunely
to be a witness of a perfect reconcilement between me and that
worthy knight, Sir Davy Dunce; which to preserve inviolate,
you must, sir, before we part, enter into such covenants for
performance as I shall think fit.

_Sir Dav. _ No more to be said; it shall be done, sweetheart:
but don't be too hard upon me; use me gently, as thou didst my
wife; gently, ha, ha, ha! a very good jest, i' faith, ha, ha,
ha! or if he should be cruel to me, gentlemen, and take this
advantage over a poor cornuto, to lay me in a prison, or throw
me in a dungeon, at least--

I hope amongst all you, sirs, I shan't fail
To find one brother-cuckold out for bail. [_Exeunt. _

FOOTNOTES:

[48] Getting bespattered while roving about.

[49] Whipping.

[50] Truly.

[51] A strong inclination.

[52] Strong new wine.

[53] A writ in common law, penalty, difficulty.

[54] Eringoes, the holly plant, which was considered to be an
aphrodisiac.

[55] Another aphrodisiac.

[56] This ballad often occurs in the plays of Beaumont and Fletcher,
and particularly in _Monsieur Thomas_.

[57] Whip.

[58] Hold.




EPILOGUE


With the discharge of passions much oppressed,
Disturbed in brain, and pensive in his breast,
Full of those thoughts which make the unhappy sad,
And by imagination half grown mad,
The poet led abroad his mourning muse,
And let her range, to see what sport she'd choose.
Straight, like a bird got loose, and on the wing,
Pleased with her freedom she began to sing;
Each note was echoed all the vale along,
And this was what she uttered in her song:--
Wretch, write no more for an uncertain fame,
Nor call thy muse, when thou art dull, to blame:
Consider with thyself how thou'rt unfit
To make that monster of mankind, a wit:
A wit's a toad, who, swelled with silly pride,
Full of himself, scorns all the world beside;
Civil would seem, though he good manners lacks,
Smiles on all faces, rails behind all backs.
If e'er good-natured, nought to ridicule,
Good-nature melts a wit into a fool:
Placed high like some jack-pudding in a hall,
At Christmas revels, he makes sport for all.
So much in little praises he delights,
But when he's angry, draws his pen, and writes.
A wit to no man will his dues allow;
Wits will not part with a good word that's due:
So whoe'er ventures on the ragged coast
Of starving poets, certainly is lost;
They rail like porters at the penny-post.
At a new author's play see one but sit,
Making his snarling froward face of wit,
The merit he allows, and praise he grants,
Comes like a tax from a poor wretch that wants.
O poets, have a care of one another,
There's hardly one amongst ye true to t'other:
Like Trinculos and Stephanos, ye play
The lewdest tricks each other to betray. [59]
Like foes detract, yet flattering, friend-like smile,
And all is one another to beguile
Of praise, the monster of your barren isle.
Enjoy the prostitute ye so admire,
Enjoy her to the full of your desire;
Whilst this poor scribbler wishes to retire,
Where he may ne'er repeat his follies more,
But curse the fate that wrecked him on your shore.

Now you, who this day as his judges sit,
After you've heard what he has said of wit,
Ought for your own sakes not to be severe,
But show so much to think he meant none here.

[Illustration]

[Illustration]




VENICE PRESERVED;

OR,

A PLOT DISCOVERED.


[Illustration]

[Illustration]

Venice Preserved was written and acted in 1682, when the terrors of
the alleged Popish Plot had nearly subsided, and probably receives its
second title from that atrocious and equivocal scare. It is founded
on the historical novel of Saint-Réal, _Conjuration des Espagnols
contre la Venise en 1618_, though Sir Henry Wotton, who was our
ambassador to Venice at the time, calls it a French conspiracy. The
whole thing was kept as dark as possible by the Republic, and its exact
character is not easy to determine. Mr. Horatio Brown, however, by
original researches in the Venetian archives, has thrown much light
upon it in his recent charming volume of _Venetian Sketches_. Needy
French adventurers, like Pierre and Renault, appear to have inflamed
the ambition of Spanish grandees, like Osorio, Viceroy of Naples,
and Bedamar, the ambassador at Venice, to compass the ruin of the
Republic by taking advantage of gross internal corruption, the glaring
contrast between social luxury and poverty, and consequent political
discontent. But it was a rat-like hole-and-corner plot, as devoid of
civic virtue or dignity, as any Rye House plot of Otway's time, or any
American-Irish assassination club of our own.

The last time the play was performed without the omission of the comic
scenes, in which Antonio so degradingly figures, was at the special
command of George II. ; but they were condemned by the audience in
spite of royal influence. The satire upon Shaftesbury, designed in
the character of Antonio, is said to have been introduced at the
instigation of Charles II. (Derrick, _Dramatic Censor_, p. 2). In
the prologue to the play, Shaftesbury's ambition to be elected King
of Poland, which procured for him the nick-name of "Count Tapsky,"
and was ridiculed by Dryden in _The Medal_, is openly referred to.
Antonio's name and age also correspond to those of Shaftesbury. But
the parody of his style of speaking is poor. The audience on the
occasion just referred to bestowed vehement applause on Leigh and
Mrs. Currer, who acted the parts of Antonio and Aquilina. So fond
were people of buffoonery in those days that, according to Davies
(_Dramatic Miscellany_), when Pierre, defying the conspirators (Act
III. ), exclaims--"Thou die! Thou kill my friend! or thou, or thou, or
thou with that lean, withered, wretched face! "--an actor, selected for
the purpose, of a most unfortunate figure and meagre visage, presented
himself, and converted this fine passage into burlesque.

The play of _Venice Preserved_ has been several times translated into
French. Hallam observes that the _Manlius Capitolinus_ of Antoine de la
Fosse, published in 1698, and imitated from _Venice Preserved_, shows
the influence which Otway exercised abroad. Upon himself the influence
of contemporary French dramatists was in turn very marked. Lord Byron
was certainly indebted to this play in his _Marino Faliero_. An old
French critic finds fault with the tolling of the bell in Act V. "This
shocking extravagance, which in Paris would excite only contempt and
derision, strikes the English with awe. " How fashions change! Think of
Victor Hugo and _Lucrezia Borgia_!

Hallam remarked that _Venice Preserved_ had been more frequently seen
on the stage than any other play, except those of Shakespeare. He
relates that when he saw it he was affected almost to agony. According
to Mr. Archer (_Reign of Victoria. Drama_), _Venice Preserved_ was
performed under Macready at Covent Garden between 1837 and 1839. It was
revived at Sadler's Wells in 1845, with Phelps as Jaffier, and Mrs.
Warner as Belvidera.

[Illustration]


TO HER GRACE THE DUCHESS OF PORTSMOUTH. [60]

Madam,

Were it possible for me to let the world know how entirely your Grace's
goodness has devoted a poor man to your service; were there words
enough in speech to express the mighty sense I have of your great
bounty towards me, surely I should write and talk of it for ever: but
your Grace has given me so large a theme, and laid so very vast a
foundation, that imagination wants stock to build upon it. I am as one
dumb when I would speak of it; and when I strive to write, I want a
scale of thought sufficient to comprehend the height of it.

Forgive me, then, madam, if (as a poor peasant once made a present
of an apple to an emperor) I bring this small tribute, the humble
growth of my little garden, and lay it at your feet. Believe it is
paid you with the utmost gratitude; believe that so long as I have
thought to remember how very much I owe your generous nature, I will
ever have a heart that shall be grateful for it too: your Grace, next
Heaven, deserves it amply from me; that gave me life, but on a hard
condition--till your extended favour taught me to prize the gift,
and took the heavy burthen it was clogged with from me; I mean hard
fortune. When I had enemies, that with malicious power kept back and
shaded me from those royal beams whose warmth is all I have, or hope to
live by, your noble pity and compassion found me, where I was far cast
backward from my blessing, down in the rear of fortune; called me up,
placed me in the shine, and I have felt its comfort. You have in that
restored me to my native right; for a steady faith, and loyalty to my
prince, was all the inheritance my father left me: and however hardly
my ill fortune deal with me, 'tis what I prize so well that I ne'er
pawned it yet, and hope I ne'er shall part with it.

Nature and fortune were certainly in league when you were born; and as
the first took care to give you beauty enough to enslave the hearts of
all the world, so the other resolved, to do its merit justice, that
none but a monarch, fit to rule that world, should e'er possess it;
and in it he had an empire. The young prince[61] you have given him,
by his blooming virtues, early declares the mighty stock he came from;
and as you have taken all the pious care of a dear mother and a prudent
guardian to give him a noble and generous education, may it succeed
according to his merits and your wishes: may he grow up to be a bulwark
to his illustrious father, and a patron to his loyal subjects; with
wisdom and learning to assist him, whenever called to his councils;
to defend his right against the encroachments of republicans in his
senates; to cherish such men as shall be able to vindicate the royal
cause; that good and fit servants to the crown may never be lost for
want of a protector. May he have courage and conduct, fit to fight his
battles abroad, and terrify his rebels at home; and that all these may
be yet more sure, may he never, during the spring-time of his years,
when those growing virtues ought with care to be cherished, in order to
their ripening;--may he never meet with vicious natures, or the tongues
of faithless, sordid, insipid flatterers, to blast them. To conclude,
may he be as great as the hand of fortune (with his honour) shall be
able to make him; and may your Grace, who are so good a mistress, and
so noble a patroness, never meet with a less grateful servant than,

Madam,
Your Grace's entirely
devoted Creature,
THOMAS OTWAY.

[Illustration]

FOOTNOTES:

[59] In the alteration of Shakespeare's _Tempest_, by Dryden and
Davenant.

[60] Louise de Kerouaille, Charles II. 's well-known mistress, who
was sent over by Louis XIV. , and who supplanted all Charles's other
mistresses, except Nell Gwyn. Wealth and honours were heaped upon her,
and her apartments at Whitehall were far more splendid, Evelyn tells
us, than the queen's. She had, of course, many enemies, one of whom,
in the same year in which Otway wrote this dedication, placed the
following lines beneath her portrait:--

"Lowly born and meanly bred,
Yet of this nation is the head;
For half Whitehall make her their court,
Though the other half make her their sport.
Monmouth's tower, Jeffery's advance,
Foe to England, spy to France,
False and foolish, proud and bold,
Ugly, as you see, and old;
In a word, her mighty Grace
Is whore in all things but her face. "

She was, however, at this time not more than thirty-seven, and survived
the king for fifty years.

[61] Charles Lennox, created Duke of Richmond in 1675, and an ancestor
of the present Duke.




PROLOGUE.


In these distracted times, when each man dreads
The bloody stratagems of busy heads;
When we have feared, three years, we know not what,
Till witnesses[62] begin to die o' the rot,
What made our poet meddle with a plot?
Was't that he fancied, for the very sake
And name of plot, his trifling play might take?
For there's not in't one inch-board evidence,
But 'tis, he says, to reason plain, and sense,
And that he thinks a plausible defence.
Were truth by sense and reason to be tried,
Sure all our swearers might be laid aside:
No, of such tools our author has no need,
To make his plot, or make his play succeed;
He of black bills has no prodigious tales,
Or Spanish pilgrims cast ashore in Wales;
Here's not one murdered magistrate at least,
Kept rank, like venison for a city feast;
Grown four days stiff, the better to prepare
And fit his pliant limbs to ride in chair:
Yet here's an army raised, though under ground,
But no man seen, nor one commission found;
Here is a traitor too that's very old,
Turbulent, subtle, mischievous, and bold;
Bloody, revengeful, and, to crown his part,
Loves fumbling with a wench with all his heart;
Till after having many changes past,
In spite of age (thanks Heaven) is hanged at last.
Next is a senator that keeps a whore,
In Venice none a higher office bore;
To lewdness every night the lecher ran:
Show me, all London, such another man,
Match him at Mother Creswold's[63] if you can.
O Poland, Poland! had it been thy lot,
T'have heard in time of this Venetian plot,
Thou surely chosen hadst one king from thence,
And honoured them, as thou hast England since.

FOOTNOTES:

[62] _i. e. _ Titus Oates and others. The prologue is full of allusions
to events of the time.

[63] The well-known Mother Creswell, a notorious procuress, who kept up
an extensive correspondence with spies and emissaries, by whom she was
informed of "the rising beauties in different parts of the kingdom. "

[Illustration:




_DRAMATIS PERSONÆ. _]


Duke of VENICE.
PRIULI, Father of Belvidera, a Senator.
ANTONIO, a fine speaker in the Senate.
BEDAMAR, the Spanish Ambassador.
JAFFIER, }
PIERRE, }
RENAULT, }
SPINOSA, }
THEODORE, }
ELIOT, }
REVILLIDO, } Conspirators.
DURAND, }
MEZZANA, }
BRAINVILLE, }
TERNON, }
RETROSI, }
BRABE, }
BELVIDERA.
AQUILINA, a Greek Courtesan.
Two Women, Attendants on Belvidera.
Two Women, Servants to Aquilina.
The Council of Ten.
Officer, Guard, Friar, Executioner, and Rabble.

SCENE--VENICE.

[Illustration]

_VENICE PRESERVED_;

_OR_,

_A PLOT DISCOVERED. _




ACT THE FIRST.


SCENE I. --_A Public Place. _

_Enter_ PRIULI _and_ JAFFIER.

_Priu. _ No more! I'll hear no more; begone and leave me.

_Jaff. _ Not hear me! by my suffering but you shall!
My lord, my lord! I'm not that abject wretch
You think me: patience! where's the distance throws
Me back so far, but I may boldly speak
In right, though proud oppression will not hear me?

_Priu. _ Have you not wronged me?

_Jaff.