No More Learning

. . .

Some say there is a precipice
Where one vast pine is frozen to ruin
O'er piles of snow and chasms of ice _35
Mid Alpine mountains;
And that the languid storm pursuing
That winged shape, for ever flies
Round those hoar branches, aye renewing
Its aery fountains. _40

Some say when nights are dry and clear,
And the death-dews sleep on the morass,
Sweet whispers are heard by the traveller,
Which make night day:
And a silver shape like his early love doth pass _45
Upborne by her wild and glittering hair,
And when he awakes on the fragrant grass,
He finds night day.

NOTES:
_2 Wouldst 1839; Would 1824.
_31 moon-like 1824; moonlight 1839.
_44 make]makes 1824, 1839.

***


ODE TO NAPLES.

(The Author has connected many recollections of his visit to Pompeii
and Baiae with the enthusiasm excited by the intelligence of the
proclamation of a Constitutional Government at Naples. This has given a
tinge of picturesque and descriptive imagery to the introductory Epodes
which depicture these scenes, and some of the majestic feelings
permanently connected with the scene of this animating
event. --[SHELLEY'S NOTE. ])

[Composed at San Juliano di Pisa, August 17-25, 1820; published in
"Posthumous Poems", 1824. There is a copy, 'for the most part neat and
legible,' amongst the Shelley manuscripts at the Bodleian Library. See
Mr. C. D. Locock's "Examination", etc. , 1903, pages 14-18. ]

EPODE 1a.

I stood within the City disinterred;
And heard the autumnal leaves like light footfalls
Of spirits passing through the streets; and heard
The Mountain's slumberous voice at intervals
Thrill through those roofless halls; _5
The oracular thunder penetrating shook
The listening soul in my suspended blood;
I felt that Earth out of her deep heart spoke--
I felt, but heard not:--through white columns glowed
The isle-sustaining ocean-flood, _10
A plane of light between two heavens of azure!
Around me gleamed many a bright sepulchre
Of whose pure beauty, Time, as if his pleasure
Were to spare Death, had never made erasure;
But every living lineament was clear _15
As in the sculptor's thought; and there
The wreaths of stony myrtle, ivy, and pine,
Like winter leaves o'ergrown by moulded snow,
Seemed only not to move and grow
Because the crystal silence of the air _20
Weighed on their life; even as the Power divine
Which then lulled all things, brooded upon mine.

NOTE:
_1 Pompeii. --[SHELLEY'S NOTE. ]

EPODE 2a.

Then gentle winds arose
With many a mingled close
Of wild Aeolian sound, and mountain-odours keen; _25
And where the Baian ocean
Welters with airlike motion,
Within, above, around its bowers of starry green,
Moving the sea-flowers in those purple caves,
Even as the ever stormless atmosphere _30
Floats o'er the Elysian realm,
It bore me, like an Angel, o'er the waves
Of sunlight, whose swift pinnace of dewy air
No storm can overwhelm.
I sailed, where ever flows _35
Under the calm Serene
A spirit of deep emotion
From the unknown graves
Of the dead Kings of Melody.
Shadowy Aornos darkened o'er the helm _40
The horizontal aether; Heaven stripped bare
Its depth over Elysium, where the prow
Made the invisible water white as snow;
From that Typhaean mount, Inarime,
There streamed a sunbright vapour, like the standard _45
Of some aethereal host;
Whilst from all the coast,
Louder and louder, gathering round, there wandered
Over the oracular woods and divine sea
Prophesyings which grew articulate--
They seize me--I must speak them! --be they fate! _50

NOTES:
_25 odours B. ; odour 1824.
_42 depth B. ; depths 1824.
_45 sun-bright B. ; sunlit 1824.
_39 Homer and Virgil. --[SHELLEY'S NOTE. ]

STROPHE 1.

Naples! thou Heart of men which ever pantest
Naked, beneath the lidless eye of Heaven!
Elysian City, which to calm enchantest
The mutinous air and sea! they round thee, even _55
As sleep round Love, are driven!
Metropolis of a ruined Paradise
Long lost, late won, and yet but half regained!
Bright Altar of the bloodless sacrifice
Which armed Victory offers up unstained _60
To Love, the flower-enchained!
Thou which wert once, and then didst cease to be,
Now art, and henceforth ever shalt be, free,
If Hope, and Truth, and Justice can avail,--
Hail, hail, all hail! _65

STROPHE 2.

Thou youngest giant birth
Which from the groaning earth
Leap'st, clothed in armour of impenetrable scale!
Last of the Intercessors!
Who 'gainst the Crowned Transgressors _70
Pleadest before God's love! Arrayed in Wisdom's mail,
Wave thy lightning lance in mirth
Nor let thy high heart fail,
Though from their hundred gates the leagued Oppressors
With hurried legions move! _75
Hail, hail, all hail!

ANTISTROPHE 1a.

What though Cimmerian Anarchs dare blaspheme
Freedom and thee? thy shield is as a mirror
To make their blind slaves see, and with fierce gleam
To turn his hungry sword upon the wearer; _80
A new Actaeon's error
Shall theirs have been--devoured by their own hounds!
Be thou like the imperial Basilisk
Killing thy foe with unapparent wounds!
Gaze on Oppression, till at that dread risk _85
Aghast she pass from the Earth's disk:
Fear not, but gaze--for freemen mightier grow,
And slaves more feeble, gazing on their foe:--
If Hope, and Truth, and Justice may avail,
Thou shalt be great--All hail! _90

ANTISTROPHE 2a.

From Freedom's form divine,
From Nature's inmost shrine,
Strip every impious gawd, rend
Error veil by veil;
O'er Ruin desolate,
O'er Falsehood's fallen state, _95
Sit thou sublime, unawed; be the Destroyer pale!
And equal laws be thine,
And winged words let sail,
Freighted with truth even from the throne of God:
That wealth, surviving fate, _100
Be thine. --All hail!

NOTE:
_100 wealth-surviving cj. A. C. Bradley.

ANTISTROPHE 1b.

Didst thou not start to hear Spain's thrilling paean
From land to land re-echoed solemnly,
Till silence became music? From the Aeaean
To the cold Alps, eternal Italy _105
Starts to hear thine! The Sea
Which paves the desert streets of Venice laughs
In light, and music; widowed Genoa wan
By moonlight spells ancestral epitaphs,
Murmuring, 'Where is Doria? ' fair Milan, _110
Within whose veins long ran
The viper's palsying venom, lifts her heel
To bruise his head. The signal and the seal
(If Hope and Truth and Justice can avail)
Art thou of all these hopes. --O hail! _115

NOTES:
_104 Aeaea, the island of Circe. --[SHELLEY'S NOTE. ]
_112 The viper was the armorial device of the Visconti,
tyrants of Milan. --[SHELLEY'S NOTE. ]

ANTISTROPHE 2b.

Florence! beneath the sun,
Of cities fairest one,
Blushes within her bower for Freedom's expectation:
From eyes of quenchless hope
Rome tears the priestly cope, _120
As ruling once by power, so now by admiration,--
An athlete stripped to run
From a remoter station
For the high prize lost on Philippi's shore:--
As then Hope, Truth, and Justice did avail, _125
So now may Fraud and Wrong! O hail!

EPODE 1b.

Hear ye the march as of the Earth-born Forms
Arrayed against the ever-living Gods?
The crash and darkness of a thousand storms
Bursting their inaccessible abodes _130
Of crags and thunder-clouds?
See ye the banners blazoned to the day,
Inwrought with emblems of barbaric pride?
Dissonant threats kill Silence far away,
The serene Heaven which wraps our Eden wide _135
With iron light is dyed;
The Anarchs of the North lead forth their legions
Like Chaos o'er creation, uncreating;
An hundred tribes nourished on strange religions
And lawless slaveries,--down the aereal regions _140
Of the white Alps, desolating,
Famished wolves that bide no waiting,
Blotting the glowing footsteps of old glory,
Trampling our columned cities into dust,
Their dull and savage lust _145
On Beauty's corse to sickness satiating--
They come! The fields they tread look black and hoary
With fire--from their red feet the streams run gory!

EPODE 2b.

Great Spirit, deepest Love!
Which rulest and dost move _150
All things which live and are, within the Italian shore;
Who spreadest Heaven around it,
Whose woods, rocks, waves, surround it;
Who sittest in thy star, o'er Ocean's western floor;
Spirit of beauty! at whose soft command _155
The sunbeams and the showers distil its foison
From the Earth's bosom chill;
Oh, bid those beams be each a blinding brand
Of lightning! bid those showers be dews of poison!
Bid the Earth's plenty kill! _160
Bid thy bright Heaven above,
Whilst light and darkness bound it,
Be their tomb who planned
To make it ours and thine!
Or, with thine harmonizing ardours fill _165
And raise thy sons, as o'er the prone horizon
Thy lamp feeds every twilight wave with fire--
Be man's high hope and unextinct desire
The instrument to work thy will divine!
Then clouds from sunbeams, antelopes from leopards, _170
And frowns and fears from thee,
Would not more swiftly flee
Than Celtic wolves from the Ausonian shepherds. --
Whatever, Spirit, from thy starry shrine
Thou yieldest or withholdest, oh, let be _175
This city of thy worship ever free!

NOTES:
_143 old 1824; lost B.
_147 black 1824; blue B.

***


AUTUMN: A DIRGE.

[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]

1.
The warm sun is failing, the bleak wind is wailing,
The bare boughs are sighing, the pale flowers are dying,
And the Year
On the earth her death-bed, in a shroud of leaves dead,
Is lying. _5
Come, Months, come away,
From November to May,
In your saddest array;
Follow the bier
Of the dead cold Year, _10
And like dim shadows watch by her sepulchre.

2.
The chill rain is falling, the nipped worm is crawling,
The rivers are swelling, the thunder is knelling
For the Year;
The blithe swallows are flown, and the lizards each gone _15
To his dwelling;
Come, Months, come away;
Put on white, black, and gray;
Let your light sisters play--
Ye, follow the bier _20
Of the dead cold Year,
And make her grave green with tear on tear.

***


THE WANING MOON.

[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]

And like a dying lady, lean and pale,
Who totters forth, wrapped in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky East, _5
A white and shapeless mass--

***


TO THE MOON.

[Published (1) by Mrs. Shelley, "Posthumous Poems", 1824, (2) by W. M.
Rossetti, "Complete Poetical Works", 1870. ]

1.
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless
Among the stars that have a different birth,--
And ever changing, like a joyless eye _5
That finds no object worth its constancy?

2.
Thou chosen sister of the Spirit,
That grazes on thee till in thee it pities. . .

***


DEATH.

[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]

1.
Death is here and death is there,
Death is busy everywhere,
All around, within, beneath,
Above is death--and we are death.

2.
Death has set his mark and seal _5
On all we are and all we feel,
On all we know and all we fear,

. . .

3.
First our pleasures die--and then
Our hopes, and then our fears--and when
These are dead, the debt is due, _10
Dust claims dust--and we die too.

4.
All things that we love and cherish,
Like ourselves must fade and perish;
Such is our rude mortal lot--
Love itself would, did they not. _15

***


LIBERTY.

[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]

1.
The fiery mountains answer each other;
Their thunderings are echoed from zone to zone;
The tempestuous oceans awake one another,
And the ice-rocks are shaken round Winter's throne,
When the clarion of the Typhoon is blown. _5

2.
From a single cloud the lightening flashes,
Whilst a thousand isles are illumined around,
Earthquake is trampling one city to ashes,
An hundred are shuddering and tottering; the sound
Is bellowing underground. _10

3.
But keener thy gaze than the lightening's glare,
And swifter thy step than the earthquake's tramp;
Thou deafenest the rage of the ocean; thy stare
Makes blind the volcanoes; the sun's bright lamp
To thine is a fen-fire damp. _15

4.
From billow and mountain and exhalation
The sunlight is darted through vapour and blast;
From spirit to spirit, from nation to nation,
From city to hamlet thy dawning is cast,--
And tyrants and slaves are like shadows of night _20
In the van of the morning light.

NOTE:
_4 zone editions 1824, 1839; throne later editions.

***


SUMMER AND WINTER.

[Published by Mrs. Shelley in "The Keepsake", 1829. Mr. C. W.
Frederickson of Brooklyn possesses a transcript in Mrs. Shelley's
handwriting. ]

It was a bright and cheerful afternoon,
Towards the end of the sunny month of June,
When the north wind congregates in crowds
The floating mountains of the silver clouds
From the horizon--and the stainless sky _5
Opens beyond them like eternity.
All things rejoiced beneath the sun; the weeds,
The river, and the corn-fields, and the reeds;
The willow leaves that glanced in the light breeze,
And the firm foliage of the larger trees. _10

It was a winter such as when birds die
In the deep forests; and the fishes lie
Stiffened in the translucent ice, which makes
Even the mud and slime of the warm lakes
A wrinkled clod as hard as brick; and when, _15
Among their children, comfortable men
Gather about great fires, and yet feel cold:
Alas, then, for the homeless beggar old!

NOTE:
_11 birds die 1839; birds do die 1829.

***


THE TOWER OF FAMINE.

[Published by Mrs. Shelley in "The Keepsake", 1829. Mr. C. W.
Frederickson of Brooklyn possesses a transcript in Mrs. Shelley's
handwriting. ]

Amid the desolation of a city,
Which was the cradle, and is now the grave
Of an extinguished people,--so that Pity

Weeps o'er the shipwrecks of Oblivion's wave,
There stands the Tower of Famine. It is built _5
Upon some prison-homes, whose dwellers rave

For bread, and gold, and blood: Pain, linked to Guilt,
Agitates the light flame of their hours,
Until its vital oil is spent or spilt.

There stands the pile, a tower amid the towers _10
And sacred domes; each marble-ribbed roof,
The brazen-gated temples, and the bowers

Of solitary wealth,--the tempest-proof
Pavilions of the dark Italian air,--
Are by its presence dimmed--they stand aloof, _15

And are withdrawn--so that the world is bare;
As if a spectre wrapped in shapeless terror
Amid a company of ladies fair

Should glide and glow, till it became a mirror
Of all their beauty, and their hair and hue, _20
The life of their sweet eyes, with all its error,
Should be absorbed, till they to marble grew.

NOTE:
_7 For]With 1829.

***


AN ALLEGORY.

[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]

1.
A portal as of shadowy adamant
Stands yawning on the highway of the life
Which we all tread, a cavern huge and gaunt;
Around it rages an unceasing strife
Of shadows, like the restless clouds that haunt _5
The gap of some cleft mountain, lifted high
Into the whirlwinds of the upper sky.

2.
And many pass it by with careless tread,
Not knowing that a shadowy . . .
Tracks every traveller even to where the dead _10
Wait peacefully for their companion new;
But others, by more curious humour led,
Pause to examine;--these are very few,
And they learn little there, except to know
That shadows follow them where'er they go. _15

NOTE:
_8 pass Rossetti; passed editions 1824, 1839.

***


THE WORLD'S WANDERERS.

[Published by Mrs. Shelley, "Posthumous Poems", 1824. ]

1.
Tell me, thou Star, whose wings of light
Speed thee in thy fiery flight,
In what cavern of the night
Will thy pinions close now?

2.
Tell me, Moon, thou pale and gray _5
Pilgrim of Heaven's homeless way,
In what depth of night or day
Seekest thou repose now?

3.
Weary Wind, who wanderest
Like the world's rejected guest, _10
Hast thou still some secret nest
On the tree or billow?

***


SONNET.

[Published by Leigh Hunt, "The Literary Pocket-Book", 1823. There is a
transcript amongst the Ollier manuscripts, and another in the Harvard
manuscript book. ]

Ye hasten to the grave! What seek ye there,
Ye restless thoughts and busy purposes
Of the idle brain, which the world's livery wear?
O thou quick heart, which pantest to possess
All that pale Expectation feigneth fair! _5
Thou vainly curious mind which wouldest guess
Whence thou didst come, and whither thou must go,
And all that never yet was known would know--
Oh, whither hasten ye, that thus ye press,
With such swift feet life's green and pleasant path, _10
Seeking, alike from happiness and woe,
A refuge in the cavern of gray death?
O heart, and mind, and thoughts! what thing do you
Hope to inherit in the grave below?

NOTE:
_1 grave Ollier manuscript;
dead Harvard manuscript, 1823, editions 1824, 1839.
_5 pale Expectation Ollier manuscript;
anticipation Harvard manuscript, 1823, editions 1824, 1839.
_7 must Harvard manuscript, 1823; mayst 1824; mayest editions 1839.
_8 all that Harvard manuscript, 1823; that which editions 1824, 1839.
would Harvard manuscript, 1823; wouldst editions 1839.

***


LINES TO A REVIEWER.

[Published by Leigh Hunt, "The Literary Pocket-Book", 1823. These
lines, and the "Sonnet" immediately preceding, are signed Sigma in the
"Literary Pocket-Book". ]

Alas, good friend, what profit can you see
In hating such a hateless thing as me?
There is no sport in hate where all the rage
Is on one side: in vain would you assuage
Your frowns upon an unresisting smile, _5
In which not even contempt lurks to beguile
Your heart, by some faint sympathy of hate.
Oh, conquer what you cannot satiate!
For to your passion I am far more coy
Than ever yet was coldest maid or boy _10
In winter noon. Of your antipathy
If I am the Narcissus, you are free
To pine into a sound with hating me.

NOTE:
_3 where editions 1824, 1839; when 1823.

***


FRAGMENT OF A SATIRE ON SATIRE.

[Published by Edward Dowden, "Correspondence of Robert Southey and
Caroline Bowles", 1880. ]

If gibbets, axes, confiscations, chains,
And racks of subtle torture, if the pains
Of shame, of fiery Hell's tempestuous wave,
Seen through the caverns of the shadowy grave,
Hurling the damned into the murky air _5
While the meek blest sit smiling; if Despair
And Hate, the rapid bloodhounds with which Terror
Hunts through the world the homeless steps of Error,
Are the true secrets of the commonweal
To make men wise and just;. . . _10
And not the sophisms of revenge and fear,
Bloodier than is revenge. . .
Then send the priests to every hearth and home
To preach the burning wrath which is to come,
In words like flakes of sulphur, such as thaw _15
The frozen tears. . .
If Satire's scourge could wake the slumbering hounds
Of Conscience, or erase the deeper wounds,
The leprous scars of callous Infamy;
If it could make the present not to be, _20
Or charm the dark past never to have been,
Or turn regret to hope; who that has seen
What Southey is and was, would not exclaim,
'Lash on! ' . . . be the keen verse dipped in flame;
Follow his flight with winged words, and urge _25
The strokes of the inexorable scourge
Until the heart be naked, till his soul
See the contagion's spots . . . foul;
And from the mirror of Truth's sunlike shield,
From which his Parthian arrow. . . _30
Flash on his sight the spectres of the past,
Until his mind's eye paint thereon--
Let scorn like . . . yawn below,
And rain on him like flakes of fiery snow.
This cannot be, it ought not, evil still-- _35
Suffering makes suffering, ill must follow ill.
Rough words beget sad thoughts, . . . and, beside,
Men take a sullen and a stupid pride
In being all they hate in others' shame,
By a perverse antipathy of fame. _40
'Tis not worth while to prove, as I could, how
From the sweet fountains of our Nature flow
These bitter waters; I will only say,
If any friend would take Southey some day,
And tell him, in a country walk alone, _45
Softening harsh words with friendship's gentle tone,
How incorrect his public conduct is,
And what men think of it, 'twere not amiss.
Far better than to make innocent ink--

***


GOOD-NIGHT.

[Published by Leigh Hunt over the signature Sigma, "The Literary
Pocket-Book", 1822. It is included in the Harvard manuscript book, and
there is a transcript by Shelley in a copy of "The Literary
Pocket-Book", 1819, presented by him to Miss Sophia Stacey, December
29, 1820. (See "Love's Philosophy" and "Time Long Past". ) Our text is
that of the editio princeps, 1822, with which the Harvard manuscript
and "Posthumous Poems", 1824, agree. The variants of the Stacey
manuscript, 1820, are given in the footnotes. ]

1.
Good-night? ah! no; the hour is ill
Which severs those it should unite;
Let us remain together still,
Then it will be GOOD night.

2.
How can I call the lone night good, _5
Though thy sweet wishes wing its flight?
Be it not said, thought, understood--
Then it will be--GOOD night.

3.
To hearts which near each other move
From evening close to morning light, _10
The night is good; because, my love,
They never SAY good-night.

NOTES:
_1 Good-night? no, love! the night is ill Stacey manuscript.
_5 How were the night without thee good Stacey manuscript.
_9 The hearts that on each other beat Stacey manuscript.
_11 Have nights as good as they are sweet Stacey manuscript.
_12 But never SAY good night Stacey manuscript.

***


BUONA NOTTE.

[Published by Medwin, "The Angler in Wales, or Days and Nights of
Sportsmen", 1834. The text is revised by Rossetti from the Boscombe
manuscript. ]

1.
'Buona notte, buona notte! '--Come mai
La notte sara buona senza te?
Non dirmi buona notte,--che tu sai,
La notte sa star buona da per se.

2.
Solinga, scura, cupa, senza speme, _5
La notte quando Lilla m'abbandona;
Pei cuori chi si batton insieme
Ogni notte, senza dirla, sara buona.

3.
Come male buona notte ci suona
Con sospiri e parole interrotte! -- _10
Il modo di aver la notte buona
E mai non di dir la buona notte.

NOTES:
_2 sara]sia 1834.
_4 buona]bene 1834.
_9 Come]Quanto 1834.

***


ORPHEUS.

[Published by Dr. Garnett, "Relics of Shelley", 1862; revised and
enlarged by Rossetti, "Complete Poetical Works of P. B. S. ", 1870. ]

A:
Not far from hence. From yonder pointed hill,
Crowned with a ring of oaks, you may behold
A dark and barren field, through which there flows,
Sluggish and black, a deep but narrow stream,
Which the wind ripples not, and the fair moon _5
Gazes in vain, and finds no mirror there.
Follow the herbless banks of that strange brook
Until you pause beside a darksome pond,
The fountain of this rivulet, whose gush
Cannot be seen, hid by a rayless night _10
That lives beneath the overhanging rock
That shades the pool--an endless spring of gloom,
Upon whose edge hovers the tender light,
Trembling to mingle with its paramour,--
But, as Syrinx fled Pan, so night flies day, _15
Or, with most sullen and regardless hate,
Refuses stern her heaven-born embrace.
On one side of this jagged and shapeless hill
There is a cave, from which there eddies up
A pale mist, like aereal gossamer, _20
Whose breath destroys all life--awhile it veils
The rock--then, scattered by the wind, it flies
Along the stream, or lingers on the clefts,
Killing the sleepy worms, if aught bide there.
Upon the beetling edge of that dark rock _25
There stands a group of cypresses; not such
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
Whose branches the air plays among, but not
Disturbs, fearing to spoil their solemn grace; _30
But blasted and all wearily they stand,
One to another clinging; their weak boughs
Sigh as the wind buffets them, and they shake
Beneath its blasts--a weatherbeaten crew!

CHORUS:
What wondrous sound is that, mournful and faint, _35
But more melodious than the murmuring wind
Which through the columns of a temple glides?

A:
It is the wandering voice of Orpheus' lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes; _40
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.

CHORUS:
Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.

A:
Ah, no! _45
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift stream--the cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn _50
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked 'Where she is, it is dark! '
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas! _55
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of spring--each riplet makes _60
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes, _65
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring _70
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
'Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong, _75
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light. _80
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine _85
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on, _90
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon _95
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words ne'er used before, _100
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes, _105
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race _110
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth _115
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound. _120
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.

NOTES:
_16, _17, _24 1870 only.
_45-_55 Ah, no! . . . melody 1870 only.
_66 1870 only.
_112 trees 1870; too 1862.
_113 huge 1870; long 1862.
_116 starlike 1870; starry 1862. odour 1862; odours 1870.

***


FIORDISPINA.

[Published in part (lines 11-30) by Mrs. Shelley, "Posthumous Poems",
1824; in full (from the Boscombe manuscript) by Dr. Garnett, "Relics of
Shelley", 1862. ]

The season was the childhood of sweet June,
Whose sunny hours from morning until noon
Went creeping through the day with silent feet,
Each with its load of pleasure; slow yet sweet;
Like the long years of blest Eternity _5
Never to be developed. Joy to thee,
Fiordispina and thy Cosimo,
For thou the wonders of the depth canst know
Of this unfathomable flood of hours,
Sparkling beneath the heaven which embowers-- _10

. . .

They were two cousins, almost like to twins,
Except that from the catalogue of sins
Nature had rased their love--which could not be
But by dissevering their nativity.
And so they grew together like two flowers _15
Upon one stem, which the same beams and showers
Lull or awaken in their purple prime,
Which the same hand will gather--the same clime
Shake with decay. This fair day smiles to see
All those who love--and who e'er loved like thee, _20
Fiordispina? Scarcely Cosimo,
Within whose bosom and whose brain now glow
The ardours of a vision which obscure
The very idol of its portraiture.
He faints, dissolved into a sea of love; _25
But thou art as a planet sphered above;
But thou art Love itself--ruling the motion
Of his subjected spirit: such emotion
Must end in sin and sorrow, if sweet May
Had not brought forth this morn--your wedding-day. _30

. . .

'Lie there; sleep awhile in your own dew,
Ye faint-eyed children of the . . . Hours,'
Fiordispina said, and threw the flowers
Which she had from the breathing--

. . .

A table near of polished porphyry. _35
They seemed to wear a beauty from the eye
That looked on them--a fragrance from the touch
Whose warmth . . . checked their life; a light such
As sleepers wear, lulled by the voice they love, which did reprove _40
The childish pity that she felt for them,
And a . . . remorse that from their stem
She had divided such fair shapes . . . made
A feeling in the . . . which was a shade
Of gentle beauty on the flowers: there lay _45
All gems that make the earth's dark bosom gay.
. . . rods of myrtle-buds and lemon-blooms,
And that leaf tinted lightly which assumes
The livery of unremembered snow--
Violets whose eyes have drunk-- _50

. . .

Fiordispina and her nurse are now
Upon the steps of the high portico,
Under the withered arm of Media
She flings her glowing arm

. . .

. . . step by step and stair by stair, _55
That withered woman, gray and white and brown--
More like a trunk by lichens overgrown
Than anything which once could have been human.
And ever as she goes the palsied woman

. . .

'How slow and painfully you seem to walk, _60
Poor Media! you tire yourself with talk. '
'And well it may,
Fiordispina, dearest--well-a-day!
You are hastening to a marriage-bed;
I to the grave! '--'And if my love were dead, _65
Unless my heart deceives me, I would lie
Beside him in my shroud as willingly
As now in the gay night-dress Lilla wrought. '
'Fie, child! Let that unseasonable thought
Not be remembered till it snows in June; _70
Such fancies are a music out of tune
With the sweet dance your heart must keep to-night.
What! would you take all beauty and delight
Back to the Paradise from which you sprung,
And leave to grosser mortals? -- _75
And say, sweet lamb, would you not learn the sweet
And subtle mystery by which spirits meet?
Who knows whether the loving game is played,
When, once of mortal [vesture] disarrayed,
The naked soul goes wandering here and there _80
Through the wide deserts of Elysian air?
The violet dies not till it'--

NOTES:
_11 to 1824; two editions 1839.
_20 e'er 1862; ever editions 1824, 1839.
_25 sea edition 1862; sense editions 1824, 1839.

***


TIME LONG PAST.

[Published by Rossetti, "Complete Poetical Works of P. B. S. ", 1870.
This is one of three poems (cf. "Love's Philosophy" and "Good-Night")
transcribed by Shelley in a copy of Leigh Hunt's "Literary Pocket-Book"
for 1819 presented by him to Miss Sophia Stacey, December 29, 1820. ]

1.
Like the ghost of a dear friend dead
Is Time long past.
A tone which is now forever fled,
A hope which is now forever past,
A love so sweet it could not last, _5
Was Time long past.

2.