No More Learning

I am worthy as a king.

LXXX.

"As it is--your ermined pride, I swear, shall feel this stain upon her,
That _I_, poor, weak, tost with passion, scorned by me and you again,
Love you, madam, dare to love you, to my grief and your dishonour,
To my endless desolation, and your impotent disdain! "

LXXXI.

More mad words like these--mere madness! friend, I need not write them
fuller,
For I hear my hot soul dropping on the lines in showers of tears.
Oh, a woman! friend, a woman! why, a beast had scarce been duller
Than roar bestial loud complaints against the shining of the spheres.

LXXXII.

But at last there came a pause. I stood all vibrating with thunder
Which my soul had used. The silence drew her face up like a call.
Could you guess what word she uttered? She looked up, as if in wonder,
With tears beaded on her lashes, and said--"Bertram! "--It was all.

LXXXIII.

If she had cursed me, and she might have, or if even, with queenly
bearing
Which at need is used by women, she had risen up and said,
"Sir, you are my guest, and therefore I have given you a full hearing:
Now, beseech you, choose a name exacting somewhat less, instead! "--

LXXXIV.

I had borne it: but that "Bertram"--why, it lies there on the paper
A mere word, without her accent, and you cannot judge the weight
Of the calm which crushed my passion: I seemed drowning in a vapour;
And her gentleness destroyed me whom her scorn made desolate.

LXXXV.

So, struck backward and exhausted by that inward flow of passion
Which had rushed on, sparing nothing, into forms of abstract truth,
By a logic agonizing through unseemly demonstration,
And by youth's own anguish turning grimly grey the hairs of youth,--

LXXXVI.

By the sense accursed and instant, that if even I spake wisely
I spake basely--using truth, if what I spake indeed was true,
To avenge wrong on a woman--_her_, who sate there weighing nicely
A poor manhood's worth, found guilty of such deeds as I could do! --

LXXXVII.

By such wrong and woe exhausted--what I suffered and occasioned,--
As a wild horse through a city runs with lightning in his eyes,
And then dashing at a church's cold and passive wall, impassioned,
Strikes the death into his burning brain, and blindly drops and dies--

LXXXVIII.

So I fell, struck down before her--do you blame me, friend, for
weakness?
'T was my strength of passion slew me! --fell before her like a stone;
Fast the dreadful world rolled from me on its roaring wheels of
blackness:
When the light came I was lying in this chamber and alone.

LXXXIX.

Oh, of course she charged her lacqueys to bear out the sickly burden,
And to cast it from her scornful sight, but not _beyond_ the gate;
She is too kind to be cruel, and too haughty not to pardon
Such a man as I; 't were something to be level to her hate.

XC.

But for me--you now are conscious why, my friend, I write this letter,
How my life is read all backward, and the charm of life undone.
I shall leave her house at dawn; I would to-night, if I were better--
And I charge my soul to hold my body strengthened for the sun.

XCI.

When the sun has dyed the oriel, I depart, with no last gazes,
No weak moanings (one word only, left in writing for her hands),
Out of reach of all derision, and some unavailing praises,
To make front against this anguish in the far and foreign lands.

XCII.

Blame me not. I would not squander life in grief--I am abstemious.
I but nurse my spirit's falcon that its wing may soar again.
There's no room for tears of weakness in the blind eyes of a Phemius:
Into work the poet kneads them, and he does not die _till then_.


CONCLUSION.

I.

Bertram finished the last pages, while along the silence ever
Still in hot and heavy splashes fell the tears on every leaf.
Having ended, he leans backward in his chair, with lips that quiver
From the deep unspoken, ay, and deep unwritten thoughts of grief.

II.

Soh! how still the lady standeth! 'T is a dream--a dream of mercies!
'Twixt the purple lattice-curtains how she standeth still and pale!
'T is a vision, sure, of mercies, sent to soften his self curses,
Sent to sweep a patient quiet o'er the tossing of his wail.

III.

"Eyes," he said, "now throbbing through me! are ye eyes that did undo
me?
Shining eyes, like antique jewels set in Parian statue-stone!
Underneath that calm white forehead are ye ever burning torrid
O'er the desolate sand-desert of my heart and life undone? "

IV.

With a murmurous stir uncertain, in the air the purple curtain
Swelleth in and swelleth out around her motionless pale brows,
While the gliding of the river sends a rippling noise for ever
Through the open casement whitened by the moonlight's slant repose.

V.

Said he--"Vision of a lady! stand there silent, stand there steady!
Now I see it plainly, plainly now I cannot hope or doubt--
There, the brows of mild repression--there, the lips of silent passion,
Curvèd like an archer's bow to send the bitter arrows out. "

VI.

Ever, evermore the while in a slow silence she kept smiling,
And approached him slowly, slowly, in a gliding measured pace;
With her two white hands extended as if praying one offended,
And a look of supplication gazing earnest in his face.

VII.

Said he--"Wake me by no gesture,--sound of breath, or stir of vesture!
Let the blessèd apparition melt not yet to its divine!
No approaching--hush, no breathing! or my heart must swoon to death in
The too utter life thou bringest, O thou dream of Geraldine! "

VIII.

Ever, evermore the while in a slow silence she kept smiling,
But the tears ran over lightly from her eyes and tenderly:--
"Dost thou, Bertram, truly love me? Is no woman far above me
Found more worthy of thy poet-heart than such a one as _I_? "

IX.

Said he--"I would dream so ever, like the flowing of that river,
Flowing ever in a shadow greenly onward to the sea!
So, thou vision of all sweetness, princely to a full completeness
Would my heart and life flow onward, deathward, through this dream of
THEE! "

X.

Ever, evermore the while in a slow silence she kept smiling,
While the silver tears ran faster down the blushing of her cheeks;
Then with both her hands enfolding both of his, she softly told him,
"Bertram, if I say I love thee, . . . 't is the vision only speaks. "

XI.

Softened, quickened to adore her, on his knee he fell before her,
And she whispered low in triumph, "It shall be as I have sworn.
Very rich he is in virtues, very noble--noble, certes;
And I shall not blush in knowing that men call him lowly born. "




_THE RUNAWAY SLAVE AT PILGRIM'S POINT. _


I.

I stand on the mark beside the shore
Of the first white pilgrim's bended knee,
Where exile turned to ancestor,
And God was thanked for liberty.
I have run through the night, my skin is as dark,
I bend my knee down on this mark:
I look on the sky and the sea.

II.

O pilgrim-souls, I speak to you!
I see you come proud and slow
From the land of the spirits pale as dew
And round me and round me ye go.
O pilgrims, I have gasped and run
All night long from the whips of one
Who in your names works sin and woe!

III.

And thus I thought that I would come
And kneel here where ye knelt before,
And feel your souls around me hum
In undertone to the ocean's roar;
And lift my black face, my black hand,
Here, in your names, to curse this land
Ye blessed in freedom's, evermore.

IV.

I am black, I am black,
And yet God made me, they say:
But if He did so, smiling back
He must have cast his work away
Under the feet of his white creatures,
With a look of scorn, that the dusky features
Might be trodden again to clay.

V.

And yet He has made dark things
To be glad and merry as light:
There's a little dark bird sits and sings,
There's a dark stream ripples out of sight,
And the dark frogs chant in the safe morass,
And the sweetest stars are made to pass
O'er the face of the darkest night.

VI.

But _we_ who are dark, we are dark!
Ah God, we have no stars!
About our souls in care and cark
Our blackness shuts like prison-bars:
The poor souls crouch so far behind
That never a comfort can they find
By reaching through the prison-bars.

VII.

Indeed we live beneath the sky,
That great smooth Hand of God stretched out
On all His children fatherly,
To save them from the dread and doubt
Which would be if, from this low place,
All opened straight up to His face
Into the grand eternity.

VIII.

And still God's sunshine and His frost,
They make us hot, they make us cold,
As if we were not black and lost;
And the beasts and birds, in wood and fold,
Do fear and take us for very men:
Could the whip-poor-will or the cat of the glen
Look into my eyes and be bold?

IX.

I am black, I am black!
But, once, I laughed in girlish glee,
For one of my colour stood in the track
Where the drivers drove, and looked at me,
And tender and full was the look he gave--
Could a slave look _so_ at another slave? --
I look at the sky and the sea.

X.

And from that hour our spirits grew
As free as if unsold, unbought:
Oh, strong enough, since we were two,
To conquer the world, we thought.
The drivers drove us day by day;
We did not mind, we went one way,
And no better a freedom sought.

XI.

In the sunny ground between the canes,
He said "I love you" as he passed;
When the shingle-roof rang sharp with the rains,
I heard how he vowed it fast:
While others shook he smiled in the hut,
As he carved me a bowl of the cocoa-nut
Through the roar of the hurricanes.

XII.

I sang his name instead of a song,
Over and over I sang his name,
Upward and downward I drew it along
My various notes,--the same, the same!
I sang it low, that the slave-girls near
Might never guess, from aught they could hear,
It was only a name--a name.

XIII.

I look on the sky and the sea.
We were two to love, and two to pray:
Yes, two, O God, who cried to Thee,
Though nothing didst Thou say!
Coldly Thou sat'st behind the sun:
And now I cry who am but one,
Thou wilt not speak to-day.

XIV.

We were black, we were black,
We had no claim to love and bliss,
What marvel if each went to wrack?
They wrung my cold hands out of his,
They dragged him--where? I crawled to touch
His blood's mark in the dust . . . not much,
Ye pilgrim-souls, though plain as _this_!

XV.

Wrong, followed by a deeper wrong!
Mere grief's too good for such as I:
So the white men brought the shame ere long
To strangle the sob of my agony.
They would not leave me for my dull
Wet eyes! --it was too merciful
To let me weep pure tears and die.

XVI.

I am black, I am black!
I wore a child upon my breast,
An amulet that hung too slack,
And, in my unrest, could not rest:
Thus we went moaning, child and mother,
One to another, one to another,
Until all ended for the best.

XVII.

For hark! I will tell you low, low,
I am black, you see,--
And the babe who lay on my bosom so,
Was far too white, too white for me;
As white as the ladies who scorned to pray
Beside me at church but yesterday,
Though my tears had washed a place for my knee.

XVIII.

My own, own child! I could not bear
To look in his face, it was so white;
I covered him up with a kerchief there,
I covered his face in close and tight:
And he moaned and struggled, as well might be,
For the white child wanted his liberty--
Ha, ha! he wanted the master-right.

XIX.

He moaned and beat with his head and feet,
His little feet that never grew;
He struck them out, as it was meet,
Against my heart to break it through:
I might have sung and made him mild,
But I dared not sing to the white-faced child
The only song I knew.

XX.

I pulled the kerchief very close:
He could not see the sun, I swear,
More, then, alive, than now he does
From between the roots of the mango . . . where?
I know where. Close! A child and mother
Do wrong to look at one another
When one is black and one is fair.

XXI.

Why, in that single glance I had
Of my child's face, . . . I tell you all,
I saw a look that made me mad!
The _master's_ look, that used to fall
On my soul like his lash . . . or worse!
And so, to save it from my curse,
I twisted it round in my shawl.

XXII.

And he moaned and trembled from foot to head,
He shivered from head to foot;
Till after a time, he lay instead
Too suddenly still and mute.
I felt, beside, a stiffening cold:
I dared to lift up just a fold,
As in lifting a leaf of the mango-fruit.

XXIII.

But _my_ fruit . . . ha, ha! --there, had been
(I laugh to think on 't at this hour! )
Your fine white angels (who have seen
Nearest the secret of God's power)
And plucked my fruit to make them wine,
And sucked the soul of that child of mine
As the humming-bird sucks the soul of the flower.

XXIV.

Ha, ha, the trick of the angels white!
They freed the white child's spirit so.
I said not a word, but day and night
I carried the body to and fro,
And it lay on my heart like a stone, as chill.
--The sun may shine out as much as he will:
I am cold, though it happened a month ago.

XXV.

From the white man's house, and the black man's hut,
I carried the little body on;
The forest's arms did round us shut,
And silence through the trees did run:
They asked no question as I went,
They stood too high for astonishment,
They could see God sit on his throne.

XXVI.

My little body, kerchiefed fast,
I bore it on through the forest, on;
And when I felt it was tired at last,
I scooped a hole beneath the moon:
Through the forest-tops the angels far,
With a white sharp finger from every star,
Did point and mock at what was done.

XXVII.

Yet when it was all done aught,--
Earth, 'twixt me and my baby, strewed,--
All, changed to black earth,--nothing white,--
A dark child in the dark! --ensued
Some comfort, and my heart grew young;
I sate down smiling there and sung
The song I learnt in my maidenhood.

XXVIII.

And thus we two were reconciled,
The white child and black mother, thus;
For as I sang it soft and wild,
The same song, more melodious,
Rose from the grave whereon I sate
It was the dead child singing that,
To join the souls of both of us.

XXIX.

I look on the sea and the sky.
Where the pilgrims' ships first anchored lay
The free sun rideth gloriously,
But the pilgrim-ghosts have slid away
Through the earliest streaks of the morn:
My face is black, but it glares with a scorn
Which they dare not meet by day.

XXX.

Ha! --in their stead, their hunter sons!
Ha, ha! they are on me--they hunt in a ring!
Keep off! I brave you all at once,
I throw off your eyes like snakes that sting!
You have killed the black eagle at nest, I think:
Did you ever stand still in your triumph, and shrink
From the stroke of her wounded wing?

XXXI.

(Man, drop that stone you dared to lift! --)
I wish you who stand there five abreast.
Each, for his own wife's joy and gift,
A little corpse as safely at rest
As mine in the mangoes! Yes, but _she_
May keep live babies on her knee,
And sing the song she likes the best.

XXXII.

I am not mad: I am black.
I see you staring in my face--
I know you staring, shrinking back,
Ye are born of the Washington-race,
And this land is the free America,
And this mark on my wrist--(I prove what I say)
Ropes tied me up here to the flogging-place.

XXXIII.

You think I shrieked then? Not a sound!
I hung, as a gourd hangs in the sun;
I only cursed them all around
As softly as I might have done
My very own child: from these sands
Up to the mountains, lift your hands,
O slaves, and end what I begun!

XXXIV.

Whips, curses; these must answer those!
For in this UNION you have set
Two kinds of men in adverse rows,
Each loathing each; and all forget
The seven wounds in Christ's body fair,
While HE sees gaping everywhere
Our countless wounds that pay no debt.

XXXV.

Our wounds are different. Your white men
Are, after all, not gods indeed,
Nor able to make Christs again
Do good with bleeding. _We_ who bleed
(Stand off! ) we help not in our loss!
_We_ are too heavy for our cross,
And fall and crush you and your seed.

XXXVI.

I fall, I swoon! I look at the sky.
The clouds are breaking on my brain
I am floated along, as if I should die
Of liberty's exquisite pain.
In the name of the white child waiting for me
In the death-dark where we may kiss and agree,
White men, I leave you all curse-free
In my broken heart's disdain!




_THE CRY OF THE CHILDREN. _

~"Pheu, pheu, ti prosderkesthe m' ommasin, tekna? "~

--Medea.


I.

Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers.
And _that_ cannot stop their tears.
The young lambs are bleating in the meadows,
The young birds are chirping in the nest,
The young fawns are playing with the shadows,
The young flowers are blowing toward the west--
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in the playtime of the others,
In the country of the free.

II.

Do you question the young children in the sorrow
Why their tears are falling so?
The old man may weep for his to-morrow
Which is lost in Long Ago;
The old tree is leafless in the forest,
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?

III.

They look up with their pale and sunken faces,
And their looks are sad to see,
For the man's hoary anguish draws and presses
Down the cheeks of infancy;
"Your old earth," they say, "is very dreary,
Our young feet," they say, "are very weak;
Few paces have we taken, yet are weary--
Our grave-rest is very far to seek:
Ask the aged why they weep, and not the children,
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old. "

IV.

"True," say the children, "it may happen
That we die before our time:
Little Alice died last year, her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay!
From the sleep wherein she lieth none will wake her,
Crying, 'Get up, little Alice! it is day. '
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries;
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes:
And merry go her moments, lulled and stilled in
The shroud by the kirk-chime.
It is good when it happens," say the children,
"That we die before our time. "

V.

Alas, alas, the children! they are seeking
Death in life, as best to have:
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do;
Pluck your handfuls of the meadow-cowslips pretty,
Laugh aloud, to feel your fingers let them through!
But they answer, "Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!

VI.

"For oh," say the children, "we are weary,
And we cannot run or leap;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring
Through the coal-dark, underground;
Or, all day, we drive the wheels of iron
In the factories, round and round.

VII.

"For all day the wheels are droning, turning;
Their wind comes in our faces,
Till our hearts turn, our heads with pulses burning,
And the walls turn in their places:
Turns the sky in the high window, blank and reeling,
Turns the long light that drops adown the wall,
Turn the black flies that crawl along the ceiling:
All are turning, all the day, and we with all.
And all day the iron wheels are droning,
And sometimes we could pray,
'O ye wheels' (breaking out in a mad moaning),
'Stop! be silent for to-day! '"

VIII.

Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth!
Let them touch each other's hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals:
Let them prove their living souls against the notion
That they live in you, or under you, O wheels!
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children's souls, which God is calling sunward,
Spin on blindly in the dark.

IX.

Now tell the poor young children, O my brothers,
To look up to Him and pray;
So the blessed One who blesseth all the others,
Will bless them another day.
They answer, "Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word.
And _we_ hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?

X.

"Two words, indeed, of praying we remember,
And at midnight's hour of harm,
'Our Father,' looking upward in the chamber,
We say softly for a charm. [6]
We know no other words except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
'Our Father! ' If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
'Come and rest with me, my child. '

XI.

"But, no! " say the children, weeping faster,
"He is speechless as a stone:
And they tell us, of His image is the master
Who commands us to work on.
Go to! " say the children,--"up in Heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving:
We look up for God, but tears have made us blind. "
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God's possible is taught by His world's loving,
And the children doubt of each.

XII.

And well may the children weep before you!
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom;
They sink in man's despair, without its calm;
Are slaves, without the liberty in Christdom,
Are martyrs, by the pang without the palm:
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap,--
Are orphans of the earthly love and heavenly.
Let them weep! let them weep!

XIII.

They look up with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in high places,
With eyes turned on Deity.
"How long," they say, "how long, O cruel nation,
Will you stand, to move the world, on a child's heart,--
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O gold-heaper,
And your purple shows your path!
But the child's sob in the silence curses deeper
Than the strong man in his wrath. "

FOOTNOTES:

[6] A fact rendered pathetically historical by Mr. Horne's report of
his Commission. The name of the poet of "Orion" and "Cosmo de' Medici"
has, however, a change of associations, and comes in time to remind me
that we have some noble poetic heat of literature still,--however open
to the reproach of being somewhat gelid in our humanity--1844.




_A CHILD ASLEEP. _


I.

How he sleepeth, having drunken
Weary childhood's mandragore!
From its pretty eyes have sunken
Pleasures to make room for more;
Sleeping near the withered nosegay which he pulled the day before.

II.

Nosegays! leave them for the waking;
Throw them earthward where they grew;
Dim are such beside the breaking
Amaranths he looks unto:
Folded eyes see brighter colours than the open ever do.

III.

Heaven-flowers, rayed by shadows golden
From the palms they sprang beneath,
Now perhaps divinely holden,
Swing against him in a wreath:
We may think so from the quickening of his bloom and of his breath.

IV.

Vision unto vision calleth
While the young child dreameth on:
Fair, O dreamer, thee befalleth
With the glory thou hast won!
Darker wast thou in the garden yestermorn by summer sun.

V.

We should see the spirits ringing
Round thee, were the clouds away:
'T is the child-heart draws them, singing
In the silent-seeming clay--
Singing! stars that seem the mutest go in music all the way.

VI.

As the moths around a taper,
As the bees around a rose,
As the gnats around a vapour,
So the spirits group and close
Round about a holy childhood as if drinking its repose.

VII.

Shapes of brightness overlean thee,
Flash their diadems of youth
On the ringlets which half screen thee,
While thou smilest . . . not in sooth
_Thy_ smile, but the overfair one, dropt from some etherial mouth.

VIII.

Haply it is angels' duty,
During slumber, shade by shade
To fine down this childish beauty
To the thing it must be made
Ere the world shall bring it praises, or the tomb shall see it fade.

IX.

Softly, softly! make no noises!
Now he lieth dead and dumb;
Now he hears the angels' voices
Folding silence in the room
Now he muses deep the meaning of the Heaven-words as they come.

X.

Speak not! he is consecrated;
Breathe no breath across his eyes:
Lifted up and separated
On the hand of God he lies
In a sweetness beyond touching, held in cloistral sanctities.

XI.

Could ye bless him, father--mother,
Bless the dimple in his cheek?
Dare ye look at one another
And the benediction speak?
Would ye not break out in weeping and confess yourselves too weak?

XII.

He is harmless, ye are sinful;
Ye are troubled, he at ease;
From his slumber virtue winful
Floweth outward with increase.
Dare not bless him! but be blessèd by his peace, and go in peace.




_THE FOURFOLD ASPECT. _


I.

When ye stood up in the house
With your little childish feet,
And, in touching Life's first shows,
First the touch of Love did meet,--
Love and Nearness seeming one,
By the heartlight cast before,
And of all Beloveds, none
Standing farther than the door;
Not a name being dear to thought,
With its owner beyond call;
Not a face, unless it brought
Its own shadow to the wall;
When the worst recorded change
Was of apple dropt from bough,
When love's sorrow seemed more strange
Than love's treason can seem now;--
Then, the Loving took you up
Soft, upon their elder knees,
Telling why the statues droop
Underneath the churchyard trees,
And how ye must lie beneath them
Through the winters long and deep,
Till the last trump overbreathe them,
And ye smile out of your sleep.
Oh, ye lifted up your head, and it seemed as if they said
A tale of fairy ships
With a swan-wing for a sail;
Oh, ye kissed their loving lips
For the merry merry tale--
So carelessly ye thought upon the Dead!

II.

Soon ye read in solemn stories
Of the men of long ago,
Of the pale bewildering glories
Shining farther than we know;
Of the heroes with the laurel,
Of the poets with the bay,
Of the two worlds' earnest quarrel
For that beauteous Helena;
How Achilles at the portal
Of the tent heard footsteps nigh,
And his strong heart, half-immortal,
Met the _keitai_ with a cry;
How Ulysses left the sunlight
For the pale eidola race
Blank and passive through the dun light,
Staring blindly in his face;
How that true wife said to Poetus,
With calm smile and wounded heart,
"Sweet, it hurts not! " How Admetus
Saw his blessed one depart;
How King Arthur proved his mission,
And Sir Roland wound his horn,
And at Sangreal's moony vision
Swords did bristle round like corn.
Oh, ye lifted up your head, and it seemed, the while ye read,
That this Death, then, must be found
A Valhalla for the crowned,
The heroic who prevail:
None, be sure can enter in
Far below a paladin
Of a noble noble tale--
So awfully ye thought upon the Dead!

III.

Ay, but soon ye woke up shrieking,
As a child that wakes at night
From a dream of sisters speaking
In a garden's summer-light,--
That wakes, starting up and bounding,
In a lonely lonely bed,
With a wall of darkness round him,
Stifling black about his head!
And the full sense of your mortal
Rushed upon you deep and loud,
And ye heard the thunder hurtle
From the silence of the cloud.
Funeral-torches at your gateway
Threw a dreadful light within.
All things changed: you rose up straightway,
And saluted Death and Sin.
Since, your outward man has rallied,
And your eye and voice grown bold;
Yet the Sphinx of Life stands pallid,
With her saddest secret told.
Happy places have grown holy:
If ye went where once ye went,
Only tears would fall down slowly,
As at solemn sacrament.
Merry books, once read for pastime,
If ye dared to read again,
Only memories of the last time
Would swim darkly up the brain.
Household names, which used to flutter
Through your laughter unawares,--
God's Divinest ye could utter
With less trembling in your prayers.
Ye have dropt adown your head, and it seems as if ye tread
On your own hearts in the path
Ye are called to in His wrath,
And your prayers go up in wail
--"Dost Thou see, then, all our loss,
O Thou agonized on cross?
Art thou reading all its tale? "
So mournfully ye think upon the Dead!

IV.

Pray, pray, thou who also weepest,
And the drops will slacken so.
Weep, weep, and the watch thou keepest
With a quicker count will go.
Think: the shadow on the dial
For the nature most undone,
Marks the passing of the trial,
Proves the presence of the sun.
Look, look up, in starry passion,
To the throne above the spheres:
Learn: the spirit's gravitation
Still must differ from the tear's.
Hope: with all the strength thou usest
In embracing thy despair.
Love: the earthly love thou losest
Shall return to thee more fair.
Work: make clear the forest-tangles
Of the wildest stranger-land
Trust: the blessèd deathly angels
Whisper, "Sabbath hours at hand! "
By the heart's wound when most gory,
By the longest agony,
Smile! Behold in sudden glory
The TRANSFIGURED smiles on _thee_!
And ye lifted up your head, and it seemed as if He said,
"My Belovèd, is it so?
Have ye tasted of my woe?
Of my Heaven ye shall not fail! "
He stands brightly where the shade is,
With the keys of Death and Hades,
And there, ends the mournful tale--
So hopefully ye think upon the Dead!




_NIGHT AND THE MERRY MAN. _


NIGHT.

'Neath my moon what doest thou,
With a somewhat paler brow
Than she giveth to the ocean?
He, without a pulse or motion,
Muttering low before her stands,
Lifting his invoking hands
Like a seer before a sprite,
To catch her oracles of light:
But thy soul out-trembles now
Many pulses on thy brow.
Where be all thy laughters clear,
Others laughed alone to hear?
Where thy quaint jests, said for fame?
Where thy dances, mixed with game?
Where thy festive companies,
Moonèd o'er with ladies' eyes
All more bright for thee, I trow?
'Neath my moon what doest thou?


THE MERRY MAN.

I am digging my warm heart
Till I find its coldest part;
I am digging wide and low,
Further than a spade will go,
Till that, when the pit is deep
And large enough, I there may heap
All my present pain and past
Joy, dead things that look aghast
By the daylight: now 't is done.
Throw them in, by one and one!
I must laugh, at rising sun.

* * * * *

Memories--of fancy's golden
Treasures which my hands have holden,
Till the chillness made them ache;
Of childhood's hopes that used to wake
If birds were in a singing strain,
And for less cause, sleep again;
Of the moss-seat in the wood
Where I trysted solitude;
Of the hill-top where the wind
Used to follow me behind,
Then in sudden rush to blind
Both my glad eyes with my hair,
Taken gladly in the snare;
Of the climbing up the rocks,
Of the playing 'neath the oaks
Which retain beneath them now
Only shadow of the bough;
Of the lying on the grass
While the clouds did overpass,
Only they, so lightly driven,
Seeming betwixt me and Heaven;
Of the little prayers serene,
Murmuring of earth and sin;
Of large-leaved philosophy
Leaning from my childish knee;
Of poetic book sublime,
Soul-kissed for the first dear time,
Greek or English, ere I knew
Life was not a poem too:--
Throw them in, by one and one!
I must laugh, at rising sun.

* * * * *

--Of the glorious ambitions
Yet unquenched by their fruitions
Of the reading out the nights;
Of the straining at mad heights;
Of achievements, less descried
By a dear few than magnified;
Of praises from the many earned
When praise from love was undiscerned;
Of the sweet reflecting gladness
Softened by itself to sadness:--
Throw them in, by one and one!
I must laugh, at rising sun.

* * * * *

What are these? more, more than these!
Throw in dearer memories! --
Of voices whereof but to speak
Makes mine own all sunk and weak;
Of smiles the thought of which is sweeping
All my soul to floods of weeping;
Of looks whose absence fain would weigh
My looks to the ground for aye;
Of clasping hands--ah me, I wring
Mine, and in a tremble fling
Downward, downward all this paining!
Partings with the sting remaining,
Meetings with a deeper throe
Since the joy is ruined so,
Changes with a fiery burning,
(Shadows upon all the turning,)
Thoughts of . . . with a storm they came,
_Them_ I have not breath to name:
Downward, downward be they cast
In the pit! and now at last
My work beneath the moon is done,
And I shall laugh, at rising sun.

* * * * *

But let me pause or ere I cover
All my treasures darkly over:
I will speak not in thine ears,
Only tell my beaded tears
Silently, most silently.
When the last is calmly told,
Let that same moist rosary
With the rest sepùlchred be,
Finished now! The darksome mould
Sealeth up the darksome pit.
I will lay no stone on it,
Grasses I will sow instead,
Fit for Queen Titania's tread;
Flowers, encoloured with the sun,
And ~ai ai~ written upon none;
Thus, whenever saileth by
The Lady World of dainty eye,
Not a grief shall here remain,
Silken shoon to damp or stain:
And while she lisps, "I have not seen
Any place more smooth and clean" . . .