No More Learning

A voice seemed crying from that grave so dreary,
“What wouldst thou do, my daughter? » — and she started,
And quick recoiled, aghast, faint-hearted;
But Paul, impatient, urges evermore
Her steps towards the open door;
And when, beneath her feet, the unhappy maid
Crushes the laurel near the house immortal,
And with her head, as Paul talks on again,
Touches the crown of filigrane
Suspended from the low-arched portal,
No more restrained, no more afraid,
She walks, as for a feast arrayed,
And in the ancient chapel's sombre night
They both are lost to sight.
At length the bell
With booming sound
Sends forth, resounding round,
Its hymeneal peal o'er rock and down the dell.
It is broad day, with sunshine and with rain;
And yet the guests delay not long,
For soon arrives the bridal train,
And with it brings the village throng.


## p. 8207 (#407) ###########################################

JACQUES JASMIN
8207
In sooth, deceit maketh no mortal gay,
For lo! Baptiste on this triumphant day,
Mute as an idiot, sad as yester-morning,
Thinks only of the beldame's words of warning.
And Angela thinks of her cross, iwis;
To be a bride is all! The pretty lisper
Feels her heart swell to hear all round her whisper,
“How beautiful! how beautiful she is ! »
But she must calm that giddy head,
For already the mass is said;
At the holy table stands the priest;
The wedding-ring is blessed; Baptiste receives it;
Ere on the finger of the bride he leaves it,
He must pronounce one word at least !
'Tis spoken; and sudden at the groomsman's side
<< 'Tis he! ) a well-known voice has cried.
And while the wedding guests all hold their breath,
Opes the confessional, and the blind girl see!
Baptiste,” she said, "since thou hast wished my death,
As holy water be my blood for thee! »
And calmly in the air a knife suspended!
Doubtless her guardian angel near attended,
For anguish did its work so well,
That ere the fatal stroke descended,
Lifeless she fell!
c
At eve, instead of bridal verse,
The 'De Profundis filled the air;
Decked with flowers a simple hearse
To the church-yard forth they bear;
Village girls in robes of snow
Follow, weeping as they go;
Nowhere was a smile that day,
No, ah no! for each one seemed to say:-
«The road should mourn and be veiled in gloom,
So fair a corpse shall leave its home!
Should mourn and should weep, ah, well-away!
So fair a corpse shall pass to-day! ”
Longfellow's Translation. By courtesy of Houghton, Mifflin & Co. , publishers,
Boston
1


## p. 8208 (#408) ###########################################

8208
JAYADEVA
(ABOUT THE TWELFTH CENTURY A. D. )
BY A. V. WILLIAMS JACKSON
was
a
J
(
a
AYADEVA
Sanskrit lyric poet, author of the Gita-
Govinda' or 'Shepherd's Canticle,' an Indian (Song of
Songs. This passionate lyrist, who is presumed to have
lived in the twelfth century of our era, is believed to have been
native of Kinduvilva in the district of Bengal. With all the fervor
of a Theocritus piping in the vales of Sicily, he sang in melting
strains the divine love of the god Vishnu, incarnate as herdsman
and shepherd on the banks of the Indian Jumna. Little is known of
his life. A passing mention in his poem implies that his father's
name was Bhoja-deva, and that his mother's name was Rāma-devī;
but that is all. We know also from the poem that he was a reli-
gious devotee of the Vaishnavite sect, for the praise of Vishnu forms
the burden of the refrains in his song. He is to be distinguished,
acco
cording to general opinion, from a Sanskrit dramatist of the same
name. The article "Indian Literature) should be consulted in order
to give an idea of the age in which Jayadeva flourished.
The poem (Gīta-Govinda! (literally «song of the cowherd”) is
one of the most celebrated compositions in Sanskrit literature.
It
is a lyrical-dramatic piece, a musical pastoral, or a sort of Oriental
opera in narrative. As before remarked, the theme of this religious
canticle is the story of the love of Vishnu, incarnate as Krishna or
Hari, for his devoted Rādhā. The half-human yet divine Krishna,
a very Apollo in beauty, has strayed from the true love of his heart,
the herdsman's daughter Rādhā, and he disports himself with the
gõpis, or shepherd damsels, in all the enchanting ecstasies of transi-
tory passion. The neglected and grieving Rādhā searches for her
erring lover to reclaim him. A handmaiden, her lone companion,
bears the messages to Krishna, whose fleeting frenzied passion for
the shepherdesses is soon spent, and who longs for reunion with his
soul's idol, the perfect maiden Rādhā. All this is rendered with gen-
uine dramatic power, yet there is no dialogue: the poet simply tells
the story, but he tells it in so vivid a way that it is truly dramatic.
The handmaid finally brings about the reconciliation of the lovers,
and accomplishes their reunion in a moonlit bower amid a
flooded with Oriental coloring.
scene
a


## p. 8209 (#409) ###########################################

JAYADEVA
8209
Like the Song of Solomon, which should be read in this con-
nection, the Gīta-Govinda' is frequently interpreted as an allegory,
portraying figuratively a struggle of the soul amid human passions
and the final attainment of supreme spiritual bliss. Such figurative
methods of expression and symbolic imagery in poetry have indeed
prevailed in the East since time immemorial, as is seen in the case
of Hāfiz (the article on whom might be consulted); and it is hardly
to be questioned that a religious element is present in the 'Gīta,' for
Jayadeva's oft repeated refrains of pious devotion stand out in quite
clear tone amid the erotic strains. On the other hand, the sacred
erotism of the poem may show something of the sensuality of the
Vishnu-Krishna cult. In whichever way we criticize the poem, we
inust allow the presence of a devotional element and the consequent
possibilities, as we would in Solomon's Divine Song.
As a poem, the “Gīta-Govinda' is a masterpiece of art. To read
it in the original is the true way to gain an idea of the charm and
artistic finish of the composition. The ever changing rhythms, the
rich rhymes which are often interlaced or concealed, the alliteration,
assonance, fanciful metrical devices, and a dozen subtle graces which
belong to the Sanskrit art poesy, surprise by their variety and their
abundance. The diversity in tone and shade adds to the effect; the
feeling is tender and delicate, but sometimes it is passionate to excess,
and is expressed with a warmth and fervor or a lavishness of Oriental
coloring that is occasionally too exuberant for Occidental taste. The
poem is divided into twelve short cantos, and it contains more than
twenty lyrical gems. The text provides for musical accompaniments
in different measures and modes, suited to the lyrical effusion which
forms its burden or which is expressed in its refrain. It is almost
impossible in translation to convey a true idea of the finish and deli-
cacy of the original. The German poetical rendering by Rückert is
.
believed to have come nearest to success in this. Sir Edwin Arnold's
paraphrase, “The Indian Song of Songs,' may well be read to catch
something of the spirit of the composition. Lassen's Latin version is
one of the classic works on the subject. The prose rendering into
English by Sir William Jones in the fourth volume of his Collected
Works, in spite of abridgment and some alterations, is sufficiently
near to the original to convey a good idea of the merits — and to
our mind, of some of the defects — of this Sanskrit masterpiece.
Selections from that rendering, with slight changes in spelling, are
appended. Rādhā is searching for her erring lover Krishna.
Ar. weel and
Jackan
XIV-514


## p. 8210 (#410) ###########################################

8210
JAYADEVA
RĀDHĀ AND KRISHNA
R
ADHĀ long sought her love Krishna in vain, and her thoughts
were confounded by the fever of desire; she roved in the
1. 7. vernal morning among the twining Väsantis covered with
soft blossoms, when a damsel thus addressed her with youthful
hilarity: «The gale that has wantoned round the beautiful clove-
plants breathes now from the hills of Malaya; the circling arbors
resound with the notes of the Kokila [cuckoo] and the murmurs of
the honey-making swarms. Now the hearts of damsels whose lov-
ers travel at a distance are pierced with anguish; while the blos-
soms of Bakul are conspicuous among the flowerets covered with
bees. The Tamāla, with leaves dark and odorous, claims a tribute
from the musk which it vanquishes; and the clustering flowers
of the Palāça resemble the nails of Kāma [Cupid], with which he
rends the hearts of the young. The full-blown Keçara gleams like
the sceptre of the world's monarch, Love; and the pointed Thyrse
of the Ketaka resembles the darts by which lovers are wounded.
See the bunches of the Pătali-flowers [trumpet flowers] filled
with bees, like the quiver of Smara full of shafts; while the ten-
der blossom of the Karuna smiles to see the whole world laying
shame aside. The far-scented Mādhavi (spring creeper] beautifies
the trees round which it twines; and the fresh Mallikā (jasmine)
seduces with rich perfume even the hearts of hermits; while the
Amra-tree with blooming tresses is embraced by the gay creeper
Atimucta, and the blue streams of Yamunā wind round the
groves of Vrindāvan. In this charming season, which gives pain
to separated lovers, young Krishna sports and dances with young
damsels. ”
[The jealous Rādhā gives no answer, and the maid continues by describing
how the forgetful Krishna disports with the gay shepherdesses. )
I. 12,
“With a garland of wild flowers descending even to the
yellow mantle that girds his azure limbs, distinguished by smiling
cheeks and by earrings that sparkle as he plays, Krishna exults
in the assemblage of amorous damsels. One of them presses him
to her swelling breast, while she warbles with exquisite melody.
Another, affected by a glance from his eye, stands meditating
on the lotos of his face. A third, on pretense of whispering a
secret in his ear, approaches his temples and kisses them with


## p. 8211 (#411) ###########################################

JAYADEVA
8211
ardor. One seizes his mantle and draws him toward her, point-
ing to the bower on the banks of Yamunā, where elegant Van-
julas interweave their branches. He applauds another, who dances
in the sportive circle, whilst her bracelets ring and she beats
time with her palms. Now he caresses one, and kisses another,
smiling on a third with complacency; and now he chases her
whose beauty has most allured him. Thus the wanton Krishna
frolics, in the season of sweets, among the maids of Vraja, who
rush to his embraces as if he were Pleasure itself assuming a
human form; and one of them, under a pretext of hymning his
divine perfections, whispers in his ear: (Thy lips, my beloved,
are nectar. ) »
II. I.
Rādhă remains in the forest: but resenting the pro-
miscuous passion of Krishna, and his neglect of her beauty which
he once thought superior, she retires to a bower of twining
plants, the summit of which resounds with the humming of
swarms engaged in their sweet labors; and there, falling lan-
guid on the ground, she thus addresses her female companion:
« Though he take recreation in my absence, and smile on all
around him, yet my soul remembers him. ”
[And the deserving and grieving Rādhā portrays in fairest colors the
depth of her love for the errant Krishna, and she begs the maid to bring him
to her bower. ]
III. 1. Meantime the destroyer of Kansa, having brought to
his remembrance the amiable Rādhā, forsook the beautiful dam-
sels of Vraja: he sought his devoted Rādhā in all parts of the
forest; his old wound from love's arrow bled again; he repented
his levity, and seated in a bower near the bank of the Yamunā,
the blue daughter of the sun, thus poured forth his lamentation.
“She is departed: she saw me, no doubt, surrounded by the
wanton shepherdesses; yet, conscious of my fault, I durst not
intercept her flight. Woe is me! She feels a sense of injured
honor, and is departed in wrath. How will she conduct herself ?
How will she express her pain in so long a separation? What
is wealth to me ? What are numerous attendants? What are the
pleasures of the world ? What joy can I receive from a heavenly
abode? I seem to behold her face with eyebrows contracting
themselves through her just resentment; it resembles a fresh
lotos over which two black bees are fluttering: I seem, so present
is she to my imagination, even now to caress her with eagerness.


## p. 8212 (#412) ###########################################

8212
JAYADEVA
IV. I.
Why then do I seek her in this forest? Why do I lament with.
out cause? O slender damsel! anger, I know, has torn thy soft
bosom; but whither thou art retired I know not. How can I
invite thee to return? Thou art seen by me, indeed, in a vision;
thou seemest to move before me. Ah! why dost thou not rush,
as before, to my embrace? Do but forgive me: never again will
I commit a similar offense. Grant me but a sight of thee, O
lovely Rādhā, for my passion torments me. ”
The damsel [as confidante] commissioned by Rādhā
[to seek the erring Krishna] found the disconsolate god under
an arbor of spreading Vaniras by the side of Yamunā; where,
presenting herself gracefully before him, she thus described the
affliction of his beloved:-
"She despises essence of sandalwood, and even by moonlight
sits brooding over her gloomy sorrow; she declares the gale of
Malaya to be venom, and the sandal-trees through which it has
breathed to have been the haunt of serpents. Thus, O Madhava,
is she afflicted in thy absence with the pain which love's dart
has occasioned; her soul is fixed on thee. Fresh arrows of desire
are continually assailing her, and she forms a net of lotos-leaves
as armor for her heart, which thou alone shouldst fortify. She
makes her own bed of the arrows darted by the flowery-shafted
god; but when she hoped for thy embrace, she had formed for
thee a couch of soft blossoms. Her face is like a water-lily
veiled in the dews of tears, and her eyes appear like moons
eclipsed. ”
[Krishna now sends a message in return by the damsel, who pictures to
Rādhā the longing of her lover's heart as follows:-)
((
V.
2.
“Whilst a sweet breeze from the hills of Malaya comes
wafting on his plumes the young god of Desire; while many a
flower points his extended petals to pierce the bosoms of sepa-
rated lovers, the deity crowned with sylvan blossoms laments,
friend, in thy absence. Even the dewy rays of the moon burn
him; and as the shaft of love is descending, he mourns inarticu-
lately with increasing distraction. When the bees murmur softly,
he covers his ears; misery sits fixed in his heart, and every
returning night adds anguish to anguish. He quits his radiant
palace for the wild forest, where he sinks on a bed of cold clay,
and frequently mutters thy name. In yon bower, to which the
pilgrims of love are used to repair, he meditates on thy form,


## p. 8213 (#413) ###########################################

JAYADEVA
8213
repeating in silence some enchanting word which once dropped
from thy lips, and thirsting for the nectar which they alone can
supply. Delay not, o loveliest of women; follow the lord of thy
heart: behold, he seeks the appointed shade, bright with the
ornaments of love, and confident of the promised bliss. Having
bound his locks with forest flowers, he hastens to yon arbor,
where a soft gale breathes over the banks of Yamunā; there,
again pronouncing thy name, he modulates his divine reed. Oh!
with what rapture doth he gaze on the golden dust which the
breeze shakes from expanded blossoms; the breeze which has
kissed thy cheek! With a mind languid as a dropping wing,
a
feeble as a trembling leaf, he doubtfully expects thy approach,
and timidly looks on the path which thou must tread. ”
[The damsel returns, and narrates to Krishna the love-born misery and
weakness of Rādhā. ]
VI. I. “She mourns, O sovereign of the world, in her verdant
bower; she looks eagerly on all sides in hope of thy approach;
then, gaining strength from the delightful idea of the proposed
meeting, she advances a few steps, and falls languid on the
ground. When she rises, she weaves bracelets of fresh leaves;
she dresses herself like her beloved, and looking at herself in
sport, exclaims, Behold the vanquisher of Madhu! ' Then she
repeats again and again the name of Krishna, and catching at a
dark blue cloud, strives to embrace it, saying, “It is my beloved
who approaches. ' Thus, while thou art dilatory, she lies expect-
ing thee; she mourns; she weeps; she puts on her gayest orna-
ments to receive her lord. ”
VII. I. By this time the moon spread out a net of beams
over the groves of Vrindāvan, and looked like a drop of liquid
sandal on the face of the sky, which smiled like a beautiful dam-
sel; while its orb with many spots betrayed, as it were, a con-
sciousness of guilt, in having often attended amorous maids to
the loss of their family honor. The moon, with a black fawn
couched on its disk, advanced in its nightly course; but Mādhava
had not advanced to the bower of Rādhā, who thus bewailed his
delay with notes of varied lamentation.
“The appointed moment is come; but Krishna, alas!
comes not to the grove. Must the season of my unblemished
youth pass thus idly away? Oh! what refuge can I seek, deluded
as I am by the guile of my female adviser ? The god with five
((
VII. 3.


## p. 8214 (#414) ###########################################

8214
JAYADEVA
arrows has wounded my heart; and I am deserted by him for
whose sake I have sought at night the darkest recess of the for-
est. Since my best beloved friends have deceived me, it is my
wish to die; since my senses are disordered, and my bosom is on
fire, why stay I longer in this world ? »
VII. 5.
[And as Krishna does not accompany the damsel, Rādhā supposes him to
be false; and fired by jealousy, she passes in anguish a sleepless night imagin-
ing her Krishna reposing in a rival's arms. ]
Her form is transfigured by the touch of her divine
lover; her garland quivers over her swelling bosom; her face like
the moon is graced with clouds of dark hair, and trembles, while
she quaffs the nectarous dew on his lip; her bright earrings
dance over her cheeks, which they radiate; and the small bells on
her girdle tinkle as she moves.
[But Krishna is faithful now to his true love, whom he fears he has lost.
His prolonged trial is at an end, and penitent he seeks Rādbā and falls weep-
ing at her feet. ]
X. 2.
"Speak but one mild word, and the rays of thy spar-
kling teeth will dispel the gloom of my fears. My trembling lips,
like thirsty Chakoras, long to drink the moonbeams of thy cheek.
O my darling, who art naturally so tender-hearted, abandon thy
causeless indignation. At this moment the fame of desire con-
sumes my heart: oh, grant me a draught of honey from the lotos
of thy mouth! Or, if thou beëst inexorable, grant me death from
the arrows of thy keen eyes; make thy arms my chains; and
punish me according to thy pleasure. Thou art my life; thou art
my ornament; thou art a pearl in the ocean of my mortal birth:
oh! be favorable now, and my heart shall eternally be grateful. ”
[And the reconciliation takes place in a beautiful moonlit bower, as de-
scribed above. ]
Translation of Sir William Jones.


## p. 8215 (#415) ###########################################

8215
RICHARD JEFFERIES
(1848–1887)
N English essayist of unusual quality was Richard Jefferies,
whose birthplace was near the Wiltshire village of Swindon.
There, November 6th, 1848, the son of a farmer, he began the
life that was to end untimely before he had come to the age of forty.
His baptismal name was John Richard. Self-educated by sheer will-
power, struggling up out of untoward humble circumstances, Jefferies
offers an example of one of the finest spectacles earth affords: per-
sonal merit winning its way against odds.
He wrote early for local newspapers, and
contributed tentatively to Fraser's Maga-
zine. In 1877, still under thirty, he settled
at Surbiton near London, in order to take
up the literary career for better or worse.
He wrote for the Pall Mall Gazette, Long-
mans' Magazine, and like periodicals; his
essays attracting attention by their indi-
vidual note, fresh spirit, accurate descrip-
tions, and loving feeling for nature.
Although dying comparatively young, -
August 14th, 1887, at Goring in Sussex, (? )-
Jefferies was a voluminous writer, his list RICHARD JEFFERIES
of published works numbering twenty-four.
Of these, characteristic early works were (The Gamekeeper at
Home: or, Sketches from Natural History and Rural Life' (1878);
(The Amateur Poacher) (1879); Hodge and His Masters) (1880); and
Round About a Great Estate (1880). A number of novels also date
from this period; and while Jefferies was deficient in construction and
action, and not properly a maker of fiction, his fine descriptive powers
and strong thought give even his stories a certain value. But it is in
the essay devoted to the study and praise of nature that he becomes
a master. When he began to write of British scenery, of the birds,
flowers, and trees of his own region, he produced work that won him
a unique position among modern English essayists. Volumes like
Life of the Fields) (1884), the wonderful autobiographical sketch
(Story of My Heart) (1883), and the posthumous collection of papers
published by his widow under the title (Field and Hedgerow, illus-
trate phases of this activity.

-


## p. 8216 (#416) ###########################################

8216
RICHARD JEFFERIES
During the six final years of his life Jefferies was an invalid, and
spent his time in country villages in the quest of health; yet some
of the most suggestive and beautiful of his essays were written under
these conditions, the poetic and mystic in him coming out strong
towards the last, and lending a sort of magic to his pen.
Like the American John Burroughs, Jefferies unites knowledge
and love of his chief subject with the power of popular literary pres-
entation. Technicalities are forgotten in the infectious glow of his
enthusiasm. The two writers are not unlike, also, in their philosophy,
which interprets Nature without discovering in her the conventional
religious symbols. But Jefferies is more the prose poet, and has an
idealistic element which gives a peculiar charm to his essays.
The
exquisite passage which follows, from the Story of My Heart,' is
as good an illustration of this mystic quality as the whole body of
his writings affords. Seldom has a more remarkable confession of
spiritual travail been written down. The Story' is so candid, so
intimate, yet so delicate; and it is all true, "absolutely and unflinch-
ingly true,” as he says. One hardly knows at first whether it be a
real experience or a literary tour de force, — until more knowledge of
Jefferies, of his honesty and unconventionality, stamps the book as
naïvely genuine. The poetry of it will be felt by any one sensitive
to beautiful words that carry beautiful thoughts. An example is also
given of his earlier, more objective and practical mood and manner.
HILL VISIONS
From (The Story of My Heart)
He story of my heart commences seventeen years ago.
In the
T
It
in
I felt the necessity of a strong inspiration of soul-thought.
My heart was dusty, parched for the want of the rain of deep
feeling; my mind arid and dry, - for there is a dust which
settles on the heart as well as that which falls on a ledge.
is injurious to the mind as well as to the body to be always
one place, and always surrounded by the same circumstances.
A species of thick clothing slowly grows about the mind; the
pores are choked, little habits become a part of existence, and
by degrees the mind is inclosed in a husk. When this began to
form, I felt eager to escape from it, to throw it off like heavy
clothing, to drink deeply once more at the fresh fountain of life.
An inspiration - a long deep breath of the pure air of thought
- could alone give health to the heart.


## p. 8217 (#417) ###########################################

RICHARD JEFFERIES
8217
On a
warm
I re-
sun
There was a hill to which I used to resort at such periods.
The labor of walking three miles to it, all the while gradually
ascending, seemed to clear my blood of the heaviness accumu-
lated at home.
summer day the slow continued
rise required continued effort, which carried away the sense of
oppression. The familiar every-day scene was soon out of sight;
I came to other trees, meadows, and fields; I began to breathe a
new air and to have a fresher aspiration. I restrained my soul
till I reached the sward of the hill; psyche, the soul that longed
to be loose, -I would write psyche always instead of soul, to
avoid meanings which have become attached to the word “soul,”
but it is awkward to do so. Clumsy indeed are all words the
moment the wooden stage of commonplace life is left.
strained psyche, my soul, till I reached and put my foot on the
grass at the beginning of the green hill itself.
Moving up the sweet short turf, at every step my heart
seemed to obtain a wider horizon of feeling; with every inhala-
tion of rich pure air, a deeper desire. The very light of the
was whiter and more brilliant here, By the time I had
reached the summit I had entirely forgotten the petty circum-
stances and the annoyances of existence. I felt myself, myself.
There was an intrenchment on the summit, and going down
into the fosse I walked round it slowly to recover breath. On
the southwestern side there was a spot where the outer bank
had partially slipped, leaving a gap. There the view was over
a broad plain, beautiful with wheat and inclosed by a perfect
amphitheatre of green hills. Through these hills there was
one narrow groove or pass southwards, where the white clouds
seemed to close in the horizon. Woods hid the scattered hamlets
and farm-houses, so that I was quite alone.
I was utterly alone with the sun and the earth. Lying down
on the grass, I spoke in my soul to the earth, the sun, the air,
and the distant sea far beyond sight. I thought of the earth's
firmness -I felt it bear me up; through the grassy couch there
came an influence as if I could feel the great earth speaking to
I thought of the wandering air — its pureness, which is its
beauty: the air touched me and gave me something of itself. I
spoke to the sea;- though so far, in my mind I saw it green
at the rim of the earth and blue in deeper ocean; — I desired
to have its strength, its mystery and glory. Then I addressed
the sun, desiring the soul-equivalent of his light and brilliance,
me.


## p. 8218 (#418) ###########################################

8218
RICHARD JEFFERIES
ness.
his endurance and unwearied race. I turned to the blue heaven
over, gazing into its depth, inhaling its exquisite color and sweet.
The rich blue of the unattainable flower of the sky drew
my soul toward it, and there it rested; for pure color is rest of
heart. By all these I prayed: I felt an emotion of the soul
beyond all definition; prayer is a puny thing to it, and the word
is a rude sign to the feeling, but I know no other. By the
blue heaven, by the rolling sun bursting through untrodden
space, a new ocean of ether is every day unveiled. By the fresh
and wandering air encompassing the world; by the sea sound-
ing on the shore- the green sea white-flecked at the margin,
and the deep ocean; by the strong earth under me. Then
returning, I prayed by the sweet thyme, whose little flowers I
touched with my hand; by the slender grass; by the crumble of
dry, chalky earth I took up and let fall through my fingers.
Touching the crumble of earth, the blade of grass, the thyme
flower; breathing the earth-encircling air; thinking of the sea
and the sky, holding out my hand for the sunbeams to touch it,
prone on the sward in token of deep reverence,- thus I prayed
that I might touch to the unutterable existence infinitely higher
than Deity.
With all the intensity of feeling which exalted me, all the
intense communion I held with the earth, the sun and sky, the
stars hidden by the light, with the ocean - in no manner
the thrilling depth of these feelings be written. With these I
prayed as if they were the keys of an instrument, of an organ,
with which I swelled forth the notes of my soul, redoubling my
own voice by their power. The great sun burning with light;
the strong earth, dear earth; the warm sky; the pure air; the
thought of ocean, — the inexpressible beauty of all filled me
a rapture, an ecstasy, an inflatus. With this inflatus, too, I prayed.
Next to myself I came and recalled myself, my bodily existence.
I held out my hand; the sunlight gleamed on the skin and
the iridescent nails; I recalled the mystery and beauty of the
flesh. I thought of the mind with which I could see the ocean
sixty miles distant, and gather to myself its glory. I thought of
my inner existence, that consciousness which is called the soul.
These - that is, myself - I threw in the balance to weigh the
prayer the heavier. My strength of body, mind, and soul I Aung
into it; I put forth my strength; I wrestled and labored and
toiled in might of prayer.
The prayer, this soul-emotion, was in
can
with


## p. 8219 (#419) ###########################################

RICHARD JEFFERIES
8219
itself; not for an object - it was a passion. I hid my face in the
grass; I was wholly prostrated; I lost myself in the wrestle; I
was rapt and carried away.
Becoming calmer, I returned to myself and thought, reclining
in rapt thought, full of aspiration, steeped to the lips of my soul
in desire. I did not then define or analyze or understand this.
I see now that what I labored for was soul-life, more soul-nature,
to be exalted, to be full of soul-learning. Finally I rose, walked
half a mile or so along the summit of the hill eastwards, to soothe
myself and come to the common ways of life again. Had any
shepherd accidentally seen me lying on the turf, he would only
have thought that I was resting a few minutes; I made no out-
ward show. Who could have imagined the whirlwind of passion
that was going on within me as I reclined there! I was greatly
exhausted when I reached home. Occasionally I went upon the
hill, deliberately deeming it good to do so; then again, this
craving carried me away up there of itself. Though the princi-
pal feeling was the same, there were variations in the mode in
which it affected me.
Sometimes on lying down on the sward, I first looked up at
the sky, gazing for a long time till I could see deep into the
azure and my eyes were full of the color; then I turned my
face to the grass and thyme, placing my hands at each side of
my face so as to shut out everything and hide myself. Having
drunk deeply of the heaven above, and felt the most glorious
beauty of the day, and remembering the old, old sea, which (as
it seemed to me) was but just yonder at the edge, I now became
lost, and absorbed into the being or existence of the universe,
I felt down deep into the earth under, and high above into the
sky, and farther still to the sun and stars, still farther beyond
the stars into the hollow of space; and losing thus my sep-
arateness of being, came to seem like a part of the whole.
Then I whispered to the earth beneath, through the grass and
thyme down into the depth of its ear, and again up to the starry
space hid behind the blue of day. Traveling in an instant
across the distant sea, I saw, as if with actual vision, the palms
and cocoanut-trees, the bamboos of India, and the cedars of the
extreme south. Like a lake with islands the ocean lay before
me, as clear and vivid as the plain beneath in the midst of the
amphitheatre of hills.


## p. 8220 (#420) ###########################################

8220
RICHARD JEFFERIES
With the glory of the great sea, I said; with the firm, solid,
and sustaining earth; the depth, distance, and expanse of ether;
the age, tamelessness, and ceaseless motion of the ocean; the stars,
and the unknown in space; by all those things which are most
powerful, known to me, and by those which exist but of which
I have no idea whatever, I pray. Further, by my own soul, that
secret existence which above all other things bears the nearest
resemblance to the ideal of spirit infinitely nearer than earth,
sun, or star. Speaking by an inclination towards, not in words,
my soul prays that I may have something from each of these;
that I may gather a flower from them, that I may have in my.
self the secret and meaning of the earth, the golden sun, the
light, the foam-flecked sea. Let my soul become enlarged; I am
not enough; I am little and contemptible. I desire a greatness
of soul, an irradiance of mind, a deeper insight, a broader hope.
Give me power of soul so that I may actually effect by its will
that which I strive for.
In winter, though I could not then rest on the grass, or stay
long enough to form any definite expression, I still went up to
the hill once, now and then, for it seemed that to merely visit
the spot repeated all that I had previously said. But it was
not
only then.
In summer I went out into the fields, and let my soul in spire
these thoughts under the trees, standing against the trunk or
looking up through the branches at the sky. If trees could
speak, hundreds of them would say that I had these soul-emotions
under them. Leaning against the oak’s massive trunk, and feel-
ing the rough bark and the lichen at my back, looking south-
wards over the grassy fields, cowslip-yellow, at the woods
the slope, I thought my desire of deeper soul-life. Or under the
green firs, looking upwards, the sky was more deeply blue at
their tops; then the brake-fern was unrolling, the doves cooing,
the thickets astir, the late ash leaves coming forth. Under the
shapely, rounded elms, by the hawthorn bushes and hazel, every-
where the same deep desire for the soul-nature; to have from
all green things and from the sunlight the inner meaning which
was not known to them, - that I might be full of light as the
woods of the sun's rays. Just to touch the lichened bark of a
tree, or the end of a spray projecting over the path as I walked,
seemed to repeat the same prayer in me.
on


## p. 8221 (#421) ###########################################

RICHARD JEFFERIES
8221
The long-lived summer days dried and warmed the turf in
the meadows. I used to lie down in solitary corners at full
length on my back, so as to feel the embrace of the earth. The
grass stood high above me, and the shadows of the tree branches
danced on my face. I looked up at the sky with half-closed eyes,
to bear the dazzling light. Bees buzzed over me, sometimes a
butterfly passed, there was a hum in the air, green-finches sang
in the hedge. Gradually entering into the intense life of the
summer's days, – a life which burned around as if every grass-
blade and leaf were a torch, - I came to feel the long-drawn life
of the earth back into the dimmest past, while the sun of the
moment was warm on me. Sesostris on the most ancient sands
of the south, in ancient, ancient days, was conscious of himself
and of the sun. This sunlight linked me through the ages to
that past consciousness. From all the ages my soul desired to
take that soul-life which had flowed through them, as the sun-
beams had continually poured on earth. As the hot sands take
up the heat, so would I take up that soul-energy. Dreamy in
appearance, I was breathing full of existence; I was aware of
the grass-blades, the flowers, the leaves on hawthorn and tree. I
seemed to live more largely through them, as if each were a
pore through which I drank. The grasshoppers called and leaped,
the green-finches sang, the blackbirds happily fluted, all the air
hummed with life. I was plunged deep in existence, and with
all that existence I prayed.
Through every grass-blade in the thousand thousand grasses;
through the million leaves, veined and edge-cut, on bush and
tree; through the song-notes and the marked feathers of the bird;
through the insects' hum and the color of the butterfly; through
the soft warm air and the flecks of clouds dissolving, -I used
them all for prayer with all the energy the sunbeams had poured
unwearied on the earth since Sesostris was conscious of them on
the ancient sands; with all the life that had been lived by vigor-
ous man and beauteous woman since first in dearest Greece the
dream of the gods was woven; with all the soul-life that had
flowed a long stream down to me,- I prayed that I might have
a soul more than equal to, far beyond my conception of, these
things of the past, the present and the fullness of all life; not
only equal to these, but beyond, higher, and more powerful
than I could imagine; that I might take from all their energy,
a


## p. 8222 (#422) ###########################################

82 2 2
RICHARD JEFFERIES
grandeur, and beauty, and gather it into me; that my soul might
be more than the cosmos of life.
I prayed with the glowing clouds of sunset, and the soft light
of the first star coming through the violet sky. At night, with
the stars according to the season: now with the Pleiades, now
with the Swan, or burning Sirius, and broad Orion's whole con-
stellation, red Aldebaran, Arcturus, and the Northern Crown;
with the morning star, the light-bringer, once now and then
when I saw it, a white-gold ball in the violet-purple sky, or
framed about with pale summer vapor, floating away as red
streaks shot horizontally in the east. A diffused saffron ascended
into the luminous upper azure.
The disk of the sun rose over
the hill; Auctuating with throbs of light, his chest heaved in
fervor of brilliance. All the glory of the sunrise filled me with
broader and furnace-like vehemence of prayer that I might have
the deepest of soul-life, the deepest of all, deeper far than all this
greatness of the visible universe and even of the invisible; that
I might have a fullness of soul till now unknown, and utterly
beyond my own conception.
In the deepest darkness of the night, the same thought rose
in my mind as in the bright light of noontide. What is there
which I have not used to strengthen the same emotion ?
THE BREEZE ON BEACHY HEAD
From Nature Near London)
T"
He waves coming round the promontory before the west wind
still give the idea of a flowing stream, as they did in
Homer's days. Here beneath the cliff, standing where beach
and sand meet, it is still; the wind passes six hundred feet over-
head: but yonder, every larger wave rolling before the breeze
breaks over the rocks; a white line of spray rushes along them,
gleaming in the sunshine; for a moment the dark rock-wall dis-
appears, till the spray sinks.
The sea seems higher than the spot where I stand, its surface
on a higher level, - raised like a green mound, -as if it could
burst it and occupy the space up to the foot of the cliff in a
moment. It will not do so, I know: but there is an infinite pos-
sibility about the sea; it may do what it is not recorded to have


## p. 8223 (#423) ###########################################

RICHARD JEFFERIES
8223
done. It is not to be ordered; it may overleap the bounds human
observation has fixed for it. It has a potency unfathomable.
There is still something in it not quite grasped and understood,
something still to be discovered, a mystery.
So the white spray rushes along the low broken wall of rocks,
the sun gleams on the flying fragments of the wave; again it
sinks, and the rhythmic motion holds the mind, as an invisible
force holds back the tide. A faith of expectancy, a sense that
something may drift up from the unknown, a large belief in the
unseen resources of the endless space out yonder, soothes the
mind with dreamy hope.
The little rules and little experiences — all the petty ways of
narrow life — are shut off behind by the ponderous and impassa-
ble cliff; as if we had dwelt in the dim light of a cave, but com-
ing out at last to look at the sun, a great stone had fallen and
closed the entrance, so that there was no return to the shadow.
The impassable precipice shuts off our former selves of yester-
day, forcing us to look out over the sea only, or up to the deeper
heaven.
These breadths draw out the soul; we feel that we have wider
thoughts than we knew; the soul has been living as it were in
a nutshell, all unaware of its own power, and now suddenly finds
freedom in the sun and the sky. Straight, as if sawn down
from turf to beach, the cliff shuts off the human world, for the
sea knows no time and no era; you cannot tell what century it
is from the face of the sea. A Roman trireme suddenly round-
ing the white edge-line of chalk, borne on wind and oar from
the Isle of Wight towards the gray castle at Pevensey (already
old in olden days), would not seem strange. What wonder could
surprise us coming from the wonderful sea ?
The little rills winding through the sand have made an islet
of a detached rock by the beach; limpets cover it, adhering like
rivet-heads. In the stillness here, under the roof of the wind so
high above, the sound of the sand draining itself is audible.
From the cliff, blocks of chalk have fallen, leaving hollows as
when a knot drops from a beam. They lie crushed together
at the base, and on the point of this jagged ridge a wheatear
perches.
There are ledges three hundred feet above; and from these
now and then a jackdaw glides out and returns again to his
place, where, when still and with folded wings, he is but a speck


## p. 8224 (#424) ###########################################

8224
RICHARD JEFFERIES
(
of black. A spire of chalk still higher stands out from the wall;
but the rains have got behind it, and will cut the crevice deeper
and deeper into its foundation. Water too has carried the soil
from under the turf at the summit over the verge, forming brown
streaks.
Upon the beach lies a piece of timber, part of a wreck; the
wood is torn and the fibres rent where it was battered against
the dull edge of the rocks. The heat of the sun burns, thrown
back by the dazzling chalk; the river of ocean flows ceaselessly,
casting the spray over the stones; the unchanged sky is blue.
Let us go back and mount the steps at the Gap, and rest on
the sward there. I feel that I want the presence of grass. The
sky is a softer blue, and the sun genial; now the eye and the
mind alike are relieved — the one of the strain of too great soli-
tude (not the solitude of the woods), the other of too brilliant
and hard a contrast of colors. Touch but the grass, and the
harmony returns; it is repose after exaltation.
A vessel comes round the promontory. It is not a trireme
of old Rome, nor the "fair and stately galley Count Arnaldus
hailed with its seamen singing the mystery of the sea; it is but
a brig in ballast, high out of the water, black of hull and dingy
of sail; still it is a ship, and there is always an interest about a
ship. She is so near, running along but just outside the reef,
that the deck is visible. Up rises her stern as the billows come
fast and roll under; then her bow lifts, and immediately she
rolls, and loosely swaying with the sea, drives along.
The slope of the billow now behind her is white with the
bubbles of her passage, rising too from her rudder. Steering
athwart with a widening angle from the land, she is laid to clear
the distant point of Dungeness. Next a steamer glides forth,
unseen till she passed the cliff; and thus each vessel that comes
from the westward has the charm of the unexpected. Eastward
there is many a sail working slowly into the wind, and as they
approach, talking in the language of flags with the watch on the
summit of the Head.
Once now and then the great Orient pauses on her outward
route to Australia, slowing her engines: the immense length of
her hull contains every adjunct of modern life; science, skill, and
civilization are there. She starts, and is lost sight of round the
cliff, - gone straight away for the very ends of the world. The
incident is forgotten, when one morning as you turn over the


## p. 8225 (#425) ###########################################

RICHARD JEFFERIES
8225
newspaper, there is the Orient announced to start again. It is
like a tale of enchantment: it seems but yesterday that the Head
hid her from view; you have scarcely moved, attending to the
daily routine of life, and scarce recognize that time has passed at
all. In so few hours has the earth been encompassed.
The sea-gulls as they settle on the surface ride high out of
the water, like the mediæval caravels, with their sterns almost as
tall as the masts. Their unconcerned flight, with crooked wings
unbent, as if it were no matter to them whether they flew or
floated, in its peculiar jerking motion reminds one of the lap-
wing; the heron has it too, a little: as if aquatic or water-side
birds had a common and distinct action of the wing.
Sometimes a porpoise comes along, but just beyond the reef;
looking down on him from the verge of the cliff, his course can
be watched. His dark body, wet and oily, appears on the surface
for two seconds; and then, throwing up his tail like the fluke of
an anchor, down he goes. Now look forward along the waves
some fifty yards or so, and he will come up, the sunshine gleam-
ing on the water as it runs off his back, to again dive, and re-
appear after a similar interval. Even when the eye can no longer
distinguish the form, the spot where he rises is visible, from the
slight change in the surface.
The hill receding in hollows leaves a narrow plain between
the foot of the sward and the cliff; it is plowed, and the teams
come to the footpath which follows the edge; and thus those who
plow the sea and those who plow the land look upon each other.
The one sees the vessel change her tack, the other notes the
plow turning at the end of the furrow. Bramble-bushes project
over the dangerous wall of chalk, and grasses fill up the inter-
stices, a hedge suspended in air; but be careful not to reach too
far for the blackberries.
The green sea is on the one hand, the yellow stubble on the
other. The porpoise dives along beneath, the sheep graze above.
Green seaweed lines the reef over which the white spray Aies,
blue lucerne dots the field. The pebbles of the beach seen from
the height mingle in a faint blue tint, as if the distance ground
them into colored sand. Leaving the footpath now, and crossing
the stubble to “France,” as the wide open hollow in the down is
called by the shepherds, it is no easy matter in dry summer
weather to climb the steep turf to the furze line above.
XIV-515.


## p. 8226 (#426) ###########################################

8226
RICHARD JEFFERIES
Dry grass is as slippery as if it were hair, and the sheep
have fed it too close for a grip of the hand. Under the furze
(still far from the summit) they have worn a path - a narrow
a
ledge, cut by their cloven feet — through the sward. It is time
to rest; and already, looking back, the sea has extended to an
indefinite horizon. This climb of a few hundred feet opens a
view of so many miles more. But the ships lose their individu-
ality and human character; they are so far, so very far away,
they do not take hold of the sympathies; they seem like sketches
- cunningly executed, but only sketches -- on the immense can-
vas of the ocean. There is something unreal about them.
On a calm day, when the surface is smooth as if the brimming
ocean had been stroked, — the rod passed across the top of the
measure, thrusting off the irregularities of wave; when the dis-
tant green from long simmering under the sun becomes pale;
when the sky, without cloud, but with some slight haze in it,
likewise loses its hue, and the two so commingle in the pallor of
heat that they cannot be separated, - then the still ships appear
suspended in space. They are as much held from above as
upborne from beneath.
They are motionless, midway in space – whether it is sea or
air is not to be known. They neither float nor fly, they are sus-
pended. There is no force in the flat sail, the mast is lifeless,
the hull without impetus. For hours they linger, changeless as
the constellations; still, silent, motionless, phantom vessels on a
void sea.
Another climb up from the sheep-path, and it is not far then
to the terrible edge of that tremendous cliff which rises straighter
than a ship's side out of the sea, six hundred feet above the
detached rock below, where the limpets cling like rivet heads,
and the sand rills run around it. But it is not possible to look
down to it: the glance of necessity falls outwards, as a raindrop
from the eaves is deflected by the wind, because it is the edge
where the mold crumbles; the rootlets of the grass are exposed;
the chalk is about to break away in flakes.
You cannot lean over as a parapet, lest such a fake
should detach itself; lest a mere trifle should begin to fall,
awakening a dread and dormant inclination to slide and finally
plunge like it. Stand back; the sea there goes out and out to
the left and to the right, and how far is it to the blue overhead ?
over


## p. 8227 (#427) ###########################################

RICHARD JEFFERIES
8227
The eye must stay here a long period and drink in these dis-
tances, before it can adjust the measure and know exactly what
it sees.
Here, reclining on the grass — the verge of the cliff rising a
little shuts out the actual sea — the glance goes forth into the
hollow unsupported. It is sweeter towards the corn-ricks, and
yet the mind will not be satisfied, but ever turns to the unknown.
The edge and the abyss recall us; the boundless plain — for it
appears solid as the waves are leveled by distance — demands the
gaze. But with use it becomes easier, and the eye labors less.
There is a promontory standing out from the main wall, whence
you can see the side of the cliff, getting a flank view, as from a
tower.
The jackdaws occasionally floating out from the ledge are as
mere specks from above, as they were from below. The reef
running out from the beach, though now covered by the tide, is
visible as you look down on it through the water; the seaweed,
which lay matted and half dry on the rocks, is now under the
wave. Boats have come round, and are beached; how helplessly
little they seem beneath the cliff by the sea!
On returning homewards towards Eastbourne, stay awhile by
the tumulus on the slope. There are others hidden among the
furze; butterflies Autter over them, and the bees hum round by
day; by night the night-hawk passes, coming up from the fields
and even skirting the sheds and houses below. The rains beat
on them, and the storm drives the dead leaves over their low
green domes; the waves boom on the shore far down.
How many times has the morning star shone yonder in the
east? All the mystery of the sun and of the stars centres around
these lowly mounds.
But the glory of these glorious downs is the breeze. The air
in the valleys immediately beneath them is pure and pleasant;
but the least climb, even a hundred feet, puts you on a plane
with the atmosphere itself, uninterrupted by so much as the tree-
tops. It is air without admixture. If it comes from the south
the waves refine it; if inland, the wheat and flowers and grass
distill it. The great headland and the whole rib of the promon-
tory is wind-swept and washed with air; the billows of the atmo-
sphere roll over it.