(I can't say
anything
- I've tried, I'm trying.
Samuel Beckett
Yes, I must say I see no window, from here.
Whereas here that has no importance, that I see no window.
Here I needn't come and go (fortunately: I couldn't).
Nor be dextrous.
For naturally the water would have great value and the least drop spilt on the way (or in the act of drawing, or in the act of pouring) would cost me dear.
And how could you tell in the dark, if a drop.
What's this story?
It's a story!
Now I've told another little story, about me - about the life that might have been mine for all the difference it would have made.
Which was perhaps mine: perhaps I went through that before being deemed worthy of going through this.
Who knows towards what high destiny I am heading?
(Unless I am coming from it.
) But once again the fable must be of another.
I see him so well, coming and going among his casks, trying to stop his hand from trembling, dropping his thimble, listening to it bouncing and rolling on the floor, scraping round for it with his foot, going down on his knees, going down on his belly, crawling.
It stops there.
It must have been I.
But I never saw myself, so it can't have been I.
I don't know: how can I recognize myself who never made my acquaintance?
It stops there, that's all I know.
I don't see him any more, I'll never see him again.
Yes I will: now he's there with the others.
(I won't name them again: you say that for something to say - you say anything for something to say.
) Some do this, others do that.
He does as I said (i don't remember).
He'll come back, to keep me company.
(Only the wicked are solitary.
) I'll see him again.
(It's his fault - his fault for wanting to know what he was like, and how he lived).
Or he'll never come back: it's one or the other.
They don't all come back.
I mean there must be some I have only seen once.
Up to now?
Very true: it's only beginning.
I feel the end at hand and the beginning likewise.
(To every man his orbit, that's obvious.
) But (and here I return to the charge), but has nothing really changed, all this mortal time?
(I'm speaking now of me: yes, henceforward I shall speak of none but me, that's decided, even though I should not succeed.
There's no reason why I should succeed, so I need have no qualms.
) Nothing changed?
I must be ageing all the same.
(Bah, I was always aged, always ageing, and ageing makes no difference.
Not to mention that all this is not about me.
) Hell, I've contradicted myself!
No matter, so
long as one does not know what one is saying and can't stop to enquire, in tranquillity (fortunately, fortunately). One would like to stop, but unconditionally, (I resume), so long aslet me see so long as one, so long as he Ah fuck all that: so long as this, then that. Agreed? That's good enough. (I nearly got stuck. ) Help, help! If I could only describe this place - I who am so good at describing places! Walls, ceiling, floors, they are my speciality. Doors! Windows! What haven't I imagined in the way of windows in the course of my career! Some opened on the sea - all you could see was sea and sky. If I could put myself in a room, that would be the end of the wordy-gurdy. Even doorless, even windowless - nothing but the four surfaces (the six surfaces). If I could shut myself up! It would be a mine, it could be black dark. I could be motionless and fixed. I'd find a way to explore it: I'd listen to the echo. I'd get to know it, I'd get to remember it. I'd be home. I'd say what it's like, in my home, instead of any old thing. This place! If I could describe this place! Portray it! I've tried. I feel no place, no place round me. There's no end to me. I don't know what it is: it isn't flesh, it doesn't end. It's like air, now I have it (you say that, to say something - you won't say it long): like gas. (Balls, balls. ) The place, then we'll see. First the place, then I'll find me in it: a solid lump, in the middle (or in a corner, well propped upon three sides). The place! If only I could feel a place for me! (I've tried. I'll try again. ) None was ever mine. That sea under my window (higher than the window)! And the rowboat, do you remember? And the river, and the bay! (I knew I had memories - pity they are not of me. ) And the stars, and the beacons, and the lights of the buoys, and the mountain burning! It was the time nothing was too good for me. (The others benefited by it, they died like flies. ) Or the forest! (A roof is not indispensable, an interior. ) If I could be in a forest, caught in a thicket - or wandering round in circles! It would be the end of this blither. I'd describe the leaves, one by one: at the moment of their growing, at the moment of their giving shade, at the moment of their falling. Those are good moments, for one who has not to say "But it's not I, it's not I. Where am I, what am I doing? " all the time (as if that mattered). But there it is, that takes the heart out of you, your heart isn't in it any more (your heart that was, among the brambles, cradled by the shadows). You try the sea, you try the town. You look for yourself in the mountains and the plains - it's only natural. You want yourself, you want yourself in your own little corner. It's not love, not curiosity: it's because you're tired. You want to stop, travel no more, seek no more, lie no more, speak no more, close your eyes (but your own): in a word lay hands on yourself. After that you'll make short work of it. I notice one thing: the others have vanished, completely. I don't like it. (Notice? I notice nothing. ) I go on as best I can. (If it begins to mean something I can't help it. ) I have passed by here (this has passed me
by) thousands of times: its turn has come again. It will pass on and something else will be there, another instant of my old instant. (There it is: the old meaning that I'll give myself, that I won't be able to give myself. ) There's a god for the damned, as on the first day: today is the first day, it begins. I know it well. (I'll remember it as I go along. ) All adown it I'll be born and born, births for nothing - and come to night without having been. Look at this Tunis pink! It's dawn! If I could only shut myself up! Quick, I'll shut myself up (it won't be I). Quick, I'll make a place. It won't be mine, it doesn't matter. (I don't feel any place for me, perhaps that will come. ) I'll make it mine. I'll put myself in it. I'll put someone in it. I'll find someone in it, I'll put myself in him, I'll say he's I. Perhaps he'll keep me. Perhaps the place will keep us: me inside the other, the place all round us. It will be over, all over. I won't have to try and move any more. I'll close my eyes. All I'll have to do is talk. That will be easy: I'll have things to say, about me, about my life (I'll make it a good one). I'll know who's talking, and about what. I'll know where I am. Perhaps I'll be able to go silent. Perhaps that's all they're waiting for (there they are again), to pardon me - waiting for me to reach home, to pardon me. (It's the lie they refuse to stop. ) I'll close my eyes, be happy at last: that's the way it is this morning. Morning, I call that morning? That's right (shilly-shally a little longer), I call that morning: I haven't many words. I haven't much choice, I don't choose: the word came. (I should have avoided this bright stain. ) It's the dayspring - but it doesn't last, I know it. (I call that the dayspring! If you could only see it! ) I'm off! (You wouldn't think so. ) Perhaps it's my last gallop. I smell the stable. (I always smelt the stable, it's I smell of the stable: there's no stable but me, for me. ) No, I won't do it. What won't I do? (As if that depended on me! ) I won't seek my home any more. (I don't know what I'll do. ) It would be occupied already: there would be someone there already, someone far gone. He wouldn't want me (I can understand him). I'd disturb him. What am I going to say now? I'm going to ask myself, I'm going to ask questions: that's a good stop-gap. (Not that I'm in any danger of stopping. Then why all this fuss? ) That's right, questions: I know millions, I must know millions. And then there are plans. When questions fail there are always plans: you say what you'll say and what you won't say (that doesn't commit you to anything), and the evil moment passes, it stops stone dead. Suddenly you hear yourself talking about God knows what as if you had done nothing else all your life (and neither have you). You come back from a far place, back to life. That's where you should be, where you are: far from here, far from everything. If only I could go there! If only I could describe it! (I who am so good at topography. ) That's right, aspirations: when plans fail there are always aspirations. It's a knack, you must say it slowly: "If only this, if only that. "
That gives you time, time for a cud of longing to rise up in the back of your gullet. Nothing remains but to look as if you enjoyed chewing it. There's no knowing where that may lead you, on tracks as beaten as the day is long. Often you pass yourself by (someone passes himself by). If only you knew! (That's right, aspirations! ) You turn and look behind you, so does the other. You weep for him, he weeps for you - it's screamingly sad. (Anything rather than laughter. ) What else? Opinions? Comparisons? (Anything rather than laughter. ) All helps, can't help helping, to get you over the pretty pass. (The things you have to listen to! What pretty pass? ) It's not I speaking, it's not I hearing: let us not go into that. Let us go on as if I were the only one in the world (whereas I'm the only one absent from it). Or with others: what difference does it make - others present, others absent? They are not obliged to make themselves manifest. All that is needed is to wander and let wander, be this slow boundless whirlwind and every particle of its dust. (It's impossible. ) Someone speaks, someone hears: no need to go any further. It is not he, it's I. (Or another, or others - what does it matter? ) The case is clear: it is not he, he who I know I am (that's all I know), who I cannot say I am.
(I can't say anything - I've tried, I'm trying. ) He knows nothing, knows of nothing: neither what it is to speak, nor what it is to hear. To know nothing, to be capable of nothing, and to have to try! You don't try any more, no need to try: it goes on by itself, it drags on by itself, from word to word, a labouring whirl. You are in it somewhere, everywhere. Not he. If only I could forget him! Have one second of this noise that carries me away, without having to say (I don't, I haven't time): "It's not I. I am he. " After all, why not? Why not say it? (I must have said it. ) As well that as anything else. "It's not I, not I. " I can't say it. (it came like that, it comes like that. ) "It's not I. " If only it could be about him! If only it could come about him! (I'd deny him, with pleasure, if that could help. ) It's I, here it's I. Speak to me of him, let me speak of him! That's all I ask. (I never asked for anything. ) Make me speak of him! What a mess! Now there is no one left. Long may it last! In the end it comes to that, to the survival of that alone. Then the words come back. Someone says "I", unbelieving. If only I could make an effort, an effort of attention, to try and discover what's happening to me! (What then? I don't know, I've forgotten my apodosis. ) But I can't, I don't hear any more, I'm sleeping (they call that sleeping). (There they are again, we'll have to start killing them again. ) I hear this horrible noise (coming back takes time), I don't know where from. I was nearly there, I was nearly sleeping (I call that sleeping). There is no one but me. (Here I mean: elsewhere is another matter. I was never elsewhere, here is my only elsewhere. ) It's I who do this thing and I who suffer it, it's not possible otherwise (it's not possible so). It's not my fault, all I can say is that it's
not my fault. It's not anyone's fault: since there isn't anyone it can't be anyone's fault, since there isn't anyone but me it can't be mine. Sometimes you'd think I was reasoning, I've no objection. They must have taught me reasoning too - they must have begun teaching me, before they deserted me. I don't remember that period, but it must have marked me. I don't remember having been deserted, perhaps I received a shock. Strange, these phrases that die for no reason. Strange. What's strange about it? Here all is strange, all is strange when you come to think of it. (No, it's coming to think of it that is strange. ) Am I to suppose I am inhabited? I can't suppose anything: I have to go on, that's what I'm doing, let others suppose. There must be others in other elsewheres, each one saying to himself (when the moment cames, the moment to say it): "Let others suppose. " And so on, so on: let others do this, others do that, if there are any. That helps you on, that helps you forward: I believe in progress. I know how to believe too, they must have taught me believing too! (No, no one ever taught me anything, I never learnt anything. I've always been here, here there was never anyone but me. ) "Never", "always", "me", "no one": old slush to be churned everlastingly. (Now it's slush, a minute ago it was dust. It must have rained. ) He must have travelled, he whose voice it is, he must have seen, with his eyes, a man or two, a thing or two, been aloft, in the light. Or else heard tales: travellers found him and told him tales. That proves my innocence. Who says "That proves my innocence"? He says it. Or they say it - yes, they who reason, they who believe. No, in the singular: he who lived, or saw some who had. He speaks of me, as if I were he, as if I were not he (both), and as if I were others (one after another). He is the afflicted. "I am far, do you hear me? " He says I'm far, as if I were he - no, as if I were not he: for he is not far, he is here. It's he who speaks. He says it's I, then he says it's not, I am far. Do you hear him? He seeks me. (I don't know why, he doesn't know why. ) He calls me, he wants me to come out, he thinks I can come out. He wants me to be he (or another, let us be fair). He wants me to rise up, up into him (or up into another, let us be impartial). He thinks he's caught me, he feels me in him, then he says "I", as if I were he (or in another, let us be just). Then he says "Murphy", or "Molloy" (I forget, as if I were Malone). But their day is done, he wants none but himself, for me, he thinks it's his last chance (he thinks that, they taught him thinking). It's always he who speaks. Mercier never spoke, Moran never spoke, I never spoke. I seem to speak, that's because he says "I" as if he were I. (I nearly believed him. Do you hear him: "As if he were I"? ) I who am far, who can't move, can't be found. But neither can he. He can only talk, if that much. Perhaps it's not he. Perhaps it's a multitude, one after another. What confusion! Someone mentions confusion? Is it a sin? All here is sin. You
don't know why, you don't know whose, you don't know against whom. Someone says "you"? It's the fault of the pronouns. There is no name for me, no pronoun for me: all the trouble comes from that. "That? " It's a kind of pronoun too. It isn't that either, I'm not that either. Let us leave all that, forget about all that: it's not difficult. Our concern is with someone, or our concern is with something (now we're getting it) - someone or something that is not there, or that is not anywhere, or that is there. (Here? why not, after all? ) And our concern is with speaking of that (now we've got it). You don't know why, why you must speak of that: no one can speak of that, you speak of yourself, someone speaks of himself. That's it, in the singular: a single one, the man on duty. (He? I? No matter. ) The man on duty speaks of himself. (It's not that. Of others? It's not that either. ) He doesn't know (how could he know? ) whether he has spoken of that or not (when speaking of himself, when speaking of others, when speaking of things). How can I know (I can't know) if I've spoken of him? I can only speak of me. No, I can't speak of anything. And yet I speak. Perhaps it's of him, I'll never know. (How could I know? ) Who could know? Who knowing could tell me? I don't know who it's all about, that's all I know. No, I must know something else, they must have taught me something. It's about him who knows nothing, wants nothing, can do nothing (if it's possible you can do nothing when you want nothing), who cannot hear, cannot speak, who is I, who cannot be I, of whom I can't speak, of whom I must speak. That's all hypotheses: I said nothing, someone said nothing. It's not a question of hypotheses, it's a question of going on. It goes on. Hypotheses are like everything else, they help you on - as if there were need of help (that's right, impersonal), as if there were any need of help to go on with a thing that can't stop. And yet it will, it will stop. Do you hear? The voice says it will stop, some day. It says it will stop and it says it will never stop. Fortunately I have no opinion: what would I have an opinion with? With my mouth perhaps, if it's mine. I don't feel a mouth on me, that means nothing. If only I could feel a mouth on me, if only I could feel something on me! I'll try, if I can. I know it's not I, that's all I know. I say "I", knowing it's not I: I am far. "Far" - what does that mean, "far"? No need to be far, perhaps he's here, in my arms. I don't feel any arms on me. If only I could feel something on me, it would be a starting-point. A starting-point! (Ah if I could laugh! I know what it is, they must have told me what it is, but I can't do it. They can't have shown me how to do it. Perhaps it's one of those gifts that can't be acquired. ) The silence. A word on the silence, in the silence. (That's the worst, to speak of silence. ) Then lock me up (lock someone up). That is to say What is that to say? Calm, calm. I'm calm. I'm locked up, I'm in something. It's not I, that's all I know. No more about that. That is to say, make
a place, a little world. It will be round, this time it will be round (it's not certain), low of ceiling, thick of wall. (Why low, why thick? I don't know, it isn't certain, it remains to be seen - all remains to be seen. ) A little world. Try and find out what it's like (try and guess). Put someone in it, seek someone in it. And what he's like, and how he manages. It won't be I. No matter. Perhaps it will! Perhaps it will be my world! (Possible coincidence. ) There won't be any windows, we're done with windows: the sea refused me, the sky didn't see me, I wasn't there - and the summer evening air weighing on my eyelids. (We must have eyelids, we must have eyeballs, it's preferable. ) They must have explained to me (someone must have explained to me) what it's like, an eye: at the window, before the sea, before the earth, before the sky. At the window, against the air. Opening, shutting: grey, black, grey, black. I must have understood. I must have wanted it, wanted the eye, for my own. I must have tried. All the things they've told me, all the things I've tried! They come in useful still, when I think of them. That too - you must go on thinking too, the old thoughts. They call that thinking: it's visions, shreds of old visions, that's all you can see - a few old pictures, a window. What need had they to show me a window, saying - no, I forget, it doesn't come back to me - a window, saying "There are others, even more beautiful"? And the rest: walls, sky, man (like Mahood), a little nature. (Too long to go over, too forgotten, too little forgotten. ) Was it necessary? But was that how it happened? Who can have come here? The devil perhaps: I can think of no one else. It's he showed me everything - here, in the dark.
long as one does not know what one is saying and can't stop to enquire, in tranquillity (fortunately, fortunately). One would like to stop, but unconditionally, (I resume), so long aslet me see so long as one, so long as he Ah fuck all that: so long as this, then that. Agreed? That's good enough. (I nearly got stuck. ) Help, help! If I could only describe this place - I who am so good at describing places! Walls, ceiling, floors, they are my speciality. Doors! Windows! What haven't I imagined in the way of windows in the course of my career! Some opened on the sea - all you could see was sea and sky. If I could put myself in a room, that would be the end of the wordy-gurdy. Even doorless, even windowless - nothing but the four surfaces (the six surfaces). If I could shut myself up! It would be a mine, it could be black dark. I could be motionless and fixed. I'd find a way to explore it: I'd listen to the echo. I'd get to know it, I'd get to remember it. I'd be home. I'd say what it's like, in my home, instead of any old thing. This place! If I could describe this place! Portray it! I've tried. I feel no place, no place round me. There's no end to me. I don't know what it is: it isn't flesh, it doesn't end. It's like air, now I have it (you say that, to say something - you won't say it long): like gas. (Balls, balls. ) The place, then we'll see. First the place, then I'll find me in it: a solid lump, in the middle (or in a corner, well propped upon three sides). The place! If only I could feel a place for me! (I've tried. I'll try again. ) None was ever mine. That sea under my window (higher than the window)! And the rowboat, do you remember? And the river, and the bay! (I knew I had memories - pity they are not of me. ) And the stars, and the beacons, and the lights of the buoys, and the mountain burning! It was the time nothing was too good for me. (The others benefited by it, they died like flies. ) Or the forest! (A roof is not indispensable, an interior. ) If I could be in a forest, caught in a thicket - or wandering round in circles! It would be the end of this blither. I'd describe the leaves, one by one: at the moment of their growing, at the moment of their giving shade, at the moment of their falling. Those are good moments, for one who has not to say "But it's not I, it's not I. Where am I, what am I doing? " all the time (as if that mattered). But there it is, that takes the heart out of you, your heart isn't in it any more (your heart that was, among the brambles, cradled by the shadows). You try the sea, you try the town. You look for yourself in the mountains and the plains - it's only natural. You want yourself, you want yourself in your own little corner. It's not love, not curiosity: it's because you're tired. You want to stop, travel no more, seek no more, lie no more, speak no more, close your eyes (but your own): in a word lay hands on yourself. After that you'll make short work of it. I notice one thing: the others have vanished, completely. I don't like it. (Notice? I notice nothing. ) I go on as best I can. (If it begins to mean something I can't help it. ) I have passed by here (this has passed me
by) thousands of times: its turn has come again. It will pass on and something else will be there, another instant of my old instant. (There it is: the old meaning that I'll give myself, that I won't be able to give myself. ) There's a god for the damned, as on the first day: today is the first day, it begins. I know it well. (I'll remember it as I go along. ) All adown it I'll be born and born, births for nothing - and come to night without having been. Look at this Tunis pink! It's dawn! If I could only shut myself up! Quick, I'll shut myself up (it won't be I). Quick, I'll make a place. It won't be mine, it doesn't matter. (I don't feel any place for me, perhaps that will come. ) I'll make it mine. I'll put myself in it. I'll put someone in it. I'll find someone in it, I'll put myself in him, I'll say he's I. Perhaps he'll keep me. Perhaps the place will keep us: me inside the other, the place all round us. It will be over, all over. I won't have to try and move any more. I'll close my eyes. All I'll have to do is talk. That will be easy: I'll have things to say, about me, about my life (I'll make it a good one). I'll know who's talking, and about what. I'll know where I am. Perhaps I'll be able to go silent. Perhaps that's all they're waiting for (there they are again), to pardon me - waiting for me to reach home, to pardon me. (It's the lie they refuse to stop. ) I'll close my eyes, be happy at last: that's the way it is this morning. Morning, I call that morning? That's right (shilly-shally a little longer), I call that morning: I haven't many words. I haven't much choice, I don't choose: the word came. (I should have avoided this bright stain. ) It's the dayspring - but it doesn't last, I know it. (I call that the dayspring! If you could only see it! ) I'm off! (You wouldn't think so. ) Perhaps it's my last gallop. I smell the stable. (I always smelt the stable, it's I smell of the stable: there's no stable but me, for me. ) No, I won't do it. What won't I do? (As if that depended on me! ) I won't seek my home any more. (I don't know what I'll do. ) It would be occupied already: there would be someone there already, someone far gone. He wouldn't want me (I can understand him). I'd disturb him. What am I going to say now? I'm going to ask myself, I'm going to ask questions: that's a good stop-gap. (Not that I'm in any danger of stopping. Then why all this fuss? ) That's right, questions: I know millions, I must know millions. And then there are plans. When questions fail there are always plans: you say what you'll say and what you won't say (that doesn't commit you to anything), and the evil moment passes, it stops stone dead. Suddenly you hear yourself talking about God knows what as if you had done nothing else all your life (and neither have you). You come back from a far place, back to life. That's where you should be, where you are: far from here, far from everything. If only I could go there! If only I could describe it! (I who am so good at topography. ) That's right, aspirations: when plans fail there are always aspirations. It's a knack, you must say it slowly: "If only this, if only that. "
That gives you time, time for a cud of longing to rise up in the back of your gullet. Nothing remains but to look as if you enjoyed chewing it. There's no knowing where that may lead you, on tracks as beaten as the day is long. Often you pass yourself by (someone passes himself by). If only you knew! (That's right, aspirations! ) You turn and look behind you, so does the other. You weep for him, he weeps for you - it's screamingly sad. (Anything rather than laughter. ) What else? Opinions? Comparisons? (Anything rather than laughter. ) All helps, can't help helping, to get you over the pretty pass. (The things you have to listen to! What pretty pass? ) It's not I speaking, it's not I hearing: let us not go into that. Let us go on as if I were the only one in the world (whereas I'm the only one absent from it). Or with others: what difference does it make - others present, others absent? They are not obliged to make themselves manifest. All that is needed is to wander and let wander, be this slow boundless whirlwind and every particle of its dust. (It's impossible. ) Someone speaks, someone hears: no need to go any further. It is not he, it's I. (Or another, or others - what does it matter? ) The case is clear: it is not he, he who I know I am (that's all I know), who I cannot say I am.
(I can't say anything - I've tried, I'm trying. ) He knows nothing, knows of nothing: neither what it is to speak, nor what it is to hear. To know nothing, to be capable of nothing, and to have to try! You don't try any more, no need to try: it goes on by itself, it drags on by itself, from word to word, a labouring whirl. You are in it somewhere, everywhere. Not he. If only I could forget him! Have one second of this noise that carries me away, without having to say (I don't, I haven't time): "It's not I. I am he. " After all, why not? Why not say it? (I must have said it. ) As well that as anything else. "It's not I, not I. " I can't say it. (it came like that, it comes like that. ) "It's not I. " If only it could be about him! If only it could come about him! (I'd deny him, with pleasure, if that could help. ) It's I, here it's I. Speak to me of him, let me speak of him! That's all I ask. (I never asked for anything. ) Make me speak of him! What a mess! Now there is no one left. Long may it last! In the end it comes to that, to the survival of that alone. Then the words come back. Someone says "I", unbelieving. If only I could make an effort, an effort of attention, to try and discover what's happening to me! (What then? I don't know, I've forgotten my apodosis. ) But I can't, I don't hear any more, I'm sleeping (they call that sleeping). (There they are again, we'll have to start killing them again. ) I hear this horrible noise (coming back takes time), I don't know where from. I was nearly there, I was nearly sleeping (I call that sleeping). There is no one but me. (Here I mean: elsewhere is another matter. I was never elsewhere, here is my only elsewhere. ) It's I who do this thing and I who suffer it, it's not possible otherwise (it's not possible so). It's not my fault, all I can say is that it's
not my fault. It's not anyone's fault: since there isn't anyone it can't be anyone's fault, since there isn't anyone but me it can't be mine. Sometimes you'd think I was reasoning, I've no objection. They must have taught me reasoning too - they must have begun teaching me, before they deserted me. I don't remember that period, but it must have marked me. I don't remember having been deserted, perhaps I received a shock. Strange, these phrases that die for no reason. Strange. What's strange about it? Here all is strange, all is strange when you come to think of it. (No, it's coming to think of it that is strange. ) Am I to suppose I am inhabited? I can't suppose anything: I have to go on, that's what I'm doing, let others suppose. There must be others in other elsewheres, each one saying to himself (when the moment cames, the moment to say it): "Let others suppose. " And so on, so on: let others do this, others do that, if there are any. That helps you on, that helps you forward: I believe in progress. I know how to believe too, they must have taught me believing too! (No, no one ever taught me anything, I never learnt anything. I've always been here, here there was never anyone but me. ) "Never", "always", "me", "no one": old slush to be churned everlastingly. (Now it's slush, a minute ago it was dust. It must have rained. ) He must have travelled, he whose voice it is, he must have seen, with his eyes, a man or two, a thing or two, been aloft, in the light. Or else heard tales: travellers found him and told him tales. That proves my innocence. Who says "That proves my innocence"? He says it. Or they say it - yes, they who reason, they who believe. No, in the singular: he who lived, or saw some who had. He speaks of me, as if I were he, as if I were not he (both), and as if I were others (one after another). He is the afflicted. "I am far, do you hear me? " He says I'm far, as if I were he - no, as if I were not he: for he is not far, he is here. It's he who speaks. He says it's I, then he says it's not, I am far. Do you hear him? He seeks me. (I don't know why, he doesn't know why. ) He calls me, he wants me to come out, he thinks I can come out. He wants me to be he (or another, let us be fair). He wants me to rise up, up into him (or up into another, let us be impartial). He thinks he's caught me, he feels me in him, then he says "I", as if I were he (or in another, let us be just). Then he says "Murphy", or "Molloy" (I forget, as if I were Malone). But their day is done, he wants none but himself, for me, he thinks it's his last chance (he thinks that, they taught him thinking). It's always he who speaks. Mercier never spoke, Moran never spoke, I never spoke. I seem to speak, that's because he says "I" as if he were I. (I nearly believed him. Do you hear him: "As if he were I"? ) I who am far, who can't move, can't be found. But neither can he. He can only talk, if that much. Perhaps it's not he. Perhaps it's a multitude, one after another. What confusion! Someone mentions confusion? Is it a sin? All here is sin. You
don't know why, you don't know whose, you don't know against whom. Someone says "you"? It's the fault of the pronouns. There is no name for me, no pronoun for me: all the trouble comes from that. "That? " It's a kind of pronoun too. It isn't that either, I'm not that either. Let us leave all that, forget about all that: it's not difficult. Our concern is with someone, or our concern is with something (now we're getting it) - someone or something that is not there, or that is not anywhere, or that is there. (Here? why not, after all? ) And our concern is with speaking of that (now we've got it). You don't know why, why you must speak of that: no one can speak of that, you speak of yourself, someone speaks of himself. That's it, in the singular: a single one, the man on duty. (He? I? No matter. ) The man on duty speaks of himself. (It's not that. Of others? It's not that either. ) He doesn't know (how could he know? ) whether he has spoken of that or not (when speaking of himself, when speaking of others, when speaking of things). How can I know (I can't know) if I've spoken of him? I can only speak of me. No, I can't speak of anything. And yet I speak. Perhaps it's of him, I'll never know. (How could I know? ) Who could know? Who knowing could tell me? I don't know who it's all about, that's all I know. No, I must know something else, they must have taught me something. It's about him who knows nothing, wants nothing, can do nothing (if it's possible you can do nothing when you want nothing), who cannot hear, cannot speak, who is I, who cannot be I, of whom I can't speak, of whom I must speak. That's all hypotheses: I said nothing, someone said nothing. It's not a question of hypotheses, it's a question of going on. It goes on. Hypotheses are like everything else, they help you on - as if there were need of help (that's right, impersonal), as if there were any need of help to go on with a thing that can't stop. And yet it will, it will stop. Do you hear? The voice says it will stop, some day. It says it will stop and it says it will never stop. Fortunately I have no opinion: what would I have an opinion with? With my mouth perhaps, if it's mine. I don't feel a mouth on me, that means nothing. If only I could feel a mouth on me, if only I could feel something on me! I'll try, if I can. I know it's not I, that's all I know. I say "I", knowing it's not I: I am far. "Far" - what does that mean, "far"? No need to be far, perhaps he's here, in my arms. I don't feel any arms on me. If only I could feel something on me, it would be a starting-point. A starting-point! (Ah if I could laugh! I know what it is, they must have told me what it is, but I can't do it. They can't have shown me how to do it. Perhaps it's one of those gifts that can't be acquired. ) The silence. A word on the silence, in the silence. (That's the worst, to speak of silence. ) Then lock me up (lock someone up). That is to say What is that to say? Calm, calm. I'm calm. I'm locked up, I'm in something. It's not I, that's all I know. No more about that. That is to say, make
a place, a little world. It will be round, this time it will be round (it's not certain), low of ceiling, thick of wall. (Why low, why thick? I don't know, it isn't certain, it remains to be seen - all remains to be seen. ) A little world. Try and find out what it's like (try and guess). Put someone in it, seek someone in it. And what he's like, and how he manages. It won't be I. No matter. Perhaps it will! Perhaps it will be my world! (Possible coincidence. ) There won't be any windows, we're done with windows: the sea refused me, the sky didn't see me, I wasn't there - and the summer evening air weighing on my eyelids. (We must have eyelids, we must have eyeballs, it's preferable. ) They must have explained to me (someone must have explained to me) what it's like, an eye: at the window, before the sea, before the earth, before the sky. At the window, against the air. Opening, shutting: grey, black, grey, black. I must have understood. I must have wanted it, wanted the eye, for my own. I must have tried. All the things they've told me, all the things I've tried! They come in useful still, when I think of them. That too - you must go on thinking too, the old thoughts. They call that thinking: it's visions, shreds of old visions, that's all you can see - a few old pictures, a window. What need had they to show me a window, saying - no, I forget, it doesn't come back to me - a window, saying "There are others, even more beautiful"? And the rest: walls, sky, man (like Mahood), a little nature. (Too long to go over, too forgotten, too little forgotten. ) Was it necessary? But was that how it happened? Who can have come here? The devil perhaps: I can think of no one else. It's he showed me everything - here, in the dark.
