No More Learning

The Field of the Cloth of Gold inspires his masterpiece. The
pages dedicated to this royal meeting-place are brilliant with
jewels and the precious metals. Gold and the cloth of gold,
tissue and hangings of cramosyn, sackbuts and clarions flash and
re-echo like the refrain of a ballade, and everywhere 'Bacchus
birls the wine,' which 'by the conduyctes in therth ranne, to all
people plentiously with red, white, and claret wyne, over whose
hedde was writen in letters of Romayn in gold, faicte bonne
chere quy condra. ”
I have said that Hall's Chronicle is made up of two separate
works. With a wise sense of propriety he employs two separate
styles. If this distinction be not made, it is not easy to admit
the justice of Ascham's famous criticism. Now, Ascham, in urging
the use of epitomes, illustrates his argument thus from Hall's
Chronicle :
As if a wise man would take Halles Cronicle, where moch good matter is
quite marde with Indenture Englishe, and first change strange and inkhorne
tearmes into proper, and commonlie used wordes: next, specially to wede out


## p. 318 (#340) ############################################

318
Chroniclers and Antiquaries
that, that is superfluous and idle, not onelie where wordes be vainlie heaped
one upon an other, but also where many sentences, of one meaning, be so
clowted up together, as though M. Hall had bene, not writing the storie of
England, but varying a sentence in Hitching schole.
The censure implied in this passage is amply justified by the first
part of Hall's Chronicle. Where he is adapting the words of
other writers, he does not check his love of 'Indenture Englishe';
he exults in 'inkhorne tearmes'; and he clowtes' up his
sentences with superfluous variations. But no sooner does he de-
scribe what he sees, no sooner do his brain and hand respond to
his eye, than he forgets the lessons of 'Hitching schole,' and
writes with a direct simplicity which in no sense deserves the
reproach of Ascham. Though it is true that the simplicity of
his time was not the simplicity of ours, Hall employs with ex-
cellent effect the words of familiar discourse, and records that of
which he was an eye witness with an intimate sincerity, which
separates him, on the one hand, from journeymen like Stow, and,
on the other, from scholars like Camden and Hayward, whose
ambition it was to give a classic shape and form to their
prose.
Raphael Holinshed's Chronicles of England, Scotland and
Ireland are wider in scope and more ambitious in design than
the work of Hall. Though they are not more keenly critical, they
are, at least, more widely comprehensive than any of their rivals.
They begin with Noah and the Flood, and the history of the
British Isles descends well-nigh to the day of publication. And,
if Richard Stanyhurst may speak for them all, the industrious
compilers took a lofty view of their craft.
The learned,' says
Stanyhurst,
have adjudged an historie to be the marrow of reason, the cream of sapience,
the sap of wisdome, the pith of judgment, the librarie of knowledge, the kernell
of policie, the unfoldresse of treacherie, the kalendar of time, the lanterne of
truth, the life of memorie, the doctresse of behaviour, the register of antiquitie,
the trumpet of chivalrie.
If Holinshed's history were all these, it is not surprising that it
was fashioned by many hands, and in nothing did the editor prove
his wisdom more clearly than in the selection of his staff. Of
Holinshed himself little is recorded. He came of a Cheshire
family, and is said by Anthony à Wood to have been educated
at Cambridge and to have been a minister of God's word. ' All
that is certain is that he took service with Wolfe, the publisher,
to whom, says he, he was 'singularly beholden,' and under whose
auspices he planned the Chronicles which bear his name. The
6


## p. 319 (#341) ############################################

Raphael Holinshed
319
death of Wolfe, in 1573, was no interruption to the work, and
in 1578 appeared the first edition, dedicated, in the familiar terms
of adulation, to Sir William Cecil, baron of Burghley. Each portion
of the Chronicles is assigned to its author with peculiar care. The
Description of England is William Harrison's. It is Holinshed
himself who compiled the Historie of England from the accustomed
sources. The Description of Scotland is a 'simple translation'
made by William Harrison. His vocation, he tells us, calls him
to a far other kind of study, 'and this is the cause,' he writes,
wherefore I have chosen rather, onlie with the loss of three or foure daies to
translate Hector out of the Scotish (a toong verie like unto ours) than with
more expence of time to devise a new, or follow the Latine copie. . . . How
excellentlie if you consider the art, Boetius hath penned it, . . . the skilfull are
not ignorant, but how profitablie and compendiouslie John Bellenden Arch-
deacon of Murrey his interpretor hath turned him from the Latine into the
Scotish toong, there are verie few Englishmen that know.
From the same Hector Boece, together with Johannes Major and
Jovian Ferreri Piedmontese,' 'interlaced sometimes with other
authors,' Holinshed digested his Historie of Scotland. The De-
scription of Ireland was the work of Richard Stanyhurst and
Edmund Campion, his ‘first friend and inward companion,' and
Richard Hooker provided the translation of Giraldus Cambrensis,
which served Ireland for a chronicle.
The work, done by many hands, preserves a uniformity of
character. Holinshed, it is true, made the apology which his
age seems to have demanded. "The histories,' he says, 'I have
gathered according to my skill . . . having had more regard to
the manner than the apt penning. Again, declaring that his
speech is plain, he disclaimed any rhetorical show of elegance.
Thus the Elizabethans deceived themselves. Plainness was the
one virtue beyond their reach. They delighted in fine phrases
and far-sought images. Even while they proclaimed their devotion
to truth unadorned, they were curious in the selection of 'deck-
ing words,' and Holinshed and his colleagues wrote with the
colour and dignity which were then within the reach of all. The
history which was of his own compiling is of a better scholarship
than we expect of the time. He cites his authorities at first hand,
though he still accepts them without question ; he avoids the
trivialities which tempt too many of the chroniclers; and he con-
cludes the reign of each king with a deftly drawn character. The
popularity which the work achieved is not surprising. The simple
citizen found in its pages the panegyric of England which was
grateful to his patriotism. The poet sought therein, and sought
not in vain, a present inspiration. Master Holinshed,' said
6


## p. 320 (#342) ############################################

320
Chroniclers and Antiquaries
Spenser, ‘hath much furthered and advantaged me. ' Shakespeare
borrowed from his pages the substance of his historical plays,
and, paying him the same compliment which he paid to North,
did not disdain to turn his rugged prose into matchless verse-
a compliment which, of itself, is sufficient for immortality.
As Hall's Chronicle is memorable chiefly for the vivid sketch
it affords of life as it was lived in the reign of Henry VIII, so
it is Harrison's Description of England which gives a separate
distinction to the history of Raphael Holinshed. No work of
the time contains so vivid and picturesque a sketch. In his
first book, Harrison makes the customary concession to the en-
cyclopaedic habit of the Elizabethans. He begins with a description
of the whole earth, accepts with a simple credulity the familiar
legends and wonders gravely whether the land was ever inhabited
by giants. But no sooner does he leave the province of fairy-
stories for the province of fact, than he displays a knowledge as
wide as his interest is deep. His is a very vigilant treatise. His
theme is whatever was done or thought in the England of his day.
Nothing comes amiss to him. He is as learned in the history of
the church as in the speech and rascality of the Egyptian rogues,
his account of whom closely follows Harman's Caveat or Waren-
ing for Commen Corsetors. He is eloquent concerning either
university, as in duty bound, since he belonged to both. For
fine and excellent workmanship he praises “the moold of the
king's chapell in Cambridge,' next to which in beauty he sets the
divinity school at Oxford. For the rest, he finds perfect equality
between them; they are the body of one well ordered common-
wealth, divided only by distance; in brief 'they are both so deere
unto me,' says he, 'as that I can not readilie tell unto whether of
them I owe the most good will. ' Thereafter, he discusses the food
and diet of the English, approving'our tables plentifully garnished,
and deploring the cooks of the nobility, who are ‘for the most
part musicall headed Frenchmen and strangers. Our apparel
and attire suggest to him a chapter of fine invective. He is the
resolute enemy of foreign fashions. He cannot bear the fantastical
folly of our nation more easily than Shakespeare. He is at pains
to prove that nothing is more constant in England than incon-
stancy of attire. "Such is our mutabilitie,' he writes
that today there is none to the Spanish guise, to morrow the French toies
are most fine and delectable, ere long no such apparell as that which is after
the High Almaine fashion, by and by the Turkish maner is generallie best
liked of, otherwise the Morisco gounes and the Barbarian sleeves make such a
comelie vesture that except it were a dog in a doublet, you shall not see anie
so disguised, as are my countrie men of England.
6


## p. 321 (#343) ############################################

Harrison's Description of England 321
In the same spirit he describes the building and furniture of
Englishmen, their cities and towns, their fairs and markets, their
gardens and orchards, their woods and marishes, their dogs,
especially the mastiff or banddog, stubbourne, ougly, eagre,
burthenous of body (and therefore but of little swiftnesse),
terrible and feareful to behold, and more fearse and fell than
any Archadien curre. ' And to all things animate and inanimate
he brings the criticism of an active and humorous mind, which
not even patriotism can warp to a false judgment.
And, in describing England, he has half knowingly described
himself. It is our own fault if this amiable, shrewd and scholarly
parson be not our familiar friend. Born in London, in 1534, he
was educated at Westminster school and (as has been said) took
* his degrees at both universities. Henceforth, he lived the tranquil
life of a country clergyman, endowed with forty pounds a year,
which, computatis computandis, he thought no great thing. He
was household chaplain to Sir William Brooke and rector of
Radwinter in Essex, and, wherever he sojourned, he pursued most
zealously the calling of scholar and antiquary. He devised the
chronology which served as a guide to Holinshed. He collected
coins, he examined monuments; in brief, he neglected nothing which
could throw a light upon the history of his country. While his
wife and her maids brewed his beer with such skill and economy
'that for my twentie shillings I have ten score gallons of beere
or more,' he boasted of his garden, whose whole area was little
above 300 foot of ground, and which yet contained three hundred
simples, 'no one of them being common or usuallie to be had. '
An untravelled man, he wrote often of what he knew only by
hearsay. 'Untill nowe of late,' he confesses to Sir W. Brooke,
except it were from the parish where I dwell, unto your Honour in Kent; or
out of London where I was borne, unto Oxford and Cambridge where I have
bene brought up, I never travelled 40 miles foorthright and at one journey in
all my life.
And not only was he something of a recluse, but he wrote his
Description when his books and he'were parted by fourtie miles
in sunder. ' Nevertheless, he managed to consult the best authori-
ties. He was one of the unnumbered scholars who owed a debt to
Leland's famous notes. Stow and Camden were of his friends, and,
doubtless, lent him their aid, and he acknowledges a debt to
'letters and pamphlets, from sundrie places and shires of England. '
Yet, if we leave his first book out of our count, he was far less
beholden than the most of his contemporaries. He had the skill
21
a
E. L. III.
Cl. XV.


## p. 322 (#344) ############################################

322
Chroniclers and Antiquaries
6
of making the facts of others his own. And as the substance, so
the style, of the book belongs to him. Though he proffers the
same apology as Holinshed, he proffers it with far less excuse.
He protests that he never made any choice of words, 'thinking it
sufficient truelie and plainlie to set foorth such things as I minded
to treat of, rather than with vaine affectation of eloquence to paint
out a rotten sepulchre. ' And then straightway he belies himself
by describing his book as 'this foule frizeled Treatise of mine,'
which single phrase is enough to prove his keen interest, and
lively habit, in the use of words.
In love of country he yielded to no man of his age. Herein,
also, he was a true Elizabethan. The situation of the island, its
soil, its husbandry (“my time fellows can reape at this present
great commoditie in a little roome'), the profusion of its hops,
which industrie God continue,' the stature of its men, the comeli-
ness of its women--all these he celebrates in his dithyrambic
prose. He is one of the first to exalt the English navy. Certes,'
says he, 'there is no prince in Europe that hath a more beautifull
and gallant sort of ships than the queenes majestie of England
at this present. ' And, like many other patriots, he fears the en-
croachment of softer manners and of growing luxury. Comfort
he holds the foe of hardihood. The times, in his view, were not
what they were. When, indeed, have they been? He contemplates
the comely houses and the splendid palaces which made a paradise
of Tudor England with a kind of regret. He sadly (and un-
reasonably) recalls the past, when men's houses were builded of
willow, plum, hornbeam and elm, when oak was dedicated to
churches, palaces and navigation. And yet see the change,' says
. ‘
he, in a characteristic passage,
for when our houses were builded of willow, then had we oken men; but now
that our houses are come to be made of oke, our men are not onlie become
willow, but a great manie, through Persian delicacie crept in among us,
altogither of straw, which is a sore alteration.
Harrison's lament was ill-founded. In less than a score of years,
the men of willow, or of straw, defended their oaken ships with
oaken hearts against the armada.
Withal, Harrison was of an ingenious mind and simple character.
When he had wandered, in fancy, the length and breadth of England,
he wrote down in all gravity the four marvels of his country. And
they were: a strong wind, which issueth out of the hills called
the Peak; Stonehenge; Cheddar Hole; and “Westward upon
certeine hilles '--this may be cited only in his own words-
>
6


## p. 323 (#345) ############################################

John Stow
323
'a man shall see the clouds gather togither in faire weather unto
a certeine thicknesse, and by and by to spread themselves abroad
and water their fields about them, as it were upon the sudden. '
These wonders surprise by their simplicity. Simple, also, are
Harrison's wishes, yet all save one are still ungratified. 'I could
wish,' he wrote,
that I might live no longer than to see foure things in this land reformed,
that is: (1) the want of discipline in the church: (2) the covetous dealing
of most of our merchants in the preferment of the commodities of other
countries, and hinderence of their own: (3) the holding of faires and markets
upon the sundaie to be abolished, and referred to the wednesdaies: (4) and
that everie man, in whatsoever part of the champaine soile enjoieth fortie
acres of land and upwards, after that rote, either by free deed, copie hold, or
fee farme, might plant one acre of wood, or sow the same with oke mast, hasell,
beech and sufficient provision be made that it may be cherished and kept.
Thus, in his wishes as in his life, Harrison was a wise patriot. He
sought nothing else than a knowledge of his country, and her
advantage. A scholar and a man of letters, he was master of
a style from which the wind of heaven has blown the last grain
of pedantry. Best of all, he painted an intimate portrait of him-
self, in painting also the truest picture that has come down to us
of the England that Shakespeare knew and sang.
John Stow and John Speed were chroniclers of a like fashion
and a like ambition. They were good citizens, as well as sound
antiquaries, and, by a strange chance, they followed the same
craft. 'We are beholding to Mr Speed and Stow,' writes Aubrey,
echoing Sir Henry Spelman, ‘for stitching up for us our English
history. It seems they were both tailors-quod N. B. ' And if
Speed found a pleasanter employ, a tailor Stow remained unto the
end of his days. One in their pursuits, they were one, also, in
disinterestedness. The love of England and of letters brought
neither of them any profit. Stow 'made no gain by his travail, '
and died poor. With a sort of pathos, he pleads that men who
have brought hidden Histories from duskie darkness to the sight
of the world' deserve thanks for their pains, and should not be
misrepresented. 'I write not this,' says he, 'to complain of some
men's ingratitude towards me (although justly I might). ' There
is the pith of the matter enclosed within parentheses, and Stow,
may be, was thinking of Grafton's reckless animadversion on the
memories of superstitious foundacions, fables and lyes foolishly
stowed together. ' Speed lags not behind in reproach of the world,
and felicitation of himself. He describes his work as 'this large
Edifice of Great Britain's Theatre,' and likens himself to the
6
6
21--2


## p. 324 (#346) ############################################

324
Chroniclers and Antiquaries
a
silkworm, that ends her life in her long-wrought clue. "So I in
this Theatre have built my owne grave,' he writes; 'whose Archi-
tecture howsoever defective it may be said to be, yet the project
is good, and the cost great, though my selfe have freely bestowed
this paines to the Presse, without pressing a penny from any man's
purse. Yet neither the one nor the other complained justly of
'
neglect. Stow won all the honour, both in his lifetime and after,
which belongs to the lettered citizen. He grew into a superstition
of homely wit and genial humour. Henry Holland, Philemon's
son, calls him the merry old man,' and Fuller celebrates his
virtues as Stow himself would have them celebrated. He admits
that he reported toys and trifles, res in se minutas, that he was
a smell-feast, who could not pass by Guildhall without giving his
pen a taste of the good cheer, and he excuses this on the ground
that 'it is hard for a citizen to write history, but that the fire
of his gun may be felt therein. ' So much may be truly said in
dispraise. For the rest, Fuller has nothing but applause. He
declares that our most elegant historians have thrown away the
basket and taken the fruit-even Sir Francis Bacon and Master
Camden. And ‘let me add of John Stow, he concludes, 'that
(however he kept tune) he kept time very well, no author being
more accurate in the notation thereof. ' And Speed, even if he
pressed no penny from any man's purse, did not ask the aid of
any scholar in vain. Sir Robert Cotton opened his library and
his collections to the chronicler's eye. Master John Barkham
gave such help as he alone could give, while Master William
Smith, Rouge Dragon, was ever at hand to solve the problems of
heraldry. Surely no citizen ever found better encouragement,
especially in the telling of a thrice-told tale.
Stow was the more industrious of the two. In 1561, he pub-
,
lished an edition of Chaucer's works. Four years later came his
Summarie of Englyshe Chronicles, and then, in 1580, he dedicated
to Robert Dudley, earl of Leicester, a far better book, The Chronicles
of England from Brute until this present yeare of Christ 1580.
His purpose it is to celebrate 'the worthie exploits of our Kings
and governors,' and of that purpose he takes a lofty view. He
regards himself not only as a historian, but as an inculcator of
sound morals. “It is as hard a matter,' he says in pride,
6
for the Recorder of Chronicles, in my fansie, to passe without some colours of
wisedome, invitements to vertue, and loathing of naughtie factes, as it is for a
welfavoured man to walk up and downe in the hot parching Sunne, and not
to be therewith sunburned.


## p. 325 (#347) ############################################

John Speed
325
His knowledge is not often better than that of his predecessors.
He believes in the same fairy-tales; he accepts without question the
same rumours. But, in one respect, he differs from all his rivals: he
possesses an interest in literature which they lack. Under the year
1341, he records the death of John Malvern, fellow of Oriel College,
and author of the book entitled The Visions of Pierce Plowman,
and, in due course, he laments Geoffrey Chaucer, 'the most ex-
cellent poet of Englande, deceased the XXV of October, 1400. '
His knowledge of literature did not give him a lettered style.
His prose is the plainest and most straightforward of his time,
and he deserves whatever praise may be given to the diligent and
conscientious journeyman.
John Speed, on the other hand, was a born rhetorician. His
love of words outstripped his taste. When Richard I dies, 'now
ensued,' says he, 'the fatall accident, which drew the blacke cloud
of death over this triumphal and bright shining Starre of Chevalrie. '
The battle of Agincourt inspires him to such a piece of coloured
writing as Hall would not have disdained. Whatever the occasion
be, he is determined to attain what he thinks is a brilliant
effect, and his Historie of Great Britaine is marred by a monstrous
ingenuity. One virtue he has which must not be passed over :
he supports his narrative more often than the others from un-
published documents. He quotes the Life of Woolsey, which Stow
had quoted before him without acknowledgment, and ascribes it
honourably to George Cavendish. His character of Henry VII is
borrowed, with some verbal differences, from the manuscript of
Sir Francis Bacon, 'à learned, eloquent knight, and principall
lawyer of our time. In brief, truth and patriotism are his aims.
Like all the chroniclers, and with an unrestrained eloquence, he
hymns the glory of England, 'the Court of Queene Ceres, the
Granary of the Western world, the fortunate Island, the Paradise
of Pleasure and Garden of God. '
With William Camden, the chronicle reached its zenith. His
Rerum Anglicarum et Hibernicarum Annales, regnante Elizabetha
is by far the best example of its kind. Though it is 'digested
into annals,' according to the practice of the time, though
its author bundles marriages, deaths, embassies and successions
together, like the common ‘stitchers of history,' though he does
not disdain strange stars and frozen rivers, it is informed through-
out with a sense of history and with a keen perception of con-
flicting policies. Old-fashioned in design alone, the work is a
genuine piece of modern history, in which events are set in


## p. 326 (#348) ############################################

326
Chroniclers and Antiquaries
a proper perspective, and a wise proportion is kept of great and
small. Its faults are the faults inherent in the chronicle: no sure
plan of selection, a rigid division into years, an interspersion of
the text with documents. Its virtues are its own : clearness
of expression, catholicity of interest, a proud consciousness of
the great events, whereof Camden was at once the partaker and
the historian.
He declares in his preface that William Cecil, baron Burghley,
opened unto him first some memorials of state of his own,' and
that afterwards he
6
sought all manner of help on every side . . . for most of which (as I ought) I
hold myself chiefly bound to Sir R. Cotton, who with great expense and happy
labour hath gathered most choice variety of Histories and antiquity; for at
his torch be willingly suffered me to light my taper.
He learned much, also, by his own observation and by converse
with those who had played their part in affairs, and, heedless of
himself, he made no sacrifice save to truth. Nor does he vaunt
his achievement in any lofty terms. He will be content, he says,
with professional modesty, to be 'ranked amongst the lowest
writers of great things. ' He would have been placed far higher
in the general esteem, if he had not, by an unhappy accident,
composed his book in Latin. This misfortune, the greater because
he was one of the last to inflict so grave an injustice upon himself,
was mitigated by the skill and loyalty of his translators.
The first
part of his Annales, the substance of which had already been
communicated to Thuanus, was published in 1615, and, ten years
later, translated out of the French into English by Abraham
Darcie, who gave his own flourishing title to the book : The True
and Royall History of the famous Empresse Elizabeth, Queene
of England France and Ireland &c. True Faith's defendresse
of Divine renowne and happy Memory. The second part, which
describes the affairs of the kingdom from 1589 to the queen's
death, was printed posthumously in 1627, and translated into
English by Thomas Browne, student of Christ Church, under the
title of Tomus Idem et Alter (1629).
Such is the history of the book. Its purpose and motive are
apparent upon every page: to applaud the virtues of the queen and
to uphold the protestant faith. In devising fitting titles for Eliza-
beth, Camden exhausts his ingenuity. She is the Queen of the
Sea, the North Star, the restorer of our naval glory. He defends
her actions with the quiet subtlety which suggests that defence is
seldom necessary. His comment upon the death of Mary of


## p. 327 (#349) ############################################

William Camden
327
Scotland is characteristic. Thus were achieved, he thinks, the two
things which Mary and Elizabeth always kept nearest their hearts:
the union of England and Scotland was assured in Mary's son,
and the true religion, together with the safety of the English
people, was effectively maintained. But Camden was not wholly
engrossed in the glory and wisdom of the queen. He looked
beyond her excellences to the larger movements of the time.
None understood better than he the spirit of enterprise which
was founding a new England across the sea. He pays a just
tribute of honour to Drake and Hawkins, he celebrates the
prowess of John Davis and William Sanderson and he hails the
rising colony of Virginia. Of Shakespeare and the drama he has
not a word to say. The peculiar glory of his age escaped him.
The death of Ascham, it is true, tempts him to a digression, and
persuades him to deplore that so fine a scholar should have lived
and died a poor man through love of dicing and cock-fighting.
And he fires a salute over the grave of Edmund Spenser, who
surpassed all English poets, not excepting Chaucer, and into
whose tomb the other poets cast mournful elegies and the pens
wherewith they wrote them. But, in the end, he returns to his
starting-place, and concludes, as he began, on a note of panegyric.
No oblivion,' he says,
shall ever dim the glory of her Name: for her happy and renowned memory
still lives, and shall for ever live in the Minds of Man to all posterity, as of
one who (to use no other than her successor's expression) in Wisedome and
Felicitie of goverment surpassed (without envy be it spoken) all the Princes
since the days of Augustus.
6
Master Camden, as his contemporaries call him with respect,
was well fitted for his task by nature and education. He was
a man of the world as well as a scholar. Born in 1551, he was
brought up at the Blue Coat school, and sent thence, as chorister
or servitor, to Magdalen College, Oxford. Presently, he migrated to
Broadgate's Hostel, now Pembroke College, and, afterwards, to Christ
Church. In 1582, he took his famous journey through England,
the result of which was his Britannia; ten years later, he was
made headmaster of Westminster school ; and, in 1597, was ap-
pointed, successively, Richmond Herald, and Clarencieux King of
Arms. His life was full and varied ; his character, as all his
biographers testify, candid and amiable. The works he left behind
speak eloquently of his learning and industry. To our age, he is
best known as the historian of Elizabeth. To his own age, he
was eminent as an antiquary, and it was his Brilannia, published
>


## p. 328 (#350) ############################################

328
Chroniclers and Antiquaries
.
in 1582, and rescued from Latin by the incomparable Philemon
Holland in 1610, which gave him his greatest glory. Anthony
à Wood calls him 'the Pausanias of the British Isles. ' Fuller, not
to be outdone in praise, says that he restored Britain to herself. '
Like all the other topographers of his century, he made use of
Leland's notes, but the works of the two men are leagues apart.
Camden's Britannia is, in effect, a real piece of literature. It is
not intimate, like Harrison's England. It is not a thing of shreds
and patches, like the celebrated Itinerary. Wisely planned, nobly
written and deliberately composed, it is the fruit of deep and
diligent research. Camden loved England and loved to embellish
her with his phrases. He carried his readers along the high-roads,
through the towns and cities of his native country, revealing, as
he went, her natural scenery, her antiquities, her learning and her
strength. And if, to-day, we shared his pride in England, we should
still echo, with all sincerity, the praises lavished upon his work
by his contemporaries.
Ralph Brooke, with more malice than discretion, charged Camden
with making an unacknowledged use of Leland's Collectanea. The
acknowledgment was generously given, and Leland's Collections
were made but to be used. Camden, in fact, was only following
the general practice of his age. There was no topographer who
did not take what he wanted from Leland, and there was none
who did not improve what he took. If Leland's inchoate notes
were of service to Harrison and Camden, they did all that could
be expected of them. The truth is, Leland was a superstition.
He received the inordinate praise which is easily given to those
of whom it is said that they might achieve wonders if they would.
The weight of learning which he carried was thought to be so
great that he could not disburden it in books. He aroused great
expectations, and never lessened them by performance. His
erudition was inarticulate; his powers were paralysed by ambition;
he knew so much that he feared to give expression to his know-
ledge; and he won the greater glory because the masterpiece
never achieved was enveloped in an atmosphere of mystery. His
career, however, the career of the silent scholar, is not without
its interest and tragedy. Born in 1506, he studied both at Christ's
College, Cambridge, and at All Souls, Oxford, and, after some
years spent in Paris, where he was the friend of Budé, and
may, through his mediation, have encountered Rabelais, he was
appointed chaplain and librarian to Henry VIII, and rector of
Pepeling in the marches of Calais. In 1533, his great opportunity


## p. 329 (#351) ############################################

John Leland
329
came, for, in that year, he was given a commission, under the broad
seal, to travel in search of England's antiquities, to examine what-
ever records were to be found and to read in the libraries of
cathedrals, colleges, priories and abbeys. For some six years he
gave himself to this toil with tireless diligence, and, in 1546,
presented to the king the only finished piece of his writing that
exists in English : The laboriouse Journey and Serche of Johan
Leylande, for Englandes Antiquities, geven of hym as a newe
yeares gyfte to kyng Henry the VIII in the XXXVII yeare of
his raigne.
In this somewhat ornate pamphlet, Leland extols the
reformation, reproves the usurped authority of the bishop of Rome
and his complices and sets forth the extent and result of his many
journeys. In no spirit of pride, but with a simple truth, he de-
,
scribes his peragration. 'I have so traveled in your domynions,'
he writes,
both by the see coastes and the myddle partes, sparynge neyther labour nor
costes by the space of these vi yeares past, that there is almost neyther cape
nor baye, haven, creke or pere, ryver or confluence of ryvers, breches, washes,
lakes, meres, fenny waters, mountaynes, valleys, mores, hethes, forestes, woodes,
cyties, burges, castels, pryncypall manor places, monasterys, and colleges, but
I have seane them, and noted in so doynge a whole worlde of thynges verye
memorable.
8
It is a formidable list, and we may well believe that this old
pedant on the tramp omitted nothing in his survey. Whatever he
saw or heard he committed to his note-book, and carried back with
him the vast undigested mass of facts from which many wiser
heads are said to have pilfered. His ambition was commensurate
with his industry. He trusted shortly to see the time when the
king should have his 'worlde and impery of Englande set forthe
in a quadrate table of sylver,' and, knowing that silver or brass is
impermanent, he intended, as he told the king,
by the leave of God, within the space of xn moneths folowyng, such a descrip-
eion to make of the realme in wryttinge, that it shall be no mastery after, for
the graver or painter to make the lyke by a perfect example.
Nor would his work end here. He determined to restore the
ancient names which Caesar, Tacitus and others employed. In
brief, said he,
I trust so to open the wyndow, that the lyght shal be seane, so long, that is to
say by the space of a whole thousand yeares, stopped up, and the glory of your
renoumed Britain to reflorish through the worlde.
Alas for the vanity of human hopes ! It is easy to travel;
it is not easy to convert a traveller's note-book into literature ;


## p. 330 (#352) ############################################

330
Chroniclers and Antiquaries
and John Leland, elegant poet though he was in the Latin
tongue, found the work of arrangement and composition beyond
his powers. Unhappily, he seems to have known the limit of his
talent. He complains that 'except truth be delycately clothed
in purpure her written veryties can scant fynde a reader. ' This
purple vesture it was not his to give, and the world looked in
vain for his expected masterpiece. When, at last, he recognised
that it was for others he had gathered the honey of his knowledge,
he went mad, 'upon a foresight,' said Wood, that he was not able
to perform his promise. ' Some charged him with pride and vain-
glory without justice. He was not proud, merely inarticulate.
The work he designed for himself was done by Camden. And,
now that his Itinerary is printed, it is difficult to understand the
enthusiasm of his contemporaries. It makes no pretence to be
written. It is the perfection of dryasdust, and the only writer
with whom Leland may profitably be compared is the author of
Bradshaw's Guide. Here are two specimens of his lore, chosen
at random :
6
Mr Pye dwellit at. . . a litle from Chippenham, but in Chippenham Paroche.
One told me that there was no notable Bridge on Avon betwixt Malmeshyri
and Chippenham. I passed over 2 Bekkes betwixt Malmesbyri and Clip-
penham.
The statements are superbly irrelevant, and it is clear that the
old tailors had the better of the vaunted scholar.
As a topographer, indeed, it is Stow who takes his place by
Camden's side. The Survey of the Cities of London and West-
minster (1598 and 1603) is a diligent and valuable piece of work,
at once faithful and enthusiastic. For Stow, London was the
fairest, largest, richest and best inhabited city in the world, and
he gave it all the care and study which he thought it deserved.
Other travellers went further afield. To Richard Carew, we owe
A Survey of Cornwall (1602); and John Norden cherished the
wider ambition of composing a series of county histories. Only
a fragment of his vast design, which he would have entitled
Speculum Britanniae, has come down to us--a 'preparative' to
the whole work, together with brief sketches of Middlesex and
Hertford (1593). The failure is more to be regretted because
Norden himself was a man of parts. He came of a gentile family,'
says Wood, was authorised, in 1593, by a privy council order to
travel through England and Wales, 'to make more perfect de-
scriptions, charts and maps' and was a very deft cartographer, as


## p. 331 (#353) ############################################

Sir Thomas Smith
331
is shown to all in Camden's Britannia. The liveliest of his works,
the Surveyor's Dialogue (1608), may still be read with pleasure.
Therein, Norden deplores, like many another, the luxury which had
come upon the country under the rule of the Tudors; he observes,
with sorrow, the enhanced prices of all commodities, the smoke of
many chimneys, which ‘hinders the heate and light of the Sunne
from earthly creatures, and the many acres of deforested land,
The farmers, he says, are not content unless they are gentry, and
'gentlemen have sunke themselves by rowing in vanities boate. '
In brief, he sees about him the signs of ruin and desolation, and
his treatise may aptly be compared with some passages of
Harrison's Description of England,
What the travellers did for their country, Sir Thomas Smith,
in his Common Wealth of England (written in 1565, printed in
1583), did for its law and government. No treatise ever written
owed less to ornament. As the author himself says, he has
declared summarily as it were in a Chart or Map' the form
and manner of government and the policy of England. His
is no feigned commonwealth such as never was nor shall be,
no vain imagination, no fantasy of philosophers, but England
as she
6
6
standeth and is governed at this day the eight and twentie of March, Anno
1565, in the seventh yeere of the Raigne and Administration thereof by the
most religious, virtuous, and noble Queene Elizabeth.
In style and in substance the book is as concise as a classic. It
wastes no words and betrays few emotions. Only once or twice
does Sir Thomas Smith permit himself a touch of humanity or
a bint of observation. The yeomen of England, the good Archers,
‘the stable troupe of Footmen that affraid all France,' arouse him
to a fitful enthusiasm, and, in the discussion of England's male-
factors, he reveals a flash of real insight, namely that Englishmen,
while they neglect death, will not endure torture. The nature
of our Nation is free, stout, hault, prodigall of life and blood,'
says he, “but contumely, beating, servitude, and servile torment,
and punishment it will not abide. ' The popularity of the book is
easily intelligible. It appealed to a people hungry for knowledge
of itself, but it gives no hint of the erudite Greek professor, the
adroit ambassador, the wise secretary of state, the curious astro-
loger, all whose parts Sir Thomas Smith played with distinction
and success.
An encyclopaedic method claims for John Foxe, the martyro-
logist, a place among the chroniclers. Not that his aim and


## p. 332 (#354) ############################################

332
Chroniclers and Antiquaries
6
purpose resembled theirs. It was not for him to exalt his country,
or to celebrate the triumphs of her past. His was the gloomier
task of recounting the torments suffered by the martyrs of all
ages, and he performed it with so keen a zest that it was not his
fault if one single victim escaped his purview. In other words,
he was content only with universality, and how well he succeeded
let Fuller tell : 'In good earnest, as to the particular subject of
our English martyrs, Mr Foxe hath done everything, leaving
posterity nothing to work upon. ' And so he goes back to the
beginning, describing the martyrdoms of the early church, and of
those who suffered in England under king Lucius. As he passes
by, he pours contempt upon Becket, proving that he, at least,
was no true martyr, being the open and avowed friend of the
pope. But it is when he arrives within measurable distance of
his own time that he finds the best food for his eloquence. The
prowess of Henry VIII, the exploits of Thomas Cromwell, his
prime hero, the magnanimity of Anne Boleyn, who, without
controversy, was a special comforter and aider of all the pro-
fessors of Christ's gospel,' tempt him to enthusiasm, and he rises
to the highest pitch of his frenzy when he recounts the tortures
of those who suffered death in the reign of queen Mary. He is no
sifter of authorities; he is as credulous as the simplest chronicler ;
he gathers his facts where Grafton and Stow gathered theirs, and
he makes no attempt to test their accuracy. His sin is the greater
because he is not writing to amuse or to enlighten his readers,
but to prove a point in controversy. He is, in brief, a violent
partisan. His book is the longest pamphlet ever composed by
the hand of man. It is said to be twice as long as Gibbon's
Decline and Fall, and never for one moment does it waver from
its purpose, which is to expose the wickedness of the persecutors
of God's truth, commonly called Papists. ' It is idle, therefore, to
expect accuracy or a quiet statement from Foxe. If anyone belong
to the other side, Foxe can credit him neither with honesty nor with
intelligence. Those only are martyrs who die for the protestant
The spilt blood of such men as Fisher and More does not
distress him. For the author of Utopia, indeed, he has a profound
contempt. He summarily dismisses him as 'a bitter persecutor
of good men, and a wretched enemy against the truth of the
gospel. ' It follows, therefore, that Foxe's mind also was enchained.
It was not liberty of opinion which seemed good in his eyes, but
the vanquishing of the other side. Though he interceded for
certain anabaptists condemned by queen Elizabeth, it was his
6
cause.


## p. 333 (#355) ############################################

John Foxe
333
object to rescue them not from punishment but from the flames,
which was, he thought, in accord with a Roman rather than with a
Christian custom. However, the success of his Actes and Monu-
ments was immediate. It was universally read, it aroused a storm
of argument, it was ordered to be chained in churches for the
general edification of the people. The temper in which it is
written, the inflexible judgment which, throughout, distorts the
truth with the best motive, have rendered the book less valu-
able in modern than in contemporary eyes. If we read it to-day,
we read it not for its matter or for its good counsel, but for its
design. As a mere performance, the Actes and Monuments is
without parallel. Foxe was an astounding virtuoso, whose move-
ment and energy never flag. With a fever of excitement he
sustains his own interest (and sometimes yours) in his strange
medley of gossip, document and exhortation. The mere style of
the work-homely, quick and appropriate—is sufficient to account
for its favour. The dramatic turn which Foxe gives to his dia-
logues, the vitality of the innumerable men and women, tortured
and torturers, who throng his pages—these are qualities which
do not fade with years. Even the spirit of bitter raillery which
breathes through his pages amazes, while it exasperates, the
reader. From the point of view of presentation, the work's worst
fault is monotony. Page after page, the martyrologist revels in
the terms of suffering. He spares you nothing, neither the
,
creeping flames, nor the chained limb, until you begin to
believe that he himself had a love of blood and fire.
The man was just such a one as you would expect from his
book. Born in 1517, to parents 'reputed of good estate,' sent to
Oxford, in 1533, by friends who approved his “good inclination
and towardness to learning,' and elected fellow of Magdalen
College, he was presently accused of heresy and expelled from
Oxford. He was of those who can neither brook opposition nor
accept argument. Henceforth, though he never stood at the
stake, he suffered the martyrdom of penury and distress. Now
tutor in a gentleman's house, now in flight for the sake of his
opinions, be passed some years at Basel reading for the press,
and, in 1559, he published at Strassburg the first edition of his
masterpiece, in Latin. In 1563, it was printed in English by John
Day, with the title Actes and Monuments of these latter and
perilous times touching matters of the Church. With characteristic
ingenuity, he composed four dedications : to Jesus Christ, to the
queen, to the learned reader and to the persecutors of God's truth,


## p. 334 (#356) ############################################

334
Chroniclers and Antiquaries
commonly called papists. The last is a fine example of savage
abuse, and, as Foxe wrote in safety and under the protection of
a protestant queen, its purpose is not evident. No more can be
said than that rage and fury are in his heart and on his tongue,
that he possessed a genius of indignation which he had neither
wish nor power to check and that he bequeathed to us a larger
mass of invective than any writer in any age has been able to
achieve.
The most of the writers hitherto discussed have been intent
either to amuse or to inform. They have composed their works,
for the most part, in sound and living English, because they spoke
and wrote a language that had not yet been attenuated by the
formality of pedants and grammarians. Few, if any, of them were
sensible of an artistic impulse. They began at the beginning and
pursued their task patiently unto the end, unconscious of what
the next page would bring forth. But there are three writers,
the author of The history of King Richard the thirde, George
Cavendish and Sir John Hayward, who are separated from the
chroniclers, even from Camden himself, both by ambition and by
talent. Each of them set before him a consistent and harmonious
design ; each of them produced, in his own fashion, a deliberately
artistic effect. The history of Richard the thirde has been gene-
rally ascribed to Sir Thomas More, on hazardous authority. An
incomplete manuscript of the book was found among his papers,
and printed as his both in Hall's Chronicle and in Grafton's
edition of Hardyng. Some have attributed to More no more than
the translation, giving to cardinal Morton the credit of a Latin
original. Sir George Buck, in his History of the Life and Reigne
of Richard III, printed in 1646, but written many years earlier,
declares that ‘Doctor Morton (acting the part of Histiaeus) made
the Booke, and Master Moore like Aristagoras set it forth, amplifying
and glossing it. ' Where the evidence is thus scanty, dogmatism
is inapposite, and no more can be said than that the book itself
does not chime with the character and temper of More. It is
marked throughout by an asperity of tone, an eager partisan-
ship, which belong more obviously to Morton than to the humane
author of Utopia.
From beginning to end, Richard III is painted in the blackest
colours. No gossip is overlooked which may throw a sinister light
upon the actions of the prince. It is hinted, not only that he
slew Henry VI, but that he was privy to Clarence's death. The
most is made of his deformed body and cunning mind, the least


## p. 335 (#357) ############################################

1
The history of King Richard the thirde 335
of his policy. If accuracy be sacrificed, the artistic effect is en-
hanced. The oneness of Richard's character gives a unity and
concentration to the portrait which cannot be overpraised. For the
first time in English literature, we come upon a history which is not
a mere collection of facts, but a deliberately designed and care-
fully finished whole. The author has followed the ancient models.
He knows how fine an effect is produced by the putting of
appropriate speeches in the mouths of his characters. The value
of such maxims as sum up a situation and point a moral does not
escape him. “Slipper youth must be underpropped with elder
counsayle,' says he. And, again : The desire of a kingdome
knoweth no kinred. The brother hath bene the brother's bane. '
Here we have the brevity and the wise commonplace of the Greek
chorus. Above all, he proves the finest economy in preparing his
effects. The great scene in which Richard arrests lord Hastings
opens in a spirit of gentle courtesy. 'My Lord,' says the protector
to the bishop of Ely,
you have very good strawberries at your gardayne in Holberne, I request you
let ns have a messe of them. Gladly my lord, quod he, woulde God I had
some better thing as redy to your pleasure as that.
And then the storm breaks. In brief, the author's sense of what
is picturesque never slumbers. The sketches of the queen and
Shore's wife are drawn by a master. The persistence with which
Richard tightens his grasp upon the throne is rendered with the
utmost skill. Nor is the sense of proportion ever at fault. You
are given the very essence of the tragedy, and so subtle is the design
that, at the first reading, it may escape you. The style is marked
by a strict economy of words and a constant preference of English
before Latin. From beginning to end, there is no trace of flam-
boyancy or repetition, and, while we applaud the wisdom of the
chroniclers who made this history of Richard their own, we cannot
but wonder that one and all failed to profit by so fine an example
of artistry and restraint.
Few books have had a stranger fate than George Cavendish's
Life and Death of Thomas Woolsey. Written when queen Mary
was on the throne, it achieved a secret and furtive success.
passed in manuscript from hand to hand. Shakespeare knew it
and used it. As I have said, both Stow and Speed leaned upon
its authority.