No More Learning

No man like him the horn could sound.
And no man was so full of glee;
To say the least, four counties round
Had heard of Simon Lee;
His master's dead, and no one now
Dwells in the hall of Ivor;
Men, dogs, and horses, all are dead;
He is the sole survivor.

His hunting feats have him bereft
Of his right eye, as you may see:
And then, what limbs those feats have left
To poor old Simon Lee!
He has no son, he has no child,
His wife, an aged woman,
Lives with him, near the waterfall,
Upon the village common.

And he is lean and he is sick,
His little body's half awry
His ancles they are swoln and thick
His legs are thin and dry.
When he was young he little knew
Of husbandry or tillage;
And now he's forced to work, though weak,
--The weakest in the village.

He all the country could outrun,
Could leave both man and horse behind;
And often, ere the race was done,
He reeled and was stone-blind.
And still there's something in the world
At which his heart rejoices;
For when the chiming hounds are out,
He dearly loves their voices!

Old Ruth works out of doors with him,
And does what Simon cannot do;
For she, not over stout of limb,
Is stouter of the two.
And though you with your utmost skill
From labour could not wean them,
Alas! 'tis very little, all
Which they can do between them.

Beside their moss-grown hut of clay,
Not twenty paces from the door,
A scrap of land they have, but they
Are poorest of the poor.
This scrap of land he from the heath
Enclosed when he was stronger;
But what avails the land to them,
Which they can till no longer?

Few months of life has he in store,
As he to you will tell,
For still, the more he works, the more
His poor old ancles swell.
My gentle reader, I perceive
How patiently you've waited,
And I'm afraid that you expect
Some tale will be related.

O reader! had you in your mind
Such stores as silent thought can bring,
O gentle reader! you would find
A tale in every thing.
What more I have to say is short,
I hope you'll kindly take it;
It is no tale; but should you think,
Perhaps a tale you'll make it.

One summer-day I chanced to see
This old man doing all he could
About the root of an old tree,
A stump of rotten wood.
The mattock totter'd in his hand;
So vain was his endeavour
That at the root of the old tree
He might have worked for ever.

"You're overtasked, good Simon Lee,
Give me your tool" to him I said;
And at the word right gladly he
Received my proffer'd aid.
I struck, and with a single blow
The tangled root I sever'd,
At which the poor old man so long
And vainly had endeavour'd.

The tears into his eyes were brought,
And thanks and praises seemed to run
So fast out of his heart, I thought
They never would have done.
--I've heard of hearts unkind, kind deeds
With coldness still returning.
Alas! the gratitude of men
Has oftner left me mourning.



ANECDOTE FOR FATHERS SHEWING HOW THE ART OF LYING MAY BE TAUGHT.


I have a boy of five years old,
His face is fair and fresh to see;
His limbs are cast in beauty's mould,
And dearly he loves me.

One morn we stroll'd on our dry walk,
Our quiet house all full in view,
And held such intermitted talk
As we are wont to do.

My thoughts on former pleasures ran;
I thought of Kilve's delightful shore,
My pleasant home, when spring began,
A long, long year before.

A day it was when I could bear
To think, and think, and think again;
With so much happiness to spare,
I could not feel a pain.

My boy was by my side, so slim
And graceful in his rustic dress!
And oftentimes I talked to him,
In very idleness.

The young lambs ran a pretty race;
The morning sun shone bright and warm;
"Kilve," said I, "was a pleasant place,
"And so is Liswyn farm.

"My little boy, which like you more,"
I said and took him by the arm--
"Our home by Kilve's delightful shore,
"Or here at Liswyn farm? "

"And tell me, had you rather be,"
I said and held him by the arm,
"At Kilve's smooth shore by the green sea,
"Or here at Liswyn farm? "

In careless mood he looked at me,
While still I held him by the arm,
And said, "At Kilve I'd rather be
"Than here at Liswyn farm. "

"Now, little Edward, say why so;
My little Edward, tell me why;"
"I cannot tell, I do not know,"
"Why this is strange," said I.

"For, here are woods and green-hills warm;
"There surely must some reason be
"Why you would change sweet Liswyn farm
"For Kilve by the green sea. "

At this, my boy, so fair and slim,
Hung down his head, nor made reply;
And five times did I say to him,
"Why? Edward, tell me why? "

His head he raised--there was in sight,
It caught his eye, he saw it plain--
Upon the house-top, glittering bright,
A broad and gilded vane.

Then did the boy his tongue unlock,
And thus to me he made reply;
"At Kilve there was no weather-cock,
"And that's the reason why. "

Oh dearest, dearest boy! my heart
For better lore would seldom yearn,
Could I but teach the hundredth part
Of what from thee I learn.



WE ARE SEVEN.


A simple child, dear brother Jim,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage girl,
She was eight years old, she said;
Her hair was thick with many a curl
That cluster'd round her head.

She had a rustic, woodland air,
And she was wildly clad;
Her eyes were fair, and very fair,
--Her beauty made me glad.

"Sisters and brothers, little maid,
"How many may you be? "
"How many? seven in all," she said,
And wondering looked at me.

"And where are they, I pray you tell? "
She answered, "Seven are we,
"And two of us at Conway dwell,
"And two are gone to sea.

"Two of us in the church-yard lie,
"My sister and my brother,
"And in the church-yard cottage, I
"Dwell near them with my mother. "

"You say that two at Conway dwell,
"And two are gone to sea,
"Yet you are seven; I pray you tell
"Sweet Maid, how this may be? "

Then did the little Maid reply,
"Seven boys and girls are we;
"Two of us in the church-yard lie,
"Beneath the church-yard tree. "

"You run about, my little maid,
"Your limbs they are alive;
"If two are in the church-yard laid,
"Then ye are only five. "

"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
"And they are side by side.

"My stockings there I often knit,
"My 'kerchief there I hem;
"And there upon the ground I sit--
"I sit and sing to them.

"And often after sunset, Sir,
"When it is light and fair,
"I take my little porringer,
"And eat my supper there.

"The first that died was little Jane;
"In bed she moaning lay,
"Till God released her of her pain,
"And then she went away.

"So in the church-yard she was laid,
"And all the summer dry,
"Together round her grave we played,
"My brother John and I.

"And when the ground was white with snow,
"And I could run and slide,
"My brother John was forced to go,
"And he lies by her side. "

"How many are you then," said I,
"If they two are in Heaven? "
The little Maiden did reply,
"O Master! we are seven. "

"But they are dead; those two are dead!
"Their spirits are in heaven! "
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven! "



LINES WRITTEN IN EARLY SPRING.


I heard a thousand blended notes,
While in a grove I sate reclined,
In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.

To her fair works did nature link
The human soul that through me ran;
And much it griev'd my heart to think
What man has made of man.

Through primrose-tufts, in that sweet bower,
The periwinkle trail'd its wreathes;
And 'tis my faith that every flower
Enjoys the air it breathes.

The birds around me hopp'd and play'd:
Their thoughts I cannot measure,
But the least motion which they made,
It seem'd a thrill of pleasure.

The budding twigs spread out their fan,
To catch the breezy air;
And I must think, do all I can,
That there was pleasure there.

If I these thoughts may not prevent,
If such be of my creed the plan,
Have I not reason to lament
What man has made of man?



THE THORN.


I.

There is a thorn; it looks so old,
In truth you'd find it hard to say,
How it could ever have been young,
It looks so old and grey.
Not higher than a two-years' child,
It stands erect this aged thorn;
No leaves it has, no thorny points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens it is overgrown.


II.

Like rock or stone, it is o'ergrown
With lichens to the very top,
And hung with heavy tufts of moss,
A melancholy crop:
Up from the earth these mosses creep,
And this poor thorn they clasp it round
So close, you'd say that they were bent
With plain and manifest intent,
To drag it to the ground;
And all had joined in one endeavour
To bury this poor thorn for ever.


III.

High on a mountain's highest ridge,
Where oft the stormy winter gale
Cuts like a scythe, while through the clouds
It sweeps from vale to vale;
Not five yards from the mountain-path,
This thorn you on your left espy;
And to the left, three yards beyond,
You see a little muddy pond
Of water, never dry;
I've measured it from side to side:
'Tis three feet long, and two feet wide.


IV.

And close beside this aged thorn,
There is a fresh and lovely sight,
A beauteous heap, a hill of moss,
Just half a foot in height.
All lovely colours there you see,
All colours that were ever seen,
And mossy network too is there,
As if by hand of lady fair
The work had woven been,
And cups, the darlings of the eye,
So deep is their vermilion dye.


V.

Ah me! what lovely tints are there!
Of olive-green and scarlet bright,
In spikes, in branches, and in stars,
Green, red, and pearly white.
This heap of earth o'ergrown with moss
Which close beside the thorn you see,
So fresh in all its beauteous dyes,
Is like an infant's grave in size
As like as like can be:
But never, never any where,
An infant's grave was half so fair.


VI.

Now would you see this aged thorn,
This pond and beauteous hill of moss,
You must take care and chuse your time
The mountain when to cross.
For oft there sits, between the heap
That's like an infant's grave in size,
And that same pond of which I spoke,
A woman in a scarlet cloak,
And to herself she cries,
"Oh misery! oh misery!
"Oh woe is me! oh misery! "


VII.

At all times of the day and night
This wretched woman thither goes,
And she is known to every star,
And every wind that blows;
And there beside the thorn she sits
When the blue day-light's in the skies,
And when the whirlwind's on the hill,
Or frosty air is keen and still,
And to herself she cries,
"Oh misery! oh misery!
"Oh woe is me! oh misery! "


VIII.

"Now wherefore thus, by day and night,
"In rain, in tempest, and in snow,
"Thus to the dreary mountain-top
"Does this poor woman go?
"And why sits she beside the thorn
"When the blue day-light's in the sky,
"Or when the whirlwind's on the hill,
"Or frosty air is keen and still,
"And wherefore does she cry? --
"Oh wherefore? wherefore? tell me why
"Does she repeat that doleful cry? "


IX.

I cannot tell; I wish I could;
For the true reason no one knows,
But if you'd gladly view the spot,
The spot to which she goes;
The heap that's like an infant's grave,
The pond--and thorn, so old and grey,
Pass by her door--'tis seldom shut--
And if you see her in her hut,
Then to the spot away! --
I never heard of such as dare
Approach the spot when she is there.


X.

"But wherefore to the mountain-top
"Can this unhappy woman go,
"Whatever star is in the skies,
"Whatever wind may blow? "
Nay rack your brain--'tis all in vain,
I'll tell you every thing I know;
But to the thorn, and to the pond
Which is a little step beyond,
I wish that you would go:
Perhaps when you are at the place
You something of her tale may trace.


XI.

I'll give you the best help I can:
Before you up the mountain go,
Up to the dreary mountain-top,
I'll tell you all I know.
Tis now some two and twenty years,
Since she (her name is Martha Ray)
Gave with a maiden's true good will
Her company to Stephen Hill;
And she was blithe and gay,
And she was happy, happy still
Whene'er she thought of Stephen Hill.


XII.

And they had fix'd the wedding-day,
The morning that must wed them both;
But Stephen to another maid
Had sworn another oath;
And with this other maid to church
Unthinking Stephen went--
Poor Martha! on that woful day
A cruel, cruel fire, they say,
Into her bones was sent:
It dried her body like a cinder,
And almost turn'd her brain to tinder.


XIII.

They say, full six months after this,
While yet the summer-leaves were green,
She to the mountain-top would go,
And there was often seen.
'Tis said, a child was in her womb,
As now to any eye was plain;
She was with child, and she was mad,
Yet often she was sober sad
From her exceeding pain.
Oh me! ten thousand times I'd rather
That he had died, that cruel father!


XIV.

Sad case for such a brain to hold
Communion with a stirring child!
Sad case, as you may think, for one
Who had a brain so wild!
Last Christmas when we talked of this,
Old Farmer Simpson did maintain,
That in her womb the infant wrought
About its mother's heart, and brought
Her senses back again:
And when at last her time drew near,
Her looks were calm, her senses clear.


XV.

No more I know, I wish I did,
And I would tell it all to you;
For what became of this poor child
There's none that ever knew:
And if a child was born or no,
There's no one that could ever tell;
And if 'twas born alive or dead,
There's no one knows, as I have said,
But some remember well,
That Martha Ray about this time
Would up the mountain often climb.


XVI.

And all that winter, when at night
The wind blew from the mountain-peak,
'Twas worth your while, though in the dark,
The church-yard path to seek:
For many a time and oft were heard
Cries coming from the mountain-head,
Some plainly living voices were,
And others, I've heard many swear,
Were voices of the dead:
I cannot think, whate'er they say,
They had to do with Martha Ray.


XVII.

But that she goes to this old thorn,
The thorn which I've described to you,
And there sits in a scarlet cloak,
I will be sworn is true.
For one day with my telescope,
To view the ocean wide and bright,
When to this country first I came,
Ere I had heard of Martha's name,
I climbed the mountain's height:
A storm came on, and I could see
No object higher than my knee.


XVIII.

'Twas mist and rain, and storm and rain,
No screen, no fence could I discover,
And then the wind! in faith, it was
A wind full ten times over.
I looked around, I thought I saw
A jutting crag, and oft' I ran,
Head-foremost, through the driving rain,
The shelter of the crag to gain,
And, as I am a man,
Instead of jutting crag, I found
A woman seated on the ground.


XIX.

I did not speak--I saw her face,
Her face it was enough for me;
I turned about and heard her cry,
"O misery! O misery! "
And there she sits, until the moon
Through half the clear blue sky will go,
And when the little breezes make
The waters of the pond to shake,
As all the country know,
She shudders and you hear her cry,
"Oh misery! oh misery!


XX.

"But what's the thorn? and what's the pond?
"And what's the hill of moss to her?
"And what's the creeping breeze that comes
"The little pond to stir? "
I cannot tell; but some will say
She hanged her baby on the tree,
Some say she drowned it in the pond,
Which is a little step beyond,
But all and each agree,
The little babe was buried there,
Beneath that hill of moss so fair.


XXI.

I've heard the scarlet moss is red
With drops of that poor infant's blood;
But kill a new-born infant thus!
I do not think she could.
Some say, if to the pond you go,
And fix on it a steady view,
The shadow of a babe you trace,
A baby and a baby's face,
And that it looks at you;
Whene'er you look on it, 'tis plain
The baby looks at you again.


XXII.

And some had sworn an oath that she
Should be to public justice brought;
And for the little infant's bones
With spades they would have sought.
But then the beauteous hill of moss
Before their eyes began to stir;
And for full fifty yards around,
The grass it shook upon the ground;
But all do still aver
The little babe is buried there,
Beneath that hill of moss so fair.


XXIII.

I cannot tell how this may be,
But plain it is, the thorn is bound
With heavy tufts of moss, that strive
To drag it to the ground.
And this I know, full many a time,
When she was on the mountain high,
By day, and in the silent night,
When all the stars shone clear and bright,
That I have heard her cry,
"Oh misery! oh misery!
"O woe is me! oh misery! "



THE LAST OF THE FLOCK.


In distant countries I have been,
And yet I have not often seen
A healthy man, a man full grown
Weep in the public roads alone.
But such a one, on English ground,
And in the broad high-way, I met;
Along the broad high-way he came,
His cheeks with tears were wet.
Sturdy he seemed, though he was sad;
And in his arms a lamb he had.

He saw me, and he turned aside,
As if he wished himself to hide:
Then with his coat he made essay
To wipe those briny tears away.
I follow'd him, and said, "My friend
"What ails you? wherefore weep you so? "
--"Shame on me, Sir! this lusty lamb,
He makes my tears to flow.
To-day I fetched him from the rock;
He is the last of all my flock.

When I was young, a single man.
And after youthful follies ran,
Though little given to care and thought,
Yet, so it was, a ewe I bought;
And other sheep from her I raised,
As healthy sheep as you might see,
And then I married, and was rich
As I could wish to be;
Of sheep I number'd a full score,
And every year encreas'd my store.

Year after year my stock it grew,
And from this one, this single ewe,
Full fifty comely sheep I raised,
As sweet a flock as ever grazed!
Upon the mountain did they feed;
They throve, and we at home did thrive.
--This lusty lamb of all my store
Is all that is alive:
And now I care not if we die,
And perish all of poverty.

Ten children, Sir! had I to feed,
Hard labour in a time of need!
My pride was tamed, and in our grief,
I of the parish ask'd relief.
They said I was a wealthy man;
My sheep upon the mountain fed,
And it was fit that thence I took
Whereof to buy us bread:"
"Do this; how can we give to you,"
They cried, "what to the poor is due? "

I sold a sheep as they had said,
And bought my little children bread,
And they were healthy with their food;
For me it never did me good.
A woeful time it was for me,
To see the end of all my gains,
The pretty flock which I had reared
With all my care and pains,
To see it melt like snow away!
For me it was a woeful day.

Another still! and still another!
A little lamb, and then its mother!
It was a vein that never stopp'd,
Like blood-drops from my heart they dropp'd.
Till thirty were not left alive
They dwindled, dwindled, one by one,
And I may say that many a time
I wished they all were gone:
They dwindled one by one away;
For me it was a woeful day.

To wicked deeds I was inclined,
And wicked fancies cross'd my mind,
And every man I chanc'd to see,
I thought he knew some ill of me
No peace, no comfort could I find,
No ease, within doors or without,
And crazily, and wearily,
I went my work about.
Oft-times I thought to run away;
For me it was a woeful day.

Sir! 'twas a precious flock to me,
As dear as my own children be;
For daily with my growing store
I loved my children more and more.
Alas!
it was an evil time;
God cursed me in my sore distress,
I prayed, yet every day I thought
I loved my children less;
And every week, and every day,
My flock, it seemed to melt away.

They dwindled, Sir, sad sight to see!
From ten to five, from five to three,
A lamb, a weather, and a ewe;
And then at last, from three to two;
And of my fifty, yesterday
I had but only one,
And here it lies upon my arm,
Alas! and I have none;
To-day I fetched it from the rock;
It is the last of all my flock. "



THE DUNGEON.


And this place our forefathers made for man!
This is the process of our love and wisdom,
To each poor brother who offends against us--
Most innocent, perhaps--and what if guilty?
Is this the only cure? Merciful God?
Each pore and natural outlet shrivell'd up
By ignorance and parching poverty,
His energies roll back upon his heart,
And stagnate and corrupt; till changed to poison,
They break out on him, like a loathsome plague-spot;
Then we call in our pamper'd mountebanks--
And this is their best cure! uncomforted
And friendless solitude, groaning and tears,
And savage faces, at the clanking hour,
Seen through the steams and vapour of his dungeon,
By the lamp's dismal twilight! So he lies
Circled with evil, till his very soul
Unmoulds its essence, hopelessly deformed
By sights of ever more deformity!

With other ministrations thou, O nature!
Healest thy wandering and distempered child:
Thou pourest on him thy soft influences,
Thy sunny hues, fair forms, and breathing sweets,
Thy melodies of woods, and winds, and waters,
Till he relent, and can no more endure
To be a jarring and a dissonant thing,
Amid this general dance and minstrelsy;
But, bursting into tears, wins back his way,
His angry spirit healed and harmonized
By the benignant touch of love and beauty.



THE MAD MOTHER.


Her eyes are wild, her head is bare,
The sun has burnt her coal-black hair,
Her eye-brows have a rusty stain,
And she came far from over the main.
She has a baby on her arm,
Or else she were alone;
And underneath the hay-stack warm,
And on the green-wood stone,
She talked and sung the woods among;
And it was in the English tongue.

"Sweet babe! they say that I am mad,
But nay, my heart is far too glad;
And I am happy when I sing
Full many a sad and doleful thing:
Then, lovely baby, do not fear!
I pray thee have no fear of me,
But, safe as in a cradle, here
My lovely baby! thou shalt be,
To thee I know too much I owe;
I cannot work thee any woe.

A fire was once within my brain;
And in my head a dull, dull pain;
And fiendish faces one, two, three,
Hung at my breasts, and pulled at me.
But then there came a sight of joy;
It came at once to do me good;
I waked, and saw my little boy,
My little boy of flesh and blood;
Oh joy for me that sight to see!
For he was here, and only he.

Suck, little babe, oh suck again!
It cools my blood; it cools my brain;
Thy lips I feel them, baby! they
Draw from my heart the pain away.
Oh! press me with thy little hand;
It loosens something at my chest;
About that tight and deadly band
I feel thy little fingers press'd.
The breeze I see is in the tree;
It comes to cool my babe and me.

Oh! love me, love me, little boy!
Thou art thy mother's only joy;
And do not dread the waves below,
When o'er the sea-rock's edge we go;
The high crag cannot work me harm,
Nor leaping torrents when they howl;
The babe I carry on my arm,
He saves for me my precious soul;
Then happy lie, for blest am I;
Without me my sweet babe would die.

Then do not fear, my boy! for thee
Bold as a lion I will be;
And I will always be thy guide,
Through hollow snows and rivers wide.
I'll build an Indian bower; I know
The leaves that make the softest bed:
And if from me thou wilt not go,
But still be true 'till I am dead,
My pretty thing! then thou shalt sing,
As merry as the birds in spring.

Thy father cares not for my breast,
'Tis thine, sweet baby, there to rest:
'Tis all thine own! and if its hue
Be changed, that was so fair to view,
'Tis fair enough for thee, my dove!
My beauty, little child, is flown;
But thou wilt live with me in love,
And what if my poor cheek be brown?
'Tis well for me; thou canst not see
How pale and wan it else would be.

Dread not their taunts, my little life!
I am thy father's wedded wife;
And underneath the spreading tree
We two will live in honesty.
If his sweet boy he could forsake,
With me he never would have stay'd:
From him no harm my babe can take,
But he, poor man! is wretched made,
And every day we two will pray
For him that's gone and far away.

I'll teach my boy the sweetest things;
I'll teach him how the owlet sings.
My little babe! thy lips are still,
And thou hast almost suck'd thy fill.
--Where art thou gone my own dear child?
What wicked looks are those I see?
Alas! alas! that look so wild,
It never, never came from me:
If thou art mad, my pretty lad,
Then I must be for ever sad.

Oh! smile on me, my little lamb!
For I thy own dear mother am.
My love for thee has well been tried:
I've sought thy father far and wide.
I know the poisons of the shade,
I know the earth-nuts fit for food;
Then, pretty dear, be not afraid;
We'll find thy father in the wood.
Now laugh and be gay, to the woods away!
And there, my babe; we'll live for aye.



THE IDIOT BOY.


Tis eight o'clock,--a clear March night,
The moon is up--the sky is blue,
The owlet in the moonlight air,
He shouts from nobody knows where;
He lengthens out his lonely shout,
Halloo! halloo! a long halloo!

--Why bustle thus about your door,
What means this bustle, Betty Foy?
Why are you in this mighty fret?
And why on horseback have you set
Him whom you love, your idiot boy?

Beneath the moon that shines so bright,
Till she is tired, let Betty Foy
With girt and stirrup fiddle-faddle;
But wherefore set upon a saddle
Him whom she loves, her idiot boy?

There's scarce a soul that's out of bed;
Good Betty! put him down again;
His lips with joy they burr at you,
But, Betty! what has he to do
With stirrup, saddle, or with rein?

The world will say 'tis very idle,
Bethink you of the time of night;
There's not a mother, no not one,
But when she hears what you have done,
Oh! Betty she'll be in a fright.

But Betty's bent on her intent,
For her good neighbour, Susan Gale,
Old Susan, she who dwells alone,
Is sick, and makes a piteous moan,
As if her very life would fail.

There's not a house within a mile.
No hand to help them in distress:
Old Susan lies a bed in pain,
And sorely puzzled are the twain,
For what she ails they cannot guess.

And Betty's husband's at the wood,
Where by the week he doth abide,
A woodman in the distant vale;
There's none to help poor Susan Gale,
What must be done? what will betide?

And Betty from the lane has fetched
Her pony, that is mild and good,
Whether he be in joy or pain,
Feeding at will along the lane,
Or bringing faggots from the wood.

And he is all in travelling trim,
And by the moonlight, Betty Foy
Has up upon the saddle set,
The like was never heard of yet,
Him whom she loves, her idiot boy.

And he must post without delay
Across the bridge that's in the dale,
And by the church, and o'er the down,
To bring a doctor from the town,
Or she will die, old Susan Gale.

There is no need of boot or spur,
There is no need of whip or wand,
For Johnny has his holly-bough,
And with a hurly-burly now
He shakes the green bough in his hand.

And Betty o'er and o'er has told
The boy who is her best delight,
Both what to follow, what to shun,
What do, and what to leave undone,
How turn to left, and how to right.

And Betty's most especial charge,
Was, "Johnny! Johnny! mind that you
"Come home again, nor stop at all,
"Come home again, whate'er befal,
"My Johnny do, I pray you do. "

To this did Johnny answer make,
Both with his head, and with his hand,
And proudly shook the bridle too,
And then! his words were not a few,
Which Betty well could understand.

And now that Johnny is just going,
Though Betty's in a mighty flurry,
She gently pats the pony's side,
On which her idiot boy must ride,
And seems no longer in a hurry.

But when the pony moved his legs,
Oh! then for the poor idiot boy!
For joy he cannot hold the bridle,
For joy his head and heels are idle,
He's idle all for very joy.

And while the pony moves his legs,
In Johnny's left-hand you may see,
The green bough's motionless and dead;
The moon that shines above his head
Is not more still and mute than he.

His heart it was so full of glee,
That till full fifty yards were gone,
He quite forgot his holly whip,
And all his skill in horsemanship,
Oh! happy, happy, happy John.

And Betty's standing at the door,
And Betty's face with joy o'erflows,
Proud of herself, and proud of him,
She sees him in his travelling trim;
How quietly her Johnny goes.

The silence of her idiot boy,
What hopes it sends to Betty's heart!
He's at the guide-post--he turns right,
She watches till he's out of sight,
And Betty will not then depart.

Burr, burr--now Johnny's lips they burr,
As loud as any mill, or near it,
Meek as a lamb the pony moves,
And Johnny makes the noise he loves,
And Betty listens, glad to hear it.

Away she hies to Susan Gale:
And Johnny's in a merry tune,
The owlets hoot, the owlets curr,
And Johnny's lips they burr, burr, burr,
And on he goes beneath the moon.

His steed and he right well agree,
For of this pony there's a rumour,
That should he lose his eyes and ears,
And should he live a thousand years,
He never will be out of humour.

But then he is a horse that thinks!
And when he thinks his pace is slack;
Now, though he knows poor Johnny well,
Yet for his life he cannot tell
What he has got upon his back.

So through the moonlight lanes they go,
And far into the moonlight dale,
And by the church, and o'er the down,
To bring a doctor from the town,
To comfort poor old Susan Gale.

And Betty, now at Susan's side,
Is in the middle of her story,
What comfort Johnny soon will bring,
With many a most diverting thing,
Of Johnny's wit and Johnny's glory.

And Betty's still at Susan's side:
By this time she's not quite so flurried;
Demure with porringer and plate
She sits, as if in Susan's fate
Her life and soul were buried.

But Betty, poor good woman! she,
You plainly in her face may read it,
Could lend out of that moment's store
Five years of happiness or more,
To any that might need it.

But yet I guess that now and then
With Betty all was not so well,
And to the road she turns her ears,
And thence full many a sound she hears,
Which she to Susan will not tell.

Poor Susan moans, poor Susan groans,
"As sure as there's a moon in heaven,"
Cries Betty, "he'll be back again;
"They'll both be here, 'tis almost ten,
"They'll both be here before eleven. "

Poor Susan moans, poor Susan groans,
The clock gives warning for eleven;
'Tis on the stroke--"If Johnny's near,"
Quoth Betty "he will soon be here,
"As sure as there's a moon in heaven. "

The clock is on the stroke of twelve,
And Johnny is not yet in sight,
The moon's in heaven, as Betty sees,
But Betty is not quite at ease;
And Susan has a dreadful night.

And Betty, half an hour ago,
On Johnny vile reflections cast;
"A little idle sauntering thing! "
With other names, an endless string,
But now that time is gone and past.

And Betty's drooping at the heart,
That happy time all past and gone,
"How can it be he is so late?
"The doctor he has made him wait,
"Susan! they'll both be here anon. "

And Susan's growing worse and worse,
And Betty's in a sad quandary;
And then there's nobody to say
If she must go or she must stay:
--She's in a sad quandary.

The clock is on the stroke of one;
But neither Doctor nor his guide
Appear along the moonlight road,
There's neither horse nor man abroad,
And Betty's still at Susan's side.

And Susan she begins to fear
Of sad mischances not a few,
That Johnny may perhaps be drown'd,
Or lost perhaps, and never found;
Which they must both for ever rue.

She prefaced half a hint of this
With, "God forbid it should be true! "
At the first word that Susan said
Cried Betty, rising from the bed,
"Susan, I'd gladly stay with you.

"I must be gone, I must away,
"Consider, Johnny's but half-wise;
"Susan, we must take care of him,
"If he is hurt in life or limb"--
"Oh God forbid! " poor Susan cries.

"What can I do? " says Betty, going,
"What can I do to ease your pain?
"Good Susan tell me, and I'll stay;
"I fear you're in a dreadful way,
"But I shall soon be back again. "

"Good Betty go, good Betty go,
"There's nothing that can ease my pain. "
Then off she hies, but with a prayer
That God poor Susan's life would spare,
Till she comes back again.

So, through the moonlight lane she goes,
And far into the moonlight dale;
And how she ran, and how she walked,
And all that to herself she talked,
Would surely be a tedious tale.

In high and low, above, below,
In great and small, in round and square,
In tree and tower was Johnny seen,
In bush and brake, in black and green,
'Twas Johnny, Johnny, every where.

She's past the bridge that's in the dale,
And now the thought torments her sore,
Johnny perhaps his horse forsook,
To hunt the moon that's in the brook,
And never will be heard of more.

And now she's high upon the down,
Alone amid a prospect wide;
There's neither Johnny nor his horse,
Among the fern or in the gorse;
There's neither doctor nor his guide.

"Oh saints! what is become of him?
"Perhaps he's climbed into an oak,
"Where he will stay till he is dead;
"Or sadly he has been misled,
"And joined the wandering gypsey-folk.

"Or him that wicked pony's carried
"To the dark cave, the goblins' hall,
"Or in the castle he's pursuing,
"Among the ghosts, his own undoing;
"Or playing with the waterfall. "

At poor old Susan then she railed,
While to the town she posts away;
"If Susan had not been so ill,
"Alas! I should have had him still,
"My Johnny, till my dying day. "

Poor Betty! in this sad distemper,
The doctor's self would hardly spare,
Unworthy things she talked and wild,
Even he, of cattle the most mild,
The pony had his share.

And now she's got into the town,
And to the doctor's door she hies;
Tis silence all on every side;
The town so long, the town so wide,
Is silent as the skies.

And now she's at the doctor's door,
She lifts the knocker, rap, rap, rap,
The doctor at the casement shews,
His glimmering eyes that peep and doze;
And one hand rubs his old night-cap.

"Oh Doctor! Doctor! where's my Johnny? "
"I'm here, what is't you want with me? "
"Oh Sir! you know I'm Betty Foy,
"And I have lost my poor dear boy,
"You know him--him you often see;

"He's not so wise as some folks be,"
"The devil take his wisdom! " said
The Doctor, looking somewhat grim,
"What, woman! should I know of him? "
And, grumbling, he went back to bed.

"O woe is me! O woe is me!
"Here will I die; here will I die;
"I thought to find my Johnny here,
"But he is neither far nor near,
"Oh! what a wretched mother I! "

She stops, she stands, she looks about,
Which way to turn she cannot tell.
Poor Betty! it would ease her pain
If she had heart to knock again;
--The clock strikes three--a dismal knell!

Then up along the town she hies,
No wonder if her senses fail,
This piteous news so much it shock'd her,
She quite forgot to send the Doctor,
To comfort poor old Susan Gale.

And now she's high upon the down,
And she can see a mile of road,
"Oh cruel! I'm almost three-score;
"Such night as this was ne'er before,
"There's not a single soul abroad. "

She listens, but she cannot hear
The foot of horse, the voice of man;
The streams with softest sound are flowing,
The grass you almost hear it growing,
You hear it now if e'er you can.

The owlets through the long blue night
Are shouting to each other still:
Fond lovers, yet not quite hob nob,
They lengthen out the tremulous sob,
That echoes far from hill to hill.

Poor Betty now has lost all hope,
Her thoughts are bent on deadly sin;
A green-grown pond she just has pass'd,
And from the brink she hurries fast,
Lest she should drown herself therein.

And now she sits her down and weeps;
Such tears she never shed before;
"Oh dear, dear pony! my sweet joy!
"Oh carry back my idiot boy!
"And we will ne'er o'erload thee more. "

A thought is come into her head;
"The pony he is mild and good,
"And we have always used him well;
"Perhaps he's gone along the dell,
"And carried Johnny to the wood. "

Then up she springs as if on wings;
She thinks no more of deadly sin;
If Betty fifty ponds should see,
The last of all her thoughts would be,
To drown herself therein.

Oh reader! now that I might tell
What Johnny and his horse are doing!
What they've been doing all this time,
Oh could I put it into rhyme,
A most delightful tale pursuing!

Perhaps, and no unlikely thought!
He with his pony now doth roam
The cliffs and peaks so high that are,
To lay his hands upon a star,
And in his pocket bring it home.

Perhaps he's turned himself about,
His face unto his horse's tail,
And still and mute, in wonder lost,
All like a silent horseman-ghost,
He travels on along the vale.

And now, perhaps, he's hunting sheep,
A fierce and dreadful hunter he!
Yon valley, that's so trim and green,
In five months' time, should he be seen,
A desart wilderness will be.

Perhaps, with head and heels on fire,
And like the very soul of evil,
He's galloping away, away,
And so he'll gallop on for aye,
The bane of all that dread the devil.

I to the muses have been bound,
These fourteen years, by strong indentures;
Oh gentle muses! let me tell
But half of what to him befel,
For sure he met with strange adventures.

Oh gentle muses! is this kind?
Why will ye thus my suit repel?
Why of your further aid bereave me?
And can ye thus unfriended leave me?
Ye muses! whom I love so well.

Who's yon, that, near the waterfall,
Which thunders down with headlong force,
Beneath the moon, yet shining fair,
As careless as if nothing were,
Sits upright on a feeding horse?

Unto his horse, that's feeding free,
He seems, I think, the rein to give;
Of moon or stars he takes no heed;
Of such we in romances read,
--'Tis Johnny! Johnny! as I live.

And that's the very pony too.
Where is she, where is Betty Foy?
She hardly can sustain her fears;
The roaring water-fall she hears,
And cannot find her idiot boy.

Your pony's worth his weight in gold,
Then calm your terrors, Betty Foy!
She's coming from among the trees,
And now, all full in view, she sees
Him whom she loves, her idiot boy.

And Betty sees the pony too:
Why stand you thus Good Betty Foy?
It is no goblin, 'tis no ghost,
'Tis he whom you so long have lost,
He whom you love, your idiot boy.

She looks again--her arms are up--
She screams--she cannot move for joy;
She darts as with a torrent's force,
She almost has o'erturned the horse,
And fast she holds her idiot boy.