No More Learning

It lifts the boughs, whose shadows deep
Are Life's oblivion, the soul's sleep,
And kisses the closed eyes
Of him, who slumbering lies.

O weary hearts! O slumbering eyes!
O drooping souls, whose destinies
Are fraught with fear and pain,
Ye shall be loved again!

No one is so accursed by fate,
No one so utterly desolate,
But some heart, though unknown,
Responds unto his own.

Responds,--as if with unseen wings,
An angel touched its quivering strings;
And whispers, in its song,
"'Where hast thou stayed so long? "



IT IS NOT ALWAYS MAY

No hay pajaros en los nidos de antano.
Spanish Proverb

The sun is bright,--the air is clear,
The darting swallows soar and sing.
And from the stately elms I hear
The bluebird prophesying Spring.

So blue you winding river flows,
It seems an outlet from the sky,
Where waiting till the west-wind blows,
The freighted clouds at anchor lie.

All things are new;--the buds, the leaves,
That gild the elm-tree's nodding crest,
And even the nest beneath the eaves;--
There are no birds in last year's nest!

All things rejoice in youth and love,
The fulness of their first delight!
And learn from the soft heavens above
The melting tenderness of night.

Maiden, that read'st this simple rhyme,
Enjoy thy youth, it will not stay;
Enjoy the fragrance of thy prime,
For oh, it is not always May!

Enjoy the Spring of Love and Youth,
To some good angel leave the rest;
For Time will teach thee soon the truth,
There are no birds in last year's nest!



THE RAINY DAY

The day is cold, and dark, and dreary
It rains, and the wind is never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.

My life is cold, and dark, and dreary;
It rains, and the wind is never weary;
My thoughts still cling to the mouldering Past,
But the hopes of youth fall thick in the blast,
And the days are dark and dreary.

Be still, sad heart! and cease repining;
Behind the clouds is the sun still shining;
Thy fate is the common fate of all,
Into each life some rain must fall,
Some days must be dark and dreary.



GOD'S-ACRE.

I like that ancient Saxon phrase, which calls
The burial-ground God's-Acre! It is just;
It consecrates each grave within its walls,
And breathes a benison o'er the sleeping dust.

God's-Acre! Yes, that blessed name imparts
Comfort to those, who in the grave have sown
The seed that they had garnered in their hearts,
Their bread of life, alas! no more their own.

Into its furrows shall we all be cast,
In the sure faith, that we shall rise again
At the great harvest, when the archangel's blast
Shall winnow, like a fan, the chaff and grain.

Then shall the good stand in immortal bloom,
In the fair gardens of that second birth;
And each bright blossom mingle its perfume
With that of flowers, which never bloomed on earth.

With thy rude ploughshare, Death, turn up the sod,
And spread the furrow for the seed we sow;
This is the field and Acre of our God,
This is the place where human harvests grow!



TO THE RIVER CHARLES.

River! that in silence windest
Through the meadows, bright and free,
Till at length thy rest thou findest
In the bosom of the sea!

Four long years of mingled feeling,
Half in rest, and half in strife,
I have seen thy waters stealing
Onward, like the stream of life.

Thou hast taught me, Silent River!
Many a lesson, deep and long;
Thou hast been a generous giver;
I can give thee but a song.

Oft in sadness and in illness,
I have watched thy current glide,
Till the beauty of its stillness
Overflowed me, like a tide.

And in better hours and brighter,
When I saw thy waters gleam,
I have felt my heart beat lighter,
And leap onward with thy stream.

Not for this alone I love thee,
Nor because thy waves of blue
From celestial seas above thee
Take their own celestial hue.

Where yon shadowy woodlands hide thee,
And thy waters disappear,
Friends I love have dwelt beside thee,
And have made thy margin dear.

More than this;--thy name reminds me
Of three friends, all true and tried;
And that name, like magic, binds me
Closer, closer to thy side.

Friends my soul with joy remembers!
How like quivering flames they start,
When I fan the living embers
On the hearth-stone of my heart!

'T is for this, thou Silent River!
That my spirit leans to thee;
Thou hast been a generous giver,
Take this idle song from me.



BLIND BARTIMEUS

Blind Bartimeus at the gates
Of Jericho in darkness waits;
He hears the crowd;--he hears a breath
Say, "It is Christ of Nazareth! "
And calls, in tones of agony,
<Greek here>

The thronging multitudes increase;
Blind Bartimeus, hold thy peace!
But still, above the noisy crowd,
The beggar's cry is shrill and loud;
Until they say, "He calleth thee! "
<Greek here>

Then saith the Christ, as silent stands
The crowd, "What wilt thou at my hands? "
And he replies, "O give me light!
Rabbi, restore the blind man's sight.
And Jesus answers, '<Greek here>'
<Greek here>!

Ye that have eyes, yet cannot see,
In darkness and in misery,
Recall those mighty Voices Three,
<Greek here>!
<Greek here>!
<Greek here>!



THE GOBLET OF LIFE

Filled is Life's goblet to the brim;
And though my eyes with tears are dim,
I see its sparkling bubbles swim,
And chant a melancholy hymn
With solemn voice and slow.

No purple flowers,--no garlands green,
Conceal the goblet's shade or sheen,
Nor maddening draughts of Hippocrene,
Like gleams of sunshine, flash between
Thick leaves of mistletoe.

This goblet, wrought with curious art,
Is filled with waters, that upstart,
When the deep fountains of the heart,
By strong convulsions rent apart,
Are running all to waste.

And as it mantling passes round,
With fennel is it wreathed and crowned,
Whose seed and foliage sun-imbrowned
Are in its waters steeped and drowned,
And give a bitter taste.

Above the lowly plants it towers,
The fennel, with its yellow flowers,
And in an earlier age than ours
Was gifted with the wondrous powers,
Lost vision to restore.

It gave new strength, and fearless mood;
And gladiators, fierce and rude,
Mingled it in their daily food;
And he who battled and subdued,
A wreath of fennel wore.

Then in Life's goblet freely press,
The leaves that give it bitterness,
Nor prize the colored waters less,
For in thy darkness and distress
New light and strength they give!

And he who has not learned to know
How false its sparkling bubbles show,
How bitter are the drops of woe,
With which its brim may overflow,
He has not learned to live.

The prayer of Ajax was for light;
Through all that dark and desperate fight
The blackness of that noonday night
He asked but the return of sight,
To see his foeman's face.

Let our unceasing, earnest prayer
Be, too, for light,--for strength to bear
Our portion of the weight of care,
That crushes into dumb despair
One half the human race.

O suffering, sad humanity!
O ye afflicted one; who lie
Steeped to the lips in misery,
Longing, and yet afraid to die,
Patient, though sorely tried!

I pledge you in this cup of grief,
Where floats the fennel's bitter leaf!
The Battle of our Life is brief
The alarm,--the struggle,--the relief,
Then sleep we side by side.



MAIDENHOOD

Maiden! with the meek, brown eyes,
In whose orbs a shadow lies
Like the dusk in evening skies!

Thou whose locks outshine the sun,
Golden tresses, wreathed in one,
As the braided streamlets run!

Standing, with reluctant feet,
Where the brook and river meet,
Womanhood and childhood fleet!

Gazing, with a timid glance,
On the brooklet's swift advance,
On the river's broad expanse!

Deep and still, that gliding stream
Beautiful to thee must seem,
As the river of a dream.

Then why pause with indecision,
When bright angels in thy vision
Beckon thee to fields Elysian?

Seest thou shadows sailing by,
As the dove, with startled eye,
Sees the falcon's shadow fly?

Hearest thou voices on the shore,
That our ears perceive no more,
Deafened by the cataract's roar?

O, thou child of many prayers!
Life hath quicksands,--Life hath snares
Care and age come unawares!

Like the swell of some sweet tune,
Morning rises into noon,
May glides onward into June.

Childhood is the bough, where slumbered
Birds and blossoms many-numbered;--
Age, that bough with snows encumbered.

Gather, then, each flower that grows,
When the young heart overflows,
To embalm that tent of snows.

Bear a lily in thy hand;
Gates of brass cannot withstand
One touch of that magic wand.

Bear through sorrow, wrong, and ruth,
In thy heart the dew of youth,
On thy lips the smile of truth!

O, that dew, like balm, shall steal
Into wounds that cannot heal,
Even as sleep our eyes doth seal;

And that smile, like sunshine, dart
Into many a sunless heart,
For a smile of God thou art.



EXCELSIOR

The shades of night were falling fast,
As through an Alpine village passed
A youth, who bore, 'mid snow and ice,
A banner with the strange device,
Excelsior!

His brow was sad; his eye beneath,
Flashed like a falchion from its sheath,
And like a silver clarion rung
The accents of that unknown tongue,
Excelsior!

In happy homes he saw the light
Of household fires gleam warm and bright;
Above, the spectral glaciers shone,
And from his lips escaped a groan,
Excelsior!

"Try not the Pass! " the old man said:
"Dark lowers the tempest overhead,
The roaring torrent is deep and wide!
And loud that clarion voice replied,
Excelsior!

"Oh stay," the maiden said, "and rest
Thy weary head upon this breast! "
A tear stood in his bright blue eye,
But still he answered, with a sigh,
Excelsior!

"Beware the pine-tree's withered branch!
Beware the awful avalanche! "
This was the peasant's last Good-night,
A voice replied, far up the height,
Excelsior!

At break of day, as heavenward
The pious monks of Saint Bernard
Uttered the oft-repeated prayer,
A voice cried through the startled air,
Excelsior!

A traveller, by the faithful hound,
Half-buried in the snow was found,
Still grasping in his hand of ice
That banner with the strange device,
Excelsior!

There in the twilight cold and gray,
Lifeless, but beautiful, he lay,
And from the sky, serene and far,
A voice fell, like a falling star,
Excelsior!


**************

POEMS ON SLAVERY.

[The following poems, with one exception, were written at sea,
in the latter part of October, 1842. I had not then heard of
Dr. Channing's death. Since that event, the poem addressed to
him is no longer appropriate. I have decided, however, to let
it remain as it was written, in testimony of my admiration for
a great and good man. ]



TO WILLIAM E. CHANNING

The pages of thy book I read,
And as I closed each one,
My heart, responding, ever said,
"Servant of God! well done! "

Well done! Thy words are great and bold;
At times they seem to me,
Like Luther's, in the days of old,
Half-battles for the free.

Go on, until this land revokes
The old and chartered Lie,
The feudal curse, whose whips and yokes
Insult humanity.

A voice is ever at thy side
Speaking in tones of might,
Like the prophetic voice, that cried
To John in Patmos, "Write! "

Write! and tell out this bloody tale;
Record this dire eclipse,
This Day of Wrath, this Endless Wail,
This dread Apocalypse!



THE SLAVE'S DREAM

Beside the ungathered rice he lay,
His sickle in his hand;
His breast was bare, his matted hair
Was buried in the sand.
Again, in the mist and shadow of sleep,
He saw his Native Land.

Wide through the landscape of his dreams
The lordly Niger flowed;
Beneath the palm-trees on the plain
Once more a king he strode;
And heard the tinkling caravans
Descend the mountain-road.

He saw once more his dark-eyed queen
Among her children stand;
They clasped his neck, they kissed his cheeks,
They held him by the hand! --
A tear burst from the sleeper's lids
And fell into the sand.

And then at furious speed he rode
Along the Niger's bank;
His bridle-reins were golden chains,
And, with a martial clank,
At each leap he could feel his scabbard of steel
Smiting his stallion's flank.

Before him, like a blood-red flag,
The bright flamingoes flew;
From morn till night he followed their flight,
O'er plains where the tamarind grew,
Till he saw the roofs of Caffre huts,
And the ocean rose to view.

At night he heard the lion roar,
And the hyena scream,
And the river-horse, as he crushed the reeds
Beside some hidden stream;
And it passed, like a glorious roll of drums,
Through the triumph of his dream.

The forests, with their myriad tongues,
Shouted of liberty;
And the Blast of the Desert cried aloud,
With a voice so wild and free,
That he started in his sleep and smiled
At their tempestuous glee.

He did not feel the driver's whip,
Nor the burning heat of day;
For Death had illumined the Land of Sleep,
And his lifeless body lay
A worn-out fetter, that the soul
Had broken and thrown away!



THE GOOD PART

THAT SHALL NOT BE TAKEN AWAY

She dwells by Great Kenhawa's side,
In valleys green and cool;
And all her hope and all her pride
Are in the village school.

Her soul, like the transparent air
That robes the hills above,
Though not of earth, encircles there
All things with arms of love.

And thus she walks among her girls
With praise and mild rebukes;
Subduing e'en rude village churls
By her angelic looks.

She reads to them at eventide
Of One who came to save;
To cast the captive's chains aside
And liberate the slave.

And oft the blessed time foretells
When all men shall be free;
And musical, as silver bells,
Their falling chains shall be.

And following her beloved Lord,
In decent poverty,
She makes her life one sweet record
And deed of charity.

For she was rich, and gave up all
To break the iron bands
Of those who waited in her hall,
And labored in her lands.

Long since beyond the Southern Sea
Their outbound sails have sped,
While she, in meek humility,
Now earns her daily bread.

It is their prayers, which never cease,
That clothe her with such grace;
Their blessing is the light of peace
That shines upon her face.



THE SLAVE IN THE DISMAL SWAMP

In dark fens of the Dismal Swamp
The hunted Negro lay;
He saw the fire of the midnight camp,
And heard at times a horse's tramp
And a bloodhound's distant bay.

Where will-o'-the-wisps and glow-worms shine,
In bulrush and in brake;
Where waving mosses shroud the pine,
And the cedar grows, and the poisonous vine
Is spotted like the snake;

Where hardly a human foot could pass,
Or a human heart would dare,
On the quaking turf of the green morass
He crouched in the rank and tangled grass,
Like a wild beast in his lair.

A poor old slave, infirm and lame;
Great scars deformed his face;
On his forehead he bore the brand of shame,
And the rags, that hid his mangled frame,
Were the livery of disgrace.

All things above were bright and fair,
All things were glad and free;
Lithe squirrels darted here and there,
And wild birds filled the echoing air
With songs of Liberty!

On him alone was the doom of pain,
From the morning of his birth;
On him alone the curse of Cain
Fell, like a flail on the garnered grain,
And struck him to the earth!



THE SLAVE SINGING AT MIDNIGHT

Loud he sang the psalm of David!
He, a Negro and enslaved,
Sang of Israel's victory,
Sang of Zion, bright and free.

In that hour, when night is calmest,
Sang he from the Hebrew Psalmist,
In a voice so sweet and clear
That I could not choose but hear,

Songs of triumph, and ascriptions,
Such as reached the swart Egyptians,
When upon the Red Sea coast
Perished Pharaoh and his host.

And the voice of his devotion
Filled my soul with strange emotion;
For its tones by turns were glad,
Sweetly solemn, wildly sad.

Paul and Silas, in their prison,
Sang of Christ, the Lord arisen,
And an earthquake's arm of might
Broke their dungeon-gates at night.

But, alas! what holy angel
Brings the Slave this glad evangel?
And what earthquake's arm of might
Breaks his dungeon-gates at night?



THE WITNESSES

In Ocean's wide domains,
Half buried in the sands,
Lie skeletons in chains,
With shackled feet and hands.

Beyond the fall of dews,
Deeper than plummet lies,
Float ships, with all their crews,
No more to sink nor rise.

There the black Slave-ship swims,
Freighted with human forms,
Whose fettered, fleshless limbs
Are not the sport of storms.

These are the bones of Slaves;
They gleam from the abyss;
They cry, from yawning waves,
"We are the Witnesses! "

Within Earth's wide domains
Are markets for men's lives;
Their necks are galled with chains,
Their wrists are cramped with gyves.

Dead bodies, that the kite
In deserts makes its prey;
Murders, that with affright
Scare school-boys from their play!

All evil thoughts and deeds;
Anger, and lust, and pride;
The foulest, rankest weeds,
That choke Life's groaning tide!

These are the woes of Slaves;
They glare from the abyss;
They cry, from unknown graves,
"We are the Witnesses!



THE QUADROON GIRL

The Slaver in the broad lagoon
Lay moored with idle sail;
He waited for the rising moon,
And for the evening gale.

Under the shore his boat was tied,
And all her listless crew
Watched the gray alligator slide
Into the still bayou.

Odors of orange-flowers, and spice,
Reached them from time to time,
Like airs that breathe from Paradise
Upon a world of crime.

The Planter, under his roof of thatch,
Smoked thoughtfully and slow;
The Slaver's thumb was on the latch,
He seemed in haste to go.

He said, "My ship at anchor rides
In yonder broad lagoon;
I only wait the evening tides,
And the rising of the moon.

Before them, with her face upraised,
In timid attitude,
Like one half curious, half amazed,
A Quadroon maiden stood.

Her eyes were large, and full of light,
Her arms and neck were bare;
No garment she wore save a kirtle bright,
And her own long, raven hair.

And on her lips there played a smile
As holy, meek, and faint,
As lights in some cathedral aisle
The features of a saint.

"The soil is barren,--the farm is old";
The thoughtful planter said;
Then looked upon the Slaver's gold,
And then upon the maid.

His heart within him was at strife
With such accursed gains:
For he knew whose passions gave her life,
Whose blood ran in her veins.

But the voice of nature was too weak;
He took the glittering gold!
Then pale as death grew the maiden's cheek,
Her hands as icy cold.

The Slaver led her from the door,
He led her by the hand,
To be his slave and paramour
In a strange and distant land!



THE WARNING

Beware! The Israelite of old, who tore
The lion in his path,--when, poor and blind,
He saw the blessed light of heaven no more,
Shorn of his noble strength and forced to grind
In prison, and at last led forth to be
A pander to Philistine revelry,--

Upon the pillars of the temple laid
His desperate hands, and in its overthrow
Destroyed himself, and with him those who made
A cruel mockery of his sightless woe;
The poor, blind Slave, the scoff and jest of all,
Expired, and thousands perished in the fall!

There is a poor, blind Samson in this land,
Shorn of his strength and bound in bonds of steel,
Who may, in some grim revel, raise his hand,
And shake the pillars of this Commonweal,
Till the vast Temple of our liberties.
A shapeless mass of wreck and rubbish lies.


*******************

THE SPANISH STUDENT

DRAMATIS PERSONAE

VICTORIAN
HYPOLITO Students of Alcala.

THE COUNT OF LARA
DON CARLOS Gentlemen of Madrid.

THE ARCHBISHOP OF TOLEDO.
A CARDINAL.
BELTRAN CRUZADO Count of the Gypsies.
BARTOLOME ROMAN A young Gypsy.
THE PADRE CURA OF GUADARRAMA.
PEDRO CRESPO Alcalde.
PANCHO Alguacil.
FRANCISCO Lara's Servant.
CHISPA Victorian's Servant.
BALTASAR Innkeeper.
PRECIOSA A Gypsy Girl.
ANGELICA A poor Girl.
MARTINA The Padre Cura's Niece.
DOLORES Preciosa's Maid.
Gypsies, Musicians, etc.


ACT I.

SCENE I. --The COUNT OF LARA'S chambers. Night. The COUNT in his
dressing-gown, smoking and conversing with DON CARLOS.

Lara. You were not at the play tonight, Don Carlos;
How happened it?

Don C. I had engagements elsewhere.
Pray who was there?

Lara. Why all the town and court.
The house was crowded; and the busy fans
Among the gayly dressed and perfumed ladies
Fluttered like butterflies among the flowers.
There was the Countess of Medina Celi;
The Goblin Lady with her Phantom Lover,
Her Lindo Don Diego; Dona Sol,
And Dona Serafina, and her cousins.

Don C. What was the play?

Lara. It was a dull affair;
One of those comedies in which you see,
As Lope says, the history of the world
Brought down from Genesis to the Day of Judgment.
There were three duels fought in the first act,
Three gentlemen receiving deadly wounds,
Laying their hands upon their hearts, and saying,
"O, I am dead! " a lover in a closet,
An old hidalgo, and a gay Don Juan,
A Dona Inez with a black mantilla,
Followed at twilight by an unknown lover,
Who looks intently where he knows she is not!

Don C. Of course, the Preciosa danced to-night?

Lara. And never better. Every footstep fell
As lightly as a sunbeam on the water.
I think the girl extremely beautiful.

Don C. Almost beyond the privilege of woman!
I saw her in the Prado yesterday.
Her step was royal,--queen-like,--and her face
As beautiful as a saint's in Paradise.

Lara. May not a saint fall from her Paradise,
And be no more a saint?

Don C. Why do you ask?

Lara. Because I have heard it said this angel fell,
And though she is a virgin outwardly,
Within she is a sinner; like those panels
Of doors and altar-pieces the old monks
Painted in convents, with the Virgin Mary
On the outside, and on the inside Venus!

Don C. You do her wrong; indeed, you do her wrong!
She is as virtuous as she is fair.

Lara. How credulous you are! Why look you, friend,
There's not a virtuous woman in Madrid,
In this whole city! And would you persuade me
That a mere dancing-girl, who shows herself,
Nightly, half naked, on the stage, for money,
And with voluptuous motions fires the blood
Of inconsiderate youth, is to be held
A model for her virtue?

Don C. You forget
She is a Gypsy girl.

Lara. And therefore won
The easier.

Don C. Nay, not to be won at all!
The only virtue that a Gypsy prizes
Is chastity. That is her only virtue.
Dearer than life she holds it. I remember
A Gypsy woman, a vile, shameless bawd,
Whose craft was to betray the young and fair;
And yet this woman was above all bribes.
And when a noble lord, touched by her beauty,
The wild and wizard beauty of her race,
Offered her gold to be what she made others,
She turned upon him, with a look of scorn,
And smote him in the face!

Lara. And does that prove
That Preciosa is above suspicion?

Don C. It proves a nobleman may be repulsed
When he thinks conquest easy. I believe
That woman, in her deepest degradation,
Holds something sacred, something undefiled,
Some pledge and keepsake of her higher nature,
And, like the diamond in the dark, retains
Some quenchless gleam of the celestial light!

Lara. Yet Preciosa would have taken the gold.

Don C. (rising). I do not think so.

Lara. I am sure of it.
But why this haste? Stay yet a little longer,
And fight the battles of your Dulcinea.

Don C. 'T is late. I must begone, for if I stay
You will not be persuaded.

Lara. Yes; persuade me.

Don C. No one so deaf as he who will not hear!

Lara. No one so blind as he who will not see!

Don C. And so good night. I wish you pleasant dreams,
And greater faith in woman. [Exit.

Lara. Greater faith!
I have the greatest faith; for I believe
Victorian is her lover. I believe
That I shall be to-morrow; and thereafter
Another, and another, and another,
Chasing each other through her zodiac,
As Taurus chases Aries.

(Enter FRANCISCO with a casket. )

Well, Francisco,
What speed with Preciosa?

Fran. None, my lord.
She sends your jewels back, and bids me tell you
She is not to be purchased by your gold.

Lara. Then I will try some other way to win her.
Pray, dost thou know Victorian?

Fran. Yes, my lord;
I saw him at the jeweller's to-day.

Lara. What was he doing there?

Fran. I saw him buy
A golden ring, that had a ruby in it.

Lara. Was there another like it?

Fran. One so like it
I could not choose between them.

Lara. It is well.
To-morrow morning bring that ring to me.
Do not forget. Now light me to my bed.
[Exeunt.


SCENE II. -- A street in Madrid. Enter CHISPA, followed by
musicians, with a bagpipe, guitars, and other instruments.

Chispa. Abernuncio Satanas! and a plague on all lovers who
ramble about at night, drinking the elements, instead of
sleeping quietly in their beds. Every dead man to his cemetery,
say I; and every friar to his monastery. Now, here's my master,
Victorian, yesterday a cow-keeper, and to-day a gentleman;
yesterday a student, and to-day a lover; and I must be up later
than the nightingale, for as the abbot sings so must the
sacristan respond. God grant he may soon be married, for then
shall all this serenading cease. Ay, marry! marry! marry!
Mother, what does marry mean? It means to spin, to bear
children, and to weep, my daughter! And, of a truth, there is
something more in matrimony than the wedding-ring. (To the
musicians. ) And now, gentlemen, Pax vobiscum! as the ass said to
the cabbages. Pray, walk this way; and don't hang down your
heads. It is no disgrace to have an old father and a ragged
shirt. Now, look you, you are gentlemen who lead the life of
crickets; you enjoy hunger by day and noise by night. Yet, I
beseech you, for this once be not loud, but pathetic; for it is a
serenade to a damsel in bed, and not to the Man in the Moon.
Your object is not to arouse and terrify, but to soothe and bring
lulling dreams. Therefore, each shall not play upon his
instrument as if it were the only one in the universe, but
gently, and with a certain modesty, according with the others.
Pray, how may I call thy name, friend?

First Mus. Geronimo Gil, at your service.

Chispa. Every tub smells of the wine that is in it. Pray,
Geronimo, is not Saturday an unpleasant day with thee?

First Mus. Why so?

Chispa. Because I have heard it said that Saturday is an
unpleasant day with those who have but one shirt. Moreover, I
have seen thee at the tavern, and if thou canst run as fast as
thou canst drink, I should like to hunt hares with thee. What
instrument is that?

First Mus. An Aragonese bagpipe.

Chispa. Pray, art thou related to the bagpiper of Bujalance,
who asked a maravedi for playing, and ten for leaving off?

First Mus. No, your honor.

Chispa. I am glad of it. What other instruments have we?

Second and Third Musicians. We play the bandurria.

Chispa. A pleasing instrument. And thou?

Fourth Mus. The fife.

Chispa. I like it; it has a cheerful, soul-stirring sound,
that soars up to my lady's window like the song of a swallow.
And you others?

Other Mus. We are the singers, please your honor.

Chispa. You are too many. Do you think we are going to sing
mass in the cathedral of Cordova? Four men can make but little
use of one shoe, and I see not how you can all sing in one song.
But follow me along the garden wall. That is the way my master
climbs to the lady's window, it is by the Vicar's skirts that the
Devil climbs into the belfry. Come, follow me, and make no
noise.
[Exeunt.


SCENE III. -- PRECIOSA'S chamber. She stands at the open window.

Prec. How slowly through the lilac-scented air
Descends the tranquil moon! Like thistle-down
The vapory clouds float in the peaceful sky;
And sweetly from yon hollow vaults of shade
The nightingales breathe out their souls in song.
And hark! what songs of love, what soul-like sounds,
Answer them from below!

SERENADE.

Stars of the summer night!
Far in yon azure deeps,
Hide, hide your golden light!
She sleeps!
My lady sleeps!
Sleeps!

Moon of the summer night!
Far down yon western steeps,
Sink, sink in silver light!
She sleeps!
My lady sleeps!
Sleeps!

Wind of the summer night!
Where yonder woodbine creeps,
Fold, fold thy pinions light!
She sleeps!
My lady sleeps!
Sleeps!

Dreams of the summer night!
Tell her, her lover keeps
Watch! while in slumbers light
She sleeps
My lady sleeps
Sleeps!

(Enter VICTORIAN by the balcony. )

Vict. Poor little dove! Thou tremblest like a leaf!

Prec. I am so frightened! 'T is for thee I tremble!
I hate to have thee climb that wall by night!
Did no one see thee?

Vict. None, my love, but thou.

Prec. 'T is very dangerous; and when thou art gone
I chide myself for letting thee come here
Thus stealthily by night.