No More Learning

but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow _340
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

39.
Peace, peace! he is not dead, he doth not sleep--
He hath awakened from the dream of life--
'Tis we, who lost in stormy visions, keep _345
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit's knife
Invulnerable nothings. --WE decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day, _350
And cold hopes swarm like worms within our living clay.

40.
He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again; _355
From the contagion of the world's slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown gray in vain;
Nor, when the spirit's self has ceased to burn,
With sparkless ashes load an unlamented urn. _360

41.
He lives, he wakes--'tis Death is dead, not he;
Mourn not for Adonais. --Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan! _365
Cease, ye faint flowers and fountains, and thou Air,
Which like a mourning veil thy scarf hadst thrown
O'er the abandoned Earth, now leave it bare
Even to the joyous stars which smile on its despair!

42.
He is made one with Nature: there is heard _370
His voice in all her music, from the moan
Of thunder, to the song of night's sweet bird;
He is a presence to be felt and known
In darkness and in light, from herb and stone,
Spreading itself where'er that Power may move _375
Which has withdrawn his being to its own;
Which wields the world with never-wearied love,
Sustains it from beneath, and kindles it above.

43.
He is a portion of the loveliness
Which once he made more lovely: he doth bear _380
His part, while the one Spirit's plastic stress
Sweeps through the dull dense world, compelling there
All new successions to the forms they wear;
Torturing th' unwilling dross that checks its flight
To its own likeness, as each mass may bear; _385
And bursting in its beauty and its might
From trees and beasts and men into the Heaven's light.

44.
The splendours of the firmament of time
May be eclipsed, but are extinguished not;
Like stars to their appointed height they climb, _390
And death is a low mist which cannot blot
The brightness it may veil. When lofty thought
Lifts a young heart above its mortal lair,
And love and life contend in it, for what
Shall be its earthly doom, the dead live there _395
And move like winds of light on dark and stormy air.

45.
The inheritors of unfulfilled renown
Rose from their thrones, built beyond mortal thought,
Far in the Unapparent. Chatterton
Rose pale,--his solemn agony had not _400
Yet faded from him; Sidney, as he fought
And as he fell and as he lived and loved
Sublimely mild, a Spirit without spot,
Arose; and Lucan, by his death approved:
Oblivion as they rose shrank like a thing reproved. _405

46.
And many more, whose names on Earth are dark,
But whose transmitted effluence cannot die
So long as fire outlives the parent spark,
Rose, robed in dazzling immortality.
'Thou art become as one of us,' they cry, _410
'It was for thee yon kingless sphere has long
Swung blind in unascended majesty,
Silent alone amid a Heaven of Song.
Assume thy winged throne, thou Vesper of our throng! '

47.
Who mourns for Adonais? Oh, come forth, _415
Fond wretch! and know thyself and him aright.
Clasp with thy panting soul the pendulous Earth;
As from a centre, dart thy spirit's light
Beyond all worlds, until its spacious might
Satiate the void circumference: then shrink _420
Even to a point within our day and night;
And keep thy heart light lest it make thee sink
When hope has kindled hope, and lured thee to the brink.

48.
Or go to Rome, which is the sepulchre,
Oh, not of him, but of our joy: 'tis nought _425
That ages, empires and religions there
Lie buried in the ravage they have wrought;
For such as he can lend,--they borrow not
Glory from those who made the world their prey;
And he is gathered to the kings of thought _430
Who waged contention with their time's decay,
And of the past are all that cannot pass away.

49.
Go thou to Rome,--at once the Paradise,
The grave, the city, and the wilderness;
And where its wrecks like shattered mountains rise, _435
And flowering weeds, and fragrant copses dress
The bones of Desolation's nakedness
Pass, till the spirit of the spot shall lead
Thy footsteps to a slope of green access
Where, like an infant's smile, over the dead _440
A light of laughing flowers along the grass is spread;

50.
And gray walls moulder round, on which dull Time
Feeds, like slow fire upon a hoary brand;
And one keen pyramid with wedge sublime,
Pavilioning the dust of him who planned _445
This refuge for his memory, doth stand
Like flame transformed to marble; and beneath,
A field is spread, on which a newer band
Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath. _450

51.
Here pause: these graves are all too young as yet
To have outgrown the sorrow which consigned
Its charge to each; and if the seal is set,
Here, on one fountain of a mourning mind,
Break it not thou! too surely shalt thou find
Thine own well full, if thou returnest home,
Of tears and gall. From the world's bitter wind
Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?

52.
The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments. --Die,
If thou wouldst be with that which thou dost seek!
Follow where all is fled! --Rome's azure sky,
Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.

53.
Why linger, why turn back, why shrink, my Heart?
Thy hopes are gone before: from all things here
They have departed; thou shouldst now depart!
A light is passed from the revolving year,
And man, and woman; and what still is dear
Attracts to crush, repels to make thee wither.
The soft sky smiles,--the low wind whispers near:
'Tis Adonais calls! oh, hasten thither,
No more let Life divide what Death can join together.

54.
That Light whose smile kindles the Universe,
That Beauty in which all things work and move,
That Benediction which the eclipsing Curse
Of birth can quench not, that sustaining Love
Which through the web of being blindly wove
By man and beast and earth and air and sea,
Burns bright or dim, as each are mirrors of
The fire for which all thirst; now beams on me,
Consuming the last clouds of cold mortality.

55.
The breath whose might I have invoked in song
Descends on me; my spirit's bark is driven,
Far from the shore, far from the trembling throng
Whose sails were never to the tempest given;
The massy earth and sphered skies are riven!
I am borne darkly, fearfully, afar;
Whilst, burning through the inmost veil of Heaven,
The soul of Adonais, like a star,
Beacons from the abode where the Eternal are. _495

NOTES:
_49 true-love]true love editions 1821, 1839.
_72 Of change, etc. so editions 1829 (Galignani), 1839;
Of mortal change, shall fill the grave which is her maw edition 1821.
_81 or edition 1821; nor edition 1839.
_105 his edition 1821; its edition 1839.
_126 round edition 1821; around edition 1839.
_143 faint companions edition 1839; drooping comrades edition 1821.
_204 See Editor's Note.
_252 lying low edition 1839; as they go edition 1821.


CANCELLED PASSAGES OF ADONAIS.

[Published by Dr. Garnett, "Relics of Shelley", 1862. ]

PASSAGES OF THE PREFACE.

. . . the expression of my indignation and sympathy. I will allow myself
a first and last word on the subject of calumny as it relates to me.
As an author I have dared and invited censure. If I understand myself,
I have written neither for profit nor for fame. I have employed my
poetical compositions and publications simply as the instruments of
that sympathy between myself and others which the ardent and unbounded
love I cherished for my kind incited me to acquire. I expected all
sorts of stupidity and insolent contempt from those. . .

. . . These compositions (excepting the tragedy of "The Cenci", which was
written rather to try my powers than to unburthen my full heart) are
insufficiently. . . commendation than perhaps they deserve, even from
their bitterest enemies; but they have not attained any corresponding
popularity. As a man, I shrink from notice and regard; the ebb and
flow of the world vexes me; I desire to be left in peace. Persecution,
contumely, and calumny have been heaped upon me in profuse measure;
and domestic conspiracy and legal oppression have violated in my
person the most sacred rights of nature and humanity. The bigot will
say it was the recompense of my errors; the man of the world will call
it the result of my imprudence; but never upon one head. . .

. . . Reviewers, with some rare exceptions, are a most stupid and
malignant race. As a bankrupt thief turns thieftaker in despair, so an
unsuccessful author turns critic. But a young spirit panting for fame,
doubtful of its powers, and certain only of its aspirations, is ill
qualified to assign its true value to the sneer of this world. He
knows not that such stuff as this is of the abortive and monstrous
births which time consumes as fast as it produces. He sees the truth
and falsehood, the merits and demerits, of his case inextricably
entangled. . . No personal offence should have drawn from me this public
comment upon such stuff. . .

. . . The offence of this poor victim seems to have consisted solely in
his intimacy with Leigh Hunt, Mr. Hazlitt, and some other enemies of
despotism and superstition. My friend Hunt has a very hard skull to
crack, and will take a deal of killing. I do not know much of Mr.
Hazlitt, but. . .

. . . I knew personally but little of Keats; but on the news of his
situation I wrote to him, suggesting the propriety of trying the
Italian climate, and inviting him to join me. Unfortunately he did not
allow me. . .


PASSAGES OF THE POEM.

And ever as he went he swept a lyre
Of unaccustomed shape, and . . . strings
Now like the . . . of impetuous fire,
Which shakes the forest with its murmurings,
Now like the rush of the aereal wings _5
Of the enamoured wind among the treen,
Whispering unimaginable things,
And dying on the streams of dew serene,
Which feed the unmown meads with ever-during green.

. . .

And the green Paradise which western waves _10
Embosom in their ever-wailing sweep,
Talking of freedom to their tongueless caves,
Or to the spirits which within them keep
A record of the wrongs which, though they sleep,
Die not, but dream of retribution, heard _15
His hymns, and echoing them from steep to steep,
Kept--

. . .

And then came one of sweet and earnest looks,
Whose soft smiles to his dark and night-like eyes
Were as the clear and ever-living brooks _20
Are to the obscure fountains whence they rise,
Showing how pure they are: a Paradise
Of happy truth upon his forehead low
Lay, making wisdom lovely, in the guise
Of earth-awakening morn upon the brow _25
Of star-deserted heaven, while ocean gleams below.

His song, though very sweet, was low and faint,
A simple strain--

. . .

A mighty Phantasm, half concealed
In darkness of his own exceeding light, _30
Which clothed his awful presence unrevealed,
Charioted on the . . . night
Of thunder-smoke, whose skirts were chrysolite.

And like a sudden meteor, which outstrips
The splendour-winged chariot of the sun, _35
. . . eclipse
The armies of the golden stars, each one
Pavilioned in its tent of light--all strewn
Over the chasms of blue night--

***


HELLAS

A LYRICAL DRAMA.

MANTIS EIM EZTHLON AGONUN. --OEDIP. COLON.

["Hellas" was composed at Pisa in the autumn of 1821, and dispatched
to London, November 11. It was published, with the author's name, by
C. & J. Ollier in the spring of 1822. A transcript of the poem by
Edward Williams is in the Rowfant Library. Ollier availed himself of
Shelley's permission to cancel certain passages in the notes; he also
struck out certain lines of the text. These omissions were, some of
them, restored in Galignani's one-volume edition of "Coleridge,
Shelley and Keats", Paris, 1829, and also by Mrs. Shelley in the
"Poetical Works", 1839. A passage in the "Preface", suppressed by
Ollier, was restored by Mr. Buxton Forman (1892) from a proof copy of
"Hellas" in his possession. The "Prologue to Hellas" was edited by Dr.
Garnett in 1862 ("Relics of Shelley") from the manuscripts at Boscombe
Manor.

Our text is that of the editio princeps, 1822, corrected by a list of
"Errata" sent by Shelley to Ollier, April 11, 1822. The Editor's Notes
at the end of Volume 3 should be consulted. ]


TO HIS EXCELLENCY

PRINCE ALEXANDER MAVROCORDATO

LATE SECRETARY FOR FOREIGN AFFAIRS TO THE HOSPODAR OF WALLACHIA

THE DRAMA OF HELLAS IS INSCRIBED AS AN

IMPERFECT TOKEN OF THE ADMIRATION,

SYMPATHY, AND FRIENDSHIP OF

THE AUTHOR.

Pisa, November 1, 1821.


PREFACE.

The poem of "Hellas", written at the suggestion of the events of the
moment, is a mere improvise, and derives its interest (should it be
found to possess any) solely from the intense sympathy which the
Author feels with the cause he would celebrate.

The subject, in its present state, is insusceptible of being treated
otherwise than lyrically, and if I have called this poem a drama from
the circumstance of its being composed in dialogue, the licence is not
greater than that which has been assumed by other poets who have
called their productions epics, only because they have been divided
into twelve or twenty-four books.

The "Persae" of Aeschylus afforded me the first model of my
conception, although the decision of the glorious contest now waging
in Greece being yet suspended forbids a catastrophe parallel to the
return of Xerxes and the desolation of the Persians. I have,
therefore, contented myself with exhibiting a series of lyric
pictures, and with having wrought upon the curtain of futurity, which
falls upon the unfinished scene, such figures of indistinct and
visionary delineation as suggest the final triumph of the Greek cause
as a portion of the cause of civilisation and social improvement.

The drama (if drama it must be called) is, however, so inartificial
that I doubt whether, if recited on the Thespian waggon to an Athenian
village at the Dionysiaca, it would have obtained the prize of the
goat. I shall bear with equanimity any punishment, greater than the
loss of such a reward, which the Aristarchi of the hour may think fit
to inflict.

The only "goat-song" which I have yet attempted has, I confess, in
spite of the unfavourable nature of the subject, received a greater
and a more valuable portion of applause than I expected or than it
deserved.

Common fame is the only authority which I can allege for the details
which form the basis of the poem, and I must trespass upon the
forgiveness of my readers for the display of newspaper erudition to
which I have been reduced. Undoubtedly, until the conclusion of the
war, it will be impossible to obtain an account of it sufficiently
authentic for historical materials; but poets have their privilege,
and it is unquestionable that actions of the most exalted courage have
been performed by the Greeks--that they have gained more than one
naval victory, and that their defeat in Wallachia was signalized by
circumstances of heroism more glorious even than victory.

The apathy of the rulers of the civilised world to the astonishing
circumstance of the descendants of that nation to which they owe their
civilisation, rising as it were from the ashes of their ruin, is
something perfectly inexplicable to a mere spectator of the shows of
this mortal scene. We are all Greeks. Our laws, our literature, our
religion, our arts have their root in Greece. But for Greece--Rome,
the instructor, the conqueror, or the metropolis of our ancestors,
would have spread no illumination with her arms, and we might still
have been savages and idolaters; or, what is worse, might have arrived
at such a stagnant and miserable state of social institution as China
and Japan possess.

The human form and the human mind attained to a perfection in Greece
which has impressed its image on those faultless productions, whose
very fragments are the despair of modern art, and has propagated
impulses which cannot cease, through a thousand channels of manifest
or imperceptible operation, to ennoble and delight mankind until the
extinction of the race.

The modern Greek is the descendant of those glorious beings whom the
imagination almost refuses to figure to itself as belonging to our
kind, and he inherits much of their sensibility, their rapidity of
conception, their enthusiasm, and their courage. If in many instances
he is degraded by moral and political slavery to the practice of the
basest vices it engenders--and that below the level of ordinary
degradation--let us reflect that the corruption of the best produces
the worst, and that habits which subsist only in relation to a
peculiar state of social institution may be expected to cease as soon
as that relation is dissolved. In fact, the Greeks, since the
admirable novel of Anastasius could have been a faithful picture of
their manners, have undergone most important changes; the flower of
their youth, returning to their country from the universities of
Italy, Germany, and France, have communicated to their fellow-citizens
the latest results of that social perfection of which their ancestors
were the original source. The University of Chios contained before the
breaking out of the revolution eight hundred students, and among them
several Germans and Americans. The munificence and energy of many of
the Greek princes and merchants, directed to the renovation of their
country with a spirit and a wisdom which has few examples, is above
all praise.

The English permit their own oppressors to act according to their
natural sympathy with the Turkish tyrant, and to brand upon their name
the indelible blot of an alliance with the enemies of domestic
happiness, of Christianity and civilisation.

Russia desires to possess, not to liberate Greece; and is contented to
see the Turks, its natural enemies, and the Greeks, its intended
slaves, enfeeble each other until one or both fall into its net. The
wise and generous policy of England would have consisted in
establishing the independence of Greece, and in maintaining it both
against Russia and the Turk;--but when was the oppressor generous or
just?

[Should the English people ever become free, they will reflect upon
the part which those who presume to represent their will have played
in the great drama of the revival of liberty, with feelings which it
would become them to anticipate. This is the age of the war of the
oppressed against the oppressors, and every one of those ringleaders
of the privileged gangs of murderers and swindlers, called Sovereigns,
look to each other for aid against the common enemy, and suspend their
mutual jealousies in the presence of a mightier fear. Of this holy
alliance all the despots of the earth are virtual members. But a new
race has arisen throughout Europe, nursed in the abhorrence of the
opinions which are its chains, and she will continue to produce fresh
generations to accomplish that destiny which tyrants foresee and
dread. (This paragraph, suppressed in 1822 by Charles Ollier, was
first restored in 1892 by Mr. Buxton Forman ["Poetical Works of P. B.
S. ", volume 4 pages 40-41] from a proof copy of Hellas in his
possession. ]

The Spanish Peninsula is already free.
France is tranquil in the
enjoyment of a partial exemption from the abuses which its unnatural
and feeble government are vainly attempting to revive. The seed of
blood and misery has been sown in Italy, and a more vigorous race is
arising to go forth to the harvest. The world waits only the news of a
revolution of Germany to see the tyrants who have pinnacled themselves
on its supineness precipitated into the ruin from which they shall
never arise. Well do these destroyers of mankind know their enemy,
when they impute the insurrection in Greece to the same spirit before
which they tremble throughout the rest of Europe, and that enemy well
knows the power and the cunning of its opponents, and watches the
moment of their approaching weakness and inevitable division to wrest
the bloody sceptres from their grasp.


PROLOGUE TO HELLAS.

HERALD OF ETERNITY:
It is the day when all the sons of God
Wait in the roofless senate-house, whose floor
Is Chaos, and the immovable abyss
Frozen by His steadfast word to hyaline

. . .

The shadow of God, and delegate _5
Of that before whose breath the universe
Is as a print of dew.
Hierarchs and kings
Who from your thrones pinnacled on the past
Sway the reluctant present, ye who sit
Pavilioned on the radiance or the gloom _10
Of mortal thought, which like an exhalation
Steaming from earth, conceals the . . . of heaven
Which gave it birth. . . . assemble here
Before your Father's throne; the swift decree
Yet hovers, and the fiery incarnation _15
Is yet withheld, clothed in which it shall
annul
The fairest of those wandering isles that gem
The sapphire space of interstellar air,
That green and azure sphere, that earth enwrapped _20
Less in the beauty of its tender light
Than in an atmosphere of living spirit
Which interpenetrating all the . . .
it rolls from realm to realm
And age to age, and in its ebb and flow _25
Impels the generations
To their appointed place,
Whilst the high Arbiter
Beholds the strife, and at the appointed time
Sends His decrees veiled in eternal. . . _30

Within the circuit of this pendent orb
There lies an antique region, on which fell
The dews of thought in the world's golden dawn
Earliest and most benign, and from it sprung
Temples and cities and immortal forms _35
And harmonies of wisdom and of song,
And thoughts, and deeds worthy of thoughts so fair.
And when the sun of its dominion failed,
And when the winter of its glory came,
The winds that stripped it bare blew on and swept _40
That dew into the utmost wildernesses
In wandering clouds of sunny rain that thawed
The unmaternal bosom of the North.
Haste, sons of God, . . . for ye beheld,
Reluctant, or consenting, or astonished, _45
The stern decrees go forth, which heaped on Greece
Ruin and degradation and despair.
A fourth now waits: assemble, sons of God,
To speed or to prevent or to suspend,
If, as ye dream, such power be not withheld, _50
The unaccomplished destiny.

NOTE:
_8 your Garnett; yon Forman, Dowden.

. . .

CHORUS:
The curtain of the Universe
Is rent and shattered,
The splendour-winged worlds disperse
Like wild doves scattered. _55

Space is roofless and bare,
And in the midst a cloudy shrine,
Dark amid thrones of light.
In the blue glow of hyaline
Golden worlds revolve and shine. _60
In . . . flight
From every point of the Infinite,
Like a thousand dawns on a single night
The splendours rise and spread;
And through thunder and darkness dread _65
Light and music are radiated,
And in their pavilioned chariots led
By living wings high overhead
The giant Powers move,
Gloomy or bright as the thrones they fill. _70

. . .

A chaos of light and motion
Upon that glassy ocean.

. . .

The senate of the Gods is met,
Each in his rank and station set;
There is silence in the spaces-- _75
Lo! Satan, Christ, and Mahomet
Start from their places!

CHRIST:
Almighty Father!
Low-kneeling at the feet of Destiny

. . .

There are two fountains in which spirits weep _80
When mortals err, Discord and Slavery named,
And with their bitter dew two Destinies
Filled each their irrevocable urns; the third
Fiercest and mightiest, mingled both, and added
Chaos and Death, and slow Oblivion's lymph, _85
And hate and terror, and the poisoned rain

. . .

The Aurora of the nations. By this brow
Whose pores wept tears of blood, by these wide wounds,
By this imperial crown of agony,
By infamy and solitude and death, _90
For this I underwent, and by the pain
Of pity for those who would . . . for me
The unremembered joy of a revenge,
For this I felt--by Plato's sacred light,
Of which my spirit was a burning morrow-- _95
By Greece and all she cannot cease to be.
Her quenchless words, sparks of immortal truth,
Stars of all night--her harmonies and forms,
Echoes and shadows of what Love adores
In thee, I do compel thee, send forth Fate, _100
Thy irrevocable child: let her descend,
A seraph-winged Victory [arrayed]
In tempest of the omnipotence of God
Which sweeps through all things.

From hollow leagues, from Tyranny which arms _105
Adverse miscreeds and emulous anarchies
To stamp, as on a winged serpent's seed,
Upon the name of Freedom; from the storm
Of faction, which like earthquake shakes and sickens
The solid heart of enterprise; from all _110
By which the holiest dreams of highest spirits
Are stars beneath the dawn. . .
She shall arise
Victorious as the world arose from Chaos!
And as the Heavens and the Earth arrayed
Their presence in the beauty and the light _115
Of Thy first smile, O Father,--as they gather
The spirit of Thy love which paves for them
Their path o'er the abyss, till every sphere
Shall be one living Spirit,--so shall Greece--

SATAN:
Be as all things beneath the empyrean, _120
Mine! Art thou eyeless like old Destiny,
Thou mockery-king, crowned with a wreath of thorns?
Whose sceptre is a reed, the broken reed
Which pierces thee! whose throne a chair of scorn;
For seest thou not beneath this crystal floor _125
The innumerable worlds of golden light
Which are my empire, and the least of them
which thou wouldst redeem from me?
Know'st thou not them my portion?
Or wouldst rekindle the . . . strife _130
Which our great Father then did arbitrate
Which he assigned to his competing sons
Each his apportioned realm?
Thou Destiny,
Thou who art mailed in the omnipotence
Of Him who tends thee forth, whate'er thy task, _135
Speed, spare not to accomplish, and be mine
Thy trophies, whether Greece again become
The fountain in the desert whence the earth
Shall drink of freedom, which shall give it strength
To suffer, or a gulf of hollow death _140
To swallow all delight, all life, all hope.
Go, thou Vicegerent of my will, no less
Than of the Father's; but lest thou shouldst faint,
The winged hounds, Famine and Pestilence,
Shall wait on thee, the hundred-forked snake _145
Insatiate Superstition still shall. . .
The earth behind thy steps, and War shall hover
Above, and Fraud shall gape below, and Change
Shall flit before thee on her dragon wings,
Convulsing and consuming, and I add _150
Three vials of the tears which daemons weep
When virtuous spirits through the gate of Death
Pass triumphing over the thorns of life,
Sceptres and crowns, mitres and swords and snares,
Trampling in scorn, like Him and Socrates. _155
The first is Anarchy; when Power and Pleasure,
Glory and science and security,
On Freedom hang like fruit on the green tree,
Then pour it forth, and men shall gather ashes.
The second Tyranny--

CHRIST:
Obdurate spirit! _160
Thou seest but the Past in the To-come.
Pride is thy error and thy punishment.
Boast not thine empire, dream not that thy worlds
Are more than furnace-sparks or rainbow-drops
Before the Power that wields and kindles them. _165
True greatness asks not space, true excellence
Lives in the Spirit of all things that live,
Which lends it to the worlds thou callest thine.

. . .

MAHOMET:
. . . Haste thou and fill the waning crescent
With beams as keen as those which pierced the shadow _170
Of Christian night rolled back upon the West,
When the orient moon of Islam rode in triumph
From Tmolus to the Acroceraunian snow.

. . .

Wake, thou Word
Of God, and from the throne of Destiny _175
Even to the utmost limit of thy way
May Triumph

. . .

Be thou a curse on them whose creed
Divides and multiplies the most high God.


HELLAS.

DRAMATIS PERSONAE:

MAHMUD.
HASSAN.
DAOOD.
AHASUERUS, A JEW.
CHORUS OF GREEK CAPTIVE WOMEN.
[THE PHANTOM OF MAHOMET II. (OMITTED, EDITION 1822. )]
MESSENGERS, SLAVES, AND ATTENDANTS.

SCENE:
CONSTANTINOPLE.

TIME: SUNSET.

SCENE:
A TERRACE ON THE SERAGLIO.
MAHMUD SLEEPING,
AN INDIAN SLAVE SITTING BESIDE HIS COUCH.

CHORUS OF GREEK CAPTIVE WOMEN:
We strew these opiate flowers
On thy restless pillow,--
They were stripped from Orient bowers,
By the Indian billow.
Be thy sleep _5
Calm and deep,
Like theirs who fell--not ours who weep!

INDIAN:
Away, unlovely dreams!
Away, false shapes of sleep
Be his, as Heaven seems, _10
Clear, and bright, and deep!
Soft as love, and calm as death,
Sweet as a summer night without a breath.

CHORUS:
Sleep, sleep! our song is laden
With the soul of slumber; _15
It was sung by a Samian maiden,
Whose lover was of the number
Who now keep
That calm sleep
Whence none may wake, where none shall weep. _20

INDIAN:
I touch thy temples pale!
I breathe my soul on thee!
And could my prayers avail,
All my joy should be
Dead, and I would live to weep, _25
So thou mightst win one hour of quiet sleep.

CHORUS:
Breathe low, low
The spell of the mighty mistress now!
When Conscience lulls her sated snake,
And Tyrants sleep, let Freedom wake. _30
Breathe low--low
The words which, like secret fire, shall flow
Through the veins of the frozen earth--low, low!

SEMICHORUS 1:
Life may change, but it may fly not;
Hope may vanish, but can die not; _35
Truth be veiled, but still it burneth;
Love repulsed,--but it returneth!

SEMICHORUS 2:
Yet were life a charnel where
Hope lay coffined with Despair;
Yet were truth a sacred lie, _40
Love were lust--

SEMICHORUS 1:
If Liberty
Lent not life its soul of light,
Hope its iris of delight,
Truth its prophet's robe to wear,
Love its power to give and bear. _45

CHORUS:
In the great morning of the world,
The Spirit of God with might unfurled
The flag of Freedom over Chaos,
And all its banded anarchs fled,
Like vultures frighted from Imaus, _50
Before an earthquake's tread. --
So from Time's tempestuous dawn
Freedom's splendour burst and shone:--
Thermopylae and Marathon
Caught like mountains beacon-lighted, _55
The springing Fire. --The winged glory
On Philippi half-alighted,
Like an eagle on a promontory.
Its unwearied wings could fan
The quenchless ashes of Milan. _60
From age to age, from man to man,
It lived; and lit from land to land
Florence, Albion, Switzerland.

Then night fell; and, as from night,
Reassuming fiery flight, _65
From the West swift Freedom came,
Against the course of Heaven and doom.
A second sun arrayed in flame,
To burn, to kindle, to illume.
From far Atlantis its young beams _70
Chased the shadows and the dreams.
France, with all her sanguine steams,
Hid, but quenched it not; again
Through clouds its shafts of glory rain
From utmost Germany to Spain. _75
As an eagle fed with morning
Scorns the embattled tempest's warning,
When she seeks her aerie hanging
In the mountain-cedar's hair,
And her brood expect the clanging _80
Of her wings through the wild air,
Sick with famine:--Freedom, so
To what of Greece remaineth now
Returns; her hoary ruins glow
Like Orient mountains lost in day; _85
Beneath the safety of her wings
Her renovated nurslings prey,
And in the naked lightenings
Of truth they purge their dazzled eyes.
Let Freedom leave--where'er she flies, _90
A Desert, or a Paradise:
Let the beautiful and the brave
Share her glory, or a grave.

NOTES:
_77 tempest's]tempests edition 1822.
_87 prey edition 1822; play editions 1839.

SEMICHORUS 1:
With the gifts of gladness
Greece did thy cradle strew; _95

SEMICHORUS 2:
With the tears of sadness
Greece did thy shroud bedew!

SEMICHORUS 1:
With an orphan's affection
She followed thy bier through Time;

SEMICHORUS 2:
And at thy resurrection _100
Reappeareth, like thou, sublime!

SEMICHORUS 1:
If Heaven should resume thee,
To Heaven shall her spirit ascend;

SEMICHORUS 2:
If Hell should entomb thee,
To Hell shall her high hearts bend. _105

SEMICHORUS 1:
If Annihilation--

SEMICHORUS 2:
Dust let her glories be!
And a name and a nation
Be forgotten, Freedom, with thee!

INDIAN:
His brow grows darker--breathe not--move not! _110
He starts--he shudders--ye that love not,
With your panting loud and fast,
Have awakened him at last.

MAHMUD [STARTING FROM HIS SLEEP]:
Man the Seraglio-guard! make fast the gate!
What! from a cannonade of three short hours? _115
'Tis false! that breach towards the Bosphorus
Cannot be practicable yet--who stirs?
Stand to the match; that when the foe prevails
One spark may mix in reconciling ruin
The conqueror and the conquered! Heave the tower _120
Into the gap--wrench off the roof!
[ENTER HASSAN. ]
Ha! what!
The truth of day lightens upon my dream
And I am Mahmud still.

HASSAN:
Your Sublime Highness
Is strangely moved.

MAHMUD:
The times do cast strange shadows
On those who watch and who must rule their course, _125
Lest they, being first in peril as in glory,
Be whelmed in the fierce ebb:--and these are of them.
Thrice has a gloomy vision hunted me
As thus from sleep into the troubled day;
It shakes me as the tempest shakes the sea, _130
Leaving no figure upon memory's glass.
Would that--no matter. Thou didst say thou knewest
A Jew, whose spirit is a chronicle
Of strange and secret and forgotten things.
I bade thee summon him:--'tis said his tribe _135
Dream, and are wise interpreters of dreams.

HASSAN:
The Jew of whom I spake is old,--so old
He seems to have outlived a world's decay;
The hoary mountains and the wrinkled ocean
Seem younger still than he;--his hair and beard _140
Are whiter than the tempest-sifted snow;
His cold pale limbs and pulseless arteries
Are like the fibres of a cloud instinct
With light, and to the soul that quickens them
Are as the atoms of the mountain-drift _145
To the winter wind:--but from his eye looks forth
A life of unconsumed thought which pierces
The Present, and the Past, and the To-come.
Some say that this is he whom the great prophet
Jesus, the son of Joseph, for his mockery, _150
Mocked with the curse of immortality.
Some feign that he is Enoch: others dream
He was pre-adamite and has survived
Cycles of generation and of ruin.
The sage, in truth, by dreadful abstinence _155
And conquering penance of the mutinous flesh,
Deep contemplation, and unwearied study,
In years outstretched beyond the date of man,
May have attained to sovereignty and science
Over those strong and secret things and thoughts _160
Which others fear and know not.

MAHMUD:
I would talk
With this old Jew.

HASSAN:
Thy will is even now
Made known to him, where he dwells in a sea-cavern
'Mid the Demonesi, less accessible
Than thou or God! He who would question him _165
Must sail alone at sunset, where the stream
Of Ocean sleeps around those foamless isles,
When the young moon is westering as now,
And evening airs wander upon the wave;
And when the pines of that bee-pasturing isle, _170
Green Erebinthus, quench the fiery shadow
Of his gilt prow within the sapphire water,
Then must the lonely helmsman cry aloud
'Ahasuerus! ' and the caverns round
Will answer 'Ahasuerus! ' If his prayer _175
Be granted, a faint meteor will arise
Lighting him over Marmora, and a wind
Will rush out of the sighing pine-forest,
And with the wind a storm of harmony
Unutterably sweet, and pilot him _180
Through the soft twilight to the Bosphorus:
Thence at the hour and place and circumstance
Fit for the matter of their conference
The Jew appears. Few dare, and few who dare
Win the desired communion--but that shout _185
Bodes--

[A SHOUT WITHIN. ]

MAHMUD:
Evil, doubtless; Like all human sounds.
Let me converse with spirits.

HASSAN:
That shout again.

MAHMUD:
This Jew whom thou hast summoned--

HASSAN:
Will be here--

MAHMUD:
When the omnipotent hour to which are yoked
He, I, and all things shall compel--enough! _190
Silence those mutineers--that drunken crew,
That crowd about the pilot in the storm.
Ay! strike the foremost shorter by a head!
They weary me, and I have need of rest.
Kinks are like stars--they rise and set, they have _195
The worship of the world, but no repose.

[EXEUNT SEVERALLY. ]

CHORUS:
Worlds on worlds are rolling ever
From creation to decay,
Like the bubbles on a river
Sparkling, bursting, borne away. _200
But they are still immortal
Who, through birth's orient portal
And death's dark chasm hurrying to and fro,
Clothe their unceasing flight
In the brief dust and light _205
Gathered around their chariots as they go;
New shapes they still may weave,
New gods, new laws receive,
Bright or dim are they as the robes they last
On Death's bare ribs had cast. _210

A power from the unknown God,
A Promethean conqueror, came;
Like a triumphal path he trod
The thorns of death and shame.
A mortal shape to him _215
Was like the vapour dim
Which the orient planet animates with light;
Hell, Sin, and Slavery came,
Like bloodhounds mild and tame,
Nor preyed, until their Lord had taken flight; _220
The moon of Mahomet
Arose, and it shall set:
While blazoned as on Heaven's immortal noon
The cross leads generations on.

Swift as the radiant shapes of sleep _225
From one whose dreams are Paradise
Fly, when the fond wretch wakes to weep,
And Day peers forth with her blank eyes;
So fleet, so faint, so fair,
The Powers of earth and air _230
Fled from the folding-star of Bethlehem:
Apollo, Pan, and Love,
And even Olympian Jove
Grew weak, for killing Truth had glared on them;
Our hills and seas and streams, _235
Dispeopled of their dreams,
Their waters turned to blood, their dew to tears,
Wailed for the golden years.

[ENTER MAHMUD, HASSAN, DAOOD, AND OTHERS. ]

MAHMUD:
More gold? our ancestors bought gold with victory,
And shall I sell it for defeat?

DAOOD:
The Janizars _240
Clamour for pay.

MAHMUD:
Go! bid them pay themselves
With Christian blood! Are there no Grecian virgins
Whose shrieks and spasms and tears they may enjoy?
No infidel children to impale on spears?
No hoary priests after that Patriarch _245
Who bent the curse against his country's heart,
Which clove his own at last? Go!